02-renaisssance
八年级英语上unit2第二课时
2. They will gain a deeper application for the arts and
culture of the period
3. Students will learn to apply different viewpoints and respect the opinions of others
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4. They will learn to collaborate and work effectively in a group
setting
Emotional goals
1. Students will develop a sense of maturity about the Renaissance and its impact
Advantages
Collaborative learning can cultivate students' teamwork spirit and communication skills, while promoting mutual learning and growth.
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Teaching process
Import process
01 02
Introduction of Topic
Begin by introducing the topic of the lesson, which could be through a story, a real life scenario, or a question and answer session to engage students
Definition
英国文学专业术语翻译
英国文学专业术语翻译01. Humanism (人文主义) 02.Renaissance(文艺复兴)03. Metaphysical poetry (玄学派诗歌)04. Classism (古典主义)05. Enlightenment (启蒙运动) 06. Neoclassicism (新古典主义)07. The Graveyard School (墓地派诗歌) 08. Romanticism (浪漫主义)09. Byronic Hero (拜伦式英雄) 10. Critical Realism (批判现实主义)11. Aestheticism(美学主义)13. Modernism (现代主义)14. Stream of consciousness (意识流) (or interior monologue)18. the Age of Realism (现实主义时期)20. Naturalism (自然主义) 21. Local Colorist (乡土文学)22. Imagism (意象主义) 23. The Lost Generation (迷惘的一代)25. The Beat Generation (垮掉的一代) 27. Surrealism (超现实主义)28. Metaphysical poets (玄学派诗人)29. New Criticism (新批评主义)31. Hemingway Code Hero (海明威式英雄32. Impressionism (印象主义)33. Post modernity (后现代主义) 38. Realism (现实主义)39. Meditative Poetry (冥想派诗歌)01. Allegory (寓言) 2. Alliteration (头韵)03. Ballad (民谣) 04. epic (史诗)06. Romance (传奇) 05. Lay (短叙事诗)07. Alexandrine (亚历山大诗行) 08. Blank Verse (无韵诗或素体广义地说09. Comedy (喜剧) 10. Essay (随笔)12. History Plays (历史剧) 13. Masquesc or Masks (假面剧)14. Morality plays (道德剧) 15.Sonnet (十四行诗)16. Spenserian Stanza (斯宾塞诗节) 17. Stanza (诗节)18. Three Unities (三一原则) 19. Tragedy (悲剧)21.Metar (格律24. Soliloquy (独白)25.Narrative Poem (叙述诗) 27. Beowulf (贝奥武甫)29. Cavalier poets (骑士派诗人) 30. Elegy (挽歌)31. Restoration Comedy (复辟时期喜剧) 32. Action (情节33. Adventure novel (探险小说) 34. Archaism (古语)35. Atmosphere (基调)37. Epigram (警句)39. The Heroic Couplet (英雄对偶句) 40. Satire (讽刺)41. Sentimentalism (感伤主义文学) 43.Denouement (戏剧结局)42. Aside (旁白) 44. parable (寓言)45. Genre (流派) 46. Irony (反讽)47. Lyric (抒情诗) 48. Mock Epic (诙谐史诗)49. Ode (颂歌) 51. Pastoral (田园诗)52.Terza Rima (三行诗) 53. Ottava Rima (八行诗)54. Canto (诗章) ke Poets (湖畔诗人)57. Imagery (比喻) 58. Dramatic monologue (戏剧独白)59. Pre-Raphaelites (先拉菲尔派) 60. Psychological novel (心理小说)61.Point of View (叙述角度) 62. plot (情节)63. Allusion (典故)64. Protagonist and Antagonist (正面人物与反面人物)65. Flashback (倒叙) P133 66. Narration67. Ambiguity 69. Symbolism (象征主义)72. Existentialism (存在主义) 73. Anti-hero (反面人物)74 . Round Character (丰满的人物) 75. Flat character (平淡的人物)76. Oedipus complex (俄狄浦斯情结/ 蛮母厌父情结)77.omniscience (无所不知的)78. Poetry (诗歌) 79. Rhyme (押韵)80. Iambic pentameter (五音步诗) 81. Rhyme royal82. Shakespearean sonnet (莎士比亚十四行诗) 83. Italian or petranrchan sonnet(意大利十四行诗)85. Poetic license (诗的破格) 86. Epiphany (主显节)87. Psychological penetration (心理透视) 88. Legend (传说)89. Myth (神话) 90. Pessimism (悲观主义)91. Jacobean age (英王詹姆斯一世时期) 92. Tragicomedy (悲喜剧)93. Comedy of manners (风俗喜剧) 94. Gothic novel (哥特式小说)95. Historical novel (历史小说) 96.Unitarianism (上帝一位论)99. Consonance (和音) 100. Free Verse (自由体诗歌)02. Theme (主题) 06. Theatre of the Absurd (荒谬剧)13. Magic realism (魔幻现实主义)14. Analogy (类比)15. Anapest (抑抑扬格) 16. Antagonist (次要人物)17. Antithesis (对立) 18. Aphorism (格言) 20. Argument (论据) 21. Autobiography (自传) 23. Biography (传记) 26. Character (人物)27. Characterization (性格描绘) 28. Climax (高潮)29. Conflict (冲突) 30. Connotation (隐含意义)31. Couplet (对偶) 32. Dactyl (扬抑抑格)33. Denotation (意义) T 34. Denouement (结局)35. Description (叙述) 36. Diction (措词)37. Dissonance (不协和音) 38. Emblematic image (象征比喻)A verbal picture or figure with a long tradition of moral or religious meaning attached to it.44. Exposition (解释说明) 45. Fable (寓言)46. Figurative language (比喻语言) 47. Figure of speech (修辞特征)48. Foil (衬托) 49. Foot (脚注) 50. Hyperbole (夸张). 51. Iamb (抑扬格) 59. Metaphor (暗喻) 63. Motivation (动机)64. Multiple Point of View (多视角) 65. Narrator (叙述者)67. Nonfiction (写实文学) 68. Novel (小说)69. Octave (八行体诗) 70. Onomatopoeia (拟声法构词)71. Oxymoron (矛盾修辞法) 72. Paradox (自相矛盾)73. Parallelism (平行) 74. Pathos (哀婉) 75. Persuasion (说服) 76. Pictorialism (图像) 77. Pre-Romanticism (先浪漫主义)78. Protagonist (正面人物)79. Psalm (圣歌) 80. Psychological Realism (心理现实主义) 81. Pun (双关语) 82. Quatrain (四行诗)83.Quintain (五行诗) the five-line stanza. 84. Refrain (叠句)85. Rhythm (韵律) 86. Scansion (诗的韵律分析)87. Septet (七重唱)88. Sestet (六重唱) 89. Setting (背景)90. Short Story (短篇小说) 91. Simile (明喻)he Waste Land (荒原)Lord Jim (杰姆老爷)To the Lighthouse (到灯塔去) The Mark on the Wall (墙上瑕疵) Lady Chatterley‘s Lover (查泰来夫人的情人)Sons and Lovers (儿子与情人) The Rainbow (虹)Women in Love (恋爱中的女人) The Lost Girl (迷途的女孩)Dubliners (都柏林人) Ulysses (尤里西斯)Finnegans Wake (非尼金人的觉醒)西方的红楼梦 In a Station of the Metro (地铁站)The Sound and The Fury (喧嚣与愤怒)As I Lay Dying (在我弥留之际)The Quiet Don (静静的顿河)Special Theory of Relativity (专业相对论)General Principles of Relativity (普通相对论)The Interpretation of Dreams (梦的解析)Pentateuch.摩西五经。
刘一男考研词汇5500笔记
考研词汇5500 主讲:刘一男00-01词汇的记忆方法常见方式:考试的词汇以列表的方式发给大家本课程的讲解方式:词根、词缀学1、难点2、重点3、知识点4、落脚点01-1 A开头的字母第一个规律:单词记不住的原因--没有理解英语和汉语的区别英语单词有词性,汉语无词性,例:讨论背诵英语单词的前后缀:前缀(9),后缀(30)angle n.角度----ang-角度+le名词缀备课方法:通过单词的词根开头字母的顺序来排列acid n酸,尖酸----a尖锐的形象+id ache v.痛、刺痛----ach=ac尖,刺+e acute a.敏锐的、尖锐的;(疾病)急性的----ac 尖+ute后缀acute sense 敏锐的感觉acute sense of smell 灵敏的嗅觉agony v.痛,刺痛n.苦恼,痛苦----ag=ac尖,刺+ony 音:爱过你浊轻互变minute 分钟----mini小+ute名词后缀,一分钟是一小会儿01-2architect n.建筑师英语单词的三大变化:1. 浊轻互变:p-d,t-d,k-g,f-v2. 平卷舌音互换:s-sh,c-ch,t-th,p-ph吃饭俄罗斯ac=ach3.近亲字母互换:r-l-n,er=el-名词缀veryParise 巴黎,翻译时把p浊化翻译成了b的音architect n.建筑师----arch拱+i词素+tect盖子i-在两个词根中间出现i或者u,他们叫做词素或者连字符,作用是承上启下,没有具体含义tect-盖子detect 发现、察觉,t-top顶rect-直立rectify 纠正,r-rightject-喷射inject注射,j-jetfect-制造、改造affect 影响、感动,f手fact 事实----f手,事实是一手制造的finger手指/ feel抚摸/ fist拳头/ foot脚/ factory工厂detect 发现、察觉----de往下+tect盖子,拿下盖子★知识点:单词如果是a+连续两个形同的辅音字母开头,那么a+第一个辅音字母的作用是加强语气(ac除外)ac-前缀的两个含义:1.进入2.加强01-3课程回顾:如何记住单词:单词当中有前缀: 辅助表示含义词根:核心表示含义后缀:表示词性★规律:1. 单词的含义在词根上2. 词根的含义在开头的辅音字母上英语单词发展的三大变化1.浊清互变:p-b,t-d,k-g,f-vdentist 牙医----dent牙+ist名词缀artist 艺术家/ scientist 科学家----ist表示”专家”的名词缀do did donego went walk散步/ way路/ ward方向----w-go走inward往里backward往后talk谈话/ teach讲/ tell告诉----t-tongue舌头dent-词根,牙,词根的含义在开头的辅音字母d 上d-t-tooth 牙,这里就发生了浊清互变adapt v.(to)(使)适应,适合;改编,编写----ad加强语气前缀,解释为:去,to +apt容易be apt to 容易…adaptation n.改编;适应----ad加强+apt容易+ation名词缀agitate v.鼓动,搅动;搅拌----ag=act行动+it 它+ate动词缀由ag=act可以得出,g=ctdistinct 截然不同的----di分开+st站+inct=ing无义的表音成分aviation n.航空、航行----音:爱飞,av-鸟+ationaviary 养鸟笼----av,词根,鸟+iarysocial 社会的----soc词根,社会+i+al形容词缀actual 现场的、活的----act词根,行动+u+al 形容词缀在一个正宗的后缀前面加上i或者u,用于组成后缀,无实质含义02-1 辅音字母Bblackboard 黑板----black黑色+board板子→b板子,棒子bl-和颜色相关blue蓝色/ blush红色/ blood血/ blond金色/ blank空白的黄、红、黑、褐、灰→h,中文颜色和h相关粉f,此处发生近亲辅音字母h和f的互换英语单词中,相近的含义用相同的辅音字母开头board 板子----b板子、棒子+oard单音节词汇的含义在它开头的辅音字母上bar柜台/ boat船/ bed床/ bone骨头/ bench 板凳aboard ad.在船(飞机、车)上,上船(车、飞机)prep.在(船、飞机、车)上,上(船、飞机、车)----a-at在+board板子,即在板子上abundance n.丰富,充裕---- a无+bound边界+ance名词缀abound v.丰富,充裕英语单词的名词和形容词是由同源动词派生出来的动词+-ant=形容词动词+-ance=名词abound v.丰富、充裕----a无+bound边界booud 边界---b板子,边界的含义来自于板子,界碑board+er=border 边缘abundant a.(in)丰富的,充分的,充裕的★知识点:a有否定前缀和加强语气两大功能beam n.(横)梁,桁条;(光线的)束,柱----b-板子,棒子+eamstream 小溪----str-表达一个和小溪相关的核心含义,-eam无义string琴弦/ street大街/ stripe 条纹/ strap皮带→str-与狭长、细长有关str-,英语单词中以str开头的词,如果是名词的话,含义总是与狭长、细长有关;动词则与拉紧、扯紧有关★结论:多音节词汇,去掉前缀和后缀,找到词根的含义单音节词汇,在单词第一次出现元音字母的地方分开,有几个辅音字母就把它划分出来abolish v.废除,取消----a否定前缀+bol=born生+ish动词缀bol-bom-bor 生finish v.完成----ish动词词缀final a.最终的----al形容词缀vanish 消失----van-went走+ish形容词缀van词根,表示走的概念v-w走pan盘子/ fan扇子/ clan家族/ scan扫描scan 扫描----sc看+anscout 侦察机、侦查员----sc表示看+out出去,看出去.到外面看clan 家族class班级/ club俱乐部/ clap 鼓掌/ close关门/ cloud云cl-与集合相关fan 扇子----f与手相关pan 盘子----p与手掌和类似于手掌的含义和形象相关例: plam手掌/ piece一张/ peace和平/ paper 纸近亲字母:r/l/n v/wvan=wentborn~bor~bol生fic fect 做bene 好benign a.(病)良性的,(气候)良好的,仁慈的,和蔼的abolish v.废除,取消02-2如何寻找单词的含义:单词分为:1.多音节词汇,含义在词根上。
(完整版)英美文学名词解释最全版
01. Humanism(人文主义)1>Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)1>The word “Renaissance”means “rebirth”, it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)1>Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classicism(古典主义)Classicism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)1>Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope. Jonathan Swift. etc.06.Neoclassicism(新古典主义)1>In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)1>The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present ,with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)1>Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contribution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)1>Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)1>The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)1>In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)1>Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looki ng at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。
世界著名饭店经典管理案例
2023-11-07•洲际酒店集团•万豪酒店集团•希尔顿酒店集团目录•香格里拉酒店集团•法国雅高酒店集团01洲际酒店集团公司简介洲际酒店集团是一家全球知名的酒店管理集团,成立于1777年,总部位于英国伦敦。
洲际酒店集团旗下拥有洲际、皇冠、假日、快捷假日、智选假日等品牌,覆盖全球五大洲,拥有超过65万间客房和度假村。
洲际酒店集团是世界上最大的酒店管理公司之一,拥有强大的品牌影响力和市场占有率。
发展历程18世纪中叶,英国人杰姆斯·斯图亚特在英国伦敦开设了一家名为“洲际”的酒店,成为洲际酒店集团的雏形。
20世纪中叶,洲际酒店集团开始向全球扩张,陆续在美国纽约、日本东京、澳大利亚悉尼等地开设了分店。
19世纪末,洲际酒店集团开始在欧洲大陆扩张,陆续在法国巴黎、意大利罗马、西班牙巴塞罗那等地开设了分店。
近年来,洲际酒店集团不断进行品牌升级和拓展,致力于提高服务质量和管理水平,成为全球领先的酒店管理集团之一。
精细化管理策略洲际酒店集团注重精细化管理,通过制定严格的管理制度和流程,提高管理效率和执行力,实现酒店的稳定和可持续发展。
经营管理策略多元化品牌战略洲际酒店集团旗下拥有多个品牌,覆盖不同消费群体和市场需求,提高了市场占有率和盈利能力。
优质服务策略洲际酒店集团注重提供优质的服务体验,通过培训和激励员工,提高员工的服务意识和能力,为客人创造舒适、愉悦的住宿体验。
创新营销策略洲际酒店集团不断探索新的营销手段和渠道,通过与旅游网站、社交媒体等合作,提高品牌知名度和影响力,吸引更多客户。
02万豪酒店集团万豪酒店集团成立于1927年,总部位于美国华盛顿。
公司简介成立时间与地点自成立之初,万豪便开始在全球范围内建立酒店品牌,包括万豪酒店、万豪度假村、万豪酒店公寓等。
品牌发展万豪酒店集团的业务覆盖全球,包括北美、欧洲、亚洲等地区。
业务范围1927年公司由J. Willard Marriott和Alice Sheets Marriott夫妇在美国华盛顿创立。
艺术设计英语Renaissance-Art文艺复兴
圣母怜子 价值3亿美元
列奥纳多·达·芬奇 (Leonardo Da Vinci)
renaissance
Art in the Renaissance(文艺复兴时期的艺术) Section Two: Representative Artists & Their Works Da Vinci’s Renaissance pieces like Mona Lisa and The Last Supper revealed the way he looked at situations and people. Besides, they are the most famous, most reproduced and most parodied portrait and religious painting of all time.
• Feature: The Renaissance is characterised by seeking ideological emancipation(解放;使不受法 律、政治或社會的束縛) , intellectual freedom and political awareness, based on cultural production and religious reformation. All these were undertaken or unfolded gradually but widely, extending its influences to every corner of Europe, with more and more people getting involved. The most striking feature of the Renaissance was doubtlessly the flourish of humanism人文主义.
万豪酒店集团
万豪品牌宣传片 中国区发展史
典型品牌
01 丽思卡尔顿酒店
14
特色服务 经营之道 人力资源
JW 万豪酒店
02 贴心的服务来源于每一个用心
工作的员工。
万怡酒店
04 我们致力于让雄心壮志的旅行
者在充满创造力和能产生共鸣
至尊服务带来极致体验,顾客闭上 眼睛即可感受到简单的回归。
万怡酒店
中国区 | IN CHINA
集团概况
旗下主要品牌
特色服务 经营之道 人力资源
上海地区 21家
13家 广东地区
北京地区 12家
10家
9家
海南地区
浙江地区
天津地区
7家
1家
16
湖北地区 武汉光明万丽酒店
万豪集团在中国
于1997年进入中国酒店业市场,并于此后快速发展。前不久,万豪 国际集团与阿里巴巴合作成立合资公司。万豪国际计划未来在亚太 地区新增超过100家豪华酒店。目前万豪国际在亚太地区共拥有8个 奢侈酒店品牌、113家酒店,在中国新增的酒店将占新增酒店总数 的一半左右。在万豪国际集团近日发布的2017财年二季度财报数据 中,万豪国际集团的营业额为57.95亿美元,净利润同比增长30%, 为4.14亿美元。其中,大中华地区增幅为8.4%。
集团概况
25
旗下主要品牌
特色服务
经营之道
人力资源
第四章
经营之道
市场细分 秉承理念
勇于创新 网络营销
市场细分 | MARKET SEGMENTS
集团概况 旗下主要品牌 特色服务
经营之道
人力资源
在原有的四个品牌都在各自的细分 市场上成为主导品牌之后,“万豪” 又开发了一些新的品牌。
文艺复兴戏剧
莎士比亚
1.莎士比亚的地位 同时代剧作家本·琼生评论莎士比亚:“他是时代的灵魂,我们所击节
称赏的戏剧元勋……他不属于一个时代,而属于所有的世纪。” 歌德《莎士比亚的命名日》:“我读到他的第一页,就说我一生都属于
他。” 马克思称他为“人类最伟大的戏剧天才”。 与荷马、但丁、歌德并称为“世界四大诗人”。
PART
文艺复兴时期的英国戏剧
➢ 发展阶段 ➢ 代表人物
➢ 主要作品
英国文艺复兴时期文学的最大特点就是以白体诗(blank verse)——又译成 “无韵诗”——写的新戏剧。十六世纪的最后十五年和十七世纪的前二十年通常 被称作是英国诗剧的黄金时代,也是英国文学发展史上的第一次高潮。
早期的英国戏剧起源于中世纪教堂的宗教仪式。原始的戏剧对白使用的是拉 丁文。
文艺复兴时期的戏剧
——王璐
目录
文艺复兴时期的 英国戏剧
参考文献
01 文艺复兴
02 03
04
文艺复兴时期的 意大利戏剧和 西班牙戏剧
PART
文艺复兴
➢ 背景
➢ 指导思想
➢ 文艺复兴时期戏剧的特点
文艺复兴(Renaissance)是指发生在14世纪到16世纪的一场反映新兴资产阶 级要求的欧洲思想文化运动。
11世纪后,随着经济的复苏与发展、城市的兴起与生活水平的提高,人们逐 渐改变了以往对现实生活的悲观绝望态度,开始追求世俗人生的乐趣,而这些倾 向是与天主教的主张相违背的。在14世纪城市经济繁荣的意大利,最先出现了对
天主教文化的反抗。当时意大利的市民和世俗知识分子,一方面极度厌恶 天主教的神权地位及其虚伪的禁欲主义,另一方面由于没有成熟的文化体 系取代天主教文化,于是他们借助复兴古代希腊、罗马文化的形式来表达 自己的文化主张。因此,文艺复兴着重表明了新文化以古典为师的一面, 而并非单纯的古典复兴,实际上是资产阶级反封建的新文化运动。
《蒙娜丽莎》课件
蒙娜丽莎在历史上的流传经历也十分传奇,几经辗转,曾被法国国王路易十 三和英国国王查理一世收藏,后被法国国家博物馆收藏至今。
蒙娜丽莎对后世的影响
艺术影响
蒙娜丽莎对后世产生了深远的影响。它的出现推动了绘画艺术的创新和发展,启 发了后世艺术家们的创作灵感。
社会影响
蒙娜丽莎在社会上也产生了广泛的影响。它成为了流行文化的重要符号,被广泛 应用于电影、文学、音乐、广告等各个领域。
达芬奇是生活在文艺复兴时期的杰出艺术家,他将科学、艺 术和人文思想相结合,创作出了《蒙娜丽莎》等具有深厚文 化内涵的作品。
蒙娜丽莎与东西方文化差异
《蒙娜丽莎》作为一幅世界著名的油画作品,其文化内涵 超越了国界和民族文化的差异。
蒙娜丽莎的形象被不同文化背景的人们所接受和欣赏,成 为世界文化遗产中不可或缺的一部分。
蒙娜丽莎与其他名画的比较
对比其他名画
将《蒙娜丽莎》与其他名画进行比较,如《夜巡》、《岛上 的下午》等,分析不同画作在表现主题、技法和风格等方面 的差异。
特点对比
探讨《蒙娜丽莎》的特点,与其他名画进行对比,深入理解 达芬奇的创作风格和特点。
05
蒙娜丽莎的文化内涵
蒙娜丽莎与文艺复兴时期的文化背景
文艺复兴时期是欧洲历史上一个重要的时期,其文化特点是 以人为本,强调个体意识和人文主义。这一时期的文化背景 为《蒙娜丽莎》的创作提供了土壤。
下深刻的印象。
02
背景与环境的影响
蒙娜丽莎的背景和环境对画作的整体效果产生了重要影响,达芬奇运
用光影和色彩的技巧将背景与主题完美融合。
03
艺术与科学结合
达芬奇是文艺复兴时期的杰出代表,他的画作体现了艺术与科学的完
美结合,如透视、比例、色彩等方面的运用。
美国文学术语解释
01. Humanism(人文主义)Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word “Renaissance”means “rebirth”, it meant the reintroduction into westerm Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the english Renaissance is the Elizabethan drama with william shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classcism(古典主义)Classcism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in france and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in england were those great writers like Alexander pope. Jonathan swift.etc.06.Neoclassicism(新古典主义)In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present, with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contr ibution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory ofpsycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looking at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。
2022版高考英语一轮复习课时提能练选修8Module2TheRenaissance含解析外研版
课时提能练(四十四)选修8Module 2The RenaissanceA:知识层面Ⅰ.语境语法填空(Ⅰ)用所给词的适当形式填空To do well in gymnastics, a gymnast, however 1.gifted (gift) he/she is, will have to keep practising hard.2.Basically (basic), the more he/she practices, the more 3.skilful (skill) he/she will become.The coach should get him/her to feel the joy of doing gymnastics rather than put too much stress on winning.For a gymnast, the greatest 4.motivation (motivate) to participating in gymnastics will always be the potential for fun.Nowadays, many girls sign up for gymnastic lessons mainly because they are 5.effective (effect) at providing them with weight 6.loss (lose) and graceful figures.(Ⅱ)填入一个单词Wu Jun was thirsty 1.for learning but he was forced to drop out of school.He left 2.for Beijing and found a job in a restaurant, which took 3.up most of his time.It wasn't long before he got very tired 4.of the job.So he decided to leave the job 5.behind and think of ways to trade 6.with some small companies.He knew that success depends 7.on diligence, confidence and determination.He worked very hard day and night, which was to lead 8.to his success two years later.Wu is now a businessman of great wealth.Ⅱ.根据提示补全句子1.此外,我们应该学习如何与他人好好相处。
朗文旅游英语(中级)
Unit1Conference Event Co-ordinatorConference consultants is a dynamic events management organisation which provides creative, exciting and affordable solutions for conferences and exhibitions. We are currently looking for a hard-working person to join our staff. The successful applicant will be responsible for organizing special events. This person will have excellent customer service and management skills and be prepared to work under pressure. An excellent salary package and company car will be offered to the right candidate.会议顾问是一个提供创造性的、激动人心的的会议和展览方案的动态项目管理组织。
我们正在寻找一个勤劳的人加入我们的队伍.申请成功的人将负责组织特别活动。
申请人要有卓越的客户服务与管理技能,并有压力下工作的心理准备。
胜任者将获得一份丰厚的薪酬和一辆公司的汽车Night AuditorThis is a chance to become part of a well-established international five-star hotel. We are looking for a Night Auditor for a busy hotel front office. Reporting to the Front Office Manager, you will be skilled at supervising staff, handing guest queries and complaints, maximizing room occupancy and producing the daily business figures. You are well-presented and patient with a friendly, helpful personality. This position has unlimited potential and will suit someone looking at his/her career in the long term.这是个机会能让你成为一个完善的国际五星酒店一分子。
2011届英语一轮复习课件:Module 2《The Renaissance》(外研版选修8)
这首诗有感染力。
归纳拓展 appeal (to sb.) for sth.为„„(向某人)呼吁
appeal to sb.to do sth.恳请某人干某事
appeal to sth.唤起„„;对„„有吸引力 appeal against...上诉„„ make an appeal to sb.向某人发出呼吁
我对她的动机甚为怀疑。
归纳拓展 suspect sb. of (doing) sth.怀疑某人(做了) 某事 suspect that...怀疑„„ suspect sb./sth. to be...怀疑某人/某物 是„„ be suspicious about/of sth./sb.对某物/某人
seek after追求;企图得到
seek for寻求;寻找 seek out找出 seek through在„„中搜索,搜查(某处)
活学活用
Many young graduates devoted dozens of years to success in life.
D
A.wondering
C.suggesting 解析
wherever引导让步状语从句
句子仿造 无论到哪里,你都要记住你是一名 中国人。
Wherever you go, remember you are a Chinese.
4.But even if his only contribution to history had been the Mona Lisa, it would have been genius enough for all time. 但即使他对历史的贡献仅仅是一幅《蒙娜·丽
not only...but also的主谓就近一致原则知B项
02英美文学-新古典主义时期
The Neoclassical Period The Neoclassical Period Between the return of the Stuarts to the English throne in 1660 and the full assertion of Romanticism which came with the publication of lyrical Ballads by Wordsworth and Coleridge in 1798 恪守希腊罗马时期的古典美学原则形式上强调体裁的既定形式,主题上强调文学的道德说教性与文艺复兴的最大区别:后者更注重古典文艺中的人文主义精神 John Dryden (1631―1700)约翰??德莱顿 John Dryden 1. An English poet, dramatist, and critic. 2. He first came to notice: Heroic Stanzas, which memorized the death of Oliver Cromwell. 3.He later sang for the Royalists and became an Anglican(英国圣公会教徒)being a Cavalier poet. 4. He became a poet laureate(桂冠诗人). John Dryden’s Works Changeable, a time-server(随波逐流的人): 1. an elegy on Cromwell’s death: “Herioick Stanza””英雄诗辩” 2. An Ode on Charles II: “Astraea Redux””伸张正义” 3.a didactic poem when James II in reign “The Hind and the Panther”“牝鹿与豹” John Dryden’s Works: 3. tragedy and blank-verse masterpiece: “All for Love”“一切为了爱情” 4. critical works: “Essay of Dramatic Poesy”“论戏剧诗”约翰??德莱顿 5. political satires: 1) “Absolom and Achitophel”“押沙龙与阿托奈拖菲尔” Its subject is politics and written in heroic couplet. 6. a comedy Marriage a la Mode 《时尚婚姻》《现代婚姻》 Comments 1. Dryden made his prose precise, concise and flexible, and raised English literary criticism to a new level. 2. Following the standards of classicism, he established the heroic couplet. John Dryden was the forerunner of the English classical school of literature in the 18th century. John Bunyan约翰??班扬 John Bunyan(1628―1688) John Bunyan: a Puritan poet His Works: 1. Grace Abounding to the Chief of Sinner (written in prison) 《罪人受恩记》《功德无量》 2. Pilgrim’s Progress (masterpiece) 《天路历程》 John Bunyan: a Puritan poet 3. The Life and Death of Mr. Badman 《恶人先生的生平和死亡》《贝德曼先生的一生》 4.The Holy War 《神圣战争》 Analysis: The Pi lgrim’s Progress Analysis: The Pilgrim’s Progress 1. The Pilgrim’s Progress is a religious allegory. 2. Though an allegory, its characters impress the reader like real persons. In reality, the Celestial City in The Pilgrim’s Progress is the vision of an ideal happy society dreamed by a poor tinker in the 17th century, through a veil of religious mist(迷雾)Analysis: The Pilgrim’s Progress Analysis: The Pilgrim’s Progress 3. “Vanity Fair” is a remarkable passage. It is an epitome of the English society after the Restoration. Everything can be sold or bought in this fair and the persecution of Christian and Faithful is described. Analysis: The Pilgrim’s Progress 4. Bunyan cherished a deep hatred of both the king and his government. 5. Bunyan’s prose is admirable. It is popular speech ennobled by the solemn dignity and simplicity of the language of the English Bible. John Bunyan 6.Symbolism is another feature in The Pilgrim’s Progress. Bunyan’s language: 1.Bunyan’s language is chiefly plain and colloquial and quite modern in comparison with that of the writers of the Renaissance. 2. His language is clear, vivid, natural, homely (朴实的), fluent, musical and powerful. Bunyan’s language: 3.He paved the way not only in language style but also in writing technique of novels, for the novelists of the 18th century as Swift and Defoe. Alexander Pope亚历山大??薄伯(1688―1744) Alexander Pope 亚历山大??薄伯 Alexander Pope 亚历山大??薄伯1) Pope is a classical poet in the period of English Enlightenment. (At the age of 12, he contracted得病tuberculosis结核 of the spine脊骨 that left him dwarfed变矮小, twisted and hunchbacked驼背.) 2) Pope’s Works: (1) Pastorals《田园组诗》 (2) Essay on Criticism《论批评》a didactic poem in heroic couplets (3) The Rape of the Lock《夺发记》, the masterpiece, which is worth reading for its description and satire of the dull court life of England of that time. Pope’s Works: (4) Translations, in heroic couplet The Iliad of Homer 《荷马的伊里亚特》 The Odyssey of Homer 《河马的奥德赛》(5)The Works of Shakespeare 《莎士比亚全集》 Pope’s Works:(6) “The Dunciad”“愚人志”, a satirical poem. (7) “Moral Essays”“道德论”, a philosophic poem. (8) “An Essay on Men”“人论”, a philosophic poem. Workmanship 1. Pope was an outstanding enlightener and the greatest English poet of the classical school in the first half of the 18th century. 2.He became so perfect in using heroic couplet. 3. He was a diligent reader. Workmanship 4. His style depends upon his patience in elaborating his art. 5. He was at his best in satire and epigram (警句). Limitation 1. He lacked the lyrical gift.2. He sometimes becomes artificial and obscure (difficult to understand).3. His satire was not always just, often caused by personal grudge (resent). Jonathan Swift Jonathan Swift Jonathan Swift ( 1667-1745) Irish satirist best knownfor Gulliver's Travels. Jonathan Swift For the most part, other than “A Modest Proposal” and Gulliver’s Travels, Swift is out of critical vogue now. There’s not a lot of work being done on him (relatively speaking). But if Swift only wrote these two pieces, he’d be considered a genius today. Gulliver's Travels (1726) Gulliver's Travels was Jonathan's first big dive into prose. Defoe's novel about Robinson Crusoe had appeared in 1719 and in the same vein Swift makes Lemuel Gulliver, a surgeon and a sea captain。
文艺复兴与宗教改革
同学们下课
人教版初中历史教学课件
自然科学
人文主义提倡科学实验,注重实践,催生了近代自然科 学;
文艺复兴的性质
文艺复兴是一场反映新兴资产阶级 要求的欧洲思想文化运动。本质是新 兴资产阶级在复兴希腊罗马古典文化 的名义下发起的弘扬资产阶级思想文 化的反封建的新文化运动。
02 宗教改革 Renaissance
宗教改革背景
背景一 背景二
意大利是古罗马的故乡,保留了许多古希腊罗马的文化 典籍;
人才基础 博学多才的学者们的努力;
文艺复兴核心思想
1
主张以人为本,要求肯定人的价值和尊严;
2
信仰宗教,但反对教会宣扬的禁欲苦行,抨击教会的腐败;
3追求自Βιβλιοθήκη ,幸福和物质享受,鼓励发财致富和冒险精神;
4
崇尚理性和科学,追求知识;
文艺复兴“文学三杰”
随着资本主义生产关系的发展,新兴的资产阶级成长起 来,要求打破天主教神学的束缚,为资本主义发展扫清 障碍;
天主教的腐败和搜刮,引起了各阶层的强烈不满,成为 宗教改革的直接原因;
背景三
文艺复兴对天主教的冲击;
背景四
路德指出,人的灵魂的得救无需教士的中介,也不能靠 向教会购买赎罪券,而要靠自己的信仰。
宗教改革概况
但丁
彼特拉克
薄伽丘
文艺复兴“艺术三杰”
达芬奇
米开朗琪罗
拉斐尔
文艺复兴影响
思想层面
文艺复兴冲破了基督教神学的桎梏,唤醒了人的自我意 识,越来越多的人从封建愚昧中解放出来,开始更多的 关注人及人生活的世界,为后世启蒙思想的出现打下了 基础;
刘一男考研词汇5500笔记_完美打印版pdf
1考研词汇5500550055005500主讲刘一男00-0100-0100-0100-01词汇的记忆方法常见方式考试的词汇以列表的方式发给大家本课程的讲解方式词根、词缀学1、难点2、重点3、知识点4、落脚点01-101-101-101-1AAAA开头的字母第一个规律单词记不住的原因--没有理解英语和汉语的区别英语单词有词性汉语无词性例讨论背诵英语单词的前后缀前缀9后缀30anglen.角度----ang-角度le名词缀备课方法通过单词的词根开头字母的顺序来排列acidn酸尖酸----a尖锐的形象idachev.痛、刺痛----achac尖刺eacutea.敏锐的、尖锐的疾病急性的----ac尖ute后缀acutesense敏锐的感觉acutesenseofsmell灵敏的嗅觉agonyv.痛刺痛n.苦恼痛苦----agac尖刺ony音爱过你浊轻互变minute分钟----mini小ute名词后缀一分钟是一小会儿01-201-201-201-2architectn.建筑师英语单词的三大变化1.浊轻互变p-dt-dk-gf-v2.平卷舌音互换s-shc-cht-thp-ph吃饭俄罗斯acach3.近亲字母互换r-l-nerel-名词缀veryParise巴黎翻译时把p浊化翻译成了b的音architectn.建筑师----arch拱i词素tect盖子i-在两个词根中间出现i或者u他们叫做词素或者连字符作用是承上启下没有具体含义tect-盖子detect发现、察觉t-top顶rect-直立rectify纠正r-rightject-喷射inject注射j-jetfect-制造、改造affect影响、感动f手fact事实----f手事实是一手制造的finger手指/feel抚摸/fist拳头/foot脚/factory工厂detect发现、察觉----de往下tect盖子拿下盖子★知识点单词如果是a连续两个形同的辅音字母开头那么a第一个辅音字母的作用是加强语气ac除外ac-前缀的两个含义:1.进入2.加强01-301-301-301-3课程回顾如何记住单词单词当中有前缀::::辅助表示含义词根核心表示含义后缀表示词性★规律1.1.1.1.单词的含义在词根上2.2.2.2.词根的含义在开头的辅音字母上英语单词发展的三大变化1.1.1.1.浊清互变p-bt-dp-bt-dp-bt-dp-bt-dk-gk-gk-gk-gf-vf-vf-vf-vdentist牙医----dent牙ist名词缀artist艺术家/scientist科学家----ist表示”专家”的名词缀dodiddonegowentwalk散步/way路/ward方向----w-go走inward往里backward往后talk谈话/teach讲/tell告诉----t-tongue舌头dent-词根牙词根的含义在开头的辅音字母d上d-t-tooth牙这里就发生了浊清互变adaptv.to使适应适合改编编写----ad加强语气前缀解释为去toapt容易beaptto容易…adaptationn.改编适应----ad加强apt容易ation名词缀agitatev.鼓动搅动搅拌----agact行动it它ate动词缀由agact可以得出gctdistinct截然不同的----di分开st站incting 无义的表音成分aviationn.航空、航行----音爱飞av-鸟ationaviary养鸟笼----av词根鸟iarysocial社会的----soc词根社会ial形容词缀2actual现场的、活的----act词根行动ual 形容词缀在一个正宗的后缀前面加上i或者u用于组成后缀无实质含义02-102-102-102-1辅音字母BBBBblackboard黑板----black黑色board板子→b板子棒子bl-和颜色相关blue蓝色/blush红色/blood血/blond金色/blank空白的黄、红、黑、褐、灰→h中文颜色和h相关粉f此处发生近亲辅音字母h和f的互换英语单词中相近的含义用相同的辅音字母开头board板子----b板子、棒子oard单音节词汇的含义在它开头的辅音字母上bar柜台/boat船/bed床/bone骨头/bench板凳aboardad.在船飞机、车上上船车、飞机prep.在船、飞机、车上上船、飞机、车----a-at在board板子即在板子上abundancen.丰富充裕----a无bound边界ance名词缀aboundv.丰富充裕英语单词的名词和形容词是由同源动词派生出来的动词-ant形容词动词-ance名词aboundv.丰富、充裕----a无bound边界booud边界---b板子边界的含义来自于板子界碑boarderborder边缘abundanta.in丰富的充分的充裕的★知识点a有否定前缀和加强语气两大功能beamn.横梁桁条光线的束柱----b-板子棒子eamstream小溪----str-表达一个和小溪相关的核心含义-eam无义string琴弦/street大街/stripe条纹/strap皮带→str-与狭长、细长有关str-英语单词中以str开头的词如果是名词的话含义总是与狭长、细长有关动词则与拉紧、扯紧有关★结论多音节词汇去掉前缀和后缀找到词根的含义单音节词汇在单词第一次出现元音字母的地方分开有几个辅音字母就把它划分出来abolishv.废除取消----a 否定前缀bolborn生ish动词缀bol-bom-bor生finishv.完成----ish动词词缀finala.最终的----al形容词缀vanish消失----van-went走ish形容词缀van词根表示走的概念v-w走pan 盘子/fan扇子/clan家族/scan扫描scan扫描----sc看anscout侦察机、侦查员----sc表示看out出去看出去.到外面看clan家族class班级/club俱乐部/clap鼓掌/close关门/cloud云cl-与集合相关fan扇子----f与手相关pan盘子----p与手掌和类似于手掌的含义和形象相关例:plam手掌/piece一张/peace和平/paper纸近亲字母r/l/nv/wvanwentbornborbol生ficfect做bene好benigna.病良性的气候良好的仁慈的和蔼的abolishv.废除取消02-202-202-202-2如何寻找单词的含义:单词分为1.多音节词汇含义在词根上。
威斯音频Renaissance DeEsser用户手册说明书
User GuideRenaissance DeEsser / User GuideIntroductionWhat is a DeEsser?A de-esser is an audio processor designed to attenuate high frequency ess sounds. These sibilant sounds oftencreate high-energy peaks at certain frequencies. Most such sounds (for example, S or Th or Sh sounds) are created in the front of the mouth by the tongue and teeth, and can result in a shrill, whistling sound that causes unwanted distortion or extreme presence in the higher frequencies.A de-esser is a compressor that uses a sidechain filter to detect the energy in the high frequencies, rather than the wideband energy of the whole spectrum. This way, compression is applied only when the energy in the EQ-focused sidechain exceeds a certain threshold.W HAT ’S S PECIAL ABOUT THE R ENAISSANCE D E E SSER ?The Renaissance DeEsser combines the technologiesused in Waves C4, Renaissance VOX, and WavesDeEsser with proprietary features that make it cleanerand more effective.Phase-Compensated Crossover helps to avoid undesirable coloration and phase modulation that would otherwise occur as artifacts of the amplitude modulation applied by the compressor.Adaptive threshold dynamically adjusts the threshold to the input signal, as opposed to typical “absolute value” threshold processors. This yields more natural-sounding results.Attenuation Range Control adapts to the input signal in order to provide a more unified de-essing effect. Enhanced Visual Feedback lets you accurately see what you hear. This visual feedback is important, since the Renaissance DeEsser works on a designated part of the spectral range of the input rather than the entire frequency spectrum.O THER U SESRenaissance DeEsser can be used to control the level of any high-frequency sound, not just the esses in human voices. It’s useful whenever you need to attenuate short-term, frequency-specific sounds. Renaissance DeEsser is useful for tracking, mastering, live performances, and on-air situations.•Use the de-esser for mastering rock music to calm down a hi hat that’s gotten too loud. This way, you can tame the worst of the hi hat without losing it altogether in the mix.•You want to shine up a vocal with some HF enhancement, but this results in high-frequency harshness. Use Renaissance De-esser to control the vocal while keeping the bright sound.• A sportscaster is spitting into your condenser mic. Use the de-esser to remove much of the high frequencydistortion.I NTERFACE V IEWSYou can view the Renaissance DeEsser interface in any of three styles.Select a style with the Skins drop-down menu, on the left side of the WaveSystem Toolbar, at thetop of the interface.•All three skins have the same controls. When you change skins, the values don’t change.•The skin of the current instance sets the default view, so new instances will open with that skin.Light View Dark View Legacy ViewQuick Start and Basic Adjustments.The DeEsser should be placed in the signal flow before the EQ and the primary vocal compressor.Quick StartThe easiest and fastest way to get started is to select a preset from the Load menu in the WaveSystem Toolbar.Choose the factory preset that best describes your need, then use the following steps to fine tune the processing.1.Find the problematic frequency. To do this easily, click the Side Chain Listen button. This way, youwill hear only the sidechain signal.2.Adjust the Freq control (frequency) so that you clearly hear the sibilance that you want to attenuate (typicallybetween 4 kHz and 7 kHz). Fine tune the frequency so that you hear as little of other parts of the signal as possible.3.Return to the Audio monitoring mode. Since the threshold is adaptive, you should already notice de-essing.Even a Threshold of zero will provide moderate attenuation within the indicated attenuation range.4.Lower the threshold to the point where you are satisfied with the sensitivity of the attenuation and the way itsounds.5.Adjust the Range control to adjust the amount of gain reduction.We recommend that you save your settings as user presets. This lets you easily duplicate the settings later or tomove the settings to another session or host computer. Save user presets in the WaveSystem Toolbar at the top ofthe plugin.Basic AdjustmentsThe Renaissance DeEsser controls are designed to help you choose the frequencies that will trigger gain reduction and define how the gain reduction will behave.FREQUENCY CHOICES:•The ess sound in “sweet” carries most of its energy around the 6 kHz mark (male voice). In “sugar,” most energy lies around the 4 kHz mark (also male voice).•For general-purpose de-essing, start with a frequency slightly below 4 kHz and use the high pass filter type of sidechain. This ought to take care of the sibilants in both “sweet” and “sugar.”•For very specific de-essing, select the exact frequency and use a band pass filter for the sidechain. If you select 6 kHz frequency, for example, and a band-pass sidechain, sibilance reduction will likely be veryeffective on “Sweet,” but less so on “Sugar.”DYNAMIC BEHAVIOR:The Threshold and Range controls let you specify at what point and to what extent you want to attenuate the signal. We recommend that you start with the Threshold set to –22 dB and then use the Range control to specify the amount of de-essing you want to apply. Threshold position is shown above the fader. If you then feel the de-essing is too sensitive, go back and fine tune the threshold.A de-esser is often used as a part of a vocals processing chain that has other EQ components. The EQ and de-esser vocal chain may actually increase the overall high frequency content. It supports attenuating up to 48 dB with an adaptive threshold that goes down to -80 dB. This prevents internal clipping, but you still must set the output levelproperly.Renaissance DeEsser / User GuideControls and DisplaysWideband mode shown DeEsser graphSidechain—active crossover filter (green)Passive range of crossover (red) Frequency-dependent attenuation (yellow)Gain attenuation range (purple shading)Frequency adjust and value displayFilter type select Compression mode—wide or split Sidechain listenThreshold set/gain reduction display Output meter and clip indicatorDe-essing with Renaissance DeEsser involves two steps: •Defining the frequency and gain of the sound you want to control (Freq , Type , Threshold , and Side Chain Listen ).• Determining how you want to attenuate the input signal, and by how much (Mode , Range )Detection and gain reduction are separate processes. Keep this in mind as you de-ess and you will easily understand how the plugin is working and how to use it to your advantage.The Renaissance DeEsser GraphSplit mode shownThe Graph provides an instant visual representation of the plugin settings as well as real-time display of the de-ess process. It displays frequencies on the X axis and gain on the Y axis.The graph describes the following process-related traces:•The green line illustrates the frequency range of the sidechain. Signal falling within this range will be subject to gain reduction as defined with the Mode, Threshold, and Range controls.•The red line represents the limit of the crossover. Signal “outside” this area will not be subject to gain reduction.•The yellow line represents the actual attenuation.•The purple shaded area represents the gain attenuation range. Attenuation will not exceed this area.Maximum attenuation peak hold is shown at the top of the graph. Click anywhere on the graph to clear.ControlsS IDECHAIN D EFINITION C ONTROLSF REQUENCYSets the frequency of the sidechain signal used to trigger gain reduction. The Frequency setting defines the roll-off start point for a high-pass filter or the center frequency of the band-pass filter.Sidechain Frequency: 2 kHz to 16 kHzDefault Value: 5506 kHzS IDECHAIN F ILTER T YPEThe Sidechain Filter Type selector specifies whether a High Pass or Band Pass (bell) filter will be used in sidechain filtering.Range: Toggle between high-pass or band-passDefault: High-passS IDE C HAIN L ISTENIn the Audio mode, you hear the complete audio output of the de-esser. Sidechain mode lets you hear the de-esser’s sidechain only, in order to isolate the offending frequency.Range: Toggle between Audio or SidechainDefault: AudioG AIN R EDUCTION C ONTROLSC OMPRESSION M ODESets how gain reduction will be applied to the signal. In Split mode, only the frequencies at and around the sidechain frequency setting are subject to gain reduction. In Wideband mode, gain attenuation will be applied to the entire signal, rather than to the specific sideband frequency.Range: Toggle between Wideband and SplitDefault: SplitT HRESHOLDThreshold sets the reference point in the energy of the sidechain. When a sidechain signal is above the threshold, gain reduction is active. When the signal falls below the threshold, there is little or no gain reduction.The Renaissance DeEsser threshold is adaptive, which yields more natural-sounding results. Low thresholds have high sensitivity and will make the Renaissance DeEsser get to its maximum attenuation very quickly. Higher threshold values have lower sensitivity and will make the attenuation more dynamic. The maximum attenuation will reach its limit only when there are very strong peaks in the energy of the sidechain.Threshold: -80 dB to 0 dBDefault Value: -40 dBRange defines the maximum amount of gain reduction possible. It allows you to control how “deep” the gain reductionwill go.Attenuation Range: -48 to 0 dBDefault Value: -16 dBRenaissance DeEsser / User GuideO UTPUT M ETERSThe Renaissance DeEsser shows output peak metering with a red clip indicator. Since the de-esser can only attenuate, the chances of clipping are very low. If clipping occurs, it probably originates in the source. In rare cases when the input signal is already pushing close to full scale, the active crossover may cause a sample to overflow. Under the meters are the numeric peak hold indicators. These show the peak output level. Click anywhere in the output meters area to reset them.Working with PresetsRenaissance DeEsser offers a large collection of presets. These are useful starting points for solving problems and creating effects: load the most relevant preset and go from there. In some cases, a factory preset will give you just the settings you need.There are also Artist presets. These were designed by recording, mixing, FOH, and broadcast engineers, so they capture a personal point of view about sound. They provide a head start with an attitude when you’re creating a specific sound or making a track sound better.Use the bar at the top of the plugin to save and load presets, compare settings, undo and redo steps, and resize the plugin. To learn more, click the icon at the upper-right corner of the window and open the WaveSystem Guide.。
Waves Renaissance Bass软件音频处理器用户手册说明书
RenaissanceBasssoftware audio processor User’s GuideTable of ContentsChapter 1Quickstar tChapter 2ControlsChapter 3Basic adjustment p r oced ureRenaissance Bass Software Manual12Renaissance Bass Software ManualChapter 1 - QuickstartWaves created the Renaissance Bass to answer the demands of the market:an easy-to-adjust processor that delivered a great sound,quickly.Renaissance Bass uses patented technology that Waves developed for the original MaxxBass processor.Over the years we’ve been able to refine the algorithm for many licensing agreements,and felt it was time to bring the fruits of our labor back to the pro audio world,where it all started.Therefore,we created theRenaissance Bass processor,with significant improvement in the psychoacoustic bass performance,easier adjustment,and clip-free performance.What is the secret?Of course we can’t tell you everything we’re doing,but in general,the process is very simple.The brain can reconstruct a “missing fundamental”from just the harmonics the ear is hearing.For example, if you have a radio with a small speaker,the bass guitar in a rock song,or the double bass in a concerto,can not be reproduced by that very small speaker,that is,the fundamental pitch is too low for that speaker to produce.However,the harmonics are coming out of the speaker (they are higher than the fundamental of course, check your physics of sound book gathering dust on your shelf for a lot more information).Your ear can hear these harmonics,and the “hearing mechanism”,more like“hearing software”of the brain recognises that these harmonics are related to each other (i.e.,correlated),and reconstructs the missing fundamental.Therefore,you hear the low bass note,even though it is not coming out of that speaker.This phenomenon has been well known for centuries (pipe organ builders use exactly this technique to emulate very long pipes that might have been too expensive for the owner).Waves created the MaxxBass algorithm to do exactly this,taking the very low bass (user controllable) and creating harmonics that can be added into the signal (variable by user).Waves has patented this technology, refined it,and has put it into the Renaissance Bass processor.Renaissance Bass Software Manual3Renaissance Bass Software Manual4Chapter 2 - Controls Signal flow in the Renaissance Bass is from the left to right,so it’s easy to see how the original bass signal and the new harmonics are contributing to the total output.On the left side is the meter for the Original Bass level.In the middle is the level meter for the Harmonics that are created.Renaissance Bass Software Manual 5On the right side is the output meter,with infinite peak hold numbers at the bottom of the meters.Here’s a screenshot of a sine wave input to Renaissance Bass,without any Harmonics being added.When adding the Harmonics,the same signal produces this output:Renaissance Bass Software Manual 6In/Out (Original Bass)Switches the original bass (frequencies below the Freq value) in or out of the final out-put signal ofthe processor.Intensity This control is simply a level control ofthe Harmonics that are generated.It rangesfrom -24dB to +24dB.The zero reference level (0.0) is just a rough approximation formost systems to achieve a perceived equal bass level.For example,if you completelyremove the Original Bass (the In/Out button is set to Out),an Intensity setting of 0.0will very roughly give you equal perceived bass by using only Harmonics.Of course thiswill change a great amount depending on the source material,your speakers,the roomyou are in,and so forth.It’s not a recommended starting point,it’s just the middle ofthe control range.The higher the Intensity value,the more Harmonics are added to the output signal.FreqThis simply controls where the process begins (much as in a crossover).Therefore,with the setting shown above (65Hz),all frequencies below 65Hz will have harmonics generated by the system and added by the Intensity control.GainThe output gain control,which is reflected in the output meters immediately beside thegain control.Output metersThese meters show the output level of the processor.Just below each of the meters areinfinite peak hold numeric indicators,showing the highest peak (sample accurate) sincethe last reset.T o reset,just click the meters anywhere.There’s lots more information inthe WaveSystem manual,which explains common controls and amazing shortcuts thatare found in every Waves software processor.At the top of the meters is a clip light.Click it to reset.Renaissance Bass Software Manual7Renaissance Bass Software Manual 8Chapter 3 - Basic Adjustment ProcedureAdjusting Renaissance Bass is basically the same,no matter the application.What you want to do is enhance the perception of bass frequencies in a “proper”mix.It doesn’t depend on the speakers you have (we are assuming that you are using widerange speakers for monitoring).It depends only on your ability to use this tool as in any other (such as EQ,compression,etc.) and to use it in a reasonable way to get a balanced sound.Mixing or masteringLet’s suppose the bass guitar of a mix is a little low.Instead of adding EQ,which would boost the bass and surrounding harmonics,and boost other instru-ments in the same range as the harmonics,use Renaissance Bass.By taking all the frequencies below,say 100Hz,and creating new harmonics that are laid on top of any other sounds,the bass guitar will be heard more clearly,without becoming muddy from boosting other instruments at the same time.Here are the steps for adjusting the previous scenario:In a multitrack mix,you can insert Renaissance Bass on just the track (recommended in this example),or you can insert it on the 2-mix (master output),as you would do in a mastering application.•Set Freq to 100Hz.•Adjust Intensity to a low level (say,-10 or so)•Use the Bypass control to compare between the harmonically-enhanced signal,and no processing.•Adjust Freq and Intensity for desired effect.In this case,a low level of Intensity is probably enough,but of course it depends on the problem you are trying to fix.Fixed installation adjustmentA very different situation would be for a playback system that has a specific speaker system that does not have good bass,such as a kiosk,a commercial installation,an art installation,or any situation where you know exactly what speakers will be used,and have one with you to do the mixes with.For example,you are doing sound for a theme park such as Disneyland,and the speakers are 5”drivers that have a cutoff frequency of about 110Hz.You want to extend the bass response from these speakers,and you know that only these speakers will be used.Now you can do a more severe adjustment to the sound,knowing that the playback will be on this particu-lar system by completely replacing the low bass with harmonics.This keeps the small speaker from trying to reproduce the low frequencies,saves amplifier usage,all while sounding better than the speaker can actually sound!•Set Freq to the cutoff frequency of the playback speaker (in this example,110Hz)•Set Intensity to 0.0,then move upward until the bass is heard in a balanced way.•Fine tune the Freq and Intensity for the smoothest bass response.Frequency sweeps can be used, as well as the source material you are mixing.Renaissance Bass Software Manual9。
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Sir Philip Sidney’s Life
was born on November 30, 1554, at Penshurst, Kent. He was the eldest son of Sir Henry Sidney, Lord Deputy of Ireland, and nephew of Robert Dudley, Earl of Leicester. He entered Shrewsbury School at the age of ten in 1564, on the same day as Fulke Greville, who became his fast friend and, later, his biographer. attending Christ Church, Oxford, (1568-1571) he left without taking a degree in order to complete his education by travelling the continent. In 1577, he was sent as ambassador to the German Emperor and the Prince of Orange. In 1586 Sidney, along with his younger brother Robert Sidney, took part in a skirmish against the Spanish at Zutphen, and was wounded of a musket shot that shattered his thigh-bone. Some twenty-two days later Sidney died of the unhealed wound at not yet thirty-two years of age.
2. Features of English Renaissance literature
(1) Renaissance poetry Sir Philip Sidney
Edmund Spenser
John Donne and other metaphysical poets Ben Johnson and his school
Christopher Marlowe (1564-1593)
The Life of Christopher Marlowe The Works of Christopher Marlowe Essays and Articles
Additional Sources
Marlowe, Christopher, 1564–93, English dramatist and poet, b. Canterbury. Probably the greatest English dramatist before Shakespeare, Marlowe, a shoemaker's son, was educated at Cambridge and he went to London in 1587, where he became an actor and dramatist for the Lord Admiral's Company. His most important plays are the two parts of Tamburlaine the Great (c.1587), Dr. Faustus (c.1588), The Jew of Malta (c.1589), and Edward II (c.1592). Marlowe's dramas have heroic themes, usually centering on a great personality who is destroyed by his own passion and ambition. Although filled with violence, brutality, passion, and bloodshed, Marlowe's plays are never merely sensational. The poetic beauty and dignity of his language raise them to the level of high art. Most authorities detect influences of his work in the Shakespeare canon, notably in Titus Andronicus and King Henry VI. Of his nondramatic pieces, the best-known are the long poem Hero and Leander (1598), which was finished by George Chapman, and the beautiful lyric that begins “Come live with me and be my love.” In 1593, Marlowe was stabbed in a barroom brawl by a drinking companion. Although a coroner's jury certified that the assailant acted in self-defense, the murder may have resulted from a definite plot, due, as some scholars believe, to Marlowe's activities as a government agent.
The Works of Edmund Spenser
The Faerie Qveene The Shepheardes Calender Complains: The Ruines of Time The Teares of the Muses Virgils Gnat Prosopopoia: or Mother Hubberds Tale The Ruines of Rome: by Bellay Muiopotmos: or The Fate of the Butterflie Visions of the Worlds Vanitie The Visions of Bellay The Visions of Petrarch
John Donne (1572-1631)
The Life of John Donne The Works of John Donne Essays and Articles Additional Sources
The Works
The Flea The Good-Morrow Song : Go and catch a falling star The Sun Rising Love's Alchemy A Dialogue Between Sir Henry Wotton and Mr. Donne The Token Self-Love
the Puritan writer John Milton
Sir Philip Sidney (1554-1586)
The Life of Sir Philip Sidney
The Works of Sir Philip Sidney
Essays and Articles Additional Sources
The Renaissance period
Background
knowledge 1. Renaissance refers to the period of transition from the medieval to the modern world. (2) Humanism suggests (3) The great 16th-century religious revolution (4) The continuing development of trade
His works
A Dialogue Between two Shepherds, uttered in a Pastoral Show at Wilton (c.1580, pub. 1613) Letter to Queen Elizabeth (1580) A Discourse in Defence of the Earl of Leicester (1584) Arcadia (1590) Astrophel and Stella (1591) The Lady of May (pub. 1598) Certain Sonnets (pub. 1598) Psalms Miscellany Poems Correspondence
Spenser was appointed secretary to the lord-deputy of Ireland in 1580, and was one of the band of adventurers Amidst all the distractions of his public life in Ireland Spenser kept up his interest in literature, and among proper subjects for reform included Irish poetry, of which he could judge only through the medium of translations. Notwithstanding its immense range, the Faery Queen is profoundly national and Elizabethan, containing many more or less cryptic allusions to contemporary persons and interests. After the publication of the Faery Queen Spenser seems to have remained in London for more than a year, to enjoy his interest. Spenser returned to London probably in 1595. He had married in the interval a lady whose Christian name was Elizabeth - Dr Grosart says Elizabeth Boyle. On the 16th of January 1599 he died at Westminster, ruined in fortune, if not heart-broken, and was buried in Westminster Abbey, near his master Chaucer.