高级英语第一册Blackmail的赏析

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高级英语Blackmail文段分析

高级英语Blackmail文段分析

Blackmail, the lesson we’ve learned, is an excerpt [ek'sə:pt, 'eksə:pt]from the novel Hotel, written by Arthur Hailey. And today, I will show u guys my understanding of the image which runs through the passage, the cigar smoke from the detective, Ogilvie. So, what’s the purpose of the author to describe this? What kind of meaning this image implies? What’s its function? Now, here we go.In general, there’re several points. First, the cigar smoke is a reflection of the detective’s character, a person who is impolite and vulgar ['vʌlɡə]. Second, the behavior of the detective with the cigar implies the change of the situation between the duchess and the detective. Last, if you are careful enough, u will notice that the whole conversation last within 2 cigars, showing this is an emergency.As we move on, I will do some detail explanations base on related paragraphs.Para 3: A wave of cigar smoke accompanied Ogilvie in.The image of smoke is always considered to be neutral ['nju:trəl] or even negative. This sentence describes the ve ry first time Ogilvie’s appearance, the author use the cigar smoke to let us feel that Ogilvie is an uninvited guest with unfriendly purpose.Para 5: Taking his time, Ogilvie removed the offending cigar, knocked off the ash and flipped the butt toward an ornamental fireplace on his right. He missed, and the butt fell upon the carpet where he ignored it.This is a series of moves that done by Ogilvie after hearing the disapproval towards his cigar from the Duchess. Even Ogilvie agreed to put off the cigar, but he was actually unwilling to do so. His cigar is offensive, so do his behavior. All he had done is nothing but disrespect.Para 16: He took out a fresh cigar and bit off the end.Para 21: He lit the fresh cigar.Para 23: The house detective took his time, leisurely puffing a cloud of blue cigar smoke, his eyes sardonically on the Duchess as if challenging her objection.As the conversation becoming closer and closer to the point, Ogilvie was sure about what kind of serious crime the noble Croydons ['krɔidən] had committed. Thinking of being the upper hands in the negotiation named as blackmail, Ogilvie began to smoke again; he knew that the Du ke and Duchess had to put up with it even they didn’t like his smoking. The reason is he was the advantage side, and he knew exactly the secret the couple wanted to hide.Para 42: He paused to puff again at the cigar as his listeners waited silently.P ara 108: At length Ogilvie spoke. “This cigar botherin’ you, Duchess?”As the story goes, the powerful Duchess tried to turn things around, she offered a big sum of money far more than the Ogilvie wanted and attempted to use Ogilvie’s greedy to help them fix the car in a proper way. Situation changed, now the initiative was back to the Duchess. Finally, Ogilvie agreed the deal, and he returned to be modest and humble.。

解析《Blackmail》一文肢体语言在人物塑造中的作用

解析《Blackmail》一文肢体语言在人物塑造中的作用

解析《Blackmail》一文肢体语言在人物塑造中的作用作者:周纯漪来源:《青年文学家》2014年第08期摘要:《Blackmail》节选自英国小说家Arthur Hailey的作品《Hotel》。

不少研究者已经从言语行为等理论分析了人物之间的权势关系体现人物之间的社会地位等。

本文拟从人物的肢体语言来分析人物性格的塑造。

关键词:《Blackmail》;肢体语言;人物塑造[中图分类号]:I106 [文献标识码]:A[文章编号]:1002-2139(2014)-08-0-01一.背景简介日常交流中语言被认为是必不可少的工具,然而肢体语言也扮演着重要的角色,肢体语言的作用已在心理学领域做过细致的研究。

有声语言诉诸于听觉系统,然而缺少了视觉上形象传递信息的功能。

所谓肢体语言就是人们在交谈时都会自觉或不自觉地用眼睛、面孔、身体来表达自己的感觉和态度。

因此,肢体语言在表达个人情感和态度,在体现人际关系方面起着举足轻重的作用。

《Blackmail》节选自英国小说家Arthur Hailey的作品《Hotel》,小说的主人公分别是公爵夫人、公爵、私家侦探奥格尔维。

作者塑造这三个人物时,不仅通过生动的语言来描述塑造三个不同的人物形象,而且通过丰富的肢体语言来体现人物性格特征,表现人物之间的较量,体现Blackmail一文的主题—敲诈与交易达成。

二.《Blackmail》中对主人公肢体语言的描述及其功能《Blackmail》中作者对三个主人公做了细致的肢体语言刻画,使人物形象更加生动丰满立体化。

以下是对文章中人物肢体语言描述得详细分析。

当私家侦探奥格尔维嘴叼着香烟带着挑衅的姿态出现在公爵夫人面前时,公爵夫人尖锐的眼神暗示奥格尔维—她的高贵身份不容挑衅:the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth。

但是,奥格尔维对公爵夫人的眼神毫不恐。

高级英语blackmail课文解析

高级英语blackmail课文解析

高级英语blackmail课文解析示例文章篇一:《<高级英语“Blackmail”课文解析>》哎呀,今天咱们就来说说高级英语里的那篇“Blackmail”吧。

这篇课文可真是像一场超级刺激的电影一样呢!一、故事中的人物课文里有好几个特别鲜明的人物呢。

首先就是那个公爵夫人,哇,她可真是个厉害的角色。

她就像是一只高傲的孔雀,穿着华丽的衣服,带着那种贵族特有的傲慢。

你看她,在面对事情的时候,总是想着怎么维护自己家族的名声,就像守着宝藏一样,这宝藏就是他们家族几百年来的声誉呀。

她说话的时候那种高高在上的感觉,真的让人觉得有点讨厌,可是又不得不佩服她的那种冷静。

然后就是那个叫奥格尔维的侦探。

他呀,就像一只狡猾的狐狸。

他知道公爵夫人和公爵的秘密,就想着从这个秘密里捞一笔。

他那胖胖的身体,看起来有点滑稽,可是他的眼睛里却透着那种精明的光。

他和公爵夫人的对话就像是一场激烈的战斗,两个人都在互相试探,互相揣摩对方的心思。

他说的每一句话都像是在给公爵夫人下套,想让她乖乖地把钱交出来。

还有公爵呢,虽然课文里对他描写得没有公爵夫人那么多,可是他就像一个影子一样,一直在背后影响着整个事情的发展。

他的错误就像一颗定时炸弹,随时都可能把他们家族的名声炸得粉碎。

二、情节的起伏这篇课文的情节就像坐过山车一样。

一开始,奥格尔维发现了公爵夫妇的秘密,然后他就大摇大摆地去见公爵夫人。

这时候,公爵夫人还不知道他的来意呢,还以为他只是来汇报一些普通的事情。

可是当奥格尔维慢慢地把秘密透露出来的时候,气氛一下子就紧张起来了。

就像突然有一片乌云遮住了阳光,房间里变得阴森森的。

公爵夫人一开始还试图用自己的身份来压奥格尔维,她觉得自己是贵族,这个小侦探肯定不敢对她怎么样。

她就像一只母狮子在保护自己的领地一样,充满了攻击性。

可是奥格尔维根本不吃这一套,他继续说着那些威胁的话。

这时候,公爵夫人开始慌了,她知道这个秘密要是被传出去,那可就不得了了。

高级英语第一册unit6 blackmail

高级英语第一册unit6 blackmail

The crowed hurled at the police . 人群大骂警察。
辨析:throw,cast,fling , heave, hurl ,pitch ,toss
throw 普通词,使用广泛,仅指用力抛掷,不涉及动作 方式或感情色彩。 cast 常可与throw互换,指迅速扔出一个重量较轻的物 体。 fling 用力抛摔,或因感情激动而粗暴地或漫无目的地扔 东西。 heave 指把重物举起后扔出 hurl 通常指用力投掷,动作迅猛,所投掷的距离也较远 。 pitch 指随意地轻轻地掷或扔,侧重方向性和有明确目标 。 toss 指无目的轻轻地随意地扔,所投掷的东西一般较轻 。
Let us learn the lessons already taught by such cruel experience . Let us redouble our exertions , and strike with united strength while life and power remain . (parallelism)(repetition ,Biblical style ) Repetition : It is a major rhetorical strategy in which sth. is doubly mentioned for producing emphasis clarity ,or emotion ,effect ,especially in oral speech.
这些是战争和镇压的工具-王权采取的最后的辩论手段。
metaphor
A metaphor is an imaginative way of describing something by referring to something else which is the same in a particular way. For example, if you want to say that someone is very shy and frightened of things, you might say that they are a mouse.

高级英语第一册unit6 blackmail

高级英语第一册unit6 blackmail
Blackmail
• Arthur Hailey
• Blackmail ( n.) :the obtaining of money or advancement by threatening to make known unpleasant facts about a person or group敲诈;勒索 ;(盗匪征收的)保护费;免 抢税 ( vt. )胁迫;勒索;敲诈;讹诈 • 随着故事的发展,作者对“讹诈”的对象进行巧妙 置换,从而使故事结局发生戏剧性逆转--由“侦探 长对公爵夫妇的讹诈”转为“公爵夫妇对侦探长 的讹诈”,旅馆警长由掌握罪证主动出击的强势 交际角色到被动服从的弱势社会角色的转换, 公爵夫人由被讹诈的弱势交际角色到强势社会 角色的回归,揭露社会权力拥有者对弱势阶层的 统治和控制。
• 6. the moon-faced male secretary: (line.9) • the moon – faced male用了暗喻的修辞。 在此暗指男秘书比较怯懦阴柔, 公爵夫妇 可以随时把他解雇。 • The use of male before secretary is to avoid possibility of the reader‟s assuming otherwise, for commonly in the U.S. secretaryship is the female profession.
• ① The chief house officer, Ogilvie, who had declared he would appear at the Croydons suite an hour after his cryptic telephone call actually took twice that time. As a result the nerves of both the Duke and Duchess were excessively frayed when the muted buzzer of the outer door eventually sounded.

高英3版第3课Blackmail 课文全文解析

高英3版第3课Blackmail 课文全文解析

BlackmailArthur Hailey○1The chief house officer, Ogilvie, who had declared he would appear at the Croydons suite an hour after his cryptic telephone call actually took twice that time. As a result the nerves of both the Duke and Duchess were excessively frayed when the muted buzzer of the outer door eventually sounded.○2The Duchess went to the door herself. Earlier she had dispatched her maid on an invented errand and, cruelly, instructed the moon-faced male secretary –who was terrified of dogs –to exercise the Bedlington terriers. Her own tension was not lessened by the knowledge that both might return at any moment.○3 A wave of cigar smoke accompanied Ogilvie in. When he had followed her to the living room, the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth. “My husband and I find strong smoke offensive. Would you kindly put that out."○4The house detective's piggy eyes surveyed her sardonically from his gross jowled face. His gaze moved on to sweep the spacious, well-appointed room, encompassing the Duke who faced them uncertainly, his back to a window.○5"Pretty neat set-up you folks got.” Taking his time, Ogilvie removed the offending cigar, knocked off the ash and flipped the butt toward an ornamental fireplace on his right. He missed, and the butt fell upon the carpet where he ignored it. ○6The Duchess's lips tightened. She said sharply, imagine you did not come here to discuss décor ".○7The obese body shook in an appreciative chuckle . "No, ma'am, can't say I did. I like nice things, though." He lowered the level of his incongruous falsetto voice." Like that car of yours. The one you keep here in the hotel. Jaguar, ain't it?"○8"Aah!" It was not a spoken word, but an emission of breath from the Duke of Croydon. His wife shot him a swift, warning glance.○9"In what conceivable way does our car concern you?”○10As if the question from the Duchess had been a signal, the house detective's manner changed. He inquired abruptly, "Who else is in this place?"○11It was the Duke who answered, "No one. We sent them out."○12"There's things it pays to check." Moving with surprising speed, the fat man walked around the suite, opening doors and inspecting the space behind them. Obviously he knew the room arrangement well. After reopening and closing the outer door, he returned, apparently satisfied, to the living room.○13The Duchess had seated herself in a straight-backed Ogilvie remained standing. ○14"Now then," he said. "You two was in the hit-'n-run ."○15She met his eyes directly." What are you talking about?"○16"Don't play games, lady. This is for real." He took out a fresh cigar and bit off the end, "You saw the papers. There's been plenty on radio, too."○17Two high points of color appeared in the paleness of the Duchess of Croydon's cheeks. "What you are suggesting is the most disgusting, ridiculous..."○18"I told you –Cut it out!” The words spat forth with sudden savagery , all pretense of blandness gone. Ignoring the Duke, Ogilvie waved the unlighted cigar under his adversary 's adversary 's nose. "You listen to me, your high-an'-mightiness. This city's burnin' mad – cops, mayor, everybody else. When they find who done that last night, who killed that kid an' its mother, then high-tailed it, they'll throw the book, and never mind who it hits, or whether they got fancy titles neither. Now I know what I know, and if I do what by rights I should, there'll be a squad of cops in here so fast you'll hardly see 'em. But I come to you first, in fairness, so's you could tell your side of it to me." The piggy eyes blinked, then hardened. " 'f you want it the other way, justsay so."○19The Duchess of Croydon – three centuries and a half of inbred arrogance behind her –did not yield easily. Springing to her feet, her face wrathful, gray-green eyes blazing, she faced the grossness of the house detective squarely. Her tone would have withered anyone who knew her well. “You unspeakable blackguard! How dare you!”○20Even the self-assurance of Ogilvie flickered for an instant. But it was the Duke of Croydon who interjected, "It's no go, old girl. I'm afraid. It was a good try." Facing Ogilvie, he said, "What you accuse us of is true. I am to blame. I was driving the car and killed the little girl."○21"That's more like it," Ogilvie said. He lit the fresh cigar. "Now we're getting somewhere."○22Wearily, in a gesture of surrender, the Duchess of Croydon sank back into her chair. Clasping her hands to conceal their trembling, she asked. "What is it you know?"○23"Well now, I'll spell it out." The house detective took his time, leisurely putting a cloud of blue cigar smoke, his eyes sardonically on the Duchess as if challenging her objection. But beyond wrinkling her nose in distaste, she made no comment.○24Ogilvie pointed to the Duke. "Last night, early on, you went to Lindy's Place in Irish Bayou. You drove there in your fancy Jaguar, and you took a lady friend. Leastways, I guess you'd call her that if you're not too fussy."○25As Ogilvie glanced, grinning, at the Duchess, the Duke said sharply, "Get on with it!"○26"Well" – the smug fat face swung back – "the way I hear it, you won a hundred at the tables, then lost it at the bar. You were into a second hundred –with a real swinging party – when your wife here got there in a taxi. "○27"How do you know all this?"○28"I'll tell you, Duke –I've been in this town and this hotel a long time. I got friends all over. I oblige them; they do the same for me, like letting me know what gives, an’ where. There ain't much, out of the way, which people who stay in this hotel do, I don't get to hear about. Most of ’em never know I know, or know me. They think they got their little secret tucked away , and so they have – except like now."○29The Duke said coldly, "I see."○30"One thing I'd like to know. I got a curious nature, ma’ am. How'd you figure where he was?"○31The Duchess said, "You know so much... I suppose it doesn't matter. My husband has a habit of making notes while he is telephoning. Afterward he often forgets to destroy them. ”○32The house detective clucked his tongue reprovingly . "A little careless habit like that, Duke – look at the mess it gets you in. Well, here's what I figure about the rest. You an' your wife took off home, you drivin', though the way things turned out it might have been better if she'd have drove."○33"My wife doesn't drive."○34Ogilvie nodded understandingly. "Explains that one. Anyway, I reckon you were lickered ( = liquored ) up, but good..."○35The Duchess interrupted. "Then you don't know! You don't know anything for sure! You can't possibly prove..."○36"Lady, I can prove all I need to."○37The Duke cautioned, "Better let him finish, old girl."○38"That's right," Ogilvie said. "Just sit an' listen. Last night I seen you come in –through the basement, so's not to use the lobby. Looked right shaken, too, the pair of you. Just come in myself, an' I got to wondering why. Like I said, I got a curious nature."○39The Duchess breathed, "Go on."○40"Late last night the word was out about the hit-'n-run. On a hunch I went over the garage and took a quiet look-see at your car. You maybe don't know – it's away in a corner, behind a pillar where the jockeys don't see it when they're comin' by."○41The Duke licked his lips. "I suppose that doesn't matter now."○42"You might have something there," Ogilvie conceded. "Anyway, what I found made me do some scouting -- across at police headquarters where they know me too." He paused to puff again at the cigar as his listeners waited silently. When the cigar tip was glowing he inspected it, then continued. "Over there they got three things to go on. They got a headlight trim ring which musta come off when the kid an’ the woman was hit. They got some headlight glass, and lookin’ at the kid's clothin', they reckon there'll be a brush trace. "○43"A what?"○44"You rub clothes against something hard, Duchess, specially if it's shiny like a car fender, say, an' it leaves a mark the same way as finger prints. The police lab kin pick it up like they do prints –dust it, an’ it shows."○45"That's interesting," the Duke said, as if speaking of something unconnected with himself. "I didn't know that."○46"Not many do. In this case, though, I reckon it don't make a lot o' difference. On your car you got a busted headlight, and the trim ring's gone. Ain't any doubt they'd match up, even without the brush trace an’ the blood. 0h yeah, I should a told you. There's plenty of blood, though it don't show too much on the black paint."○47"Oh, my God!" A hand to her face, the Duchess turned away.○48Her husband asked, "What do you propose to do?"○49The fat man rubbed his hands together, looking down at his thick, fleshy fingers. "Like I said, I come to hear your side of it."○50The Duke said despairingly, “What can I possibly say? You know what happened.” He made an attempt to square his shoulders which did not succeed. “You'd better call the police and get it over.”○51“Well now, there's no call for being hasty .” The incongruous falsetto voice took on a musing note. “What's done's been done. Rushing any place ain't gonna bring back the kid nor its mother neither. Besides, what they'd do to you across at the headquarters, Duke, you wouldn't like. No sir, you wouldn't like it at all.”○52The other two slowly raised their eyes.○53“I was hoping,” Ogilvie said, “that you folks could suggest something.”○54The Duke said uncertainly, “I don't understand.”○55“I understand,” the Duchess of Croydon said. “You want money, don't you? You came here to blackmail us.”○56If she expected her words to shock, they did not succeed. The house detective shrugged. “Whatever names you call things, ma'am, don't matter to me. All I come for was to help you people out of trouble. But I got to live too.”○57”You'd accept money to keep silent about what you know?”○58”I reckon I might.”○59”But from what you say,”the Duchess pointed out, her poise for the moment recovered, “it would do no good. The car would be discovered in any case.”○60”I guess you'd have to take that chance. But there's some reasons it might not be. Something I ain't told you yet.”○61“Tell us now, please.”○62Ogilvie said, “I ain't figured this out myself completely. But when you hit that kid you was going away from town, not to it.”○63”We'd made a mistake in the route,” the Duchess said. “Somehow we'd becometurned around. It's easily done in New Orleans, with the street winding as they do. Afterward, using side streets, we went back. “○64“I thought it might be that,”Ogilvie nodded understandingly. “But the police ain't figured it that way. They’re looking for somebody who was headed out. That's why, right now, they're workin' on the suburbs and the outside towns. They may get around to searchin' downtown, but it won't be yet. “○65“How long before they do?”○66“Maybe three, four days. They got a lot of other places to look first.”○67“ How could that help us --- the delay‘?”○68“It might,” Ogilvie said. “Providin' nobody twigs the car – an' seein' where it is, you might be lucky there. An' if you can get it away.”○69“You mean out of the state?”○70“I mean out o’ the South.”○71“That wouldn't be easy?”○72“No, ma'am. Every state around – Texas, Arkansas, Mississippi, Alabama, all the rest'll be watching for a car damaged the way yours is.”○73The Duchess considered. “Is there any possibility of having repairs made first? If the work were done discreetly we could pay well. “○74The house detective shook his head emphatically. “You try that, you might as well walk over to headquarters right now an' give up. Every repair shop in Louisiana's been told to holler 'cops' the minute a car needing fixin' like yours comes in. They'd do it, too. You people are hot.”○75The Duchess of Croydon kept firm, tight rein on her racing mind. It was essential, she knew, that her thinking remain calm and reasoned. In the last few minutes the conversation had become as seemingly casual as if the discussion were of some minor domestic matter and not survival itself. She intended to keep it that way. Once more,she was aware, the role of leadership had fallen to her, her husband now a tense but passive spectator of the exchange between the evil tat man and herself. No matter. What was inevitable must be accepted. The important thing was to consider all eventualities. A thought occurred to her.○76“The piece from our car which you say the police have. What is it called?”○77“A trim ring.”○78“Is it traceable?”○79Ogilvie nodded affirmatively. “They can figure what kind o' car it's from --- make, model, an' maybe the year, or close to it. Same thing with the glass. But with your car being foreign, it'll likely take a few days.”○80“But after that,”she persisted, “the police will know they're looking for a Jaguar?”○81“I reckon that 's so. “○82Today was Tuesday. From all that this man said, they had until Friday or Saturday at best. With calculated coolness the Duchess reasoned: the situation came down to one essential. Assuming the hotel man was bought off, their only chance -- a slim one -- lay in removing the car quickly, If it could be got north, to one of the big cities where the New Orleans tragedy and search would be unknown, repairs could be made quietly, the incriminating evidence removed. Then, even if suspicion settled on the Croydons later, nothing could be proved. But how to get the car away?○83Undoubtedly what this oafish detective said was true: As well as Louisiana, the other states through which the car would have to pass would be alert and watchful. Every highway patrol would be on the lookout for a damaged head-light with a missing trim ring. There would probably be road-blocks. It would be hard not to fall victim to some sharpeyed policeman.○84But it might be done. If the car could be driven at night and concealed by day. There were plenty of places to pull off the highway and be unobserved. It would behazardous, but no more than waiting here for certain detection. There would be back roads. They could choose an unlikely route to avoid attention.○85But there would be other complications ... and now was the time to consider them. Traveling by secondary roads would be difficult unless knowing the terrain. The Croydons did not. Nor was either of them adept at using maps. And when they stopped for petrol, as they would have to, their speech and manner would betray them, making them conspicuous . And yet ... these were risks which had to be taken.○86Or had they?○87The Duchess faced Ogilvie. “How much do you want?”○88The abruptness took him by surprise. “Well ... I figure you people are pretty well fixed.”○89She said coldly, “I asked how much.”○90The piggy eyes blinked. Ten thousand dollars.”○91Though it was twice what she had expected, her expression did not change. “Assuming we paid this grotesque amount, what would we receive in return?”○92The fat man seemed puzzled. “Like I said, I keep quiet about what I know.”○93“And the alternative ?”○94He shrugged. “I go down the lobby. I pick up a phone. “○95“No,” The statement was unequivocal . “We will not pay, you.”○96As the Duke of Croydon shifted uneasily, the house detective's bulbous countenance reddened, “Now listen, lady…”○97Peremptorily she cut him oft. “I will not listen. Instead, you will listen to me.”Her eyes were riveted on his face, her handsome, high cheek boned features set in their most imperious mold. “We would achieve nothing by paying you, except possibly a few days' respite . You have made that abundantly clear.”○98“That's a chance you gotta...”○99“Silence!” Her voice was a whiplash. Eyes bored into him. Swallowing, sullenly , he complied .100 What came next, the Duchess of Croydon knew, could be the most significant thing she had ever done. There must be no mistake, no vacillation or dallying because of her own smallness of mind. When you were playing for the highest stakes, you made the highest bid. She intended to gamble on the fat man's greed. She must do so in such a way as to place the outcome beyond any doubt.101 She declared decisively, “We will not pay you ten thousand dollars. But we will pay you twenty-five thousand dollars.”102 The house detective's eyes bulged.103 “In return for that,” she continued evenly, “You will drive our car north.”104 Ogilvie continued to stare.105 “Twenty-five thousand dollars,”she repeated. “Ten thousand now. Fifteen thousand more when you meet us in Chicago.”106 Still without speaking, the fat man licked his lips. His beady eyes, as if unbelieving, were focused upon her own. The silence hung.107 Then, as she watched intently, he gave the slightest of nods.108 The silence remained. At length Ogilvie spoke. “This cigar bother in' you, Duchess?”109 As she nodded, he put it out.(from Hotel, 1965)。

高级英语blackmail的主题

高级英语blackmail的主题

高级英语中的《Blackmail》主题包括:
黑市交易:文章中提到了一个黑市交易,这表明在现实生活中存在这种不道德的行为。

作者通过描述这种交易来探讨社会道德问题,并表达对社会现象的关注。

贪婪和欺骗:文章中涉及了贪婪和欺骗的主题。

主人公为了自己的利益而利用别人的弱点,这表明了人性的阴暗面。

同时,文章也揭示了贪婪和欺骗可能导致的后果。

人性的弱点:文章中的主人公展现出人性的弱点,如贪婪、自私等。

这种揭示让读者思考人类行为的本质和社会道德的问题。

道德选择:文章中主人公面临道德选择的问题。

在面对贪婪和自私的诱惑时,他选择了追求自己的利益而牺牲别人的利益。

这种道德选择引发了读者的思考,探讨什么是正确的道德选择。

社会影响:文章中的黑市交易对社会产生了负面影响。

这种非法交易的存在不仅破坏了社会秩序,还可能导致不良后果。

因此,作者呼吁读者关注社会问题,并思考如何改善社会环境。

综上所述,《Blackmail》主题涉及黑市交易、贪婪和欺骗、人性的弱点、道德选择以及社会影响等方面,旨在引起读者对社会现象的关注和思考。

高级英语第一册lesson6-Blackmail-课文详解2-detail-study、背景知识、文章结构及修辞学习

高级英语第一册lesson6-Blackmail-课文详解2-detail-study、背景知识、文章结构及修辞学习

高级英语第一册lesson6-Blackmail-课文详解2-detail-study、背景知识、文章结构及修辞学习高级英语第一册lesson6 Blackmail 课文详解2 detail study、背景知识、文章结构及修辞学习2008-02-11 12:11:18| 分类:默认分类| 标签:|字号大中小订阅高级英语第一册lesson6 Blackmail 课文详解2 detail study、背景知识、文章结构及修辞学习2007年01月01日星期一下午11:4896. bulbous: shaped like a bulb, swelling and disgustingly fat and roundbulbous dome / nose97. peremptorily: (fml) showing an expectation of being obeyed at once and without questi on, impolitely and unfriendly, commanding, insisting obedience98. rivet: metal pin for fasten plates.to hold or fasten with or as if with rivetscf: glare, stare, fix99. feature: any of the noticeable parts of the facea man with Oriental featuresHer mouth is her worst feature / best feature, like a cherry.100. set in a mould:When you take a picture, you set your body, your countenance ...in a certain way. That is to set in a mould.(A lame one-eyed king taking a picture)mould (Am.E) = mould (Br.E): character, distinctive nature, a person's character, nature, et c., considered as having been shaped by family type, education, training, experience, etc.Be cast in a mould of a particular kind means to have the characteristics, attitudes, behavio ur or lifestyle that are typical of that kind of personbe made / cast in mould ofHe is made in his father's mould. (He has the same personality and character as his father' s)101. imperious: in tensely compelling, marked by arrogant assurance, dominating. This wo rd is related to imperial.The whole sentence can be paraphrased as follows:Her handsome high-cheekboned features were set in a way which shows her imperial char acter.102. respite: a short period of pause or rest, during a time of great effort pain, or trouble, a t ime of relief (as from labour, suffering or war) or delay (as before sentencing or executing).The patient said he never had any respite from the pain.Sentence sb. to death with 2-years' respite.103. bore: make a hole inThis machine can bore through solid rock.104. swallow: to take back, to keep from expressing or showing, to accept without question ing, protest or resentmentto swallow one's words: take back what was said105. sullen: silently bad-tempered, unforgiving, dark, gloomylook sullen, to wear a sullen look106. comply: act according to a demand, order, ruleto comply with the law / regulations107. vacillation: hesitation, uncertainty, waver, continuous changing of one's opinionsThis word implies prolonged hesitation resulting from one's inability to reach a decisionHe vacillates between accepting & not accepting.The earthquake caused the entire house vacillate.108. dally: to waste time or be slowDon't dally or we'll be late.dally over one's work109. bulge: to swell out as a result of the pressure from within110. bead: small ball of glass or other material with a hole through it for a string worn with other others on a thread, esp. round the neck for ornament.She is wearing a string of green beads.背景知识Background informationTitle of the novel: HotelSetting:The story happened in a hotel named St. Gregory /'greg ri/ in New Orleans, Louisiana which is in the south of US.Main character of the novel:Peter McDermott, assistant general managerMain characters in this part of the novel:Ogilvie: chief house officerthe Duke of Croydon: newly appointed British ambassador to the United Statesthe Duchess of Croydon: wife of the Dukea prostitute called lady friend by OgilviePlot:Gregory was now at the brink of bankruptcy, but Peter McDermott is trying every means he could to save it.Several events happened during the week with the present text as part of it.The Duke of Croydon was an internationally famous statesman and the newly appointed Br itish ambassador to Washington. They occupied the best suite of the hotel.Monday evening, the Duke went to the gambling house. Later, his wife pursued and found him. On their way back, the car Jaguar knocked down a woman and her child. Both killed.Then we have the present text....At one o'clock Thursday morning, Ogilvie drove the car north. But he was seen leaving the hotel by McDermott. Later in the afternoon, McDermott witnessed the funeral of the two victims o f the accident. He suddenly realized the relation between these two events and contacted police.Ogilvie was caught in Tennessee and sent back to New Orleans.The Duke decided to go to the police to confess his crime (to surrender himself / to give hi mself up). But he was hurled out the elevator due to the breakdown of it. He hit the cement groun d and died instantly.Anyway, the novel had a pleasant ending.One of the guests, who looked old and sick, turned out to be a millionaire. Earlier he was s eriously ill and was saved by McDermott and his girl friend. To show his gratitude and to repay t he hotel staffs' kindness, he bought the hotel and appointed McDermott executive vice president of the hotel.This kind of novels are called thrillers. Generally defining, a thriller is a work of fiction or dr ama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense. (thrill: to cause sudden strong feeling of joy, fear, excitement, pleasure etc. that seems to flow r ound the body like a wave)Others can be called cop-criminal novels, detective novels. The main purpose is for enterta inment, amusement. Very often this kind of novels contain a lot of action, usu. suspension, not v ery much deep thought, without moral intention, not considered classic.The basic technique is to make the whole story of crime into sth. like a jigsaw puzzle. You c an not see the outcome until the final part is put in.文章结构Structural and stylistic analysisPart 1. PreludeThe chief house officer...Ogilvie remained standing {p.84 (old book, ditto)}.Section 1. The chief house officer...that both might return at any moment.The setting, main characters, and the suspension.Section 2. A wave of cigar smoke...Ogilvie remained standing.The preliminary encounter between the house detective and the Croydons.Part 2: Process of unveiling the crimeNow then...the Duchess turned away (p. 89).Section 1. Now then...Now we're getting somewhere (p. 86).First round of clash. the Duke confessed his crime.Section 2. Wearily, in a gesture...I can prove all I need to (p.87).Second round of clash. Ogilvie spelt out what he found out about the activity of the Croydo ns and tried to confirm all the detailed. The Duchess tried to win back the upper hand.Section 3. The Duke cautioned...the Duchess turned away (p. 89).The Croydons realized that they were convicted of the crime. The conviction was undeniabl e.Part 3. The Dirty DealSection 1. Her husband asked...You people are hot (p.91).Eliminating the possibility of having the car repaired in New Orleans.The possibility of not being found.Section 2. The Duchess ...Or had they? (p. 93)The interior monologue of the Duchess. Her judgement, analysis and calculation of the situ ation, weighing the advantages and disadvantages, the pros and cons.Section 3. (The Duchess faced Ogilvie... the silence hung (p. 94)The Duchess' decision to gamble on the greed of the house detective.Section 4. The ending.The dirty deal reached.修辞学习RHETORICMetaphor:...the nerves of both ... were excessively frayed...his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind. Her voice was a whiplash.eyes bored into himI’ll spell it out.Euphemism:...and you took a lady friend.Metonymy:won 100 at the tableslost it at the barthey'll throw the book,...Onomatopoeia:appreciative chuckleclucked his tongue。

高级英语(第三版)第一册第三课 Blackmail

高级英语(第三版)第一册第三课 Blackmail

• The story of Hotel:
• The setting: the St. Gregory Hotel, the largest in New Orleans, Louisiana. From Monday to Friday. The Hotel is experiencing a crisis of being forced to be sold to a chain hotel owner.
• The events: in the crisis, there are four knotty problems that face the Hotel managers: dealing with an attempted rape in a room; catching a thief operating in the hotel; several hundreds of dentists threatening to leave the hotel in protest against the hotel’ objection to serving a black dentist, and finally the case of the Duke of Croydon.
The symbolic sign of Ogilvie’s cigar
• Para 41: ---he paused to puff again at the cigar as his listeners waited silently. When the cigar tip was glowing he inspected it.
The development of the story Section One (1-21): The Duchess’ denying the crime SectionTwo(22-55): Ogilvie’s presenting evidences Section Three(56-101): Negotiating Section Four(102-109): Making a deal Climax: But we will pay you twenty-five thousand dollars.

高级英语第一册Blackmail的赏析

高级英语第一册Blackmail的赏析

BlackmailAbout the author.This novel is written by Arthur Hailey.He is a bestsellers novelist. Born in Luton, Bedfordshire, England, Hailey served in the Royal Air Force from the start of W orld W ar II during 1939 until 1947, when he went to live in Canada. Hailey's last novel, Detective(1997), is a mystery told from the perspective of a Miami homicide detective. This detective also happens to be a former Catholic priest who has lost his religion; the work deals with themes of religion and questions the Catholic Church. Hailey told the Walden Book Report that his aim in writing this book was to share his own thoughts about religion without "mak[ing] it a lecture." He says that he lost his own faith while serving in Cyprus during World W ar II, and that since ex-priests have many occupations he might as well give his protagonist an exciting one.After working at a number of jobs and writing part-time, he became a writer full-time during 1956.Following the success of Hotel during 1965, he moved to California; in 1969, he moved to the Bahamas to avoid Canadian and U.S. income taxes, which were claim ing 90% of his incom e.H is best sellers include:Hotel,Airport,Wheels,The Final Diagnosis and The Moneychangers.About the best sellers of authorEach of his novels has a different industrial or commercial setting and includes, in addition to dramatic human conflict, carefully researched information about the way that particular environment and system functions and how these affect society and its inhabitants.Critics often dismissed Hailey's success as the result of a formulaic "potboilera" style, in which he caused an ordinary character to become involved in a crisis, then increased the suspense by switching among multiple related plot lines. However, he was so popular with readers that his books were almost guaranteed to become best-sellers.He would spend about one year researching a subject, followed by six months reviewing his notes and, finally, about 18 months writing the book. That aggressive research—tracking rebel guerrillas in the Peruvian jungle at age 67 for The Evening News(1990), or reading 27 books on the hotel industry for Hotel—gave his novels a realism that appealed to readers, even as some critics complained that he used it to disguise a lack of literary talent.Many of his books reached 1 on the New Y ork Times bestseller list and more than 170 million copies have been sold worldwide in 40 languages. Many have been made into movies and Hotel was made into a long-running television series.Airport becamea successful film with dramatic visual effects.About the background.The story happened in a hotel named St. Gregory in New Orleans, Louisiana which is in the south of US.The text is only a part of the nove,Hotel.W e can see three main characters in this text.O gilvie: chief house officer.the Duke of Croydon: newly appointed British ambassador to the United States.the Duchess of Croydon: wife of the Duke.This kind of novels are called thrillers. Generally defining, a thriller is a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense. Others can be called cop-criminal novels, detective novels. The main purpose is for entertainment, amusement. V ery often this kind of novels contain a lot of action, usu. suspension, not very much deep thought, without moral intention, not considered classic.The basic technique is to make the whole story of crime into sth. like a jigsaw puzzle. Y ou can not see the outcome until the final part is put in.About the plot.Gregory was now at the brink of bankruptcy, but Peter McDermott is trying every means he could to save it.Several events happened during the week with the present text as part of it.The Duke ofCroydon was an internationally famous statesman and the newly appointed British ambassador to W ashington. They occupied the best suite of the hotel. Monday evening, the Duke went to the gambling house. Later, his wife pursued and found him. On their way back, the car Jaguar knocked down a woman and her child. Both killed.Ogilvie found the crime and blackmailed the Duke and the Duchess.He managed to make the Duke and the Duchess believe that he would bring the crime to light if his demand was not satisfied.The Duchess came up with a good idea in order to avoid punishment.She would like Ogilvie drive the car away from the city.In the end,the couple paid Ogilvie money and the dirty deal was done.And then,At one o'clock Thursday morning, Ogilvie drove the car north. But he was seen leaving the hotel by McDermott. Later in the afternoon, McDermott witnessed the funeral of the two victims of the accident. He suddenly realized the relation between these two events and contacted police.Ogilvie was caught in Tennessee and sent back to New Orleans. The Duke decided to go to the police to confess his crime (to surrender himself / to give himself up). But he was hurled out the elevator due to the breakdown of it. He hit the cement ground and died instantly.Anyway, the novel had a pleasant ending.One of the guests, who looked old and sick, turned out to be a millionaire. Earlier he was seriously ill and was saved by McDermott and his girl friend. To show his gratitude and to repay the hotel staffs' kindness, he bought the hotel and appointed McDermott executive vice president of the hotel.About the structure.The novel is writed by the order of time.W e can see the prelude,the process of unveiling the crime and the dirty deal. I think this novel can be devided into four parts. Parts 1,from the chief house officer to “In what way conceivable way”.Three main characters stepped into the stage and we can feel the tension of the atmosphere.Ogilvie acted in a vugal and uncouth way and showed contempt to the Duke and the Duchess. And the Duchess, although nervours,are still brash and thrusting.The part one provided characters and suspense for us.Why did Ogilvie act so rudely to the the Duke and the Duchess?Part 2, from As if the question from to p96 The Duke licked his lips.In this part, Ogilvie exposed the truth of car accident and the Duke admitted the crumbled was him .And the brash expression of Duke and the Duchess was faded away.They were feared and weak .Ogilvie became more proud and ruder.Part 3,from Y ou might have something there to I reckon that’s so.In this part ,Ogilvie disclosed more hidenthing in the accident and revealed the evidence he knew and tried to confirm all the detailed. The Duchess tried to win back the upper hand.And then,The Croydons realized that they were convicted of the crime. The conviction was undeniable.Part 4,from Today was Tuesday to the end.The Duchess eliminated the possibility of having the car repaired in New Orleans and found no possibility.So she agreed to pay Ogilvie and let him drive the car away. The dirty deal reached.About the details.I found some interesting details in the text. The novel is colourful and impressive beacause these details.Details 1, the cigar of Ogilvie.The cigar is mentioned five times in this text and the number of the descriptions of the conflict about putting out the cigar between the Duchess and Ogilvie are three.The cigar is a imorpant prop of Ogilvie.Sometimes it was waved violently, indicting the anger and excitment of the master.At the beginning of the text,A wave of cigar smoke accompanied Ogilvie in. ThisAbout the conflict about putting out the cigar,we can see the converstion below.the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth.“My husband and I find strong smoke offensive.W ould you kindly put that out.”Proper polite,but firm and proud.Although the Duchess was nervours,she still kept the nobleclass.She didn’t know what happened.However, when Ogilvie unveiled the crime , we can dramaly see: The house detective took his time,leisurely puffing a cloud of blue cigar smoke,his eyes sardonically on the Duchess as if challenging her objection.But beyond wrinkling her nose in distance, she made no comment.This is a contrast, which show the change of the attitude of the Duchess. She had the handle in hand of Ogilvie.So she chose silence and beared the impolite behaviour.And Ogilvie was smoking leisurely all the time after that.When the Duchess agreed to pay Ogilvie money ,the situation bagan to change.At length Ogivie spoke,This cigar botherin’ you ,Duchess?”As she nodded,he put it out.Ogilvie got the promise that he can get dollars,so his attitude towards the Duchess changed.He became the slave of money.Detail 2,the change of Ogilvie’s eye in the end of the text.Eyes bored into him. The house detetive’s eyes bulged. His beady eyes,as if unbelieving, were focused upon her own.The description go forward one by one,implying the greedy and surprising of the detetive.About the writing techniqueIn order to depict Ogilvie, the author added many informal,ugrammatical and slangy language into the conversitions of Ogilvie.For example,Th is cigar botherin’you ,Duchess?,gotta,shulda,etc.so we can infer that Ogilvie is uneducated .Besides ,the author use a lot of physical descriptions to Ogilvie and he emphasize his eyes.The house detective’s eyes .the piggy eyes blinked.Compared to the Duch, the Duchess is more acttrctive and impressive.In the text ,the autor use two long paragraphs psychological description to depict the careful calculation and strict budgeting of the Duchess. It seems that she faced Ogilvie by her own.About the rhetoricMetaphor:...the nerves of both ... were excessively frayed...his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind.Her voice was a whiplash.eyes bored into himI’ll spell it out.Euphemism:...and you took a lady friend.Metonymy:won 100 at the tableslost it at the barthey'll throw the book,...Onomatopoeia: appreciative chuckle clucked his tongue。

高英3版第3课Blackmail 课文全文解读

高英3版第3课Blackmail 课文全文解读

BlackmailArthur Hailey○1The chief house officer, Ogilvie, who had declared he would appear at the Croydons suite an hour after his cryptic telephone call actually took twice that time. As a result the nerves of both the Duke and Duchess were excessively frayed when the muted buzzer of the outer door eventually sounded.○2The Duchess went to the door herself. Earlier she had dispatched her maid on an invented errand and, cruelly, instructed the moon-faced male secretary –who was terrified of dogs –to exercise the Bedlington terriers. Her own tension was not lessened by the knowledge that both might return at any moment.○3 A wave of cigar smoke accompanied Ogilvie in. When he had followed her to the living room, the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth. “My husband and I find strong smoke offensive. Would you kindly put that out."○4The house detective's piggy eyes surveyed her sardonically from his gross jowled face. His gaze moved on to sweep the spacious, well-appointed room, encompassing the Duke who faced them uncertainly, his back to a window.○5"Pretty neat set-up you folks got.” Taking his time, Ogilvie removed the offending cigar, knocked off the ash and flipped the butt toward an ornamental fireplace on his right. He missed, and the butt fell upon the carpet where he ignored it. ○6The Duchess's lips tightened. She said sharply, imagine you did not come here to discuss décor ".○7The obese body shook in an appreciative chuckle . "No, ma'am, can't say I did. I like nice things, though." He lowered the level of his incongruous falsetto voice." Like that car of yours. The one you keep here in the hotel. Jaguar, ain't it?"○8"Aah!" It was not a spoken word, but an emission of breath from the Duke of Croydon. His wife shot him a swift, warning glance.○9"In what conceivable way does our car concern you?”○10As if the question from the Duchess had been a signal, the house detective's manner changed. He inquired abruptly, "Who else is in this place?"○11It was the Duke who answered, "No one. We sent them out."○12"There's things it pays to check." Moving with surprising speed, the fat man walked around the suite, opening doors and inspecting the space behind them. Obviously he knew the room arrangement well. After reopening and closing the outer door, he returned, apparently satisfied, to the living room.○13The Duchess had seated herself in a straight-backed Ogilvie remained standing. ○14"Now then," he said. "You two was in the hit-'n-run ."○15She met his eyes directly." What are you talking about?"○16"Don't play games, lady. This is for real." He took out a fresh cigar and bit off the end, "You saw the papers. There's been plenty on radio, too."○17Two high points of color appeared in the paleness of the Duchess of Croydon's cheeks. "What you are suggesting is the most disgusting, ridiculous..."○18"I told you –Cut it out!” The words spat forth with sudden savagery , all pretense of blandness gone. Ignoring the Duke, Ogilvie waved the unlighted cigar under his adversary 's adversary 's nose. "You listen to me, your high-an'-mightiness. This city's burnin' mad – cops, mayor, everybody else. When they find who done that last night, who killed that kid an' its mother, then high-tailed it, they'll throw the book, and never mind who it hits, or whether they got fancy titles neither. Now I know what I know, and if I do what by rights I should, there'll be a squad of cops in here so fast you'll hardly see 'em. But I come to you first, in fairness, so's you could tell your side of it to me." The piggy eyes blinked, then hardened. " 'f you want it the other way, justsay so."○19The Duchess of Croydon – three centuries and a half of inbred arrogance behind her –did not yield easily. Springing to her feet, her face wrathful, gray-green eyes blazing, she faced the grossness of the house detective squarely. Her tone would have withered anyone who knew her well. “You unspeakable blackguard! How dare you!”○20Even the self-assurance of Ogilvie flickered for an instant. But it was the Duke of Croydon who interjected, "It's no go, old girl. I'm afraid. It was a good try." Facing Ogilvie, he said, "What you accuse us of is true. I am to blame. I was driving the car and killed the little girl."○21"That's more like it," Ogilvie said. He lit the fresh cigar. "Now we're getting somewhere."○22Wearily, in a gesture of surrender, the Duchess of Croydon sank back into her chair. Clasping her hands to conceal their trembling, she asked. "What is it you know?"○23"Well now, I'll spell it out." The house detective took his time, leisurely putting a cloud of blue cigar smoke, his eyes sardonically on the Duchess as if challenging her objection. But beyond wrinkling her nose in distaste, she made no comment.○24Ogilvie pointed to the Duke. "Last night, early on, you went to Lindy's Place in Irish Bayou. You drove there in your fancy Jaguar, and you took a lady friend. Leastways, I guess you'd call her that if you're not too fussy."○25As Ogilvie glanced, grinning, at the Duchess, the Duke said sharply, "Get on with it!"○26"Well" – the smug fat face swung back – "the way I hear it, you won a hundred at the tables, then lost it at the bar. You were into a second hundred –with a real swinging party – when your wife here got there in a taxi. "○27"How do you know all this?"○28"I'll tell you, Duke –I've been in this town and this hotel a long time. I got friends all over. I oblige them; they do the same for me, like letting me know what gives, an’ where. There ain't much, out of the way, which people who stay in this hotel do, I don't get to hear about. Most of ’em never know I know, or know me. They think they got their little secret tucked away , and so they have – except like now."○29The Duke said coldly, "I see."○30"One thing I'd like to know. I got a curious nature, ma’ am. How'd you figure where he was?"○31The Duchess said, "You know so much... I suppose it doesn't matter. My husband has a habit of making notes while he is telephoning. Afterward he often forgets to destroy them. ”○32The house detective clucked his tongue reprovingly . "A little careless habit like that, Duke – look at the mess it gets you in. Well, here's what I figure about the rest. You an' your wife took off home, you drivin', though the way things turned out it might have been better if she'd have drove."○33"My wife doesn't drive."○34Ogilvie nodded understandingly. "Explains that one. Anyway, I reckon you were lickered ( = liquored ) up, but good..."○35The Duchess interrupted. "Then you don't know! You don't know anything for sure! You can't possibly prove..."○36"Lady, I can prove all I need to."○37The Duke cautioned, "Better let him finish, old girl."○38"That's right," Ogilvie said. "Just sit an' listen. Last night I seen you come in –through the basement, so's not to use the lobby. Looked right shaken, too, the pair of you. Just come in myself, an' I got to wondering why. Like I said, I got a curious nature."○39The Duchess breathed, "Go on."○40"Late last night the word was out about the hit-'n-run. On a hunch I went over the garage and took a quiet look-see at your car. You maybe don't know – it's away in a corner, behind a pillar where the jockeys don't see it when they're comin' by."○41The Duke licked his lips. "I suppose that doesn't matter now."○42"You might have something there," Ogilvie conceded. "Anyway, what I found made me do some scouting -- across at police headquarters where they know me too." He paused to puff again at the cigar as his listeners waited silently. When the cigar tip was glowing he inspected it, then continued. "Over there they got three things to go on. They got a headlight trim ring which musta come off when the kid an’ the woman was hit. They got some headlight glass, and lookin’ at the kid's clothin', they reckon there'll be a brush trace. "○43"A what?"○44"You rub clothes against something hard, Duchess, specially if it's shiny like a car fender, say, an' it leaves a mark the same way as finger prints. The police lab kin pick it up like they do prints –dust it, an’ it shows."○45"That's interesting," the Duke said, as if speaking of something unconnected with himself. "I didn't know that."○46"Not many do. In this case, though, I reckon it don't make a lot o' difference. On your car you got a busted headlight, and the trim ring's gone. Ain't any doubt they'd match up, even without the brush trace an’ the blood. 0h yeah, I should a told you. There's plenty of blood, though it don't show too much on the black paint."○47"Oh, my God!" A hand to her face, the Duchess turned away.○48Her husband asked, "What do you propose to do?"○49The fat man rubbed his hands together, looking down at his thick, fleshy fingers. "Like I said, I come to hear your side of it."○50The Duke said despairingly, “What can I possibly say? You know what happened.” He made an attempt to square his shoulders which did not succeed. “You'd better call the police and get it over.”○51“Well now, there's no call for being hasty .” The incongruous falsetto voice took on a musing note. “What's done's been done. Rushing any place ain't gonna bring back the kid nor its mother neither. Besides, what they'd do to you across at the headquarters, Duke, you wouldn't like. No sir, you wouldn't like it at all.”○52The other two slowly raised their eyes.○53“I was hoping,” Ogilvie said, “that you folks could suggest something.”○54The Duke said uncertainly, “I don't understand.”○55“I understand,” the Duchess of Croydon said. “You want money, don't you? You came here to blackmail us.”○56If she expected her words to shock, they did not succeed. The house detective shrugged. “Whatever names you call things, ma'am, don't matter to me. All I come for was to help you people out of trouble. But I got to live too.”○57”You'd accept money to keep silent about what you know?”○58”I reckon I might.”○59”But from what you say,”the Duchess pointed out, her poise for the moment recovered, “it would do no good. The car would be discovered in any case.”○60”I guess you'd have to take that chance. But there's some reasons it might not be. Something I ain't told you yet.”○61“Tell us now, please.”○62Ogilvie said, “I ain't figured this out myself completely. But when you hit that kid you was going away from town, not to it.”○63”We'd made a mistake in the route,” the Duchess said. “Somehow we'd becometurned around. It's easily done in New Orleans, with the street winding as they do. Afterward, using side streets, we went back. “○64“I thought it might be that,”Ogilvie nodded understandingly. “But the police ain't figured it that way. They’re looking for somebody who was headed out. That's why, right now, they're workin' on the suburbs and the outside towns. They may get around to searchin' downtown, but it won't be yet. “○65“How long before they do?”○66“Maybe three, four days. They got a lot of other places to look first.”○67“ How could that help us --- the delay‘?”○68“It might,” Ogilvie said. “Providin' nobody twigs the car – an' seein' where it is, you might be lucky there. An' if you can get it away.”○69“You mean out of the state?”○70“I mean out o’ the South.”○71“That wouldn't be easy?”○72“No, ma'am. Every state around – Texas, Arkansas, Mississippi, Alabama, all the rest'll be watching for a car damaged the way yours is.”○73The Duchess considered. “Is there any possibility of having repairs made first? If the work were done discreetly we could pay well. “○74The house detective shook his head emphatically. “You try that, you might as well walk over to headquarters right now an' give up. Every repair shop in Louisiana's been told to holler 'cops' the minute a car needing fixin' like yours comes in. They'd do it, too. You people are hot.”○75The Duchess of Croydon kept firm, tight rein on her racing mind. It was essential, she knew, that her thinking remain calm and reasoned. In the last few minutes the conversation had become as seemingly casual as if the discussion were of some minor domestic matter and not survival itself. She intended to keep it that way. Once more,she was aware, the role of leadership had fallen to her, her husband now a tense but passive spectator of the exchange between the evil tat man and herself. No matter. What was inevitable must be accepted. The important thing was to consider all eventualities. A thought occurred to her.○76“The piece from our car which you say the police have. What is it called?”○77“A trim ring.”○78“Is it traceable?”○79Ogilvie nodded affirmatively. “They can figure what kind o' car it's from --- make, model, an' maybe the year, or close to it. Same thing with the glass. But with your car being foreign, it'll likely take a few days.”○80“But after that,”she persisted, “the police will know they're looking for a Jaguar?”○81“I reckon that 's so. “○82Today was Tuesday. From all that this man said, they had until Friday or Saturday at best. With calculated coolness the Duchess reasoned: the situation came down to one essential. Assuming the hotel man was bought off, their only chance -- a slim one -- lay in removing the car quickly, If it could be got north, to one of the big cities where the New Orleans tragedy and search would be unknown, repairs could be made quietly, the incriminating evidence removed. Then, even if suspicion settled on the Croydons later, nothing could be proved. But how to get the car away?○83Undoubtedly what this oafish detective said was true: As well as Louisiana, the other states through which the car would have to pass would be alert and watchful. Every highway patrol would be on the lookout for a damaged head-light with a missing trim ring. There would probably be road-blocks. It would be hard not to fall victim to some sharpeyed policeman.○84But it might be done. If the car could be driven at night and concealed by day. There were plenty of places to pull off the highway and be unobserved. It would behazardous, but no more than waiting here for certain detection. There would be back roads. They could choose an unlikely route to avoid attention.○85But there would be other complications ... and now was the time to consider them. Traveling by secondary roads would be difficult unless knowing the terrain. The Croydons did not. Nor was either of them adept at using maps. And when they stopped for petrol, as they would have to, their speech and manner would betray them, making them conspicuous . And yet ... these were risks which had to be taken.○86Or had they?○87The Duchess faced Ogilvie. “How much do you want?”○88The abruptness took him by surprise. “Well ... I figure you people are pretty well fixed.”○89She said coldly, “I asked how much.”○90The piggy eyes blinked. Ten thousand dollars.”○91Though it was twice what she had expected, her expression did not change. “Assuming we paid this grotesque amount, what would we receive in return?”○92The fat man seemed puzzled. “Like I said, I keep quiet about what I know.”○93“And the alternative ?”○94He shrugged. “I go down the lobby. I pick up a phone. “○95“No,” The statement was unequivocal . “We will not pay, you.”○96As the Duke of Croydon shifted uneasily, the house detective's bulbous countenance reddened, “Now listen, lady…”○97Peremptorily she cut him oft. “I will not listen. Instead, you will listen to me.”Her eyes were riveted on his face, her handsome, high cheek boned features set in their most imperious mold. “We would achieve nothing by paying you, except possibly a few days' respite . You have made that abundantly clear.”○98“That's a chance you gotta...”○99“Silence!” Her voice was a whiplash. Eyes bored into him. Swallowing, sullenly , he complied .100 What came next, the Duchess of Croydon knew, could be the most significant thing she had ever done. There must be no mistake, no vacillation or dallying because of her own smallness of mind. When you were playing for the highest stakes, you made the highest bid. She intended to gamble on the fat man's greed. She must do so in such a way as to place the outcome beyond any doubt.101 She declared decisively, “We will not pay you ten thousand dollars. But we will pay you twenty-five thousand dollars.”102 The house detective's eyes bulged.103 “In return for that,” she continued evenly, “You will drive our car north.”104 Ogilvie continued to stare.105 “Twenty-five thousand dollars,”she repeated. “Ten thousand now. Fifteen thousand more when you meet us in Chicago.”106 Still without speaking, the fat man licked his lips. His beady eyes, as if unbelieving, were focused upon her own. The silence hung.107 Then, as she watched intently, he gave the slightest of nods.108 The silence remained. At length Ogilvie spoke. “This cigar bother in' you, Duchess?”109 As she nodded, he put it out.(from Hotel, 1965)。

blackmail 高级英语人物分析

blackmail 高级英语人物分析
blackmail 高级英语人物分析
Generally speaking, the development of plot in a novel is usually reflectedharacters.
Six aspects should be mentioned when we want to go deeper into this question. They are appearance, look, language, action, mental activity and surroundings. Actually, sometimes look can be involved in appearance because people's looks can be showed on one's face. But here I just divide it as two parts. Though it is a segment,the description is very vivid and engrossing. I will focus on four aspects as follow. Ok, let's check it.
First, it's appearance. The author gave a carefully description of Ogilvie's look. The words he used are all derogatory to suggest the detective's character. I'm sure when you see these words a image about Ogilvie has come into your mind. Then the duchess also has a given description but less vivid than the former. As to the duke, only a tiny. Why did the author write them like this? That is because the main conflict happened between the detective and the duchess.

高级英语第一册Blackmail

高级英语第一册Blackmail

a reflection of America’s capitalist society
《大饭店》是阿瑟. 黑利1965年的作品。 它描写美国南部新奥尔良一家豪华的大饭 店,由于老板沃伦. 特伦特因循守旧,管理 不善,跟不上时代的发展,结果负债累累, 而被迫出售的故事。通过对这家饭店的描 述,反映了美国资本主义社会形形色色的 弊端和痼疾:旅馆巨擎弱肉强食,侦探人 员敲诈勒索,饭店职工贪污盗窃,黑人遭 到种族歧视,上层贵族卑鄙无耻,纨绔子 弟腐化堕落,富商少女精神空虚……这所 有的一切,可以说是腐朽的美国资本主义 社会的一个缩影。
Textual analysis
Read the text and try to find out each corresponding element in the text
(3)用人物的语言塑造艺术形象
1、通过充分个性化的语言,刻画人物性格,揭示人物关系。 2、通过富有动作性的语言,揭示人物的外部形态和内心活动。 3、通过富有潜台词的语言,揭示人物活动的目的和实质,反映丰富深刻 的生活内容。
3. 戏剧文学阅读与欣赏的要点:
(1)分析戏剧冲突 (2)分析剧本的场景设置 (3)分析剧本的情节安排 (4)分析戏剧文学的语言 戏戏戏剧剧剧冲 作的文突者情学是要节不戏在安同剧两排于文三,其学个常他表小常文现 时是 学人 之偶 样物 内然 式性 和性 的格 几与 根和 个必 本人 有然 特物 限性 点相 的的 在互 场结 于间 景合 通关 里, 过系 面情 剧的 表节中主现曲人要剧折物手中、的段人生语和物动言途几,来径年。、 每几构塑一十思造个年十艺主的分术要人巧形角生妙象色遭,的遇出揭性或乎示格命人特运的 物点 ,意 的、 其料 性角关, 格色键又 ,与在合 表角于乎 现色场事 矛间景情 盾的的的相设情 冲互置理 突关与。 ,系选分展都择析现会上剧作在面本品戏。的剧场情思冲景节想突设 中置安和充与排主分选,题而择可。清得以其晰好培语地,养言表承和个现载提性出量高化来就我 十。 大们 分分 ,构 突析 包思 出戏 含故 ,剧 的事 表冲 内的 现突 容能 力, 就力 极可 多。 强以 ,,极 思多准 想读确表、地现多把力分握就析人强戏物。剧的分语性析 格剧言本、,的弄是场清提景剧高设中我置人们,物语借相言鉴互运其间用裁的能取关力生系的活,一横借个断鉴十面其分、塑重浓造要缩人而人物有物形效与象的矛和途盾处径冲理。突人的物方关法系, 的可方以法培和养技我巧们,选培材养和自剪己材谋 的篇 能与 力写 。人的能力。

高级英语1第四版第二单元blackmail

 高级英语1第四版第二单元blackmail

高级英语1第四版第二单元blackmail Blackmail is a serious criminal offense that involves the act of using threats or coercion to manipulate someone into giving money or providing other valuable assets. It is a form of extortion and is considered illegal in most countries. In this article, we will explore the concept of blackmail, its consequences, and how to protect oneself from falling victim to such schemes.Section 1: Understanding BlackmailBlackmail is a malicious act that preys upon the fear or vulnerability of individuals. It can take various forms, including the threat of revealing embarrassing or damaging information about someone, spreading rumors, or manipulating intimate photos or videos. The purpose behind blackmail is to exploit the victim financially or emotionally, forcing them to comply with the demands of the blackmailer.Section 2: The Consequences of BlackmailThe consequences of falling victim to blackmail can be devastating. Not only does it have a significant impact on the victim's emotional well-being, but it can also lead to financial ruin and permanent damage to their reputation. Many victims are forced to comply with the blackmailer's demands out of fear of the consequences of exposure, leading to a perpetual cycle of exploitation.Section 3: Identifying and Preventing BlackmailIt is important to be able to identify potential blackmail attempts and take steps to prevent them. One common tactic used by blackmailers is phishing emails, where victims are deceived into sharing personal or sensitive information. Being cautious while interacting online and avoiding sharing personal information with unknown sources can minimize the risk of falling victim to such schemes.Section 4: Reporting BlackmailIf you find yourself targeted by a blackmailer, it is crucial to report the incident to the appropriate authorities. Law enforcement agencies specialize in handling such cases and have the expertise to investigate and take action against the perpetrators. By reporting blackmail, you not only protect yourself but also contribute to the prevention and prosecution of such crimes.Section 5: Seeking Support and RecoveryRecovering from the emotional trauma of blackmail can be a challenging process. It is important to seek support from trusted individuals, such as friends, family, or professional counselors, who can provide guidance and help rebuild your life. Remember that you are not alone, and there are resources available to assist you in overcoming the effects of blackmail.Section 6: Creating AwarenessRaising awareness about the issue of blackmail is vital in combating this crime. Educating others about the tactics used by blackmailers and promoting safe online practices can help prevent individuals from becoming victims. By sharing information and resources, we can work together tocreate a society that is vigilant against blackmail and united in its efforts to eradicate this crime.Conclusion:Blackmail is a malicious act that can have devastating consequences for its victims. Understanding the nature of blackmail, identifying potential threats, and taking preventive measures is essential in safeguarding oneself from falling victim to such schemes. By reporting incidents, seeking support, and raising awareness, we can work towards a society that is safe from blackmail and promotes the well-being of its individuals.。

Blackmail47-50段分析

Blackmail47-50段分析

Paragraph 47
• Her husband asked, “What do you propose to do?”
V-T If you propose to do something, you intend to do it. 打算 What do you intend/plan to do? Eg. We propose an early start tomorrow. What is your scheme? 我们打算明天早早出发。
• 如果你真想看到长期的结果,“写完这篇就完事儿了”这种态 度绝不推荐。 • Even if what one has to say is negative or unpleasant, he should make the call and get it over with.
• 即使他得说些不好的或不愉快的事情,他也该回电话,尽快把 此事解决。
The Duke said with desperation, “You already figured out what happened. What else do you expect me to tell you?” feeling guilty, weak, ready to give in
I don't propose attending the dancing party this evening.
我不打算参加今晚的舞会。
Paragraph 48
• The fat man rubbed his hands together, looking down at his thick, fleshy fingers. “Like I said, I come to hear your side of it.” “I want to know from your perspective that how you would tell the story.”

高级英语 Blackmail 雪茄的分析 the Cigar

高级英语 Blackmail 雪茄的分析 the Cigar

Implication:
Ogilvie lit the fresh cigar finally because the Duke admitted his crime. By this way, Ogilvie shows his power to challenge the Duchess’ authority openly. He wants to see if Duchess dares to object to his smokingagain like before. Duchess, this time, makes no comment because she and her husband are under Ogilvie'scontrol. Her power is weakened.
Implication:
As Ogilvie provides more and more evidence information that he has grasped, he puffs the cigar and observes their reflection meanwhile. Then he can control the situation better.
(Page 86 Para.3)
Implication:
Ogilvie’s behavior of smoking in the presence of a lady without asking for permission is impolite and rude. This shows Ogilvie is a coarse, vulgar and uneducated fellow.
Conclusion:

blackmail人物性格分析

blackmail人物性格分析

由于公爵触犯了法律以及 因此要受到的社会道 德谴责,公爵对欧吉 维无可奈何,表现了 其懦弱胆小的性格。
尽快摆脱欧吉维的纠缠, 以钱来平息此事。
Lesson 3
Blackmail
--李楠
Appearance
• Ogilvie: piggy eyes , gross jowled face, obese body
(贪婪的眼睛、总有赘肉的脸、肥胖的身体)
• Duchess: Pale cheek with two high points,gray green公爵Leabharlann 言外行为所要达到的目的
“It’s no go, old girl. I’m afraid. It was a good try.”
由于公爵经常在外花天酒 地,其把柄常落在夫 人手上,因此,对夫 人言听计从。
“What you accuse us of is true. I am to blame. I was driving the car and killed the little girl.”
eyes
(苍白的脸颊有高点,灰绿色的眼睛)
• Duke: An attempt to square his shoulders but
failed
Character
探长:Rude,sardonic,self-assured,
trickish, greedy
(粗鲁、讽刺、自信、狡猾、贪婪)
夫人:
Strong,dominant,imperious,decisive,
hit”;
高贵的身份,目的。
“there’s
良好的教育
things it
以此在气势
pays to
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BlackmailAbout the author.This novel is written by Arthur Hailey.He is a bestsellers novelist. Born in Luton, Bedfordshire, England, Hailey served in the Royal Air Force from the start of World War II during 1939 until 1947, when he went to live in Canada. Hailey's last novel, Detective(1997), is a mystery told from the perspective of a Miami homicide detective. This detective also happens to be a former Catholic priest who has lost his religion; the work deals with themes of religion and questions the Catholic Church. Hailey told the Walden Book Report that his aim in writing this book was to share his own thoughts about religion without "mak[ing] it a lecture." He says that he lost his own faith while serving in Cyprus during World War II, and that since ex-priests have many occupations he might as well give his protagonist an exciting one.After working at a number of jobs and writing part-time, he became a writer full-time during 1956.Following the success of Hotel during 1965, he moved to California; in 1969, he moved to the Bahamas to avoid Canadian and U.S. income taxes, which were claiming 90% of his income.His best sellers include:Hotel,Airport,Wheels,The Final Diagnosis and The Moneychangers.About the best sellers of authorEach of his novels has a different industrial or commercial setting and includes, in addition to dramatic human conflict, carefully researched information about the way that particular environment and system functions and how these affect society and its inhabitants.Critics often dismissed Hailey's success as the result of a formulaic "potboilera" style, in which he caused an ordinary character to become involved in a crisis, then increased the suspense by switching among multiple related plot lines. However, he was so popular with readers that his books were almost guaranteed to become best-sellers.He would spend about one year researching a subject, followed by six months reviewing his notes and, finally, about 18 months writing the book. That aggressive research—tracking rebel guerrillas in the Peruvian jungle at age 67 for The Evening News(1990), or reading 27 books on the hotel industry for Hotel—gave his novels a realism that appealed to readers, even as some critics complained that he used it to disguise a lack of literary talent.Many of his books reached 1 on the New York Times bestseller list and more than 170 million copies have been sold worldwide in 40 languages. Many have been made into movies and Hotel was made into a long-running television series.Airport becamea successful film with dramatic visual effects.About the background.The story happened in a hotel named St. Gregory in New Orleans, Louisiana which is in the south of US.The text is only a part of the nove,Hotel.We can see three main characters in this text.O gilvie: chief house officer.the Duke of Croydon: newly appointed British ambassador to the United States.the Duchess of Croydon: wife of the Duke.This kind of novels are called thrillers. Generally defining, a thriller is a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure or suspense. Others can be called cop-criminal novels, detective novels. The main purpose is for entertainment, amusement. Very often this kind of novels contain a lot of action, usu. suspension, not very much deep thought, without moral intention, not considered classic.The basic technique is to make the whole story of crime into sth. like a jigsaw puzzle. You can not see the outcome until the final part is put in.About the plot.Gregory was now at the brink of bankruptcy, but Peter McDermott is trying every means he could to save it.Several events happened during the week with the present text as part of it.The Duke ofCroydon was an internationally famous statesman and the newly appointed British ambassador to Washington. They occupied the best suite of the hotel. Monday evening, the Duke went to the gambling house. Later, his wife pursued and found him. On their way back, the car Jaguar knocked down a woman and her child. Both killed.Ogilvie found the crime and blackmailed the Duke and the Duchess.He managed to make the Duke and the Duchess believe that he would bring the crime to light if his demand was not satisfied.The Duchess came up with a good idea in order to avoid punishment.She would like Ogilvie drive the car away from the city.In the end,the couple paid Ogilvie money and the dirty deal was done.And then,At one o'clock Thursday morning, Ogilvie drove the car north. But he was seen leaving the hotel by McDermott. Later in the afternoon, McDermott witnessed the funeral of the two victims of the accident. He suddenly realized the relation between these two events and contacted police.Ogilvie was caught in Tennessee and sent back to New Orleans. The Duke decided to go to the police to confess his crime (to surrender himself / to give himself up). But he was hurled out the elevator due to the breakdown of it. He hit the cement ground and died instantly.Anyway, the novel had a pleasant ending.One of the guests, who looked old and sick, turned out to be a millionaire. Earlier he was seriously ill and was saved by McDermott and his girl friend. To show his gratitude and to repay the hotel staffs' kindness, he bought the hotel and appointed McDermott executive vice president of the hotel.About the structure.The novel is writed by the order of time.We can see the prelude,the process of unveiling the crime and the dirty deal. I think this novel can be devided into four parts. Parts 1,from the chief house officer to “In what way conceivable way”.Three main characters stepped into the stage and we can feel the tension of the atmosphere.Ogilvie acted in a vugal and uncouth way and showed contempt to the Duke and the Duchess. And the Duchess, although nervours,are still brash and thrusting.The part one provided characters and suspense for us.Why did Ogilvie act so rudely to the the Duke and the Duchess?Part 2, from As if the question from to p96 The Duke licked his lips.In this part, Ogilvie exposed the truth of car accident and the Duke admitted the crumbled was him .And the brash expression of Duke and the Duchess was faded away.They were feared and weak .Ogilvie became more proud and ruder.Part 3,from You might have something there to I reckon that’s so.In this part ,Ogilvie disclosed more hidenthing in the accident and revealed the evidence he knew and tried to confirm all the detailed. The Duchess tried to win back the upper hand.And then,The Croydons realized that they were convicted of the crime. The conviction was undeniable.Part 4,from Today was Tuesday to the end.The Duchess eliminated the possibility of having the car repaired in New Orleans and found no possibility.So she agreed to pay Ogilvie and let him drive the car away. The dirty deal reached.About the details.I found some interesting details in the text. The novel is colourful and impressive beacause these details.Details 1, the cigar of Ogilvie.The cigar is mentioned five times in this text and the number of the descriptions of the conflict about putting out the cigar between the Duchess and Ogilvie are three.The cigar is a imorpant prop of Ogilvie.Sometimes it was waved violently, indicting the anger and excitment of the master.At the beginning of the text,A wave of cigar smoke accompanied Ogilvie in. ThisAbout the conflict about putting out the cigar,we can see the converstion below.the Duchess looked pointedly at the half-burned cigar in the fat man’s mouth.“My husband and I find strong smoke offensive.Would you kindly put that out.”Proper polite,but firm and proud.Although the Duchess was nervours,she still kept the nobleclass.She didn’t know what happened.However, when Ogilvie unveiled the crime , we can dramaly see: The house detective took his time,leisurely puffing a cloud of blue cigar smoke,his eyes sardonically on the Duchess as if challenging her objection.But beyond wrinkling her nose in distance, she made no comment.This is a contrast, which show the change of the attitude of the Duchess. She had the handle in hand of Ogilvie.So she chose silence and beared the impolite behaviour.And Ogilvie was smoking leisurely all the time after that.When the Duchess agreed to pay Ogilvie money ,the situation bagan to change.At length Ogivie spoke,This cigar botherin’you ,Duchess?”As she nodded,he put it out.Ogilvie got the promise that he can get dollars,so his attitude towards the Duchess changed.He became the slave of money.Detail 2,the change of Ogilvie’s eye in the end of the text.Eyes bored into him. The house detetive’s eyes bulged. His beady eyes,as if unbelieving, were focused upon her own.The description go forward one by one,implying the greedy and surprising of the detetive.About the writing techniqueIn order to depict Ogilvie, the author added many informal,ugrammatical and slangy language into the conversitions of Ogilvie.For example,Th is cigar botherin’you ,Duchess?,gotta,shulda,etc.so we can infer that Ogilvie is uneducated .Besides ,the author use a lot of physical descriptions to Ogilvie and he emphasize his eyes.The house detective’s eyes .the piggy eyes blinked.Compared to the Duch, the Duchess is more acttrctive and impressive.In the text ,the autor use two long paragraphs psychological description to depict the careful calculation and strict budgeting of the Duchess. It seems that she faced Ogilvie by her own.About the rhetoricMetaphor:...the nerves of both ... were excessively frayed...his wife shot him a swift, warning glance.The words spat forth with sudden savagery.Her tone ...withered......self-assurance...flickered...The Duchess kept firm tight rein on her racing mind.Her voice was a whiplash.eyes bored into himI’ll spell it out.Euphemism:...and you took a lady friend.Metonymy:won 100 at the tableslost it at the barthey'll throw the book,...Onomatopoeia: appreciative chuckle clucked his tongue。

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