启蒙运动对现代建筑的影响(英语版)
启蒙运动对现代建筑的影响(英语版)
The influence of the Enlightenment on western architecture 2011级英语一班马佳学号:201152010111The backgroundThe Age of Enlightenment (or simply the Enlightenment or Age of Reason) was a cultural movement of intellectuals beginning in the late 17th- and 18th-century Europe emphasizing reason and individualism rather than tradition.Its purpose was to reform society using reason, challenge ideas grounded in tradition and faith, and advance knowledge through the scientific method.It promoted scientific thought,skepticism,and intellectual interchange.It opposed superstition and intolerance, with the Catholic Church a favorite target.Some Enlightenment philosophes collaborated with Enlightened despots,who were absolute rulers who tried out some of the new governmental ideas in practice. The ideas of the Enlightenment have had a long-term major impact on the culture, politics, and governments of the Western world. Originating about 1650 to 1700, it was sparked by philosophers Baruch Spinoza (1632–1677), John Locke (1632–1704), Pierre Bayle (1647–1706), Voltaire (1694–1778) and physicist Isaac Newton (1643–1727).Ruling princes often endorsed and fostered these figures and even attempted to apply their ideas of government in what was known as enlightened absolutism. The Scientific Revolution is closely tied to the Enlightenment, as its discoveries overturned many traditional concepts and introduced new perspectives on nature and man's place within it. The Enlightenment flourished until about 1790–1800, after which the emphasis on reason gave way to Romanticism's emphasis on emotion, and a Counter-Enlightenment gained force.The Enlightenment AssertionThe Enlightenment thinkers strongly criticized the feudal autocratic system and the spiritual pillar — the Catholic Church, described the future blueprint of "rational kingdom", provided the ideological and theoretical preparation of achievement dominance for the bourgeoisie. In France, the Enlightenment disclosed the feudal system deeply, and did sufficient preparation for the upcoming the French Revolution. After that, the Enlightenment had been spread to other parts of the world to enlighten people's thoughts and shake the feudal rule.In general,the ideological principles,what advocated by the Enlightenment ideologists,including Natural Rights,tripartite political system,freedom,equality,democracy and legality,had been widely spread.These formed a strong social ethos that shook the foundation of the feudal rule, promoted the development of capitalism,as well as promoted the social progress. Subsequently, many works of the Enlightenment ideologists had also been introduced to Asian countries such as China and Japan, that inspired those person of noble aspirations to struggle for the transformation of the old society.Meanwhile,the principles that had been promoted by the Enlightenment --- natural rights,freedom and equality, democratic,had brought vitality to the western architecture. There was the neoclassicism in the corresponding period with the Enlightenment , after that,there also were schools of romanticism, eclecticism, organic, modernism and so on.This period could be called a hundred flowers in bloom. Comparing with the Enlightenment’s previous architectural styles, we clearly see the influence of Western Enlightenment on architecture.It made the architecture of the western styles become more diversified and closer to the lives of the ordinary people.Different architectural styles and features in different periods Before, I will divide the Enlightenment period into two aspects to introduce different architectural styles and features of different periods.1.The early Enlightenment-- the Baroque styleThe Baroque is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. The style began around 1600 in Rome, Italy and spread to most of Europe.The popularity and success of the Baroque style was encouraged by the Roman Catholic Church, which had decided at the time of the Council of Trent, in response to the Protestant Reformation, that the arts should communicate religious themes in direct and emotional involvement.The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumph, power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence.In Baroque architecture, new emphasis was placed on bold massing, colonnades, domes, light-and-shade (chiaroscuro), 'painterly' color effects, and the bold play of volume and void. In interiors, Baroque movement around and through a void informed monumental staircases that had no parallel in previous architecture. The other Baroque innovation in worldly interiors was the state apartment, a sequence of increasingly rich interiors that culminated in a presence chamber or throne room or a state bedroom. The sequence of monumental stairs followed by a state apartment was copied in smaller scale everywhere in aristocratic dwellings of any pretensions.Baroque architecture was taken up with enthusiasm in central Germany , Austria and Russia .In England the culmination of Baroque architecture was embodied in work by Sir Christopher Wren, Sir John Vanbrugh and Nicholas Hawksmoor, from ca. 1660 to ca. 1725. Many examples of Baroque architecture and town planning are found in other European towns, and in Latin America. Town planning of this period featured radiating avenues intersecting in squares, which took cues from Baroque garden plans. In Sicily, Baroque developed new shapes and themes as in Noto, Ragusa and Acireale "Basilica di San Sebastiano".Another example of Baroque architecture is the Cathedral of Morelia Michoacan in Mexico. Built in the 17th century by Vincenzo Barrochio, it is one of the many Baroque cathedrals in Mexico. Baroque churches are also seen in the Philippines, which were built during the Spanish period.TheatreIn theatre, the elaborate conceits, multiplicity of plot turns, and variety of situations characteristic of Mannerism (Shakespeare's tragedies, for instance) were superseded by opera, which drew together all the arts into a unified whole.Theatre evolved in the Baroque era and became a multimedia experience, starting with the actual architectural space. In fact, much of the technology used in current Broadway or commercial plays was invented and developed during this era. The stage could change from a romantic garden to the interior of a palace in a matter of seconds. The entire space became a framed selected area that only allows the users to see a specific action, hiding all the machinery and technology – mostly ropes and pulleys.This technology affected the content of the narrated or performed pieces, practicing at its best the Deus ex Machina solution. Gods were finally able to come down –literally –from the heavens and rescue the hero in the most extreme and dangerous, even absurd situations.The term Theatrum Mundi – the world is a stage – was also created. The social and political realm in the real world is manipulated in exactly the same way the actor and the machines are presenting/limiting what is being presented on stage, hiding selectively all the machinery that makes the actions happen.The films Vatel, Farinelli, and the staging of Monteverdi's Orpheus at the Gran Teatre del Liceu in Barcelona, give a good idea of the style of productions of the Baroque period. The American musician William Christie and Les Arts Florissants have performed extensive research on all the French Baroque Opera, performing pieces from Charpentier and Lully, among others that are extremely faithful to the original 17th century creations.2.The Enlightenment period-- the neoclassical styleNeoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century, manifested both in its details as a reaction against the Rococo style of naturalistic ornament, and in its architectural formulas as an outgrowth of some classicizing features of Late Baroque. In its purest form it is a style principally derived from the architecture of Classical Greece and Rome and the architecture of the Italian architect Andrea Palladio. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains separate identities to each of its parts.The Neoclassical period emerged as a response to the birth of a new nation. In 1783, the devastating American Revolution ends and the construction of anew nation begins. The Founding Fathers, especially Thomas Jefferson looked towards inspiration that will define the liberated nation. They turned their heads towards ancient Rome. The creation of a national identity lasted about a century.Neoclassicism emerged after the discoveries of ancient Roman cities like Herculaneum in 1728 and Pompeii in 1748.So, before Neoclassicism reached America, it flourished in Europe. Due to the close ties with Britain and London (which had stimulated interest in neoclassical taste), Neoclassicism became a transatlantic phenomenon that spread across the ocean.Examples of Neoclassical architecture are in almost every major city in the United States.CharacteristicsRinaldi. The White hall of the Gatchina palace. 1760s. An early example of the Italianate neoclassical interior design in Russian architectureHigh neoclassicism was an international movement. Though neoclassical architecture employs the same classical vocabulary as Late Baroque architecture, it tends to emphasize its planar qualities, rather than sculptural volumes. Projections and recessions and their effects of light and shade are more flat; sculptural bas-reliefs are flatter and tend to be enframed in friezes, tablets or panels. Its clearly articulated individual features are isolated rather than interpenetrating, autonomous and complete in themselves. International neoclassical architecture was exemplified in Karl Friedrich Schinkel's buildings, especially the Old Museum in Berlin; Sir John Soane's Bank of England in London; and the newly built White House and Capitol in Washington, DC in the United States. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg.Italy clung to Rococo until the Napoleonic regimes brought the new archaeological classicism, which was embraced as a political statement by young, progressive, urban Italians with republican leanings.Key ConceptsNeoclassicism: the revived interest in classical ideals and forms that influenced European and American society through thought, politics and fine arts during the 18th and 19th century.This term refers to the art forms created after but inspired by ancient time. This period derives from the Classicism movement.Classicism: the period in which Greek and Roman principles and styles were reflected in society.Nonetheless, do not mistake the two periods as interchangeable terms. Classicism refers to the art with produced in antiquity or inspired by it afterward while Neoclassicism always refers to the art inspired by ancient times, but created later.AestheticIn Roman architecture, public works can be described by their simplicity of geometric forms and grandeur of scale along with dramatic use of columnsand common use of blank walls. Besides political inspiration, America wanted to build a country that was as visually appealing as ancient Rome.American architects also wanted the buildings of the new republic to be breath-takingly beautiful while expressing a quiet, serene grandeur. The order, simplicity, clarity and reason of a free nation were beautifully reflected in society because the monuments expressed such characteristics in themselves too. Appreciation of beauty was also viewed as a vital component in the creation of the United States.IntellectualAncient Romans believed in reason and order. Not only were American politics influenced but also their ideals as well. Consequently, those neoclassical ideals permeated American art and architecture. The neoclassical architecture suggested learning and moral virtue: other valuable and necessary components to the growth of America as a republic. Neoclassicism todayAfter a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame. Programs at the University of Miami, Andrews University, and Judson University have trained a number of new classical architects during this resurgence. Today one can find numerous buildings such as the Schermerhorn Symphony Center again built in the neoclassical style today.In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case.ConclusionIn summary, influence of the Enlightenment on Western architecture are the following aspects:Before the Enlightenment movement,the Baroque style is mainly prevalent in religious buildings.The religious forces attacked in retaliation to the religious reforming,which promoted religious building construction,and it was also a reflection of the divine supremacy ideas. For example, the holy Cathedral is famous for its period, from the gorgeous appearance and internal modification ,we can see that the Christian Church was fairly luxurious.Untilthere were various schools of the Enlightenment period,such as neoclassicism and others. The focus of architectural designing gradually transferred from the religious buildings to public buildings, such as bank and theatre.These gave full expression against oppression and the pursuit of freedom.It is affected by the natural rights of the Enlightenment and the ideas of freedom and equality,and it also was penetrated into the buildings.Comparing with architecture at different times of the Enlightenment,we can realize that western architecture no matter the principles composition or aesthetic value or aesthetic standard has been permeated by the Enlightenment thought. In the principles composition ,it was both unified change and stability, and display the Enlightenment’s open and free, democratic thoughts; at the same time, the aesthetic value about the functional beauty, beauty about form, content, time, environment embody the characteristics of human rights, the new up, rational; aesthetic standard had reflected the principle of economic and technology, and it was also the embodiment of reason.The Enlightenment Movement had profound influence on the West building, at that time and after,the influence has been infiltrated into the styles,sharp and artistic ideology of the construction.The Enlightenment Movement did not only chang people's points of views about architecture,but also changed people's way of thinking, which caused people to think about building the architecture and promote all-round social progress.。
外国建筑历史授课大纲(近现代部分)
外国建筑历史(近现代部分)课程主要内容:近代部分――――欧美资产阶级革命时期的建筑.欧美对新建筑的探求.现代部分――――二十年代欧洲理性主义建筑.战后现代建筑的普及与发展.后现代建筑及其他.关于近现代的划分:依据世界史的划分,近代史:1640年英国资产阶级革命―1917年俄国十月革命.现代史:1917年至今.近现代建筑史大体分为四个阶段:1.十八世纪下半叶~十九世纪下半叶.――――传统建筑出现了新的矛盾,新旧思潮开始斗争,十九世纪二十年代出现建筑革新的先驱者.2.十九世纪下半叶~二十世纪初.――――欧美对新建筑的探求时期,出现一系列新建筑学派.3.第一~二次世界大战之间.――――是现代建筑形成与发展时期.4.二次世界大战之后.――――城市规划及环境问题日益突出,建筑与技术的结合,纷繁的学派.注:其中前两个阶段属于近代史的范畴,后两个阶段属于现代史的范畴.上篇外国近代建筑史第一章欧美资产阶级革命时期的建筑第一节欧美资产阶级革命及其社会背景一.欧美各国的革命.尼德兰资产阶级革命――始于16世纪末.英国资产阶级革命――1640-1660,资本主义近代史的开端.英国产业革命――18世纪60年代-19世纪30,40年代,标志着由手工工场向机器大工业的过渡.美国资产阶级革命――1775-1781,独立战争.法国资产阶级革命――1789-1794,极大推动了欧洲反封建的革命运动.革命的意义:新的社会形态-资本主义的诞生→生产关系的建立→生产力的发展→科学技术的进步,意识形态领域的变革.以启蒙运动为代表.二.启蒙运动.(The Enlightenment)1.启蒙思想家;启蒙思想的核心―资产阶级人性论,'Liberty','Equality','Fraternity'.思想武器―――批判的理性.2.启蒙主义建筑理论;功能,真实,自然.*比较启蒙运动的理性与法国古典主义的理性.第二节英国资产阶级革命时期的建筑一.概述.以古典主义,新古典主义为根本特点;以三位主要建筑师为代表-I•琼斯(Inigo Jones,1573-1652);C•雷恩(Christopher Wren,1632-1723);R•亚当(Robert Adam,1728-1792);二.C•雷恩与圣保罗大教堂.1666年伦敦大火,雷恩设计的50座教区教堂;圣保罗大教堂的建设历程.(参考教科书P214)三.革命时期的两种倾向-复古思潮的前奏.1.帕拉蒂奥主义(Palladianism)产生的原因;特点;缺陷-缺乏创造性,现实感.代表作品:米尔沃斯府邸,切斯威克府邸,坎德来斯顿府邸.(P219);十八世纪三十年代英国造园学院发起的园林设计革命-追求自然,新奇,变化,隐匿以及田园情调;"英华庭园".2.革命的激情.(P227-228)法国大革命时期出现的一种非常新颖生动的建筑潮流.特点――表现感情,性格,情绪;追求体形简单的圆柱体,方锥体,球体等;墙面很少装饰,平面也多为简单几何形.代表人物――L•布雷,"牛顿纪念碑"C•N•列杜,"钙盐城",巴黎路税卡建筑.第三节建筑创作中的复古思潮一.古典复兴建筑(CLASSICAL REVIVAL).1.概述.定义;又称"新古典主义".产生的社会背景;欧美各国的古典复兴建筑概况;2.法国的古典复兴建筑.以罗马复兴为主."帝国风格".代表作品:巴黎"万神庙";"军功庙";雄师凯旋门;3.英国的古典复兴建筑.以希腊复兴为主,早期也流行过罗马复兴.代表作品:英格兰银行旧利息大厅(P235);坎伯伦和卡尔顿连排住宅;不列颠博物馆(P236);爱丁堡大学(P236);4.德国的古典复兴建筑.以希腊复兴为主.代表作品:柏林的勃兰登堡门;柏林宫廷剧院;柏林新博物馆(P240-241);5.美国的古典复兴建筑.兼有罗马复兴及希腊复兴.代表作品:弗吉尼亚州议会大厦;国会大厦;纽约海关大厦(P252-253);二.浪漫主义建筑(ROMANTICISM).1.概述.定义;两个发展阶段:"先浪漫主义","哥特复兴"(又称"新哥特风格").产生的社会背景;发展概况;2.哥特复兴的代表人物及作品.C•巴利;A•普金;J•拉斯金;V-勒-杜克;草莓山沃波尔府邸;封蒂尔修道院;英国国会大厦;三.折衷主义建筑(ECLECTICISM).1.概述.定义;(又称"集仿主义")产生的社会背景;2.代表作品.巴黎歌剧院;罗马埃曼纽尔二世纪念碑;巴黎圣心教堂;布鲁塞尔法院;(P256-258)第四节解决资本主义城市矛盾的探索一.奥斯曼巴黎改建规划.二."新协和村".1817年,欧文提出.三."花园城市".1898年,英国的霍华德《明日的田园城市》.四."工业城市".1898年,法国青年建筑师加涅尔提出.五."带形城市".19世纪末西班牙工程师苏里亚•伊•玛塔提出.六.美国的方格网城市.第二章欧美对新建筑的探求第一节建筑的新结构,新材料与新类型一.初期的生铁结构。
建筑-一部批判的历史
建筑灵魂的遗落与重拾—一部批判的历史浅读题记:现在的建筑都在利益的驱动下变的俗套,我们开始注重这个建筑产生的效益有多少,什么符合我们业主的口味。
作为一个建筑师将自己的理念和审美隐藏在心底,也许真的亵渎了建筑的美学以及建筑师们的心血。
还记得刚毕业也是踌躇满志,而曾经也变成了画图的机器。
也许我们真的该叩问灵魂,叩问心底最真的意念……关键词:建筑灵魂遗落重拾建筑是坚硬的,在这本书中建筑与文化、艺术、美育紧紧了解在一起思索的思索,以学人的胸怀关注着以建筑为发散点的物理环境、人文环境,从建筑的入眼点来解读文化,也许是审视这部书的最好的解释。
1914年,《未来派宣言》正式发表。
在这篇至今无法确认真实整理的宣言里,圣伊利亚或马里内蒂宣称:未来的建筑应该“吸取科学和技术的每一种成就来把新的建筑提高到一个理智的水平”,现代建筑应该“像巨大的机器”。
现代派建筑大师柯布西耶也有过类似的说法:“建筑就是居住(生活)的机器。
”沸腾的工厂烟囱、奔腾的血红的铁水、以及瞬间就能把人送至高处的电梯,还有不用出门就能一览外间景象的玻璃门窗——这些令人激动的发明把人们从阴暗、潮湿、石膏像环抱的水泥石头窟生活,带向有着明媚阳光、简洁装饰、实用风格的现代(摩登)风格建筑。
整齐划一的方盒子排列在街道的两旁,直冲云天;人们在功能完善的小区里生活、嬉戏,终老一生。
这些具有诱惑力的想像描绘了一个“美丽新世界”,在那里,机器的力量改善人类的生活。
未来派的出现并不意味着现代建筑的开始,当然也并非终结,他们代表一种倾向——机器才是主宰生活的关键。
在这本肯尼斯·弗兰姆普敦的《现代建筑:一部批判的历史》中,整理把“文化的发展与先导的技术”作为现代建筑发展的先声。
机器、工具以及标准化组合构成的建筑,随着现代派建筑以及机器论的大行其道遍布世界的大街小巷。
无论哪个城市,都能看到一个模子里塑出的建筑。
马里内蒂皈依了臭名昭著的墨索里尼,圣伊利亚战死在第一次世界大战的沙场上,这就是未来派创始人的未来。
西方启蒙运动对现代文明的影响
西方启蒙运动对现代文明的影响启蒙运动是18世纪欧洲发生的一场思想革命,它以自由、理性和人权为核心,极大地影响了现代文明的发展。
本文将从政治、社会和文化等方面探讨西方启蒙运动对现代文明的深远影响。
一、政治影响1. 辩证思维与民主观念启蒙运动中的思想家如伏尔泰、洛克等,强调理性与人的平等。
他们推动了人类辩证思维的发展,鼓励人们用理性的思维方式对待问题。
这使得人们开始反思传统的专制政治体制,并逐渐形成了民主观念。
正是在这种影响下,美国独立战争和法国大革命爆发,奠定了现代民主政治的基础。
2. 个人自由权与权利观念启蒙运动提倡个人自由与权利,强调每个人都应该享有自由、平等的权利,主张政府的合法性来自于人民的授权。
这种观念成为《美国独立宣言》和《法国人权宣言》的基础,并深刻影响了现代宪法的制定,确立了人权的普遍适用,促使现代社会实现权利平等的价值追求。
二、社会影响1. 科学与技术的进步启蒙运动积极推崇科学的发展,强调通过理性思考和实证实践来探索世界。
这导致了科学与技术的快速发展,如工业革命、医学进步等,极大地改变了现代社会的面貌。
科学方法的兴起和推广,为人们提供了更加准确和可靠的知识基础,推动了社会进步和现代文明的发展。
2. 教育的普及与素质的提升启蒙运动将普及教育作为实现个人自由与理性发展的重要手段,提倡全民接受教育。
在这一理念的推动下,许多国家建立了现代教育体系,为广大民众提供了平等的接受教育的机会。
教育的普及不仅推动了科学和文化的传播,也提高了人们的素质水平,为社会的进步和发展提供了坚实的基础。
三、文化影响1. 文化多元化与包容性启蒙运动推崇人的理性和个体的独立性,强调个人对于社会的发展有积极的作用。
这种思潮促进了文化的多元化和包容性的增加。
人们开始对不同文化进行尊重和包容,反对以往对于异端思想的迫害。
这为文化的繁荣和多样性提供了土壤,推动了现代社会对多元文化的认可和尊重。
2. 文学与艺术的崛起启蒙运动的思想家重视人的情感和创造力,对艺术和文学的发展产生了重要的影响。
建筑风格影响人们生活英文作文
建筑风格影响人们生活英文作文How Architectural Style Shapes Our Lives: A Profound Exploration.Architecture, the art and science of designing and constructing buildings, has a profound impact on our lives. Beyond its functional purpose of providing shelter and protection, architecture shapes our daily experiences, influences our behavior, and reflects our cultural values. The architectural style of a building can have asignificant effect on how we live, work, and interact with our surroundings.Psychological and Emotional Effects.The architectural style of a building can evoke a wide range of psychological and emotional responses. For example, a building with a grand facade and soaring ceilings mayinstill a sense of awe and grandeur, while a cozy cottage with rustic charm may evoke feelings of warmth and comfort.Studies have shown that certain architectural elements, such as natural light, high ceilings, and open spaces, can promote well-being and reduce stress.Conversely, poorly designed buildings can have detrimental effects on our mental and emotional health. Cramped, poorly lit spaces can lead to feelings of claustrophobia and anxiety, while buildings with excessive noise pollution can disrupt sleep and concentration.Social and Cultural Influences.Architectural style also reflects and influences social and cultural values. In traditional societies, for example, communal spaces such as temples, plazas, and town halls played a central role in social life. These spaces facilitated gatherings, fostered a sense of community, and reinforced shared beliefs and traditions.Similarly, the architectural style of government buildings, such as courthouses and parliament houses, often conveys a sense of authority and civic pride. Thesebuildings symbolize the values and principles of the society they serve and can inspire citizens to engage in civic life.Economic and Functional Considerations.The architectural style of a building is also influenced by economic and functional considerations. Different styles may be more or less suitable for specific climates, building materials, and construction techniques. For example, buildings in cold climates may feature thick walls, insulated windows, and sloped roofs to withstand extreme temperatures.In commercial and industrial settings, architectural style is often designed to maximize efficiency, productivity, and profitability. Warehouses and factories, for example, may prioritize large, open spaces andefficient material flow. Office buildings, on the other hand, may feature open-plan designs to foster collaboration and communication.Sustainability and Environmental Impact.In an era of increasing environmental awareness, architectural style is also playing a crucial role in sustainability. Green building practices and sustainable design principles are being incorporated into many new buildings, reducing their environmental impact and promoting energy efficiency.Buildings with passive solar heating, rainwater harvesting systems, and green roofs can significantly reduce energy consumption and carbon emissions. Sustainable architectural practices not only benefit the environment but can also create healthier and more comfortable living spaces for occupants.Conclusion.Architectural style is not merely an aesthetic consideration; it profoundly shapes our lives. By considering the psychological, social, cultural, economic, functional, and environmental implications of architecturaldesign, we can create buildings that enhance our well-being, foster community, inspire civic engagement, and promote sustainability.As architects and designers continue to innovate and explore new architectural styles, the relationship between buildings and human experience will continue to evolve. By understanding the profound impact that architectural style has on our lives, we can create built environments that support our physical, emotional, and social needs, and that ultimately make our world a more livable and fulfilling place.。
《外国近现代建筑史》必考题
1.(一)古典复兴※时间:古典复兴是资本主义初期最先出现在文化上的一种思潮,在建筑史上是指18世纪60年代到19世纪末在欧美盛行的仿古典的建筑形式。
这种思潮曾受到当时启蒙运动的影响(P4)。
※古典复兴建筑流行的原因:主要是由于政治上的原因,也深受考古发掘进展的影响。
1)政治上:在18世纪前的欧洲,装饰繁琐的巴洛克和洛可可建筑风格盛行一时,反应了封建王朝王公贵族的奢侈与腐化的生活。
这引起了讲究理性的新兴资产阶级的厌恶,认为它束缚了建筑的创造性,要求用简洁明快的处理手段来代替那些繁琐与陈旧的东西.他们在探索新建筑形式的过程中,试图借用古典的外衣去扮演进步的角色,于是,希腊、罗马的古典建筑风格成了当时的创作源泉。
2)考古发掘:对古典建筑的热衷,自然引起了对考古工作的重视。
随着大量的古希腊、古罗马艺术珍品的出土,人们认识到了它们的优雅典美与雄伟壮丽,于是,人们开始摒弃繁琐、矫揉造作的巴洛克与洛可可风格,极力推崇希腊、罗马艺术的合于理性,认定应当以此作为新时代建筑的基础。
(三)折衷主义※时间:兴起于19世纪上半叶.19世纪以至20世纪初在欧美盛极一时.※特点(概念):折衷主义越过了古典复兴与浪漫主义在建筑形式上的局限,任意选择和模仿历史上的各种风格,把他们组合成各种样式。
所以折衷主义也称之为“集仿主义".折衷主义建筑没有固定的风格,但讲究比例权衡的推敲,总体形态上仍没有摆脱复古主义的范畴,在建筑内容和形式之间的矛盾认为解决。
※影响与代表作:在欧美的影响非常深刻。
19世纪中叶以法国最为典型;19世纪末与20初又以美国较为突出. 代表作品:巴黎歌剧院(P10)、罗马的伊曼纽尔二世纪念碑、巴黎圣心堂※发展:1893年在美国芝加哥举行的哥伦比亚博览会,是折衷主义建筑的一次大检阅。
法国大革命以后,古典主义大本营的皇家艺术学院,经调整扩充后改名为巴黎美术学院,它是19世纪与20世纪初整个欧洲和美洲各国艺术和建筑创作的领袖,是传播折衷主义的中心.20世纪前后,“新建筑”运动产生并发展,一度占主要地位的折衷主义思潮逐渐衰落。
建筑风格的演变与变革(英文中文双语版优质文档)
建筑风格的演变与变革(英文中文双语版优质文档)Architecture is an important symbol of the development of human civilization, and it has undergone earth-shaking changes with the evolution of human society. From ancient primitive dwellings to modern skyscrapers, architectural styles have evolved and changed over thousands of years. This article will review the evolution and transformation of architectural styles, and the social, cultural, and technological factors behind these changes.1. Ancient architectural styleAncient architectural styles were mainly developed in East Asia and Europe. In China, the main styles of ancient architecture are Yin, Shang, Zhou, Qin, Han, Tang, Song, etc., and each period has different architectural characteristics. Other countries in East Asia, such as Japan and Korea, also have their own unique ancient architectural styles.In Europe, ancient architectural styles are mainly ancient Greek and Roman architecture. Ancient Greek architecture was dominated by temples, which were usually built of white marble, with exquisite columns and carvings. Roman architecture is more diverse, including building types such as theaters, arenas, and baths.The main features of ancient architecture are simplicity, austerity, and practicality. Architects often employ local materials and techniques to create architectural forms that adapt to the needs of society at the time.2. Medieval architectural styleMedieval architectural styles were developed in Europe, mainly between Romanesque and Gothic architecture. Romanesque architecture was generally low and massive, using a large number of vaults and domes. Gothic architecture is lighter, vertical, and employs more complex arches and carvings.The main features of medieval architecture are religious, decorative and unique. A large number of medieval buildings were churches and monasteries, which were built to show divinity and authority rather than utility. Architects paid attention to detail and decoration, using intricate arches and carvings to create unique architectural forms.3. Renaissance architectural styleThe Renaissance architectural style originated in Italy and is the revival and reconstruction of ancient Roman architecture. This style emphasized the pursuit of symmetry, proportion and symmetry, and architects used many elements of ancient Roman architecture, such as columns, arches and domes.The main features of Renaissance architecture are delicacy, grandeur, attention to symmetry and proportion. They are usually large buildings, including churches, palaces, and castles, among others. Architects strived for perfect proportion and symmetry, using profusion of columns, protrusions and carvings to create an ornate façade.4. Baroque architectural styleBaroque architectural style originated in Italy in the 17th century and spread widely in Europe and America. Their main features are gorgeous, delicate and highly decorative. The architect used many elements such as complex geometric shapes, curved lines, intricate carvings and stained glass to create ornate effect.Baroque architecture is usually large churches, palaces, large public buildings, etc. Architects use many tricks and methods to create depth and perspective, making buildings more visually striking.5. Neoclassical architectural styleThe neoclassical architectural style originated in Europe in the 18th century and is a reproduction of ancient Greek and Roman architecture. Their main characteristics are simplicity, elegance and attention to proportion. Architects used many elements of ancient Greek and Roman architecture, such as columns, arches and facades.Neoclassical buildings are usually government and cultural buildings, such as parliament buildings, museums, theaters, etc. They emphasize respect for ancient culture and art, and use classic elements to create concise, graceful and noble effects.6. Modern architectural styleModern architectural style is an architectural style that emerged in Europe and the United States in the early 20th century. Their main features are simple, clean and functional. Architects abandoned the decoration and ornateness of the past, and instead focused on the functionality and practicality of buildings.Modern buildings are usually large public buildings, commercial buildings, residential buildings, etc. The architects used many new materials and techniques, such as steel, concrete and glass, to create a simple yet contemporary look. They often employ abstract shapes and lines, emphasizing the beauty and importance of geometric shapes and lines.Modern architectural styles also emphasize environmental protection and sustainable development. Architects are using many new technologies and materials, such as solar panels, rainwater harvesting systems, and efficient insulation, to create greener, more energy-efficient buildings.Generally speaking, architectural style not only reflects the cultural and social background of the times, but also expresses the architect's understanding and pursuit of aesthetics and functionality. Different styles have their unique characteristics and values. We can understand and appreciate the different stages and styles of human civilization by appreciating and studying these architectural styles.建筑是人类文明发展的一个重要标志,它随着人类社会的演变而发生了翻天覆地的变化。
外国近现代建筑史(第二版)
第一讲近代复古思潮(公元1760-1900S)一. 概述近代建筑的普遍特征:风格混乱,困惑徘徊,探索新路;工业革命和资产阶级启蒙运动是影响并促进近代建筑发展的关键因素;前者改进生产力水平,导致建筑技术巨大进步;后者则使理性、真实、自由平等等成为新的价值观念和艺术标准;创作道路沿两条线索发展:一是从历史风格中寻求答案,即复古思潮;主要在1750年-1900年;二是探索新的建筑风格。
时间在20世纪前后-1914年二. 背景1资产阶级出于政治上的需求,利用历史形式要求思想上的共鸣;2面对激荡的社会和生产力变革,建筑界仍然缺乏应对措施,而擅长从历史题材中挑选;3考古工作的重大进展使得希腊罗马的古典艺术成就为欧洲所推崇。
(一)古典复兴又称新古典主义;在欧美盛行的仿古典的建筑形式。
时间:18世纪60年代至19世纪末;背景:受法国启蒙思想运动和考古研究的影响,向往民主、共和,对古希腊,古罗马艺术的礼赞;特点:恢复古希腊,古罗马的建筑式样、讲究理性简洁与和谐之美。
法、美以罗马复兴为主,英、德则较多采用希腊复兴样式;“帝国式”风格在法国出现,外观上追求雄伟壮丽,内部则常常吸取东方的各种装饰或洛可可的手法。
洛可可,又称路易十五式。
装饰风格,主要体现于室内。
代表作:巴黎凯旋门,美国国会,先贤祠,柏林勃兰登堡门,英国不列颠博物馆,英国爱丁堡中学等;主要是为资产阶级政权服务和为社会生活服务的建筑(二)浪漫主义时间:18世纪下半叶至19世纪上半叶;背景:部分小资产阶级反对工业化和资本主义制度,回避现实、向往中世纪,崇尚传统的文化艺术;特点:艺术创造主张发扬个性自由、提倡自然形式,建筑上前期(1760-1830)表现为“先浪漫主义”,追求中世纪田园情调和异国情调,如模仿中世纪寨堡、东方做法等;后期(1830-1870)模仿哥特风格建筑,又称为哥特复兴。
代表作:英国国会大厦、伦敦塔桥等五. 折衷主义(Eclecticism)时间:19世纪末至20世纪初;背景:资本主义发展要满足商业和新奇的需要,近代各种条件促使认识和掌握古代和其他地区建筑式样,旧形式和新时代的要求造成了风格上的混乱;特点:又称为“集仿主义”,任意模仿历史上的各种建筑风格,或者自由组织各种建筑形式,不讲求固定的法式,只讲求比例均衡,注重形式美;学院派:巴黎美术学院为折衷主义创作的大本营;把建筑当作纯艺术,追求雄壮,建筑设计方法则是套用、模仿各种古典元素,构图游戏,不重视功能,讲究比例权衡的推敲;代表作:巴黎歌剧院,巴黎圣心教堂,罗马祖国祭祀;第二讲近现代建筑起源覆盖领域:自然科学、哲学、伦理学、政治学、经济学、历史学、文学、教育学等等领袖人物:伏尔泰;主张:建立一个以“理性”为基础的社会;理性、科学、民主、平等,为资产阶级革命作了思想准备和舆论宣传。
之前的建筑和现代建筑英语作文
之前的建筑和现代建筑英语作文In the past, architecture was primarily focused on functionality and practicality. Buildings were designed to serve a specific purpose, whether it was a place of worship, a residence, or a public space. However, with the advent of modern architecture, the emphasis has shifted towards aesthetics and innovation. In this essay, we will explore the differences between traditional and modern architecture, highlighting the key features and characteristics of each.Traditional architecture, also known as vernacular architecture, refers to the style of construction that is rooted in a particular region or culture. It is often influenced by the available materials, climate, and local traditions. Traditional buildings are characterized by their use of natural materials such as wood, stone, and clay. They are also known for their simplicity and functionality, with designs that are well-suited to their purpose.One notable example of traditional architecture is the ancient Chinese pagoda. These structures, often found in Buddhist temples, are built with wooden frames and multiple tiers. The pagoda's design is based on the principles of balance and harmony, with each tier becoming smaller as it reaches the top. This creates a sense of elegance and grandeur, while also serving as a place of worship and meditation.In contrast, modern architecture is characterized by its innovative and experimental approach. Architects are no longer bound by traditional styles and materials, allowing them to explore new possibilities and push the boundaries of design. Modern buildings often feature unconventional shapes, materials, and construction techniques. They prioritize aesthetics and visual impact, often creating iconic landmarks that define a city's skyline.One iconic example of modern architecture is the Sydney Opera House in Australia. Designed by Danish architect Jørn Utzon, the Opera House is renowned for its unique sail-like structure. The building's design was inspired by the natural elements of the harbor, with each sail representing a different function within the complex. The OperaHouse is not only a world-class performing arts venue but also a symbol of modernity and architectural excellence.While traditional architecture focuses on preserving cultural heritage and reflecting local traditions, modern architecture seeks to break away from the past and embrace the future. It embraces technological advancements and incorporates sustainable design principles. Modern buildings often prioritize energy efficiency, use of eco-friendly materials, and integration with the surrounding environment.One example of sustainable modern architecture is the Bosco Verticale in Milan, Italy. Designed by Stefano Boeri, this residential complex features vertical forests, with trees and plants integrated into the building's facade. The greenery helps to improve air quality, absorb carbon dioxide, and provide a natural habitat for birds and insects. The Bosco Verticale is a prime example of how modern architecture can contribute to environmental sustainability.In conclusion, traditional and modern architecture represent two distinct approaches to design. Traditional architecture emphasizes functionality, simplicity, and cultural heritage, while modern architecture focuses on innovation, aesthetics, and sustainability. Both styles have their merits and contribute to the rich tapestry of architectural history. As we continue to evolve, it is important to appreciate and learn from the past while embracing the possibilities of the future.。
外国近现代建筑史提纲参考答案 (2)
《外国近现代建筑史》总复习提纲(内部资料注意保密不得涉外)一、期末考试题型:考题总体上由基本知识和分析论述两部分构成,题型一般包括:填空、名词解释、图示、简答和论述等,具体如下:一、填空题(每空1分,共10分)二、名词解释(每小题3分,共18分)三、作图题(每小题5分,共15分)四、问答题(每小题7分,共35分)五、论述题( 第1道题10分,第2道题12分,共22分)二、成绩考核方式:期末考试:70%平时成绩:30%(作业 + 出勤)三、总复习提纲:一、填空题(......)……………………………………………二、名词解释1、古典复兴:在建筑史上是指18世纪60年代到19世纪末在欧美盛行的仿古典的建筑形式2、折衷主义:是19世纪上半叶兴起的另一种创作思潮,这种思潮在19世纪以至20世纪初在欧美盛极一时。
折中主义越过古典复兴与浪漫主义在建筑样式上的局限,任意选择与模仿历史上的各种风格(不管时期,不管地区),把它们组合成各种式样,所以也称之为“集仿主义”。
3、浪漫主义:是18世纪下半叶到19世纪上半叶活跃于欧洲文学艺术领域中的另一种主要思潮,它在建筑上也得到一定的反映。
4、先浪漫主义:18世纪60年代到19世纪30年代,带有旧封建贵族怀念已失去的寨堡与小资产阶级为了逃避工业城市的喧嚣而追求中世纪田园生活的情趣与意识。
在建筑上则表现为模仿中世纪的寨堡或哥特风格。
5、新艺术运动:是在欧洲真正发出改变“建筑形式”信号的运动。
始于19世纪80年代的比利时布鲁塞尔,随后向法国,奥地利,德国,荷兰以及意大利等地区扩散。
6、芝加哥学派:19世纪70年代在美国兴起,建筑以高层,铁框架,横向大窗,简单的立面为特点,是现代建筑在美国的奠基者。
7、风格派:1917年,荷兰一些青年艺术家组成了一个名为“风格派”的造型艺术风格。
风格派有时又被称为“新造型主义派”或“要素主义派”。
8、未来派:是第一次大战之前,首先在意大利出现的一个文学艺术流派。
西方启蒙运动对建筑学得影响
【3】高丽凤.漫谈古典主义时期的艺术(约十八世纪中叶至十九世纪上半叶)[J].科技信息,2009,(35).
【4】魏征, 刘潇娴.从古典主义到新古典主义[J].文学界(理论版),2011,(06).
【5】朱文元.墙的变异——论当代西方建筑流派之变化[J].科技信息,2009,(30).
3.2启蒙运动同期——新古典主义
古典复兴建筑是十八世纪60年代到十九世纪流行于欧美一些国家的,采用严谨的古希腊、古罗马形式的建筑,又称新古典主义建筑。当时,人们受启蒙运动的思想影响,崇尚古代希腊、罗马文化。在建筑方面,古罗马的广场、凯旋门和记功柱等纪念性建筑成为效法的榜样。当时的考古学取得了很多的成绩,古希腊、罗马建筑艺术珍品大量出土,为这种思想的实现提供了良好的条件。采用古典复兴建筑风格的主要是国会、法院、银行、交易所、博物馆、剧院等公共建筑和一些纪念性建筑。[3]
4讨论
综上所述,启蒙运动对西方建筑学的影响有以下几个方面[6-9]:
4.1建筑流派的重心受到改变。
启蒙运动之前的巴洛克风格的流行主要在于宗教建筑,当时宗教势力对宗教改革的反扑促进了宗教建筑的兴建,这也是当时神权至上的思想的一种体现。比如这一时期最为著名的圣卡罗大教堂,从其外表的华丽以及内部的修饰可以看出基督教会的奢华以及权力的强大。到了启蒙运动时期的新古典主义及以后的各种流派,建筑家设计的重心逐步从宗教建筑转移到了公共建筑,比如银行、剧院等,其充分体现了建筑家反对压制以及对自由追求。笔者认为这是受到了启蒙运动中的天赋人权以及自由平等思想的影响,这种思想的人们大众包括建筑设计师的渗透被体现在了建筑里面。
4.2新古典主义建筑的进步。
传统文化对现代建筑影响英文作文
传统文化对现代建筑影响英文作文It has been admitted一hat the preservation of traditional cultures is stuck in a dilemma in modern society, where economic development enjoys the top priority over other fields.Some people, as a result.propose that new buildings should be constructed in a traditional style for the purpose of protecting traditional cultures. As for me. this practice is detrimental and unnecessary.If modern buildings have to be built in a traditional way. it is really harmful to the overall landscape of urban cities. The characteristics of modern cities are attractive technological innovations, and the applications in architecture facilitate the city. For example. in Beijing, various modern skyscrapers and shopping malls bear testimony to achievements in economic development, thereby drawing numerous talents both from home and abroad. By contrast, if some buildings are out of date in style among other modern buildings. they are just like a sight for sore eyes.Moreover, preserving traditional culture is not equal to sacrificing modern conveniences. There is no denying that respecting tradition is the prerequisite for future progress,and human beings are bound to learn valuable experience from what happened in the past. Modern civilizations, however, stand for the development of times, and should be at least equally crucial with historical legacies, if not more than.Indeed, buildings in a traditional style can enhance people's awareness of tradition conservation, and step up efforts to preserve those valuable treasures, which are, to some extent,on the verge of extinction. Modern cultures, however, should coexist peacefully with traditions and be not neglected.All in all.the practice of transforming modern buildings is not a perfect way, causing too many negative effects. It is hoped that a better and satisfactory method can be possibly sought out to create a win-win situation.【范文翻译】当今生活一切以经济发展为主。
启蒙运动对社会的影响及其重要性
启蒙运动对社会的影响及其重要性Enlightenment Movement and Its Impact on Society and Its ImportanceThe Enlightenment Movement, also known as the Age of Reason, was an intellectual and cultural movement that swept through Europe during the 17th and 18th centuries. It was characterized by a focus on reason, science, and individualism, and it had a profound impact on society, shaping the modern world in significant ways.The Enlightenment emphasized the power of human reason and rationality, challenging traditional authority and superstition. This led to a greater emphasis on scientific and empirical methods, which in turn contributed to the advancement of knowledge and understanding in various fields, including philosophy, politics, and economics.One of the key impacts of the Enlightenment Movement on society was its role in promoting the concept of individual rights and freedoms. The movement's thinkers, such as John Locke and Voltaire, championed the idea that individualspossess inherent rights that should be protected by the state. This laid the groundwork for the development of modern democratic and liberal political systems based on the principles of human rights and equality.Moreover, the Enlightenment Movement also had a profound influence on the development of modern science and technology. The emphasis on empirical observation and experimentation propelled scientific discoveries and technological advancements, leading to the Industrial Revolution and the subsequent transformation of societies from agrarian to industrial.The movement also played a crucial role in challenging the prevailing social norms and advocating for social reforms. Enlightenment thinkers critiqued the existing social hierarchies and advocated for equality and justice, laying the groundwork for social movements such as abolitionism and feminism.The impact of the Enlightenment Movement is undeniable and far-reaching. It revolutionized the way people think about theworld and their place in it. It promoted critical thinking, reason, and individual autonomy, which have become foundational principles in modern societies.The importance of the Enlightenment Movement cannot be overstated. It paved the way for the development of democratic and liberal institutions, the advancement of scientific knowledge, and the promotion of individual rights and freedoms. Its legacy continues to shape our understanding of human rights, democracy, and the pursuit of knowledge, making it a crucial period in the history of human civilization.启蒙运动对社会的影响及其重要性启蒙运动,也称为理性时代,是17至18世纪席卷欧洲的一场知识与文化运动。
外国近现代建筑史背诵版
外国近现代建筑史背诵版古典复兴:①资本主义初期出现在文化上的一种思潮。
②在建筑史上指18世纪60年代的仿古典建筑样式。
受启蒙运动影响。
浪漫主义:①18世纪下半叶至19世纪上半叶,活跃在欧洲的一种建筑思潮。
②既带有反抗资本主义制度与大工业生产的情绪,又夹杂着消极的虚无主义色彩。
③表现为模仿中世纪的寨堡或哥特风格,还表现为追求非凡趣味和异国情调。
代表作品:英国国会大厦折衷主义:折衷主义越过古典复兴与浪漫主义在建筑样式上的局限,任意选择与模仿历史上的各种风格,把它们组合成各种样式。
也成为“集仿主义”艺术与工艺运动:①19世纪50年代兴起于英国,表现为强烈的反对工业,鼓吹逃离工业城市,怀念中世纪的乡村生活的浪漫主义情绪。
②赞扬手工艺制品的艺术效果,制作者与成品的情感交流,以及自然材料的美。
代表人物:莫里斯代表作品:红屋新艺术运动:①19世纪80年代兴起于比利时的布鲁塞尔。
②认为建筑艺术的革新的目的是要在绘画、装饰与建筑上创造一种不同于以往的艺术风格。
极力反对历史样式。
③在装饰主题上喜用自然界生长的草木形状的线条。
在建筑装饰中大量使用铁构件。
高迪:西班牙建筑师,在艺术形式的探新中另辟途径。
努力探求一种与复古主义学派全然不同的建筑风格。
①他以浪漫主义的幻想极力使塑性的艺术形式渗透到三度的建筑空间中。
②他吸取了东方伊斯兰的韵味和欧洲哥特式建筑结构的特点。
③结合自然的形式,精心地独创了他自己的具有隐喻性的塑性造型。
维也纳学派:①19世纪末兴起于奥利地维也纳的建筑师团体。
②这一派的建筑师认为新结构、新材料必然导致新形式的出现。
③反对历史样式在建筑上的重演。
④认为建筑艺术必须源于生活与自然。
代表人物:瓦格纳维也纳分离派:①由维也纳学派中的一部分人员成立。
②他们宣称与过去决裂,主张造型简洁。
③常使用大片光墙和简单的立方体。
④只有局部集中装饰,装饰主题常用直线,使建筑造型走向简洁的道路。
芝加哥学派:①产生于美国,主要从事高层商业建筑设计的组织。
西方启蒙运动对建筑学得影响
西方启蒙运动对西方建筑学的影响摘要:启蒙运动,通常是指在18世纪初至1789年法国大革命间的一个新思维不断涌现的时代,与理性主义等一起构成一个较长的文化运动时期。
这个时期的启蒙运动,覆盖了各个知识领域,如自然科学、哲学、伦理学、政治学、经济学、历史学、文学、教育学等等。
本文拟对启蒙运动对西方建筑的影响进行简略的讨论。
关键词:启蒙运动;建筑流派;巴洛克;新古典主义;百花齐放;1 启蒙运动的背景在文艺复兴运动的推动下,自然科学取得很大进展,科学家们揭示许多自然界的奥秘,教会的很多说教不攻自破,人们有了更多的自信。
随着资本主义的发展,新兴资产阶级要求摆脱封建专制统治和教会压迫的愿望日益强烈,首先在思想领域展开了反对封建专制统治和教会思想束缚的斗争,由此掀起了一场轰轰烈烈的空前的思想解放运动,历史上称之为启蒙运动。
12 启蒙运动的主张启蒙思想家们有力地批判了封建专制制度及其精神支柱天主教会,描绘了未来“理性王国”的蓝图,为资产阶级取得统治地位提供了思想上和理论上的准备。
在法国,声势浩大的启蒙运动对封建制度进行了深刻揭露,为即将到来的法国大革命作了充分的思想准备。
之后,启蒙运动还陆续传播到世界其他地区,启迪了人们的思想,动摇着封建统治。
总体来说,启蒙思想家们宣扬的天赋人权、三权分立,自由、平等、民主和法制等思想原则得到广泛传播,形成了强大的社会思潮,动摇了封建统治的思想基础,推动了资本主义的发展,促进了社会的进步。
随后,启蒙思想家们的许多著作也逐渐被介绍到中国和日本等亚洲国家,激励着那里的仁人志士为改造旧社会而奋斗。
笔者认为,启蒙运动所提倡的天赋人权,自由平等,民主等原则,这些思想给西方建筑学带来了勃勃生机。
与启蒙运动同时的建筑学派有新古典主义,在启蒙运动之后又有浪漫主义,有机主义,折衷主义,现代主义等,可以说是百花争鸣,对比启蒙运动之前的建筑风格,我们明显看出西方启蒙运动对建筑学的影响,使西方建筑学的风格更加多元化,更加贴近普通人的生活。
The Bauhaus was a school of design
The Bauhaus was a school of design,building,and craftsmanship founded by Walter Gropius in Weimar in 1919.It was transferred to Dessau in 1925,where it continued until 1928,and then transferred toBerlin,ultimately closing in 1933.The ideas and teaching of the Bauhaus have exercised a profound influence throughout the world.包豪斯是一所包含有设计,建筑和工艺技术教育的学校,在1919年由瓦尔特"格罗皮乌斯建于魏玛。
1925年,包豪斯被转移到了德桑,1928年,又被转移到柏林,并在1933年关闭于此。
包豪斯的理念和教育对整个世界都产生了深远的影响。
2) Before the First World War the Belgian architect Henry van de Velde had been director of the Grossherzogliche Saechsische Kunstgewerbeschule and the Grossherzogliche Saechsische Hochschule fuer Bildende Kunst at Weimar,and he had recommended to the Grand Duke of Saxe-Weima that Walter Gropius should be his successor.The Grand Duke summoned Gropius for an interwiew in 1915,and Gropius askedfor and was given full powers to reorganize the schools;when he took up his appointment in 1919 he united the two schools under the name of Das Staatliche Bauhaus Weimar.This was of profound significance because it made clear at the outset that one of the main purposes of the new school was to unite art and craft which had for too。
The Enlightenment and Classicism
The Enlightenment Movement
The 18th century marked the beginning of an intellectual movement in Europe known as the Enlightenment. It was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism. They thought the chief means for improving society was … or …
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The Important Terms
• • • • 1) 2) 3) 4) enlightenment classicism sentimentalism realism 启蒙运动 古典主义 感伤主义 现实主义
The Enlightenment Movement
P45
1) What is the Enlightenment Movement? 2) The Features of English Enlightenment (1)English enlighteners believed in the power of reason. That is why the 18th century has often been called “ “the age of reason” or “the kingdom of reason”. (2) Most of the enlighteners believed that social problems could be solved by human intelligence.
现代建筑运动对建筑设计的影响
现代建筑运动对建筑设计的影响摘要:西方“现代建筑运动”的对建筑设计的影响深远,通过对现代建筑运动的磅礴历程的简要回顾和研究,展示现代建筑设计理解和继承过去历史文化遗产的时代进程并把她们引入到中国社会转型这一时代大背景之中。
关键词:现代建筑运动;建筑学;历史文化遗产Abstract: the western “modern architecture movement” far-reaching impact on architectural design, through to the modern architecture movement made history study and a brief review of modern architectural design process of understanding and inheriting the past era of historical and cultural heritage and put them into this period of social transformation of China’s major ba ckground.Key words: modern architecture movement; Architecture; Historical and cultural heritage如果说现代建筑设计是对过去历史文化遗产理解和继承,那么可以认为这应该是受到了西方“现代建筑运动”的深远影响。
这不仅因为整体思维本来就是东方传统哲学的特点,而且其主要体现出的是西方发达国家从现代到后现代转型过程中的一种必然现象。
对于笔者而言,“现代建筑运动”与“建筑设计的科学特性”是两个非常有意义的概念范畴,虽未有深入研究,但关注已久。
而近来有幸得到了来自“L·本奈沃洛.西方现代建筑史”的深刻教益和启发,并于相关知识领域得以系统的梳理和收获。
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The influence of the Enlightenment on western architecture 2011级英语一班马佳学号:201152010111The backgroundThe Age of Enlightenment (or simply the Enlightenment or Age of Reason) was a cultural movement of intellectuals beginning in the late 17th- and 18th-century Europe emphasizing reason and individualism rather than tradition.Its purpose was to reform society using reason, challenge ideas grounded in tradition and faith, and advance knowledge through the scientific method.It promoted scientific thought,skepticism,and intellectual interchange.It opposed superstition and intolerance, with the Catholic Church a favorite target.Some Enlightenment philosophes collaborated with Enlightened despots,who were absolute rulers who tried out some of the new governmental ideas in practice. The ideas of the Enlightenment have had a long-term major impact on the culture, politics, and governments of the Western world. Originating about 1650 to 1700, it was sparked by philosophers Baruch Spinoza (1632–1677), John Locke (1632–1704), Pierre Bayle (1647–1706), Voltaire (1694–1778) and physicist Isaac Newton (1643–1727).Ruling princes often endorsed and fostered these figures and even attempted to apply their ideas of government in what was known as enlightened absolutism. The Scientific Revolution is closely tied to the Enlightenment, as its discoveries overturned many traditional concepts and introduced new perspectives on nature and man's place within it. The Enlightenment flourished until about 1790–1800, after which the emphasis on reason gave way to Romanticism's emphasis on emotion, and a Counter-Enlightenment gained force.The Enlightenment AssertionThe Enlightenment thinkers strongly criticized the feudal autocratic system and the spiritual pillar — the Catholic Church, described the future blueprint of "rational kingdom", provided the ideological and theoretical preparation of achievement dominance for the bourgeoisie. In France, the Enlightenment disclosed the feudal system deeply, and did sufficient preparation for the upcoming the French Revolution. After that, the Enlightenment had been spread to other parts of the world to enlighten people's thoughts and shake the feudal rule.In general,the ideological principles,what advocated by the Enlightenment ideologists,including Natural Rights,tripartite political system,freedom,equality,democracy and legality,had been widely spread.These formed a strong social ethos that shook the foundation of the feudal rule, promoted the development of capitalism,as well as promoted the social progress. Subsequently, many works of the Enlightenment ideologists had also been introduced to Asian countries such as China and Japan, that inspired those person of noble aspirations to struggle for the transformation of the old society.Meanwhile,the principles that had been promoted by the Enlightenment --- natural rights,freedom and equality, democratic,had brought vitality to the western architecture. There was the neoclassicism in the corresponding period with the Enlightenment , after that,there also were schools of romanticism, eclecticism, organic, modernism and so on.This period could be called a hundred flowers in bloom. Comparing with the Enlightenment’s previous architectural styles, we clearly see the influence of Western Enlightenment on architecture.It made the architecture of the western styles become more diversified and closer to the lives of the ordinary people.Different architectural styles and features in different periods Before, I will divide the Enlightenment period into two aspects to introduce different architectural styles and features of different periods.1.The early Enlightenment-- the Baroque styleThe Baroque is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. The style began around 1600 in Rome, Italy and spread to most of Europe.The popularity and success of the Baroque style was encouraged by the Roman Catholic Church, which had decided at the time of the Council of Trent, in response to the Protestant Reformation, that the arts should communicate religious themes in direct and emotional involvement.The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumph, power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence.In Baroque architecture, new emphasis was placed on bold massing, colonnades, domes, light-and-shade (chiaroscuro), 'painterly' color effects, and the bold play of volume and void. In interiors, Baroque movement around and through a void informed monumental staircases that had no parallel in previous architecture. The other Baroque innovation in worldly interiors was the state apartment, a sequence of increasingly rich interiors that culminated in a presence chamber or throne room or a state bedroom. The sequence of monumental stairs followed by a state apartment was copied in smaller scale everywhere in aristocratic dwellings of any pretensions.Baroque architecture was taken up with enthusiasm in central Germany , Austria and Russia .In England the culmination of Baroque architecture was embodied in work by Sir Christopher Wren, Sir John Vanbrugh and Nicholas Hawksmoor, from ca. 1660 to ca. 1725. Many examples of Baroque architecture and town planning are found in other European towns, and in Latin America. Town planning of this period featured radiating avenues intersecting in squares, which took cues from Baroque garden plans. In Sicily, Baroque developed new shapes and themes as in Noto, Ragusa and Acireale "Basilica di San Sebastiano".Another example of Baroque architecture is the Cathedral of Morelia Michoacan in Mexico. Built in the 17th century by Vincenzo Barrochio, it is one of the many Baroque cathedrals in Mexico. Baroque churches are also seen in the Philippines, which were built during the Spanish period.TheatreIn theatre, the elaborate conceits, multiplicity of plot turns, and variety of situations characteristic of Mannerism (Shakespeare's tragedies, for instance) were superseded by opera, which drew together all the arts into a unified whole.Theatre evolved in the Baroque era and became a multimedia experience, starting with the actual architectural space. In fact, much of the technology used in current Broadway or commercial plays was invented and developed during this era. The stage could change from a romantic garden to the interior of a palace in a matter of seconds. The entire space became a framed selected area that only allows the users to see a specific action, hiding all the machinery and technology – mostly ropes and pulleys.This technology affected the content of the narrated or performed pieces, practicing at its best the Deus ex Machina solution. Gods were finally able to come down –literally –from the heavens and rescue the hero in the most extreme and dangerous, even absurd situations.The term Theatrum Mundi – the world is a stage – was also created. The social and political realm in the real world is manipulated in exactly the same way the actor and the machines are presenting/limiting what is being presented on stage, hiding selectively all the machinery that makes the actions happen.The films Vatel, Farinelli, and the staging of Monteverdi's Orpheus at the Gran Teatre del Liceu in Barcelona, give a good idea of the style of productions of the Baroque period. The American musician William Christie and Les Arts Florissants have performed extensive research on all the French Baroque Opera, performing pieces from Charpentier and Lully, among others that are extremely faithful to the original 17th century creations.2.The Enlightenment period-- the neoclassical styleNeoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century, manifested both in its details as a reaction against the Rococo style of naturalistic ornament, and in its architectural formulas as an outgrowth of some classicizing features of Late Baroque. In its purest form it is a style principally derived from the architecture of Classical Greece and Rome and the architecture of the Italian architect Andrea Palladio. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains separate identities to each of its parts.The Neoclassical period emerged as a response to the birth of a new nation. In 1783, the devastating American Revolution ends and the construction of anew nation begins. The Founding Fathers, especially Thomas Jefferson looked towards inspiration that will define the liberated nation. They turned their heads towards ancient Rome. The creation of a national identity lasted about a century.Neoclassicism emerged after the discoveries of ancient Roman cities like Herculaneum in 1728 and Pompeii in 1748.So, before Neoclassicism reached America, it flourished in Europe. Due to the close ties with Britain and London (which had stimulated interest in neoclassical taste), Neoclassicism became a transatlantic phenomenon that spread across the ocean.Examples of Neoclassical architecture are in almost every major city in the United States.CharacteristicsRinaldi. The White hall of the Gatchina palace. 1760s. An early example of the Italianate neoclassical interior design in Russian architectureHigh neoclassicism was an international movement. Though neoclassical architecture employs the same classical vocabulary as Late Baroque architecture, it tends to emphasize its planar qualities, rather than sculptural volumes. Projections and recessions and their effects of light and shade are more flat; sculptural bas-reliefs are flatter and tend to be enframed in friezes, tablets or panels. Its clearly articulated individual features are isolated rather than interpenetrating, autonomous and complete in themselves. International neoclassical architecture was exemplified in Karl Friedrich Schinkel's buildings, especially the Old Museum in Berlin; Sir John Soane's Bank of England in London; and the newly built White House and Capitol in Washington, DC in the United States. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg.Italy clung to Rococo until the Napoleonic regimes brought the new archaeological classicism, which was embraced as a political statement by young, progressive, urban Italians with republican leanings.Key ConceptsNeoclassicism: the revived interest in classical ideals and forms that influenced European and American society through thought, politics and fine arts during the 18th and 19th century.This term refers to the art forms created after but inspired by ancient time. This period derives from the Classicism movement.Classicism: the period in which Greek and Roman principles and styles were reflected in society.Nonetheless, do not mistake the two periods as interchangeable terms. Classicism refers to the art with produced in antiquity or inspired by it afterward while Neoclassicism always refers to the art inspired by ancient times, but created later.AestheticIn Roman architecture, public works can be described by their simplicity of geometric forms and grandeur of scale along with dramatic use of columnsand common use of blank walls. Besides political inspiration, America wanted to build a country that was as visually appealing as ancient Rome.American architects also wanted the buildings of the new republic to be breath-takingly beautiful while expressing a quiet, serene grandeur. The order, simplicity, clarity and reason of a free nation were beautifully reflected in society because the monuments expressed such characteristics in themselves too. Appreciation of beauty was also viewed as a vital component in the creation of the United States.IntellectualAncient Romans believed in reason and order. Not only were American politics influenced but also their ideals as well. Consequently, those neoclassical ideals permeated American art and architecture. The neoclassical architecture suggested learning and moral virtue: other valuable and necessary components to the growth of America as a republic. Neoclassicism todayAfter a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame. Programs at the University of Miami, Andrews University, and Judson University have trained a number of new classical architects during this resurgence. Today one can find numerous buildings such as the Schermerhorn Symphony Center again built in the neoclassical style today.In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case.ConclusionIn summary, influence of the Enlightenment on Western architecture are the following aspects:Before the Enlightenment movement,the Baroque style is mainly prevalent in religious buildings.The religious forces attacked in retaliation to the religious reforming,which promoted religious building construction,and it was also a reflection of the divine supremacy ideas. For example, the holy Cathedral is famous for its period, from the gorgeous appearance and internal modification ,we can see that the Christian Church was fairly luxurious.Untilthere were various schools of the Enlightenment period,such as neoclassicism and others. The focus of architectural designing gradually transferred from the religious buildings to public buildings, such as bank and theatre.These gave full expression against oppression and the pursuit of freedom.It is affected by the natural rights of the Enlightenment and the ideas of freedom and equality,and it also was penetrated into the buildings.Comparing with architecture at different times of the Enlightenment,we can realize that western architecture no matter the principles composition or aesthetic value or aesthetic standard has been permeated by the Enlightenment thought. In the principles composition ,it was both unified change and stability, and display the Enlightenment’s open and free, democratic thoughts; at the same time, the aesthetic value about the functional beauty, beauty about form, content, time, environment embody the characteristics of human rights, the new up, rational; aesthetic standard had reflected the principle of economic and technology, and it was also the embodiment of reason.The Enlightenment Movement had profound influence on the West building, at that time and after,the influence has been infiltrated into the styles,sharp and artistic ideology of the construction.The Enlightenment Movement did not only chang people's points of views about architecture,but also changed people's way of thinking, which caused people to think about building the architecture and promote all-round social progress.。