Scent of a Woman

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闻香识女人 观后感 英文

闻香识女人 观后感 英文

闻香识女人观后感英文Scent of a Woman - A ReflectionWalking into a room, a familiar scent wafts through the air. It triggers a cascade of memories and emotions, taking me back to a particular moment in time. Such is the power of fragrance. The association between scent and memory is undeniably captivating, invoking a complex array of feelings that can transport us to another world.The notion that a scent can define a person is not at all far-fetched. In fact, the idea of "scent of a woman" has been immortalized in literature and cinema, encapsulating the essence of femininity. Whether it's the heady bouquet of roses or the musky notes of sandalwood, women have long embraced the power of scent as an extension of their identity and a means of self-expression.In the 1992 film "Scent of a Woman", directed by Martin Brest, Al Pacino delivers an unforgettable performance. He plays the role of Lt. Col. Frank Slade, a blind, retired army officer who embarks on a journey with a young man named Charlie, played by Chris O'Donnell. Through their shared experiences, the film explores themes of friendship, personal growth, and the inherent beauty of life.One of the most captivating aspects of the film is Lt. Col. Slade's acute sense of smell. Despite being blind, he navigates the world with great confidence, partially due to his ability to discern scents. His olfactory prowess serves as a metaphor for the way in which we perceive the world around us. It reminds us that there is more to life than what meets the eye – that our senses, including our sense of smell, can unlock a deeper understanding of our surroundings.Throughout the movie, the scent of women plays a significant role. Lt. Col. Slade's ability to identify and differentiate between the perfumes worn by different women adds depth to his character. It is almost as if he can "see" a person through their fragrance. This notion resonates with the idea that scent can evoke powerful emotions and memories, serving as a window into a person's soul.The significance of scent in the film extends beyond individual characters. It also symbolizes the allure and mystery of women in general. Just as each fragrance carries its unique aroma, women possess their own individuality. The film suggests that by taking the time to truly understand a woman, we can appreciate the intricacies of her character, much like deciphering the complexities of a perfume.Furthermore, "Scent of a Woman" highlights the transformative power of experiencing new scents. Throughout the narrative, Charlie undergoes a personal journey, evolving from a young, naive student into a man with a newfound appreciation for life. This transformation is catalyzed by his encounters with different women and their respective fragrances. Each scent serves as a catalyst, pushing Charlie out of his comfort zone and exposing him to the vibrant tapestry of life.The film's exploration of scent goes beyond the superficial. It delves into the deeper connection between scent and memory, the way in which a fragrance can transport us to distant places and resurrect long-forgotten emotions. There is something undeniably enchanting about encountering a scent that evokes memories of childhood, a loved one, or a significant moment in time. It is as if time collapses, and we are transported back to that very moment, experiencing it all over again.As my reflections on "Scent of a Woman" draw to a close, I am struck by the profound impact that fragrance can have on our lives. It is a lingering, intangible presence that we carry with us, a reminder of who we were, who we are, and who we aspire to be. Just as each perfume tells a story, we too are the authors of our own olfactory tales.In conclusion, scent is a powerful tool that can shape our perception of the world and influence our emotions. It adds depth and intricacy to the human experience, connecting us to our past, present, and future. "Scent of a Woman" offers a compelling reminder of the beauty and complexity of life, and how the fragrances we encounter along the way contribute to our ever-evolving narrative. Let us embrace the power of scent and allow it to guide us on our journey of self-discovery.。

闻香识女人

闻香识女人

Title:Scent of a womanRelease date:Dec. 1992 USA Director:Martin BrestCast:Al panico、Chris O’Donnel Genre: dramaRuntime:156 minDate:19 Jan 2009 again Cinema:Home DVD9这是让Al panico问鼎奥斯卡影帝的作品,谁能想到一个以演黑手党成名的演员最后成就影帝的作品竟然是一部文艺片!谁说他只能演黑帮?谁说他的演技总是靠眼神取胜?请允许我模仿他那美式口音夹杂浓重鼻音发出的标志性“哈~哈~”!这部电影叫做“闻香识女人”这名字诗意而又浪漫,其实并不贴合电影主题,这是一部没有女主角的两个男人之间彼此救赎灵魂的故事。

说起来,似乎Al panico的电影鲜少有鲜明的女主角,他总是诠释男人的世界男人的情感。

电影开场是一段节奏紧凑明快的钢琴独奏,那是让心灵彻底解除桎梏可以步伐轻盈奔跑的愉快旋律,那是周六的清晨刚刚结束了考试有着悠长假期可以奔跑在洒满阳光的校园的轻松惬意感觉。

随着镜头在校园的穿行,我们看到了Charlie,一个有着清澈的湛蓝眼珠、白皙透明皮肤的干净男孩,那是一张不谙世事的脸,善良、正直和一点软弱。

当然,也没有粉刺呵呵。

Frank是一个有着26年戎马生涯的中校,曾经叱咤风云风光无限,却因一次军事演习中的失误而失明,这不算光荣的负伤让他彻底告别军人生涯,从此在孤独、愤恨和黑暗中渡过漫长的生命。

两人的交集来自于Charlie为了筹集圣诞节回家的机票而从事的感恩节周末打工。

两个男人,一老一少,一次原本计划结束生命之前的旅行。

最繁华的城市,最高级的酒店、奢侈的餐厅……这是中校在缅怀自己的辉煌年代,在他熟悉的各个角落细细找寻那些曾经属于他的光荣与梦想。

在著名的Por Una Cabeza刚柔并济的旋律里,高傲的舞步蔑视一切,那段浪漫的tango 堪称神来之笔,心灵随着足尖的转动轻舞飞扬,Frank露出久违的笑容,他那性感的舞伴笑的如此甜美,此时他是否能感受到昏睡灵魂的觉醒?感受刺破黑暗的一丝光芒?在狭窄空旷的街道上他仿佛回到当年的风光无限,他疯狂的开着火红色的法拉利在十字路口猛然转弯,耳边呼呼的风声让他热情洋溢,他大声笑着叫着,回味着曾经的美好。

中英文对照 Scent Of A Woman《电影闻香识女人》剧本

中英文对照 Scent Of A Woman《电影闻香识女人》剧本

Scent Of A Woman《闻香识女人》-Board: “Thanksgiving weekend jobs”“感恩节周末征人”“Care of Housebound Relative”relative: 亲人“感恩节周末照顾亲人”-Havemeyer: I wish you wouldn't do that around me. It's so filthy! filthy: 肮脏的在我身边最好别抽,太恶心了!-George: Don't give me a problem about the cigarettes any more. problem: 难题 cigarette: 香烟别再烦我了!-Havemeyer: It's such a filthy habit.habit: 习惯这是坏习惯。

Oh,my God! Look at this.老天!看这玩意!-George: Oh, Jesus!Jesus: 耶稣(基督教创始人)上帝!-Havemeyer: This is so appalling!appalling: 令人震惊的太过份了!-George: I can't believe it!believe: 相信难以置信!I can't believe they gave it to him.竟然会给他!-Havemeyer: Ah, this is pathetic !pathetic: 悲哀的真悲惨!Now he's a loser with a jaguar.loser: 失败者 jaguar:(中文译捷豹,港译积架)是最具有英国特色的豪华汽车开捷豹的失败虫。

-George: Seriously, who did he have to blow to get that thing? seriously: 认真地 blow: 吹到底他拍对了谁的马屁?Good morning, sir.早上好,先生。

英文影评资料之闻香识女人Scent of a Woman

英文影评资料之闻香识女人Scent of a Woman

年轻的学生查理(克里斯奥唐纳饰)无意间目睹了几个学生准备戏弄校长的过程,校长让他说出恶作剧的主谋,否则将予以处罚。

查理带着烦恼来到退伍军人史法兰中校(埃尔·帕西诺饰)家中做周末兼职。

中校曾经是林登·贝恩斯·约翰逊总统的幕僚,经历过战争和许多挫折,在一次意外事故中双眼被炸瞎。

他整天在家里无所事事,失去了生活下去的勇气和信心。

他准备用尽最后的精力享受一次美好的生活。

他带着查理出游、吃佳肴、开飞车、跳探戈、住豪华酒店……然后想就此结束自己的生命。

查理竭力阻止了中校的自杀行为,从此他们之间萌生如父子般的感情。

史法兰也找回了生活下去的勇气和力量。

影片最后史法兰在学校礼堂激昂演说,挽救了查理的前途,讽刺了学校的伪善。

二人在互相鼓舞中得到重生。

长期的失明生活使得史法兰中校对听觉和嗅觉异常敏感,甚至能靠闻对方的香水味道识别其身高、发色乃至眼睛的颜色。

其实这都源于他对生活的深刻理解和感悟。

[编辑本段]精彩看点精彩剧照一次意外的邂逅、一场“性感”的探戈、一出恣意的飙车和一段酣畅淋漓的演讲为我们完整地勾勒出生命从“毁灭”到“重生”的全部过程。

该片是一部1975年意大利影片的重拍版,原版改编自小说。

本片取名为《闻香识女人》精妙之极,演员阵容也是典型的新老结合搭档。

老牌明星艾尔·帕西诺曾经主演过《教父》等名片,他这部影片中的表演丝丝入扣打动人心,准确地揭示了失明退伍军人的内心世界。

其精湛的演技使他第6次获奥斯卡金像奖提名,这一次终于如愿以偿,获得1993年第六十五届奥斯卡最佳男主角奖,同时获得金球奖最佳男演员奖。

克里斯·奥唐纳大家现在对他不会陌生,可当年他还只是一个刚刚毕业的学生,凭本片的表现在好莱坞站稳脚跟,后来在《蝙蝠侠与罗宾》等片中都有上佳表现,《垂直极限》中也有他的身影。

大家如果留意的话,在本片中饰演校长一角的演员也不陌生,他就是《天煞——地球反击战》中那个被解职的国防部长。

英文影评:scent of women(闻香识女人)

英文影评:scent of women(闻香识女人)

院系:外语系班级:学号:姓名:jinnyReview of Scent of a WomanHearing the movie Scent of a Woman, I thought it is the kind of movie with romantic plots. However the movie called "Scent of a Woman" with no real women? more precisely, it is a movie about men(Frank and Charlie),though there is a scene in the movie in which Frank takes beautiful Gabrielle to the dance floor at the Waldorf Astoria for an impromptu tango performance. I enjoyed watching this movie even more because it reminded me so much of my difficulty in life.Retired and blind Lieutenant Colonel Frank Slade is a man with a very complex and powerful personality. When his daughter hires Charlie Simms, who is a student from a poor family at a prep school in New Hampshire, to take care of him over the Thanksgiving weekend, he is in for a roller-coaster ride. Within moments of the daughter leaving for a family reunion, Frank and Charlie are on a plane to New York City. Frank's plan: stay at the Waldorf Astoria, eat at the Oak Room, dance and make love to a beautiful woman, and then kill himself. Charlie is also facing some of his own challenges at school. He is caught up in the dilemma between a bright future in Harvard and getting expelled from the school, all depending on whether to speak out the pranksters in a disciplinary hearing. They are both at the crossroads of their life.During their stay in New York, they experienced a lot of adventures ,at the same time they get to know each other and have gradually influenced each other. Charlie persuades Frank to live on and Frank, while Frank’s powerful speech shocked the Students’ Committee in Baird , made Charlie get no punishment. This is a film about struggles in life and finally finding the meaning of it, full of wit and philosophy. Life is full of dilemma, obstacles and mistakes. The film is supposed to tell us the right attitude towards life: to make a right decision, to hold on and to live on.“If you’re tangled up, just tango on.” It is certainly the most quotable sentence in the whole movie. Frank asks a beautiful lady to tango with him by saying this.Later, Charlie reminds him of it when he is about to hysterically shoot himself to death.I remember the poem never give up written by Churchill. Never give up. Never lose hope. Always have faith. It allows you to cope. Trying times will pass, as they always do. Just have patience, your dream will come true. So put on a smile, you'll live through your pain. Know it will pass. Hold every minute in our life, go out to realize our dream in our heart! Nobody’s life can be always problem-free and full of sunshine. What matters is how to face it. If you never give up under any situation, then you can overcome the difficulties, get out of the difficult positions and obtain success.When we say “Never give up”, tha t means we go ahead in the adverse circumstances. That means we are in the advantageous circumstances, for we still keep on going. We should always keep in mind the three words—never give up.There are many films you can gain strength from them. The Scent of a Woman is one of them, but unlike them, this one is stronger. R emember the sentence“If you’re tangled up, just tango on.”jinny。

剧情介绍英文--《闻香识女人》ppt课件

剧情介绍英文--《闻香识女人》ppt课件
2
Frank Slade —— a retired U.S. Army officer Lieutenant Colonel, a middle-aged man who is now
blind and impossible to get along with.
3
New York. Day 2
When Charlie wakes up, Frank is going to make tailor-made clothes for himself and Charlie ,because he plans to visit his brother's home today. 4
New York. Day 2
Meawhile Charlie call George and ask what the plan is, no move, see no evil, hear no evil, but Frank tell Charlie to be carefu5l.
There are two kinds of people in this world: those who stand up and face the music, and those who cover. 世上有两种人,一种勇于面对问 题,另一种回去寻找靠山
6
New York. Day 2
When they get the place of Frank's brother, Frank is very excited, but it seems the
to leave him alone, but Charlie suggest to go for a ride.
12

闻香识女人Scent of a woman 视听说PPT

闻香识女人Scent of a woman 视听说PPT
This is what an American pursues life-long. Achieve it, he will be a successful man, if not he will be mediocre all life.
• 2.People’s different characters, and their attitude to others especially those who has the same experience with Frank. A. School’s attitude to Chalie; B. Frank’s brothers’ attitude to him; C. Chlie’s attitude to Frank.
Smell
• Frank has a sensitive smell of women’s perfume. • Frank is a blind man, so he recognizes people from their
perfume, especially women. • Frank’s sensitive smell inflects his desire for women.
• 3. What a shame. 真是耻辱。
• 4. l show you out of order. 我告诉你什么叫过份。
• 5. l have been around, you know ? 我是见过世面的。
• 6. You are executing his soul ! 我说你是处死了他的灵魂 。
Questions
• 1.What the title “Scent of a woman” implies? • 2.Do you think Charlie made a right choice?

[闻香识女人]Scent of a Woman英文台词

[闻香识女人]Scent of a Woman英文台词

闻香识女人(英文版)I wish you wouldn't do that around me. It's so filthy !- Don't give me a problemabout the cigarettes.- It's such a filthy habit.Oh, my God !Look at this.Oh, Jesus !This is so appalling !I can't believe it !I can't believethey gave it to him.Ah, this is pathetic !Now he's a loserwith a Jaguar.Seriously, who did he have to blowto get that thing ?- Good morning, sir.- Mr. Willis.- It's really, uh,- Mr. Trask !quite a pieceof machinery.- Good morning, Havemeyer.- Morning to you, sir.- Bene !- Bene ?- Bene ! Fabulous !- What's fabulous ?That fine piece of steelyou have back there.Ah, you don't thinkI deserve it.No, sir. On the contrary.I think it's great.Should the headmaster of Baird be seen putt-putting around in some junker ?In fact, I think theboard of trustees have had...their first, true strokeof inspiration in some time.Thank you, Havemeyer.I'll take that at face value.I'd expectnothing less, sir.Have a good day.- Morning, Mrs. Hunsaker.- Good morning.What have we here,Murderer's Row ?- What was that about ?- Nothing. Just saying hello.I like to say helloto Headmaster Trask.Sugarbush. Lift tickets andcondo vouchers.- I thought we were goin' to Stowe.- Sugarbush is Stowe, Jimmy.We're doing it right. Thanksgivingin Vermont, Christmas in Switzerland -- -Christmas in Gstaad is gonna cost us -- -'Staad.The "G" is silent.'Staad. George ?- 'Staad.- Trent ?- 'Staad, man.- So what about 'Staad ?Fine. The "G" may be silent,but it's gonna take at leastthree grand to get there.- I'll talk to my father.- Better yet, have my fathertalk to your father.Or my fathertalk to your father.You goin' homethis weekend, Chas ?Uh, I don't know.You goin' home to fuckin' Idahofor Thanksgiving ?I'm from Oregon.I meant fuckin' Oregon.-Charlie, how do you feel about skiing ? -[ Laughing ]You in the mood forthe white-bosomed slopes of Vermont ?Got a deal going.% off for my friends.My father set it up.Christmas in Switzerland.- 'Staad.- Gstaad. Dropping the "G" is phony.- You said everybody says 'Staad.- Not if you've been there.Easter in Bermuda,then Kentucky Derby weekend.We could fit you in, kid.Well, how much arethese white-bosomed slopes of Vermont ? Twelve hundred !Includes a nine-course,champagne thanksgiving dinner.$ is a little richfor my blood, Harry.Well, how shortare you ?How short, Harry ?So short it wouldn't be worth the trouble of you and George to measure.- But, thanks for askin', all right ?- Mm-hmm.- If you change your mind --- What'd you do that for ?You know he's on aid.On major holidays, Willis, it's customary for the lord of the manor...- to offer drippings to the poor.- You're so full of shit !- Hi. Mrs. Rossi ?- Yes ?I'm here aboutthe weekend job.Come on in.[ Children Chattering ]Does he got pimples ?He hates pimples.Francine, be quiet.Pimples. Pimples.Yeah.Shush !- The school gave me your name,but I've forgotten it.- It's Charlie Simms.- How are you, Charlie ?- Fine, thanks.Right this way.- You're available the whole weekend ? - Uh, yeah.- Not going home for Thanksgiving ? - No.[ Mrs. Rossi ]Good.They put him in a veteran's home,but he hated it,so I told my dadthat we'd take him.Before you go in, do you mindmy telling you a few things ?Don't "sir" him and don't ask himtoo many questions.And if he staggers a little whenhe gets up, don't pay any attention. [ Sigh ] Charlie, I can tell you'rethe right person for the job.and Uncle Frank'sgonna like you a lot too.Uh, where you gonna bethis weekend ?We're driving to Albany.Donny, my husband,has family there.- Do you want Tommy in or out ?- [ Man ] Leave him out !He's chasin' that Calico ginchfrom the track houses again !Down deep, the manis a lump of sugar.- Sir ?- Don't call me sir !I-I'm sorry.I mean mister, sir.Uh-oh, we got a moron here,is that it ?Uh, that is --Uh, Lieutenant.Yes, sir, Lieu--Lieutenant Colonel.years on the line, nobody everbusted me four grades before.Get in here,you idiot !Come a little closer. I wanna get a better look at ya.How's your skin, son ?My skin, sir ?- Oh, for Christ's sake.- I'm sorry, I don--Just call me Frank.Call me Mr. Slade.Call me Colonel, if you must.Just don't call me sir.All right, Colonel.Simms, Charles.A senior.- You on student aid, Simms ?- Uh, yes, I am.For "student aid"read "crook."Your father peddles car telephonesat a % markup.Your mother works on heavy commission in a camera store.Graduated to itfrom espresso machines.Hah-hah !What are you, dying ofsome wasting disease ?No, I'm right --I'm right here.I know exactly whereyour body is.What I'm lookin' foris some indication of a brain.Too much footballwithout a helmet ?Hah ! Lyndon's lineDeputy Debriefer,Paris Peace Talks, '.Snagged the Silver Starand a silver bar. Threw me into G-.G- ?Intelligence,of which you have none.[ Yelling ]Where you from ?Um, Gresham, Oregon,s-- Colonel.What does your daddy doin Gresham, Oregon ?Hmm ? Count wood chips ?Uh, my stepfather and my momrun a convenience store.- How convenient ! What time they open ? - : A.M.- Close ?- : A.M.Hard workers.You got me allmisty-eyed !So, what are you doin' herein this sparrow-fart town ?I, l--I attend Baird.Attend Baird !I know you goto the Baird school.Point is,how do you afford it,even with the student aid andthe folks back home hustlin' corn nuts ? [ Sigh ] I won a, uh,Young America merit scholarship.Whoo-ah !Glory, gloryHallelujah ?Glory, gloryHallelujah ?- [ Knocking ]- Who's there ?- [ Knocking ]- That little piece of tail ?Get her outta here ![ Girl Giggling ]Yeah.Can't believethey're my blood.I.Q. of sloths andthe manners of banshees.He's a mechanic,she's a homemaker.He knows as much about carsas a beauty queen,and she bakes cookies,taste like wing nuts.As for the tots,they're twits.How's your skin, son ?I like my aides to be presentable. Well, I --I've had a few zits.Um, but my roommate, he lent me his Clinique because he's from -- "The History of My Skin,"by Charles Simms.You patronizing me,peewee ? Hmm ?You givin' me that oldprep school palaver ?Baird School !A bunch of runny-nosed snotsin tweed jackets...all studyin'to be George Bush.Well...I believe President Bushwent to Andover, Colonel.You sharpshootin' me, punk ?Is that what you're doin' ?Don't yousharpshoot me !You'll give me forty.Then you're gonna give meforty more.Then you're gonna pull K.P.,the grease pit !I'll rub your nosein enlisted men's crud...till you don't know which end is up ! You understand ?Yeah.- What do you want ?- What do you mean, what do I want ? What do you want here ?I wa-want a job.A job !Yeah, I want a jobso I can make, you know,my plane fare homefor Christmas.Oh.God, you're touching ![ Radio ]...from the banksOf themighty Mississippi ?Workin'the whole night through ?Till theriverboat gamblers ?Stop to make a killin'Bring it on back to you ЁStill here, poormouth ?Hmm ?Convenience store...my ass !Hustlin' jalapeno dipsto the appleseeds.Go on.Dismissed.Dismissed ![ Radio ]EvangelineEvangeline- [ Children Chattering ]- [ Charlie ] Mrs. Rossi ?Charlie, we're up here !Come on up.- Uh, this is Donny.- Hey, Charlie.Hi.Uh, Mrs. Rossi,I got the feelin' I screwed up.- Oh, you couldn't have.- It was a bad interview.That was no interview, Charlie.You're it.You're the only one that showed up. You have to take the job.He sleeps a lot. You canwatch television, call your girlfriend.I promise you,an easy bucks.[ Sigh ] I don't getan easy feeling.[ Sigh ]His bark is worsethan his bite.He was a great soldier,a real hero.The man grows on you !By Sunday night,you'll be best friends.[ Sigh ]Charlie, please.I want to get away for a few days, and Uncle Frank won't come with us. Six months ago, he could sometimes tell light from dark,but now there's nothing.I feel better havingsomeone else around just in case. Please ?Okay, Mrs. Rossi.Sure.- [ Sigh ] Thank you, Charlie.- Come here, you.There you go.[ George ]Chas ! Chas, hold up !- How ya doin' ?- I'm good.That's great.This can't go out.This is on reserve.Here's the thing.I need the book tonight...- for a Thanksgiving quiz withbig-shit Preston in the morning.- Yeah, I know.That's why he put it on reserve. This is our only copy.Chas, I'm pullin'an all-nighter.Without that bookI'm dead, okay ?If it's not back by :,it's gonna be my ass.Oh, I promise.I promise.- [ Whispering ] Got it ?- Yeah.Just a second.I gotta lock up.Okay.God, can you wait to get outof this dump or what ?Where you guysgoing skiing again ?- Sugarloaf or --- It's bush, Chas, Sugarbush.That's my boys. [ Whistles ] What are you doin' ?Keep your voice down !I'll tell you about itin the morning.- Shh.- Wha--- Miss Hunsaker, have a nice day ? - George, why all the noise ?[ Whispering ]It's hunsaker ! Go ! Go !I was justmessin' around with Chas.- Good evening, Charles.- Hi, Mrs. Hunsaker.- What was that ?- I don't know, ma'am.- Who were those boys ?What were they doing ?- Oh, who knows ?- Charles ?- Um --- Did you make this scarf yourself ? - No, George, I bought it.- 'Cause it's a beauty. It really is.- Thank you, George.In case I don't see you beforethe Thanksgiving holidays,- why don't you give meone of your big hugs ?- Oh, George !- Please ? Come on.- Good evening, boys.Good-bye,Mrs. Hunsaker.[ Jimmy On Loudspeaker ]Mr. Trask is our fearless leader,a man of learning,a voracious reader.He could recite the "Iliad"in ancient greek...while fishing for troutin a rippling creek.Endowed with wisdom,of judgement sound, nevertheless about himthe questions abound.[ Hissing Sound ]How does Mr. Traskmake such wonderful deals ?Why did the trusteesbuy him Jaguar wheels ?He wasn't conniving !He wasn't crass !He merelypuckered his lips...- and kissed their ass !- [ Boys Laughing ]Come on.Come on.One more !One more, come on ![ Whistling, Cheering ]Aah !Fuck you ![ Trask ]Mr. Simms, Mr. Willis.Hmm.Mrs. Hunsaker says that you gentlemen were at a vantage point last night...to observe who wasresponsible for this, uh,stunt.Who was it ?I really couldn'ttell you, sir.Um, I thought I saw someonefooling with the lamppost,but by the time I pulled focus,they were gone.Mr. Simms ?I couldn't say.That automobile is notjust a possession of mine.That automobile was presentedto me by the Board of Trustees.It is a symbol of the standardof excellence for whichthis school is known,and I will nothave it tarnished.The automobile ?The standard,Mr. Willis.- What's your position, Mr. Simms ?- On what, sir ?On preserving thereputation of Baird.- I-I'm for Baird.- Then, who did it ?I really couldn't say for sure.Very well.First thing Monday,I'm convening a special session...of the student-facultydisciplinary committee.As this is a matter whichconcerns the whole school,the entire student bodywill be present.There will be no classes,no activities.Nothing will transpireat this institution...until that proceedingis concluded.And if, at that time,we are no further along than we are now, I will expel you both.[ Clearing Throat ]Mr. Willis,would you excuse us ?Have a nice Thanksgiving.Thank you.You too, Mr. Willis.I will.[ Door Closing ]Mr. Simms.I'm not quite throughwith you yet.One of the few perksof this office is that...I am empowered to handlecertain matters on my own as I see fit. Do you understand ?- Yes, sir.- Good.The Dean of Admissions at Harvard and I have an arrangement.Along with the usual sheaf of applicants submitted by Baird,of which virtually,oh, two-thirds areguaranteed admittance,I add one name,somebody who's a standoutand yet, underprivileged;a student who cannot afford to pay the board and tuition in Cambridge. Do you know on whose behalfI drafted a memo this year ?- No, sir.- You. You, Mr. Simms.Now can you tell mewho did it ?No, sir, I can't.You take the weekendto think about it, Mr. Simms.Good afternoon.What'd he say ?- Nothin'.- What do you mean, nothing ?He said the same thing.He just said it over.You know whathe's doing ?He's good-cop,bad-coppin' us.He knows I'm old guard.You're fringe.He's gonna bear down on meand soft-soap you.[ Laughing ]Did he try to soft-soap you ? Did he ? No.Chas, I detect a slight panic pulse from you. Are you panicking ?- Yeah, a little.- Come on.- You're on scholarship, right ?- Yeah.You're on scholarshipfrom Oregon... at Baird.You're a long way from home, Chas. What's that got to dowith anything ?I don't know howit works out there.But how it works here ?We stick together.It's us against them,no matter what.We don't cover our ass.We don't tell our parents.Stonewall everybody !And above all,never, never...Leave any of ustwisting in the wind.And that's it.What does that have to dowith me being on scholarship ? Hey, hey !I'm just tryin' to bring youup to speed, kid, that's it.Thanks.I'll tell you what. Give me a few hours to figure out the moves,and call me tonightin Vermont.I'll be at the Sugarbush lodge,all right ?All right.You all right ?Yeah, I guess so.Okay.Try to keep him downto four drinks a day.If you can keep him down to forty, you're doin' good.Try to water them down a little.Do you know how to do that ?- It's a long ride, honey !- Get the bags in the car.I'll be right out.Mommy, Mommy !Don't forget Uncle Frank's walk.[ Mrs. Rossi ]Oh, ha... Yeah.Uh, you have toair him out...a little every day.Why don't you go on back there,get yourself oriented ?I'll come out in a minute,give you telephone numbers and stuff. [ Frank ] Well, I wouldn't trya thing like that...unless I knew,would I ?Just let mespeak to her.Hello, beautiful.Is that you ?Yeah,we spoke yesterday.[ Chuckling ] You have a glass of wine with lunch ?You sounda little dusky. Hmm.- [ Clearing Throat ]- Just a minute, sweetheart.You're back, huh ?Tenacious !Get out my dress blues.They're in a garment bag in the closet. Check the top dresser drawer.Take out the shoulder boards...and affix themshoulders right and left,A.S.A.P.That means now.Hello.Sorry to keep youwaitin', sweetheart.I'm not the kind of guywho likes to rush things,but I'm catchin' a :at Logan, lookin' out my window, and there's not a taxi in sight.What happened to Chet ?He didn't investin a radio yet ?Hah ! Well,get your driver on it.Tell him to geta move on.Yes. Mmm.Some kind of body has got to gowith that bedroom voice.One day I'm gonna swing by,get a better look at it.You bet.Bye.My val-pak's underneath the bed. Get it out.Put the boards on the bluesand fold 'em in.Uh, are we going someplace, Colonel ?What business is that of yours ? Don't shrug, imbecile.I'm blind. Save your body language for the bimbi.- Now, get my gear out.- Francine, get in the car.It's almost :. The goddamn Flintstones haven't left yet.[ Mr. Rossi ] Willie Rossimust go in the car !- Here comes Mrs. Rossi now.- Damn it !She said good-bye to methree times today.What's she got,separation anxiety ?Cut her offat the door !Hi, honey.Bye, honey.I wish you werecoming with us.Me too.Maybe next time.- Drive carefully now.- Yeah.Charlie, this iswhere we'll be.Good luck, Charlie.Don't let him drink too much.See ya, Charlie !And no numbers.He loves to talk dirty.All right,let's get to work.L-bucklesgivin' you trouble ?Never in the Boy Scouts,sluggo ?- I, I made Tenderfoot.- Tenderfoot, my foot !Convenience-storemama's boy.Here. Let metake a look at that.Touch me again, I'll kill ya,you little son-of-a-bitch !I touch you.Understand ?My shoulder boards are inthe top dresser drawer. Get them, son. The epaulets withthe silver oak leaf.- Are these --- Good.Taxi come yet ?Colonel,where are we going ?Where we going ?Freak show central.- Where's that ?- New York City.That's in New York, son.New York State.Uh, Mrs. Rossi didn't say anything to me about going anywhere.She forgot.- Should we call her, 'cause I --- You kidding me ?Call her ? By the time they get to Albany in that "hupmobile" he drives... it'll be opening dayat Saratoga.- Colonel, I can't go to New York City. - Why not ?New York --- New York's too much responsibility.- Ah, responsibility !I had a lot of year oldsmy first platoon.I took care of them.All set !How do I look ?Tickets. Money.Speech.Old Washington joke...from my days with Lyndon.-[ Honking ]-I knew I could count on transportation. Are you ready ?This is not Panmunjom.A simple yes will do.- Um --- Good ! Here you go.Come on !Hup to it, son !You're in front of me.Let's go.- [ Meowing ]- [ Frank ] Tomster, come here, boy. Psst, psst.Come on.Here, tomster, come on.Tomster, tomster. Yeah.Remember, when in doubt... fuck. Good afternoon, sir.Where's our destination ?Our destination... New York City, home of the brave !- Two for the shuttle to New York.- I'm not shuttling anywhere.- Look at those tickets. "First class."- Yes, sir, first class.You bought me a ticket ?I never said I'd go to New York.What are you, some kind of chicken-shit, sticks to job description only ?Gate , sir.- As you were, son.- Thank you, sir.Which way's the door ?- Are you blind ? Are you blind ?- Of course not.Then why do you keep grabbin'my goddamn arm ?I take your arm.- I'm sorry.- Don't be sorry.How would you know,watchin' MTV all your life ?Yes !- Jack Daniels...- You bet.- And Diet Slice.- The old Diet Slice.- And a water.- Thank you, Daphne. Certainly, sir.Ahh ! Mmm !How did you know her name ? Well, she'swearin' Floris.That's anEnglish cologne.But her voice isCalifornia chickie.Now, California chickiebucking for English lady --I call her Daphne.Oh, big things may happen tothat little thing of yours.Look, Colonel,- I'll get you to New York, all right ? - Uh-huh.Then I'm gonna haveto turn around and come back. Well, Chuck, you gotta dowhat you gotta do.Charlie, all right ?Or Charles.Sorry.I can't blame you, though.Chuck is a --So, why are wegoing to New York ?All information will be given on a need-to-know basis. Whoo-ah !Where's Daphne ?Let's get her down here.She's in the back.A tail's in the tail.Hah !Oh, but I still smell her.[ Sniffing ]Women !What can you say ?Who made 'em ?God must have beena fuckin' genius.The hair --They say the hairis everything, you know.Have you ever buried your nose in a mountain of curls...and just wantedto go to sleep forever ?Or lips --and when they touched,yours were like...that first swallowof wine...after you just crossedthe desert.Tits ! Whoo-ah !Big ones, little ones,nipples staringright out at ya...Like secret searchlights. Mmm.And legs --I don't care ifthey're Greek columns...or secondhand Steinways. What's between 'em, passport to heaven.I need a drink.Yes, Mr. Simms,there's only two syllablesin this whole wide world worth hearing: pussy.Hah !Are you listening to me, son ?I'm givin' you pearls here.I guess youreally like women.Oh, above all things !A very, verydistant second...is a Ferrari.Charlie ?Give me your hand.This is just the startof your education, son.Whoo-ah !- Where are we ?- Where are we, eh ?The cynosure ofall things civilized:the Waldorf-Astoria.The last time I was here, Charlie,was with a G- from Brussels.Had a Ferrari.Every day I held the dooropen for the fucker.Never even offered mea ride.Well, fuck him.He's dead and I'm blind.- Spread the word.- Thank you, sir.- The intelligence will be forthcoming ? - Sir ?On the escort scene.Um, yes, sir.- And welcome to the Waldorf.- Gracias, amigo.Puerto Ricans...always made the best infantrymen.- [ Clanking ]- Oh !I'm home again.Give me an inventoryon this, will you ?All right,where am l, in Asia ?He told me the phone was onthe other side of the room, didn't he ? By the windows ?It's right here.Okay.We're in business.Get me the Oak Room.How's that inventorycomin' ?Uh, there's Jim Beamand Early Times.Quartermaster's on the take again. Hello.Is Sheldon or Mack there ?This isLt. Col. Frank Slade.I used to be a regular. I usedto come in with a General Garbisch. Yes, that's probably becausehe's at Arlington six feet under. Listen up. I want a table for two, and I don't mean Siberia, :.Clear them littlebottles off.And when I get off the phone,call up Hyman.Tell him I want itwall to wall with John Daniels.Uh, don't you mean,uh, Jack Daniels ?He may be Jack to you, son. But when you've known him as long as I have -- That's a joke.Hello !This is Lt. Col. Frank Slade.I would like a limo, :.What are you drinkin' ?Uh, nothing, thanks.I don't use it.What's useful about it ?I don't know. Listen, Colonel,I have to get going.Where you goin' ?Back to school. I've got some real important stuff I have to take care of. Very well.But I never let my aides leaveon an empty stomach.You'll dine with me and then my driver will transport you...to the airport for the Boston Shuttle departing at hours.Meanwhile,unpack my bag.I'm gonna christenthe latrine.[ Frank ] What's your name,driver ?- Manny, sir.- Manny.The bellhops at the Waldorf, are they any good at getting escorts ?- I wouldn't know, sir.- What would you know ?- About what ?- About you-know-what ?Maybe I couldmanage something.[ Frank ] I'm talkin'top of the line, now.Let me thinkabout this, sir.What's the matterwith you ?- With me ?- Yeah. Car feels heavy. You know why ? You got the fuckin' weight of the world on your shoulders.[ Sigh ]I got a little problemat school, that's all.- Spit it out !- It's not a big deal, all right ?Where we going,the Oak Room or somethin' ?If it's not a big deal, why did you say "real important stuff" ?What are you doin', bangingthe dean's daughter ? Hah !- I'm just in a little trouble.- What kind of trouble ?I saw some guysdoing something.To tell or not to tell,or it's your ass.Hmm ?- How'd you know that ?- I'm a wizard.Give me the details,come on.[ Sigh ]There's this guyat school named Harry.He's this real rich kid.He like...runs the show.Who else ?There's another guy, George,but George didn't do anything. George and I saw Harry and his buddies doin' somethin'.Now, the folks at Baird,they know you and George can identify the guilty parties ?Yeah, they think we can.- George is a friend of yours.- He's not a friend, but he's all right.- You trust him ?- Yeah, I guess so.- He's on scholarship too ?- No, why ?We got George, we got Harry,we got trouble.They're rich, you're poor.You wanna get rich.You wanna graduate Baird,become a rich big shot like them.- Am I right ?- No. It's not that way at all.Okay, Charlie !Here we are, gentlemen:the Oak Room.The Oak Room !Bring us a menu and double Jack Daniels on the rocks.Charlie, sit down here.Uh, perhaps you'll feel more comfortable in this, sir.[ Wolf Whistle ]You look great !Thank you.Here we are, Charlie:the Oak Room.Now, read methe bill of fare.Uh, let's see.You got the Oak Room Burgerand fries for $.Where's the booze ?Flowin' like mud around here.A $ hamburger ?W-What's the story ?What story ?- Are you a rich miser or something ?- Hah !No, I'm just your averageblind man.Your average blind man.How do you plan onpaying for all this stuff ?Crisp, clean dollars...American.I saved up mydisability checks.How much did you save ?I mean, we flew first class,we're at the Waldorf-Astoria,a $ hamburger restaurant.- All part of a plan, Charlie.- You want to let me in on it ?Why should I ? You're not interested. You don't give a shit !You're leavin' on that。

a scent of women

a scent of women

Scent of a Woman《闻香识女人》这部颇有诗意的片名吸引了我。

看完之后才发觉:名字是文艺的,影片是商业的。

但,两者之间没有太大的粘连。

拆分《闻香识女人》的元素,拾到的零件有励志和搞笑。

这是一部典型的美国片。

以前,从未觉得一个人的香气会有那么奇妙特别, 现在, 有些动容了。

除了跳Tango的一段和开法拉利的一段还有学校演讲的一段,个人喜欢Frank独自去见一个美丽女人的一段。

那段留白真是让人好奇不已:从他进去的英姿勃发,到出来时的失魂落魄,可以想象:失去了视力和青春的老中校对自己的失望。

电影刻画的东西太艺术,以至于无法叫人相信也不会在现实中存在。

但相对人生而言--如果想要灵魂的高贵,必须要有清醒的自知--这是我从影片中学到的。

以下是《闻香识女人》几段经典对白(附中文翻译):-西门先生不需要!!他不需要被贴上“博德人”的标志,这算什么?你们的座右铭是什么?“孩子们,出卖朋友求自保,否则烧得你不见灰”?先生们……出纰漏时,有人跑有人留,查理面对烈火,那边的乔治躲进老爹的口袋里,结果你做什么呢?你奖励乔治,摧折查理。

[size=+0](Mr.Simms doesn't want it. He do esn't need to be labeled..."still wort hy of being a Baird man." What the hell is that ? What is your motto h ere ? "Boys, inform on your classm ates, save your hide; anything short of that,we're gonna burn you at th e stake" ?Well, entlemen,when the s hit hits the fan,some guys run... and some guys stay. Here's Charlie faci n' the fire,and there's George...hidin' in big daddy's pocket. And what are you doin' ? You're gonna[size=+0] reward George... and destroy Charlie. )[size=+0]-“你讲完了,史先生?”[size=+0](-Are you finished, Mr. Slade ? )[size=+0]- 不,刚暖好身而已!我不知道谁念过博德?塔夫,伯恩,铁尔……等等等,他们精神已死,根本没有,总归是零,你在这培育的是老鼠大队,一堆卖友求荣客,如果你以为在锻炼虾兵成龙头,最好三思,因为你正扼杀了这所学府所坚持的精神,真是耻辱!你们今天给我看的是什么秀?唯一有格调的坐在我旁边!!我可以告诉你,这孩子的灵魂没有被污染,毋庸争辩的,为什么我知道?有人,我不说是谁,要收买他,但查理不为所动,你太过分了![size=+0] (-No, I'm just gettin' warmed up.I don't know who went to this place. William Howard Taft,William Jennings Bryant, William Tell, whoever. Their spirit is dead,if they ever had one.It's gone. You're buildin'a rat ship here, a vessel for seagoin' snitches. And if you think you're preparin' these minnows for manhood, you better thi nk again, because I say you are killin' the very spirit...this institution pr oclaims it instills. What a sham. Wha t kind of a show are you guys putti n' on here today ? I mean, the only class[size=+0]in this act is sittin' n ext to me.I'm here to tell you this bo y's soul is intact.It's non-negotiable.Y ou know how I know ?Someone here, and I'm not gonna say who,offered to buy it. )[size=+0]我告诉你什么叫过分!你根本不知道什么叫过分!我想示范,但我太老太累又瞎,如果是五年前,我会带喷火枪来这儿!!你以为你在跟谁说话?我是见过世面的,明白吗?有一度,我还看得见,我见过很多很多,更年轻的男孩,臂膀被扭,腿被炸断,那些都不及丑陋的灵魂可怕,灵魂不可能有义肢,你以为你只是把这好青年象落荒狗似的送回家,我说你是处死了他的灵魂,为什么?因为他不是博德人,博德人!?伤了这男孩,你就是博德孬种!![size=+0](Lt. Col. Frank Slade : Out of or der, I show you out of order. You d on't know what out of order is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fuckin' blind. If I were the man I was five years ag o, I'd take a FLAMETHROWER to this place! Out of order? Who the hell do you think you're talkin' to? I've b een around, you know? There was a time I could see. And I have seen. Boys like these, younger than these, their arms torn out, their legs rippe d off. But there isn't nothin' like the sight of an amputated spirit. There is no prosthetic for that. You think yo u're merely sending this splendid foo t soldier back home to Oregon with his tail between his legs, but I say y ou are... executin' his soul! And why? Because he's not a Bairdman. Baird men. You hurt this boy, you're gonna be Baird bums,……)[size=+0][size=+0]-你们全是!而哈瑞,吉米,博德……不管你们坐在哪儿,去你妈的!(the lot of you. And, Harry, Jimmy, Trent, wher ever[size=+0]you are out there,fuck you too ! )[size=+0]-“坐下,史雷得先生”[size=+0](Sta nd down, Mr. Slade ! )[size=+0]- 我还没讲完!!!来这儿得时候,我听到类似“领袖摇篮”的字眼,嗯,枝干断掉时,摇篮就垮了,它已经垮了,已经垮了!“人类制造者”,“领袖创造家”,当心你创造的是哪种领袖!我不知道,查理今天的缄默是对还是错,但我可以告诉你,他决不会出卖别人以求前程!!而这,朋友们,就叫正直!也叫勇气,那才是领袖的要件!(I' m not finished.As I came in here,I h eard those words: "cradle of leaders hip." Well, when the bough breaks,the cradle will fall,and it has fallen here.It has fallen. Makers of men, creators of leaders. Be careful what kind of leaders you're producin' her e.I don't know if Charlie's silence h ere today... is right or wrong;I'm n ot a judge or jury. But I can tell you this: he won't sell[size=+0]anybod y out... to buy his future ! And that, my friends,is called integrity.That's c alled courage. Now that's the stuff le aders should be made of. )[size=+0]-如今我走到人生十字路口,我知道哪条路是对的,毫无例外,我就知道,但我从不走,为什么?因为妈的太苦了(Now l h ave come to the crossroads in my lif e. I always knew what the right path was. Without exception, I knew, but l never took it. You know why? lt w as too damn hard. )。

《闻香识女人》经典台词(中英文)

《闻香识女人》经典台词(中英文)

《闻香识女人》经典台词(中英文)由阿尔·帕西诺、克里斯·奥唐纳等主演的美国电影《闻香识女人》(ScentofaWoman),讲述了一名预备学校的学生,为一位脾气暴躁的眼盲退休军官担任助手。

分享《闻香识女人》经典台词,《闻香识女人》的中英文版台词语录:1、NomistakesintheTango,notlikelife.It'ssimple,that'swhatmakes theTangosogreat.Ifyoumakeamistake,getalltangledup,justTango on.舞跳错了还可以继续,但生活不一样。

2、You'renotbad,you'rejustinpain.如果一个人是坏人,并不是因为他本性有多恶,只是因为他的生命中积累了太多坏的东西。

世界上没有坏人,只有在痛苦中的人。

3、Whentheshithitsthefan,someguysrunandsomeguysstay.世界就是如此,东窗事发的时候有人走,有人留。

4、NowI'veetothecrossroadinmylife.Ialwaysknewwhattherightpathw aswithoutexception.Iknew,butInevertookit.youknowwhy.It'swas toodamnhard.一个人走向末路往往是因为不遗余力地寻找捷径。

5、Thereisnothinglikethesightofanamputatedspirit.Thereisnoprot hesisforthat.没有什么比残缺的灵魂更可怕,而且那是任何东西都无法填补的。

6、Didyoueverhavethefeelingthatyouwantedtogo,andstillyouhadthe feelingthatyouwantedtostay?有时决定了要走,却总是徘徊留恋。

闻香识女人the_scent_of_a_woman

闻香识女人the_scent_of_a_woman

+ + 以一次意外的邂逅、一场“性感”的探戈、一出恣
+ 穷学生查理为了在周末挣点钱,偶遇弗兰克,并被拉进
弗兰克疯狂的单程之旅。在影片的最初,恐怕所有的观 众都很难真正喜欢弗兰克,因为他的脾气过于暴躁,对 家人、小孩、陌生人都苛刻得近乎不近人情。他惟一的 兴趣就是说那些令人耳红心跳的色情话。弗兰克在飞机 上对女人作了一番精彩的点评。他对女人的各个部位作 了比喻。。。他对女人痴心,却并不粗俗、野蛮,这从 他后来与唐娜跳探戈舞那场戏就能看出当弗兰克在飞机 上初次向查理展示了自己出色的嗅觉以及对女人的深刻 了解,并告诉查理他真正的受教育才刚刚开始时,弗兰 克的形象开始变得有些可爱起来,故事情节似乎直到飞 机起飞时才刚刚开始。弗兰克这个人物形象一出场就充 满了神秘感; 纽约之旅就是一次逐渐展现他的内心世界 的旅程
++ 正直源自查理坚持原则的态度和在这件事上所受的煎
熬触动了弗兰克的内心深处的淡化而没有消失的良 知,他不忍心这个心灵完美无瑕的孩子受到打击, 然后像他一样走向堕落。在他为查理辩护的时候, 他说“:我从来都知道什么是对的,可是我从来都不 去做,因为那太艰辛了。”显然,正是由于社会不 健康了,才导致做正确的事情的艰辛。正是感到个 人无法改变这个病态的社会,才导致这个杰出的军 人玩世不恭、醉生梦死。正是由于他的良知还在, 才导致他对社会、对自己的行为极度的痛苦。所以, 在他自杀时喊出的“我没有生命!”、“我这里一片 漆黑!”,与其说是眼睛瞎掉后生活失去了乐趣,不 如说是一个良心未泯的人的深深自责和对这个社会 的绝望的嚎叫。
+
The principal was pulled on a prank, and Charlie knows who did it, but doesn't want to be a snitch. He could get expelled for that.

闻香识女人Scent of a Woman英文台词

闻香识女人Scent of a Woman英文台词

闻香识女人(英文版)I wish you wouldn't do that around me. It's so filthy !- Don't give me a problemabout the cigarettes.- It's such a filthy habit.Oh, my God !Look at this.Oh, Jesus !This is so appalling !I can't believe it !I can't believethey gave it to him.Ah, this is pathetic !Now he's a loserwith a Jaguar.Seriously, who did he have to blowto get that thing- Good morning, sir.- Mr. Willis.- It's really, uh,- Mr. Trask !quite a pieceof machinery.- Good morning, Havemeyer.- Morning to you, sir.- Bene !- Bene- Bene ! Fabulous !- What's fabulousThat fine piece of steelyou have back there.Ah, you don't thinkI deserve it.No, sir. On the contrary.I think it's great.Should the headmaster of Baird be seen putt-putting around in some junkerIn fact, I think theboard of trustees have had...their first, true strokeof inspiration in some time.Thank you, Havemeyer.I'll take that at face value.I'd expectnothing less, sir.Have a good day.- Morning, Mrs. Hunsaker.- Good morning.What have we here,Murderer's Row- What was that about- Nothing. Just saying hello.I like to say helloto Headmaster Trask.Sugarbush. Lift tickets andcondo vouchers.- I thought we were goin' to Stowe.- Sugarbush is Stowe, Jimmy.We're doing it right. Thanksgivingin Vermont, Christmas in Switzerland ---Christmas in Gstaad is gonna cost us ---'Staad.The "G" is silent.'Staad. George- 'Staad.- Trent- 'Staad, man.- So what about 'StaadFine. The "G" may be silent,but it's gonna take at leastthree grand to get there.- I'll talk to my father.- Better yet, have my fathertalk to your father.Or my fathertalk to your father.You goin' homethis weekend, ChasUh, I don't know.You goin' home to fuckin' Idahofor ThanksgivingI'm from Oregon.I meant fuckin' Oregon.-Charlie, how do you feel about skiing -[ Laughing ]You in the mood forthe white-bosomed slopes of Vermont Got a deal going.% off for my friends.My father set it up.Christmas in Switzerland.- 'Staad.- Gstaad. Dropping the "G" is phony.- You said everybody says 'Staad.- Not if you've been there.Easter in Bermuda,then Kentucky Derby weekend.We could fit you in, kid.Well, how much arethese white-bosomed slopes of Vermont Twelve hundred !Includes a nine-course,champagne thanksgiving dinner.$ is a little richfor my blood, Harry.Well, how shortare youHow short, HarrySo short it wouldn't be worth the trouble of you and George to measure. - But, thanks for askin', all right - Mm-hmm.- If you change your mind --- What'd you do that forYou know he's on aid.On major holidays, Willis, it's customary for the lord of the manor... - to offer drippings to the poor.- You're so full of shit !- Hi. Mrs. Rossi- YesI'm here aboutthe weekend job.Come on in.[ Children Chattering ]Does he got pimplesHe hates pimples.Francine, be quiet.Pimples. Pimples.Yeah.Shush !I'm sorry.- The school gave me your name,but I've forgotten it.- It's Charlie Simms.- How are you, Charlie- Fine, thanks.Right this way.- You're available the whole weekend - Uh, yeah.- Not going home for Thanksgiving- No.[ Mrs. Rossi ]Good.They put him in a veteran's home,but he hated it,so I told my dadthat we'd take him.Before you go in, do you mindmy telling you a few thingsDon't "sir" him and don't ask himtoo many questions.And if he staggers a little whenhe gets up, don't pay any attention. [ Sigh ] Charlie, I can tell you're the right person for the job.and Uncle Frank'sgonna like you a lot too.Uh, where you gonna bethis weekendWe're driving to Albany.Donny, my husband,has family there.- Do you want Tommy in or out- [ Man ] Leave him out !He's chasin' that Calico ginchfrom the track houses again !Down deep, the manis a lump of sugar.- Sir- Don't call me sir !I-I'm sorry.I mean mister, sir.Uh-oh, we got a moron here,is that itNo, mister --Uh, that is --Uh, Lieutenant.Yes, sir, Lieu--Lieutenant Colonel.years on the line, nobody ever busted me four grades before.Get in here,you idiot !Come a little closer. I wanna get a better look at ya.How's your skin, sonMy skin, sir- Oh, for Christ's sake.- I'm sorry, I don--Just call me Frank.Call me Mr. Slade.Call me Colonel, if you must.Just don't call me sir.All right, Colonel.Simms, Charles.A senior.- You on student aid, Simms- Uh, yes, I am.For "student aid"read "crook."Your father peddles car telephonesat a % markup.Your mother works on heavy commission in a camera store.Graduated to itfrom espresso machines.Hah-hah !What are you, dying ofsome wasting diseaseNo, I'm right --I'm right here.I know exactly whereyour body is.What I'm lookin' foris some indication of a brain.Too much footballwithout a helmetHah ! Lyndon's lineon Gerry Ford.Deputy Debriefer,Paris Peace Talks, '.Snagged the Silver Starand a silver bar. Threw me into G-.G-Intelligence,of which you have none.[ Yelling ]Where you fromUm, Gresham, Oregon,s-- Colonel.What does your daddy doin Gresham, OregonHmm Count wood chipsUh, my stepfather and my momrun a convenience store.- How convenient ! What time they open - : .- Close- : .Hard workers.You got me allmisty-eyed !So, what are you doin' herein this sparrow-fart townI, l--I attend Baird.Attend Baird !I know you goto the Baird school.Point is,how do you afford it,even with the student aid andthe folks back home hustlin' corn nuts [ Sigh ] I won a, uh,Young America merit scholarship.Whoo-ah !Glory, gloryHallelujahGlory, gloryHallelujah- [ Knocking ]- Who's there- [ Knocking ]- That little piece of tailGet her outta here ![ Girl Giggling ]Yeah.Can't believethey're my blood.. of sloths andthe manners of banshees.He's a mechanic,she's a homemaker.He knows as much about carsas a beauty queen,and she bakes cookies,taste like wing nuts.As for the tots,they're twits.How's your skin, sonI like my aides to be presentable. Well, I --I've had a few zits.Um, but my roommate, he lent me his Clinique because he's from --"The History of My Skin,"by Charles Simms.You patronizing me,peewee HmmYou givin' me that oldprep school palaverBaird School !A bunch of runny-nosed snotsin tweed jackets...all studyin'to be George Bush.Well...I believe President Bushwent to Andover, Colonel.You sharpshootin' me, punkIs that what you're doin'Don't yousharpshoot me !You'll give me forty.Then you're gonna give meforty more.Then you're gonna pull .,the grease pit !I'll rub your nosein enlisted men's crud...till you don't know which end is up ! You understandYeah.- What do you want- What do you mean, what do I want What do you want hereI wa-want a job.A job !Yeah, I want a jobso I can make, you know,my plane fare homefor Christmas.Oh.God, you're touching ! [ Radio ]...from the banksOf themighty Mississippi Workin'the whole night through Till theriverboat gamblersStop to make a killin' Bring it on back to you ЁStill here, poormouth HmmConvenience store...my ass !Hustlin' jalapeno dipsto the appleseeds.Go on.Dismissed.Dismissed ![ Radio ]EvangelineEvangeline- [ Children Chattering ] - [ Charlie ] Mrs. Rossi Charlie, we're up here !Come on up.- Uh, this is Donny.- Hey, Charlie.Hi.Uh, Mrs. Rossi,I got the feelin' I screwed up.- Oh, you couldn't have.- It was a bad interview.That was no interview, Charlie.You're it.You're the only one that showed up. You have to take the job.He sleeps a lot. You canwatch television, call your girlfriend.I promise you,an easy bucks.[ Sigh ] I don't getan easy feeling.[ Sigh ]His bark is worsethan his bite.He was a great soldier,a real hero.The man grows on you !By Sunday night,you'll be best friends.[ Sigh ]Charlie, please.I want to get away for a few days, and Uncle Frank won't come with us. Six months ago, he couldsometimes tell light from dark,but now there's nothing.I feel better havingsomeone else around just in case. PleaseOkay, Mrs. Rossi.Sure.- [ Sigh ] Thank you, Charlie.- Come here, you.There you go.[ George ]Chas ! Chas, hold up !- How ya doin'- I'm good.That's great.This can't go out.This is on reserve.Here's the thing.I need the book tonight...- for a Thanksgiving quiz withbig-shit Preston in the morning.- Yeah, I know.That's why he put it on reserve.This is our only copy. Chas, I'm pullin'an all-nighter.Without that bookI'm dead, okayIf it's not back by :,it's gonna be my ass.Oh, I promise.I promise.- [ Whispering ] Got it- Yeah.Just a second.I gotta lock up.Okay.God, can you wait to get out of this dump or whatWhere you guysgoing skiing again- Sugarloaf or --- It's bush, Chas, Sugarbush. That's my boys. [ Whistles ] What are you doin'Keep your voice down !I'll tell you about itin the morning.- Shh.- Wha--- Miss Hunsaker, have a nice day- George, why all the noise[ Whispering ]It's hunsaker ! Go ! Go !I was justmessin' around with Chas.- Good evening, Charles.- Hi, Mrs. Hunsaker.- What was that- I don't know, ma'am.- Who were those boysWhat were they doing- Oh, who knows- Charles- Um --- Did you make this scarf yourself - No, George, I bought it.- 'Cause it's a beauty. It really is. - Thank you, George.In case I don't see you beforethe Thanksgiving holidays,- why don't you give meone of your big hugs- Oh, George !- Please Come on.- Good evening, boys.Good-bye,Mrs. Hunsaker.[ Jimmy On Loudspeaker ]Mr. Trask is our fearless leader, a man of learning,a voracious reader.He could recite the "Iliad"in ancient greek...while fishing for troutin a rippling creek.Endowed with wisdom,of judgement sound,nevertheless about himthe questions abound.[ Hissing Sound ]How does Mr. Traskmake such wonderful dealsWhy did the trusteesbuy him Jaguar wheelsHe wasn't conniving !He wasn't crass !He merelypuckered his lips...- and kissed their ass !- [ Boys Laughing ]Come on.Come on.One more !One more, come on ![ Whistling, Cheering ]Aah !Fuck you ![ Trask ]Mr. Simms, Mr. Willis.Hmm.Mrs. Hunsaker says that you gentlemen were at a vantage point last night... to observe who wasresponsible for this, uh,stunt.Who was itI really couldn'ttell you, sir.Um, I thought I saw someonefooling with the lamppost,but by the time I pulled focus,they were gone.Mr. SimmsI couldn't say.That automobile is notjust a possession of mine.That automobile was presentedto me by the Board of Trustees.It is a symbol of the standardof excellence for whichthis school is known,and I will nothave it tarnished.The automobileThe standard,Mr. Willis.- What's your position, Mr. Simms - On what, sirOn preserving thereputation of Baird.- I-I'm for Baird.- Then, who did itI really couldn't say for sure. Very well.First thing Monday,I'm convening a special session... of the student-facultydisciplinary committee.As this is a matter which concerns the whole school,the entire student bodywill be present.There will be no classes,no activities.Nothing will transpireat this institution...until that proceedingis concluded.And if, at that time,we are no further along than we are now, I will expel you both.[ Clearing Throat ]Mr. Willis,would you excuse usHave a nice Thanksgiving.Thank you.You too, Mr. Willis.I will.[ Door Closing ]Mr. Simms.I'm not quite throughwith you yet.One of the few perksof this office is that...I am empowered to handlecertain matters on my own as I see fit. Do you understand- Yes, sir.- Good.The Dean of Admissions at Harvardand I have an arrangement.Along with the usual sheaf of applicants submitted by Baird,of which virtually,oh, two-thirds areguaranteed admittance,I add one name,somebody who's a standoutand yet, underprivileged;a student who cannot afford to pay the board and tuition in Cambridge. Do you know on whose behalfI drafted a memo this year- No, sir.- You. You, Mr. Simms.Now can you tell mewho did itNo, sir, I can't.You take the weekendto think about it, Mr. Simms.Good afternoon.What'd he say- Nothin'.- What do you mean, nothingHe said the same thing.He just said it over.You know whathe's doingHe's good-cop,bad-coppin' us.He knows I'm old guard.You're fringe.He's gonna bear down on meand soft-soap you.[ Laughing ]Did he try to soft-soap you Did he No.Chas, I detect a slight panic pulse from you. Are you panicking- Yeah, a little.- Come on.- You're on scholarship, right- Yeah.You're on scholarshipfrom Oregon... at Baird.You're a long way from home, Chas. What's that got to dowith anythingI don't know howit works out there.But how it works hereWe stick together.It's us against them,no matter what.We don't cover our ass.We don't tell our parents.Stonewall everybody !And above all,never, never...Leave any of ustwisting in the wind.And that's it.What does that have to dowith me being on scholarshipHey, hey !I'm just tryin' to bring youup to speed, kid, that's it.Thanks.I'll tell you what. Give me a few hours to figure out the moves,and call me tonightin Vermont.I'll be at the Sugarbush lodge,all rightAll right.You all rightYeah, I guess so.Okay.Try to keep him downto four drinks a day.If you can keep him down to forty,you're doin' good.Try to water them down a little.Do you know how to do that- It's a long ride, honey !- Get the bags in the car.I'll be right out.Mommy, Mommy !Don't forget Uncle Frank's walk.[ Mrs. Rossi ]Oh, ha... Yeah.Uh, you have toair him out...a little every day.Why don't you go on back there,get yourself orientedI'll come out in a minute,give you telephone numbers and stuff. [ Frank ] Well, I wouldn't trya thing like that...unless I knew,would IJust let mespeak to her.Hello, beautiful.Is that youYeah,we spoke yesterday.[ Chuckling ] You have a glass of wine with lunchYou sounda little dusky. Hmm.- [ Clearing Throat ]- Just a minute, sweetheart.You're back, huhTenacious !Get out my dress blues.They're in a garment bag in the closet. Check the top dresser drawer.Take out the shoulder boards...and affix themshoulders right and left,means now.Hello.Sorry to keep youwaitin', sweetheart.I'm not the kind of guywho likes to rush things,but I'm catchin' a :at Logan, lookin' out my window,and there's not a taxi in sight.What happened to ChetHe didn't investin a radio yetHah ! Well,get your driver on it.Tell him to geta move on.Yes. Mmm.Some kind of body has got to go with that bedroom voice.One day I'm gonna swing by,get a better look at it.You bet.Bye.My val-pak's underneath the bed. Get it out.Put the boards on the bluesand fold 'em in.Uh, are we going someplace, ColonelWhat business is that of yours Don't shrug, imbecile.I'm blind. Save your body language for the bimbi.- Now, get my gear out.- Francine, get in the car.It's almost :. The goddamn Flintstones haven't left yet.[ Mr. Rossi ] Willie Rossimust go in the car !- Here comes Mrs. Rossi now.- Damn it !She said good-bye to methree times today.What's she got,separation anxietyCut her offat the door !Hi, honey.Bye, honey.I wish you werecoming with us.Me too.Maybe next time.- Drive carefully now.- Yeah.Charlie, this iswhere we'll be.Good luck, Charlie.Don't let him drink too much. See ya, Charlie !And no numbers.He loves to talk dirty.All right,let's get to work.L-bucklesgivin' you troubleNever in the Boy Scouts, sluggo- I, I made Tenderfoot.- Tenderfoot, my foot ! Convenience-storemama's boy.Here. Let metake a look at that.Touch me again, I'll kill ya,you little son-of-a-bitch !I touch you.UnderstandMy shoulder boards are inthe top dresser drawer. Get them, son. The epaulets withthe silver oak leaf.- Are these --- Good.Taxi come yetColonel,where are we goingWhere we goingFreak show central.- Where's that- New York City.That's in New York, son.New York State.Uh, Mrs. Rossi didn't say anything to me about going anywhere.She forgot.- Should we call her, 'cause I --- You kidding meCall her By the time they get to Albany in that "hupmobile" he drives... it'll be opening dayat Saratoga.- Colonel, I can't go to New York City. - Why notNew York --- New York's too much responsibility.- Ah, responsibility !I had a lot of year oldsmy first platoon.I took care of them.All set !How do I lookTickets. Money.Speech.Old Washington joke...from my days with Lyndon.-[ Honking ]-I knew I could count on transportation. Are you readyThis is not Panmunjom.A simple yes will do.- Um --- Good ! Here you go.Come on !Hup to it, son !You're in front of me.Let's go.- [ Meowing ]- [ Frank ] Tomster, come here, boy. Psst, psst.Come on.Here, tomster, come on.Tomster, tomster. Yeah.Remember, when in doubt... fuck.Good afternoon, sir.Where's our destinationOur destination... New York City,home of the brave !- Two for the shuttle to New York.- I'm not shuttling anywhere.- Look at those tickets. "First class." - Yes, sir, first class.You bought me a ticketI never said I'd go to New York.What are you, some kind of chicken-shit, sticks to job description onlyGate , sir.- As you were, son.- Thank you, sir.Which way's the door- Are you blind Are you blind- Of course not.Then why do you keep grabbin' my goddamn armI take your arm.- I'm sorry.- Don't be sorry.How would you know,watchin' MTV all your life Yes !- Jack Daniels...- You bet.- And Diet Slice.- The old Diet Slice.- And a water.- Thank you, Daphne. Certainly, sir.Ahh ! Mmm !How did you know her name Well, she'swearin' Floris.That's anEnglish cologne.But her voice isCalifornia chickie.Now, California chickie bucking for English lady --I call her Daphne.Oh, big things may happen tothat little thing of yours.Look, Colonel,- I'll get you to New York, all right - Uh-huh.Then I'm gonna haveto turn around and come back.Well, Chuck, you gotta dowhat you gotta do.Charlie, all rightOr Charles.Sorry.I can't blame you, though.Chuck is a --So, why are wegoing to New YorkAll information will be givenon a need-to-know basis.Whoo-ah !Where's DaphneLet's get her down here.She's in the back.A tail's in the tail.Hah !Oh, but I still smell her.[ Sniffing ]Women !What can you sayWho made 'emGod must have beena fuckin' genius.The hair --They say the hairis everything, you know.Have you ever buried your nose in a mountain of curls...and just wantedto go to sleep foreverOr lips --and when they touched,yours were like...that first swallowof wine...after you just crossedthe desert.Tits ! Whoo-ah !Big ones, little ones,nipples staringright out at ya...Like secret searchlights. Mmm.And legs --I don't care ifthey're Greek columns...or secondhand Steinways.What's between 'em,passport to heaven.I need a drink.Yes, Mr. Simms,there's only two syllablesin this whole wide world worth hearing: pussy.Hah !Are you listening to me, sonI'm givin' you pearls here.I guess youreally like women.Oh, above all things !A very, verydistant second...is a Ferrari.CharlieGive me your hand.This is just the startof your education, son.Whoo-ah !- Where are we- Where are we, ehThe cynosure ofall things civilized:the Waldorf-Astoria.The last time I was here, Charlie,was with a G- from Brussels.Had a Ferrari.Every day I held the dooropen for the fucker.Never even offered mea ride.Well, fuck him.He's dead and I'm blind.- Spread the word.- Thank you, sir.- The intelligence will be forthcoming - SirOn the escort scene.Um, yes, sir.- And welcome to the Waldorf.- Gracias, amigo.Puerto Ricans...always made the best infantrymen.- [ Clanking ]- Oh !I'm home again.Give me an inventoryon this, will youAll right,where am l, in AsiaHe told me the phone was onthe other side of the room, didn't heBy the windowsIt's right here.Okay.We're in business.Get me the Oak Room.How's that inventorycomin'Uh, there's Jim Beamand Early Times.Quartermaster's on the take again. Hello.Is Sheldon or Mack thereThis isLt. Col. Frank Slade.I used to be a regular. I usedto come in with a General Garbisch. Yes, that's probably becausehe's at Arlington six feet under. Listen up. I want a table for two, and I don't mean Siberia, :.Clear them littlebottles off.And when I get off the phone,call up Hyman.Tell him I want itwall to wall with John Daniels.Uh, don't you mean,uh, Jack DanielsHe may be Jack to you, son. But when you've known him as long as I have --That's a joke.Hello !This is Lt. Col. Frank Slade.I would like a limo, :.What are you drinkin'Uh, nothing, thanks.I don't use it.What's useful about itI don't know. Listen, Colonel,I have to get going.Where you goin'Back to school. I've got some real important stuff I have to take care of. Very well.But I never let my aides leaveon an empty stomach.You'll dine with me and then my driver will transport you...to the airport for the Boston Shuttle departing at hours.Meanwhile,unpack my bag.I'm gonna christenthe latrine.[ Frank ] What's your name,driver- Manny, sir.- Manny.The bellhops at the Waldorf, are they any good at getting escorts- I wouldn't know, sir.- What would you know- About what- About you-know-whatMaybe I couldmanage something.[ Frank ] I'm talkin'top of the line, now.Let me thinkabout this, sir.What's the matterwith you- With me- Yeah. Car feels heavy. You know why You got the fuckin' weight of the world on your shoulders.[ Sigh ]I got a little problemat school, that's all.- Spit it out !- It's not a big deal, all rightWhere we going,the Oak Room or somethin'If it's not a big deal, why did you say "real important stuff"What are you doin', bangingthe dean's daughter Hah !- I'm just in a little trouble.- What kind of troubleI saw some guysdoing something.To tell or not to tell,or it's your ass.Hmm- How'd you know that- I'm a wizard.Give me the details,come on.[ Sigh ]There's this guyat school named Harry.He's this real rich kid.He like...runs the show.Who elseThere's another guy, George,but George didn't do anything.George and I saw Harry and his buddiesdoin' somethin'.Now, the folks at Baird,they know you and George canidentify the guilty partiesYeah, they think we can.- George is a friend of yours.- He's not a friend, but he's all right. - You trust him- Yeah, I guess so.- He's on scholarship too- No, whyWe got George, we got Harry,we got trouble.They're rich, you're poor.You wanna get rich.You wanna graduate Baird,become a rich big shot like them.- Am I right- No. It's not that way at all.Okay, Charlie !Here we are, gentlemen:the Oak Room.The Oak Room !Bring us a menu and double Jack Daniels on the rocks.Charlie, sit down here.Uh, perhaps you'll feel morecomfortable in this, sir.[ Wolf Whistle ]You look great !Thank you.Here we are, Charlie:the Oak Room.Now, read methe bill of fare.Uh, let's see.You got the Oak Room Burgerand fries for $.Where's the boozeFlowin' like mud around here.A $ hamburgerW-What's the storyWhat story- Are you a rich miser or something - Hah !No, I'm just your averageblind man.Your average blind man.How do you plan onpaying for all this stuffCrisp, clean dollars...American.I saved up mydisability checks.How much did you saveI mean, we flew first class,we're at the Waldorf-Astoria,a $ hamburger restaurant.- All part of a plan, Charlie.- You want to let me in on itWhy should I You're not interested. You don't give a shit !You're leavin' on thatlast shuttle out of La Guardia.Hmm Ooh !You got minutes, son. I don't think you're gonna make it,unless the Oak Room keeps some complimentary helicopter on the roof. No, sir. No !You're here till tomorrow.You said the last shuttleleaves at hours.That's :, rightLast I heard, yeah.It's only :.I lied. Leaves at :.- It leaves at :- Calm down. Calm down.Ahh ! The truth is, Charlie,- I need a guide dog。

电影介绍Scent Of a Woman

电影介绍Scent Of a Woman

Charlie returns to school, knowing that George Willis Jr. is betraying him to get off the hook. The Headmaster holds a courtroom-like meeting, where he questions George Willis, who complains of his poor vision and resorts to his powerful father to help him weasel out of this jam.
When Charlie comes back to the room to find Slade to commit suicide. After a few minutes of talking, yelling, and action, Charlie convinces Slade not to kill himself. It is here that Slade realizes that Charlie is a very brave and tough person at heart, and would not even let a worthless, bitter man take his own life.
1. 《The Godfather 》教父 The forty-seventh best actor Oscar nomination 2. 《Dog Day Afternoon 》热天午后 The forty-eighth best actor Oscar nomination (1976) 3. 《 And Justice for All》伸张正义 The fifty-second best actor Oscar nomination (1980) 4. 《Scent of a Woman》闻香识女人 The sixty-fifth session of Oscar Best Actor Award (1993) 5.《 Dick Tracy》至尊神探 The sixty-third Oscar nomination for Best Supporting Actor ……

英文电影经典台词-Scent of A Woman

英文电影经典台词-Scent of A Woman

英文原文:Women !What can you say ?Who made 'em ?God must have beena fuckin' genius.The hair --They say the hairis everything, you know.Have you ever buried your nosein a mountain of curls...and just wantedto go to sleep forever ?Or lips --and when they touched,yours were like...that first swallowof wine...after you just crossedthe desert.Tits ! Whoo-ah !Big ones, little ones, nipples staringright out at ya...Like secret searchlights.Mmm.And legs --I don't care ifthey're Greek columns...or secondhand Steinways.What's between 'em,passport to heaven.I need a drink.Yes, Mr. Simms,there's only two syllablesin this whole wide world worth hearing:pussy.Hah !Are you listening to me, son ?I'm givin' you pearls here.I guess youreally like women.(Charles said)Oh, above all things !A very, verydistant second...is a Ferrari.Charlie ?Give me your hand.This is just the startof your education, son.阿尔·帕西诺为查理辩护那节的台词:Mr. Simms, you are a cover-up artist...(校长)西蒙先生,你隐瞒真相,and you are a liar.(校长)你是一个骗子。

scent of a woman

scent of a woman

分辨道路上的勇往直前影片《闻香识女人》长达150分钟。

而导演所拍摄的内容占影片大部分篇幅的仅就一个周末。

这两天的时间近乎疯狂的旅行,不仅成功塑造了人物,而且让原本相对立的两位主角萌生如父子般的情感,同时改变了他们的一生。

影片诉说的是贫困的好学生查理因目睹一场学生戏弄校长的事件而被逼问说出肇事者。

可查理不想出卖朋友,校长决定在感恩节后,也是周末后召开校大会让查理说出肇事者,否则取消它的深造机会。

在这感恩节其间受聘于照顾中校盲人弗兰克,同时开始周末旅行。

弗兰克并决定自杀。

最后,不仅查理救了他,他也在校大会上为查理公开表名真相,不仅为在坐青年人指出了路,他俩也改变其一生。

影片的基调和谐,明朗。

不紧凑也不缓慢。

层层递进的故事情节使观众一目了然,很容易进入人物的内心世界,同时引发思考。

它的精彩之处,在于导演选择两位背景截然不同的人——上年纪的人和在校读书人;瞎子和正常人;脾气古怪和温顺等明显对比在影片演绎的冲突下,逐渐接纳对方,并找到生命的意义。

导演布雷斯特很好的把握了这部戏所要揭示的本质。

片名取为《闻香识女人》主要是为讲述弗兰克的故事。

以他的嗜好,嗅觉为影片提供线索雕刻故事。

同时更是借嗅觉识别女人这一隐喻象征说明,弗兰克不愧是个厉害的老鬼,表象是他不仅清楚地嗅得出女人身上的香味,实质我们从故事结构上得以分析出这个老鬼还能清楚嗅出查理所处困境的心思。

本片又名《女人香》。

老鬼作为军人出生的中校,骨子本就透露着正义和勇敢。

他能够正确地分辨出女人香,就是要表达社会中少有像弗兰克这样持有的判断能力,分辨能力,它的能力是借此女人香体现弗兰克极高的觉悟。

在判断正义,人性,道德的面前犹如他能够敏锐的嗅出女人香一样。

另外,影片的叙述技巧的重点展开是从弗兰克和查理周末旅行的飞机起程上的对话开始做铺垫的。

黛芬妮是影片出现第一个被弗兰克判断出的香水味的女人,从而引发他们的对话。

弗兰克说,喜欢女人胜于一切,而排名第二的比女人差远了,是法拉利跑车。

《闻香识女人》影评

《闻香识女人》影评

Scent of a woman reviewsHave two main characters, the film is a blindness in an accident, since then life from the top to the darkness of the retired military officers, frank, the other one is in selling classmates or give up their future choice of fan mang college students Charlie, the two met by chance, encourage and help each other, become good friends, finally have a new life.Charlie is faced with a difficult choice as he witnesses a practical joke but does not want to betray his friend. History of flange accident blind, at that time very low, but met Charlie, and he talked, history of flange plans to end the lost meaning of life, so in the company of Charlie, enjoy the life of the last trip. He ate the most delicious food, bought fancy cars, raced through narrow streets, lived in luxury apartments, followed the scent of perfume from strange women, danced a graceful and sexy tango... In a frenzy of bliss, he put a gun to his head. However, Charlie's desperate dissuasion changed everything, and the dawn also gradually rose in the heart of the old man, two deep as father and son.The highlight of the article is that the blind ex-soldier, in the identity of Charlie's father, loudly denounced the injustice and ignorance of the headmaster in front of the whole school, which made people deeply humbled by the charm of the ex-soldier and red eyes. This charm even overcomes the pain of the character's fate and brings complex sweetness. The power of this film lies in the sense of the power to fight against fate, to find light out of the endless darkness. This tells us that even when life is at its lowest point, we should stick to it, find our motivation to live, and let it go。

中英文对照-Scent-Of-A-Woman《电影闻香识女人》剧本

中英文对照-Scent-Of-A-Woman《电影闻香识女人》剧本

Scent Of A Woman《闻香识女人》—Board:“Thanksgiving weekend jobs"“感恩节周末征人”“Care of Housebound Relative”relative: 亲人“感恩节周末照顾亲人”—Havemeyer: I wish you wouldn't do that around me. It’s so filthy!filthy:肮脏的在我身边最好别抽,太恶心了!-George:Don’t give me a problem about the cigarettes any more. problem:难题 cigarette: 香烟别再烦我了!—Havemeyer: It’s such a filthy habit。

habit: 习惯这是坏习惯。

Oh,my God! Look at this。

老天!看这玩意!-George: Oh, Jesus!Jesus: 耶稣(基督教创始人)上帝!—Havemeyer: This is so appalling!appalling: 令人震惊的太过份了!-Geo rge: I can’t believe it!believe: 相信难以置信!I can’t believe they gave it to him。

竟然会给他!—Havemeyer: Ah, this is pathetic !pathetic:悲哀的真悲惨!Now he's a loser with a jaguar.loser:失败者 jaguar:(中文译捷豹,港译积架)是最具有英国特色的豪华汽车开捷豹的失败虫。

-George: Seriously, who did he have to blow to get that thing?seriously: 认真地 blow: 吹到底他拍对了谁的马屁?Good morning, sir。

Scent of a women(闻香识女人)ppt课件

Scent of a women(闻香识女人)ppt课件
O'Donnell was discovered when he was cast in a McDonald's commercial, in which he served Michael Jordan. His first television role was an appearance on the series Jack and Mike in 1986. At the age of 17, he was offered a chance to audition for a part in the movie Men Don't Leave, with Jessica Lange, and he won the role.
Director introduction
Main Career
1979 His major studio debut was 1979's Going in Style, which starred George Burns, Art Carney and Lee Strasberg, the first of several films to mix action and comedy to great effect.
2003
In 2003, Brest wrote and directed Gigli, starring Ben Affleck and Jennifer Lopez. After a protracted battle between Revolution Studios and the director, a radically revised and re-shot version of the original film was released. It became a notorious flop, with a scathing critical reception and disastrous box office performance. He has not directed another film since then.
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Scent of a Woman
Clip 1
pathetic; appaling; Jaguar(捷豹); Easter(复活节); inspiration;
1.Seriously, who did he have to blow to get that thing?
Clip 2
hustle(贩卖); peddle(兜售); helmet; presentable; merit(价值、优点); stagger(身体摇晃,站不稳); markup(售价); commission(回扣); tot(小孩);twit(傻子);moron(弱智儿); palaver(傻话);
1.You are patroniz ing me, peewee?
(你在我面前自命高深啊,小屁孩)
2.So, why are you doin’ here in this sparrow-fart town?
(鬼地方)
Clip 3
move(行动); panic; underprivileged(穷困的); dump(垃圾场);
1.Six months ago, he could tell light from dark.
2.You are at a vantage point to observe this start.
(有利位置、地形)
3.He’s good-cop, bad-copp ing us.
(一手硬,一手软;分化)
Clip 4
miser(吝啬鬼); agreeable;
1.Spit it out.
说出(害怕或尴尬的事情)
2.You wanna graduate from Baird, become a rich big sho t like
them. (大亨)
3.My mouth is watering.
Clip 5
bribe(贿赂); carnival(狂欢节); chestnut; hysterical; dilemma(进退维谷); coy(假装羞怯);
1.Now we’re cooking. (谋划)
2.What do you think your friend George would do if he were in
your shoes?
3.Things are heat ing up.
(要有热闹看了)
4.Don’t pay any attention to him.
(=Pay no attention to him)
5.He’ll sing you a hell of a tune.
Your girl is a hell of a tango dancer.
6.And how. Be my guest.
(是的,您请便)
7.The guy, Trask, is outta control.(lose control)
(疯了;情绪失控)
8.Just relax. He’ll get us off the hook.
(帮我们摆平的)
Clip 6
slump(情绪低落); breather(短暂休息); vandalism(故意破坏公物); blurry;
1.You broke my heart, Charlie. All my life, I stood up to (反
抗)everyone and everything because it made me feel important. You do it ‘cause you mean it(你心里就是这么想的). You got integrity, Charlie.
2.If you tangle d up, just tango on.
(绊倒了)
3.Stop fenc ing with me.
(别跟我闪烁其辞、玩文字游戏)
4.There’s no prosthetic(假肢) for soul.。

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