三星堆面具小报
八年级美术下册《三星堆青铜面具》教案、教学设计
二、教学内容
1.导入：以图片、视频等形式展示三星堆青铜面具，引导学生关注其独特的外形和神秘的气息，激发学生的学习兴趣。
2.讲解：介绍三星堆文化的起源、特点，重点讲解青铜面具的造型特点、艺术风格及其历史文化意义。
（二）过程与方法
1.过程目标：通过欣赏、分析、讨论和实践等环节，使学生感受三星堆青铜面具的艺术魅力，了解其创作背景和制作工艺。
2.方法目标：采用讲授、示范、讨论、实践等教学方法，引导学生主动参与课堂，培养学生的自主学习能力和合作精神。
（三）情感态度与价值观
1.情感目标：激发学生对三星堆文化的兴趣，培养他们对我国传统文化的热爱；增强学生的民族自豪感和文化自信。
4.学习方法：学生已经具备一定的自主学习能力，但在合作学习、讨论交流方面还需加强引导和培养。
5.情感态度：学生对我国传统文化有一定的热爱，但可能对艺术作品背后的历史文化价值认识不足。
针对以上学情分析，本节课的教学应注重激发学生的学习兴趣，拓展他们的知识视野，提高技能水平，培养合作精神和民族自豪感。同时，教师应关注学生的个体差异，因材施教，使每个学生都能在课堂上得到充分的发展。
5.合作学习，培养团队精神：鼓励学生进行小组讨论和实践，培养合作意识和团队精神。
6.融入历史文化教育，提升价值观：结合三星堆青铜面具的历史文化背景，引导学生认识艺术与历史、文化的紧密联系，提升他们的价值观。
7.创设展示平台，促进交流：为学生提供展示自己作品的机会，鼓励他们互相评价、交流，提高创作能力。
b.教师点评学生作品，指出优点和不足。
手抄报社团活动计划
手抄报社团活动计划哎呀，说起手抄报社团的活动计划，咱们可得整得巴巴适适的，让每一个细节都透出咱们四川人的热情和才情来！首先啊，咱们得定个主题，不能随随便便。
比如说，这个学期咱们就围绕“巴蜀文化探秘”来搞，为啥子呢？因为咱们四川，那历史底蕴深得像井里的水，凉丝丝的又甘甜。
咱们可以通过手抄报，把三星堆的神秘、都江堰的智慧、还有川剧的变脸艺术，一股脑儿地展现出来。
让每个同学都在做手抄报的过程中，就像是亲手揭开了一页页历史的纱帘，那种感觉，巴适得板！接下来，活动形式上咱们也得搞点新意。
别老是闷头一个人画啊写啊，咱们来个“创意接力赛”。
每周选一个晚上，大家围坐一圈，轮流在手抄报上添上一笔，可以是画画，可以是写小诗，还可以是贴个有趣的小贴纸。
这样一来，每张手抄报都是大家共同的结晶，那种团队合作的乐趣，简直不摆了！而且，每个人的创意都能得到展现，说不定还能激发出意想不到的好点子呢。
还有啊，咱们不能光顾着做，还得展示和分享。
每月搞一次“手抄报展览会”，就在学校的走廊上，挂满咱们的作品。
邀请全校的师生来参观，投个票，选出个“最佳创意奖”、“最美色彩奖”之类的。
到时候，看着那些赞叹的眼神，听着夸奖的话语，心里头那个美呀，简直比吃了火锅还安逸！最后，别忘了总结和提高。
每次活动结束后，咱们来个小聚会，聊聊这次活动的亮点和不足，互相学习学习。
说不定还能从别的同学的作品里，找到下次活动的灵感呢。
咱们这个手抄报社团，就是要让大家在快乐中学习，在学习中成长，让这份对家乡的热爱，通过我们的手，传递到每个人的心间。
咋样，我这个计划够不够味？要是大家有啥子更好的点子，千万别藏着掖着，咱们一起整，整出个四川味道的手抄报社团来！。
点评小朋友三星堆图画的评语
点评小朋友三星堆图画的评语
课后点评
在今天的美术课程中，我们通过观察三星堆面具的特征与特点，用超轻粘土展开创作，制作了一幅躺在土壤中的三星堆青铜面具的画作，锻炼了小朋友们的动手能力和创作能力，以及对于创作材料多元化的认知，从中感受材料和质感之美，培养了小朋友们对于我们古老中华文化的兴趣。
在创作中，小朋友们运用超轻粘土准确地概括出了三星堆面具的特征，每一个小朋友制作的面具都各不相同，各有特点，画面中的面具造型神秘而富有张力；在色彩的表现上，干擦体现的色彩丰富细腻，体现出了青铜面具色复古、厚重的金属质感。
整幅作品形式新颖，美观大方，神秘感十足的同时不乏童趣。
18.三星堆青铜面具(四川)
看到这些材料，你会联想到什么？ 你曾经用这样的材料制作过美术作品吗？
胶版
刻刀
剪刀
油墨滚筒
纸板各种刻刀Fra bibliotek各色油墨
印刷纸
版画的特点：
1 、间接性 它不是直接画出来，而是以板为媒介，画家运用刀 和笔 以及其它工具，在不同材料的板面上进行刻画，通过印刷而创作出的 图画。
2、复数性 版画作品精炼、独物，易于保存和收藏、传播，可复印多 份原作，深受人们喜爱。
3、独特性 版画创作极为重视工具和材料的处理，不同板材、技法的 处理，创作出的版画风格也各有不同。
版画的发展：
以刀或化学药品等在木、石、铜等版面上雕刻或蚀刻后印刷出来的图画。 现存我国最早的版画，是作于公元868年的《金刚经》木刻卷首画《祗 树给孤独园》。
版画的分类
根据材料分：胶版画，木版画，纸版画，铜版画，丝网版画等 根据色彩分：单色版画，套色版画 按制作方法：、凸版 、凹版、平版、孔版和综合版等
你能看出些列作品是哪些材质的吗？其中哪些是单色版画？
单色版画欣赏
单色版画欣赏
彩色版画欣赏
试为这 着什幅 给么画 画？的 起构 个思
名和 字造 ？型
你 喜 欢
吗
版画制作步骤
画草图
制版
印刷
作业：利用所带材料制作一幅版画
要求：1、构思独特，有创意
2、造型夸张、大胆，有趣味 3、充分运用点、线、面
关于三星堆的优美句子
关于三星堆的优美句子
三星堆位于四川省广汉市境内，是中国古代文明的重要遗址之一。
它是在20世纪20年代发现的，被认为是古蜀文明的中心。
以下是关于三星堆的优美句子。
1. 三星堆是中国古代文明的瑰宝，展现出古蜀文明的独特魅力。
2. 三星堆遗址的发现和研究，为我们了解古蜀文明提供了宝贵的资料。
3. 三星堆遗址中出土的青铜器、玉器等文物，展示了古蜀人的高超工艺水平。
4. 三星堆遗址的发掘让我们能够窥见古蜀人的宗教信仰和社会结构。
5. 三星堆遗址中的祭祀坛和宫殿遗址，彰显了古蜀人的宏伟建筑技艺。
6. 三星堆遗址中出土的青铜面具，令人惊叹古蜀人的艺术创造力。
7. 三星堆遗址的石雕艺术，展现了古蜀人对生活的热爱和追求。
8. 三星堆遗址的金箔，彰显了古蜀人对美的追求和对神圣的崇敬。
9. 三星堆遗址中的玉璋和玉璧，见证了古蜀人对玉的珍视和崇拜。
10. 三星堆遗址的发现，使中国古代文明的历史更加完整和丰富。
总结：三星堆遗址作为中国古代文明的重要遗址之一，通过青铜器、玉器、石雕等文物的发现，展示了古蜀文明的高超工艺水平和丰富的神话传说。
这些发现为我们了解古蜀人的宗教信仰、社会结构和艺术创造力提供了宝贵的资料。
三星堆遗址的研究不仅丰富了中国
古代文明的历史，也对世界文明的发展有着重要的意义。
与三星堆相关的历史故事
与三星堆相关的历史故事三星堆位于四川省广汉市三星堆镇附近，是中国新石器时代的遗址，被认为是迄今为止世界上最重要的古代文化遗址之一。
三星堆以其独特的青铜文明和神秘的青铜人脸具而闻名于世。
在这里，人们发现了许多有关古代文化和社会的重要线索，这些线索为我们提供了了解古代中国的机会。
关于三星堆的历史故事有很多，下面是其中一些值得一提的故事。
故事一：发现青铜人脸具的传奇1976年，在一个名叫任希道的农民的田地中，一块神秘的青铜面具被无意中发现。
这块面具十分精致，由青铜制成，上面镶嵌有金、银、石等其他贵重材料。
面具更神秘的是，它的眼睛、鼻子和耳朵都没有实际孔洞，看起来像是一个人的脸，但又不是一个真正的面具。
这引起了考古学家们的极大兴趣。
在接下来的几十年里，考古学家们陆续在三星堆遗址中发现了许多类似的面具。
这些面具都被认为是一种神秘的象征物品，与古代的宗教信仰和祭祀仪式有关。
这些面具一部分是用来进行祭祀的，另一部分可能是用来装饰古代的统治者或高级官员的。
故事二：青铜文明的繁荣时期三星堆遗址不仅仅是青铜人脸具的发现地，还是一个富含青铜器的宝库。
考古学家们在遗址中发现了大量的青铜器，包括器皿、工具、武器等。
这些青铜器的制作工艺非常精湛，技术含量高，显示出当时人们的高度文明水平。
青铜器在古代中国具有重要的象征意义，视为统治者权力和财富的象征。
三星堆遗址的青铜器数量之多、质量之高，说明当时这个地区的统治者非常富有和强大。
青铜文明的繁荣时期在三星堆得到了充分的体现。
故事三：古代宗教信仰与神秘的石碑在三星堆遗址中，考古学家们还发现了一批由巨大石头雕刻而成的石碑。
这些石碑上刻画着各种神秘的图案和符号，被认为与古代的宗教信仰有关。
其中最引人注目的是一块被称为“神树”的石碑，高达5米，上面刻画着人、神、动物和神秘的符号。
这块石碑被认为是古代人们对神灵崇拜的表达，也是他们对自然界的敬畏。
故事四：日趋式微的古城尽管三星堆在新石器时代和青铜时代非常繁荣，但在后来的历史中，这个古城逐渐式微。
古老的傩戏与傩戏面具
古⽼的傩戏与傩戏⾯具三星堆古遗址出⼟的青铜⾯具原始时代，⼈们把疾病死亡等各种可怕的事情都归结为“⿁”或“怪”在作祟。
为惊吓、驱逐恶魔，⼈们戴起相貌凶恶的⾯具，⼝中⾼呼“傩傩”（nuó）之声，以惊吓驱逐⿁怪，这种形式约定俗成“傩仪”。
⼈们在举⾏傩仪时往往载歌载舞，久之⼜形成“傩舞”；⼈们在傩舞中分别扮演⾓⾊，逐渐形成了“傩戏”。
从出⼟陶、⽯器⽂物的图案可以推断，早在新⽯器时期傩舞就已出现。
从四川⼴汉三星堆古遗址出⼟的约有3000多年历史的⼤量青铜⾯具看，可能是傩舞仪式结束后，堆放在⼀起将之焚⾹掩埋。
春秋时期，就有孔⼦观傩的记载。
《唐写经》（在敦煌发现唐⼈所书）第⼀次写到钟馗率⼗万傩众搜捉丛林浮⿁野神。
《新唐书》也有宫廷傩的仪式记载。
傩是古代驱疫降福、祈福禳灾的祭礼仪式。
巫傩歌舞加⼊杂技、巫术等内容，扮演因素、表演因素逐步增多，并借鉴地⽅戏剧种的⼀些元素，甚⾄出现了傩、戏杂陈的局⾯。
到了清代同治、光绪年间，傩戏已脱离傩坛，登上了戏台，经常演出。
傩戏的演出形式很特别。
表演时⼤多戴⾯具。
早期的傩戏⾓⾊，是借⾯具来区分⾓⾊⾏当。
⾯具⼜称脸⼦或脸壳⼦，多为⽊质，造型不同的⾯具能直观地表现出⾓⾊性格。
傩戏的⾯具来源甚古，可以追溯⾄远古先民的纹⾯，是纹⾯的再度夸张，既突出了狞戾与异状变形后的神秘感，增加对⿁怪的威慑⼒，⼜增强了视觉美感。
其次，傩戏的演出分三个阶段：开坛、开洞、闭坛。
开坛和闭坛是迎神送神的法事，打开洞门后就演出傩戏剧⽬。
清末傩戏班⼦，⼀般在愿主家的堂屋演出，背⾯祭着神像，三⾯向观众，时空虚拟。
傩戏班⼦⾥的演员也兼法事主持，并兼“判卦”“绘符”“念咒”等法事。
傩戏在贵州、四川、湖南、湖北、⼴西、云南等地的汉、苗、侗、⼟家、布依等少数民族中都有流⾏，是流⾏地域较⼴、涉及民族众多的地⽅戏曲剧种之⼀。
傩戏演出的全过程演员都要佩戴⾯具。
⾯具的原料多为杨⽊和柳⽊，杨⽊质轻⼜不易开裂，⽽柳⽊民间认为可以辟邪。
呼和浩特博物馆三星堆的观后感
呼和浩特博物馆三星堆的观后感宝子们！我去呼和浩特博物馆看三星堆展啦，那可真是一场超酷的“穿越之旅”。
刚走进那个展厅，就感觉像被一股神秘的力量吸进了另一个时空。
那些三星堆的文物啊，就像一群来自远古的神秘嘉宾，每一件都在无声地诉说着古老而又神奇的故事。
首先映入眼帘的就是那些造型奇特的青铜面具。
哇塞，那些面具的眼睛大得像铜铃一样，直勾勾地看着你，仿佛能看穿你的灵魂。
我站在那，就感觉它们在跟我说：“小崽子，欢迎来到我们的世界。
”那夸张的五官，奇特的造型，让我在想，三星堆的先民们到底有着怎样天马行空的想象力呢？是他们看到了啥神秘的东西才创造出这样的面具呢？难道是外星人？哈哈，这想法有点荒诞，但看着那些面具，真的会忍不住这么想。
再看看那些青铜立人像，那高高瘦瘦的身材，站得笔直，双手做着奇怪的姿势。
就像是在举行一场神秘的仪式，他站在那当指挥，其他的小物件都是他的小跟班。
而且那衣服上的纹路啊，细致得不得了，我都怀疑他们当时是不是有啥超精密的工具。
我凑近了看，感觉自己像是一个穿越到古代的小间谍，想要窥探出他们的制作秘密。
还有那些金器，金光闪闪的，在灯光下特别耀眼。
那时候的金器制作工艺就已经这么厉害了，可见三星堆文明是多么的发达。
那些金面具，戴在青铜面具外面，瞬间就给人一种奢华又神秘的感觉。
我就在想，这要是戴在我脸上，我是不是就成了古代的时尚达人了呢？不过估计我戴着也没人家那种神秘的气质，毕竟我只是个现代的小老百姓。
在展厅里逛着逛着，我就像在走迷宫一样，每走一步都有新的惊喜。
我感觉自己不是在看一个普通的展览，而是在和古代的智者对话。
他们通过这些文物告诉我们，他们的信仰、他们的生活方式、他们的审美。
虽然我们隔了几千年的时光，但站在这些文物面前，却有一种奇妙的亲近感。
不过呢，这一趟看下来也有点小遗憾。
就是那些介绍文字有些太专业了，我这个历史小白看的时候有点吃力。
我就在想啊，要是能有个特别有趣的讲解员，像讲故事一样把这些文物背后的故事都给讲出来就好了。
【时文阅读】三星堆遗址考古重大发现——黄金面具
【时文阅读】三星堆遗址考古重大发现——黄金面具Six more ancient sacrificial pits and more than 500 relics dating back to about 3,000 years have been unearthed at the renowned Sanxingdui Ruins site in Southwest China’s Sichuan Province, the National Cultural Heritage Administration announced in Chengdu on Saturday.“It has been confirmed that Sanxingdui Ruins site is the oldest site of pre-Qin period (pre-221 BC) in the upper reaches of the Yangtze River,” according to Lei Yu, head of the excavation team at the Sanxingdui site. Experts believe that the new findings at the site will shed more light on the ancient Shu civilization and its link to the civilization of the Chinese nation. Among the relics, there are pieces of exquisite gold masks, gold foil, bronze masks, bronze sacred trees, ivories, ivory products and jade. A fragment of a gold mask found in one of the pits has surprised the archaeologists with its larger size compared with previous archaeological findings. It is about 23cm wide and 28cm high and weighs about 280 grams. Preliminary inspection by archaeologists shows that the mask contains about 84 percent gold. It is evaluated that the whole gold mask could weigh more than 500 grams, said Lei. He believes that if a complete golden mask can be found, it will not only be the largest and heaviest gold mask object of the same period ever found in China, but also the heaviest gold object from the same period. The site was first discovered in the late 1920s. It is the largest and highest ranking centralized site ever found in Sichuan Basin that could date back to Xia (2070 BC—1600 BC) and Shang (1600 BC—1046 BC) dynasties.【主题】人与社会【语言积累】1. ancient sacrificial pits 古代祭祀坑2. relics 遗迹；遗骸；纪念物3. unearth 发掘；揭露，发现4. renowned 著名的；有声望的5. excavation 挖掘，发掘6. shed more light on 阐明；使……清楚地显出7. exquisite 精致的；细腻的；优美的8. fragment 碎片；片段或不完整部分9. archaeologist 考古学家10. preliminary 初步的；开始的11. inspection 视察，检查12. gold foil 金箔13. ivory 象牙；乳白色；长牙14. jade 玉；翡翠【参考译文】周六，中国国家文物局在成都宣布，在中国西南四川省，著名的三星堆遗址又出土了6个古代祭祀坑和500多件文物。
美术教案三星堆面具_0
美术教案三星堆面具前言：大家好！今天我说课的内容是《三星堆面具》，这个课题是我对德阳地区的美术资源进行调查、了解后，自己开设的一个教学内容。
现在我将从四个方面来展开说课。
一、教材分析1．教材内容面具是一种古老的艺术，在艺术发展进程中有它独特的艺术内涵和价值，具有设计独特新颖、造型夸张、色彩鲜艳等特点。
在三星堆古遗址中出土的青铜面具是全世界从古到今众多面具中最富特色的文物群之一，劲拔的线型与峻整的轮廓，凸显出庄严雄强之势，张扬着圣洁华贵之美。
我认为这一课在课型上属于综合与探索，综合性很强。
通过对三星堆面具的欣赏，提高学生对祖国优秀艺术的认识，拓展美术视野。
同时可以培养学生动脑、动手、动眼、动口等能力，为学生大胆想象、勇于创新、标新立异、展现自我创造了条件。
2.教学目标情感态度：了解多种不同风格面具的艺术特色，感受三星堆面具的文化内涵，体验绘制面具的乐趣，提高对美术学习的兴趣，拓展美术视野。
知识技能：学习用运用夸张、变形的方法绘制一张有三星堆特点的面具，进一步提高创造能力。
过程方法：了解面具有关知识，感受三星堆面具的特点，学习剪贴面具制作方法，创作有三星堆面具特点的面具。
3、教学重点：感受三星堆面具的文化内涵，体验绘制面具的乐趣。
4、教学难点：运用夸张、变形的方法，设计出具有三星堆特点的面具。
二、学情分析我校是一所比较偏远的农村学校，学生的美术基础偏低，所以在学生创作上我安排的形式不是很难，采用剪贴制作的方法。
三、教法、学法的运用运用以下教学法：讲授法、演示法、合作法、探究法、现代媒体、提问法、实践法等。
体现了“三导教学”的模式：一导主体视觉形象，促进学生形象思维的发展。
二导形式美特点感受，促进学生对形式美感、趣味中心的感受与理解。
三导小组判断与评价，促进学生判断能力、想象能力、创造能力的发展。
四、教学过程教学过程包括以下6个环节：导入；新授课；探讨面具的制作方法；面具的绘制；作业展示；拓展。
教学准备：教师准备课件、绘制的三星堆面具等等。
少儿6-8岁《三星堆青铜人面像》—美术课件
绘画教程
课堂点评
1、在今天的美术课程中，我们通过观察三星堆面具的特征与特点，用超轻粘土展开创作，制作了一 幅躺在土壤中的三星堆青铜面具的画作，锻炼了小朋友们的动手能力和创作能力，以及对于创作材料 多元化的认知，从中感受材料和质感之美，培养了小朋友们对于我们古老中华文化的兴趣。 2、在创作中，小朋友们运用超轻粘土准确地概括出了三星堆面具的特征，每一个小朋友制作的面具 都各不相同，各有特点，画面中的面具造型神秘而富有张力；在色彩的表现上，干擦体现的色彩丰富 细腻，体现出了青铜面具色复古、厚重的金属质感。整幅作品形式新颖，美观大方，神秘感十足的同 时不乏童趣。微信公众号：创意少儿美术馆。
课程导入
青铜器的色彩是怎样的呢？
青铜器之所以叫“青铜”，是因为青铜氧化 后的颜色是青灰色（或青绿色），并不是一 开始就发青。刚出土的青铜器表面大都是铜 绿覆盖，我国古代青铜器的原色并非现在我 们见到的出土器物的青绿色，青铜器刚做出 来的时候，都是美丽闪耀的金黄色，出现青 绿色的外表是因时间和埋藏环境形成的。
课程引导
了解三星堆——青铜头像
三星堆青铜礼器属于我国历史传统文物当中最为 经典的作品之一，其做工精巧、加工细致，曾被 人们评价为“外星人的巨作”。三星堆的出现展 现出我国历史中，巴蜀文化早起的特点和风格， 其代表着那个时期我国古人聪明智慧的结晶。
课程导入
这些青铜器小朋友们有认识的吗？ 欣赏青铜器头像，说一说它有哪些特点呢？
式
现出破旧感，突出主体的视觉效果。让我们
一起来看看参考教程吧！
课程导入
创作提示
1
参考青铜器的图片，运用超轻黏土表现
出它的外形，小朋友们可以根据自己的
喜好，表现出不同的青铜面像，增强画
描写三星堆的古诗词
描写三星堆的古诗词
古蜀三星堆，神秘岁月堆。
纵目青铜像，奇思妙意瑰。
解析：这首诗开篇直接点明主题——三星堆。
“古蜀三星堆”，简单直接地说出三星堆的所属地域和名称，就像我们给朋友介绍一个厉害的地方，先报出名字。
“神秘岁月堆”，一个“堆”字很有趣味，感觉三星堆就像是岁月积累起来的神秘宝藏堆。
“纵目青铜像”呢，这是三星堆非常有代表性的文物，那奇特的纵目青铜像，只要见过的人都会觉得震撼，诗人把它写进诗里，就像把三星堆的一张名片拿出来展示一样。
“奇思妙意瑰”，是说这些青铜像以及三星堆的一切都充满了奇妙的构思和瑰丽的想象，这是对三星堆文物独特性的一种感叹，就好像在说：“这些东西的想法咋这么奇特又这么美呢！”
三星出古土，宝器展奇殊。
金面含幽韵，神思入幻途。
解析：“三星出古土”，也是先指出三星堆是从古老的土地里被发现的，“出”这个字让我们感觉这些宝物像是从土里冒出来跟现代世界见面似的。
“宝器展奇殊”，就是说那些出土的宝贝展示出非常奇特和特殊的样子，这是对三星堆众多独特文物的概括。
“金面含幽韵”，三星堆有著名的金面具，这个金面具带着一种幽远的韵味，就像它藏着古老的秘密，让人看一眼就被吸引。
“神思入幻途”，是说看到三
星堆的这些东西，人的思绪就好像进入了奇幻的路途，仿佛穿越到了古蜀的神秘世界里，感觉特别奇妙，就像做了一场超酷的梦。
假如三星堆会说话作文
假如三星堆会说话作文嘿，你知道三星堆不？那可是个超级神秘的地方！要是三星堆会说话，那得说出多少神奇的故事呀！有一天，我做了个梦，梦见自己来到了三星堆。
那些古老的青铜器、神秘的面具，一下子都活了过来。
一个巨大的青铜面具开口了：“嘿，小家伙，你是谁呀？跑这儿来干啥？” 我吓了一跳，结结巴巴地说：“我…… 我是来参观的。
你…… 你是谁呀？” 面具哈哈大笑起来：“我是三星堆的守护者，见证了几千年的历史呢！”旁边一个青铜人像也凑了过来：“哼，这小家伙肯定不知道我们的厉害。
我们可是有着神秘力量的宝贝呢！” 我好奇地问：“啥神秘力量呀？” 人像得意地说：“我们身上藏着古人的智慧和秘密，你要是能解开，那可不得了。
”我围着这些神奇的文物转了一圈又一圈，心里充满了疑问。
“你们是怎么被造出来的呀？” 我忍不住问。
面具神秘地说：“那可是古人费尽心思打造的，他们用精湛的技艺，把我们变得这么威风。
”突然，一只青铜鸟飞了过来：“嘿，别光说我们，说说你吧。
你有啥梦想不？” 我想了想，说：“我想知道更多关于你们的故事，把你们介绍给更多的人。
” 青铜鸟点点头：“嗯，不错不错，有志向。
那你可得好好努力哦。
”我又问：“你们在这里待了这么久，不无聊吗？” 青铜人像摇摇头：“不无聊呀，我们看着世界的变化，见证着人类的进步，可有意思了。
” 面具也说：“是呀，我们虽然不会动，但我们的故事一直在流传呢。
”我看着这些神奇的文物，心里充满了敬佩。
“你们真的太厉害了！要是大家都能听到你们的故事，那该多好呀！” 青铜面具笑了笑：“会的，总有一天，大家都会了解我们的价值。
”在梦里，我和三星堆的文物们聊了好久好久。
当我醒来的时候，还沉浸在那个神奇的世界里。
我想，要是三星堆真的会说话，那该多好呀！它们一定会告诉我们更多关于古代文明的故事，让我们更加了解我们的祖先。
我们也一定要好好保护这些珍贵的文物，让它们继续见证历史的发展。
你说是不是呀？。
有关三星堆手抄报的英语内容
有关三星堆手抄报的英语内容Sanxingdui to about 5000 ~ 5000 years ago, with a total area of 12 square kilometers, is found in sichuan area is the most widely, the longest duration, the ancient city with the most abundant cultural connotation, ancient ruins of the ancient shu culture, sanxingdui commentaries. The discovery of sanxingdui ruins, which pushed the source of ancient shu history from the spring and autumn period and the warring states period to about 2000 years; It has proved eloquently that the origin of Chinese civilization is multiplex.The sanxingdui site covers a total area of 12 square kilometers, and its central area is an old city surrounded by three walls of east, west and south, the duck river to the north and nearly four square kilometers of urban area. The city, which was so large 3,000 years ago, is rare in thewhole country, and is believed to have been the capital of the ancient shu state. The narrow sanxingdui refers to sites within the three loess heap, north of it and its crescent is a crescent moon, through the ancient Ma Mu henan north, "samsung," hence the name, and in the long ago become a famous cultural landscape. Yan in the spring of 1929, local farmers (yan1) as near the garden digging a ditch when accidentally discovered more than 400 of the country with rich ancient shu jade stone, has drawn great attention of the Chinese and foreign archaeologists. Since the 1930s, several generations of archeological people have been here to find out. From July to September 1986, two large commercial dynasties were excavated, and thousands of exquisite relics were born, and sanxingdui was famous.The first unit is in the southwest -- the history of ancient shu in 2000The ancient legend records that the ancestors of shu people were from the yellow emperor, the state of shu, the state of shu. The first generation of shu wang is called silkworm bush, his greatest achievement is to teach the people to plant mulberry silkworm; The second generation of shu wang's name is bai irrigation. There are few details about him, and he only knows that "bai irrigation" is a waterfowl. The third generation of shu wang is the fish teal. The "teal" is an osprey, and the sanxingdui has found a large number of birds, with the mostimages of the osprey, which is generally believed to be the most closely related to the sanxingdui. The fourth generation of shu wang called du yu, du yu is the cuckoo. Legend "leisure farming", he loved, but weak governance shudu floods, and from the liberal's in its region, due to control the floods,, loved by the people become the fifth generation of shu wang replaced the cuckoo. It is estimated that from the early period of the shang dynasty to the middle of the spring and autumn period from the early part of the shang dynasty to the middle of the spring and autumn period, the enlightenment was from the middle of the spring and autumn to the middle of the spring and autumn period.In the north of han river basin, east to jingjiang reach area, southwest of dadu river, jinsha river and north area in guizhou, there are many sites and relics of the shu culture, the distribution of the most densely populated region is the chengdu plain. Sanxingdui site is located in the center of the cultural circle of shu, which was the center of the ancient shu culture three or four thousand years ago.The sanxingdui culture lasted more than 2,000 years from 5,000 to 2,800 years ago. From the archaeological stratigraphy and typology, sanxingdui culture is divided into four periods.The primary culture of sanxingdui is about 5,000 ~ 4000 years ago. This period pottery with wide along the flat machine, mainly used in hole ring foot, production methods are hand-made, the means ofproduction is given priority to with stone axes, froe, chisel, small shape, at the same time in the jade, jade kei (gu and), yuhuan and other small etiquette supplies.Many architectural remains have been found in the ruins. The buildings are mostly dry columns. The advantages are that the materials are easy to be used, and that they are well protected against wind and moisture. The housing area is generally two or thirty square meters, the largest one is about 200 square meters, it is estimated that it is a public property.In 1997, 29 rectangular mud pits were found in the village of rensheng outside the western wall of sanxingdui, where jade ware, stone tools, pottery and ivory were unearthed. Among them, the jade of cone shape, style, and jiangsu and zhejiang area neolithic tombs of liangzhu culture jade unearthed in conical device, illustrates the chengdu plain and the middle and lower reaches of the Yangtze river region have long cultural ties.Sichuan neolithic cultural sites distribution is very wide, especially in the chengdu plain found many ancient city sites, among them with dujiangyan xinjian township treasure at the pier, the dragon mountain city ruins, salween yufu city sites, double river state, purple bamboo village ruins of ancient city ruins of ancient city, PI county, found that for the bulk. The discovery of these ancient cities shows that in thelate neolithic period chengdu plain had already had the small city organization, only sanxingdui stood out as the center of the ancient shu state.Archaeology in the sense of sanxingdui culture in two to three phases of sanxingdui culture as the representative, about 4000 years ago to 3200, equivalent to the central plains xia shang, this is the most prosperous period of sanxingdui culture, is believed to belong to the history of the ancient shu of the legendary king of yufu era. In this stage, the local specialty of high - stalk beans, small flat cans, bird heads (ba4) spoon and other earthenware appeared, and formed the basic combination of shu earthenware.From the second phase, sanxingdui entered the age of civilization. People built walls, east, west and south. Nearly 4 square kilometers of the central city has been completed, the city layout is reasonable, the structure is rigorous. According to different functions, it needs to be divided into the workshop area of the residents' living area, the sacrificial area, the burial area, the palace district, etc., and the guide word "sanxingdui guide".It is generally believed that the establishment of the city, the setting of the sacrificial site, the production of bronzes and the appearance of words are the symbols of the ancient civilization and the country. Sanxingdui has not general settlements and villages, but in earlyin the southwestern city, country, especially in combination with the unearthed cultural relics sites, the ancient shu kingdom has made remarkable achievements in various fields.Sanxingdui ancient shu kingdom was not because "intones difficult" and not on contacts with other regions, in the ruins unearthed YuGe, jade Zhang (useful āng), ceramic He (he), bronze, copper statue, etc and jiangsu, henan, anhui and other places are very similar unearthed artifacts, Peng county in sichuan bamboo tile found at the street belongs to the central plains of bronze vessels (zhi) and copper statue, is probably the shu army joined Zhou Wang reward out of struggle to shu wang booty; There are also some records of "zheng shu", "shu", "shu 300", etc. All the signs show us that the ancient shu nation was full of open spirit.The fourth period culture of sanxingdui ruins is an early shu culture period, which is roughly the same as the late zhou dynasty, about 3,200 ~ 2800 years ago.The fourth period of pottery is dominated by small canisters and sharp depots. In this period, a certain factor made the grand sanxingdui ancient city suddenly abandoned, and sanxingdui civilization interrupted the local development process. In early 2001, with the discovery of jinsha site in chengdu, the traces of the ancient shu state became clear. The era of jinsha ruins was in the late shang dynasty and early western zhou dynasty, late at sanxingdui site, and there was a close internal connectionbetween the two. Scholars believe that after the sanxingdui, the political and cultural center of ancient shu moved south to chengdu, and the ancient shu culture moved to a new stage of development.The second unit is the tianfu - sanxingdui agriculture and commerceAt present within the site unearthed a large number of form large pot, ceramic cylinder, POTS, etc., it is possible that containers of food, their shape, large size, more reflect the diversity of crop production. Livestock, is one of the scale of agriculture to flourish, the unearthed sanxingdui domesticated animal bones and animals such as pigs, sheep, horse, chicken modelling is more, can want to see the poultry industry has a certain scale, agricultural and sideline products is also very rich.Relics unearthed in a lot of wine, the food in addition to meet the daily life, there has been a rest used for wine, in these wine, pottery He and bottle shape cup's most distinctive.Tao He (he) - generally think it is a warm wine, mostly three 40 cm. Tao He lower three hollow pouch can increase tao He capacity, and can make a fire heating, the design is very reasonable. In the ruins of a soil pit, had found a tao He with more than 20 pieces of bottle shape cups placed one place, and the wine is used.Bell mouth, the bottle shape cup - is made of fine bottleneck, round flat, some neck and ornamentation, looks simple and beautiful,because of the shape bottleneck is small, some scholars speculate that wine should be at that time may be to "wine chamber (z ǐ)" sake.More than 80 ivory tusks were unearthed at sanxingdui site, which were identified as the incisors of Asian elephants. Scholars consider them to be symbols of the wealth of the ruling class. As for the source of ivory, it is possible that local elephants might have been the result of trade deals with neighbouring countries or even further afield.The ancient shu is located inland, in sanxingdui memorial pit, but unearthed nearly 5, 000 seashells. According to the general explanation, haibei was the primitive currency of Commodity Exchange in the early years of civil society, and the trade and commerce between the ancient shu countries and the surrounding areas were frequent. 2 sacrificial pit have been unearthed at 4 pieces of imitation in seashells of copper, the copper shell are rarely seen across the country, whether it is the one of the first metal currency, it remains to be further research.A great deal of archaeological data has shown that cultural exchanges and economic exchanges have been found in the area of shu and its surrounding areas even further back in the three or four thousand years ago. According to the research, in the pre-qin period, the chengdu plain was opened to connect ancient China with South Asia, central Asia, west Asia and southeast Asia. Although we cannot know how long the ancient shu people have walked on the rugged mountain road, what wecan see is the perseverance and perseverance of the ancient shu people. It was this spirit and persistence that created the glorious civilization of ancient shu and opened the window of China to the world.The third unitary soil - sanxingdui potteryIt is easy to draw, easy to make, not permeable, and can withstand high temperature barbecue, thus becoming the life supplies of various agricultural peoples. The pottery industry of sanxingdui ancient shu reached a high level.The sanxingdui unearthed a large number of small flat and pointed POTS, bowls, cups, cups, etc. They were typical objects of the pottery of shu. The bottom is small to a conical shape, which is not stable at all. A similar object was found in the site, which is estimated to be used with the sharp end.High a bean is above the disc body, is mainly used for sheng (cheng2) put the food, the lower is the horn ring foot, connection of the tubular beans (ba4), some bean residue was more than 70 cm long, this is the ancient people sit on the floor for the convenience of life designed a very ingenious and practical life appliance. There is also an eye on the pedestal of this high-handle bean, and the eye pattern appears more in the sanxingdui artefacts, which must have a profound meaning.Three feet for cooking could be instruments of ancient people cooking food, a trend of tripartite confrontation with three legs, the firststep to light the fire heating, three-legged are hollow, and mouth are interlinked, water capacity is very big, wide area (cheng2) water can be used to hold or to place food, its huge body and distinctive modelling is very rare.Unearthed sanxingdui doi new realistic modelling, lively and lovely, tell from the shape, with lotus, cockscomb, some still like the roof of the mosque, as part of wheel cover, new plastic part then knead by hand, fully shows the sanxingdui anonymous craftsmen rich imagination and skills.Hundreds of "ba4 spoons" were unearthed at the site, and most of the dipper parts were damaged, leaving only the bird's head shape "ba4". The beak of a bird is very similar to a fish hawk. The academic community thinks that the ancient shu kingdom of sanxingdui may have a close connection with the legendary third-generation shu wang, which is one of the important bases.The pottery of sanxingdui is an unpretentious and unpretentious one, which recreates the vivid picture of the daily life of the ancient shu people, and plays a huge role in the determination of the sanxingdui site and the stage of the sanxingdui culture.The fourth unit is jade stone, a jade stoneJade stone has a unique position in the history of the Chinese nation. Since the late neolithic age, our country's jade industry has beendeveloped, which was represented by the liangzhu culture jade stone。
大班综合美术活动: 三星堆青铜人面像
大班综合美术活动：三星堆青铜人面像
初米米
【期刊名称】《早期教育:艺术教育》
【年(卷),期】2022()11
【摘要】设计意图三星堆遗址位于四川省,距今已有5000年至3000年的历史,是极具艺术价值和观赏价值的文物群体之一。
为传承中华文明文化,我们根据大班幼儿的年龄特点设计了本次美术活动,通过模拟参观三星堆博物馆的形式,借助图片及讲解、让幼儿对三星堆青铜器有了初步地认识,使用超轻黏土动手捏出一张神秘的三星堆面具,利用黏土结合水粉表现金属的厚重感和复古感,感受三星堆的文化艺术价值与无穷的魅力。
【总页数】2页(P26-27)
【作者】初米米
【作者单位】烟台市芝果区幸福河幼儿园
【正文语种】中文
【中图分类】K87
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