南北方的园林建筑的色彩差异

南北方的园林建筑的色彩差异园林建筑是我国古代建筑技术和艺术相互渗透的成果，它融汇了建筑美、自然之美和工艺之美，是艺术美与自然美的高度结合，以朦胧、含蓄之美，与山、石、泉、潭等相互存在，构成了“诗情画意”的中国园林意境。建筑的表现手法除了千姿百态的造型、独具匠心的环境设计之外，精美的彩画装饰是其中很重要的一部分。Landscape architecture is China's ancient architecture technology and art of mutual penetration of the achievement, which combines the architectural beauty, natural beauty and technological beauty, is a close combination of art and natural beauty, obscure, the beauty of implicitness, mutual existence and mountain, stone, spring, lake, constitute the " poetic " the Chinese garden. Construction technique of expression in addition to environmental design in different poses and with different expressions of other, have great originality, exquisite painting decorative is one of the most important parts.

一彩画的色彩古典建筑上的装饰方法多样，主要有雕刻、油饰、彩画等，色彩装饰除了屋顶、墙面之外其他结构的表面装饰主要是油饰与彩画。油饰与彩画分别是指建筑上的油漆刷饰与彩色图案的描绘。最初在木构件表面涂刷油饰色彩以利防腐并装饰建筑，是中国古建筑的传统做法。

Decoration method painting color classical architecture of the diverse, mainly sculpture, painting, paint, color decorative roof, wall surface

南北方的园林建筑的色彩差异 decoration, in addition to outside the other structure is mainly oil and watercolor painting. Paint and color are depicted a building paint decoration and color patterns. Initially in the wood surface coating paint color and anticorrosive and decorative building, is the traditional practices of ancient Chinese architecture.

早期建筑上的色彩油饰，是没有明显区分的，它们都有保护木构件及色彩装饰作用。随着人类建筑活动的发展，油漆和彩画出现了明确分工，至明清时期，官式做法已有“油作”与“画作”之分，凡用于保护构件的涂料刷饰，被统称为“油饰”，而用于装饰建筑的各种绘画、图案、色彩被统称为“彩画”。彩画成了古建筑的重要装饰手法，主要运用在建筑的内檐、外檐、柱子、天花等处，呈现“屋不呈材，墙不露形”的装饰特点，具有装饰、标志、保护、象征等多方面的作用。在传统文化中，颜色的生成有着丰富的文化内涵，统治者从维护其政权的需要出发，把颜色作为区分社会等级的手段，从而使颜色政治伦理化，具有了尊卑高下的文化特性。在《春秋谷梁传》中记载“楹，天子丹，诸侯黝垩，大夫苍，士黈”，《汉书王莽传》中也说到“开门延士,下及白屋”，说明了色彩的等级严明，不得乱用。明清之后彩画的形制基本确定，成为官式建筑的装饰手法，普通老百姓的建筑更是不能随便用“彩画”，只可以“油饰”。园林建筑在古代基本是为皇族贵胄服务，所以园林建筑属于官式建筑，色彩也就颇为讲究，彩画的等级也比较严明。

The early architectural color paint, there is no obvious distinction, they all

南北方的园林建筑的色彩差异

have the protection of timber and color effect. With the development of human construction activities, paint and painting had a clear division of labor, to the Ming and Qing Dynasties, the official has been " oil " and " painting ", who used to protect paint decoration component, known collectively as the " oil ", and used to decorate the building all kinds of painting, pattern, color is referred to as " painting ". Painting has become an important decoration of ancient buildings, mainly used in building within the canopy, eaves, pillars, smallpox, showing "the house is not material, decorative features wall do not reveal shape ", has the role of decoration, mark, symbol of protection, etc.. In the traditional culture, the color production has a rich cultural connotations, the rulers from the need to maintain their power, the color as the distinction between social rank means, so that the color of political ethics, has the cultural characteristics and superiority. In the " chun-qiu-gu-liang-zhuan " records " Ying, the emperor Dan, princes of black chalk, the pale, and Tou ", " Han Wang Mang biography " also said " open the door Y an Shi, and the White House ", showed the color level and strict, shall not be used indiscriminately. After the Ming and Qing Dynasties painting form basically determined, become the official building decoration, the ordinary people of building is not just " painting ", can only be " paint ". Landscape architecture in ancient times is the basic for the royal family service, so the landscape architecture is the official building, color is very exquisite, color grade is