苏州英语导游词5篇

苏州英语导游词5篇苏州英语导游词1Welcome to Luzhi ancient town for sightseeing. Luzhi ancient town is about 25 kilometers southeast of Suzhou. There are many lakes and rivers around the ancient town, and "small bridges, flowing water and people" can be seen everywhere. Therefore, it can be said that Luzhi is a typical "water country".Luzhi was called Fuli in ancient times. It was not until the Qing Dynasty that it was renamed Luzhi. Luzhi, originated from Liuzhi. The so-called "six straight" means that the three rivers of Dazhi, Xiaozhi and zhishangjing in the east of the ancient town can reach six places. "Yong" is an auspicious Unicorn named luduan in the myths and legends of the Zhan Dynasty. Its the image you see on this sculpture. It is said that it has the special function of fast walking, understanding all kinds of words and well-informed information, which can ensure the smooth weather and protect the peace of the people. Therefore, it takes the homonym of "Lu" and "six" in Wu dialect and names the town "Luzhi". At the same time, it takes luduan as the town logo of the ancient town and stands here, which fully shows the good wishes of Luzhi people for a better life.Luzhi ancient town belongs to Wuzhong District of Suzhou city. The area of the ancient town is only 1.1 square kilometers. The ancient town is adjacent to Wusong River in the north and Chenghu Lake in the south. It has wide waters and rivers. Since ancient times, it is rich in rice, wheat, freshwater fish, mat grass, Lingou and other aquatic plants. It can be called a genuine "land of fish and rice".The ancient town is not only rich in water products, but also has a long history and strong cultural atmosphere compared with other ancient towns in the south of the Yangtze River. The history of the ancient town can be traced back to the spring and Autumn period and the Warring States period 2500 years ago. At that time, Helu, the king of Wu, and fuchai, the king of Wu, successively built the Li palace here. Zhang Lingshan in the southwest of the town is the burial place of Zhang Cang, the Prime Minister of the Western Han Dynasty; Lu guimeng, a poet of the Tang Dynasty, once lived in seclusion in the west of Bailian temple in the ancient town, and still has his tomb. Since the establishment of Fuli Academy in the Yuan Dynasty, the ancient town has always attached great importance to education and trained countless scholars. In the early years of the Republic of China in modern times, the ancient town took the lead in setting up new schools. Ye Shengtao, Wang Boxiang and ShenBaihan, the famous educators, taught here, and cultivated many excellent talents for the ancient town.The long history and profound cultural accumulation have left many historical sites and celebrity footprints for the ancient town. From the ancient temples, gardens and streets to the ancient houses of historical celebrities, the whole zhanzhen town is like a dazzling Museum of historical relics. Among them, we can not only feel the vicissitudes of history, but also get the nourishment of culture. At present, the ancient town preserves historic sites and cultural landscapes such as the ancient castle temple, Lu guimengs Ci, Shengtao memorial hall, Shen house, Xiao house, Wansheng rice shop, Wang Tao memorial hall, etc. In particular, the painted arhat statue preserved in the ancient castle temple is the only national key cultural relics protection unit in the ancient town of Jiangnan. Mr. Fei Xiaotong, vice chairman of the National Peoples Congress and a famous sociologist, wrote the words "the first water town in China" after visiting the ancient town. Today, "the first water town in China" has become the pride of town people and the pronoun of Luzhi ancient town. The town was named as a famous historical and cultural town in Jiangsu Province in 19q4, and was listed as one of the 13 scenic spots of Taihu Lake scenic spot. Now, please followme to the ancient town to appreciate the unique style of "the first water town in China".[Baosheng Temple]Luzhi ancient town is famous, to a large extent, because there is a Baosheng Temple Museum in the town, which was one of the first batch of national key cultural relics protection units announced after the founding of new China. So far, Luzhi is probably the only ancient town in the south of the Yangtze River with national key cultural relics protection units.Baosheng temple was built in the period of Liang Tianjian in the northern and Southern Dynasties. It has a history of 1500 years. Like the famous Hanshan Temple outside Gusu City, it is one of the 480 temples in the Southern Dynasty. In history, it has been used repeatedly. At that time, there were more than 5000 temples and thousands of monks in the temple, covering half of the ancient town. By the early years of the Republic of China, almost all the buildings in the temple had collapsed, and some of the temples had been rebuilt into schools. In the 1920s, when the Daxiong hall collapsed, the statue of arhat on the west wall of the hall was destroyed. Later, under the initiative of Cai Yuanpei, Gu Jiegang and other famous scholars, in 1932, an Antiquities Museum was built onthe site of Daxiong hall to protect the statue of arhat. After liberation, the peoples Government renovated the ancient temple. The existing ancient temple gate was rebuilt in 964 according to the original appearance of the gate during the reign of Emperor Qianlong of the Qing Dynasty. The word "Baosheng Temple" on the mountain gate is inscribed by Mr. Fei Xini, a contemporary sweeper.Through the two Mountain Gate with the title of "Fuyang Xianmi", you can see the heavenly king hall standing in the middle of the courtyard. Tianwang hall was built in the Ming Dynasty and rebuilt in the Tongzhi period of the late Qing Dynasty, but it still retains the style of the Ming Dynasty. However, the basin type plinth of the Bu column is a relic of the Northern Song Dynasty. According to textual research, the Tianwang hall was rebuilt on the site of the last dynasty hall in the Chongzhen period of the Ming Dynasty. It is said that there was no iron nail used in the construction of Tianwang hall, and the joint was completely connected by tenon, which shows the exquisite craftsmanship of woodworking. The original four clay statues of Vajra in the hall were all destroyed by the Japanese during the Anti Japanese war. In 1956, Tianwang hall was listed as a cultural relic protection unit in Jiangsu Province.To the north of the courtyard of Tianwang hall is the Museum of antiquities built on the site of Daxiong hall. There are two treasures of the ancient temple in the courtyard. Standing on the west side is a blue stone Scripture building, which originally stood in front of the heavenly king hall, next to the stone with a coiled pole on the east side, to exorcise evil spirits. Jingchuang and Jiashi are relics of the Northern Song Dynasty. In fact, Jingchuang is a kind of Buddhist stone carving that began to appear in the Tang Dynasty. It is generally composed of cover, column and seat. The pillar is engraved with Buddha statue, Buddha name or Sutra. The handwriting on the existing Qingshi Scripture building is no longer clear. On the east side of the courtyard, there is an iron clock, about 1.5 meters high and 1 meter in diameter, which was cast in the late Ming and early Qing Dynasties. On the clock, there is an auspicious saying of "good weather, good harvest".There is a famous plastic wall arhat in the museum. Under the eaves in front of the museum is a plaque inscribed by Mr. Chang Yinren. The "nine Arhats" on the lintel of the Museum of antiquities was written by Zhang Ting, a professor of the Central Academy of fine arts. According to Wu Jun Fu Li Zhi, the original Daxiong hall was built in 1013. During the Northern Song Dynasty, there were Buddha statues of Sakyamuni and eighteen Arhats in the hall, whichwas copied by Yang Huizhi of the Tang Dynasty. Yang Huizhi is a native of Wu County in Tang Dynasty, who is as famous as Wu Tongguang, the "sage of painting". Because clay sculptures are not as easy to preserve as stone and wood carvings, it is not easy for Yang Huizhis authentic works to be millennium old.In 1918, historian Gu Jiegang visited Baosheng temple at the invitation of Ye Shengtao and Wang Boxiang. A well preserved work of Tang Dynastys masterpieces attracted the attention of historians. In 1922, Gu Jiegang found that the statue of a member of the Luohan tribe was badly damaged and in urgent need of protection, so he ran around and called for the rescue of "art works of 1100 years ago". Later, under the care and advocacy of Mr. Hu Shi and Mr. Cai Yuanpei, a "preservation Committee of Luzhi Tang sculpture" was established to collect funds and invite famous painters and sculptors such as Xu Beihong, Liu Haisu, Jiang xiaostork and Hua Tianyou to study and draw up preservation plans. In view of the collapse of the original main hall, it was decided to build an Antiquities Museum on the site of the hall to preserve these precious art relics.The museum started construction in the autumn of 1930 and was completed in the autumn of 1932. The Antiquities Museumwas originally a Roman style red brick building with flat roof. Because the flat roof was easy to accumulate water, the leakage of the roof was found in the early 1950s, so the Antiquities Museum was renovated and the flat roof was changed to a sloping roof. After changing it into the top of the slope, although it can drain water, it does not coordinate with the overall architecture of the temple. So in 1987, it was rebuilt again, and the roof was changed to Xieshan single eaves type.When you enter the museum, you can see a statue wall arhat facing south. The statues of Arhats can be seen in many temples, either five hundred Arhats or eighteen Arhats, but they hardly have any background, which is different here. In addition to the nine Arhats on the wall, there are rocks, clouds and spray, which give people a feeling of being near the sea and heaven. Except for the two Arhats who are discussing Buddhist scriptures, the rest of the nine Arhats are scattered and sitting, with different shapes and expressions, giving people a very vivid, realistic and natural feeling, which makes the whole design a little less religious and adds a bit of human affinity He Li.High in the middle is Bodhidharma, the forefather of Zen. Because there is no him in the 16 Arhats and 18 Arhats, somepeople think that the statue in the middle is Xiao Yan, Emperor Wu of Liang Dynasty, which is a portrayal of his resignation when he was trapped in Taicheng. To the east of Dharma cave is the venerable Jiaxi, also known as "WangYan Luohan", with thick eyebrows and big eyes. At first glance, he is an Indian. His clothes are the most gorgeous of all the Arhats.Under "Wang Yan Luo Han", there is a pair of Luo Han. To the East is the venerable nuojulu, who is kind-hearted and kind-hearted. He seems to be preaching scriptures, so he is also called "preaching arhat". So who is he lecturing to? Look at the statue of Ximei, whois listening attentively. This is "listening to the Sutra arhat". His name is ashdodo venerable.To the east of the "preaching arhat" is the batara. Because of his peculiar facial expression, he is also called "embarrassed Rohan".To the west of the Dharma patriarch is the venerable tanthidra. Look at his broad-minded, fat, detached look, known as "barefoot arhat.".In the west of "barefoot arhat", the one with angry eyes is the one who guards Bojia. From his angry look, he is commonly knownas "angry arhat". Below him is the "lonely arhat" supindra, with an impassive expression.Sitting at the westernmost end of the wall is the bantorga. His expression is deep, as if thinking about something, so people also call it "meditative arhat".The nine Arhats we see now are only half of the eighteen Arhats worshipped on the East and west sides in the main hall of Baosheng temple, and there are many damages. In addition, whether the author of it is Yang Huizhi, the "sculptor" of the Tang Dynasty, is controversial in the field of historiography from the following aspects: before the end of the Tang Dynasty, there were no eighteen Arhats, only sixteen Arhats, and the great hall was built in the Northern Song Dynasty. However, whether it was created by Yang Huizhi or by imitating Yangs style, its superb sculpture art shows people the wisdom and talent of ancient Chinese artists, which is of great artistic appeal and cultural value. Therefore, after the founding of new China, it was listed in the first batch of national key cultural relics protection units. In front of the Luohan wall, there are two stone statues carved from blue stones, which are antiquities of the Six Dynasties. In the past, it was usually placed inthe middle of the street, which means that the Buddha is everywhere and cares for all living beings.[Ye Shengtao Memorial]Now you come to the yard is Ye Shengtao Memorial Hall. It was originally the site of Puli Academy. In 1906, a new school was set up, and Fuli Academy was transformed into Fuli primary school. Later, it was reorganized into "the fifth higher primary school of Wu county", which is called "wugao" for short. In the spring of 1917, Mr. Ye Shengtao was invited by his classmates Wu binruo and Wang Boxiang to teach at the "five high school". He worked and lived here for more than four years. During this period, he carried out the experiment of educational reform and created many literary works, such as "Han Xiaos Qin song" and "low energy children", all of which were directly based on the ancient town of Luzhi. Therefore, Mr. Ye has always affectionately compared Luzhi to his second hometown. After his death in Beijing in February 1988, in order to show his respect and memory, the people of the ancient town renovated several old sites where he was teaching and turned them into Ye Shengtao Memorial Hall. "Ye Shengtao Memorial Hall" engraved on the main entrance of the memorial hall was inscribedby the late president of the Chinese Buddhist Association, Mr. Zhao Puchu.The two-story building on the east side of the courtyard was the "five high" womens department at that time. In 1919, Ye Shengtaos wife, Hu Molin, was employed by the "five high" and served as a teacher in the womens department for three years.In the middle of the courtyard is a four side hall building that looks like a Square Pavilion. This is the "five high" Expo room, that is, the reading room. Now there is a flower basket on the table in the middle of the four side hall. In front of the flower basket, ye Laos face model is placed for people to look forward to.On the west side of the four side hall is a mandarin duck hall. At that time, it was the dormitory and office of the "five high" foreign teachers. The north side has been restored to the original appearance of the "five high" teachers office.To the north of the courtyard, there are seven bungalows lined up with a long corridor. This is the exhibition hall of the memorial hall. Starting from the preface hall in the East, it is divided into eight parts to introduce Ye Shengtaos life and his outstanding achievements in education, literature, publishing and social activities with photos, objects, literature and other exhibits. Inparticular, it highlights the work and life of Ye Lao in the ancient town.From the north gate of the memorial, we came to Ye Shengtao cemetery. The granite platform faces east in the West. On the wall of the monument are engraved six gilded characters of "Tomb of Mr. Ye Shengtao" inscribed by Mr. Zhao Puchu. There is a six corner Pavilion in the east of the tomb platform, which is called Weiyan Pavilion. "Not tired" on the plaque in the pavilion is the ink left by Ye Lao. In his early years, ye used to call his residence "not tired of living". The word "not tired" means never tired of learning, constantly pursuing and making progress.[Lu guimeng Temple]From the west gate of Baosheng temple, there is an open space. To the north of it is the Bailian Temple site founded in the northern and Southern Dynasties. To the west of the Bailian Temple site is Lu guimeng temple, also known as Mr. Fuli temple. It was originally the residence of Lu guimeng, and was built as the ancestral hall of Mr. Fuli in the Northern Song Dynasty.Lu guimeng is a late Tang Dynasty writer, a native of Suzhou, another name of Mr. Fuli. He had a distinguished family background and had two prime ministers. Lu guimeng studied hard sincechildhood in order to serve his country. However, with bad luck, he failed in the exam. In this case, I came to Luzhi ancient town to buy farmland and live in seclusion. In spite of the feudal and secular ideas, he went to work in the field himself. This was a valuable move at that time. Apart from farming, he often went boating and traveled in the rivers and lakes, and wrote many poems reflecting the life of Wus water country. His works have been handed down from generation to generation, such as Mr. Fulis collection and Lizes series. He is the best friend of PI Rixiu, a poet of Tang Dynasty, and is known as "Pi Lu" in the world. In addition, Lu guimeng also has a lot of research on agricultural tools, and his "leifujing" is an important material for the study of ancient agricultural tools in China.Lu guimengs tomb covers an area of about one mu. In front of the tomb stands a stone tablet of the reign of Kangxi and Tongzhi of the Qing Dynasty.There is a qingfengting beside yiguanzhong, which means to praise Lu guimengs elegant character of "qingfengliangjie". There is a pool beside qingfengting. This is the pool where Lu guimeng raised green ducks. Because the green duck is good at fighting, the pool is also known as the duck fighting pool.Qingfengting and douyachi were first built in the Northern Song Dynasty, and were rebuilt in the Ming and Qing Dynasties. When qingfengting was rebuilt in Tongzhi period of Qing Dynasty, a plaque of "qingfengliangjie" was hung in the pavilion and a statue of Lu guimeng was erected. During the cultural revolution, it was destroyed again. The existing qingfengting and douyachi were restored after 1981. Among them, Lu guimengs yiguanzhong and douyachi are listed as cultural relics protection units in Jiangsu Province. There are three ancient ginkgo trees on both sides of douyachi, which are said to be planted by Lu guimeng. They are just like three experienced historical elders, standing here, witnessing the vicissitudes of the ancient town.[Wansheng rice line]The place we come to now is Wansheng rice line written in Mr. Ye Shengtaos novel "collected more than three or five Dou". Its prototype is Wancheng hengmihang. In the early years of the Republic of China, this rice shop was jointly operated by Shen and fan in the town, and it was also a rice shop in Jiaozhi ancient town. In the past, every time I went to the new Valley, many boats selling grain and buying rice would gather in the river channel at the gateof the new valley. The lively scene of loading and unloading grain and rice can be imagined.In the 1950s, it was transformed into a grain purchasing station and a grain warehouse. Now, in order to adapt to the development of the tourism market, develop the cultural tourism resources of the ancient town, renovate it as "Wansheng rice shop", and reproduce the style of "front shop and back yard" of the small town rice market in the Republic of China. Facing Hebu, the three Bay shop is a rice shop. On the high wooden counter is a billboardof "thousands of merchants gather". Behind the shop was a large yard, with stone slabs on the ground, and the south side of it 苏州英语导游词2Lion forest, one of the four famous gardens in Suzhou, has a history of more than 650 years and is the representative of garden in Yuan Dynasty. No.23 Yuanyuan Road, located in the northeast corner of Suzhou City, Jiangsu Province, is a rectangle with a width from east to west, covering an area of 1.1 hectares and an open area of 0.88 hectares. There are rockeries all over the park, surrounded by long corridors, buildings looming, winding paths leading to seclusion, with the general feeling of maze. The wall of the corridor is embedded with the calligraphy steles of Su Shi, Mi Fu,Huang Tingjian and Cai Xiang, as well as the inscription of plum blossom poem by Wen Tianxiang of the Southern Song Dynasty. This garden was built by Zen master tianru of Yuan Dynasty in memory of his teacher, Zen master Zhongfeng. In the first gate, the teacher of "Shizilin" is the teachers teacher. Later, because there were many rockeries in the garden, which looked like a lion, it was changed to the Lion Forest in the way of writing, and has been used up to now. The word "Lion Forest" on the forehead of the ticket office was written by Emperor Qianlong of the Qing Dynasty.Step into the garden, you can see a hall, which is the Bei ancestral hall. In the middle of the plaque, there is Gu Tinglongs handwritten "Yunlin Yiyun", which is one of the designers of lion forest. Ni Yunlins design has the charm of emptiness and quietness. The wooden railings on both sides of the corridor are carved with peony, Phoenix and Shou characters, and hanging screens with vases and shell leaves. Beiye is used to write Buddhist scriptures, which not only reflects that Shizilin is a place for Zen to study Buddhism, but also has commemorative significance, because the last master of Shizilin is Beiye. The ancestral hall is a place for worshiping and worshiping ancestors and gathering of clansmen. On the roof, there are statues of three immortals, Fu, Lu and Shou, and a child. It shows that the garden owner hopes that hisdescendants can be outstanding and glorify their ancestors. At the entrance of the corridor, there is the word "Chunhua", which means the garden is full of spring. Please go ahead.It is said that the stone lions in the lion forest came from Tianmu Mountain in Zhejiang Province. The eight immortals tie Guai Li and LV Chunyang went to the banquet of the queen mother and rode a green lion past Tianmu Mountain. From the top of the mountain came a clear spring. Li Zheng, Tieguai, was thirsty. He was very happy and fell down to Yuntou. He took down his own gourd and went to the spring to drink. The green lion also jumped into the water to play. After a moment, the lion climbed up to the shore and shook his body. The water on his body was scattered on the surrounding rocks, and suddenly became a group of lively and lovely little lions. The green Lion plays with the little lions intimately. Tieguai Li smiles and says to LV Yuyang, "look, the green lion has moved everyones heart. Now that there are so many descendants, lets punish him to be a lion king here." After that, with the help of the iron crutch, the lions turned back to the appearance of stones, and the green lions turned into a mountain peak because they couldnt bear to leave.In Song Renzongs time, Zhongfeng monk of Zhejiang Guoshi temple had a profound Buddhism. One day, he traveled to Tianmu Mountain and recited scriptures in Jielu. Every morning, he recited scriptures in front of Qingshi mountain. It turned out that he was an eminent monk and knew the origin of shiziyan and shizifeng. Lion is called lion dragon (Su ā nn í) in Buddhism. It is the beast of Buddhism. He wants to enlighten the green lion and make it return to its original appearance. For a long time, because I often listen to the eminent monks words, I became a spirit and became a green lion again. The green lion became monk Zhongfengs mount. Monk Zhongfeng rode the green lion to visit his apprentice tianru Zen master in Puti temple in Suzhou. There were many strange stones in Puti temple, and the shape of them was vivid, like many lions. The green lion was very happy and thought that he had returned to the lion colony in the Buddhist kingdom, so he changed into a lion bee, and the lion fur scattered on the green lion became a variety of lion cubs. Some are playing with Hydrangea, some are fighting with two lions, and some are full of prestige. When Zen master tianru saw his hands together, he even said "Amitabha". He praised master tianru for his boundless power and perfect merits. Bodhi Temple became the kingdom of Buddha and lion. Monk Zhongfengsaid, "it might as well be called lion forest." So the stone lions in the lion forest are famous.Green lion is very happy to stay in the lion forest, but he is worried about Tieguai Li. In a fit of anger, he punished the green lion to stay at the top of Tianmu Mountain. When he went back, he was a little reluctant to think about it. When he went back to look for it, there was no trace. Tieguai Li Yu visited all the famous mountains and rivers, but he had no whereabouts. One day when I passed by Suzhou, I saw the Lion Peak in the lion forest from a long distance. Isnt it the green lion. After entering the rockery group of lion forest, tie Guai Li walked slowly and lost contact with LV Chunyang. I saw Lu Chunyang in front of me from a distance, but I couldnt get out of the rockery to meet him. Tieguai Li was in a hurry and sat in the cave in a hurry. LV Chunyang always loses to tie Guai Li in chess. He thinks that this opportunity has come, so he asks tie Guai Li to play a game of chess in the false cave. If LV Chunyang wins, he will carry him out. Tieguai Li agreed because he lost less and won more in chess in the past. Unexpectedly, because he was trapped in a rockery, he was in a panic and was killed by LV Chunyang.Tieguai Li had no choice but to beg for mercy from LV Chunyang. Lu Chunyang said: "I think the green lion is very happy to stay in the lion forest, so Ill stay here with the lion grandson.". Tie Guai Li was eager to go out and agreed. Lu Chunyang took tieguaili out of the rockery.Now when you go to the rockery in the lion forest, you have to be careful. Dont be as stubborn as Li. The game of chess he lost in those years is still in the rockery cave.The lion forest is mountainous in the southeast and watery in the northwest. It is surrounded by high walls, deep houses and winding corridors. Taking the central pool as the center, building houses by piling mountains, transplanting flowers and trees, and erecting bridges and pavilions make the layout of the whole garden compact and full of the artistic conception of "close to the mountains and forests". The lion forest is famous for its pavilions, terraces, towers, pavilions, halls, pavilions and corridors. It is also known as the "rockery kingdom". There are many and exquisite rockeries in Shizilin, with exquisite rocks, winding caves and ravines, which are like entering a maze. It is known as "Eighteen scenes of Taoyuan". At the top of the cave, there are many strange peaks and rocks, all like a lion dancing. There are Hanhui, tuyue, Xuanyu,angxia and other famous peaks, and the Lion Peak is the first of them. The main building in the park is Yanyu hall, behind which is a small square hall and Lixue hall. To the west, you can get to Baixuan, which is a two-story attic with a veranda all around. Its tall, cool and exquisite. To the west of Baixuan is guwu pine garden. The southwest corner is jianshanlou. From Jianshan tower to the west, you can get to the lotus hall. In the northwest of the hall, there is a Jianzhen interesting Pavilion near the pool. The pavilion is decorated with exquisite ornaments, and the figures and flowers are lifelike. There are two stone boats beside the pavilion. The stone boat shore is the dark fragrant studio, from which you can turn south along the corridor to reach the waterfall Pavilion, which is the highest place in the garden. The West scenery center of the garden is Wenmei Pavilion, in front of which is shuangxianxiang Pavilion. Shuangxiangxian pavilion has a fan Pavilion in the southwest corner and a courtyard behind it, which is fresh and elegant.Shizilin used to be the back garden of Bodhi orthodox temple. In 1341 ad, Zen master tianru, an eminent monk, came to Suzhou to preach Buddhist scriptures and was welcomed by his disciples. In the following year (the second year of emperor Shundi Zhizheng, the last emperor of the Yuan Dynasty), the disciples bought land。