英语专业考研_常耀信版_美国文学简史_课件_William_Faulkner1
美国文学简史-序言-introductionPPT课件
of literature.
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Basic Qualities of American Writers
1) Independent
2) Individualistic
3) Critical
4) Innovative
5) Humorous
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Part II. The periods of American literature
II. American Prose Since 1945: Realism and Experimentation.
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• Literature is characterized by beauty of expression and form and by universality of intellectual and emotional appeal.
2. Forms (genres) of literature? Poetry, novel (fiction), drama, prose, essay, epic, elegy, short story, journalism, sermon, (auto) biography, travel accounts, novelette, etc.
2) Thematic Approach
➢ “What is the story, the poem, the play or the essay about?”
3) Historical Approach
➢ Aims at illustrating the historical development
1) Modern poetry: experiments in form (Imagism)
美国文学简史笔记(常耀信)
A Concise History of American LiteratureWhat is literatureLiterature is language artistically used to achieve identifiable literary qualities and to convey meaningful messages.Chapter 1 Colonial PeriodI.Background: Puritanism1.features of Puritanism(1)Predestination: God decided everything before things occurred.(2)Original sin: Human beings were born to be evil, and this original sin can bepassed down from generation to generation.(3)Total depravity(4)Limited atonement: Only the “elect” can be saved.2.Influence(1) A group of good qualities –hard work, thrift, piety, sobriety (serious andthoughtful) influenced American literature.(2)It led to the everlasting myth. All literature is based on a myth – garden of Eden.(3)Symbolism: the American puritan’s metaphorical mode o f perception was chieflyinstrumental in calling into being a literary symbolism which is distinctly American.(4)With regard to their writing, the style is fresh, simple and direct; the rhetoric isplain and honest, not without a touch of nobility often traceable to the directinfluence of the Bible.II.Overview of the literature1.types of writingdiaries, histories, journals, letters, travel books, autobiographies/biographies, sermons2.writers of colonial period(1)Anne Bradstreet(2)Edward Taylor(3)Roger Williams(4)John Woolman(5)Thomas Paine(6)Philip FreneauIII.Jonathan Edwards1.life2.works(1)The Freedom of the Will(2)The Great Doctrine of Original Sin Defended(3)The Nature of True Virtue3.ideas – pioneer of transcendentalism(1)The spirit of revivalism(2)Regeneration of man(3)God’s presence(4)Puritan idealismIV.Benjamin Franklin1.life2.works(1)Poor Richard’s Almanac(2)Autobiography3.contribution(1)He helped found the Pennsylvania Hospital and the American PhilosophicalSociety.(2)He was called “the new Prometheus who had stolen fire (electricity in this case)from heaven”.(3)Everything seems to meet in this one man –“Jack of all trades”. Herman Melvillethus described him “master of each and mastered by none”.Chapter 2 American RomanticismSection 1 Early Romantic PeriodWhat is RomanticismAn approach from ancient Greek: PlatoA literary trend: 18c in Britain (1798~1832)Schlegel Bros.I.Preview: Characteristics of romanticism1.subjectivity(1)feeling and emotions, finding truth(2)emphasis on imagination(3)emphasis on individualism – personal freedom, no hero worship, natural goodnessof human beings2.back to medieval, esp medieval folk literature(1)unrestrained by classical rules(2)full of imagination(3)colloquial language(4)freedom of imagination(5)genuine in feelings: answer their call for classics3.back to naturenature is “breathing living thing” (Rousseau)II.American Romanticism1.Background(1)Political background and economic development(2)Romantic movement in European countriesDerivative – foreign influence2.features(1)American romanticism was in essence the expression of “a real new e xperienceand contained “an alien quality” for the simple reason that “the spirit of theplace” was radically new and alien.(2)There is American Puritanism as a cultural heritage to consider. Americanromantic authors tended more to moralize. Many American romantic writingsintended to edify more than they entertained.(3)The “newness” of Americans as a nation is in connection with AmericanRomanticism.(4)As a logical result of the foreign and native factors at work, American romanticismwas both imitative and independent.III.Washington Irving1.several names attached to Irving(1)first American writer(2)the messenger sent from the new world to the old world(3)father of American literature2.life3.works(1) A History of New York from the Beginning of the World to the End of the DutchDynasty(2)The Sketch Book of Geoffrey Crayon, Gent. (He won a measure of internationalrecognition with the publication of this.)(3)The History of the Life and Voyages of Christopher Columbus(4) A Chronicle of the Conquest of Granada(5)The Alhambra4.Literary career: two parts(1)1809~1832a.Subjects are either English or Europeanb.Conservative love for the antique(2)1832~1859: back to US5.style – beautiful(1)gentility, urbanity, pleasantness(2)avoiding moralizing – amusing and entertaining(3)enveloping stories in an atmosphere(4)vivid and true characters(5)humour – smiling while reading(6)musical languageIV.James Fenimore Cooper1.life2.works(1)Precaution (1820, his first novel, imitating Austen’s Pride and Prejudice)(2)The Spy (his second novel and great success)(3)Leatherstocking Tales (his masterpiece, a series of five novels)The Deerslayer, The Last of the Mohicans, The Pathfinder, The Pioneer, The Prairie3.point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs. change, aristocrat vs.democrat, natural rights vs. legal rights4.style(1)highly imaginative(2)good at inventing tales(3)good at landscape description(4)conservative(5)characterization wooden and lacking in probability(6)language and use of dialect not authentic5.literary achievementsHe created a myth about the formative period of the American nation. If the history ofthe United States is, in a sense, the process of the American settlers exploring andpushing the American frontier forever westward, then Cooper’s Leatherstocking Taleseffectively approximates the American national experience of adventure into the West.He turned the west and frontier as a useable past and he helped to introduce westerntradition to American literature.Section 2 Summit of Romanticism – American TranscendentalismI.Background: four sources1.Unitarianism(1)Fatherhood of God(2)Brotherhood of men(3)Leadership of Jesus(4)Salvation by character (perfection of one’s character)(5)Continued progress of mankind(6)Divinity of mankind(7)Depravity of mankind2.Romantic IdealismCenter of the world is spirit, absolute spirit (Kant)3.Oriental mysticismCenter of the world is “oversoul”4.PuritanismEloquent expression in transcendentalismII.Appearance1836, “Nature” by EmersonIII.Features1.spirit/oversoul2.importance of individualism3.nature – symbol of spirit/Godgarment of the oversoul4.focus in intuition (irrationalism and subconsciousness)IV.Influence1.It served as an ethical guide to life for a young nation and brought about the idea thathuman can be perfected by nature. It stressed religious tolerance, called to throw offshackles of customs and traditions and go forward to the development of a new anddistinctly American culture.2.It advocated idealism that was great needed in a rapidly expanded economy whereopportunity often became opportunism, and the desire to “get on” obscured the mo ralnecessity for rising to spiritual height.3.It helped to create the first American renaissance – one of the most prolific period inAmerican literature.V.Ralph Waldo Emerson1.life2.works(1)Nature(2)Two essays: The American Scholar, The Poet3.point of view(1)One major element of his philosophy is his firm belief in the transcendence of the“oversoul”.(2)He regards nature as the purest, and the most sanctifying moral influence on man,and advocated a direct intuition of a spiritual and immanent God in nature.(3)If man depends upon himself, cultivates himself and brings out the divine inhimself, he can hope to become better and even perfect. This is what Emersonmeans by “the infinitude of man”.(4)Everyone should understand that he makes himself by making his world, and thathe makes the world by making himself.4.aesthetic ideas(1)He is a complete man, an eternal man.(2)True poetry and true art should ennoble.(3)The poet should express his thought in symbols.(4)As to theme, Emerson called upon American authors to celebrate America whichwas to him a lone poem in itself.5.his influenceVI.Henry David Thoreau1.life2.works(1) A Week on the Concord and Merrimack River(2)Walden(3) A Plea for John Brown (an essay)3.point of view(1)He did not like the way a materialistic America was developing and wasvehemently outspoken on the point.(2)He hated the human injustice as represented by the slavery system.(3)Like Emerson, but more than him, Thoreau saw nature as a genuine restorative,healthy influence on man’s spiritual well-being.(4)He has faith in the inner virtue and inward, spiritual grace of man.(5)He was very critical of modern civilization.(6)“Simplicity…simplify!”(7)He was sorely disgusted with “the inundations of the dirty institutions of men’sodd-fellow society”.(8)He has calm trust in the future and his ardent belief in a new generation of men. Section 3 Late RomanticismI.Nathaniel Hawthorne1.life2.works(1)Two collections of short stories: Twice-told Tales, Mosses from and Old Manse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun3.point of view(1)Evil is a t the core of human life, “that blackness in Hawthorne”(2)Whenever there is sin, there is punishment. Sin or evil can be passed fromgeneration to generation (causality).(3)He is of the opinion that evil educates.(4)He has disgust in science.4.aesthetic ideas(1)He took a great interest in history and antiquity. To him these furnish the soil onwhich his mind grows to fruition.(2)He was convinced that romance was the predestined form of American narrative.To tell the truth and satirize and yet not to offend: That was what Hawthorne hadin mind to achieve.5.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with the actual(4)his stories are parable (parable inform) – to teach a lesson(5)use of ambiguity to keep the reader in the world of uncertainty – multiple point ofviewII.Herman Melville1.life2.works(1)Typee(2)Omio(3)Mardi(4)Redburn(5)White Jacket(6)Moby Dick(7)Pierre(8)Billy Budd3.point of view(1)He never seems able to say an affirmative yes to life: His is the attitude of“Everlasting Nay” (negative attitude towards life).(2)One of the major themes of his is alienation (far away from each other).Other themes: loneliness, suicidal individualism (individualism causing disasterand death), rejection and quest, confrontation of innocence and evil, doubts overthe comforting 19c idea of progress4.style(1)Like Hawthorne, Melville manages to achieve the effect of ambiguity throughemploying the technique of multiple view of his narratives.(2)He tends to write periodic chapters.(3)His rich rhythmical prose and his poetic power have been profusely commentedupon and praised.(4)His works are symbolic and metaphorical.(5)He includes many non-narrative chapters of factual background or description ofwhat goes on board the ship or on the route (Moby Dick)Romantic PoetsI.Walt Whitman1.life2.work: Leaves of Grass (9 editions)(1)Song of Myself(2)There Was a Child Went Forth(3)Crossing Brooklyn Ferry(4)Democratic Vistas(5)Passage to India(6)Out of the Cradle Endlessly Rocking3.themes –“Catalogue of American and European thought”He had been influenced by many American and European thoughts: enlightenment,idealism, transcendentalism, science, evolution ideas, western frontier spirits,Jefferson’s individualism, Civil War Unionism, Orientalism.Major themes in his poems (almost everything):equality of things and beingsdivinity of everythingimmanence of Goddemocracyevolution of cosmosmultiplicity of natureself-reliant spiritdeath, beauty of deathexpansion of Americabrotherhood and social solidarity (unity of nations in the world)pursuit of love and happiness4.style: “free verse”(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun “I”(6) a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary – powerful, colourful, rarely used words of foreign origins, some evenwrong(10)sentences – catalogue technique: long list of names, long poem lines5.influence(1)His best work has become part of the common property of Western culture.(2)He took over Whitman’s vision of the poet-prophet and poet-teacher and recast itin a more sophisticated and Europeanized mood.(3)He has been compared to a mountain in American literary history.(4)Contemporary American poetry, whatever school or form, bears witness to hisgreat influence.II.Emily Dickenson1.life2.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights3.themes: based on her own experiences/joys/sorrows(1)religion – doubt and belief about religious subjects(2)death and immortality(3)love – suffering and frustration caused by love(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility4.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence (rhythm)(5)capital letters – emphasis(6)short poems, mainly two stanzas(7)rhetoric techniques: personification – make some of abstract ideas vividparison: Whitman vs. Dickinson1.Similarities:(1)Thematically, they both extolled, in their different ways, an emergent America, itsexpansion, its individualism and its Americanness, their poetry being part of“American Renaissance”.(2)Technically, they both added to the literary independence of the new nation bybreaking free of the convention of the iambic pentameter and exhibiting afreedom in form unknown before: they were pioneers in American poetry.2.differences:(1)Whitman seems to keep his eye on society at large; Dickinson explores the innerlife of the individual.(2)Whereas Whitman is “national” in his outlook, Dickinson is “regional”.(3)Dickinson has the “catalogue technique” (direct, simple style) which Whitmandoesn’t have.Edgar Allen PoeI.LifeII.Works1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesIII.Themes1.death –predominant theme in Poe’s writing“Poe is not interested in anything alive. Everything in Poe’s writings is dead.”2.disintegration (separation) of life3.horror4.negative thoughts of scienceIV.Aesthetic ideas1.The short stories should be of brevity, totality, single effect, compression and finality.2.The poems should be short, and the aim should be beauty, the tone melancholy.Poems should not be of moralizing. He calls for pure poetry and stresses rhythm.V.Style – traditional, but not easy to readVI.Reputation: “the jingle man” (Emerson)VII.His influencesChapter 3 The Age of RealismI.Background: From Romanticism to Realism1.the three conflicts that reached breaking point in this period(1)industrialism vs. agrarian(2)culturely-measured east vs. newly-developed west(3)plantation gentility vs. commercial gentility2.1880’s urbanization: from free competition to monopoly capitalism3.the closing of American frontierII.Characteristics1.truthful description of life2.typical character under typical circumstance3.objective rather than idealized, close observation and investigation of life“Realistic writers are like scientists.”4.open-ending:Life is complex and cannot be fully understood. It leaves much room for readers to think by themselves.5.concerned with social and psychological problems, revealing the frustrations ofcharacters in an environment of sordidness and depravityIII.Three Giants in Realistic Period1.William Dean Howells –“Dean of American Realism”(1)Realistic principlesa.Realism is “fidelity to experience and probability of motive”.b.The aim is “talk of some ordinary traits of American life”.c.Man in his natural and unaffected dullness was the object of Howells’s fictionalrepresentation.d.Realism is by no means mere photographic pictures of externals but includes acentral concern with “motives” and psychological conflicts.e.He condemns novels of sentimentality and morbid self-sacrifice, and avoids suchthemes as illicit love.f.Authors should minimize plot and the artificial ordering of the sense of something“desultory, unfinished, imperfect”.g.Characters should have solidity of specification and be real.h.Interpreting sympathetically the “common feelings of commonplace people” wasbest suited as a technique to express the spirit of America.i.He urged writers to winnow tradition and write in keeping with currenthumanitarian ideals.j.Truth is the highest beauty, but it includes the view that morality penetrates all things.k.With regard to literary criticism, Howells felt that the literary critic should not try to impose arbitrary or subjective evaluations on books but should follow thedetached scientist in accurate description, interpretation, and classification.(2)Worksa.The Rise of Silas Laphamb. A Chance Acquaintancec. A Modern Instance(3)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Life(2)Literary career: three stagesa.1865~1882: international themeThe AmericanDaisy MillerThe Portrait of a Ladyb.1882~1895: inter-personal relationships and some playsDaisy Miller (play)c.1895~1900: novellas and tales dealing with childhood and adolescence, then backto international themeThe Turn of the ScrewWhen Maisie KnewThe AmbassadorsThe Wings of the DoveThe Golden Bowl(3)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(4)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(5)Style –“stylist”nguage: highly-refined, polished, insightful, accurateb.Vocabulary: largec.Construction: complicated, intricate3.Mark Twain (see next section)Local Colorism1860s, 1870s~1890sI.Appearance1.uneven development in economy in America2.culture: flourishing of frontier literature, humourists3.magazines appeared to let writer publish their worksII.What is “Local Colour”Tasks of local colourists: to write or present local characters of their regions in truthful depiction distinguished from others, usually a very small part of the world.Regional literature (similar, but larger in world)Garland, Harte – the westEggleston – IndianaMrs StoweJewett – MaineChopin – LouisianaIII.Mark Twain – Mississippi1.life2.works(1)The Gilded Age(2)“the two advantages”(3)Life on the Mississippi(4) A Connecticut Yankee in King Arthur’s Court(5)The Man That Corrupted Hardleybug3.style(1)colloquial language, vernacular language, dialects(2)local colour(3)syntactic feature: sentences are simple, brief, sometimes ungrammatical(4)humour(5)tall tales (highly exaggerated)(6)social criticism (satire on the different ugly things in society)parison of the three “giants” of American Realism1.ThemeHowells – middle classJames – upper classTwain – lower class2.TechniqueHowells – smiling/genteel realismJames – psychological realismTwain – local colourism and colloquialismChapter 4 American NaturalismI.Background1.Darwin’s theory: “natural selection”2.Spenser’s idea: “social Darwinism”3.French Naturalism: ZoraII.Features1.environment and heredity2.scientific accuracy and a lot of details3.general tone: hopelessness, despair, gloom, ugly side of the societyIII.significanceIt prepares the way for the writing of 1920s’ “lost generation” and T. S. Eliot.IV.Theodore Dreiser1.life2.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius3.point of view(1)He embraced social Darwinism – survival of the fittest. He learned to regard manas merely an animal driven by greed and lust in a struggle for existence in whichonly the “fittest”, the most ruthless, survive.(2)Life is predatory, a “game” of the lecherous and heartless, a jungle struggle inwhich man, being “a waif and an interloper in Nature”, a “wisp in the wind ofsocial forces”, is a mere pawn in the general scheme of things, with no powerwhatever to assert his will.(3)No one is ethically free; everything is determined by a complex of internalchemisms and by the forces of social pressure.4.Sister Carrie(1)Plot(2)Analysis5.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in paintingChapter 5 The Modern PeriodSection 1 The 1920sI.IntroductionThe 1920s is a flowering period of American literature. It is considered “the second renaissance” of American literature.The nicknames for this period:(1)Roaring 20s – comfort(2)Dollar Decade – rich(3)Jazz Age – Jazz musicII.Backgrounda)First World War –“a war to end all wars”(1)Economically: became rich from WWI. Economic boom: new inventions.Highly-consuming society.(2)Spiritually: dislocation, fragmentation.b)wide-spread contempt for law (looking down upon law)1.Freud’s theoryIII.Features of the literatureWriters: three groups(1)Participants(2)Expatriates(3)Bohemian (unconventional way of life) – on-lookersTwo areas:(1)Failure of communication of Americans(2)Failure of the American societyImagismI. BackgroundImagism was influenced by French symbolism, ancient Chinese poetry and Japanese literature “haiku”II. Development: three stages1.1908~1909: London, Hulme2.1912~1914: England -> America, Pound3.1914~1917: Amy LowellIII. What is an “image”An image is defined by Pound as that which presents an intellectual and emotional complex in an instant of time, “a vortex or cluster of fused ideas” “endowed with energy”. The exact word must bring the effect of the object before the reader as it had presented itself to the poet’s mind at the time of writing.IV. Principles1.Direct treatment of the “thing”, whether subjective or objective;2.To use absolutely no word that does not contribute to the presentation;3.As regarding rhythm, to compose in the sequence of the musical phrase, not in thesequence of a metronome.V. Significance1.It was a rebellion against the traditional poetics which failed to reflect the new life ofthe new century.2.It offered a new way of writing which was valid not only for the Imagist poets but formodern poetry as a whole.3.The movement was a training school in which many great poets learned their firstlessons in the poetic art.4.It is this movement that helped to open the first pages of modern English andAmerican poetry.VI. Ezra Pound1.life2.literary career3.works(1)Cathay(2)Cantos(3)Hugh Selwyn Mauberley4.point of view(1)Confident in Pound’s belief that the artist was morally and culturally the arbiterand the “saviour” of the race, he took it upon himself to purify the arts andbecame the prime mover of a few experimental movements, the aim of which wasto dump the old into the dustbin and bring forth something new.(2)To him life was sordid personal crushing oppression, and culture produced nothingbut “intangible bondage”.(3)Pound sees in Chinese history and the doctrine of Confucius a source of strengthand wisdom with which to counterpoint Western gloom and confusion.(4)He saw a chaotic world that wanted setting to rights, and a humanity, sufferingfrom spiritual death and cosmic injustice, that needed saving. He was for the mostpart of his life trying to offer Confucian philosophy as the one faith which couldhelp to save the West.5.style: very difficult to readPound’s early poems are fresh and lyrical. The Cantos can be notoriously difficult insome sections, but delightfully beautiful in others. Few have made serious study of thelong poem; fewer, if anyone at all, have had the courage to declare that they haveconquered Pound; and many seem to agree that the Cantos is a monumental failure.6.ContributionHe has helped, through theory and practice, to chart out the course of modern poetry.7.The Cantos –“the intellectual diary since 1915”Features:(1)Language: intricate and obscure(2)Theme: complex subject matters(3)Form: no fixed framework, no central theme, no attention to poetic rulesVII. T. S. Eliot1.life2.works(1)poemsThe Love Song of J. Alfred PrufrockThe Waste Land (epic)Hollow ManAsh WednesdayFour Quarters(2)PlaysMurder in the CathedralSweeney AgonistesThe Cocktail PartyThe Confidential Clerk(3)Critical essaysThe Sacred WoodEssays on Style and OrderElizabethan EssaysThe Use of Poetry and The Use of CriticismsAfter Strange Gods3.point of view(1)The modern society is futile and chaotic.(2)Only poets can create some order out of chaos.(3)The method to use is to compare the past and the present.4.Style(1)Fresh visual imagery, flexible tone and highly expressive rhythm(2)Difficult and disconnected images and symbols, quotations and allusions(3)Elliptical structures, strange juxtapositions, an absence of bridges5.The Waste Land: five parts(1)The Burial of the Dead(2) A Game of Chess(3)The Fire Sermon(4)Death by Water(5)What the Thunder SaidVIII. Robert Frost1.life2.point of view(1)All his life, Frost was concerned with constructions through poetry. “a momentarystay against confusion”.(2)He understands the terror and tragedy in nature, but also its beauty.(3)Unlike the English romantic poets of 19th century, he didn’t believe that man couldfind harmony with nature. He believed that serenity came from working, usuallyamid natural forces, which couldn’t be understood. He regarded work as“significant toil”.3.works – poemsthe first: A Boy’s Willcollections: North of Boston, Mountain Interval (mature), New Hampshire4.style/features of his poems(1)Most of his poems took New England as setting, and the subjects were chosenfrom daily life of ordinary people, such as “mending wall”, “picking apples”.(2)He writes most often about landscape and people – the loneliness and poverty ofisolated farmers, beauty, terror and tragedy in nature. He also describes someabnormal people, . “deceptively simple”, “philosophical poet”.(3)Although he was popular during 1920s, he didn’t experiment like other modernpoets. He used conventional forms, plain language, traditional metre, and wrote ina pastured tradition.IX. e. e. cummings“a juggler with syntax, grammar and diction” –individualism, “painter poet”Novels in the 1920sI. F. Scott Fitzgerald1.life – participant in 1920s2.works(1)This Side of Paradise(2)Flappers and Philosophers(3)The Beautiful and the Damned(4)The Great Gatsby(5)Tender is the Night(6)All the Sad Young Man(7)The Last Tycoon3.point of view(1)He expressed what the young people believed in the 1920s, the so-called。
讲殖民地时期美国文学
* To seek a new Garden of Eden
* To build “City of God on earth”
Puritans came to America out of various reasons, but it should be remembered that they were a group of serious, religious people, advocating highly religious and moral principles. It is true that they wished to escape religious persecution—and the English government regarded its American colony as an ideal dumping ground for the undesirables, but they were also determined to find a place where they could worship in the way they thought true Christians should. They regarded themselves as God's chosen people, they were meant to reestablish a commonwealth based on the teachings of the Bible, restore the lost paradise, and build the wilderness into a new Garden of Eden.
American Puritanism
Puritanism is the practices and beliefs of the Puritans. The first settlers who became the founding fathers of the American nation were quite a few of them Puritans. It is a religious and political movement. Through it, one sees emerging the right of the individual to political and religious independence. As a culture heritage (n.遗 产,继承物,传统), Puritanism did have a profound (a.深度 的深远的;见解深刻的;深奥的) influence on the early American mind. American Puritanism also had an enduring (持久的) influence on American literature.
常耀信《美国文学简史》第3版教材下载及练习题库
常耀信《美国文学简史》第3版教材下载及练习题库常耀信《美国文学简史》(第3版)网授精讲班【教材精讲+考研真题串讲】目录常耀信《美国文学简史》(第3版)网授精讲班【共30课时】电子书(题库)•常耀信《美国文学简史》(第3版)配套题库【考研真题精选+章节题库】•常耀信《美国文学简史》(第3版)笔记和考研真题详解•试看部分内容考研真题精选一、填空题1. As an Am e ri c an po e t o f n ature, _______(1874—1963)h ad o b vi o u s aff i n i ti e s wi th rom an ti c wri te r s, n o tab l yW o rdswo rth an d Em e rso n. He saw n atu re as a sto re h ouse of an alogy and symbol, bu t he had little f aith in re l i gi o u s do gm a o r s pe cu l a ti v e th o u gh t.[暨南大学2017研]【答案】Robert Frost查看答案【解析】罗伯特·弗罗斯特被誉为美国非官方的“桂冠诗人”,代表作有诗集《少年的意志》(1913)、《波士顿以北》(191 4)。
其诗歌多以新英格兰为背景,取材于普通人的日常生活,以自然为主要内容,诗歌中充满着机敏与智慧,平静与和谐。
2. A ve ry influ e nti al no vel in the 1960s Ame ri ca i s S al inger’s _____ which relates the painful story of a high -school boy growing up in the w orld of decade nt New York. [北科大2011研]【答案】The Catcher in the Rye查看答案【解析】塞林格的代表作《麦田里的守望者》的故事的起止局限于16岁的中学生霍尔顿·考尔菲德从离开学校到纽约游荡的三天时间内,并借鉴了意识流天马行空的写作方法,充分探索了一个十几岁少年的内心世界。
美国文学简史常耀信版讲义1
❖ (4) Limited atonement: Only the “elect” can be saved.
❖ 2. Influence
❖ (1) A group of good qualities – hard work, thrift, piety, sobriety (serious and thoughtful) influenced American literature.
❖ (2) It led to the everlasting myth. All literature is based on a myth – garden of Eden.
❖ (3) Symbolism: the American puritan’s metaphorical mode of perception was chiefly instrumental in calling into being a literary symbolism which is distinctly American.
American Drama Black American Literature
Colonial Period
❖ Background information ❖ Writers and works
New England
❖ New England 's composed of six states, including from north to south : Maine缅因州, New Hampshire新罕布什尔州, Vermont佛蒙 特州, Massachusetts马萨诸塞州, Rhode Island罗德岛州, Connecticut康涅狄格州.
美国文学 PPT课件
Benjamin Franklin Philip Freneau
➢ Chapter III American Romanticism
Washington Irving James Fenimore Cooper William Cullen Bryant Edgar Allan Poe Nathaniel Hawthorne
Brief Outline of American literature
1. Colonial period (1607-1775)
Anne Bradstreet Edward Taylor
2. Revolutionary period
(1775-1783) Benjamin Franklin Philip Freneau
The early settlers
❖ Christopher Columbus discovered the American continent in 1492.
❖ Captain John Smith reached Jamestown, Virginia in 1607.
❖ Puritans came the New England area, by Mayflower in 1620.
❖ Literature is characterized by beauty of expression and form and by universality of intellectual and emotional appeal.
2. Forms (genres) of literature? Poetry, novel (fiction), drama, prose, essay, epic, elegy, short story, journalism, ts, novelette, etc.
常耀信《美国文学简史》(第3版)【章节题库(含名校考研真题)】(第8章 现实主义时期
第8章现实主义时期•豪威尔•詹姆斯I.Fill in the blanks.1.The American novelist_____probed deeply at the individual psychology of his characters,writing in a rich and intricate style that supported his intense scrutiny of complex human experience.(人大2006研)【答案】Henry James【解析】美国小说家亨利·詹姆斯的作品善于挖掘人物心理。
2.Daisy Miller was written by_____.(大连外国语学院2007研)【答案】Henry James【解析】《黛西·米勒》是美国作家Henry James的国际主题小说。
3.The name of the heroine in The Portrait of a Lady is_____.(人大2006研)【答案】Isabel Archer【解析】《一位贵妇的画像》(The Portrait of a Lady)是亨利·詹姆斯的早期代表作,也是他的杰作之一。
该小说的女主人公是伊莎贝尔·阿切尔。
4.The Age of Realism is also what Mark Twain referred to as“_____”.【答案】The Gilded Age【解析】现实主义时期被马克吐温看作“镀金时代”。
5.By1875,American writers were moving toward_____in literature.We can see this in the true-to-life descriptions of Bret Harte,William Dean Howells,Hamlin Garland.【答案】realism【解析】到1875年后美国文学过渡到了现实主义时期,我们可以在布勒特·哈特,威廉姆·迪恩·豪威尔斯和哈姆林·加兰的作品中找到对生活逼真的描述。
常耀信版_美国文学简史_William_Faulkner1
Features of Southern literature prior to this renaissance --- focus on historical romances about the "Lost Cause" of the Confederate States of America. --- glorified the heroism of the Confederate army and civilian population during the Civil War and the supposedly "idyllic culture" that existed in the South before the war (known as the Antebellum South).
Narrative techniques
• Never step between the characters and the reader to explain, but let the characters explain themselves and hinder as little as possible the reader’s direct experience of the work of art. • The most characteristic way of structuring his stories is to fragment the chronological time. Juxtapose the past with the present.
• A man with great might of invention and experimentation. • Novel as an art form ; evolved his own literary strategies . • Primary duty :explore and represent the infinite possibilities inherent in human life. • Writer should observe with no judgment whatsoever and reduce authorial intrusion to the lowest minimum.
常耀信《美国文学简史》(第3版)笔记和考研真题详解(15-20章)【圣才出品】
第15章南方文艺复兴•威廉姆•福克纳15.1复习笔记I.The Southern Renaissance(南方文艺复兴)1.Historical background(历史背景)The American south has been a unique region all along.There was the historically significant conflict between the Hamiltonian north and the Jeffersonian south.For a long time after the Civil War,the agricultural south remained subordinate to industrial north,and there existed a glaring gap in culture and way of thinking between the two parts of the country.Measures were taken to develop the south;economic improvements slowly came about.Although the south remained conservative,but there appeared a visible sign of change in literature,and there are efforts to reassess the past and the present and do self-searching.美国南方一直是一个独特的地区。
哈米尔顿式南方与杰斐逊式北方之间存在具有重大历史意义的冲突。
美国内战后相当长的时间内,农业式的南方仍然从属于工业化的北方。
美国这两个地区之间在文化和思维方式上存在显著的差距。
常耀信美国文学讲义PPT课件
After this rough beginning, Robert went
on to become a great poet. He married Elinor White and had 2 kids. Robert never in truth had any jobs, except being a poet, but he published many poems in his lifetime. Robert won four Pultizer awards and read The Gift Outright (全心的奉献)at the inauguration of John. F. Kennedy. He died on January 29, 1963 of a heart attack. He was 88 years old.
Birches After Apple-Picking Stopping by Woods on a Snowy Evening The Road Not Taken
Frost's poems are
critiqued in the "Anthology of Modern American Poetry", Oxford University Press, where it is mentioned that behind a sometimes charmingly familiar and rural façade, Frost's poetry frequently presents pessimistic and menacing undertones which often are not recognized nor analyzed.
常耀信《美国文学简史》笔记和考研真题详解(新英格兰超验主义 爱默生 梭罗)【圣才出品】
第4章新英格兰超验主义•爱默生•梭罗4.1 复习笔记In 1836 Emerson’s Nature came out which made a tremendous impact on the intellectual life of America. Nature’s voice pushed American Romanticism into a new phase, the phase of New England Transcendentalism, the summit of American Romanticism.1936年爱默生的《论自然》问世,它如平地惊雷,震撼了美国文化思想界。
《论自然》把美国浪漫主义推向了一个新的阶段,即它的高潮阶段——英格兰超验主义阶段。
I. New England Transcendentalism(新英格兰超验主义)In the 1830s and 1840s some New Englanders , not quite happy about the materialistic-oriented life of their time, formed themselves into an informal club, the Transcendentalist Club, and met to discuss matters of interest to the life of the nation as a whole. They expressed their views, published their journal, the Dial, and made their voice heard. The club with a membership of some thirty men and a couple of women included Emerson, Thoreau, Bronson Alcott, and Margaret Fuller. Most of them were teachers or clergymen, radicals who reacted against the faith of Boston businessmen and the cold, rigid rationalism of Unitarianism. The word“Transcendental” was not native to America; it was a Kantian term denoting, as Emerson put it, “Whatever belongs to the class of intuitive thought.”19世纪三、四十年代一些新英格兰人对当时盛行的物质主义极其不满,他们聚集在一起组成非正式的“超验主义俱乐部”,讨论文学、哲学及国家生活的形势趋向。
英语专业美国文学课件History of American Literature part 1
And Selected Readings
Marcus Cunliffe, The Literature of the United States Robert Spiller, The Cycle of American Literature Rod W. Horton and Herbert W. Edward, Backgrounds of American Literary Thought 常耀信,美国文学简史 常耀信,美国文学选读 童明,美国文学史 5.Rubinstein, Annette. American Literature, Root and Flowering(《美国文学的源和流》 6.史志康主编,《美国文学背景概观》 7.刘海平、王守仁等 “It is worth reiterating that those who colonized America during the 17th and the 18th centuries were part of a great migration initiated not only from all parts of England but also from Africa, from the Scottish Highlands, Ireland, Germany, Switzerland and other regions in Europe. While some of the settlers came in response to economic forces, others came in search for political and religious freedom. Africans were forced to come as slaves. This diversity of situations, when blended into specific environments, contributed to the development of regional cultures and to the cultural pluralism of America.” New England, Puritan literature: journals (diaries), hymns, sermons, home letters, histories; the South, Virginia: promotional tracts, journals, poems, letters, sermons (satire, a spirit of exploration inherent in the Renaissance); the Middle Colonies, culturally and ethnically more diverse: better reflecting the diversity of colonial life and anticipating the pluralism of America
常耀信《美国文学简史》(第3版)【章节题库(含名校考研真题)】(第3章 美国浪漫主义
第3章美国浪漫主义•欧文•库柏I.Fill in the blanks.1.“The Legend of Sleepy Hollow”was written by_____.(大连外国语学院2008研)【答案】Washington Irving【解析】短篇小说《睡谷传说》(“The Legend of Sleepy Hollow”),是华盛顿·欧文的代表作《见闻札记》(The Sketch Book)中最著名的两篇故事中的一篇。
另一篇是《瑞普·凡·温克尔》(“Rip Van Winkle”)。
2.Ichabod Crane,the schoolmaster,is a character in the short story_____collected in The Sketch Book.(首师大2008研)【答案】“The Legend of Sleepy Hollow”【解析】Ichabod Crane是一个小学校长,欧文的《睡谷传奇》中的人物。
3.The Romantic period in the American literary history covers the time between the end of the_____century to the outbreak of the_____.It started with the publication of Irving’s_____and ended with Whitman’s_____.This period is also called_____.【答案】18th;Civil War;The Sketch Book;Leaves of Grass;the American Renaissance【解析】美国浪漫主义时期开始于十八世纪末,到内战爆发为止,是美国文学史上最重要的时期。
华盛顿·欧文出版的《见闻札记》标志着美国浪漫主义文学的开端,惠特曼的《草叶集》是浪漫主义时期文学的压卷之作。
lecture_5 美国文学史课件
American Literature of 1930s
I.background -radical 30s, economic crisis, typified by serious worker, -Roosevelt and New Deal
II. literature of 1930s 1.general features: -social concern and social involvement -revival of naturalistic tradition 2.important writers -John Dos Passos -John Steinbeck -James Farrell -black lit: Richard Wright, Langston Hughs -poet: Archibald Macleish
Edgar Allan Poe, Katherine Anne Porter, Eudora Welty, Flannery O’Connor, William Faulkner
4. unique features
twisted, violent, pessimistic, dealing with displacement and human distorted innocence
III. John Steinbeck 1.life : middle-class family, work at
various unskilled jobs 2. works:
Cup of Gold Tortilla Flat In Dubois War Of Mice and Man The Grapes of Wrath Travel with Charley
美国文学简史常耀信讲义
Three giants in American Realism: William Dean Howells Henry James Mark Twain
William Dean Howells
❖ William Dean Howells—the Dean of American Realism.
❖ 7. With regard to literary criticism, Howells felt that the literary critic should not try to impose arbitrary or subjective evaluations on books but should follow the detached scientist in accurate description, interpretation, and classification.
investigation of life ---“Realistic writers are like scientists.” ❖ 4. open-ending: ---Life is complex and cannot be fully understood. It leaves much room for readers to think by themselves. ❖ 5. concerned with social and psychological problems, revealing the frustrations of characters in an environment of sordidness and depravity
❖ 3. Characters should have solidity of specification and be real.
英语专业考研 常耀信版 美国文学简史 imagism
4. It is this movement that helped to open the first pages of modern English and American poetryห้องสมุดไป่ตู้.
Significance
1. It was a rebellion against the traditional poetics which failed to reflect the new life of the new century.
2. It offered a new way of writing which was valid not only for the Imagist poets but for modern poetry as a whole.
5) There existed great influence of Chinese poetry on the Imagist movement. Imagists found value in Chinese poetry was because Chinese poetry is, by virtue of the ideographic and pictographic nature of the Chinese language, essentially imagistic poetry.
Modern poetry: experiments in form (Imagism)
Imagism
美国文学史常耀信版
美国文学史常耀信版美国文学Part 1. Colonial America浪漫主义American Romanticism(1815-1865)早期浪漫主义early romanticism——Irving欧文, Cooper库柏, Bryant布莱恩特先验主义transcendentalism and symbolic representation——Emerson 爱默森,Margaret Fuller玛格丽特福勒,Thoreau 梭罗三位重要的小说家——Hawthorne 霍桑,Melville 梅尔维尔,Poe 坡二位重要的诗人——Whitman 惠特曼,Dickinson 狄更生现实主义American Realism(1865-1914)带有地方色彩的写作local color writing——Mark Twain马克吐温现实主义literary realism——James 詹姆士,Howells 豪斯尔斯自然主义literary naturalism——Garland 加兰特,Grane 格雷恩,Frank Norris 弗兰克诺里斯,Jack London 杰克伦敦,Theodore Dreiser 西奥多德莱塞现代主义American Modernism(1914-1945)现代主义在欧洲American modernism in Europe——Gerturde Stein 格特鲁德斯坦因,Ezra Pound 艾兹拉庞德,Amy Lowell 艾米洛威尔,H.D.(Hilda Doolittle) 杜丽埃尔战时的现代派小说modern fiction between the wars——William Faulkner 威廉福克纳,Hemingway 海明威,Fitzgerald 费兹杰罗,Passos 帕索斯,Steinbeck 斯坦贝克现代派诗歌modern American poetry——T.S. Eliot 艾略特,Wallace Stevens 史蒂文斯,William Carols Williams 威廉姆斯,E.E.Cummings 卡明斯Thomas Paine托马斯•潘恩1737-1809 The Case of the Officers of Excise税务员问题;Common Sense常识;American Crisis美国危机;Rights of Man人的权利:Downfall of Despotism专制体制的崩溃;The Age of Reason理性时代Philip Freneau菲利普•弗伦诺1752-1832 The Rising Glory of America蒸蒸日上的美洲;The British Prison Ship英国囚船;To the Memory of the Brave Americans纪念美国勇士-----同类诗中最佳;The Wild Honeysuckle野生的金银花;The Indian Burying Ground印第安人殡葬地Jonathan Edwards The Freedom of the Will The Great Doctrine of Original Sin defended The Nature of True VirtueBenjamin Franklin本杰明•富兰克林1706-1790 A Modest Inquiry into the Nature and Necessity of a Paper Moneyoor Richard’s Almanack穷查理历书;The Way to Wealth致富之道;The Autobiography自传Part 2. American RomanticismWashington Irving华盛顿•欧文1783-1859 A History of New York纽约的历史-----美国人写的第一部诙谐文学杰作;The Sketch Book见闻札记The Legend of Sleepy Hollow睡谷的传说-----使之成为美国第一个获得国际声誉的作家;Bracebridge Hall布雷斯布里奇田庄;Talks of Travellers旅客谈;The Alhambra阿尔罕伯拉James Fenimore Cooper詹姆斯•费尼莫尔•库珀1789-1851 The Spy间谍;The Pilot领航者;The Littlepage Manuscripts利特佩奇的手稿;Leatherstocking Tales皮裹腿故事集:The Pioneer拓荒者;The Last of Mohicans最后的莫希干人;The Prairie大草原;The Pathfinder探路者;The Deerslayer杀鹿者Part 3.New England TranscendentalismRalf Waldo Emerson拉尔夫•沃尔多•爱默生1803-1882 Essays散文集:Nature论自然-----新英格兰超验主义者的宣言书;The American Scholar论美国学者;Divinity;The Oversoul论超灵;Self-reliance论自立;The Transcendentalist超验主义者;Representative Men代表人物;English Traits英国人的特征;School Address神学院演说Concord Hymn康考德颂;The Rhodo杜鹃花;The Humble Bee野蜂;Days日子-首开自由诗之先河Henry David Threau亨利•大卫•梭罗1817-1862 Wadden,or Life in the Woods华腾湖或林中生活;Resistance to Civil Government/Civil Disobedience抵制公民政府;A Week on the Concord and Merrimack Rivers Henry Wadsworth Longfellow亨利•沃兹沃思•朗费罗1807-1882 The Song of Hiawatha海华沙之歌----美国人写的第一部印第安人史诗;Voices of the Night夜吟;Ballads and Other Poens民谣及其他诗;Belfry of Bruges and Other Poems布鲁茨的钟楼及其他诗;Tales of a Wayside Inn路边客栈的故事---诗集:An April Day四月的一天/A Psalm of Life人生礼物/Paul Revere’s Ride保罗•里维尔的夜奔;Evangeline伊凡吉琳;The Courtship of Miles Standish迈尔斯•斯坦迪什的求婚----叙事长诗;Poems on Slavery奴役篇---反蓄奴组诗Nathaniel Hawthorne纳撒尼尔•霍桑1804-1864Twice-told Tales尽人皆知的故事;Mosses from an Old Manse古屋青苔:Young Goodman Brown年轻的古德曼•布朗;The Scarlet Letter红字;The House of the Seven Gables有七个尖角阁的房子--------心理若们罗曼史;The Blithedale Romance福谷传奇;The Marble Faun玉石雕像Herman Melville赫尔曼•梅尔维尔1819-1891 Moby Dick/The White Whale莫比•迪克/白鲸;Typee泰比;Omoo奥穆;Mardi玛地;Redburn雷得本;White Jacket白外衣ierre皮尔埃iazza广场故事;Billy Budd比利•巴德Walt Whitman沃尔特•惠特曼1819-1892 Leaves of Grass草叶集:Song of the Broad-Axe阔斧之歌;I hear America Singing我听见美洲在歌唱;When Lilacs Lost in the Dooryard Bloom’d小院丁香花开时;Democratic Vistas民主的前景;The Tramp and Strike Question流浪汉和罢工问题;Song of Myself自我之歌Emily Dickinson埃米莉•迪金森1830-1886 The Poems of Emily Dichenson埃米莉•迪金森诗集-----“Tell all the truth and tell it slant”迂回曲折的,玄学的Edgar Allan Poe埃德加•爱伦•坡1809-1849(以诗为诗;永为世人共赏的伟大抒情诗人-----叶芝)Tales of the Grotesque and Arabesque怪诞奇异故事集;Tales故事集;The Fall of the House of Usher厄舍古屋的倒塌;Ligeia莱琪儿;Annabel Lee安娜贝尔•李-----歌特风格;首开近代侦探小说先河,又是法国象征主义运动的源头Tamerlane and Other Poems帖木儿和其他诗;Al Araaf,Tamerlane and Minor Poems艾尔•阿拉夫,帖木儿和其他诗;The Raven and Other Poems乌鸦及其他诗:The Raven乌鸦;The City in the Sea海城;Israfel 伊斯拉菲尔;To Hellen致海伦Harriet Beecher Stowe哈丽特•比彻•斯托1811-1896 Uncle Tom’s Cabin汤姆叔叔的小屋;A Tale of the Great Dismal Swamp德雷德阴暗大沼地的故事片;The Minister’s Wooing牧师的求婚;The Pearl of Orr’s Island 奥尔岛的珍珠;Oldtown Folks老城的人们Part 4. The age of RealismWilliam Dean Howells 威廉•狄恩•豪威尔斯1837-1920 The Rise of Silas Lapham赛拉斯•拉帕姆的发迹;A Modern Instance现代婚姻; A Hazard of Now Fortunes时来运转;A Traveller from Altruia从利他国来的旅客;Through the Eye of the Needle透过针眼----乌托邦小说;Criticism and Fiction;Novel-Writing and Novel-Reading 小说创作与小说阅读23、Henry James享利•詹姆斯1843-1916 小说:Daisy Miller苔瑟•米乐;The Portrait of a Lady贵妇人画像;The Bostonians波士顿人;The Real Thing and Other Tales真货色及其他故事;The Wings of the Dove鸽翼;The Ambassadors大使;The Golden Bowl金碗评论集:French Poets and Novelists法国诗人和小说家;Hawthorne霍桑;Partial Portraits不完全的画像;Notes and Reviews札记与评论;Art of Fiction and Other Essays小说艺术Part 5. Local ColorismMark Twain马克•吐温(Samuel Longhorne Clemens)---美国文学的一大里程碑The Celebrated Jumping Frog of Calaveras County加拉维拉县有名的跳蛙;The Innocent’s Abroad傻瓜出国记;The Gilded Age镀金时代;The Adventures of Tom Sawyer汤姆•索耶历险记;The Prince and the Pauper王子与贫儿;The Adventures of Huckleberry Finn哈克贝利•费恩历险记;A Connecticut Yankee in King Arthur’s Court亚瑟王宫中的美国佬;The Tragedy of Pudd’nhead Wilson傻瓜威尔逊;Personal Recollections of Joan of Arc冉•达克;The Man That Corrupted Hadleyburg败坏哈德莱堡的人How to Tell a Story怎样讲故事---对美国早期幽默文学的总结Part 6. American NaturalismStephen Crane斯蒂芬•克莱恩1871-1900 Magic:A Girl of the Streets街头女郎梅姬(美国文学史上首次站在同情立场上描写受辱妇女的悲惨命运);The Red Badge of Courage红色英勇勋章;The Open Boat小划子;The Bride Comes to Yellow Sky新娘来到黄天镇Frank Norris弗兰克•诺里斯1870-1902 Moran of the Lady Letty茱蒂夫人号上的莫兰(romantic);Mc-Teague麦克提格(naturalistic);The Epic of the Wheat(realistic)小麦诗史(The Octopus章鱼,The Pit小麦交易所);A Deal in Wheat and Other Stories of the Old and New West小麦交易所及其他新老西部故事Theodore Dreiser西奥多•德莱塞1871-1945 Sister Carrie嘉莉姐妹;Jennie Gerhardt珍妮姑娘;Trilogy of Desire欲望三部曲(Financer金融家,The Titan巨人,The Stoic);An American Tragedy美国的悲剧(被称为美国最伟大的小说);Nigger Jeff黑人杰弗Edwin Arlington Robinson鲁宾逊1869-1935 Captain Craig克雷格上尉---诗体小说;The Town Down the River河上的城镇;The Man Against the Sky衬托着天空的人;Avon’s Harvest沃冯的收成;Collected Poems诗集40、Jack London杰克•伦敦1876-1916 The Son of the Wolf狼之子,The Call of the Wild野性的呼唤;The Sea-wolf海狼;White Fang白獠牙;The People of the Abyss深渊中的人们;The Iron Heel铁蹄;Marti Eden马丁•伊登;How I become a Socialist我怎样成为社会党人;The War of the Classes阶级之间的战争;What Life Means to Me 生命对我意味着什么;Revolution革命;Love of Life热爱生命;The Mexican墨西哥人;Under the Deck Awings在甲板的天蓬下Upton Sinclair厄普顿•辛克莱尔1878-1968 Spring and Harvest春天与收获;The Jungle屠场(揭发黑幕运动的代表作家);King Coal煤炭大王;Oil石油;Boston波士顿;Dragon’s Teeth龙齿Part 7. The 1920sImagism Ezra Pound艾兹拉•庞德1885-1972 The Spirit of Romance罗曼司精神;The Anthology Des Imagistes意像派诗选;Cathay华夏(英译中国诗);Literary Essays文学论;Hugh Swlwyn Mauberley;A Few Don’ts by Imagiste意像派戒条;Personage面具;Polite Essays文雅集;The Cantos of Ezra Pound庞德诗章(109首及8首未完成稿)Thomas Stearns Eliot托马斯•艾略特1888-1965 Prufrock and Other Observations普罗夫洛克(荒原意识);The Waste Land荒原(The Burial of the Dead死者的葬礼;A Game of Chess弈棋;The Fire Sermon火诫;Death by Water水边之死;What the Thunder Said雷电之言);名诗:Ash Wednesday圣灰星期三;Four Quarters四个四重奏诗剧:Murder in the Cathedral大教堂谋杀案;Family Reunion大团圆;Cocktail Party鸡尾酒会Wallace Stevens华莱士•史蒂文斯1879-1955 Harmonium风琴;The Man With the Blue Guitar弹蓝吉他的人;Notes Toward a Supreme Fiction关于最高虚构的札记(Peter Quince at the Clavier彼得•昆斯弹风琴;Sunday Morning礼拜天早晨);The Auroras of Autumn秋天的晨曦;Collected Poems诗集。
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literary career: three stages
(1) 1924~1929: training as a writer The Marble Faun 《大理石雕像》
Soldier’s Pay 《士兵的报酬》
Mosquitoes《蚊群》 (2) 1929~1936: most productive and prolific period Sartoris 《萨托里斯》 The Sound and the Fury 《喧哗与骚动》 As I Lay Dying 《在我弥留之际》 Light in August 《八月之光》
爱米丽的玫瑰》、《红 叶》、《夕阳》和《干 燥的九月》
Yoknapatawpha 约克纳帕塔法
Yoknapatawpha County: --- A county in northern Mississippi, the setting for most of William Faulkner’s novels and short stories, and patterned upon Faulkner’s actual home in Lafayette County, Mississippi.
Faulkner in Hollywood
In the university of Virginia campus
William Faulkner: Nobel Prize Acceptance Speech
--- I feel that this award was not made to me as a man, but to my work -- a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. ---我感觉,这个奖不是授予我这个人,而是授予我的工作, 它是对我呕心沥血、毕生从事的人类精神探索的工作的肯定。 我的这项工作不为名,更不图利,而是要从人类精神的原始 素材里创造出前所未有的东西。
The Southern Renaissance & William Faulkner
The Southern Renaissance
I. Heritage
American southern literature can date back to Edgar Allen Poe, and reach its summit with the appearance of the two “giants” – Faulkner and Wolfe. There are southern women writers – Katherine Anne Porter凯瑟琳.安.波特 , Eudora Welty尤朵拉· 韦尔蒂 , and Flannery O’Connor弗兰纳里· 奥康诺 .
William Faulkner ---One of the greatest writer in 20th century ---initiator of Southern Renaissance ---one of the most influential modernist novel writers in the west
The Southern Renaissance
• The Southern Renaissance is featured in its unique feeling of guilt, failure and poverty as well. • Southern Myths • a. Chevalier heritage(骑士精神的传承) • b. Agrarian virtue(土地的价值) • c. Plantation aristocracy (种植园主) • d. Lost cause (注定要失败的势力) • e. White supremacy (白人至上) • f. Purity of womanhood (女人的纯洁)
Features of Southern literature prior to this renaissance --- focus on historical romances about the "Lost Cause" of the Confederate States of America. --- glorified the heroism of the Confederate army and civilian population during the Civil War and the supposedly "idyllic culture" that existed in the South before the war (known as the Antebellum South).
William Faulkner (1897-1962) William Faulkner was born on September 25, 1897 and began to write poetry as a teenager. During Wo r l d Wa r I , h e j o i n e d t h e Canadian Royal Flying Corps but never fought; the day he graduated from the Flying Corps, the Armistice was signed. The only war injury he received was the result of getting drunk and partying too hard on Armistice Day, wherein he inju40~end: won recognition in America Go Down, Moses 《去吧,摩西》
His Short story collection
• These 13 (1931), 《这十 三篇》includes many of his most acclaimed (and most frequently anthologized) stories, including "A Rose for Emily," "Red Leaves," "That Evening Sun," and "Dry September."《献给
Three major themes in Southern Renaissance
--- the burden of history in a place where many people still remembered slavery,reconstruction, and a devastating military defeat. --- focus on the South's conservative culture, specifically on how an individual could exist without losing a sense of identity in a region where family, religion, and community were more highly valued than one's personal and social life. --- the South's troubled history in regards to racial issues.
“约克纳帕塔法世系”
这个“世系”以美国南方几个庄园主世家的
荣辱兴衰为主线,表现了一个世纪以来美
国南方社会的历史命运、社会变迁以及各
阶层人物的起伏沉浮,写出了美国南方地
区的典型特征,具有浓厚的乡土气息。
Major Themes of his Works
• 1. history and race • He explains the present by examining the past, by telling the stories of several generations of family to show how history changes life. • He was interested in the relationship between blacks and whites, especially concerned about the problems of the people who were of the mixed race of black and white, unacceptable to both races. • 2. Deterioration • 3. Conflicts between generations, classes, races, man and environment • 4. Horror, violence and the abnormal
Narrative techniques
• Never step between the characters and the reader to explain, but let the characters explain themselves and hinder as little as possible the reader’s direct experience of the work of art. • The most characteristic way of structuring his stories is to fragment the chronological time. Juxtapose the past with the present.