莎士比亚sonnet73分析

你可望见我身上的 秋天， 光秃秃的枝条，焦叶 悬颤， 冷冷、空空、倾圮的 唱诗坛 可爱的鸟儿曾啁啾婉 啭。


In me thou see'st the twilight of such day, As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.



Figures of Speech
Metaphor
诗人将人的生命隐喻为一年的轮回、一日的更迭 ,以及火焰的生熄变化,指出人到了晚年,犹如黄叶零 落的秋天、犹如落霞消残的黄昏、犹如奄奄一息 的灰烬,生命即将结束,死亡即将来临,所以要抓住时 光的分分秒秒去珍惜生命、珍惜爱情、珍惜美。
Symbolism




你可见到我身上的火 光， 在其青春的余烬上卧 躺， 它定将熄灭于临终之 床， 连同其燃烧物一起消 亡。

This thou perceiv'st, which makes thy love more strong,
，

明乎此，你的爱会更 浓烈， 好好爱吧－不久，你 将离别。


To love that well which thou must leave ere long.
Meter Form Rhyme
This poem has the three initial quatrain (四行诗节) equally and continuously at work preparing for the concluding couplet(结尾对句). It's written in iambic pentameter（五音步抑扬格） abab cdcd efef gg




你可见到我身上的黄 昏， 如落日在西天渐渐消 隐； 未几，黑夜－取代死 神化身， 于安息之中将万物封 存。




In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consum'd with that which it was nourish'd by.

That time of year thou mayst in me behold, When yellow leaves, or none, or few, do hang, Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang.
End rhyme
Imagery

The poet does not say directly about the coming of death, but uses three concrete images to show the approaching extinction. The audience sees more vividly and more directly the “ruined” health, the “fading” of life, the exhausion (“consumed”) which accompany the coming of his death. The images enable the reader to feel, rather than abstractly understand, the condition of the speaker’s health and grasp the fact in a more memorable way. 在第一个四行组中诗人以简练的粗线条勾画出一幅凋零、寒峭、 冷寂的严冬景象； 在第二个四行组中，诗人描写了一天中日薄西山、大地昏冥的黄 昏情景； 在第三个四行组中，诗人把自己描写成像“躺在自己青春余烬上 闪烁微光”一样的残光余焰，火将灭，热将散。

dying year autumn
dying day dying fire twilight ashesTone
Almost desperate The whole sonnet works against the convention of love as a youthful, passionate, springtime phenomenon; there are no “rosy cheeks and lips” in this poem. In the couplet the poet seems to acknowledge, beneath the overt sense of the words, that his young lover will not find him more attractive because of his imminent death. Thus the lines may be read as a bitter indictment rather than a passionate plea.