body ritual among the nacirema Nacirema 人的身体仪式 人类学

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例谈“身体写作”理论在翻译实践中的应用

例谈“身体写作”理论在翻译实践中的应用

例谈“身体写作”理论在翻译实践中的应用作者:邱芬来源:《文学教育》2010年第04期内容摘要:“身体写作”是一种实现颠覆男性专制的书写策略,是通向追求两性和谐发展最终价值的过渡与桥梁。

本文以艾丽斯·沃克的女性主义作品《紫色》及其三个中译本为研究对象,探讨女性主义的“身体写作”理论在翻译实践中的应用。

本文分为两个部分:第一部分介绍了中西方女性主义文学中的“身体写作”理论;第二部分则从具体的翻译实践中,分析原作的“身体写作”在译作中的处理问题。

关键词:女性主义身体写作翻译实践一.中西方女性主义文学中的“身体写作”理论女性作家的“身体写作”原本是对父权制文化统治下女性“无史”、“缺席”的抗争与反叛,是对男性话语霸权的颠覆和对“宏大叙事”的消解。

男性文化习惯对女性进行文化编码,男权加诸女人除主体之外的一切,形成一种集体无意识并加以发扬光大。

于是女性作家采用了全新的策略,通过“边缘化”对整个世界的位置加以纠偏,以自身“边缘”言说,使中心变得可疑,从而达到逐渐颠覆男性话语中心的目的。

在这场对男权统治的挑战中,由于长久以来受到的文化遮蔽使得女性没有自己的声音和话语;在这场事关性别权力关系的“起义”中,男权规制下的女性没有自己的政党和军队,她们唯一可以采用的武器便是“身体”。

“身体叙事”只是一种斗争的策略,性别只是一个基本的起点,“身体”仅是通向追求两性和谐发展最终价值的过渡与桥梁。

西方女性主义“身体写作”中的“身体”,更多地指向女性身体所蕴涵的丰富的却被男权文化霸权长期压制和扭曲的心理和文化信息,这个“身体”不是生理意义的,而是文化意义的,“身体写作”被作为实现颠覆男性专制的书写策略而为女性主义者所推崇,也因此与色情、暴露文学大相径庭。

“身体写作”是西方女性主义对特定的文学表现方式的一种描述,其要义在于强调文学写作中的女性视角和女性立场,以及女性对生活的感受方式。

立足于女性身体,使语言与女性身体发生有机的联系,即通过身体写作成为女性小说创作选择的一种语言策略。

保持健康的饮食英语作文

保持健康的饮食英语作文

Maintaining a healthy diet is essential for overall wellbeing and plays a crucial role in preventing various diseases.Here are some key points to consider when discussing the importance of a healthy diet in an English composition:1.Balanced Intake:Emphasize the importance of consuming a variety of foods to ensure that the body receives all the necessary nutrients.This includes a balance of carbohydrates,proteins,fats,vitamins,and minerals.2.Portion Control:Discuss the concept of portion sizes and how overeating can lead to weight gain and related health issues.Encourage readers to be mindful of their portion sizes to maintain a healthy weight.3.Regular Meals:Highlight the benefits of eating regular meals throughout the day, which can help maintain energy levels and prevent overeating at meal times.4.Hydration:Stress the importance of drinking enough water daily,as it is vital for digestion,circulation,and maintaining body temperature.5.Limiting Processed Foods:Explain how processed foods are often high in unhealthy fats,sugars,and salts,which can contribute to chronic diseases if consumed in excess.6.Incorporate Fruits and Vegetables:Encourage the inclusion of a variety of fruits and vegetables in the diet,as they are rich in fiber,vitamins,and antioxidants that protect against diseases.7.Moderation in Alcohol Consumption:If appropriate for the audience,mention the need for moderation in alcohol intake,as excessive drinking can lead to liver damage and other health problems.8.Physical Activity:While not directly related to diet,its important to mention the role of physical activity in maintaining a healthy lifestyle and complementing a balanced diet.9.Mindful Eating:Introduce the concept of mindful eating,which involves paying attention to hunger and satiety cues,eating slowly,and enjoying the experience of eating.10.Cultural and Personal Preferences:Acknowledge that dietary habits can vary based on cultural backgrounds and personal preferences,but the underlying principles of a healthy diet remain universal.11.Sustainability:Consider discussing the environmental impact of food choices and theimportance of sustainable eating habits,such as reducing meat consumption and choosing locally sourced produce.12.Health Conditions:Mention how certain health conditions may require specific dietary adjustments,and the importance of consulting a healthcare provider or a dietitian for personalized advice.By incorporating these points into your essay,you can provide a comprehensive view of why a healthy diet is important and how individuals can achieve it.Remember to use clear,concise language and provide examples to illustrate your points effectively.。

运动员的身材描述英语作文

运动员的身材描述英语作文

In the realm of sports,an athletes physique is often a testament to their dedication, discipline,and the specific demands of their chosen field.Here is a descriptive composition on the physique of athletes,highlighting the unique characteristics that set them apart.The Rugged Build of a Football PlayerA football players physique is akin to a fortress,built to withstand the relentless onslaught of the game.Their bodies are a tapestry of bulging muscles,broad shoulders, and a solid core that provides the foundation for their powerful tackles and agile maneuvers on the field.The legs,particularly the thighs and calves,are pillars of strength, capable of propelling them forward with explosive speed or anchoring them firmly during a hardfought defensive stand.The Graceful Lines of a GymnastGymnasts,on the other hand,embody a different kind of strength.Their bodies are lean and toned,with a focus on flexibility and balance.The gymnasts physique is characterized by a long,slender frame,with welldefined muscles that are not overly bulky but are perfectly suited to the twists,turns,and flips of their routines.Their arms and legs are like extensions of their will,capable of bending and stretching in ways that defy the imagination.The Streamlined Form of a SwimmerSwimmers possess a physique that is as sleek as the water they glide through.Their bodies are long and streamlined,with broad shoulders and a narrow waist that allows them to cut through the water with minimal resistance.The upper body is muscular, particularly the back and shoulders,which power the strokes that propel them forward. Their legs,while strong,are often less muscular,focusing more on flexibility to enable the powerful kicking motion that drives them through the water.The Sculpted Strength of a BodybuilderThe bodybuilders physique is a work of art,meticulously sculpted to showcase the human form in all its muscular glory.Their bodies are a testament to the power of human potential,with bulging biceps,chiseled abs,and a broad,imposing chest.The bodybuilders legs are thick and powerful,supporting the weight of their upper body and providing a stable base for the display of their strength.The Athletic Elegance of a RunnerRunners have a physique that is both lean and powerful.Their bodies are built for endurance,with long,slender legs that are packed with lean muscle.The runners core is strong and stable,providing the necessary support for the repetitive motion of running. Their arms are toned and efficient,aiding in the rhythmic motion that propels them forward mile after mile.The Agile Flexibility of a Martial ArtistMartial artists possess a physique that is both strong and supple.Their bodies are wellrounded,with a balance of strength and flexibility that allows them to execute powerful strikes and fluid movements with equal ease.The martial artists core is strong, providing the stability needed for their dynamic techniques.Their limbs are strong but also flexible,capable of delivering swift and precise strikes.In conclusion,the physique of an athlete is a reflection of their sport and the countless hours of training that have sculpted their bodies to meet the demands of their discipline. Each athletes physique is unique,tailored to the specific requirements of their sport,and a source of inspiration for those who aspire to reach the pinnacle of physical excellence.。

身体意象量表评分标准 情感 认知 行为

身体意象量表评分标准 情感 认知 行为

身体意象量表评分标准情感认知行为《身体意象量表评分标准与情感、认知、行为关系探析》一、引言随着社会的发展和人们对身心健康的重视,身体意象量表评分标准在心理学领域逐渐受到关注。

身体意象是个体对自身外貌、身体功能和运动能力的主观认知和评价。

情感、认知和行为在个体的身体意象中起着重要作用,对身体意象的评分标准有着深远影响。

本文将从深度和广度两个维度出发,对身体意象量表评分标准与情感、认知、行为的关系进行全面探讨,以期为读者提供有价值的信息和观点。

二、身体意象量表评分标准的概念和内容身体意象量表评分标准是评价个体身体意象的一种客观标准。

它通过对个体对自身身体的认知,情感体验和行为表现进行量化评分,以反映个体对自身身体的满意度和接受程度。

在身体意象量表评分标准中,通常包括对个体体型满意度、身体功能评价和运动能力评价等内容。

在身体意象量表评分标准中,情感、认知和行为在个体的身体意象评价中起着重要作用。

接下来,我们将分别探讨这三个方面与身体意象量表评分标准的关系。

三、情感对身体意象量表评分标准的影响情感是个体对自身身体的主观体验和情绪反应,对身体意象的评价起着重要作用。

研究表明,消极情感如焦虑、抑郁会导致个体对身体的评价偏差,出现身体不满意的情况,从而影响身体意象量表的评分结果。

而积极的情感体验则会使个体更加接纳自己的身体,对身体意象的评价更加客观和积极。

在实际的身体意象量表评分中,我们需要考虑个体的情感体验对身体意象的影响,为个体提供情感支持和帮助,使其更客观地对自身身体进行评价。

四、认知对身体意象量表评分标准的影响认知是个体对自身身体的认知过程,在身体意象量表评分中起着决定性作用。

个体对自身身体的认知偏差会影响身体意象量表的评分结果,从而影响个体的心理健康和身体满意度。

在评定身体意象量表的评分标准时,需要考虑个体的认知特点,并进行合理的认知干预,帮助个体更加客观地认知自己的身体。

五、行为对身体意象量表评分标准的影响个体的行为方式对身体意象的评价也有着重要影响。

欲望、碎片与被规范的身体——马修·巴尼艺术中身体的意义

欲望、碎片与被规范的身体——马修·巴尼艺术中身体的意义

读·闻·观83欲望、碎片与被规范的身体——马修·巴尼艺术中身体的意义张多星摘要:马修·巴尼可的作品融装置、身体、音乐、影视、绘画、摄影、行为、设计、服装、文学等诸多因素,构成了一部庞杂的艺术系统,赋予了艺术无边界性,因此也造就了他的艺术鸿篇巨制、令人费解。

我们似乎很难从他奇幻的作品中寻找到一条贯穿其创作始终的线索,但是我们能了解到身体是马修·巴尼作品中常用的表现媒介。

本文试以身体为出发点,探讨马修·巴尼艺术所要诠释的问题。

关键词:马修巴尼;欲望;规范;身体马修·巴尼(Matthew Barney,1967-)出生于美国旧金山,六岁时全家迁往爱达华州。

十二岁时父母离异,马修·巴尼跟随父留在爱达华,其母亲则迁往了纽约,马修·巴尼从小往返于父母之间。

其母亲迁往纽约后成为了一名艺术家,马修·巴尼在他母亲那受到了艺术启蒙。

高中时期,马修·巴尼曾是橄榄球运动员,毕业后考入到了耶鲁大学医学院预科班,其理想是成为一名整形大夫。

不久后他却放弃了自己梦想,转向了学习艺术,1989年大学毕业。

毕业后,马修·巴尼前往纽约开始大胆的艺术实践。

虽然马修·巴尼放弃了医学之路,但是医学上的修养成为了他艺术创作的重要组成部分,使他的作品总是围绕身体展开。

一以身体作为艺术表达从史前即有,而以意志主体作为媒介的行为艺术则是20世纪才出现的一种艺术形式。

从20世纪下半叶始,身体逐渐从被“遮蔽”的历史中解放出来,在艺坛占据着重要位置。

所谓“遮蔽”的身体即身体代表的价值与意义被隐藏了起来。

古希腊伊始,人们所提及的身体并不是完整意义上的身体,就艺术而言,身体只是对“美”本质的反映。

在哲学家们看来,身体是智慧、真理、正义和美德的障碍,那么人类就要将灵魂从肉体中解放出来。

这种肉体与灵魂的二元论至17世纪之前,一直充斥着西方文化生活。

舞蹈:身体的语言艺术 英语作文

舞蹈:身体的语言艺术 英语作文

Title:Dance:The Artistic Language of the BodyIntroduction:In this essay,I will explore the significance of dance as a form of artistic expression and communication through the language of the body.Dance is a universal art form that transcends cultural barriers and allows individuals to convey emotions,stories,and ideas through movement.It is a powerful medium that connects people,evokes emotions,and celebrates the beauty of the human body in motion.Body:Expression of Emotions:Dance serves as a powerful tool for expressing emotions that may be difficult to articulate through words alone.The body becomes the instrument through which dancers convey joy,sorrow,love,anger,and a range of other emotions.The fluidity,grace,and intensity of dance movements enable performers to communicate and evoke emotional responses from audiences.Narrative and Storytelling:Dance has a rich history of storytelling,allowing dancers to narrate tales and convey narratives without the need for spoken language.Through choreography,dancers can depict characters,events,and concepts, bringing stories to life through movement.Dance transcends cultural boundaries,enabling stories to be told and understood by diverse audiences.Physicality and Body Language:Dance utilizes the body as a means of communication,showcasing the beauty and expressiveness of human physicality.Every movement, gesture,and posture conveys meaning and intention.Dancers use their bodies as a language,expressing ideas,thoughts,and emotions through the subtle nuances of their movements.The body becomes a canvas for artistic expression and communication.Cultural Identity and Heritage:Dance plays a vital role in preserving and celebrating cultural identity and heritage.Different cultures have their unique dance forms,each reflecting their traditions,history,and values.Traditional dances carry the essence of a community's beliefs,rituals,and stories,serving as a link to the past and a celebration of cultural diversity.Dance becomes a way to honor and preserve cultural heritage.Physical Fitness and Discipline:Dance requires discipline,physical fitness,and rigorous training.Dancers must develop strength,flexibility,and endurance to execute intricate movements and maintain control over their bodies.The dedication and commitment to dance foster discipline,perseverance,and a strong work ethic.Dance promotes physical fitness,contributing to overall health and well-being.Collaboration and Connection:Dance often involves collaboration and teamwork,fostering a sense of connection and unity among performers.Dancers must synchronize their movements,respond to each other's cues,and maintain a harmonious balance.The shared experience of dancing together creates a bond and a sense of community among dancers,promoting collaboration and cooperation.Entertainment and Inspiration:Dance captivates and entertains audiences,providing a source of joy, inspiration,and escapism.The visual spectacle of dancers gracefully moving across the stage,accompanied by music and costumes,creates a mesmerizing experience.Dance performances have the power to inspire, uplift spirits,and ignite a passion for artistic expression in both performers and spectators.Conclusion:Dance,as the artistic language of the body,allows individuals to express emotions,tell stories,and celebrate cultural heritage.Through dance, the body becomes a powerful instrument for communication, transcending language barriers and connecting people on a universal level.Embracing the world of dance enables individuals to appreciate the beauty,diversity,and expressive potential of the human body in motion.。

身体语言的力量英语作文

身体语言的力量英语作文

身体语言的力量英语作文The Power of Body Language.Body language, often referred to as nonverbal communication, is an integral part of human interaction. It plays a crucial role in expressing thoughts, feelings, and intentions, often times even more so than the spoken word. The subtleties and complexities of body language can significantly influence how we perceive others, and vice versa. This essay explores the remarkable power of body language, its role in daily communication, and how mastering it can enhance personal and professional relationships.Expressing Emotions and Intentions.Body language is a powerful tool for expressing emotions. A simple smile can convey happiness, warmth, or even apologies. A furrowed brow might signal confusion, displeasure, or deep concentration. The tilt of the head,the squint of an eye, or the raised eyebrows can all communicate a range of emotions and intentions. These nonverbal cues are often unconsciously picked up by others, forming a silent understanding between people.Enhancing Verbal Communication.Body language not only complements spoken words but can also contradict them. When someone says, "I'm fine," but their posture is slumped and their eyes are avoiding contact, it's likely that they're not telling the truth. Body language can thus reveal hidden truths, making it an essential tool in understanding the true nature of a conversation.Cultural Differences.It's important to note that body language can vary significantly across cultures. What might be considered a friendly gesture in one culture could be perceived as disrespectful in another. For instance, nodding the head in agreement is common in many Western cultures, while in someAsian cultures, nodding the head can signify understanding even when one disagrees. Similarly, gestures such as pointing, waving, or raising the palms can have vastly different meanings depending on the cultural context.The Power of Confidence.Body language is often a reflection of one's self-confidence. A person who stands tall, maintains eye contact, and moves with purpose often comes across as confident and assertive. Conversely, slumped shoulders, avoidant eye contact, and hesitant movements can convey a lack of confidence. This confidence, or lack thereof, can significantly influence how others perceive and treat us.Applications in Professional Settings.In the workplace, body language can have profoundeffects on career success. A confident, engaging presence can help an individual stand out and establish credibility. On the other hand, poor body language can hinder communication, create misunderstandings, and even affectone's chances of promotion. Therefore, it's crucial for professionals to be aware of their body language and how it might be perceived by their colleagues and superiors.Improving Body Language.Awareness is the first step towards improving body language. By paying attention to how we hold ourselves and interact with others, we can begin to identify areas for improvement. Practice in front of a mirror or with a trusted friend can help us refine our posture, expressions, and movements. Additionally, observing others' body language can provide valuable insights into effective communication techniques.Conclusion.In summary, body language is a powerful tool for expressing thoughts, feelings, and intentions. It complements spoken words, reveals hidden truths, and can significantly influence how we are perceived by others. By mastering the subtleties of body language and applying themin daily life, we can enhance our communication skills, build stronger relationships, and achieve greater success in both personal and professional settings.。

论身体美英语作文

论身体美英语作文

The Beauty of the Body: A MultifacetedPerspectiveThe concept of physical beauty is often a subject of debate and争议. What constitutes an aesthetically pleasing physique varies from culture to culture, era to era, and individual to individual. While some may argue that physical beauty is subjective and relative, others believe that there are certain universal standards ofattractiveness that are widely accepted. In this essay, we will explore the beauty of the body from multiple perspectives, examining the role of genetics, culture, health, and personal preferences in shaping our understanding of physical attractiveness.Genetics play a significant role in determining our physical appearance. Features such as eye color, skin tone, and body type are largely inherited from our parents. While we may inherit certain genetic traits that are considered aesthetically pleasing in our society, it is important to recognize that beauty is not solely determined by genetics. Everyone is unique and possesses their own inherent beauty,regardless of whether they fit into society's conventional standards of attractiveness.Culture also has a profound influence on our perception of physical beauty. Different cultures have different ideals of beauty, which are often reflected in the art, fashion, and media of that culture. For example, in some cultures, a slender figure is highly valued, while in others, a curvaceous body is considered more attractive. It is essential to appreciate the diversity of beauty standards across cultures and to avoid judging others based on their physical appearance alone.Moreover, health is an integral component of physical beauty. A healthy body is usually associated with a glowing complexion, strong muscles, and a fit physique.Maintaining good health through regular exercise and a balanced diet can enhance one's appearance and overall well-being. Additionally, good health is not limited to the absence of disease; it also encompasses mental health and emotional well-being, which contribute significantly to anindividual's overall attractiveness.Personal preferences also play a role in defining physical beauty. What one person finds attractive in another may vary widely depending on individual tastes and preferences. Some may prefer tall and lanky figures, while others may find short and stocky bodies more appealing. The key is to accept and appreciate the different preferences of others and to avoid imposing our own standards of beauty on them.In conclusion, the beauty of the body is a multifaceted concept that is influenced by genetics, culture, health, and personal preferences. It is essential to recognize that beauty is subjective and relative, and that there is noone-size-fits-all standard of attractiveness. We should strive to appreciate the unique beauty of each individual and avoid judging them solely based on their physical appearance. By embracing diversity and celebrating the beauty of all bodies, we can create a more inclusive and accepting society that values everyone's inherent worth.**身体之美:多维度的视角**身体美的概念常常是争论和讨论的焦点。

文化人类学

文化人类学

文化人类学 234.028.1.01Anthropology 001 Introduction to Cultural Anthropology, Spring 2005 W 10:15 – 11:30 WALSH 497; F 10: 15-11:30 WAL 498 (ANTH 001-01)W 1: 15 – 2: 30 WALSH 497; F 1:15 – 2:30 WAL 396 (ANTH 001-02)Instructor: Tianshu PanEmail: tp44@Campus Office: ICC 582Goals of the CourseWhat is anthropology? What is culture? How do cultures shape the ways in which their members experience the world? How do we go about detaching our observations from our assumptions so that we can meet other cultures without prejudice? What is unique about an anthropological perspective? What does it mean to say that something is “culturally constructed?” What are the intellectual and ethical challenges in sorting out the differences from the commonalties -- in making sense of the complexities -- of human experiences in diverse times and places? What are the political, ritual, and economic channels through which society and culture are given form and meaning? These are some of the questions that this course will tackle as we explore the central concepts of cultural anthropology.Although anthropology often examines the distant, the unfamiliar, the exotic, it also examines the close, the commonplace, and the taken-for-granted. In juxtaposing the one against the other, at its best, anthropology can stimulate critical perspectives on urgent issues of global scale: racism, social inequality, diversity, intolerance, ethnic conflict, distribution of resources, and political organization.This course is a critical introduction to the premises, vocabulary, and methods of the anthropological dialogue with people of “other” cultures. It will begin with basic building blocks of anthropological understandings of culture and society, will explore anthropological approaches to how culture, language and society interact, and will lean toward an intimate understanding of contemporary world affairs through anthropological lenses. Lectures, readings, and films introduce ethnographic examples from around the world as well as a variety of theoretical and methodological perspectives in order to give abroad overview of contemporary social and cultural anthropology and its relationship to other social and behavioral sciencesOne focus of the course will be on ethnography as the art and science through which cultural anthropologists understand the interactions among symbols and social structures in everyday life. We will examine the ways in which cultural anthropologists pose questions, provide answers, and relate claims and evidence. At the same time, we will seek some fair-minded insights into the collective lives of people who work, play, fight, speak, eat, and pray in ways different from our own. In the end, we will see ourselves more clearly and fairly as well.Course assignments include short papers, ethnographic mini-research projects and exams. In addition to lectures, readings, and ethnographic assignments, films and visits to museum exhibitions will illustrate the breadth of anthropological approaches to human culture. Details on specific structure, content, and grading standards for each assignment will be distributed and discussed in class.Course ReadingsRequired texts:Bourgois, Philippe. 1995. In Search of Respect: Selling Crack in El Barrio. Cambridge University Press. ISBN 0521017114Miller, Barbara. 2005. Cultural Anthropology. Allyn & Bacon. ISBN 0-205-40139-2. Spradley, James and David McCurdy. 2003. Conformity and Conflict. Allyn & Bacon. ISBN 020*******Recommended texts:Marcel Mauss. 2000 (1954). The Gift: The Form and Reason for Exchange in Archaic Societies. Norton, W. W. & Company. ISBN: 039332043XMead, Margaret. 2001 (1928). Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilization. Harper Collins. ISBN 0688050336Aaron Podolefsky and Peter Brown. 1996. Applying Cultural Anthropology: An Introductory Reader. Mayfield. ISBN 1559346868Paul Rabinow. 1977. Reflections on Fieldwork in Morocco. Berkeley: University of California Press. ISBN: 0520035291In addition, a number of articles assigned on the syllabus will be placed on electronic reserve. Textbooks required and recommended for this course are on print reserve in the main campus library.Course RequirementsAs a course that introduces important theoretical and methodological material, attendance is mandatory. Class participation is critical as it provides the conditions for discussion or debate premised on the ability to analyze and question assigned readings.Your grade in this course will be based on the following requirements: -THREE ethnographic research assignments – 10% each (total 30%) – SIX assignments will be distributed, you choose THREE you want to complete.-ONE analytic paper (10 to 20 pages in length) that critically evaluates an ethnography bout one social or cultural group (20% of the grade)-ONE review of an anthropological museum exhibition or ethnographic film (10%)-Mid-term exam (10%)-Final exam (20%)-Class participation (10%)Breakdown of Readings and ThemesPART I: WHAT IS CULTURAL ANTHROPOLOGYWeek 1: First we must unlearnCourse introduction.Week 2: We are the OthersReading:B. Miller, Chapter 1.Laura Bohannan, “Shakespeare in the Bush” in Conformity and Conflict (2003), pp. 23-32.E-reserve:Horace Miner, “Body Ritual among the Nacirema” (originally in American Anthropologist58(1956): 503-507)Week 3: Entering the FieldReading:B. Miller, Chapter 2.J. Spradley, “Ethnography and Culture,” in Conformity and Conflict, pp.1-7.Claire Sterk, “Fieldwork on Prostitution in the Era of AIDS, in Conformity and Conflict,pp.33-45. E-Reserve:B. Malinowski, Introduction, Argonauts of the Western Pacific.Recommended:Emile Durkheim. 1895. “What is a Social fact?” in The Rules of Sociological MethodFilm: Off the Verandah (Film documents Malinowski's work with the Trobriand Islanders in the South Pacific, living with them for extended periods of time, learning their language, making their lives accessible to the outside world and dispelling the myth of primitive peoples as savages)Week 4: Thinking AnthropologicallyReading:P. Bourgois, Introduction and Chapter 1.George Gmelch, “Lessons from the Field,” in Conformity and Conflict, pp. 46-57.E-Reserve:E. Cooper, “Chinese Table Manners: You are how you eat” In Applying Cultural Anthropology Geertz, “Thick Description” In The Interpretation of Cultures (1973), pp. 1-30. Recommended:Franz Boas. 1920. “The Methods of Ethnology”In American Anthropologist.Benedict Anderson. 1935. Patterns of Culture.1977. Chrysanthemum and Sword.Margaret Mead. 2001 (1928). Coming of Age in Samoa.Film: Margaret Mead: An Observer Observed.Margaret Mead and Samoa (recommended)Week 5: Language and CommunicationReading:B. Miller, Chapter 13.Thomson, “The Sapir-Whorf Hypothesis” In Conformity and Conflict (2003), pp.78-89.Boxer, “The Military Name Game” In Conformity and Conflict (2003), pp.91-94.Tannen, “Conversational Style” In Conformity and Conflict (2003), pp.95-103.Film: American Tongues (Portrays some of the regional, social, and ethnic differences in American speech and presents various attitudes that people have about these differences)PART II: ANTHROPOLOGY’S TOPICAL AREASWeek 6: Reciprocity and ExchangeReading: Is there such a thing as a free gift?B. Miller, Chapter 4.Lee,“Eating Christmas in the Kalahari,” Conformity and Conflict, pp. 15-22.Cronk, “Reciprocity and the Power of Giving,” Conformity and Conflict, pp. 163-169. Ethnographic example: PotlatchRecommeded:Marcel Mauss, The Gift;Film: Ongka’ Big Moka(This film traces the efforts of a local politician in the highlands of Papua New Guinea to gather backers and donations for his campaign. We see him out on the stump drumming up support, preparing to meet the public at major gatherings, demonstrating his rhetorical and diplomatic skills, and at home with his family. The importance of family support and, especially, hardworking and loyal wives is demonstrated. The risks of political back-stabbing and the challenges of organizational efforts in a low tech environment are illustrated.Week 7: Kinship PracticesReading:B. Miller, Chapters 8 and 9.D. McCurdy, “Family and Kinship in Village India,” In Conformity and Conflict, pp. 227-234. Lu and Mitchell, “Matrilineal Kinship: Walking Marriage in China” In Conformity and Conflict (2003), pp.235-240.E-Reserve:Goldstein. “When brothers share a wife.” (Originally in Natural History);Geertz. “The Visit” (The New York Time Review of Books, October 18, 2001)Ethnographic example: marriage ritual, death rite, and ancestor worship in China. Recommended text: Victor Turner. 1969. The Ritual Process.Week 8: Gender, Sex and PowerReading: Gender as a cultural constructionBourgois, Chapter 6.Fernea and Fernea, “Symbolizing Roles” in Conformity and Conflict, pp. 253-260.Friedl, “Society and Sex Roles,” in Conformity and Conflict, pp. 261-270.Wolf, “Uterine Families and the Women’s Community”in Conformity and Conflict, pp. 241-48. N. Scheper-Hughes, “Mother’s Love” in Conformity and Conflict, pp. 217-226.E-Reserve:“Has the Islamic Revolution in Iran Subjugated Women?” (Paidar vs. Friedal)Willigen and Channa,“The Problem of Dowry Death in India”R.Watson, “The Named and the Nameless” In American Ethnologist (1986) Recommended: Marriage and Family Issue, Anthropology News, May 2004.Film: Small Happiness(An exploration of sexual politics and the reality of life in contemporary rural China. Filmed under unprecedented circumstances, Chinese women of Long Bow speak frankly about footbindings, the new birth control policy, work, love, and marriage.)Week 9: Race and EthnicityReading:Fish, “Mixed Blood,” in Conformity and Conflict, 270-280E-Reserve:AAA Official Statement on “Race”Recommended: Ethnic Notions(The film offers an exploration of the origin and history of some common racist stereotypes in the USA as well as the reasons for their persistence in popular American culture. Where do these notions come from, how are they produced, what are their effects and why are they so persistent? How does mass media create and perpetuate stereotypes of women and racial and ethnic minorities? What damaging effects do these stereotypes have?)Race and Colonialism: Anthropology’s Awkward BirthE-Reserve:Tal Asad (ed.), “Introduction” and “Two European Images of Non-European Rule.” In Anthropology and the Colonial Encounter (1973), pp. 1-19, 103-118.Recommended:Edward Said 1979. “Introduction” in OrientalismRecommended texts:Films: First Contact (Set in New Guinea, it shows the mutual incomprehension of local people and Australian colonial settlers and raises disturbing questions about racism and exploitation. It offers some insights into the sensitivities needed for serious research in anthropology.)Recommended: In the Shadow of the West; Sheik; Lawrence of Arabia.Week 10: Politics and LeadershipReading:B. Miller, Chapters 10-11.Marvin Harris, “Life without Chiefs” in Conformity and Conflict (2003), pp.327-335.Week 11: Domination, Hegemony, and ResistanceReading:Bourgois, Chapters 3, 5, Conclusion.(Optional: Chapters 6-8)Terence Turner, “The Kayapo Resistance”In Conformity and Conflict (2003), pp.387-404.E-reserve:James Scott. Selections from The Weapons of the Weak (1985)Domination and Arts of Resistance (1990);Film: The Kayapo (Documents life among the Kayapo Indians of central Brazil, a fiercely independent tribe, who were forced to become "businessmen" or see their traditional way of life destroyed) Recommended:Wolf, “Facing Power” In American Anthropologist (1990); Gramsci. Modern PrincePART III: CRITIQUES AND CHALLENGESWeek 12: Globalization and ComplexityReadings:B. Miller, Chapter 15.Bestor. “How Sushi Went Global” In Conformity and Conflict, pp.201-211.E-reserve:“The World in Creolisation” (Hannerz 1987)“Disjunture and Difference in the Global Cultural Economy” (Appadurai 1996)Janus. “Advertising and Global Culture” In Applying Cultural Anthropology, pp.281-284. Brennan 2002 “Globalization, Women’s Labor and Men’s Pleasure” in Urban Life, 357-371. Recommended Text: “The Clash of Civilizations?” (Huntington 1993), Foreign Affairs; “Clash of Ignorance” (Said 2002); Foreign Policy (March/April)Ethnographic Example: Golden Arches East (Watson 1997)Week13: Nationalism and Ethnic IdentityE-Reserve:Schiller and Fouron, “Long-Distance Nationalism Defined”Aihwa Ong, “Flexible Citizenship among Chinese Cosmopolitans”Recommended: Anderson, Imagined Communities (1983); Karakasidou, Fields of Wheat, Hills of Blood (1997)Film: We are all Neighbors (A first hand visual account of the Bosnian tragedy in a now vanished, ethnically mixed village, documenting the corrosive impact of external forces on local social relations and offer ing a profound challenge to stereotypes of “ancient hatreds.” It also suggests one of the more useful roles that anthropology can play in the contemporary world.)Week 14: Applying AnthropologyReadings:ler, Chapter 16.E-reserve:Jennifer Laabs. “Corporate Anthropologists” In Applying Cultural Anthropology, pp.29-34. Reeves-Ellington. “Using Cultural Skills for Cooperative Advantage in Japan” In Applying Cultural Anthropology, pp. 151-162; and “Anthropology in the Technology Industry.” In Applying Cultural Anthropology, pp.170-171.Paul Farmer and Arthur Kleinman. “AIDS as Human Suffering” In Applying Cultural Anthropology, 260-268;John Bodley. “The Price of Progress” in Applying Cultural Anthropology, pp.292-300. Ethnographic example: David Maybury-Lewis’s “Cultural Survival”Week 15: Wrap-upReadings:John Omohundro, “Career Advice for Anthropology Undergraduates” In Conformity and Conflict (2003), pp428-437.E-reserve:Clifford Geertz. 1984. “Anti Anti-Relativism.” American Anthropologist. Vol. 86 (2): 263-278. Film: Anthropologists at Work。

谈论太极的英语对话作文

谈论太极的英语对话作文

谈论太极的英语对话作文Title: Exploring Tai Chi: A Dialogue in English。

Introduction:In a serene garden, two enthusiasts of martial arts, Lily and Max, engage in a conversation about Tai Chi. Both have been practicing Tai Chi for years and find joy in its graceful movements and profound philosophy.Lily: Max, I've always found Tai Chi to be such a fascinating practice. Its slow, deliberate movements seem to embody both strength and tranquility. What draws you to Tai Chi?Max: Indeed, Lily. Tai Chi's unique blend of martial arts, meditation, and health benefits is what captivates me the most. It's a holistic practice that nourishes both the body and the mind. How about you? What initially piqued your interest in Tai Chi?Lily: I first encountered Tai Chi during a trip to China several years ago. I was mesmerized by the fluidity of the movements and the sense of harmony it exuded. Since then, I've been dedicated to learning more about its philosophy and mastering its forms.Max: That's fascinating, Lily. Tai Chi does have deep roots in Chinese philosophy, particularly in the concept of yin and yang, the balance of opposites. How do you perceive the philosophical aspects of Tai Chi in your practice?Lily: For me, Tai Chi serves as a metaphor for life itself. The constant interplay between yin and yang reminds me to seek balance in all aspects of my life, whether it's in movement or in thought. By embodying this balance on the mat, I strive to carry it into my daily interactions and decisions.Max: I couldn't agree more, Lily. Tai Chi isn't just about physical exercise; it's about cultivating a harmonious relationship between mind, body, and spirit. Theslow, deliberate movements allow us to tune into our breath, quiet the chatter of the mind, and be fully present in the moment.Lily: Exactly, Max. And what I find truly remarkable is how Tai Chi can benefit people of all ages and fitness levels. Its gentle, low-impact nature makes it accessibleto everyone, yet it can still yield profound improvementsin strength, flexibility, and overall well-being.Max: Absolutely, Lily. Tai Chi's accessibility is oneof its greatest strengths. Whether someone is recovering from injury, managing stress, or simply seeking a way to stay active, Tai Chi offers a gentle yet effective path to health and vitality.Lily: I've also noticed how Tai Chi fosters a sense of community and connection among practitioners. There's something special about coming together with others to practice this ancient art form, sharing our experiences and supporting each other on our respective journeys.Max: Indeed, Lily. The sense of camaraderie and mutual respect within the Tai Chi community is truly inspiring.It's a reminder that, despite our differences, we are all united in our pursuit of balance, harmony, and self-discovery.Conclusion:As the sun begins to set, Lily and Max conclude their conversation, feeling grateful for the insights they've shared and the bond they've strengthened through their mutual love for Tai Chi. In a world filled with chaos and uncertainty, Tai Chi serves as a beacon of tranquility, guiding them along the path to inner peace and well-being.(Word Count: 508 words)。

奇奇·史密斯艺术中身体表达的媒材及意涵

奇奇·史密斯艺术中身体表达的媒材及意涵

奇奇·史密斯艺术中身体表达的媒材及意涵作者:李佳怡来源:《美与时代·下》2023年第09期摘要:美国著名女性艺术家奇奇·史密斯(Kiki Smith)被《时代》杂志评为“时代100:塑造我们世界的人们”之一,自20世纪80年代以来,一直以其对身体多样化的艺术呈现而闻名。

史密斯独特的创作方式,为我们开拓了另一个阅读身体的角度。

本文基于史密斯的艺术作品,对其身体表达成因溯源、媒介选择及材料运用进行分析,进而解读其艺术对历史的反思、对现实的忧虑以及对未知的探索。

关键词:奇奇·史密斯艺术;身体;媒材;女性奇奇·史密斯(Kiki Smith)是美国著名的女性艺术家,她于1954年出生于德国纽伦堡,1955年全家移居美国,是歌手简·劳伦斯(Jane Lawrence)和艺术家托尼·史密斯(Tony Smith)的女儿。

史密斯的作品多是对原始的恐惧、心理创伤、非人非獸、神话、宗教偶像、出生、死亡以及地球的生态危机等主题的探讨。

她擅长运用综合多样的材料,如青铜、石膏、玻璃、瓷器、纸张、铝、乳胶、羽毛或蜂蜡来塑造身体。

史密斯在不断地尝试与体验之后,形成了独具特质的创作方法与表现形式。

史密斯认为“材料就是经验”[1],她致力于多种媒介所塑造的丰富景致,以自省的态度与各种材料进行对话,强调一种对立面的调和,将精神与肉体、人与动物、诗意与悲剧、触觉与感觉融汇在一起。

正如英国表现主义美学家鲍山葵(B.Bosanquet)认为作为“材料”的媒介是“探讨美学基本问题的真正线索……任何艺人都对自己的媒介感到特殊的愉快……他靠媒介来思索,来感受;媒介是他的审美想象的特殊身体,而他的审美想象则是媒介的唯一特殊灵魂”[2]。

本文试从奇奇·史密斯艺术中的身体形象出发,探寻其身体表达的成因、不同媒材的使用及其意涵。

一、奇奇·史密斯艺术中身体表达的成因溯源奇奇·史密斯处于视觉艺术蓬勃发展的时代,面对波普艺术、极简主义和抽象表现主义等流派不停发酵和碰撞的思想和观念,史密斯选择回到身体,从身体出发,表现一种普遍的身体经验。

Body Culture East-West2

Body Culture East-West2

Blood and pulse
For over 2,000 years, the pulse was of central interest in both China and the West. The main Greek texts are the Hippocratic corpus (450-350 B.C.) and the works of Galen (129-200AD). Galen devoted over 1,000 pages to the pulse. Greeks envisioned arteries as tubes with blood flowing through them, which caused them to expand and contract, producing a pressure on the fingers that was called the pulse. It was a “rhythm.”
and outside of limbs are yang, front and inside of limbs are yin.
Acupuncture Charts
Taiji, the Supreme Ultimate
yin/yang
Yellow Emperor's Classic of Medicine:
II. Comparison of Ancient Chinese and Greek Body Culture
(see Shigehisa Kuriyama, The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine, 1999)

Body Art

Body Art

Now this universal phenomenon is being celebrated in two separate showcases. Last week a cross-cultural exhibition titled "Body Art: Marks of Identity," curated by Schildkrout and devoted to the past 4,000 years of body modification, (bod-mod for abbr.) opened at the American Museum. At the same time, photographers Carl Beckwith and Angela Fisher, based in London, have published African Ceremonies, two magnificent volumes documenting the continent's rapidly vanishing kaleidoscope of tribal rites, many of which involve elaborate body decoration.
But while the traditional, often spiritually based versions of bod-mod are quickly disappearing among indigenous peoples, the impulses behind personal adornment remain unchanged: attracting a mate, signaling status, declaring allegiance to a group, or asserting independence from it. While teenagers use pierced tongues and the like to set themselves apart, some in their 20s and 30s have latched on to the "neotribal" look, an amalgam of facial tattoos, piercings and "native" hairdos, and jewelry that borrows from cultures from the South Pacific to the Amazon. Much of this serves the same counter-cultural function that long hair did in the '60s, observes Rufus Camphausen, an author based in the Netherlands who has written extensively on tribal customs. Says he: "These symbols are a way of saying, 'I don't belong to the supermarket society.'"

埃莱娜,西苏“身体写作”理论述评

埃莱娜,西苏“身体写作”理论述评

埃莱娜,西苏“身体写作”理论述评[摘要]埃莱娜·西苏的“身体写作”理论,诞生于后现代文化语境中,它以反抗和颠覆男权文化秩序为目标,它的目的在于解构以男性为主体而对女性身体的绝对控制,建构一种新的女性思维方式和书写规范。

[关键词]埃莱娜·西苏;女性;身体写作;后现代文化自从20世纪90年代以来,我国出现了“身体写作”,它作为当下流行的一种以标榜妇女权益为中心的文化现象,出现在当代文坛、大众媒体的视线中,成为大家关注的焦点。

归根溯源“身体写作”是70年代法国女权/女性主义文学批评的代表作家、诗人、文学理论家和教育家埃莱娜·西苏(Helene Cixous)的重要理论,她和露丝·伊利格瑞(Luce Lrigary),朱利亚·克里斯蒂娃(Julia Kristeya)被誉为法国女权主义文论界三位最有影响力的代表人物,在当时的法国文学界和思想界占有重要的地位。

本文从“身体写作”的概念、提出的理论背景和西苏身体写作理论三方面进行阐释。

一、“身体写作”概念的厘清“身体写作”,也被称为“身体书写”、“身体话语”、“身体修辞学”等等。

但什么是真正意义上的“身体写作”,我们必须从西苏女权主义理论中关于“身体写作”的角度出发,对这一概念做出明确、清晰的概述。

经过不断的研究和反复的调查,西苏在她的代表性著作和发表过的文章里并没有给“身体写作”下过明确的定义。

西苏认为,如果给“身体写作”贯有以往理论固定的定义模式,就会使长期为争取女性主义权力的运动又重新纳入男权主义的中心论体制之内。

西苏认为,身体写作是为妇女谋求自身权益,让妇女重获自由,为了不让妇女固守在被划分的传统既定模式下,所以身体写作它本身就具有较之以往的无限开放性、广阔性和丰富性,而它的定义也就可以理解为无控制、无束缚、无限制。

西苏在《美杜莎的笑声》(Le rire de la M duse,1975)中,对身体写作做了恢复性的介绍,她这样进行表述:“当我说‘妇女’时,是指在被唤醒并回复她们的历史意义的世界性妇女。

人体美学英语作文

人体美学英语作文

人体美学英语作文Beauty is a concept that has been celebrated and debated throughout human history. In the realm of aesthetics, the human body has often been a focal point of admiration and artistic expression. The appreciation of the human form is not only a reflection of physical attractiveness but also an acknowledgment of the intricate design and functionality that nature has bestowed upon us.The Greek civilization, renowned for its contributions to art and philosophy, held the human body in high esteem. The sculptors of ancient Greece, such as Phidias and Praxiteles, created works that epitomized the ideal of physical perfection. Their sculptures, such as the Discus Thrower and Aphrodite of Knidos, showcased the harmony of form and proportion, embodying the Greek ideal of beauty.In the Renaissance, artists like Michelangelo and Leonardo da Vinci further explored the beauty of the human body. Michelangelo's David, with its powerful stance and detailed musculature, is a testament to the human form's strength and grace. Leonardo's Vitruvian Man illustrates the mathematical principles that underlie the human body's structure, blending art and science in a pursuit of understanding the beauty of the human form.The appreciation of the human body extends beyond its physical attributes. The beauty of the human body is alsofound in its ability to express a wide range of emotions.From the serene smile of the Mona Lisa to the poignant expressions captured in Rodin's sculptures, the human faceand form can convey the depth of human experience.Moreover, the beauty of the human body is not static; it is dynamic and ever-changing. Dance, for example, is an art form that celebrates the beauty of movement and the body'scapacity for fluidity and grace. Ballet dancers, with their precise movements and elongated lines, demonstrate the elegance and poise that can be achieved through the human form.In contemporary times, the appreciation of the human body has evolved to include a broader spectrum of body types and forms. The body positivity movement has encouraged a more inclusive view of beauty, celebrating diversity and challenging traditional standards of attractiveness.In conclusion, the beauty of the human body is a multifaceted concept that encompasses physical attractiveness, emotional expression, and the dynamic nature of movement. It has been a source of inspiration for artists, philosophers, andscientists throughout history, and continues to be a subjectof fascination and admiration in our modern world.。

掌控你自己的身体英语作文

掌控你自己的身体英语作文

掌控你自己的身体英语作文Taking Control of Your Own Body。

In our fast-paced and busy modern society, it is easy to neglect our own health and well-being. We oftenprioritize work, studies, and other responsibilities over taking care of our bodies. However, it is essential to remember that our bodies are our most valuable asset, and without good health, we cannot fully enjoy life or achieve our goals. Therefore, it is crucial to take control of our own bodies and prioritize our physical and mental well-being.One of the first steps in taking control of our bodies is adopting a healthy lifestyle. This includes maintaining a balanced diet, engaging in regular exercise, and getting enough sleep. A balanced diet ensures that our bodies receive the necessary nutrients to function properly, while regular exercise keeps our bodies strong and healthy. Additionally, getting enough sleep allows our bodies torest and rejuvenate, promoting overall well-being.Another important aspect of taking control of our bodies is managing stress. Stress can have a detrimental effect on both our physical and mental health. Therefore, it is crucial to find healthy ways to cope with stress, such as practicing relaxation techniques, engaging in hobbies we enjoy, or seeking support from friends and family. By managing stress effectively, we can prevent the negative consequences it can have on our bodies.Furthermore, it is essential to listen to our bodies and address any health concerns promptly. Many people tend to ignore minor health issues, hoping they will go away on their own. However, this can lead to more significant problems in the long run. It is vital to pay attention to any changes or discomfort in our bodies and seek medical advice if necessary. Regular check-ups and screenings can also help identify potential health issues early on, allowing for timely intervention.Taking control of our bodies also involves taking careof our mental well-being. Mental health is just as important as physical health, and neglecting it can have severe consequences. It is essential to prioritize self-care and engage in activities that promote mental well-being, such as practicing mindfulness, engaging in hobbies, or seeking therapy if needed. Additionally, maintaining healthy relationships and seeking support from loved ones can contribute to our overall mental health.In conclusion, taking control of our own bodies is crucial for our overall well-being. By adopting a healthy lifestyle, managing stress effectively, addressing health concerns promptly, and prioritizing our mental health, we can ensure that our bodies are functioning at their best. Remember, our bodies are our most valuable asset, and we should prioritize taking care of them to live a fulfilling and healthy life.。

body ritual among the nacirema Nacirema 人的身体仪式 人类学

body ritual among the nacirema Nacirema 人的身体仪式 人类学

Assignment:1.Read the text;2.Consult the dictionary to find out the meanings of all the new words;3.Try to understand the body ritual of the Nacirema, esp. the details as suggested by the expressions in heavy black黑体;4.Reflect on your interpretation by resorting to bottom-up and top-down processing.Body Ritual Among the NaciremaHorace MinerThe anthropologist has come so familiar with the diversity of ways in which different peoples behave in similar situations that he is not apt tobe surprised by even the most exotic customs. In fact, if all of thelogically possible combinations of behavior have not been foundsomewhere in the world, he is apt to suspect that they must be present insome undescribed tribe. This point has in fact, been expressed withrespect to clan organization by Murdock. In this light, the magical beliefsand practices of the Nacirema present such unusual aspects that it seemsdesirable to describe them as an example of the extremes to which humanbehavior can go.Professor Linton first brought the ritual of the Nacirema to theattention of anthropologists twenty years ago, but the culture of this people is still very poorly understood. They are a North American group living in the territory between the Canadian Cree, the Yaqui and Tarahumara of Mexico, and the Carib and Arawak of the Antilles. Little is known of their origin, although tradition states that they came from the east.Nacirema culture is characterized by a highly developed market economy which has evolved in a rich natural habitat. While much of the people’s time devoted to economic pursuits, a large part of the fruits of these labors and a considerable portion of the day are spent in ritual activity. The focus of this activity is the human body, the appearance and health of which loom as a dominant concern in the ethos of the people. While such a concern is certainly not unusual, its ceremonial aspects and associated philosophy are unique.The fundamental belief underlying the whole system appears to be that the human body is ugly and that its natural tendency is to debility and disease. Incarcerated in such a body, a man’s only hope is to avert these characteristics through the use of the powerful influences of ritual and ceremony. Every household has one or more shrines devoted to this purpose. The more powerful individuals in the society have several shrines in their houses and, in fact, the opulence of a house is often referred to in terms of the number of such ritual centers it possesses. Mosthouses are of wattle and daub construction, but the shrine rooms of the more wealthy are walled with stone. Poorer families imitate the rich by applying pottery plaques to their shrine walls.The focal point of the shrine is a box or chest which is built into the wall. In this chest are kept the many charms and magical potions without which no native believes he could live. These preparations are secured from a variety of specialized practitioners. The most powerful of these are the medicine men, whose assistance must be rewarded with substantial gifts. However, the medicine men do not provide the curative potions for their clients, but decide what the ingredients should be and then write them down in an ancient and secret language. This writing is understood only by the medicine men and by the herbalists who, for another gift, provide the requited charm.The charm is not disposed of after it has served its purpose, but is placed in the charm-box of the household shrine as these magical materials are specific for certain ills, and the real or imagined maladies of the people are many, the charm-box is usually full to overflowing. The magical packets are so numerous that people forget what their purposes were and fear to use them again. While the natives are very vague on this point, we can only assume that the idea in retaining all the old magical material is that their presence in the charm-box, before which the body rituals are conducted, will in some way protect the worshipper.Beneath the charm-box is a small font. Each day every member of the family, in succession, enters the shrine room, bows his head before the charm-box, mingles different sorts of holy water in the font, and proceeds with a brief rite of ablution. The holy waters are secured from the Water Temple of the community, where the priests conduct elaborate ceremonies to make the liquid ritually pure.In the hierarchy of magical practitioners, and below the medicine men in prestige, are specialists whose designation is best translated as “holy-mouth-men.” The Nacirema have an almost pathological horror of and fascination with the mouth, they believe that their teeth would fall out, their gums bleed, their jaws shrink, their friends desert them, and their lovers reject them. They also believe that a strong relationship exists between oral and moral characteristics. For example, there is a ritual ablution of the mouth for the children which is supposed to improve their moral fiber.The daily body ritual performed by everyone includes a mouth-rite. Despite the fact that these people are so punctilious about care of the mouth, this rite involves a practice that strikes the uninitiated stranger as revolting. It was reported to me that the ritual consists of inserting a small bundle of boar hairs into the mouth, along with certain magical powder, and the moving of the bundle in a highly formalized series of gestures.In addition to the private mouth-rite, the people seek out aholy-mouth-man once or twice a year. These practitioners have an impressive set of paraphernalia, consisting of a variety of augers, awls, probes, and prods. The use of these objects in the exorcism of the evils of the mouth involves almost unbelievable ritual torture of the client. The holy-mouth-man opens the client’s mouth and, using the above-mentioned tools, enlarges any holes which decay may have created in the teeth. Magical materials are put into these holes. If there are no naturally occurring holes in the teeth, large sections of one or more teeth are gouged out so that the supernatural substance can be applied. In the client’s views, the purpose of these ministrations is to arrest decay and to draw friends. The extremely sacred and traditional character of the rite is evident in the fact that the natives return to the holy-mouth-men year after year, despite the fact that their teeth continue to decay.It is to be hoped that, when a thorough study of the Nacirema is made, there will be careful inquiry into the personality structure of these people. One has but to watch the gleam in the eye of a holy-mouth-man, as he jabs an awl into an exposed nerve, to suspect that a certain amount of sadism is involved. If this can be established, a very interesting pattern emerges, for most of the population show definite masochistic tendencies. It was to these that Professor Linton referred in discussing distinctive part of the daily body ritual which is performed only by men. This part of the rite involves scraping and lacerating the surface of the face with asharp instrument.Special women’s rites are performed only four times during each lunar moon, but what they lack in frequency is made up in barbarity. As part of this ceremony, women bake their heads in small ovens for about an hour. The theoretically interesting point is that what seems to be a preponderantly masochistic people have developed sadistic specialists.The medicine men have an imposing temple, or latipsoh, in every community of any size. The more elaborate ceremonies required to treat very sick patients can only be performed at this temple. These ceremonies involve not only the thaumaturge but a permanent group of vestal maidens who move sedately about the temple chambers in distinctive costume and headdress.The lastipsoh ceremonies are so harsh that it is phenomenal that a fair proportion of the really sick natives who enter the temple ever recover. Small children whose indoctrination is still incomplete have been known to resist attempts to take them to the temple because “that is where you go to die.” Despite this fact, sick adults are not only willing but eager to undergo the protracted ritual purification, if they can afford to do so. No matter how ill the supplicant or how grave the emergency, the guardians of many temples will not admit a client if he cannot give a rich gift to the custodian. Even after one has gained admission and survived the ceremonies, the guardians will not permit the neophyte to leave untilhe makes still another gift.The supplicant entering the temple is first stripped of all his or her clothes. In everyday life the Nacirema avoids exposure of his body and its natural functions. Bathing and excretory acts are performed only in the secrecy of the household shrine, where they are ritualized as part of the body-rites. Psychological shock results from the fact that body secrecy is suddenly lost upon entry into the laptisoh. A man, whose own wife has never seen him in an excretory act, suddenly finds himself naked and assisted by a vestal maiden while he performs his natural function into a sacred vessel. This sort of ceremonial treatment is necessitated by the fact that the excreta are used by diviner to ascertain the course and nature of the client’s sickness. Female clients, on the other hand, find their naked bodies are subjected to scrutiny, manipulation and prodding of the medicine men.There remains one other kind of practitioner, known as a “listener.” This witchdoctor has the power to exorcise the devils that lodges in the heads of people who have been witched. The Nacirema believe that parents bewitch their own children. Mothers are particularly suspected of putting a curse on children which teaches them the secret body rituals. The counter-magic of the witchdoctor is unusual in its lack of ritual. The patient simply tells the “listener” all his troubles and fears, beginning with the earliest difficulties he can remember. The memory displayed bythe Nacirema in these exorcism sessions is truly remarkable. It is not uncommon for the patient to bemoan the rejection he felt upon being weaned as a babe, and a few individuals even see their troubles going back to the traumatic effects of their own birth.Our review of the ritual life of the Nacirema has certainly shown them to be magic-ridden peoples. It is hard to understand how they have managed to exist so long under the burdens which they have imposed upon themselves. But even such exotic customs as these take on real meaning when they are viewed with the insight provided by Malinowsky when he wrote:“Looking from far and above, from our high places of safety in the developed civilization, it is easy to see all the crudity and irrelevances of magic. But without its power and guidance early man could not have mastered his practical difficulties as he has done, nor could man have advanced to the higher stages of civiliz ation.”。

人体美学英语作文

人体美学英语作文

人体美学英语作文Title: Exploring Human Aesthetics: Beauty Beyond Skin Deep。

Introduction:Human aesthetics, the study of beauty in the human form, encompasses a diverse range of aspects, from physical features to cultural perceptions. This essay delves intothe multifaceted nature of human aesthetics, examining its significance and complexities.Body:1. Physical Attributes:In discussing human aesthetics, physical attributes often take center stage. Symmetry, proportions, andfeatures like facial symmetry, body shape, and skin complexion are frequently associated with beauty. Forinstance, the golden ratio, a mathematical concept, is often used to analyze facial symmetry and proportions, indicating a universally appealing aesthetic. However, it's essential to recognize that beauty standards vary across cultures and epochs, reflecting diverse perceptions of attractiveness.2. Cultural Influences:Culture plays a pivotal role in shaping perceptions of beauty. Each culture has its unique beauty ideals influenced by history, tradition, and societal norms. For example, in some cultures, fuller figures are celebrated as a symbol of prosperity and fertility, while in others, slender figures are considered more desirable. Moreover, cultural symbols, rituals, and art forms often reflect and reinforce prevailing beauty standards, contributing to the perpetuation of certain aesthetic ideals.3. Psychological Dimensions:The perception of beauty is deeply intertwined withpsychological factors. Evolutionary psychologists arguethat certain features associated with beauty, such as clear skin or symmetrical faces, signal genetic fitness and reproductive health, making them inherently attractive. Additionally, psychological phenomena like the halo effect, where individuals perceive physically attractive people as possessing other positive traits like intelligence or kindness, further influence perceptions of beauty.4. Social Constructs:Beauty standards are also shaped by social constructs, including media representations, advertising, and peer influences. The proliferation of digital media has amplified these influences, leading to the commodification of beauty and the propagation of unrealistic beauty ideals. This phenomenon has significant implications for self-esteem and body image, particularly among young people who may internalize unattainable standards of beauty.5. Diversity and Inclusivity:Embracing diversity and inclusivity is crucial in redefining conventional beauty norms. Recognizing and celebrating beauty in its myriad forms, including different ethnicities, body types, ages, and abilities, promotes a more inclusive understanding of human aesthetics.Initiatives promoting body positivity and representation in media are instrumental in challenging narrow beauty standards and fostering greater acceptance and appreciation of diverse beauty.Conclusion:Human aesthetics encompass a complex interplay of physical, cultural, psychological, and social factors. While certain physical attributes may align with conventional beauty standards, the perception of beauty is ultimately subjective and culturally contingent. Embracing diversity and challenging narrow beauty ideals areessential steps towards fostering a more inclusive and compassionate appreciation of human aesthetics. By recognizing beauty beyond surface appearances, we canembrace the rich tapestry of human diversity and celebrate the inherent beauty within each individual.。

大江健三郎《静静的生活》与塞利纳《轻快舞》之间的互文关系

大江健三郎《静静的生活》与塞利纳《轻快舞》之间的互文关系

【摘要】毕业于东京大学法文系的大江健三郎,在写作过程中深受法国文学的影响。

研究界目前对大江健三郎的“法国师承”脉络梳理主要集中在萨特、罗曼·加里等作家,对塞利纳的探讨则尚未多见。

但是,大江健三郎本人却多次公开地提出塞利纳对自身文学创作甚至个人生活的影响。

塞利纳战争三部曲之一《轻快舞》被作为小说元素引入大江健三郎的《静静的生活》,大江健三郎通过人物设定、引用与评论等方式使两个文本呈现出显性的互文关系;大江健三郎对于塞利纳“卑贱书写”方式的模仿,则使两个文本之间的互文关系具有了更为深层的价值和意义。

. All Rights Reserved.[Résumé]Diplômé du Département de français de l’université de Tokyo, l’écrivain japonais Kenzaburo Oe est profondément influencé par la littérature française. Les recherches actulles surcette influence sont centrées sur des écrivains comme Jean-Paul Sartre et Romain Gary, mais lesréférences à Louis-Ferdinand Céline sont rares. Cependant Kenzaburo Oe lui-même a maintes foisavoué que Céline a beaucoup influencé son écriture, et même sa vie privée. Rigodon, une oeuvrede triologie allemande de Céline, est introduite dans La vie paisible de Kenzaburo Oe comme unélément du récit. La relation intertextuelle superficielle de ces deux textes est présente par ladescription des personnages, les citations et les commentaires; la reproduction de “l’écritured’abjection” célinienne par Kenzaburo Oe montre ses valeurs plus profondes.【关键词】《静静的生活》《轻快舞》互文性卑贱书写【项目】本论文为国家项目“塞利纳小说研究”(编号11CWW020)的阶段性成果。

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Assignment:1.Read the text;2.Consult the dictionary to find out the meanings of all the new words;3.Try to understand the body ritual of the Nacirema, esp. the details as suggested by the expressions in heavy black黑体;4.Reflect on your interpretation by resorting to bottom-up and top-down processing.Body Ritual Among the NaciremaHorace MinerThe anthropologist has come so familiar with the diversity of ways in which different peoples behave in similar situations that he is not apt tobe surprised by even the most exotic customs. In fact, if all of thelogically possible combinations of behavior have not been foundsomewhere in the world, he is apt to suspect that they must be present insome undescribed tribe. This point has in fact, been expressed withrespect to clan organization by Murdock. In this light, the magical beliefsand practices of the Nacirema present such unusual aspects that it seemsdesirable to describe them as an example of the extremes to which humanbehavior can go.Professor Linton first brought the ritual of the Nacirema to theattention of anthropologists twenty years ago, but the culture of this people is still very poorly understood. They are a North American group living in the territory between the Canadian Cree, the Yaqui and Tarahumara of Mexico, and the Carib and Arawak of the Antilles. Little is known of their origin, although tradition states that they came from the east.Nacirema culture is characterized by a highly developed market economy which has evolved in a rich natural habitat. While much of the people’s time devoted to economic pursuits, a large part of the fruits of these labors and a considerable portion of the day are spent in ritual activity. The focus of this activity is the human body, the appearance and health of which loom as a dominant concern in the ethos of the people. While such a concern is certainly not unusual, its ceremonial aspects and associated philosophy are unique.The fundamental belief underlying the whole system appears to be that the human body is ugly and that its natural tendency is to debility and disease. Incarcerated in such a body, a man’s only hope is to avert these characteristics through the use of the powerful influences of ritual and ceremony. Every household has one or more shrines devoted to this purpose. The more powerful individuals in the society have several shrines in their houses and, in fact, the opulence of a house is often referred to in terms of the number of such ritual centers it possesses. Mosthouses are of wattle and daub construction, but the shrine rooms of the more wealthy are walled with stone. Poorer families imitate the rich by applying pottery plaques to their shrine walls.The focal point of the shrine is a box or chest which is built into the wall. In this chest are kept the many charms and magical potions without which no native believes he could live. These preparations are secured from a variety of specialized practitioners. The most powerful of these are the medicine men, whose assistance must be rewarded with substantial gifts. However, the medicine men do not provide the curative potions for their clients, but decide what the ingredients should be and then write them down in an ancient and secret language. This writing is understood only by the medicine men and by the herbalists who, for another gift, provide the requited charm.The charm is not disposed of after it has served its purpose, but is placed in the charm-box of the household shrine as these magical materials are specific for certain ills, and the real or imagined maladies of the people are many, the charm-box is usually full to overflowing. The magical packets are so numerous that people forget what their purposes were and fear to use them again. While the natives are very vague on this point, we can only assume that the idea in retaining all the old magical material is that their presence in the charm-box, before which the body rituals are conducted, will in some way protect the worshipper.Beneath the charm-box is a small font. Each day every member of the family, in succession, enters the shrine room, bows his head before the charm-box, mingles different sorts of holy water in the font, and proceeds with a brief rite of ablution. The holy waters are secured from the Water Temple of the community, where the priests conduct elaborate ceremonies to make the liquid ritually pure.In the hierarchy of magical practitioners, and below the medicine men in prestige, are specialists whose designation is best translated as “holy-mouth-men.” The Nacirema have an almost pathological horror of and fascination with the mouth, they believe that their teeth would fall out, their gums bleed, their jaws shrink, their friends desert them, and their lovers reject them. They also believe that a strong relationship exists between oral and moral characteristics. For example, there is a ritual ablution of the mouth for the children which is supposed to improve their moral fiber.The daily body ritual performed by everyone includes a mouth-rite. Despite the fact that these people are so punctilious about care of the mouth, this rite involves a practice that strikes the uninitiated stranger as revolting. It was reported to me that the ritual consists of inserting a small bundle of boar hairs into the mouth, along with certain magical powder, and the moving of the bundle in a highly formalized series of gestures.In addition to the private mouth-rite, the people seek out aholy-mouth-man once or twice a year. These practitioners have an impressive set of paraphernalia, consisting of a variety of augers, awls, probes, and prods. The use of these objects in the exorcism of the evils of the mouth involves almost unbelievable ritual torture of the client. The holy-mouth-man opens the client’s mouth and, using the above-mentioned tools, enlarges any holes which decay may have created in the teeth. Magical materials are put into these holes. If there are no naturally occurring holes in the teeth, large sections of one or more teeth are gouged out so that the supernatural substance can be applied. In the client’s views, the purpose of these ministrations is to arrest decay and to draw friends. The extremely sacred and traditional character of the rite is evident in the fact that the natives return to the holy-mouth-men year after year, despite the fact that their teeth continue to decay.It is to be hoped that, when a thorough study of the Nacirema is made, there will be careful inquiry into the personality structure of these people. One has but to watch the gleam in the eye of a holy-mouth-man, as he jabs an awl into an exposed nerve, to suspect that a certain amount of sadism is involved. If this can be established, a very interesting pattern emerges, for most of the population show definite masochistic tendencies. It was to these that Professor Linton referred in discussing distinctive part of the daily body ritual which is performed only by men. This part of the rite involves scraping and lacerating the surface of the face with asharp instrument.Special women’s rites are performed only four times during each lunar moon, but what they lack in frequency is made up in barbarity. As part of this ceremony, women bake their heads in small ovens for about an hour. The theoretically interesting point is that what seems to be a preponderantly masochistic people have developed sadistic specialists.The medicine men have an imposing temple, or latipsoh, in every community of any size. The more elaborate ceremonies required to treat very sick patients can only be performed at this temple. These ceremonies involve not only the thaumaturge but a permanent group of vestal maidens who move sedately about the temple chambers in distinctive costume and headdress.The lastipsoh ceremonies are so harsh that it is phenomenal that a fair proportion of the really sick natives who enter the temple ever recover. Small children whose indoctrination is still incomplete have been known to resist attempts to take them to the temple because “that is where you go to die.” Despite this fact, sick adults are not only willing but eager to undergo the protracted ritual purification, if they can afford to do so. No matter how ill the supplicant or how grave the emergency, the guardians of many temples will not admit a client if he cannot give a rich gift to the custodian. Even after one has gained admission and survived the ceremonies, the guardians will not permit the neophyte to leave untilhe makes still another gift.The supplicant entering the temple is first stripped of all his or her clothes. In everyday life the Nacirema avoids exposure of his body and its natural functions. Bathing and excretory acts are performed only in the secrecy of the household shrine, where they are ritualized as part of the body-rites. Psychological shock results from the fact that body secrecy is suddenly lost upon entry into the laptisoh. A man, whose own wife has never seen him in an excretory act, suddenly finds himself naked and assisted by a vestal maiden while he performs his natural function into a sacred vessel. This sort of ceremonial treatment is necessitated by the fact that the excreta are used by diviner to ascertain the course and nature of the client’s sickness. Female clients, on the other hand, find their naked bodies are subjected to scrutiny, manipulation and prodding of the medicine men.There remains one other kind of practitioner, known as a “listener.” This witchdoctor has the power to exorcise the devils that lodges in the heads of people who have been witched. The Nacirema believe that parents bewitch their own children. Mothers are particularly suspected of putting a curse on children which teaches them the secret body rituals. The counter-magic of the witchdoctor is unusual in its lack of ritual. The patient simply tells the “listener” all his troubles and fears, beginning with the earliest difficulties he can remember. The memory displayed bythe Nacirema in these exorcism sessions is truly remarkable. It is not uncommon for the patient to bemoan the rejection he felt upon being weaned as a babe, and a few individuals even see their troubles going back to the traumatic effects of their own birth.Our review of the ritual life of the Nacirema has certainly shown them to be magic-ridden peoples. It is hard to understand how they have managed to exist so long under the burdens which they have imposed upon themselves. But even such exotic customs as these take on real meaning when they are viewed with the insight provided by Malinowsky when he wrote:“Looking from far and above, from our high places of safety in the developed civilization, it is easy to see all the crudity and irrelevances of magic. But without its power and guidance early man could not have mastered his practical difficulties as he has done, nor could man have advanced to the higher stages of civiliz ation.”。

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