英国文学史作家作品(常耀信)
英国文学史及选读作者作品列表
附：英国文学史及选读作者及作品（第一、二册）一、盎格鲁-撒克逊时期The Anglo-Saxon Period※《贝奥武甫》“The Song of Beowulf”《浪游者》“Widsith” or “The Traveller’s Song”《航海家》“Seafarer”二、盎格鲁-诺曼时期The Anglo-Norman Period※《高文爵士和绿衣骑士》“ Sir Gawain and the Green Knight ”杰弗里《史记》Geoffrey’s “History”莱亚门《布鲁特》Laysmon’s “Brust”《罗兰之歌》“Chanson de Roland”三、乔叟时期Geoffrey Chaucer (1340?-1400)※《坎特伯雷故事集》“The Canterbury Tales”《玫瑰传奇》“Romance of the Rose”《好女人的故事》“The Legend of Good Women”《声誉殿堂》“The House of Fame”《百鸟会议》“The Parliament of Fowls”《特罗伊勒斯和克莱西德》“Troilus and Gressie”大众民谣Popular Ballads※《罗宾汉和阿林代尔》“Robin Hood and Allin-a-Dale””※《起来，去关门》“Get Up and Bar the Door”※《派屈克·斯宾塞爵士》“Sir Patrick Spens”托马斯·帕西《英诗辑古》Bishop Thomas Percy ”Reliques of Anciet English Poetry”兰格论《农夫皮尔期》“The Vision of Piers, the Plowman”四、文艺复兴时期The Renaissance1．威廉·莎士比亚William Shakespeare(1564-1616)1590《亨利六世》第二部The Second Part of “King Henry Ⅵ”《亨利六世》第三部The Third Part of “King Henry Ⅵ”1591《亨利六世》第一部The First Part of “King Henry Ⅵ”1592《理查三世》“The Life and Death of King Richard Ⅲ”《错误的喜剧》“The Comedy of Errors”1593《泰特斯·安德鲁尼克斯》”Titus Andronicus”《驯悍记》“The Taming of the Shrew”1594《维洛那两绅士》“The Two Gentlemen of Verona”《爱的徒劳》“Love’s Labour’s Lost”《罗密欧与朱丽叶》“Romeo and Juliet”1595《理查二世》“The Life and Death of King RichardⅡ”《仲夏夜之梦》“A Midsummer Night’s Dream”1596《约翰王》“The Life and Death of King John”※《威尼斯商人》“The Merchant of Venice”1597《亨利四世》第一部The First Part of “King Henry Ⅳ”《亨利四世》第二部The Second Part of “King Henry Ⅳ”1598《无事生非》“Much Ado About Nothing”《温莎的风流娘儿们》”The Merry Wives of Windsor”《亨利五世》”The Life of King Henry Ⅴ”1599《尤利乌斯·凯撒》“The Life and Death of Julius Caesar”《皆大欢喜》”As You Like It”1600《第十二夜》“Twelfth Night ,or, What You Will”※1601《哈姆雷特》“Hamlet, Prince of Denmark”1602《特洛伊洛斯与克瑞西达》“Troilus and Cressida”《终成眷属》“All’s Well That Ends Well”1604《一报还一报》“Measure for Measure”《奥塞罗》“Othello, the Moore of Venice”1605《李尔王》”King Lear”《麦克白》“The Tragedy of Macbeth”1606《安东尼和克莉奥佩特拉》“Antony and Cleopatra”1607《科里奥拉鲁斯》”The Tragedy of Coriolanus”《雅典的泰门》“Timon of Athens”1608《佩里克利斯》“Pericles, Prince of Tyre”1609《辛白林》“Cymbeline, King of Britain”1610《冬天的故事》“The Winter’s Tale”《暴风雨》“The Tempest”《亨利八世》“The Life of King Henry Ⅷ”Poems《维纳斯与阿多尼斯》“Venus and Adonis”《露克丽丝受辱记》“Lucrece”※《十四行诗》“Sonnets”2。
常耀信《美国文学简史》(第3版)配套题库【章节题库(含名校考研真题)+模拟试题】
目录第一部分章节题库（含名校考研真题） (5)第1章殖民地时期的美国 (5)第2章爱德华兹•富兰克林•克里夫古尔 (12)第3章美国浪漫主义•欧文•库柏 (17)第4章新英格兰超验主义•爱默生•梭罗 (25)第5章霍桑•麦尔维尔 (33)第6章惠特曼•狄金森 (42)第7章埃德加•爱伦•坡 (51)第8章现实主义时期•豪威尔•詹姆斯 (55)第9章地方色彩小说•马克.吐温 (63)第10章美国自然主义•克兰•诺里斯•德莱赛•罗宾森 (69)第11章20世纪20年代•意象派•庞德 (78)第12章艾略特•史蒂文斯•威廉斯 (82)第13章弗罗斯特•桑德堡•卡明斯•哈特•克兰•穆尔 (90)第14章菲茨杰拉德•海明威 (96)第15章南方文艺复兴•威廉姆•福克纳 (106)第16章安德森•斯坦•刘易斯•凯瑟•沃尔夫 (114)第17章20世纪30年代•多斯•帕索斯•斯坦贝克 (118)第18章波特•韦尔蒂•麦卡勒斯•韦斯特•新批评 (121)第19章美国戏剧 (123)第20章二战后诗歌•20世纪40年代的诗人 (128)第21章自白派•垮掉的一代 (129)第22章纽约派诗人•沉思型诗歌•黑山派诗人 (131)第23章二战后美国小说（1） (132)第24章二战后美国小说（2） (135)第25章多种族文学（1） (139)第26章多种族文学（2） (145)第二部分模拟试题 (147)第1章常耀信《美国文学简史》（第3版）模拟试题及详解（一） (147)第2章常耀信《美国文学简史》（第3版）模拟试题及详解（二） (154)第一部分章节题库（含名校考研真题）第1章殖民地时期的美国I. Fill in the blanks.1. Hard work, thrift, piety and sobriety, these were the _____ values that dominated much of the early American writing.【答案】Puritan【解析】清教主义，起源于英国，在北美殖民地得以实践与发展。
英国文学-Robert-Burns-罗伯特伯恩斯作者及作品介绍
Canada
• Scottish Canadians have embraced Robert Burns as a kind of patron poet and mark his birthday with festivities.
• 'Robbie Burns Day' is celebrated from Newfoundland and Labrador to Nanaimo.
July 21, 1796
• Arduous farm work and undernourishment in his youth
• the rheumatic heart disease
风湿性心脏病
• at the age of 37
2
Writings
Poems Chiefly in the Scottish Dialect 苏格兰方言诗集
• Simon Fraser University's Centre for Scottish Studies organized a marathon reading of Burns' poetry.
• 'Gung Haggis Fat Choy' is a hybrid of Chinese New Year and Robbie Burns Day, celebrated in Vancouver since the late 1990s
during his life and after his death, dismissing his education by calling him a "heaven-taught ploughman". • Influenced later Scottish writers. Esp. Hugh MacDiarmid, who fought to dismantle what he felt had become a sentimental cult that dominated Scottish literature.
世界名著(书名)中英对照
南京信息工程大学英语系学生推荐阅读书目（共十大类）Bibliography for Undergraduate Students of English Language, Nuist1.文学名著(Literature)英国文学(British Literature)1.Kingsley Amis---Lucky Jim《幸运的吉姆》2. Jane Austen---Pride and Prejudice《傲慢与偏见》，Sense and Sensibility《理智与情感》，Emma 《爱玛》，Lady Susan《苏珊太太》，Love and Friendship《爱情和友谊》，Mansfield Park《曼斯菲尔德庄园》，Persuasion 《劝导》，Northanger Abbey《诺桑觉寺》3. Arnold Bennett---The Old Wives’Tale 《老妇人的故事》4. Elizabeth Bowen---The Death of the Heart《心之死》5. Charlotte Bronte---Jane Eyre 《简·爱》6. Emily Bronte---Wuthering Heights《呼啸山庄》7. Anthony Burgess---A Clockwork Orange 《发条椅子》8. Samuel Butler---The Way of All Flesh《众生之路》9. A. S. Byatt---Possession 《占有》10. Lewis Carroll---Alice’s Adventures in Wonderland 《爱丽丝仙境历险记》11. Angela Carter---The Company of Wolves《狼之一族》12. Agatha Christie---Murder on the Orient Express《东方快车谋杀案》13. Ivy Compton-Burnett---A Family and a Fortune《家庭和财富》14. Joseph Conrad---Heart of Darkness《黑暗的心》, Lord Jim《吉姆爷》15. Daniel Defoe---Robinson Crusoe《鲁滨逊漂游记》16. Charles Dickens---David Copperfield 《大卫·科波菲尔》A Christmas Carol 《圣诞欢歌》A Child's History of England 《写给孩子看的英国历史》A Tale of Two Cities《双城记》American Notes《旅美札记》Pictures from Italy《意大利风光》Bleak House 《荒凉山庄》Chimes 《钟声》David Copperfield 《大卫·科波菲尔》Domby and Son《董贝父子》Great Expectations 《远大前程》Hard Times《艰难时世》17. Sir Arthur C. Ddyle---Adventure of Sherlock Holmes《福尔摩斯历险记》18. Margaret Drabble---The Waterfall《瀑布》19. Daphne Du Maurier---Rebecca《蝴蝶梦》20. George Eliot---Middlemarch《米德尔马契》21. E. M. Forster---Howards End《霍华德庄园》, A Passage to India《印度之旅》22. John Fowles---The French Lieutenant’s Woman《法国中尉的女人》23. John Galsworthy---The Man of Property 《财主》24. William Golding---Lord of the Flies 《蝇王》25. Graham Greene---The Human Factor《成事在人》26. Thomas Hardy---Tess of the D’Urbervilles《苔丝》, Jude the Obscure《无名的裘德》27. Aldous Huxley---After Many a Summer《许多个夏天之后》28. Henry James---Daisy Miller《戴茜·米勒》29. James Joyce---A Portrait of the Artist as a Young Man《青年艺术家画像》，Ulysses《尤利西斯》30. Rudyard Kipling---Kim《金姆》31. Charles Lamb---Tales from Shakespeare 《莎士比亚故事集》32. D. H. Lawrence---Sons and Lovers 《儿子与情人》33. John Le Carred---The Spy Who Came in from the Cold《冷战谍魂》34. Doris Lessing---The Grass Is Singing《野草在歌唱》35. David Lodge---Nice Work《好工作》36. W. Somerset Maugham---The Moon and Sixpence《月亮和六便士》, Of Human Bondage《人性的枷锁》37. Iris Murddoch---The Black Prince《黑王子》38. George Orwell---Nineteen Eighty-Four《1984》39. Salman Rushdie---Midnight Children《午夜的孩子》40. Sir Walter Scott---Ivanhoe《艾凡赫》41. C. P. Snow --- The Affair《丑闻》42.Muriel Spark---The Prime of Miss Jean Brodie《简·布罗迪小姐的青春》43. Robert Louis Stevenson---Treasure Island《金银岛》44. Jonathan Swift---Gulliver’s Travels《格列佛游记》45. William M.Thackeray---Vanity Fair 《名利场》46. Evelyn Waugh---A Handful of Dust《一掬尘土》47. H. G. Wells---The Invisible Man 《隐形人》48. Oscar Wilde---The Picture of Dorian Gray 《道利·格雷的肖像》49. Virginia Woolf---Mrs Dalloway《黛洛维夫人》, To the Lighthouse《到灯塔去》美国文学1.Sherwood Anderson---Winesburg, Ohio《小城畸人》2. James Baldwin---Go Tell It on the Mountain《高山上的呼喊》3. Saul Bellow---Seize the Day《勿失良辰》, Henderson the Rain King 《雨王韩德森》4. Willam S.Burroughs---The Naked Lunch 《赤裸的午餐》5. Willa Cather---My Antonia 《我的安东尼亚》6. Kate Chopin---The Awakening《觉醒》7. Stephen Crane---The Red Badge of Courage 《红色英勇勋章》8. Theodore Dreiser---Sister Carrie《嘉莉妹妹》, An American Tragedy《美国悲剧》9. Ralph Ellison---Invisible Man《隐形人》10. William Faulkner---Go Down, Moses《去吧，摩西》, The Sound and the Fury《喧哗与骚动》11. F. Scott Fitzgerald---The Great Gatsby 《伟大的盖茨比》12. Alex Haley---Roots 《根》13. Nathaniel Hawthorne---The Scarlet Letter《红字》14. Joseph Heller---Catch-22 《22条军规》15. Ernest Hemingway---The Sun Also Rises《太阳照常升起》, The Old Man and the Sea《老人与海》16. James Jones---From Here to Eternity《乱世忠魂》17. Maxine Hong Kingston---The Woman Warrior《女勇士》18. Harper lee---To Kill a Mockingbird《杀死一只知更鸟》19. Sinclair Lewis---Main Street 《大街》20. Jack London---The Call of the Wild 《野性的呼唤》Martin Eden 《马丁·伊登》21. Norman Mailer---The Naked and the Dead《裸者与死者》22. Carson McCullers ---The Heart Is a Lonely Hunter 《寂寞的心》或《心是孤独的猎手》23. James A. Michener---Centennial24. Margaret Mitchell---Gone with the Wind 《乱世佳人》25. Toni Morrison---The Bluest Eye 《最蓝的眼睛》26. Vladimir Nabokov---Lolita 《洛丽塔》27. Frank Norris---The Octopus《章鱼》28. J.D.Salinger---The Catcher in the Rye《麦田里的守望者》29. Erich Segal---Man, Woman and Child 《男人、女人和孩子》30. Upton Sinclair---The Jungle 《丛林》31. John Steinbeck---The Grapes of Wrath《愤怒的葡萄》32. Harriet Beecher Stowe---Uncle Tom's Cabin 《汤姆叔叔的小屋》33. William Styron---Sophie's Choice《苏菲的抉择》34. Mark Twain---The Adventures of Huckleberry Finn《哈克贝利·费恩历险记》The Prince and the Pauper《王子与贫儿》35. Alice Walker---The Color Purple《紫色》36. Robert Penn Warren---All the King's Men《国王班底》37. Edith Wharton---The Age of Innocence 《纯真年代》38. Thornton Wilder---The Bridge of San Luis Rey 《圣路易斯雷的大桥》39. Thomas Wolfe---Look Homeward, Angel《天使，望故乡》40. Herman Wouk---The Winds of War《战争风云》41. Richard Wright---Native Son《土生子》42. Louisa May Alcott--- Little Women 《小妇人》华裔文学《喜福会》，谭恩美，上海译文出版社，2006《沉没之鱼》，谭恩美，北京出版社，2006《接骨师之女》，谭恩美，上海译文出版社，2006《我的缪斯》，谭恩美，上海远东出版社，2007《灶神之妻》，谭恩美，浙江文艺出版社，1999《女勇士》，汤亭亭，漓江出版社，1998《孙行者》，汤亭亭，漓江出版社，1998《中国佬》，汤亭亭，译林出版社，2000其他西方文学名著王新良，《罗马神话故事》，北京：宗教文化出版社，1998施瓦布，《希腊神话故事》，刘超之等译，北京：宗教文化出版社，1996《安娜卡列琳娜》，列夫托尔斯泰，上海译文出版社，1990《战争与和平》，托尔斯泰，人民文学出版社，1989《静静的顿河》，肖洛霍夫，人民文学出版社，1988《卡拉马佐夫兄弟》，陀思妥耶夫斯基，上海译文出版社，2006《白痴》，陀思妥耶夫斯基，上海译文出版社，2006《我们》，扎米亚京，江苏人民出版社，2005《怎么办》，车尔尼雪夫斯基，人民文学出版社，1996《洛丽塔》，弗拉基米尔·纳博科夫，上海译文出版社，2006《唐吉诃德》，塞万提斯，华夏出版社，2007《不能承受的生命之轻》，米兰·昆德拉，上海译文出版社，2003《茶花女》，小仲马，译林出版社，1994《陪衬人》，左拉，华文出版社，1998《高老头》，巴尔扎克，人民文学出版社，1989《约翰·克里斯朵夫》，罗曼罗兰，人民文学出版社，19802. 文学理论Altick，Richard，and Andrew Wright. Selective Biography for the Study of English and American Literature 6th ed，NewYork：Macmillan，1979Baldick，Chris，牛津文学术语词典（english），上海：上海外语教育出版社，2001年版Bateson, F．W．and Harrison T．Maserole. A Guide to English and American Literature，London：Longman，1976Brooks,Cleanth,et al.. An Approach to Literature(5th ed.).New Jersey: Prentice-Hall,1975. Elliott，E．(ed ), The Columbia History of the American Novel．New York：Columbia Press，1991Guerin, Wilfred L..A Handbook of Critical Approaches to Literature. FLT&RPress, OUP, 2004. Head，Dominic，现代英国小说（1950－2000）（english），重庆：重庆出版社，2006年版Hume，Kathryn，美国梦，美国噩梦——1960年以来的小说（english），北京：北京：外语教学与研究出版社，2006年版Showalter, Elaine, A Literature of Their Own, Beijing: Foreign Language Teaching and Research press, 2004Toming，美国文学史（english），南京：译林出版社，2005年版Rubinstein, Annette T. American Literature Root and Flower, Beijing:Foreign Language Teaching and Research press, 1998李正栓，美国诗歌研究（english），北京：北京大学出版社，2007年版常耀信，《美国文学简史》（english）,天津：南开大学出版社，2005年版常耀信，《英国文学简史》（english）,天津：南开大学出版社，2007年版陈嘉，《英国文学史》（1-4卷）（english）, 北京：商务印书馆，2000年版高继海：《英国小说史》。
英国文学史常耀信重点知识
英国文学史常耀信重点知识《英国文学史及选读》第一册复习要点1. Beowulf: national epic of the English people; Denmark story; alliteration, metaphors and understatements （此处可能会有填空，选择等小题）2. Romance （名词解释）3. “Sir Gawain and the Green Knight”: a famous roman about King Arthur’s story4. Ballad（名词解释）5. Character of Robin Hood6. Geoffrey Chaucer: founder of English poetry; The Canterbury Tales (main contents; 124 stories planned, only 24 finished; written in Middle English; significance; form: heroic couplet)7. Heroic couplet (名词解释)8. Renaissance（名词解释）9.Thomas More——Utopia10. Sonnet（名词解释）11. Blank verse（名词解释）12. Edmund Spenser “The Faerie Queene”13. Francis Bacon “essays” esp. “Of Studies”（推荐阅读，学习写正式语体的英文文章的好参照，本文用词正式优雅，多排比句和长句，语言造诣非常高，里面很多话都可以引用做格言警句，非常值得一读）14. William Shakespeare四大悲剧比较重要，此外就是罗密欧与朱立叶了，这些剧的主题，背景，情节，人物形象都要熟悉，当然他最重要的是Hamlet这是肯定的。
英国文学简史 常耀信 Chapters 19-20
The Edwardians
Rudyard Kipling (1865-1936) Kipling was born in India, had no college education, and traveled to many parts of the world so that he got to know about the life of all social strata. Basically, Kipling is a short-story writer; it is said that the short story as a genre throve after he enriched it with his craft. He is best known for his The Jungle Books, a tale of a white child. Mowgli, left in an Indian jungle but surviving the inclement environment in the company of his jungle folks. Kipling’s poem, ―The White Man’s Burden,‖ is notorious for the author’s blatant, repellent show of Anglo superiority. He won the Nobel Prize in 1907.
Key Points in Chapter 19
The Early 20th Century The Edwardians The Georgians
The Early 20th Century
(完整word)英国文学史作家作品(常耀信)
The Jew of Malta马耳他的犹太人
Dr.Faustus浮士德的悲剧
The Passionate Shepherd牧羊人恋歌
William Shakespeare
威廉·莎士比亚
1564—1616
The Tempest暴风风雨；The Two Gentlemen of Veronaz维罗纳二绅士;The Mercy Wives of Windsor温莎的风流妇人；Measure for Measure恶有恶报；The Comedy of Errors错中错；Much Ado about Nothing无事自扰；Love's Labour’s Lost空爱一场;A Midsummer Night’s Dream仲夏夜之梦;The Merchant of Venice威尼斯商人;As You Like It如愿；The Taming of the Shrew驯悍记；All’s Well That Ends Well皆大欢喜;Twelfth Night第十二夜;The Winter’s Tale冬天的故事；The Life and Death of King John/Richard the Second/Henry the Fifth/Richard the Third约翰王/理查二世/亨利五世/理查三世；The First/Second Part of King Henry the Fourth亨利四世（上、下）；The First/Second/Third Part of King Henry the Sixth亨利六世（上、中、下)；The Life of King Henry the Eighth亨利八世；Troilus and Cressida脱爱勒斯与克莱西达;The Tragedy of Coriolanus考利欧雷诺斯;Titus Andronicus泰特斯•安庄尼克斯；Romeo and Julet罗密欧与朱丽叶；Timon of Athens雅典的泰门；The Life and Death of Julius Caesar;朱利阿斯•凯撒；The Tragedy of Macbeth麦克白；The Tragedy of Hamlet哈姆雷特/王子复仇记；King Lear李尔王;Othello奥塞罗;Antony and Cleopatra安东尼与克利欧佩特拉；Cymbeline辛白林;Pericles波里克利斯;Venus and Adonis维诺斯•阿都尼斯；Lucrece露克利斯；The Sonnets十四行诗
浅析英国文学史诗《贝奥武甫》
第21卷第3期新乡教育学院学报2008年9月堕：至!：№：兰四婴塑些堡蛩竖螋坠墅堂型垡型堕堡墅t幽浅析英国文学史诗《贝奥武甫》鲁静(新乡学院外语学院，河南新乡453000)摘要：<贝奥武甫》是英国文学史上第一部重要的史诗巨著，文章介绍了它的产生背景、主要内容，并对其中的宗教思想及语言特点给予了客观的评论。
关键词：英国文学；贝奥武甫；宗教思想；语言特点中圈分类号：1106．2文献标识码：A文章编号：1672-3325(2008)03-0045--02作者简介：鲁静(1篼2-)，女，河南封丘人，助教。
研究方向：英美文学。
一、《贝奥武甫>产生的历史背景英国文学的发展源远流长。
这一漫长的历史首先起源于盎格鲁一撒克逊文学。
英国历史上的盎格鲁一撒克逊时期约从公元5世纪起至公元11世纪中期诺曼人入侵为止。
由于这一时期在英语发展的历史上属古英语时期(约从公元600年到1100年)，盎格鲁一撒克逊文学通常也称作古英语时期文学[1】。
如同其他时期的文学一样，盎格鲁一撒克逊文学同英国当时历史和社会的发展是密不可分的。
公元前55年，罗马人在凯撒的率领下开始侵入不列颠，最后由罗马皇帝克劳狄一世于公元43年征服了不列颠，并把它划入罗马帝国的版图。
公元5世纪中叶，盎格鲁一撒克逊人从欧洲大陆入侵不列颠。
很快，这些撒克逊人便征服了整个不列颠，并在那里定居了下来。
【21但是不列颠这片土地并没有因此平静下来，不计其数的王国、部落之间仍是战事频繁。
直到公元九世纪，南方的威塞克斯王国在国王艾尔弗雷德大帝的领导下成功地击败了丹麦的入侵，英格兰的大、小王国才逐步走向统一。
1l世纪初，丹麦人再次入侵不列颠，英格兰人民开始了长达25年的奴隶生活。
不久，诺曼人也入侵英格兰，击败了盎格鲁一撒克逊人，并最终征服了整个英国，这一事件标志着盎格鲁一撒克逊时代的结束。
连续不断的外敌入侵构成了不列颠早期历史的一个主要特点，这对当时的社会产生了重要影响。
英国文学简史 常耀信 Chapters 15-16
Thomas Hardy
Introduction Tess of the D’Urbervilles Jude the Obscure
George Gissing George Moore Oscar Wilde Robert Louis Stevenson
Thomas Hardy
Introduction III Hardy’s stories are always moving and bewitching. They touch hearts not so much by plots as through the pathos of the emotional tangle. Hardy places emphasis on the deeper psychology of his characters. This is a feat that indicates Hardy’s empathy with the modern spirit. Hardy’s language possesses a silent power and charm. His prose is studded with rhetorical devices, poetic imagery, and metaphors, and is richly connotative.
Thomas Hardy
Tess of the D’Urbervilles It is the most pastoral of Hardy’s novels. Major characters: Tess, Alec D’Urbervilles, Angel Claire The turn of events and the moment of catharsis prove that the novel is a classic Aristotlean tragedy. The king of the world of the novel is “the President of Immortals,” or maybe variously called “fate,” “destiny,” or “chance.” it represents the forces beyond human control but controlling the lives of the humans.
常耀信《美国文学简史》(第3版)配套题库【章节题库(含名校考研真题)】第11章~第14章【圣才出品】
第11章20世纪20年代•意象派•庞德I.Fill in the blanks.1.“In a Station of the Metro”by Ezra Pound goes like this:The apparition of these faces in the crowd;_____.（首师大2008研）【答案】Petals on a wet,black bough.【解析】这是意象派诗人庞德的名作，意为：人群中这些面孔幽灵一般显现，湿漉漉的黑色枝条上许多花瓣。
2._____,by Ezra Pound,employs the complex association of scholarly lore, anthropology,modern history and personages,private history and Witticism,and obscure literary interpolations in various languages.（人大2006研）【答案】The Cantos【解析】庞德的《诗章》包罗万象，是庞德的代表作。
3.Author_____Title_____.（南京大学2007研）The apparition of these faces in the crowd;Petals on a wet,black bough.【答案】Author:Ezra Pound Title:“In a Station of the Metro”【解析】题目节选自庞德的《在一个地铁车站》，该诗是以一个意象作为叙述语言的典型范例。
4.Ezra Pound’s lifelong endeavor had been devoted to the writing of_____,which contains_____poems.（国际关系学院2007研）【答案】The Cantos;117【解析】庞德把毕生精力都投入到写作《诗章》当中，《诗章》共包括117首诗。
从幻想到现实的顿悟
从幻想到现实的顿悟曼斯菲尔德从儿童的视角探究人类的对现实世界的认识。
在短篇小说《园会》中作者对儿童心理变化进行了细腻的描写,通过劳拉对世界的美好想象及其幻想破灭的过程描写,启发人们对生活本质的反思和重新认识。
本文将从三方面分析劳拉从幻想到现实的顿悟：劳拉的性格、潜意识和她的涉世未深。
标签：劳拉；顿悟；幻想；现实《园会》是曼斯菲尔德创作的著名短篇小说之一。
在短暂的创作生涯中写下许多优秀作品，赢得“英国的契诃夫”美誉。
在艺术上，她深受契诃夫的影响，注重从看似平淡无奇的小处去发掘人物情感的变化,她敏锐的观察和卓越的艺术才华使这些小说成为真正的世界名篇。
1925年，徐志摩在了《再说一说曼殊斐儿》一文中称曼斯菲尔德是20世纪最重要的作家之一。
他写道：“她的艺术，是在时间与空间的缝道里下工夫。
她的方法不是用镜子反映，不是用笔白描，更不是从容幻想，她分明是伸出两个不容情的指头到别人的脑筋里去生生的捉住成形不露面的思想的影子，逼着他们现原形！”。
正是徐志摩把马斯菲尔德的作品引入中国，并于1927年翻译并出版了马斯菲尔德的精选故事集。
1957年曼斯菲尔德的三部作品《园会》在中国问世，对研究曼斯菲尔德的作品做了很好的铺垫。
目前，我国对曼斯菲尔德的研究主要集中在她的写作技巧和女权主义。
对小说人物心里的探讨还是很欠缺的。
本文将从劳拉的性格、潜意识和她的涉世未深分析劳拉从幻想到现实的顿悟。
顿悟(epiphany)一词起源于希腊，意为“显灵”。
顿悟通常是人们在心里变化高潮时刻的瞬间感悟，并深化主题思想。
“精神顿悟”往往需要客观对应物的刺激与配合,即通过某种情境或某些事件来唤起人物的感情。
只有亲身体验生活的多样性以及现实世界的苦难，人类才能实现精神上的感悟，实现感情和道德上的升华，获得全面的新生。
劳拉在穷人的家里看到了另外一个世界，那里有超越她想象力的人和事。
当她亲历这一切的时候，劳拉得到了精神上的顿悟，实现了内心的自我超越。
常耀信《美国文学简史》(第3版)【章节题库(含名校考研真题)】(第8章 现实主义时期
第8章现实主义时期•豪威尔•詹姆斯I.Fill in the blanks.1.The American novelist_____probed deeply at the individual psychology of his characters,writing in a rich and intricate style that supported his intense scrutiny of complex human experience.（人大2006研）【答案】Henry James【解析】美国小说家亨利·詹姆斯的作品善于挖掘人物心理。
2.Daisy Miller was written by_____.（大连外国语学院2007研）【答案】Henry James【解析】《黛西·米勒》是美国作家Henry James的国际主题小说。
3.The name of the heroine in The Portrait of a Lady is_____.（人大2006研）【答案】Isabel Archer【解析】《一位贵妇的画像》（The Portrait of a Lady）是亨利·詹姆斯的早期代表作，也是他的杰作之一。
该小说的女主人公是伊莎贝尔·阿切尔。
4.The Age of Realism is also what Mark Twain referred to as“_____”.【答案】The Gilded Age【解析】现实主义时期被马克吐温看作“镀金时代”。
5.By1875,American writers were moving toward_____in literature.We can see this in the true-to-life descriptions of Bret Harte,William Dean Howells,Hamlin Garland.【答案】realism【解析】到1875年后美国文学过渡到了现实主义时期，我们可以在布勒特·哈特，威廉姆·迪恩·豪威尔斯和哈姆林·加兰的作品中找到对生活逼真的描述。
metaphor used in A Valediction Forbidding Mourning
Metaphor used in A Valediction: Forbidding MourningAs one of the seventeenth century poets, John Donne, the precursor of the metaphysical poetry, is well known for his unexpected metaphor, usually called conceit. Sometimes the employing of distinctive metaphor makes his poems obscure and bizarre. However, it is witty and ingenious metaphor that turns abstract concept into concrete one and attracts readers to go deep into the theme. In the poem A Valediction: Forbidding Mourning, John Donne reveals his insights on the condition of human love and its relationship to the soul by employing unexpected metaphors. He metaphorically eulogizes spiritual love and soul unit of lovers in spite of physical distance.At the beginning of the poem, Donne shows the parallel between a positive way to meet death and a positive way to separate from lovers. When the virtuous man died, he whispered his soul to go. The death of the man and the departure of the lovers are not the ending but the beginning of a new cycle. The common lover usually sorrowful when they depart from each other, but the poet and his lover will "make no noise, no tear-floods, nor sigh-tempes t move”. Here Donne compares the death of the virtuous man with the departure of the lovers. They share some similarities in two points: on the first level, it refers to the separation of the dying man from the world or his intimate people in the world and the separation of the lovers; on the second level, it refers to the separation of body from soul. The soul of the dying man is apart from his body to get the union with another world, heaven or God. As for the lovers, they can achieve the spiritual union after their souls are separated from bodies. Although they separate physically, their souls still get together. In the third and fourth lines of the first stanza, the sad friends are incapable of detecting the exact moment of death. This may be resulted fr om their anxiety and affection, but “it is obviously the first and literal meaning” (Allen, 1953:70). In fact, it implies that the sad friends do not understand the spiritual world of the virtuous man, or laity cannot understand the spiritual love between the poetry and his lover. “……man at the moment of death, lovers at the moment of spiritual union……beyond the understanding of the “laity”who have not had these ultimate experiences” (Allen, 1953:70). So the poet does not want the laity to know their spiritual love because this will profane the joy of love.In the three stanzas there is a complex comparative relationship. The element of the earth is introduced. It is acknowledged that earthquakes are omens of misfortune because of their potential to bring inevitable devastation to the land. The departure of secular lovers is likened to “moving of th’earth”---the earthquake. The secular lovers feel sorrowful when they are separated as if men are fearful about the damages of earthquakes. Here it refers to the physical love of secular lovers. However, when it comes to the poet and his lover, spiritual love between them is viewed in a different light by employing the “trepidation of the spheres”, which metaphorically refers to the departure of the poet and his lover. The “trepidation of the spheres” cannot bring harms to the land as the spheres are extremely far away from the earth. It implies that separation between the poet and his lover cannot bring sorrow to them in that there is a great gap between spiritu al love and physical love of secular lovers. “Trepidation, though a much more violent motion than an earthquake, is neither destructive norsinister” (M. Logan 1248). The “trepidation of the spheres” is more violent than “moving of th’earth” implies that spiritual love is greater than physical love.In the last three stanzas the poet turns his concentration from spiritual love to physical love. Donne’s most famous metaphysical conceit is introduced.The two separate lovers are likened to the legs of “geometer’s compass” (Yang 240). The image is said to be “the ingenious and playful though nonsensical conceit” (Chen 224). “The metaphor is apt if the readers take into account the fact that the compass is a emblem of firmness and perfection of love”(Chang 78). Without the firmness of the fixed point, he would be unable to complete the journey and make the circle just. We can see that the poet takes compass as the symbol of the perfection of his love. He proves the point by drawing the circle with the compass. The legs of the compass move together as the two souls in love do, and part and unite as one of these “roams” to draw but always “come home” on finishing its job. The last stanza also emphasizes the position of women. Men “obliquely run”. Donne compares his wife as standing and leaning firm in center and himself as the roaming leg eager to get back to the end of the circle. The poem ends with the image of a circle, implying the union of two souls in a love relationship. This perfection is attained by parting at the beginning of the circle and reuniting at the point where the curves reconnect. The circle in the “Valediction” represents the journey during which two lovers endure the trial of separation, as they support each other spiritually, and eventually merge in a physically and spiritually perfect union.To sum up, in A Valediction: Forbidding Mourning, John Donne expresses his deep understanding on love in his metaphysical wring style. Instead of physical love, he emphasizes spiritual love. Although two l overs’ bodies are separated due to long distance, they can also achieve spiritual union. Donne employs surprising metaphor effectively to convey his ideas, not only thought-evoking, but also striking.Works CitedGeorge, M. Logan. The Norton Anthology of English Literature from 1600 to 1700.York: W.W. Norton, 2006.Tate, Allen. Literature Criticism from 1400 to 1800. Jr, Detroit: Gale Research, 1989. 常耀信(Chang Yaoxin). 英国文学简史. 天津：南开大学出版社，2008.陈嘉(Chen Jia). 英国文学史. 北京：商务印书馆，1999.杨周翰(Yang Zhouhan). 英国文学名篇选注. 北京：商务印书馆，1983.浅谈《别离辞：节哀》中的隐喻修辞作为一个诗人,约翰·多恩于十七世纪,玄学派诗歌的先导,他以令人意想不到的隐喻修辞的运用而著称,这种隐喻通常被称为幻想。
英国文学史作家作品(常耀信)-推荐下载
英国文学简史作家作品1. The Old English PeriodBeowulf 贝奥武甫2. The Pre-Elizabethan PeriodGeoffrey Chaucer 杰佛雷•乔叟1340-1400Canterbury Tales坎特伯雷故事集The Book of Duchess 公爵夫人颂The House of Fame声誉之宫The Parliament of Fowls 百鸟会议Troilus and Criseyde特罗勒斯与克莱西Thomas More托马斯·莫尔Utopia 乌托邦3. The Elizabethan ageEdmond Spenser 埃德蒙·斯宾塞The Shepherds’s Calender 牧羊人日历The Faerie Queene 仙后Philip Sidney菲力普·锡德尼Astrophel and Stella爱星者与星星Apology for Poetrie为诗辩护The Countess of Pembroke’s Arcadia阿卡荻亚Christopher Marlowe 克里斯托弗·马洛Tamburlaine铁木耳大帝The Jew of Malta马耳他的犹太人Dr.Faustus浮士德的悲剧The Passionate Shepherd牧羊人恋歌William Shakespeare 威廉·莎士比亚1564-1616The Tempest暴风风雨;The Two Gentlemen of Veronaz维罗纳二绅士;The Mercy Wives of Windsor温莎的风流妇人;Measure for Measure恶有恶报; The Comedy of Errors错中错;Much Ado about Nothing无事自扰;Love’s Labour’s Lost空爱一场;A Midsummer Night’s Dream仲夏夜之梦;The Merchant of Venice威尼斯商人;As You Like It如愿;The Taming of the Shrew驯悍记;All’s Well That Ends Well皆大欢喜;Twelfth Night第十二夜;The Winter’s Tale冬天的故事;The Life and Death of King John/Richard the Second/Henry the Fifth/Richard the Third约翰王/理查二世/亨利五世/理查三世;The First/Second Part of King Henry the Fourth亨利四世（上、下）;The First/Second/Third Part of King Henry the Sixth亨利六世（上、中、下）;The Life of King Henry the Eighth亨利八世；Troilus and Cressida脱爱勒斯与克莱西达;The Tragedy of Coriolanus考利欧雷诺斯;TitusAndronicus泰特斯•安庄尼克斯;Romeo and Julet罗密欧与朱丽叶；Timonof Athens雅典的泰门;The Life and Death of Julius Caesar;朱利阿斯•凯撒；The Tragedy of Macbeth麦克白;The Tragedy of Hamlet哈姆雷特/王子复仇记;King Lear李尔王;Othello奥塞罗;Antony and Cleopatra安东尼与克利欧佩特拉;Cymbeline辛白林;Pericles波里克利斯;Venus and Adonis维诺斯•阿都尼斯;Lucrece露克利斯;The Sonnets十四行诗The Great Comedies: A Midsummer Night’s Dream仲夏夜之梦;The Merchant of Venice威尼斯商人;As You Like It如愿;;Twelfth Night第十二夜;The Great Tragedies:The Tragedy of Hamlet哈姆雷特/王子复仇记; Othello奥塞罗King Lear李尔王; The Tragedy of Macbeth麦克白;The Later Comedies(romances): Pericles波里克利斯; Cymbeline辛白林; The Winter’s Tale冬天的故事; The Tempest暴风风雨;Francis Bacon弗朗西斯·培根1561-1626Essays随笔集Advancement of Learning学问的演进Novum Organum新工具New Atlantic新大西洋岛Ben Jonson 本·琼森Volpone or the Fox福尔蓬奈或狐狸The alchemist炼金术士Bartholomew Fair巴托罗缪市集Every man in his humour个性互异King James詹姆斯王Bible翻译5. The 17th CenturyJohn Donne 约翰·邓恩The Flea跳骚A Valediction: Forbidden Morning离别辞：节哀Song歌Devotions 祷告John Milton 约翰•弥尔顿1608-1674Paradise Lost失乐园Paradise Regained复乐园Samson Agonistes力士参孙John Dryden 约翰·德莱顿All for Love一切为了爱An Essay of Dramatic Poesy论戏剧诗John Bunyan 约翰·班扬1628-1688The Pilgrim’s Progress天路历程Grace Abounding to the Chief of Sinners罪人受恩记The Life and Death of Mr Badman拜德先生传6. The Classic Age 古典时代Alexander Pope 亚历山大·蒲柏1688-1744An Essay on Criticism批批评The Rape of the Lock卷发遇劫记An Essay on Man人论Epistle to Dr Arbuthnot与阿布斯诺博士书The Dunciad群愚史诗Samuel Johnson 塞缪尔•约翰逊1709-1784A Dictionary of the Engligh Language英语语言辞典Lives of Poets诗人传Vanity of Human Wishes人类欲望的虚幻Rasselas拉塞勒斯名文：Letter to Lord Chesterfield给吉士菲尔伯爵的信Thomas Gray 托马斯·格雷Ode on a distant prospect of eton college伊顿远眺Hymns to adversity逆境颂Elegy墓园挽歌Oliver Goldsmith奥利弗·戈德史密斯1728-1774The Deserted village荒村She Stoops to Conquer屈身求爱The Vicar of Wakefield威克菲尔德牧师传Richard Bringsley Sheridan 理查德·布林斯利·谢里丹The School for Scsanda造谣学校The Rivals情敌7. Movement Toward Romanticism浪漫主义前期*James Thomson詹姆斯·汤姆森1700-1748The Seasons四季*Edward Young爱德华·杨格1683-1765Complaint, or night thoughts on life, death, and immortality夜思*William Cowper 威廉·柯柏1731-1800Onley hymns赞美诗集The task任务*George Crabbe乔治·克雷布1754-1832The village村庄William Blake 威廉·布莱克Songs of Innocence天真之歌Songs of Experience经验之歌Robert Burns罗伯特·彭斯A Red, Red Rose一朵火红的玫瑰8. 18th-Century FictionJonathan Swift乔纳森·斯威夫特·1667-1745The Battle of the Books书战Tale of A Tub一个木桶的故事The Irish Drapier’s Letters一个爱尔兰麻布商的书信A Modest Proposal一个小小的建议Guilliver’s Travels格列佛游记Daniel Defoe丹尼尔•迪福1660-1731Robinson Crusoe鲁宾孙飘流记Samuel Richardson 塞缪尔·理查逊1689-1751Pamela帕美拉Clarissa Harlowe克拉瑞莎The history of Sir Charles Grandison 查尔斯·格兰迪森爵士Henry Fielding 亨利•菲尔丁1707-1754Joseph Andrews约瑟夫·安德鲁斯Jonathan Wild the Great大伟人乔纳森·维尔德Tom Jones汤姆·琼斯Amelia阿米莉亚Laurence Sterne劳伦斯·斯特恩1731-1768The Life and Opinions of Tristram Shandy, Gentleman项狄传Tobias Smollett托比亚斯·斯摩莱特1721-1771The adventures of Roderick random罗德里克·兰登传The adventures of peregrine pickle帕里格林·皮克尔传The expedition of Humphrey clinker亨福利·克林克远征记9. The Romantic PeriodWilliam Wordsworth 威廉•华兹华斯1770-1850The Prelude序曲Lyrical Ballads抒情歌谣集（与柯勒律治合编）Samuel Taylor Coleridge 塞缪尔·泰勒·柯勒律治1772-1834Kubla Khan忽必烈汗The Rime of the Ancient Mariner古舟子咏Walter Scott沃尔特·司各特1771-1832Waverley威弗利Jane Austen 简•奥斯丁1775-1817Pride and Prejudice傲慢与偏见Sense and Sensibility理智与情感Emma爱玛Mansfield Park曼斯菲尔德庄园Persuasion好事多磨Northanger Abbey诺桑觉寺George Gordon Byron乔治·戈登·拜伦1788-1824Don Juan唐•璜Percy Bysshe Shelley 波西•比希•雪莱1792-1822The Cenci钦契The mask of anarchy专制者的面具Ode to the West Wind/a Skylark西风/云雀颂A Defence of Poetry诗辩Prometheus Unbound解放了的普罗米修斯John Keats 约翰·济兹1795-1821Endymion恩底弥翁Isabella伊莎贝拉The Eve of Sanit Agnes圣爱尼节前夜Ode on a Grecian Urn希腊古瓮颂Ode to a Nightingale夜莺颂To Autumn秋颂11. The Victorian PeriodThomas Carlyle托马斯·卡莱尔1795-1881Sartor Resartus: The life and opinions of Herr Teufelsdrockh再造的裁缝Past and Present过去与现在John Stuart Mill约翰·斯图亚特·米尔1806-1873Utilitarianism功利主义On Liberty论自由On Women论女性Cardinal John henry Newman 约翰·亨利·纽曼红衣主教1801-1890Apologia pro vita sue生命之歌Lead, kindly light慈光引领The idea of a university大学的理想Charles Dickens 查尔斯·狄更斯1812-1870Great Expectation远大前程Bleak House荒凉山庄The Posthumous Papers of the Pickwick Club匹克威克外传Oliver Twist奥利弗•退斯特American Notes美国札记David Copperfield大卫•科波菲尔Hard Times艰难时世A Tale of Two Cities双城记William Makepeace Thackeray 威廉·梅克皮斯·萨克雷1811-1863The Book of Snobs势利者集Vanity Fair名利场Charlotte Bronte 夏洛特·勃朗特1816-1855Jane Eyre简爱Shirley雪莉Emily Bronte艾米莉·勃朗特1818-1848Wuthering Height呼啸山庄Anne Bronte安妮·勃朗特Agones Grey艾格尼斯•格雷George Meredith 乔治·麦瑞狄斯1828-1909The ordeal of Richard feveral理查德·费弗莱尔的苦难历程The shaving of shagpat夏格派特修面The egoist利己主义者George Eliot 乔治·艾略特1819-1880The Mill on the Floss弗洛斯河上的磨坊Silas Marner织工马南A Middlemarch米德尔马契*Anthony Trollope 安东尼·特罗洛普1815-1882Samuel Butler 塞缪尔·巴特勒1835-1902Erewhon埃瑞璜Erewhon Revisited重返埃瑞璜The way of all flesh众生之路Thomas Hardy 托马斯·哈代1840-1928Under the Greenwood Tree绿茵下Far from the Madding Crowd远离尘嚣The Return of the Native还乡The Mayor of Casterbridge卡斯特桥市长Tess of the D’urbervilles德伯家的苔丝Jude the Obscure无名的裘德George Gissing乔治·吉辛1857-1903New Grub Street新格鲁勃街*George Moore乔治·莫尔1852-1933Esther waters伊斯特·沃特斯Oscar Wilder 奥斯卡·王尔德1854-1900Lady Windermere’s Fan温德米尔夫人的扇子A Woman of No Importance一个无足轻重的妇女An Ideal Husband理想丈夫The Importance of Being Earnest认真的重要性Robert Louis Stevenson 罗伯特·路易斯·史蒂文森1850-1894Treasure Island金银岛The Strange Case of Dr Jeykell and Mr. Hyde化身博士Alfred Lord Tennyson 阿尔弗雷德·丁尼生1809-1892The Pricess公主In Memoriam悼念Maud摩德Enoch Arden伊诺克•阿登Idylls of the King国王叙事诗Robert Browning罗伯特·勃朗宁1812-1889The ring and the book指环和书*Matthew Arnold马修·阿诺德1822-1888*Arthur Hugh Clough亚瑟·休·克拉夫1819-1861*Gerard Manley Hopkins吉拉德·曼莱·霍普金斯1844-1889*Edward Fitzgerald爱华德·福兹杰拉德1809-1883George Bernard Shaw 乔治·萧伯纳1856-1950Widoer’s Houses鳏夫的房产Mrs Warren’s Profession华伦夫人的职业Man and Superman人与超人Major Barbara巴巴拉少校Heartbreak House伤心之家Candida康蒂妲Caesar and Cleopatra凯撒和克莉奥佩特拉Armsand and the man武器与人20. The 1920sVirginia Woolf 沃尔芙1882-1941长篇小说：Mrs Dalloway达洛威夫人To the Lighthouse到灯塔去Orlando奥兰多传The Waves浪Flush弗乐希Between the Acts幕间散文集：The Common ReadersThe Death of the Moth and Other Essays A Room of One’s OwnThree Guineas三个基尼亚名文：Modern Fiction现代小说日记：A Writer’s DiaryJames Joyce詹姆斯·乔伊斯1882-1941Ulysess尤利西斯Finnegans Wake芬尼根的觉醒Dubiners都柏林人A Portrait of the Artist as a Young Man青年艺术家的画像D. H. Lawrence 劳伦斯1885-1930Sons and Lovers儿子与情人The Reinbow虹Women in Love恋爱中的女人Lady Chatterley’s Lover查泰莱夫人的情人William butler Yeats 叶芝1865-1939Respondibilities责任The Tower塔The Winding Stair盘旋的楼梯名诗：A Deap Sworn Vow;Easter 1916剧本：The Land of Heart’s Desire理想的国土The Hour Glass时漏Dedidre黛德尔T. S. Eliot 艾略特1888-1965诗歌：The love song of J. Alfred Prufrock J.阿尔弗雷德.普鲁弗洛克的情歌The Waste Land荒原The Hollow Men空虚的人们Ash-Wednesday圣灰星期三Four Quarters四个四重奏戏剧：Murder in the Cathedral大教堂里的谋杀案The cocktail party鸡尾酒会22. The 1930sW. H. AudenW.H.奥登1907-1973As I walked out one evening夜间漫步*Dylan Thomas 迪伦·托马斯1914-1953Fern hill 蕨山Do not gentle into that good night请别柔声的对人生道晚安*William Empson 威廉·燕卜森1906-1984Poems诗歌The gathering storm酝酿中的风暴Seven types of ambiguity朦胧的七种类型Aldous Huxley奥尔德斯·赫胥黎·1894-1963Crome yellow克鲁姆庄园Point counter point旋律与对立Brave the new world勇敢新世界George Orwell 乔治·奥威尔1903-1950Animal farm动物农场Nineteen eight-four 1984Evelyn Waugh 伊芙林·沃1903-1966Decline and fall衰落Vile bodies邪恶的躯体A handful of dust一把尘土Graham Greene 格雷厄姆·格林1904-1991The power and the glory权利与荣耀The heart of the matter物质的心The human factor人类要素Christopher Isherwood 克里斯托弗·伊舍伍德1904-1986Mr. Norris changes trains诺里斯先生换火车Goodbye to Berlin告别柏林The Berlin stories柏林故事。
《英美文学导论》课程教学大纲
《英美文学导论》课程教学大纲（2005年制订，2006年修订）课程编号：100192英文名：An Introduction to English Literature and American Literature课程类别：专业主干课前置课：英语国家概况后置课：英美文学选读学分：2学分课时：32课时主讲教师：冯建文选定教材：1、刘炳善，《英国文学简史》，河南人民出版社，1997年修订。
2、常耀信，《美国文学简史》，南开大学出版社，1996年。
课程概述：本课程为英语专业商务英语方向三年级本科生开设，安排在三年级上学期，旨在使学生比较全面地了解英、美国家的文学发展历史，以及在此发展过程中出现的重要文学流派、重要作家和他们的代表作品，提高学生对英、美文学的修养和欣赏水平。
本课程以文学发展史为经线，英国文学从中世纪开始，历经文艺复兴、启蒙运动、浪漫主义、批判现实主义，以及现代派和后现代派等重要文学历史时期；美国文学从殖民时代开始，直至当代美国文学，从历史、文化、语言等多角度、多层次详细讨论美国文学的发展轨迹。
本课程也将适当介绍一些基本的文学理论知识和文学批评方法。
教学目的：本课程旨在使学生对英美两国文学形成与发展的全貌有一个大概的了解，由英国文学和美国文学两个部分组成，主要内容包括英美文学发展史及代表作家的简要介绍。
文学史部分从英美两国历史、语言、文化发展的角度，简要介绍英美两国文学各个历史断代的主要历史背景，文学文化思潮，文学流派，社会政治、经济、文化等对文学发展的影响，主要作家的文学生涯、创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义等主要内容。
通过适量阅读代表性篇章使学生获得欣赏和分析英美文学的初步能力。
教学方法：本课程以课堂讲授为主，分为英国文学和美国文学两部分，按照文学史分期循序讲解。
以重点作家和作品为纲，关键词为提示。
配合多媒体演示材料，通过图片和音像材料加深印象。
选读一些代表性篇章，并组织课堂讨论，推荐课外阅读的英美文学名作。
专八人文知识英国文学作家作品整理详细版
名文：Letter to Lord Chesterfield给吉士非尔伯爵的信
Da nn iel Defoe丹尼尔•迪福
1660-1731
（标志着近代英国小说的形成）
Hymn to the Pillory枷刑颂;
Robinson Crusoe鲁宾孙飘流记；Captain Singleton辛格顿船长；
Novum Organum新工具;
New Atlantic新大西岛；
Essays论 文集
(Of Studies论学习;Of Wisdom for a Man' s Sei)
William Shakespeare莎 士比亚
1564-1616
The Sonn ets十 四行诗
四大悲剧
Macbeth麦克白;Hamlet哈姆雷特；
Much Ado about Nothing无事自扰；
悲喜剧
Romeo and Jule罗密欧与朱丽叶；
历史剧
HenryVI亨利六世HenryIV亨利四世
HenryV亨利五世HenryVIII亨利八世
Richard III理查三世
传奇剧
The Tempest暴风雨;The Win ter's Tale冬天的故事；Cymbeline辛白林;Pericles波里克利斯；
A Valediction：Forbidding Mourning分别：莫忧伤
John Dryden德莱顿
1631-1700
Father of En glish criticism
An Essay of Dramatic Poesy论戏剧诗歌
All for Love一切为了爱情
Alexa nde's Feast亚历山大的宴会
常耀信《美国文学简史》（第3版）【章节题库（含名校考研真题）】（第2章爱德华兹
常耀信《美国⽂学简史》（第3版）【章节题库（含名校考研真题）】（第2章爱德华兹第2章爱德华兹?富兰克林?克⾥夫古尔I.Fill in the blanks.1.In his_____Benjamin Franklin creates the image of a boy’s rise from_____to riches and demonstrates his belief that the new world of America was a land of opportunities which might be met through hard work and wise management.（天津外国语学院2008研）【答案】Autobiography,poor【解析】富兰克林在《⾃传》中讲述了其⽩⼿起家、⾃⼒更⽣的故事，平凡却⽣动的讲述表明他坚信通过努⼒就能实现美国梦。
2.If we say Jonathan Edwards represents the upper levels of the American mind, _____represents the lower levels.【答案】Benjamin Franklin【解析】美国⽂学评论家范·威克·布鲁克斯（Van Wyck Brooks）在《美国的成年》(America’s Coming Age)中指出乔纳森·爱德华兹和本杰明·富兰克林是美国18世纪的两位重要的哲学家，他们是不同层次思想的代表。
3.Before his death,_____had gained a position as America’s first systematic philosopher.【答案】Jonathan Edwards【解析】乔纳森·爱德华兹（1703-1758）是美国“⼤觉醒”（the“Great Awakening”）的领军⼈物，他⽣前赢得了“美国第⼀位系统的哲学家”称号。
094英美文学参考文献
1.《英国文学教程》，张伯香主编，武汉大学出版社，19972.《英国文学简史》，常耀信著，南开大学出版社，2006年印刷3.《漫话英美文学》，常耀信著，南开大学出版社，2004年版4.《英美文学选读》，桂扬清，吴翔林，中国对外翻译出版公司，1985年版5.《英美文学散文论》，朱虹著，生活、读书、新知三联书店出版，1984年版6.《英美文学工具书指南》，钱青著，上海译文出版社，1994年版7.《英美文学赏析教程》，罗选民主编，清华大学出版社，2002年版8.《英美文学欣赏》，刁克利主编，中国人民大学出版社，20039.《英美文学选读》，张伯香、马建君主编，外语教学与研究出版社，199910.《英美文学与艺术中的古典神话》，盖雷，上海人民出版社，200511.《英美文学名著赏析》，刘存波，华南理工大学出版社，200512.《英美文学赏析教程小说与戏剧》，罗选民，清华大学出版社，200613.《英美文学佳作赏析》，王群，华中科技大学出版社，200614.《英国文学史》，王佐良著，商务印书馆，199615.《英国文学名片选注》，王佐良等主编，商务印书馆，198316.《英国散文的流变》，王佐良著，商务印书馆，199417.《美国短篇小说选》，欧文等著，商务印书馆，198218.《英国诗史》，王佐良著，译林出版社，199719.《外国文学》，王佐良著，北京外国语学院该刊编辑部，198020.《英国文艺复兴时期文学史》，王佐良，何其莘，外语教学与研究出版社，199621.《美国文学简史》，常耀信著，南开大学出版社，199022.《美国文学选读》，常耀信著，南开大学出版社，198723.《美国文学史》，常耀信著，南开大学出版社，199824.《英国文学简史》，刘炳善编著，上海外语教育出版社，198125.《英国文学简史》，刘炳善，河南人民出版社，200626.《美国文学选读》（1-2），杨岂深，龙文佩，上海译文出版社，198727.《英国文学选读》（1-3），杨岂深，孙铢主编，上海译文出版社，198128.《外国文学名著欣赏》，杨岂深主编，黑龙江人民出版社，198229.《大学英国文学史》，宋文林，商务印书馆，199630.《英国文学史》（1-4），陈嘉著，商务印书馆，198631.《英国文学作品选读》（全三册），陈嘉著，商务印书馆，198332.《美国文学名著精选》（上、下），钱青主编，商务印书馆，199433.《英美文学工具书指南》，钱青主编，上海译文出版社，199434.《英国文学教程学习指南》，张伯香，武汉大学出版社，2006。
英国文学史常耀信重点知识
A Survey of British LiteratureI. Early and Medieval Literature (Unit 2)1. three conquests2. the medieval period: 476 A. D—the 15th century3. Anglo-Saxon Period (449-1066):--oral traditions;--“Beowulf”: the national epic--Caedmon: the first known English religious poet4. Anglo-Norman Period (1066-15th century):--Popularity of romancens;--Chaucer: the father of English poetry;--Ballads developed;5. “Beowulf”--longest; an epic; features (Pagan and Christian coloring; kenning; metaphor)6. Romance--Definition: It is a narrative verse of prose singing knightly adventures or other heroic deeds. Romances are popular in the medieval period.--“Sir Gawain and the Green Knight”7. Geoffrey Chaucer--the father of English literature/poetry;--The Canterbury Tales: a double fiction; the Wife of Bath‟s prologue; The Wife of Bath‟s Tale; heroic couplet)8. Ballad:--Definition:A story told in song, usually in four line stanzas, with the 2nd and the 4th lines rhymed.--Robin Hood Ballads.9. Appreciation:--from “Beowulf”--from “The Canterbury Tales”II. The Renaissance (Unit 3, Unit 4, Unit 5,Unit 6)1.three discoveries2.Renaissance--a thristing curiosity for classical literature;--a keen interest in life and human activities.3.Humanism--individualism; the joy of the present life; reason; the affirmation of self-worth--Humanism emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.4.Sonnet:--Definition: It is a poem of 14 lines that follows a strict rhyme scheme and specific structure; it expresses a single idea or theme. (Thomas Wyatt first introduced it to England)5.Shakespearean sonnet:--Definition: A Shakespearean sonnet consists of three four-line stanzas (called quatrains) and a final couplet composed in iambic pentameterwith the rhyme scheme abab cdcd efef gg.6.Blank verse: having a regular meter, but no rhyme. (Henry Howard, Earl of Surrey)7.Spenserian stanza:--Definition: Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'Alexandrine' line in iambic hexameter. The rhyme scheme of these lines is "ababbcbcc."8.Appreciation:--Edmund Spenser and “The Faerie Queene”(written in blank verse)--Thomas More and “Utopia”--Christopher Marlowe‟s Dr. Faustus (Appreication); Tamburlaine;The Jew of Malta;The Passionate Shepherd to His Love;--Sonnet 18by Shakespeare (“Shall I Compare Thee to a Summer‟s Day”): time, mortality, immortality9.The first English essayist: Francis Bacon (“Of Studies”)10.Elizabethan theatre—the golden age of English drama;11.Shakespearean comedies: As You Like It; The Merchant of Venice; A MidsummerNight‘s Dream; Much Ado About Nothing; Twelfth Night12.Shakespearean tragedies: Macbeth; King Lear; Hamlet; Othello13.Shakespearean comedies:--Features: clowns, servants, jesters, fools; dramatic irony; mistaken identity, cross-dressing;--Patterns: The Green World Pattern (Sample: A Mid-summer Night’s Dream)19. Shakespearean tragedies:--Features: characters; structure; soliloquy; traveling; the role of fate/chance20. Appreciation:--“To be, or not to be” (from Hamlet) (Hamlet‟s dilemma)--“Tommorrow, tomorrow,…”(from Macbeth) (Mabeth is tired of the world; bored with life; metaphors:)III. The Period of Revolution and Restoration (the 17th century) (Unit 7)1.17th: the beginning of modern England;2.Cavalier poets:--Reflected the royalist values;--Themes: beauty, love, loyalty, morality;--Style: Direct, short, frankly erotic--Motto:“Carpe Diem”“Seize the Day”--Robert Herrick, Ben Johnson, Rochard Lovelace, etc;--Appreciation: “To the Virgins, to Make Much of Time” (Herrick; “to seize the day”)3.Metaphysical school:--the founder of the Metaphysical school: John Donne--conceit: an extended metahpor involving dramatic contrasts or far-fetched comparisons;--John Donne‟s love poems: “The Flea”;“Valediction: Forbidden Mourning”(Appreciation)--Andrew Marvell: “To His Coy Mistress”4.Puritan writers:--John Bunyanh: “The Pilgrim‟s Progress” (a religious allegory)--John Milton: “Paradise Lost” (based on The Old Testament) (…Paradise Regained”;“Samson Agonistes”) (Appreciation)IV. The 18th Century Literature—The Age of Enlightenment (Unit 8 and Unit 9)1.18th century: the golden age of English novels2.Enlightenment--an intellectual movement in Europe in the 18th century;--Reason as the guiding principle for thinking and action;--the belief in eternal truth, eternal justice, natural equality ;--a continuation of Renaissance;(Belief in the possibility of human perfection through education).3.Neo-classicism:--A revival of classical standards of order, harmony, balance, simplicity and restrained emotion in literature in the 18th century.--Alexander Pope4.“Essay on Criticism” by Alexander Pope--a manifesto of neoclassicism;--Appreciation: “A Little Learning is a Dangerous Thing…”(learning as mountain climbing; inadequate learning may impair a balanced apprecation of a poem).5.Realistic novels:--Jonathan Swift; Gulliver’s Travels; A Modest Proposal; A Tale of a Tub; The Battle of the Books;--Daniel Defoe: Robinson Crusoe;(Appreciation)--Henry Fielding: Tom Jones; Joseph Andrews; Jonathan Wilde the Great;6. Sentimentalism--the middle and later decades of the 18th c.;--definition: passion over reason, personal instincts over social duties; the return of the patriarchal times; lamenting over the destructive effects of industrialization--Oliver Goldsmith, Thomas Gray, etc.7. The Graveyard School--subjects, style;--Thomas Gray‟s “Elegy written in a country churchyard”: structure; theme; (Appreciation)8. Pre-romanticism:--the latter half ot the 18th century;--Robert Burns: “Auld Lyne Syne”; “A Red, Red Rose”--William Blake: “Songs of Innocence” “Songs of Experience”; “The Lamb”, “The Tyger”;9. Richard Bringsley Sheridan: The School for Scandal; The Rivals;10. Oliver Goldsmith: The Vicar of Wakefield; She Stoops to ConquerV. The Romantic Period (1789-1832) (Unit 10 , Unit 11 and Unit 12)1.The Romantic period: an age of poetry2.Romanticism:--Manifesto of British Romanticism: Lyrical Ballads: co-published by Wordsworth and Coleridge--Features: individual as the center of all life and experience; from the outer world to the inner world; Passion; imagination ; Nature; pastoral; past ; Individual freedom;simple and spontaneous expression; symbolic presentations; fantastic elements;3.English Romantic Poets--Lake Poets: Wordsworth, Coleridge, Southey--The Satanic Poets: Byron; Shelley; Keats--Lyrical Ballads: the manifesto of the English Movement;4.William Wordsworth--“a worshipper of nature”;--nature and country poems: “I Wanderered Lonely as a Cloud”; “The World is Too Much with us”; “Tintern Abbey”; “To a Butterfly” “The Solitary Reaper”; “Lucy Poems”;--theories on poetry; “Poetry is a spontaneous overflow of powerful feelings; it takes its orgin from emotion recollected in tranquility.”--W ordsworth‟s view of nature: critique of materialism; a source of mental cleanliness;the guardian of the heart; the beneficial influence of nature;--Appreciation: “I Wanderered Lonely as a Cloud”; “Tintern Abbey”;5.Samuel Taylor Coleridge:“The Rime of the Ancient Mariner”6. George Gordon Byron:--Byronic Hero: an idealised but flawed anti-hero created by Byron; love of freedom, hatred of tyranny, passionate, rebellious, chivalrous, arrogant, cynical, individualistic, isolated, single-handedly, melancholy--major poems by Byron: “Childe Harold‟s Pilgrimage” (Byronic Hero); “Don Juan”;“She Walks in Beauty”; “The Isles of Greece” (Appreciation)7. Percy Bysshe Shelley:--Plato‟s influence; pantheism--“Prometheus Unbound”; “Ode to the West Wind”“Prometheus Unbound”; “Ode toa Skylark”; “Queen Mab”; “A Defense of Poetry”;-- Appreciation : “Ode to the West Wind”: themes of death and rebirth; destruction and regeneration;8. John Keats-- “Ode on a Grecian Urn”; “Ode to a Nightingale”; “Ode to Autumn”; “Endymion”; “Isabella”--Appreciation: “Ode on a Greican Urn”: the powers and limitations of artVI The Victorian Literature (1832-1901) (Unit 13 and Unit 14)1. Authors and Works--William Makepeace Thackray: Vanity Fair--George Eliot: The Mill on the Floss; Silas Marner; Middlemarch; Adam Bede--Jane Austen: Pride and Prejudice: Emma; Sense and Sensibility; Mansfield Park--Thomas Hardy: Far from the Madding Crowd; Tess of the D’Urbervilles; Jude the Obscure; The Return of the Native; The Mayor of Casterbridge--Charlotte Bronte:Jane Eyre; Shirley;--Emily Bronte: Wuthering Heights--Oscar Wilde: The Importance of Being Earnest; A Woman of No Importance--Walter Scott: Ivanhoe;1.Bronte Sisters and the Female Gothic Tradition:--Female Gothic refers to the tradition of Gothic writing by women . . . that represents the female experience within domesticity as one of imprisonment, claustrophobia and terror.2.Appreciation:--Jane Eyre by Charolotte Bronte;--Wuthering Heights by Emily Bronte;3.Naturalism--Definition:Heredity and social environment as the sha ping forces of one‟s character;to determine "scientifically" the underlying forces influencing the actions of the characters. pessimism; fatalism; detached perspective;--Appreciation: “Tess of D‟Urbervilles” by Thomas Hardy4.Aestheticism--Oscar Wilde4. Charles Dickens:--Oliver Twist; David Copperfield; A Tale of Two Cities; Hard Times; Great Expectations; The Pickwick Papers; Little Dorrit5. Poets--Alfred Tennyson: “Break, Break, Break”--Robert Browning: “My Last Duchess” (dramatic monologue)--Mathew Arnold: “Dover Beach” (Appreciation)6.Thomas Hardy--“Shakespeare of the English novel.”--novels of character and environment: Far from the Madding Crowd; Tess of the D’Urbervilles; Jude the Obscure--fatalism;--naturalistic tendencies;7. George Bernard Shaw--the greatest Irish dramatist in the 20th c.--a member of the Fabian society; reformist ideas--Plays: Mrs. Warren’s Profession; Major Barbara8. John Galsworthy--The Forsyte Saga: The Man of Property, In Chancery, and To Let.--Analysis: The Man of PropertyVII. The Modern Period (Unit 15)1. Modernism:--theorectical basis;--innovative forms;--thematic concerns;3. Steam of consciousness novel:--Bergson‟s theory of ps ychological time;--Definition:The style of writing that attempts to imitate the natural flow of a character‟s thoughts, feelings, reflections, memories, and mental images as the character experiences them.--Virginia Woolf and James Joyce4. Virginia Woolf--“Modern Fiction” (attacked the traditional way of novel-writing)--Mrs. Dalloway; To the Lighthouse; The Waves--Mrs. Dalloway: appreciation5. James Joyce--an Irish writer;--Dubliners, A Portrait of the Artist as a Young Man, Ulysses--Ulysses (Theme, techniques)6. Psychological Fiction--Freudian‟s theories;--D. H. Lawrence: Sons and Lovers; The Rainbow; Women in Love; Lady Chatterley’s Lover--Sons and Lovers: appreciation7. Other important writers:--E. M. Forster: A Passage to India; A Room with a View; Where Angels Fear to Tread;Howards End;--William Golding: Lord of the Flies;--Joseph Conrad: Heart of Darkness; Lord Jim;VIII. Postwar Literature (Unit 16)1.Existentialism--“Existence precedes essence”--Theme;2. Theatre of the Absurd--Samuel Beckett: Nobel prize--Harold Pinter: Nobel Prize--Definition--Waiting for Godot (Beckett):3. Angry Young Man:--mid-1950s;--John Osborne: Look Back in Anger4. Metafiction:--definition:--John Fowles: The French L ieutenant’s Woman5. Symbolism:--definiton;--T. S. Eliot: “The Waste Land” (spiritiual empitness and emotional impoverishment) --William Butler Yeats: “Sailing to Byzantium”;（Appreciation）“The Second Coming”; “Leda and the Swan”;。
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鸡尾酒会
.
..
.奥登
夜间漫步
*
迪伦·托马斯
蕨山
请别柔声的对人生道晚安
*
威廉·燕卜森
诗歌
酝酿中的风暴
朦胧的七种类型
奥尔德斯·赫胥黎·
克鲁姆庄园
旋律与对立
勇敢新世界
乔治·奥威尔
动物农场
伊芙林·沃
衰落
邪恶的躯体
一把尘土
格雷厄姆·格林
权利与荣耀
物质的心
人类要素
克里斯托弗·伊舍伍德
.诺里斯先生换火车
:’仲夏夜之梦威尼斯商人如愿第十二夜;
:哈姆雷特王子复仇记;奥塞罗李尔王;麦克白;
():波里克利斯;辛白林;’冬天的故事;暴风风雨;
弗朗西斯·培根
随笔集
学问的演进
新工具
新大西洋岛
本·琼森
福尔蓬奈或狐狸
炼金术士
巴托罗缪市集
个性互异
詹姆斯王
翻译
.
约翰·邓恩
跳骚
:离别辞：节哀
歌
祷告
约翰•弥尔顿
失乐园
复乐园
威弗利
简•奥斯丁
傲慢与偏见
理智与情感
爱玛
曼斯菲尔德庄园
好事多磨
诺桑觉寺
乔治·戈登·拜伦
唐•璜
波西•比希•雪莱
钦契
专制者的面具
西风云雀颂
诗辩
解放了的普罗米修斯
约翰·济兹
恩底弥翁
伊莎贝拉
圣爱尼节前夜
希腊古瓮颂
夜莺颂
秋颂
.
托马斯·卡莱尔
:再造的裁缝
过去与现在
约翰·斯图亚特·米尔
功利主义
论自由
论女性
约翰·亨利·纽曼红衣主教
浪
弗乐希
幕间
散文集：
’
三个基尼亚
名文：现代小说
日记：’
詹姆斯·乔伊斯
尤利西斯
芬尼根的觉醒
都柏林人
青年艺术家的画像
..
劳伦斯
儿子与情人
虹
恋爱中的女人
’查泰莱夫人的情人
叶芝
责任
塔
盘旋的楼梯
名诗：
剧本：’理想的国土
时漏黛德尔
..
艾略特
诗歌：. .阿尔弗雷德.普鲁弗洛克的情歌
荒原
空虚的人们
圣灰星期三
四个四重奏
弗洛斯河上的磨坊
织工马南
米德尔马契
*
安东尼·特罗洛普
塞缪尔·巴特勒
埃瑞璜
重返埃瑞璜
众生之路
托马斯·哈代
绿茵下
远离尘嚣
还乡
卡斯特桥市长
’德伯家的苔丝
无名的裘德
乔治·吉辛
新格鲁勃街
*
乔治·莫尔
伊斯特·沃特斯
奥斯卡·王尔德
’温德米尔夫人的扇子
一个无足轻重的妇女
理想丈夫
认真的重要性
罗伯特·路易斯·史蒂文森
金银岛
力士参孙
约翰·德莱顿
一切为了爱
论戏剧诗
约翰·班扬
’天路历程
罪人受恩记
拜德先生传
.古典时代
亚历山大·蒲柏
批批评
卷发遇劫记
人论
与阿布斯诺博士书
群愚史诗
塞缪尔•约翰逊
英语语言辞典
诗人传
人类欲望的虚幻
拉塞勒斯
名文：给吉士菲尔伯爵的信
托马斯·格雷
伊顿远眺
逆境颂
墓园挽歌
奥利弗·戈德史密斯
荒村
屈身求爱
威克菲尔德牧师传
理查德·布林斯利·谢里丹
造谣学校
情敌
.浪漫主义前期
*
詹姆斯·汤姆森
四季
*
爱德华·杨格
, , ,夜思
*
威廉·柯柏
赞美诗集
任务
*
乔治·克雷布
村庄
威廉·布莱克
天真之歌
经验之歌
罗伯特·彭斯
,一朵火红的玫瑰
.
乔纳森·斯威夫特·
书战
一个木桶的故事
’一个爱尔兰麻布商的书信
一个小小的建议
’格列佛游记
丹尼尔•迪福
鲁宾孙飘流记
生命之歌
,慈光引领
大学的理想
查尔斯·狄更斯
远大前程
荒凉山庄
匹克威克外传
奥利弗•退斯特
美国札记
大卫•科波菲尔
艰难时世
双城记
威廉·梅克皮斯·萨克雷
势利者集
名利场
夏洛特·勃朗特
简爱
雪莉
艾米莉·勃朗特
呼啸山庄
安妮·勃朗特
艾格尼斯•格雷
乔治·麦瑞狄斯
理查德·费弗莱尔的苦难历程
夏格派特修面
利己主义者
乔治·艾略特
塞缪尔·理查逊
帕美拉
克拉瑞莎
查尔斯·格兰迪森爵士
亨利•菲尔丁
约瑟夫·安德鲁斯
大伟人乔纳森·维尔德
汤姆·琼斯
阿米莉亚
劳伦斯·斯特恩
,项狄传
托比亚斯·斯摩莱特
罗德里克·兰登传
帕里格林·皮克尔传
亨福利·克林克远征记
.
威廉•华兹华斯
序曲
抒情歌谣集（与柯勒律治合编）
塞缪尔·泰勒·柯勒律治
忽必烈汗
古舟子咏
沃尔特·司各特
告别柏林
柏林故事
.化身博士
阿尔弗雷德·丁尼生
公主
悼念
摩德
伊诺克•阿登
国王叙事诗
罗伯特·勃朗宁
指环和书
*
马修·阿诺德
*
亚瑟·休·克拉夫
*
吉拉德·曼莱·霍普金斯
*
爱华德·福兹杰拉德
乔治·萧伯纳
’鳏夫的房产
’华伦夫人的职业
人与超人
巴巴拉少校
伤心之家
康蒂妲
凯撒和克莉奥佩特拉
武器与人
.
沃尔芙
长篇小说：达洛威夫人
到灯塔去
奥兰多传
英国文学简史作家作品
.
贝奥武甫
.
杰佛雷•乔叟
坎特伯雷故事集
公爵夫人颂
声誉之宫
百鸟会议
特罗勒斯与克莱西
托马斯·莫尔
乌托邦
.
埃德蒙·斯宾塞
’牧羊人日历
仙后
菲力普·锡德尼
爱星者与星星
为诗辩护
’阿卡荻亚
克里斯托弗·马洛
铁木耳大帝
马耳他的犹太人
浮士德的雨维罗纳二绅士温莎的风流妇人恶有恶报错中错无事自扰’’空爱一场’仲夏夜之梦威尼斯商人如愿驯悍记’皆大欢喜第十二夜’冬天的故事约翰王理查二世亨利五世理查三世亨利四世（上、下）亨利六世（上、中、下）亨利八世；脱爱勒斯与克莱西达考利欧雷诺斯泰特斯•安庄尼克斯罗密欧与朱丽叶；雅典的泰门;朱利阿斯•凯撒；麦克白哈姆雷特王子复仇记李尔王奥塞罗安东尼与克利欧佩特拉辛白林波里克利斯维诺斯•阿都尼斯露克利斯十四行诗