Director笔记

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好评英语电影笔记摘抄(3篇)

第1篇Introduction:Movies have always been a source of entertainment, inspiration, and reflection. They have the power to transport us to different worlds, introduce us to diverse cultures, and evoke a wide range of emotions. In this notebook, I will share my thoughts and excerpts from an English movie that I found particularly captivating. The film not only entertained me but also left a lasting impression on my heart and mind.1. Movie Title: "The Pursuit of Happyness"Release Year: 2006Director: Gabriele MuccinoStars: Will Smith, Thandie Newton, Jaden SmithExcerpt 1:"The Pursuit of Happyness" is a heartwarming and inspiring story about a man's unwavering determination to provide a better life for his son amidst adversity. The movie's opening scene sets the tone for the entire film. It depicts Chris Gardner (Will Smith), a struggling salesman, trying to sell a bone-density scanner to a skeptical doctor. Despite numerous rejections, Chris remains persistent and optimistic, embodying the spirit of resilience.Excerpt 2:One of the most memorable scenes in the movie is when Chris Gardner, in a state of desperation, sleeps on the subway bench. The stark contrast between the bustling city life around him and his own solitude is both poignant and powerful. This scene highlights the struggles faced by many individuals who are struggling to make ends meet.Excerpt 3:"The Pursuit of Happyness" beautifully captures the father-son bond between Chris and his young son, Christopher (Jaden Smith). The scenesdepicting their interactions are heartwarming and touching. One such scene is when Chris and Christopher spend the night in a public bathroom to avoid the cold streets. Despite the hardship, their love and determination to stay together shine through.2. Movie Title: "The King's Speech"Release Year: 2010Director: Tom HooperStars: Colin Firth, Geoffrey Rush, Helena Bonham CarterExcerpt 1:"The King's Speech" is a gripping and emotional drama that showcases the personal journey of King George VI, portrayed by Colin Firth, as he seeks to overcome his stammer to lead his country during the outbreak of World War II. The movie's opening scene sets the stage for the protagonist's struggles. King George VI is seen struggling to speak in public, his voice trembling and his face flushed with anxiety.Excerpt 2:The film's portrayal of the relationship between King George VI and his speech therapist, Lionel Logue (Geoffrey Rush), is one of the most compelling aspects of the movie. The scenes where Lionel helps King George VI confront his fears and work through his stammer are both intense and inspiring. One such scene is when Lionel asks King George VI to repeat a sentence, gradually increasing the speed, until the king finally overcomes his stammer.Excerpt 3:"The King's Speech" beautifully captures the essence of leadership and the importance of overcoming personal obstacles. The film's climax is a powerful moment where King George VI delivers a speech to the nation, addressing the country's fears and rallying the people to stand together during the war. The scene is a testament to the transformative power of courage and determination.3. Movie Title: "The Shawshank Redemption"Release Year: 1994Director: Frank DarabontStars: Tim Robbins, Morgan Freeman, Bob GuntonExcerpt 1:"The Shawshank Redemption" is a timeless classic that explores themes of friendship, hope, and redemption. The movie's opening scene introduces Andy Dufresne (Tim Robbins), a young man wrongfully convicted of murder, as he enters the Shawshank prison. The scene captures the stark contrast between the outside world and the oppressive environment of the prison.Excerpt 2:One of the most touching scenes in the movie is when Andy Dufresne and Ellis "Red" Redding (Morgan Freeman) form a deep and lasting friendship. The scene where they share a cup of coffee and engage in a heartwarming conversation is both moving and inspiring. It highlights the power of human connection and the ability to find solace in difficult times.Excerpt 3:"The Shawshank Redemption" is renowned for its powerful message of hope. The film's climax is a heart-wrenching scene where Andy Dufresne, after nearly two decades in prison, finally achieves his long-awaited freedom. The scene is a testament to the human spirit's ability to endure and triumph over adversity.Conclusion:In conclusion, these English movies have left a lasting impact on my heart and mind. They have inspired me to embrace resilience, seek hope, and cherish the bonds of friendship. The excerpts shared in this notebook serve as a testament to the power of storytelling and the transformative effect that movies can have on our lives. As a movie enthusiast, I am grateful for the opportunities these films have provided me to explore different worlds and experiences.第2篇Introduction:"The Shawshank Redemption" is a timeless masterpiece directed by Frank Darabont and based on the novella "Rita Hayworth and Shawshank Redemption" by Stephen King. Released in 1994, this movie has captivated audiences worldwide with its compelling storytelling, exceptional performances, and profound themes. In this review, I will delve into the various aspects of this exceptional film, highlighting its strengths and offering my personal insights.Plot Summary:The story is set in the 1940s and revolves around Andy Dufresne (Tim Robbins), a successful banker who is wrongfully convicted of the murder of his wife and her lover. Sentenced to life imprisonment at Shawshank State Penitentiary, Andy befriends Ellis "Red" Redding (Morgan Freeman), a long-term inmate who serves as the prison's "black market" broker. As the years pass, Andy and Red develop a deep bond, and Andy'sintelligence and determination help him navigate the harsh realities of prison life. The movie explores themes of friendship, hope, and redemption as Andy struggles to maintain his dignity and integrity in a corrupt and oppressive environment.Acting:The acting in "The Shawshank Redemption" is exceptional, with both Tim Robbins and Morgan Freeman delivering unforgettable performances. Tim Robbins portrays Andy Dufresne with a perfect blend of intelligence, determination, and vulnerability. His portrayal of Andy's journey from a naive young man to a wise and resilient inmate is both poignant and inspiring. Morgan Freeman's performance as Red is equally remarkable. His deep, soothing voice and expressive face convey Red's journey from a tough, cynical inmate to a loyal friend who believes in the power of hope. The chemistry between Robbins and Freeman is palpable, adding an emotional depth to the film.Cinematography:The cinematography of "The Shawshank Redemption" is outstanding. Thefilm is set in the bleak and oppressive environment of Shawshank State Penitentiary, and the cinematographer Roger Deakins captures the stark contrast between the dark, oppressive atmosphere of the prison and the beauty of the outside world. The use of lighting and shadows effectively highlights the characters' emotions and the moral dilemmas they face. The film's visual style is both haunting and beautiful, contributing to its timeless quality.Music:The music in "The Shawshank Redemption" is another standout element. Thomas Newman's score is haunting, evocative, and perfectly complements the film's tone. The use of classical music, such as Beethoven's "Ode to Joy," adds a layer of hope and beauty to the film, creating a powerful emotional impact. The music is integral to the film's themes of hope, friendship, and redemption, and it enhances the audience's connection to the characters and their journey.Themes:"The Shawshank Redemption" is rich in themes, with friendship, hope, and redemption being the most prominent. The film explores the power of friendship in the face of adversity, as Andy and Red support each other through their respective struggles. The theme of hope is evident throughout the film, as Andy's unwavering belief in a better future helps him survive the worst of circumstances. Redemption is another central theme, as the film shows how the characters can find purpose and redemption within the confines of a prison.Impact:"The Shawshank Redemption" has left a lasting impact on audiences worldwide. Its compelling storytelling, exceptional performances, and profound themes have made it a beloved classic. The film has inspired countless discussions about the human spirit, the power of hope, and the importance of friendship. It has also become a symbol of resilience and perseverance, encouraging viewers to never give up on their dreams.Conclusion:In conclusion, "The Shawshank Redemption" is a masterpiece that has earned its place as one of the greatest films ever made. With its compelling storytelling, exceptional performances, and profound themes, it is a film that resonates with audiences across generations. The movie's timeless quality lies in its ability to explore the human spirit and the power of hope in the face of adversity. Whether you have seen it once or a hundred times, "The Shawshank Redemption" will always leave you inspired and moved.第3篇---IntroductionIn the realm of cinema, there are films that transcend the boundaries of storytelling, leaving an indelible mark on the hearts and minds of audiences. "The Shawshank Redemption," directed by Frank Darabont and based on the novella by Stephen King, is one such film. Its narrative of hope, friendship, and redemption has resonated with viewers for decades. This review aims to delve into the film's brilliance, highlighting its exceptional storytelling, compelling characters, and timeless themes.---The Storyline"The Shawshank Redemption" follows the story of Andy Dufresne (Tim Robbins), a successful and ambitious banker who is wrongfully convicted of the murder of his wife and her lover. Sentenced to life in Shawshank State Penitentiary, Andy's journey through the harsh realities of prison life is marked by his unwavering spirit and intellectual prowess. Over the years, he befriends Ellis "Red" Redding (Morgan Freeman), a long-time inmate who becomes his confidant and advocate. The film explores the themes of corruption, injustice, and the human capacity for hope and redemption.---Exceptional StorytellingOne of the film's greatest strengths lies in its exceptional storytelling. Frank Darabont's adaptation of Stephen King's novella is meticulous and thoughtful, ensuring that every scene contributes to the overall narrative. The pacing of the film is deliberate, allowing viewers to fully immerse themselves in the characters' lives and the unfolding events. Darabont's ability to weave together a complex story with a straightforward approach is a testament to his skill as a filmmaker.1. Subtlety in Plot Development"The Shawshank Redemption" excels in its subtlety. The film neverresorts to melodrama or excessive drama to convey its message. Instead, it relies on the power of subtle narrative choices and character development. For example, the revelation of Andy's true innocence is not a dramatic twist but a gradual unfolding of the truth, allowing viewers to piece together the evidence as Andy does.2. Rich Character DevelopmentThe film boasts a rich tapestry of characters, each with their own backstories and motivations. Andy Dufresne's character arc isparticularly compelling, as he evolves from a naive and vulnerable man to a wise and resilient leader. Morgan Freeman's portrayal of Red is equally impressive, providing a perfect foil to Andy's quiet strength. The supporting characters, such as Brooks Hatlen (James Whitmore) and Warden Norton (Bob Gunton), are also well-developed, adding depth to the story.---Compelling Characters"The Shawshank Redemption" is a film that is as much about its characters as it is about its plot. The film's cast delivers performances that are both powerful and nuanced, making the audiencefeel connected to the characters on a deeply emotional level.1. Andy Dufresne (Tim Robbins)Tim Robbins' portrayal of Andy Dufresne is nothing short of extraordinary. Robbins' performance is both reserved and commanding, allowing viewers to see the complexity of Andy's character. His ability to convey Andy's intelligence, resilience, and inner strength is truly remarkable.2. Ellis "Red" Redding (Morgan Freeman)Morgan Freeman's portrayal of Red is another standout performance. Freeman's voice is soothing and comforting, making Red an ideal narrator. His character's journey from a struggling inmate to a trusted confidantis beautifully realized, and his interactions with Andy are the heart of the film.3. Supporting CastThe supporting cast, including James Whitmore, Bob Gunton, and Clancy Brown, also deliver memorable performances. Their characters add depthto the story and help to create a fully realized world within Shawshank State Penitentiary.---Timeless Themes"The Shawshank Redemption" is a film that speaks to the human condition, exploring timeless themes such as hope, friendship, and redemption.1. HopeHope is the central theme of the film. Despite the grim circumstances of prison life, both Andy and Red hold onto hope, believing that one day they will be free. This theme resonates with viewers, reminding us that hope is a powerful force that can overcome even the darkest times.2. FriendshipThe friendship between Andy and Red is one of the film's most poignant themes. Their bond is forged in the crucible of prison life, and it isthis friendship that provides both characters with strength and comfort. The film beautifully illustrates the power of true friendship and the ways in which it can transform lives.3. RedemptionRedemption is another central theme of the film. Both Andy and Red are seeking redemption for their past mistakes, and their journey is one of self-discovery and transformation. The film's message that redemption is possible, even for the most flawed individuals, is a powerful one.---ConclusionIn conclusion, "The Shawshank Redemption" is a cinematic masterpiecethat has stood the test of time. Its exceptional storytelling, compelling characters, and timeless themes make it a film that is both enjoyable and thought-provoking. Frank Darabont's adaptation of Stephen King's novella is a testament to the power of cinema to touch the hearts and minds of audiences. For anyone who has yet to experience this film, it is an absolute must-watch. "The Shawshank Redemption" is not just a film; it is a life-changing experience.。

[director教程]Director教程1

[director教程]Director教程1 篇一: Director教程1扩展：director.js 教程/ cinema director 教程/ director教程篇二: Director教程1第一章Macromedia Director概述Macromedia Director的工作原理Macromedia Director的文件管理我的第一个作品动画设计师网络开发人员游戏和娱乐开发人员教育工作者软件开发人员商业人士艺术家展览布置人员Macromedia Director的工作原理在开始使用Director 之前，我们来介绍一下Director 的工作界面，如下图。

本节中，我们简单介绍Director 工作界面的几个主要组成部分以及他们相互之间的关系。

Director 的暗喻，Director 将每一个工程都形象地称为电影，组成电影的元素成为演员，电影情节发生的地方称为舞台，控制情节的窗口叫做剧本。

Director 的工作界面演员窗口组成电影的每一个元素——图像、声音、脚本、Flash 动画等都可以看作是参与演出的演员。

演员窗口是你存储和组织演员的地方，默认情况下，演员窗口以列表方式显示窗口中的演员，如图。

但是大家更愿意以缩略图方式显示窗口中的演员，如图。

你可以单击窗口上侧的Cast View Style 按钮，在列表方式和缩略图方式之间切换。

要将演员方到电影中去，你可以将演员从演员表中拖至剧本或者舞台上。

演员窗口剧本剧本是每一部电影的灵魂，它控制着电影里的每一个演员，并告诉它们该做什么。

剧本以时间序列来记录舞台的活动，角色就放置在被称为频道的地方，其中的每一格称为 1 帧，当播放头从左到右移动时，电影就开始播放了。

舞台舞台是图像、视频剪辑以及其他可视元素表演的地方，首次运行Director 的时候，舞台是空白的，等待你自由安排电影的内容。

检视器Director 依赖于众多的检视器来设置电影的细节，检视器是上下文敏感的，也就是说，对于不同的对象，检视器显示不同的内容。

director教学课件PPT

符号与实例
总结词
详细描述符号和实例的概念，以及它们在Director中的用途和创建方法。
详细描述
在Director中，符号是一种可重复使用的元素，可以包含形状、位图、文本等多种内容。实例是符号的复制品，可以对其属性进行修改而不影响原始符号。通过创建符号和实例，可以方便地管理和重复使用元素，提高制作效率。创建符号的方法是先在舞台中绘制或导入元素，然后将其拖拽到符号库中。创建实例的方法是在舞台中拖拽符号库中的符号。
人工智能与Director的结合
个性化学习
利用人工智能技术分析学生的学习习惯和需求，为每个学生提供定制化的学习方案。
智能辅助
借助人工智能技术，为学生提供智能答疑、作业批改等服务，减轻教师工作负担。
数据驱动决策
利用人工智能收集学生的学习数据，为教学决策提供科学依据，提高教学质量。
未来发展方向与趋势
数据库连接
数据库类型选择
根据课件的需求，选择合适的数据库类型，如MySQL、SQLite、
MongoDB等，以满足数据存储和查询的需求。
数据库连接方式
了解并掌握与数据库建立连接的方法，如JDBC、ODBC、ORM等，以保证课件能够与数据库进行数据交互。
数据操作
能够进行基本的数据操作，如增、删、改、查等，以便于课件中数据的处理和展示。
02
CATALOGUE
Director基础知识
界面与工具栏
总结词
详细描述Director软件的界面布局，包括菜单栏、工具栏、舞台等区域，以及各区域的功能和特点。
详细描述
Director软件界面简洁明了，分为菜单栏、工具栏、舞台、属性检查器、脚本编辑器等区域。菜单栏包含文件、编辑、查看等常用命令。工具栏提供各种常用的工具，如选择、画线、矩形等。舞台是展示内容的区域，可以通过拖拽方式放置和排列元素。属性检查器可以设置和修改元素属性，如位置、大小、颜色等。脚本编辑器用于编写和编辑Lingo脚本语言，实现各种交互和动态效果。

director-行为库中英文对照

目录组件（图标） (7)3D触发器（图标） (7)鼠标左、右键Mouse Left Right (7)鼠标进入、悬停、离开Mouse Enter .Within .Leave (8)键盘触发Keyboard Input (8)3D动作（图标） (8)推动摄像头Dolly Camera (9)拖动摄像头Drag Camera (9)从中间飞过Fly Through (10)水平移动摄影机Pan Camera Horizontal (10)垂直移动摄影机Pan Camera Vertical (10)摇摆摄影机Orbit Camera (11)复位摄影机Reset Camera (11)滚动摄影机Rotate Camera (11)模型自动旋转Automatic Model Rotation (12)点击模型跳转到标记Click model go to Marker (12)拖动模型Drag Model (12)拖动模型旋转Drag Model to Rotate (13)指向模型替换鼠标光标Model Rollover Cursor (13)播放Shockwave 3D脚色成员中的动画Play Animation (13)创建一个立方体Create Box (14)创建一个粒子系统Create Particle System (14)创建一个球体Create Sphere (15)调整模型的细节显示程度Level of Detail (16)1细分模型表面Sub Division Surface (16)执行一条指定的命令Generic Do (16)运动轨迹显示Toggle Redraw (17)简化场景Toon (17)显示坐标轴Show Axis (17)导航Navigation (导航类) (18)导航图标： (18)到循环Go Loop (18)到下一个按钮Go Next Button (18)到前一个按钮Go Previous Button (18)到指定的按钮Go to Frame x Button (18)指定跳转的目标帧Go to which frame on mouseUp (18)转到URL网络地址Go to URL (18)停在当前帧Loop for X Seconds (19)在指定秒数循环播放Hold on Current Frame (19)播放完毕返回Play Done (19)播放指定帧Play Frame X (19)播放指定影片Play Movie X (19)等待直到鼠标单击或按键Wait for Mouse Click or Keypress (20)动画Autimation \ Interactive (动画- 交互类) (20)动画交互图标： (20)避开光标Avoid Mouse (20)避开精灵Avoid Sprite (20)限制到线条Constrain to Line (21)限制到精灵Constrain to Sprite (21)拖动与抛过Drag and Toss (21)2拖动端点Diag Quad Points (21)拖动旋转Diag to rotate (22)拖动缩放Drag to scale (22)拖动到伸展与翻转Diag to Stretch and Flip (22)可拖动Draggable (22)跟随精灵Floow Sprite (22)移动、旋转与缩放Move, Rotate and Scale (22)多精灵拖动Multiple Sprite Drag (23)掠过时改变光标Rollover Cursor Change (23)掠过时改变演员Roolover Member Change (23)吸附到网络Snap to Grid (23)精灵跟随鼠标Sprite Track Mouse (23)总是朝向固定点Turn to Fixed Point (23)总是朝向鼠标Turn Towards Mouse (24)总是朝向精灵Turn Towards Sprite (24)矢量运动Vector Motion (24)动画Autimation \Sprite Transitions （动画- 精灵过渡类） (24)动画过渡图标 (24)开门Barn door (25)像素化Pixelace (25)滑动Slide (25)虚边划变Soft edge Wipe (25)混合宽度Blend Width (25)伸展Stretch (25)擦除Wipe (26)动画Autimation \Automatic （动画-自动类） (26)3颜色循环Color Cycling (26)图形循环Cycle Graphic (26)淡入/淡出Fade In/Out (27)随机移动与旋转Random Movement and Rotation (27)连续旋转（基于帧）Rotate Continuously (frame-based) (27)连续旋转（基于时间）Rotate Continuously (time-based) (27)随路径旋转Rotation to Dollow Path (28)旋转（基于帧）Rotation(frame-based) (28)旋转（基于时间）Rotation(frame-based) (28)缩放与修剪Scale and Clip (28)滑动Slide In/Out (29)摇动Sway (29)吹送Weft (29)放大与缩小Zoom In/Out (29)辅助功能（图标） (30)绘图PaintBox(绘图盒) (30)绘图盒图标 (30)画布Canvas (30)颜色选择器Color Selector (30)擦除所有Erase all button (31)画笔选择器Tool Selector - Brush (31)橡皮选择器Tool Selector - Eraser (31)撤销绘画Undo Paint (31)控件Controls (控制类) (31)控件图标 (31)4显示文本Display Text (32)绘图连接器Draw Connector (32)下拉列表框Dropdown List (32)回跳按钮Jump Back Button (32)前跳按钮Jump Forward Button (32)跳转到指定的按钮Jump to Marker Button (33)跳转到影片的按钮Jump to Movie Button (33)多态按钮Multi-State Button (33)（Push按钮）Push Button (33)单选按钮组Radio Button Group (33)提示Tooltip (34)媒体Media \ Flash （媒体-Flash） (34)媒体Flash图标 (34)设置单击模式Set Click Modes (34)设置播放品质Set Playback Quality (34)设置缩放、定位点与视图Set Scale, Origin and View (35)媒体Media \ QuickTime （媒体-QuickTime） (35)媒体QuickTime图标 (35)（QuickTime控制按钮）QuickTime Control Button (35)（QuickTime控制滑块）QuickTime Control Slider (35)媒体Media\Realmedia（媒体- Realmedia） (35)媒体- Realmedia图标 (35)媒体Media \ Sound （媒体-声音控制） (36)媒体声音图标 (36)播放声音Play Sound (36)5停止声音Stop Sound (36)鸣喇叭Sound Beep (37)声音通道音量滑块Channel Volume Slider (37)声音通道水平滑块Channel Pan Slider (37)网络表单 (37)网络表单图标 (37)网络-流 (37)网络流图标 (37)文本Text (文本类) (38)文本图标 (38)Add commas to Members (38)日历Calendar (38)计数器Countdown Timer (38)定制滚动条Custom Scrollbar (39)过渡字符Fliter Input Characters (39)强制大小写Force Case (39)格式化数字Format Numbers (39)到下一文本Get Net Text (39)超文本-关闭状态Hypertext-Display Status (39)超文本-常规Hypertext - General (39)超文本-转到标记Hypertext - Go to Maker (40)67组件（图标）3D 触发器（图标）3D 触发器图标：鼠标左、右键MOUSE LEFT RIGHT功能：鼠标左、右键参数：When does this Action occur?指定鼠标按键的有效方式，包括：按钮的第一次按下/按钮按下并抬起/在任何时候按下；Which modifier key will be used?指定一个附加键，例如指定shift 则表示必须同时按下shift 键点击鼠标才有效；If using an additional modifier key enter it here 同时指定一个快捷键，例如为MouseLeft 指定“L ”键，则按下“L ”与按下左键的作用相同；Select a Group and its Action 指定该触发事件要激活的行为。

常用的几个director脚本

tell sprite(me.spriteNum) to go to the lastframe
else
tell sprite(me.spriteNum) to go to pframe-1
end if
end if
end
16.播放和暂停按钮控制声音
on mouseup me
pSprite=sprite(me.spritenum)
pMemberName=
if pMemberName = "播放按钮" then
sound(1).play()
sprite(me.spritenum).member = member
("暂停按钮")
else
sound(1).pause()
6:sound playfile 1,"音乐/6.mp3"
7:sound playfile 1,"音乐/7.mp3"
8.mp3"
9:sound playfile 1,"音乐/9.mp3"
else
sound(1).play(member("bg")) 在第一声道播放（调用）演员文件"bg"
end if
end
on mouseleave me
cursor 0
sprite(13).member=member("dvd6") 播放到该精灵所在位置时，播放按钮显示为（调用精灵）"dvd6"
end if
if(i=2) then
sound playfile 1,"音乐/2.mp3"

Director 一般性命令及笔记

on mouseUp me 【鼠标点击+放开】go “***”endon mouseEnter me 【鼠标划入】go “***”endon mouseLeave me 【鼠标划出】go “***”end注意响应区的范围命令选项：鼠标箭头形状变换cursor ***【数字】数字大变换数字为不变换PS：on mouseUp mecursor 280endon mouseUp mecursor -1end注意：按钮必须自己制作，自带的不行导入声音：内部导入，直接导入演员表当中外部导入，语言导入【未讲】连接声音，Director 11 的版本中有，MX2004没有~PS：音频控制导入3个按钮【PLAY PAUSE STOP】第一帧停顿PLA Y的语言On mouseUp meSound(2).queue (member”yin”)Sound(2).play()EndPAUSE的语言On mouseUp meSound(2).pause()EndSTOP的语言On mouseUp meSound(2).stop()End【（2）】为音频的位置【（yin）】为音频的名字。

必须是重命名导入视频：一般是A VI格式，有时也有Quick TimePS：视频控制案例导入3个按钮【PLAY PAUSE STOP】第一帧停顿PLA Y的语言on mouseUp mesprite(1).movieRate =1PAUSE的语言on mouseUp mesprite(1).movieRate = 0STOP的语言on mouseUp mego the frame*因为没有专门的停止语言，所以在同一个通道中于视频后加一个空白的视频界面，直接跳转。

方法2：导入→行为库→动画→第二项→去除背景右边栏nk 第三个在FLASH无法出现效果时导出设置版本FLASH7以下可以被DIR MX 2004 使用【PS：有时候得在FLASH中点击（允许调试）】当FLASH与DIR的播放帧数不一致时，跳转下一界面/FLASH的方法：一】：on exitFrameif sprite(1).frame<sprite(1).member.frameCount thengo the frameend ifend精灵的帧数小于演员【Flash】的帧数，则停止于这一帧并且播放其余的部分二】：在Flash中最后一帧或者按钮上帧语言：getURL(“lingo:go to frame **”)按钮语言：on(rel**)getURL(“lingo:go to frame **”)转场效果：在Score面板中的▶◀【转场】中。

Director笔记

1．更改舞台大小（点击舞台，右侧属性面
板里修改）
2．在演员表里导入演员（有多个二级界面
可以新建几个演员表）
3．做主界面（可以自由发挥，一般主界面
背景选择淡入即可）主页面最后帧处加停
止命令（go the frame）此命令也可以在右
下角库中直接找到
4．做二级界面（主界面二级界面都可加入
过场动画，在需要加过场动画的精灵首帧
上添加，也可以使用右下角库中的动画）5．可以在二级界面首帧处加标记
6．给主页各选项加命令
On mouseup me
go “1”
如果需要变手型，可以加入on mouseenter
me
c ursor 280
on mouseleave me
cursor 0
end
7.给二级界面加命令（视自己情况）
8．给首页按钮，关闭按钮加命令
9．做完后预览一下，并且及时保存，之后选择文件中的发布设置，第二个选项里有全屏选项，选上。

之后确定即可。

再在舞台外延（白色区域点击鼠标左键，选择显示模板，把最大化最小化等勾去掉即可全屏）
10.最后点击发布，即可观看自己的作品了。

祝大家尽快做出满意作品O(∩_∩)O~加油。

人教九年级英语课堂笔记知识点总结-(Unit6-9)

九年级Unit6-Unit9课堂笔记知识点Unit6单词：1.electric adj.电的，电动的；n.带电electric shock 触电electricity n.电electrical adj.用电的electrify v.通电electrode n.电极2.heel n.脚后跟，鞋跟at one’s heel紧跟某人bring sb to heel逼某人就范come to heel走近…3.scoop n.铲，勺4.style n.款式，风格in style 时尚——out of style过时的not sb’s style不是某人的风格retro-style怀旧风格5.project v.设计，计划;n.工程project cost规划费用6.pleasure n.高兴with pleasure 伴着荣幸（表愿意）7.zipper n.拉链8.daily adj.每日的=everyday the daily thing日用品to earn your daily bread挣钱糊口9.website n.网站10.pioneer n.先锋 a pioneer in sth.某方面的先锋pioneer research开创性研究11.list n.表格;v.列表 a list of一列be on the danger list处于病危中make a list做个表格12.mention v.提及mention sth. to sb.给某人提某物mention in passing that …顺便一提mention sth. in sth.在某物中提及某物without mentioning sb. by name（做什么）不点明姓名13.accidental adj.偶然的accidentally adv.偶然地=by accident14.saint n.圣人15.ruler n.统治者16.boil v.煮沸，烧开boil away烧开boil over 爆发=boil up boil down浓缩17.remain v.剩余it remains to be seen拭目以待it remains for me to do sth.最后我还要做18.smell v.嗅;n.闻smelly adj.臭的fragrance n.香味——odour n.气味（臭）19.national adj.国家的national flag国旗International adj.国际的20.trade n.贸易，买卖;v.交易trade with sb.与某人交易a fair trade公平交易21.popularity n.普及the popularity of… …的普及increase in popularity更受欢迎22.doubt n.疑问，质疑without doubt无疑be in doubt不确定no doubt无疑地raise sb’s doubt about sth.使某人对某物疑虑be beyond doubt毫无疑问23.fridge n.冰箱24.low adj.低的in a low price以低价25.translate v.翻译translate…into…翻译成…translate…as…解释为，意味着26.lock v.锁住unlock v.解锁under lock and key被关押的27.ring n.铃;v.响give sb. a ring给某人打电话run rings round sb.远胜某人28.earthquake n.地震29.sudden adj突然的. suddenly 突然地=all of a sudden30.bell n.铃31.biscuit n.饼干cookie n.曲奇饼干32.musical adj.音乐方面的33.equipment n.[u]器械instrument n.[c]设备34.sour adj.酸的spicy adj.辣的crispy adj.脆的salty adj.咸的35.mistake n.错误by mistake错误地=by chance make a mistake犯了个错误36.customer n.顾客37.the Olympics 奥运会=the Olympic games38.divide v.分开divide…into…把…（整体）分成…（部分）39.basket n.篮 a basket of…一篮40.look up to仰慕——look down upon瞧不起41.not only…but also…不仅…还… （注意就近原则）42.professional adj.职业的，专业的profession n.职业43.hero n.(pl. heroes)英雄，男主角44.memorize v.记住45.graduate v.毕业短语：1.have a point 有道理2.take place 发生3.all of a sudden 突然4.without doubt 毫无疑问5.look up to 仰慕6.translate…into…把…翻译成…7.in a low price 以低价8.spread to 传播给9.in our daily life 在我们的日常生活中10.by mistake 错误地11.divide…into… 把…分成…12.dream of (doing) sth. 梦想（做）某事13.at the same time 同时14.the style of……款式Unit 7单词：1.license n.证件drive’s license驾照=driving license2.safety n.安全the sense of safety安全感safety in numbers人多保险；人多势众(例：Many people still feel there is safety in numbers when belonging to a union.许多人仍然感到加入工会后有了后盾。

director记忆方法

director记忆方法导演记忆方法是指通过一系列的技巧和策略来帮助导演记忆剧本、情节和场景等演绎要素。

下面是一些常用的导演记忆方法。

1.剧本分析：导演应该仔细阅读和分析剧本。

他们应该理解故事的结构和角色涉及的情节。

通过深入了解剧本，导演能够更好地理解故事和角色，从而更容易记住他们。

3.视觉记忆：导演可以使用图表、图像和图表等视觉工具来帮助记忆。

他们可以用色彩来代表不同的角色或情节，并使用图表或图像来表示剧本中的场景和位置。

这种视觉记忆方法可以帮助导演更容易地回忆起剧本中的重要细节。

4.词语链记忆：导演可以通过将相关的词语链接起来来帮助记忆剧本中的对话和台词。

例如，他们可以将对话中的关键词连接在一起，形成一个词语链。

通过这种方式，导演可以更容易地记住角色之间的对话和台词。

5.故事板：故事板是一个用图像来表述剧本的工具。

导演可以将剧本中的每个场景绘制成一个小图，然后将这些图像放在一个看板上，按照剧本的顺序排列。

通过观看故事板，导演可以更容易地记住剧本中的每个场景和情节。

6.录音记忆：导演可以录制剧本中的对话和台词，并反复播放以帮助记忆。

通过听剧本的录音，导演可以更容易地记住对话和台词的内容和语调。

7.互动演练：导演可以通过与演员一起进行互动演练来帮助记忆剧本。

通过与演员一起演练情节和对话，导演可以更容易地记住剧本的细节和角色之间的动态关系。

8.反复阅读和反复排练：导演应该反复阅读剧本，并在排练过程中反复练习。

通过不断重复剧本的阅读和排练，导演可以更容易地记住剧本的情节和台词。

总结起来，导演可以使用剧本分析、创意记忆、视觉记忆、词语链记忆、故事板、录音记忆、互动演练和反复阅读和排练等方法来帮助记忆剧本、情节和场景。

这些方法可以帮助导演更好地理解剧本，并更好地在实际演出中应用。

director11.5——1基础知识部分

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舞台与角色——构建角色舞台与角色
操作角色表导入角色移动角色复制角色排序角色
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编排表（编排表（Score））
编排表主要用于对影片的演出进行逐帧记录。编排表主要用于对影片的演出进行逐帧记录。通过编排表可以设置每个精灵的播放次序、方式。可以设置每个精灵的播放次序、方式。基本概念
设置舞台属性
设置舞台大小：舞台大小就是观众所看到的画面大小。设置舞台大小：舞台大小就是观众所看到的画面大小。设置舞台颜色。设置舞台颜色。设置通道数量：通道，就是舞台上可以显示的精灵的最大个数。设置通道数量：通道，就是舞台上可以显示的精灵的最大个数。每一行就是一个通道。系统所允许的最大通道数是150个。每一行就是一个通道。系统所允许的最大通道数是个设置基准：为了便于精灵的精确定位，设置基准：为了便于精灵的精确定位，Director提供了一个基准提供了一个基准工具，用于定义基准。工具，用于定义基准。设置栅格：栅格也是一种对齐工具，设置栅格：栅格也是一种对齐工具，它可以在布置场景时起到辅助对齐的作用。助对齐的作用。
通道：中的行被称为通道，通道：Score中的行被称为通道，每个通道当中可以放置一个或中的行被称为通道多个精灵。默认情况下，编排表中包括150个通道，通道号越低，个通道，多个精灵。默认情况下，编排表中包括个通道通道号越低，则角色中的位置越处于底层，则角色中的位置越处于底层，通道号高的精灵可以遮挡通道号低的精灵。的精灵。中的列被称为帧。帧：Score中的列被称为帧。帧就像电影中的一个画面，每一帧中的列被称为帧帧就像电影中的一个画面，都是一个时刻的舞台画面。都是一个时刻的舞台画面。精灵：精灵是角色在舞台上的表现形式。在编排表中，精灵：精灵是角色在舞台上的表现形式。在编排表中，一个精灵占据一个通道，它横跨多个帧。占据一个通道，它横跨多个帧。

Director学习教程

一部分－－－－相信Director 大家都不是特别的陌生。

就算没有使用过，可是每天上网，接触的多媒体网站，各种各样的多媒体光盘，无一不是出自Director的手中。

尤其是自94年，Director可以在WINDOWS系统中运行之后，完全迎来了整个多媒体时代。

这期间一直被MM公司发展和完善着，功能日益强大，应用的范围也越来越广。

用Director 制作多媒体动画，无论是演示性质的还是交互性质的，都显出其专业级的制作能力和高效的多媒体处理技术。

图象，文本，声音，动画等等这些多媒体元素，在Director中都可以非常方便而有机的结合起来，创造出精美的动画。

－－－－Director提供两种制作动画的途径：一是使用行为库；二就是使用LINGO编程语言，也方便了不同层次用户的需求。

－－－－现在Director最新版本是Director8.5。

你可以在很多的下载网站都可以DOWN 到一个最新版的30天全功能试用版。

8.5版比8.0版从功能上特别是和外部软件的整合上都做了相当大的改进，在这里不再罗嗦。

打开软件，工作区界面如下其中Director制作多媒体节目的过程大概是这样的：1.新建一个Movie文件。

2.设置好符合项目制作所需求的Movie环境。

3.加载和调整素材。

4.管理和应用角色成员。

（Cast members）5.开始制作使用剧本（score）,动画。

6.存储，文件保护与制作执行文件。

－－－－之后，你还需要大概了解一些基本的概念，当然是其他方面但是是学习使用Director所必须的，例如，什么是位图，什么是矢量图片了，以及两者的区别了，还有关于JPEG或GIF的图片格式等。

－－－－好了，现在准备工作基本作的差不多了，你可以着手准备大干一番，作一个真正的网络导演。

既然是实习，我们尽量采用看图学习的方法。

本次学习我们先试着使用一些比较基本的功能来达到简单的效果，可不要小瞧这些简单的效果哟，这是做好复杂的大型交互性多媒体场景的基础。

裕兴新概念英语第二册笔记_第76课_课文讲解

TextTo end our special news bulletin，' said the voice of the television announcer， 'we're going over to the macaroni fields of Calabria. Macaroni has been grown in this area for over six hundred years. Two of the leading growers，Giuseppe Moldova and Riccardo Brabante， tell me that they have been expecting a splendid crop this year and harvesting has begun earlier than usual. Here you can see two workers who， between them， have just finished cutting three cartloads of golden brown macaroni stalks. The whole village has been working day and nightgathering and threshing this year's crop before the September rains. On the right， you can see Mrs. Brabante herself. She has been helping her husband for thirty years now. Mrs. Brabante is talking to the manager of the local factory where the crop is processed. This last scene shows you what will happen at the end of the harvest： the famous Calabrian macaroni-eating competition！ Signor Fratelli， the present champion， has won it every year since 1991. And that ends our special bulletin for today， Thursday， April lst. We're now going back to the studio.'` To end our special news bulletin,` said the voice of the television announcer, ` we`re going over to the macaroni fields of Calabria.end v使…结束，终结eg The road ends here. 这条路就到这儿了。

孟家峰类反笔记

类反笔记一、词根词缀1．词缀1.1前缀：方向、强度1)时间概念：ex-, pre-, pro-, re（重复，back）2)表示位置的概念：inter-, out-, over-, sub-, super-, trans-, under-3)表示数量：uni-, bi-, di-, twi-, tri-, quadr-, centi-, milli-, mono-, multi-4)表示程度：super-, over-, under-, hyper- (high), well-, hype（大肆渲染）5)方式：auto-, co-, mal-(坏)， mis-(错)， self-6)态度：anti-, counter-, pro-7)否定：ab-, an-, de-, in-, non-, un-课堂补充pseudo-: 假的，伪的： pseudoscienceceler-: 速度caco-: 不好的： cacophony; cacographycall-: 好的： calligraphyphil-: 爱，同学之间的友爱； - sophi-: debate; philosophy = love debate; sophist; sophistication （老于世故的）sophonmoresper-: sparse, intersperse, aspersionviv, vit = life: vivid vitals vivisection vitamin1.2后缀：状态、词性1)高频后缀（动词）：-ate, -ish, -ify, -ch, -en, -ize, -ise2)高频后缀（名词）：-or, -ee, -ess, -an/ian, -ance-, -ant, -ity, -th, -ary, -um, -age, -let, -try, -ness, -al,-ese, -hood, -ics, -ion, -ism, -ist, -mant, -ship3)形容词:-al, -tle, -tive, -id, -que, -ous, -less, -able, -free, -ful, -ic, -like, -same, -y4)副词： -ward, -ly, wise课堂补充-atory: 表示地点场所： observatory; lavatory; dormitory-hibit: prohibit, exhibit-pel: push; repel, compel-gress: progress2．词根Ped=pod=footPeddle （兜售）； expedite （加快、促进）；Pedal （踏板）；expedient （权宜之计）； Pedestal （底座）； Impede （妨碍）；Pedestrian （行人）；quadruped （四足动物）； Centipede (百足动物)；Pedo = childPediatrician （小儿科医生）；encyclopedias（百科全书）；pedagogy （教育学）——(peda-child; agog- leader)；Peda= knowledgepedant （学究）; Pedantic （卖弄学问的）； Pedantry （迂腐）gni/gno= know (c/g/k/qu)recognize 识别； cognitive 认识的； agnostic 不可知论的； ignorant 无知的；incognito 隐姓埋名的；diagnose 诊断； prognosticate 预言，预知；procrastinate 拖延； procrustean 强求一致的Nasc/Nat = to be born, gnasci gemnsNascent 新生； renaissance:复兴、再生； cognate 同源的； innate 天生的，同有的； neonate 出生婴儿； neophyte, novice = greenGrat= pleasingGrate 磨碎； grata: to scratedGrateful 感激的； gratitude 感恩； ingratitude 忘恩负义； ingratiate 逢迎，讨好； gratify 使满足，使高兴； gratuity 赏钱，赠物；Cub/cumb = lieCubicle 寝室； incumbent 在职的； procumbent 匍匐的； recumbent 侧卧的； succumb 屈从，死；incubate 培养； incubus 梦魇课堂补充-grav-: 加重-sol-:孤单 insolate, solace, console, solo, desolate-flu-: 流动：bird flue3．分类法Engross 使全神贯注； rapt 全神贯注的； preoccupation 全神贯注，专心笑声：轻声笑chuckle, 开心笑chortle; 哄笑 guffaw; 傻笑 simper; 咧嘴笑 grin; 咯咯笑 giggle叫声：狗吠bark; 狼嚎 howl; 牛羊叫 blat; 狮虎吼 roar; 虫鸟唧唧叫 chirr时间： fleeting 飞逝的； evanescent 短暂的； ephemeral 朝生暮死的； deciduous 每年落叶的，非永久性的饶舌： Garrulous 饶舌的； nag 说话唠叨，（naggy 小马）； prolix 罗嗦的； loquacious 多嘴的；magpie 喜鹊爱饶舌的人格言： adage, proverb, allegory, fable, dictum, maxim, motto, aphorism欺骗：deceive, beguile, betray, inveigle, dupe, hoax, bamboozle, delude, hoodwink, defraud, swindle宝石： ruby, sapphire, emerald , jade, turquoise, amethyst, rhinestone, opal植物： oak, cypress, almond, maple, elm, willow, cactus, vanilla, orchid, chrysanthemum, balsam形近意近：protuberance 突出； exuberance 茂盛充沛； petulance 发脾气lineal 直系的； linear 线性的The bible: scripture 经文（-script-写）； testament 遗嘱证明，圣经旧约； exegesis 解释注释；theologian 神学家； theocracy 神学统治； seminary 神学； genesis 起源《创世纪》； idolater 崇拜者皈依者； commandment 指令、戒律； covenant 指令、戒律； pristine 远古的，原始的，纯的；rib 肋骨 (ribald 下流的)； serpentine 蛇的，蛇般前进的； travail 辛劳（因为分娩）发生阵痛；seraphic 如天使般的，美丽的；cherubic 天使般的，无邪的，可爱的Seven Deadly Sins: Lust, avarice, vanity （傲慢）, sloth （懒惰）, gluttony （贪食）, covetousness（妒忌）; wrath （愤怒）Purity; vigilance; humbleness; integrity; self-restraint; giving; composureSeven Holy Virtues: fortitude, temperance; prudence; justice; faith; charity; hope画： easel 画架； brush 画，刷子； canvas 画布；Palette 调色板； collage 抽象； crayon 蜡笔；pastel 粉蜡笔； fresco 壁画； mural 壁画； mosaic 马赛克。

film单词趣味巧记

film单词趣味巧记1. Director (导演) - Imagine a director of a film directing the actors and saying "action!" with his or her finger pointing in a certain direction.2. Cinematography (摄影) - Think of a camera (cinema) taking a photo (graphy) of a beautiful scene from a film.3. Plot (剧情) - Picture a garden (plot) where the story of the film is being planted and developed.4. Sequel (续集) - Visualize a film reel rolling forward and a number "2" popping up to indicate that there will be a second film (sequel).5. Genre (类型) - Think of a jar of jelly (genre) with different flavors representing different film types such as action, romance, comedy, etc.6. Protagonist (主角) - Imagine a superhero (protagonist) standing in the front (pro) of a line of characters, symbolizing their importance.7. Antagonist (反派) - Picture a villain (antagonist) trying to cross the path of the protagonist, being anti (against) them.8. Trivia (电影小知识) - Picture a trio of film buffs (trivia) discussing and sharing interesting facts about movies.9. Box office (票房) - Visualize a box (box office) with dollar signs pouring out of it, representing the revenue generated by a successful film.10. Blockbuster (大片) - Imagine a massive block (blockbuster) falling from the sky and smashing everything in its path, representing a hugely successful and popular film.。

牛津上海版高一上英语-U4词汇句型精讲-教案

U4重点词汇精讲1.director (n) 主管，董事，导演例句：“Five minutes until we start filming”，shouted the director. “开始拍摄还有5分钟了”，导演大声地说。

【拓展】(1)direct (v) 指点，指导词组：direct sb to a place 指点某人去某地direct sb to do sth 指点某人做某事例句：The map will direct you to the destination.这个地图将会带你到目的地。

The instruction will direct you to operate the machine这个说明书会教你怎么操作这个机器。

（a）直接的词组：in direct contact with 与…有直接的联系a direct flight 一个直飞航班例句：I am in direct contact with the manager of your company.我和你们公司的经理保持直接的联系。

Y ou’d better take a direct flight to save time.你最好做直飞航班来节约时间。

(2)direction (n) 方向，指引词组：in all directions 四面八方in the direction of 朝着某个方向give directions 给予指导例句：Troops began shooting in all directions.军队开始向四面八方射击。

He drove away in the direction of London.他开车向伦敦驶去。

They give directions to the lost travelers.他们给迷路的旅客指引方向。

2.contestant (n) 参赛者，竞争者例句：Please welcome our next contestant.请欢迎我们的下一位参赛选手。

director的用法总结大全

director的用法总结大全（学习版）编制人：__________________审核人：__________________审批人：__________________编制学校：__________________编制时间：____年____月____日序言下载提示：该文档是本店铺精心编制而成的，希望大家下载后，能够帮助大家解决实际问题。

文档下载后可定制修改，请根据实际需要进行调整和使用，谢谢!并且，本店铺为大家提供各种类型的经典范文，如英语单词、英语语法、英语听力、英语知识点、语文知识点、文言文、数学公式、数学知识点、作文大全、其他资料等等，想了解不同范文格式和写法，敬请关注!Download tips: This document is carefully compiled by this editor.I hope that after you download it, it can help you solve practical problems. The document can be customized and modified after downloading, please adjust and use it according to actual needs, thank you!In addition, this shop provides various types of classic sample essays, such as English words, English grammar, English listening, English knowledge points, Chinese knowledge points, classical Chinese, mathematical formulas, mathematics knowledge points, composition books, other materials, etc. Learn about the different formats and writing styles of sample essays, so stay tuned!director的用法总结大全director的意思n. 主管，主任,董事，理事,负责人，监督者,导演director用法director可以用作名词director的基本意思是“主管”“董事”,指某部门中最主要的管理人或董事会的成员,也可作“负责人”“主任”“校长”解,指领导一个组织、机构或一项活动的主管人, director有时还特指“导演”。

Director使用技巧

Director使⽤技巧Director 使⽤技巧Director 提⾼开发效率核⼼提⽰：尽管使⽤ Director 的菜单（如 File, Edit, View 等）可以执⾏⼀些相应的命令，通常情况下我们会使⽤快捷菜单或者快捷键，这将⼤⼤提⾼我们的开发效率。

尽管使⽤ Director 的菜单（如 File, Edit, View 等）可以执⾏⼀些相应的命令，通常情况下我们会使⽤快捷菜单或者快捷键，这将⼤⼤提⾼我们的开发效率。

如何显⽰快捷菜单：在某个电影元素如演员或者是 Director 窗⼝上右击，将显⽰相应的快捷菜单。

如图在演员表中的某个演员上右击，此时将显⽰⼀个快捷菜单，该菜单中包含了与演员操作相关的⼀些常⽤命令。

如图 2-11如何知道快捷键使⽤快捷键⽆疑将会⼤⼤提⾼开发效率，熟练的使⽤快捷键，给⼈的感觉是⾮常⼤虾。

那么，怎样才能得到快捷键呢？在 Director 的操作环境中就提供了相关的信息，打开某个菜单，快捷键通常都列在命令的后⾯。

如图 2-12DirectMedia Xtra 在 Director 中的应⽤技巧核⼼提⽰：Director对媒体的⽀持不如Authorware好，不过⾮常庆幸的是有很多极酷的 Xtras 外部插件可以完美地解决这⼀问题。

Director对媒体的⽀持不如Authorware好，不过⾮常庆幸的是有很多极酷的 Xtras 外部插件可以完美地解决这⼀问题。

其中最具代表性的恐怕就是DirectMedia了。

它可以在不安装任何其它⽀持软件的情况下直接播放AVI、MOV、Mpeg及多种⾳乐⽂件，效果⼀流。

但在使⽤此插件的时候有两个问题必须注意，否则可能会……第⼀：应确保应在File菜单的Preferences->General中勾选Animate in Back ground，否则运⾏程序时将不会播放影⽚，⽽是停在⼀帧上⽌。

第⼆：Director 7.02存在⼀个路径搜索⽅⾯的Bug，如果媒体⽂件和运⾏程序不在同⼀⽬录下的时候，就会发⽣找不到⽂件的情况，必须在主程序的相同⽬录中包含⼀个名为Lingo.ini的⽂件，内容如下： on startup——添加⽂件搜索路径，添加在主程序⽬录下的"media"⽬录——的⽅法如下：globaltbsearchpath set tbsearchpath=[] append（tbsearchpath， the applicationPath & "media\"）end startup只要加上这个⽂件就没问题啦！尽情体验DirectMedia的强⼤功能吧！Director ⾥⼏个save命令的区别核⼼提⽰：为什么director ⾥关于save的命令有三个，这三个到底有什么不同，我该选择哪⼀个来save 我的⽂件？Director ⾥⼏个save命令的区别Director ⾥save , save as 和 save and compact 的区别好多朋友问过这个问题，为什么director ⾥关于save的命令有三个，这三个到底有什么不同，我该选择哪⼀个来save我的⽂件？其实回答这个问题还得先了解⼀点director的⽂件结构，⼀个Director movie⽂件包含的主要信息是cast, 和score，cast含有所有电影所需的原始资源⽽score则负责控制电影的播放流程，可见cast 对⽂件的⼤⼩贡献最⼤，对movie最后的整体表现影响也⾮常⼤。

director中的快捷大全和director行为库快速参考

File菜单快捷键NewMovie(新影片) Ctrl+NNewCast(新演员表) Ctrl+Alt+NOpen(打开) Ctrl+OClose(关闭) Ctrl+F4Save(保存) Ctrl+SImport(输入) Ctrl+RExport(输出) Ctrl+Shift+R PreviewinBrowser (在浏览器中预览)F12 PageSetup(页面设置) Ctrl+Shift+PPrint(打印) Ctrl+P GeneralPreferences(基本参数设置) Ctrl+U Exit/Quit(退出) Alt+F4Edit菜单快捷键命令快捷键Undo(撤消)Ctrl+ZRepeat(重复)Ctrl+YCut(剪切)Ctrl+XCopy(拷贝)Ctrl+CPaste(粘贴)Ctrl+VClear(清除)BackspaceDuplicate(复制)Ctrl+DSelectAll(全选)Ctrl+AFindText(查找文本)Ctrl+FFindHandler(查找处理程序)Ctrl+Shift+; FindCastMember(查找演员)Ctrl+; FindSelection(查找选区)Ctrl+HFindAgain(再查找)Ctrl+Alt+FReplaceAgain(再替换)Ctrl+Alt+EEditSpriteFrames(编辑角色的帧)Ctrl+Alt+]EditEntireSprite(编辑整个角色)Ctrl+Alt+[ ExchangeCastMembers(交换演员)Ctrl+ELaunchExternalEditor(运行外部编辑器)Ctrl+,(逗号)View菜单快捷键命令快捷键NextMarker(下一个标志)Ctrl+右箭头键PreviousMarker(前一个标志)Ctrl+左箭头键ZoomIn(变焦放大)Ctrl++ZoomOut(变焦缩小)Ctrl+-(连字符)ShowGrid(显示网格)Ctrl+Shift+Alt+GSnaptoGrid(吸附于网格)Ctrl+Alt+GShowRulers(显示标尺)Ctrl+Shift+Alt+RShowInfo(显示信息)Ctrl+Shift+Alt+OShowPaths(显示路径)Ctrl+Shift+Alt+HShowToolbars(Score、Paint、Cast、Text,VectorShapewindows)Ctrl+Shift+H(显示工具条(剪辑室、Paint、演员表、文本、矢量图形窗口)) Keyframes(关键帧)Ctrl+Shift+Alt+KInsert菜单快捷键命令快捷键InsertKeyframe(插入关键帧)Ctrl+Alt+KInsertFrame(插入帧)Ctrl+]RemoveFrame(删除帧)Ctrl+[InsertFramesdialogbox(InsertFrames对话框)Ctrl+Shift+]Modify菜单快捷键命令快捷键CastMemberProperties(演员属性)Ctrl+I XtraCastMemberOptionsProperties(Xtra演员选项属性)Ctrl+Shift+O CastMemberScript(演员剧本)Ctrl+’(单引号)SpriteProperties(角色属性)Ctrl+Shift+ISpriteScript(角色剧本)Ctrl+S hift+’(单引号)MovieProperties(影片属性)Ctrl+Shift+DMovieCasts(影片演员表)Ctrl+Shift+CFont(字体)Ctrl+Shift+TTextstylebold(文本式样：粗体)Ctrl+Alt+BTextstyleitalic(文本式样：斜体)Ctrl+Alt+ITextstyleunderline(文本式样：下划线)Ctrl+Alt+UParagraph(段落)Ctrl+Shift+Alt+TTweening(推算)Ctrl+Shift+BJoinsprite(连结角色)Ctrl+JSplitsprite(拆分角色)Ctrl+Shift+JExtendsprite(扩展角色)Ctrl+BBringtoFront(移至最前面)Ctrl+Shift+上箭头键MoveForward(向前移一层)Ctrl+上箭头键MoveBackward(向后移一层)Ctrl+Alt+下箭头键SendtoBack(移至最后面)Ctrl+Alt+Shift+下箭头键Align(对齐)Ctrl+KTweak(蠕动)Ctrl+Shift+KControl菜单快捷键命令快捷键Play(播放)Ctrl+Alt+PStop(停止)Ctrl+.(句号点)Rewind(回转)Ctrl+Alt+RStepBackward(单步后退)Ctrl+Alt+左箭头键StepForward(单步前进)Ctrl+Alt+右箭头键LoopPlayback(循环播放)Ctrl+Alt+LV olume:Mute(音量：静音)Ctrl+Alt+M ToggleBreakpoint(切换断点)F9 WatchExpression(观察表达式)Shift+F9 IgnoreBreakpoints(忽略断点)Alt+F9 StepScript(单步执行程序)F10StepIntoScript(单步执行程序，进入处理程序)F8 RunScript(运行程序)F5RecompileAllScripts(重新编译全部程序)Shift+F8 Window菜单快捷键命令快捷键Toolbar(工具条)Ctrl+Shift+Alt+BToolPalette(工具面板)Ctrl+7 BehaviorInspector(行为监察窗)Ctrl+Alt+; SpriteInspector(角色监察窗)Ctrl+Alt+S TextInspector(文本监察窗)Ctrl+TStage(舞台)Ctrl+1ControlPanel(控制面板)Ctrl+2Markers(标志)Ctrl+Shift+MScore(剪辑室)Ctrl+4Cast(演员表)Ctrl+3Paint(Paint窗口)Ctrl+5VectorShape(矢量图形)Ctrl+Shift+VText(文本)Ctrl+6Field(域)Ctrl+8ColorPalettes(调色板)Ctrl+Alt+7Video(视频文件)Ctrl+9Script(剧本)Ctrl+0Message(消息)Ctrl+MDebugger(调试窗)Ctrl+’(单引号)Watcher(观察窗)Ctrl+Shift+’(单引号)舞台快捷键动作快捷键Opencastmembereditor(打开演员编辑器)双击角色Inkspop-up(油墨弹出菜单)Ctrl+点击鼠标Togglerecordlightonandoff(录制指示灯开关)Alt+点击鼠标Real-timerecord(实时录制)Ctrl+空格键+在舞台上拖动角色Displayshortcutmenuforselection(显示选区的快捷菜单)点击鼠标右键Changecontentsofstagetoblack(把舞台上的内容变为黑色)数字键盘的-(减号)Inverteverythingonstage(反转舞台上的全部内容)数字键盘的/Show/hidecursor(显示/隐藏光标)数字键盘的=剪辑室窗口快捷键动作快捷键Duplicateselectedspritesorkeyframes(复制选定的角色或帧)Alt+拖动Opencasteditorforselectedsprite(为选定的角色打开演员表编辑器)双击演员表缩微图标Selectentirerangeofacastmember(选择一个演员的全部演出范围)双击带有角色的一个单元格Selectchannel(选择通道)双击通道编号Selectmultiplechannels(选择多个通道)双击通道编号和上下拖动Togglerecordlight(切换录制指示灯)Alt+点击通道编号Moveplaybackheadtoendofmovie(把播放头移到影片的结尾)Tab Moveplaybackheadtoframe1(把播放头移到第1帧)Shift+Tab Moveplaybackheadtobeg/end(把播放头移到开始/结尾)Ctrl+Shift+左/右箭头键Openframesettingsdialogbox(打开帧设置对话框)双击节奏、调色板或过渡通道Gotonextmarkercomment(orjump10frames)Ctrl+右箭头键(前进到下一个标志注释(或跳10帧))Previousmarkercomment(orback10frames)Ctrl+左箭头键(前一个标志注释(或向回跳10帧))Shufflebackward/forward(自由前进/后退)Ctrl+上箭头键/下箭头键演员表窗口和演员表编辑器窗口快捷键动作快捷键Opencastmembereditor(打开演员编辑器)双击绘图、文本、调色板或剧本演员，或先选择一个演员，再按Return键Castmemberscript(演员剧本)Ctrl+’(单引号) Openscriptinnewwindow(在新的窗口打开剧本)Alt+Script按钮PlaceselectedcastmemberincenteroftheStageCtrl+Shift+L(把选定的演员放在舞台的中心) FindselectedcastmemberintheScoreCtrl+H(在剪辑室中查找选定的演员)CasttoTime(演员表至时间)Ctrl+Shift+Alt+LNewcastmember*(新演员)Ctrl+Shift+APreviouscastmember*(前一个演员)Ctrl+左箭头键Nextcastmember*(下一个演员)Ctrl+右箭头键*samefunction,inanewwindow(新窗口里的相同功能)Ctrl+Alt+左/右箭头键Scrollup/downonewindow(向上/下滚动一个窗口)Pageup,Pagedown Scrolltotopleftofcastwindow(滚动至演员表窗口的左上角)Home ScrolltoshowlastoccupiedcastmemberEnd(滚动至显示最后一个已被使用的演员)Type-selectbycastmember(按类型选择演员)输入一个数字Paint窗口快捷键动作快捷键Undo(撤消)~(波浪号)Next/previouscastmember(下一个/前一个演员)数字键盘的左/右箭头键TurnselectedtoolintoforegroundeyedropperD(当鼠标被按下时)(把选定的工具变成前景色吸管) TurnselectedtoolintobackgroundeyedropperShift+D(把选定的工具变成背景色吸管) TurnselectedtoolintodestinationeyedropperAlt+D(把选定的工具变成目标色吸管)Turnselectedtoolintohandtool空格键(当鼠标被按下时)(把选定的工具变成徒手工具) Nudgeselectionrectangleorlassoselection当选定矩形或套索工具时，按数字键盘的箭头键(蠕动选区矩形或套索选区)Changeairbrushsize(改变喷枪的尺寸)当选定喷枪工具时，按数字键盘的上/下箭头键Changeairbrushflow(whilepainting)当选定喷枪工具时，按数字键盘的左/右箭头键((在绘画时)改变喷枪的颜料流速)Changeforegroundcolor(notpainting)数字键盘的上/下箭头键，适用于全部工具((在没有绘画时)改变前景色)Changebackgroundcolor(notpainting)Shift+数字键盘的上/下箭头键，适用于全部工具((在没有绘画时)改变背景色)Changedestinationcolor(notpainting)Alt+数字键盘的上/下箭头键，适用于所有工具((在没有绘画时)改变目标色) DrawborderwithcurrentpatternAlt+图形或直线工具(用当前的图案画边框)Selectbackgroundcolor(选择背景色)Shift+吸管工具Selectdestinationcolor(选择目标色)Alt+吸管工具TogglebetweencustomandgrayscalepatternsAlt+点击图案(在自定义图案和灰阶图案间切换)Polygonlasso(多边形套索)Alt+套索工具Duplicateselection(复制选区)Alt+拖动Stretch(拉伸)Ctrl+拖动Drawwithbackgroundcolor(用背景色绘画)Alt+铅笔工具OpenGradientSettingsdialogbox,andset双击画刷、颜料杯或多边形工具inktogradient(打开GradientSettings对话框，并把油墨设置为渐变) OpenAirBrushSettingsdialogbox双击喷枪工具(打开AirBrushSettings对话框)Clearvisiblepartofwindow双击橡皮擦工具(清除窗口的可见区域)Opencolorpaletteswindow双击前景色、背景色或目标色色块(打开调色板窗口)OpenPatternSettingsdialogbox双击图案色块(打开PatternSettings对话框)OpenBrushSettingsdialogbox双击画刷(打开BrushSettings对话框) OpenPaintWindowPreferences双击线条宽度选择区(打开PaintWindowPreferences) OpenTransformBitmapdialogbox双击颜色分辨率(位深)标记(打开TransformBitmap对话框)ToggleZoomin/ZoomoutCtrl+在窗口里点击鼠标，或双击铅笔工具(切换变焦放大/缩小)矢量图形窗口快捷键动作快捷键Circle(圆形)OFilledCircle(实心圆形)Shift+ORoundedrectangle(圆角矩形)PFilledroundedrectangle(实心圆角矩形)Shift+RPen(钢笔)6Arrow(箭头)0Handtool(徒手工具)HRegistrationtool(套准工具)GScalewitharrowtool(用箭头工具缩放)Ctrl+Alt+拖动MovebezierhandlesindependentlywitharrowtoolCtrl+拖动(用箭头工具独立地移动贝塞尔曲线的控制柄) DragcontrolhandlesfromsquarepointsAlt+拖动(从方形的点里拖动控制柄)Constrainmovementto45°incrementsShift+拖动(handles/points/pen/arrow)(把移动的增量限制为45°(控制柄/点/钢笔/箭头)) AddapointtoanopencurvewiththepentoolAlt+点击鼠标(用钢笔工具向非闭合的曲线上添加一个点) Createsymmetricalshapes(squares、circles)Shift+拖动(创建对称的图形(方形、圆形))用于控制影片播放的数字键盘快捷键动作快捷键Play/Stop(播放/停止)EnterPlay/StopandshowonlytheStage(播放/停止，并仅显示舞台)Shift+Enter Rewind(回转)0Backoneframe(后退一帧)1Forwardoneframe(前进一帧)3Previousmarker(前一个标志)4Centerplaybackhead(让播放头居中)5Nextmarker(下一个标志)6Mutesounds(静音)7Loop(循环)8director行为库快速参考F.1动画—自动ColorCycling(颜色循环)：把角色的前景色从一个值改成另一个值，做很多次，或永远做下去。

Director8从入门到精通资料

Director 8从入门到精通入门篇（一）Director 中使用的术语与电影术语非常类似，因为Director 开发之初就是借鉴于电影。

我们先来认识一下Director 为导演们提供的导演舞台：Stage: 舞台。

这是演员们表演的地方。

因为Director 开发是“所见即所得”，所以舞台上演员（实际上演员在舞台上称之为精灵）的表现将直接影响表演效果。

Director 启动时自动打开一个空白舞台，用户可以通过快捷菜单和属性观察器（Property Inspector）来修改舞台属性。

快捷键：Ctrl + 1。

顺便提醒一句：Director 是单任务系统。

Cast Window: 演员表(又称剧组成员表)。

与电影有所不同，无论戏份轻重，也不管有否出场，所有的演员都列在演员表中。

可以同时使用多个演员表，默认为Internal Cast。

演员可以是位图（Bitmaps）、矢量图形(Vector shapes)、文本(Texts)、脚本（Scripts）、声音(Sounds)、Flash影片(Flash Movies)，QuickTime影片(QuickTime Movies)、AVI 视频(AVI Videos)，还可以包含其它成员。

演员表中的演员一般都有相应的编辑器来编辑，也可以通过菜单File/Preferences/Editors…来指定编辑器。

通过双击演员可以启动默认编辑器。

快捷键：Ctrl + 3。

演员可以直接拖到舞台或总谱中，成为精灵。

多次拖动一个演员到舞台上，可以产生多个精灵，修改一个精灵的某些属性不会影响其它精灵和该演员，但修改该演员就一定会导致由它产生的精灵的改变。

Score：总谱。

与电影相同，总谱几乎就决定了演员的出场顺序（不包含跳转时）。

后面我们将看到，总谱与脚本结合几乎可以随心所欲。

Director 8 提供了150 个演员通道和6个特殊通道。

150个演员通道可以根据出场顺序依次安排演员，演员的通道数越小，表示演员在舞台上越靠后，也就是说，通道数越高，演员就在舞台前面，不会被通道低的演员遮挡。