杀人者英文赏析
杀人者 the killer英文对白
(lao)代表老板;(da)代表老大;(xiao)代表进去绑人的;(3)被杀的人;(1)(2)代表路人-Hello.-taro,go and help kim in the back.-(lao)what do you want to eat?-(xiao)well…….what do you want to eat,brother?-(da)I’ll have a tenshin-bowl.-(lao)sorry,it isn’t ready yet.-(da)why do you write it on the wall then?-(lao)that’s the dinner. you can get that at six o’colock.-(xiao)hey old man , it’s five minutes past six.-(lao)it’s twenty minutes fast.-(da)why don’t you throw the damn clock way then?What have you got to eat?-(lao)I can give you any kind of ramen noodles.Y ou can have it with miso or salt flavor.-(da)gyoza and ramen with miso flavor and sliced pork on top.-(lao)sorry, we won’t have them until next week.-(da)everthing we want’s not available.This’s the way you work it,huh?-(lao)sorry. I can give you fried rice instead of gyoza.-(da)I’ll take ramen whit sart flavor and fired rice.-(xiao)I’ll take fired rice too, and ramen with miso flavor.-(lao)1 salt,1 miso ,and two fired rice!-(xiao)got anything to drink?-(lao)how about tea?I have cold barley tea….-(xiao)wait…I’m not talking about that.I mean you got anything to drink?-(lao)sorry, we are out. just what I said.-(da)what a great town! What do they call it?-(xiao)heaven’s city. Ever heard of it?-(lao)no.-(xiao)what do they do in a town like this at night?-(da)they eat the dinner. They all come here and eat the big dinner.-(xiao) that’s right.-(da)hey old man.so you think that’s right?-(lao)sure.you’re a smartass,aren’t you?-(da)no.he,s dumb.-(da)hey kid, what’s your name?-(er)it’s taro murakami.-(xiao)another smartass. isn’t he a smartass, bro?-(da)the town’s full of smartasses .-(lao)there you go.Fried rice.-(da)what are you looking at?-(lao)nothing.-(da)the hell you were. Y ou were looking at me.-(xiao)it’s just your imagination,ken.-(da)what the hell are you laughing at?-(lao)sorry.-(da) sorry?did you hear that?-(xiao) give him a break.What’s the kid’s name down the counter?-(da)hey kid, come here.-(er)why?-(xiao)none of your business!-(da)you better listen,kid.-(xiao)who’s out in the back?-(lao)the Korean.-(xiao)Korean?what’s the Korean doing here?-(lao)he is the cook.-(xiao)tell him to come out.-(lao)what in the world are you doing?Where do you think you are?-(da)we know dame where we are!Do we look stupid?-(xiao)what the hell do you argue with him for? aitell the Korean to come out here.-(lao)what are you doing to do, to kim?-(xiao)nothing.Think.what would we do to a Korean?-(lao) kim, come in here a minute.-(xiao) hey,you! Do inside the kitchen. Y ou too,kid! -(da)old man, why don’t you say something?-(lao)what’s this all about?-(da)what do you think this is all about?-(lao)I have no idea.-(da)what do you think ?-(lao)I don’t know!-(da)talk to me.I want to hear what you think is going to happenI’ll tell you.We’re here to kill someone.Do you know a man nanmed…Nobuo Takagi?He comes here to eat every night,doesn’t he?-(lao)sometimes he comes here.-(da)he comes here at six o’clock,doesn’t he?-(lao)what are you going to kill Nobu for?What did he ever do to you?-(xiao)he can’t do anything to us.He never even seen us.And he’s only going to see us once.-(lao)what are you going to kill him for then?-(da)we owe it to a friend.That’s why we have to do it.-(xiao)hey bro, easy on the chatting.-(da)what’s wrong?got to keep the old man amused.Don’t I,old man-(xiao)the Korean and the kid are amused by themselves.I got them tied up and they’re shaking like girls.-(da)old man.If anybody comes in you tell them the cook is off.If they keep after it,tell them you’ll cook yourself. Got that?-(lao)what you going to do with us afterward?-(da)that’ll depend.That’s one of those things you never know until the time comes-(1)toku-san. Can you fix me something?-(lao)sorry.kim’s done out. he’ll be back in less then an hour.-(1)well, I’ll come back later.-(lao)sorry.-(da)miki.we better go.he’s not coming.-(xiao)better give him five minutes.-(lao)I am sorry but the cook is sick-(2)why the hell don`t you get a healthier cook then?-(da)What the hell was that?Come on miki-(xiao)What about the old man and the men in the kitchen?-(da)Just leave them.-(xiao)we’re just going to leave them like that?-(da)you have a problem with that?-(xiao)I don’t like it .you talk too much,bro.-(da) shut the hell up!We got keep amused, have’t we?Right,old man?So long ,old man.Y ou got a lot of luck.-(lao)sons of bitchens!Hey, go see Nobu-san.-(er)right-(lao)don’t do if you don’t want to.-(er)I’ll do to see him.-(3)who is it?-(er)it’s Murakami… it’s Taro.-(3)come on in.-(3)what is it?-(er)I was over at Toku-san’s and two fellows came in and tied Kim and me up and they said they were going to kill you.They put us out in the kitchen.They were going to kill you when you came in.Toku-san thought I better come and tell you about it.-(3)There is nothing…..I can do about it.-(er)I’ll tell you what they look like.-(3) No……I’d rather not know.Thanks for coming to tell me about it.- (er)Don’t you want me to go to the police?- (3)(笑声) Police…..No. That wouldn’t do any good.-(er)isn’t there something I could do?-(3)no.there is nothing to go.-(er)maybe it was just a bluff.-(3)no,it’s not a bluff.-(er) couldn’t you get out of town?-(3)I’m through with all that running around.I Don’t care anymore.-(er) couldn’t you fix it up some way?-(3) No. Not anymore.-(er) I better go back and see Toku-san.-(3)taro. Thanks for everything.。
杀人者
风格
海明威不以情节或人物性格发展的逻辑去揭示、深化主题 。他只是“客观地”、“照相式地”描写一件事的前后经过, 而把大量的有关情节藏匿起来,不对情节和人物发表主观 议论,甚至避免使用带感情色彩的形容词。他宁愿留下很 多空间,让读者调动自己的知识和经验去填补想象的空间 ,从富于动感的画面中体验那深藏于水下的主题思想。
三个场景
第一场景:主要集中在亨利餐室,围绕杀手 和乔治的对话; 第二场景:赫奇公寓,侧重描述尼克向奥尔 报信以及后者的反应; 第三场景:以尼克返回餐室结束。
人物分析
海明威曾经说过:“如 果你去描绘一个人,这 个人就是平面的,像一 张照片那样。如果你根 据你所知道的去塑造他, 那就是立体的了。作家 应当塑造活的人物,而 不是角色。”在《杀人者 》中海明威不是直接去 “描绘”人物,而是通 过对话间接地“塑造” 人物,从而达到了“立 体”的效果。
悬念和谜团
杀手来自什么地方?受何人雇用?
他们为什么要追杀奥尔?
奥尔的反应为什么那样淡然,那样无所谓? 通常小说中都应该有所交待的内容,作者却 无一字触及,因此就造成这样一种感觉:作者其 实也仅仅知道小说中通过对话客观呈现的那些部 分,他所知道的其他内容要比故事中人物知道的 少的多。
《杀人者》鲜明地体现 了海明威小说语言的风格: 简洁、凝练,但极生动、形 象,有穿透力、有质感。整 部作品因此极具张力而内蕴 丰富。
短篇小说《杀人者》用凝练厚重的八分之七,支撑起八分 之一的“冰山”之峰,以“最少”表现了“最多”。
主题 小说表现一个少年处身暴力社会的恐惧, 同时也揭示了生活 如何把人们变得自私、冷漠。 尼克是作品的焦点,作者通过他的眼、耳、心的感受揭露了美 国社会的黑暗和残暴。一个幼小的心灵发现了社会罪恶正是 这篇小说的主题思想。尼克是一个心地善良、乐于助人的男 孩,他单纯又涉世不深,故事的发展过程也是尼克逐渐成熟 的过程,他的亲身经历使他得以发现这个世界丑恶的黑暗面 ,即暴力与死亡。
英雄电影英文赏析
英雄电影英文赏析Title: An Analysis of Hero Movies。
Introduction。
Hero movies have always been a popular genre in the film industry. They often feature larger-than-life characters who possess extraordinary abilities and are tasked with saving the world from evil forces. These movies are known for their action-packed sequences, visually stunning special effects, and compelling storylines. In this article, we will delve into the world of hero movies and analyze what makes them so appealing to audiences around the world.The Evolution of Hero Movies。
The concept of hero movies has been around for decades, with the earliest examples dating back to the silent film era. However, it was not until the 1970s and 1980s that hero movies began to gain widespread popularity, thanks to the success of franchises like "Superman" and "Batman." These films laid the groundwork for the modern hero movie, which has since become a staple of the Hollywood blockbuster.Over the years, hero movies have evolved in terms of storytelling, visual effects, and character development. Filmmakers have pushed the boundaries of what is possible on screen, creating larger-than-life worlds and characters that captivate audiences. The success of the Marvel Cinematic Universe and the DC Extended Universe has further solidified the popularity of hero movies, with each new installment breaking box office records and garnering critical acclaim.The Appeal of Hero Movies。
邪恶丛林中的人性成长——对《〈杀人者〉分析》的再分析
论文 ” 孤立地研究 单个 文本 的窠 臼, 其后 的文本批 评提 、 为
态发展 的内在逻辑 的; 而在细节设 计上 , 餐馆老板 亨利 的不 在场 、 比实际时间快 了 2 O分钟 的钟表 的反复出现、 两个杀手
伙计乔 治和尼克是 已知人物外 , 其他人物的名字都是在出场 之后看 似无意 的对话 中顺 带 出来 的 , 在此 之前 , 作者则极 有
耐心地用 “ 头一个人 ” “ 、 另一个人 ” “ 的朋 友” “ 、他 、 另一 个 小个子 ” “ 、那个黑 鬼” “ 、 那个 妇女” 等描述性 的称谓来 指代
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邪 恶丛 林 中 的人 性 成长
— —
对《 杀人者) ( 分析》 的再分析
强塞进一些副词或是状语短句 , 例如愤怒地 、 惊恐 地、 犹豫地
若 奈 特 曾用 “ 序 ” “ 段 ” “ 率 ” “ 气 ” “ 态 ” 次 、时 、频 、语 、语
等五个层次概括 出叙 事分析 的五种范 畴o20-3 为一 篇 [1 1作 32 0 文风简 约的对话 体小说 , 杀人者 》 《 在语 气和 语态两 个层 面
景切换至下个 场景 , 严密追踪着整个事态 的发展始末。
海 明威 的早期短篇小说 《 杀人者》 进行 了场景 、 角度 、 主线 与
杀人者 the killer英文对白
(lao)代表老板;(da)代表老大;(xiao)代表进去绑人的;(3)被杀的人;(1)(2)代表路人-Hello.-taro,go and help kim in the back.-(lao)what do you want to eat?-(xiao)well…….what do you want to eat,brother?-(da)I’ll have a tenshin-bowl.-(lao)sorry,it isn’t ready yet.-(da)why do you write it on the wall then?-(lao)that’s the dinner. you can get that at six o’colock.-(xiao)hey old man , it’s five minutes past six.-(lao)it’s twenty minutes fast.-(da)why don’t you throw the damn clock way then?What have you got to eat?-(lao)I can give you any kind of ramen noodles.Y ou can have it with miso or salt flavor.-(da)gyoza and ramen with miso flavor and sliced pork on top.-(lao)sorry, we won’t have them until next week.-(da)everthing we want’s not available.This’s the way you work it,huh?-(lao)sorry. I can give you fried rice instead of gyoza.-(da)I’ll take ramen whit sart flavor and fired rice.-(xiao)I’ll take fired rice too, and ramen with miso flavor.-(lao)1 salt,1 miso ,and two fired rice!-(xiao)got anything to drink?-(lao)how about tea?I have cold barley tea….-(xiao)wait…I’m not talking about that.I mean you got anything to drink?-(lao)sorry, we are out. just what I said.-(da)what a great town! What do they call it?-(xiao)heaven’s city. Ever heard of it?-(lao)no.-(xiao)what do they do in a town like this at night?-(da)they eat the dinner. They all come here and eat the big dinner.-(xiao) that’s right.-(da)hey old man.so you think that’s right?-(lao)sure.you’re a smartass,aren’t you?-(da)no.he,s dumb.-(da)hey kid, what’s your name?-(er)it’s taro murakami.-(xiao)another smartass. isn’t he a smartass, bro?-(da)the town’s full of smartasses .-(lao)there you go.Fried rice.-(da)what are you looking at?-(lao)nothing.-(da)the hell you were. Y ou were looking at me.-(xiao)it’s just your imagination,ken.-(da)what the hell are you laughing at?-(lao)sorry.-(da) sorry?did you hear that?-(xiao) give him a break.What’s the kid’s name down the counter?-(da)hey kid, come here.-(er)why?-(xiao)none of your business!-(da)you better listen,kid.-(xiao)who’s out in the back?-(lao)the Korean.-(xiao)Korean?what’s the Korean doing here?-(lao)he is the cook.-(xiao)tell him to come out.-(lao)what in the world are you doing?Where do you think you are?-(da)we know dame where we are!Do we look stupid?-(xiao)what the hell do you argue with him for? aitell the Korean to come out here.-(lao)what are you doing to do, to kim?-(xiao)nothing.Think.what would we do to a Korean?-(lao) kim, come in here a minute.-(xiao) hey,you! Do inside the kitchen. Y ou too,kid! -(da)old man, why don’t you say something?-(lao)what’s this all about?-(da)what do you think this is all about?-(lao)I have no idea.-(da)what do you think ?-(lao)I don’t know!-(da)talk to me.I want to hear what you think is going to happenI’ll tell you.We’re here to kill someone.Do you know a man nanmed…Nobuo Takagi?He comes here to eat every night,doesn’t he?-(lao)sometimes he comes here.-(da)he comes here at six o’clock,doesn’t he?-(lao)what are you going to kill Nobu for?What did he ever do to you?-(xiao)he can’t do anything to us.He never even seen us.And he’s only going to see us once.-(lao)what are you going to kill him for then?-(da)we owe it to a friend.That’s why we have to do it.-(xiao)hey bro, easy on the chatting.-(da)what’s wrong?got to keep the old man amused.Don’t I,old man-(xiao)the Korean and the kid are amused by themselves.I got them tied up and they’re shaking like girls.-(da)old man.If anybody comes in you tell them the cook is off.If they keep after it,tell them you’ll cook yourself. Got that?-(lao)what you going to do with us afterward?-(da)that’ll depend.That’s one of those things you never know until the time comes-(1)toku-san. Can you fix me something?-(lao)sorry.kim’s done out. he’ll be back in less then an hour.-(1)well, I’ll come back later.-(lao)sorry.-(da)miki.we better go.he’s not coming.-(xiao)better give him five minutes.-(lao)I am sorry but the cook is sick-(2)why the hell don`t you get a healthier cook then?-(da)What the hell was that?Come on miki-(xiao)What about the old man and the men in the kitchen?-(da)Just leave them.-(xiao)we’re just going to leave them like that?-(da)you have a problem with that?-(xiao)I don’t like it .you talk too much,bro.-(da) shut the hell up!We got keep amused, have’t we?Right,old man?So long ,old man.Y ou got a lot of luck.-(lao)sons of bitchens!Hey, go see Nobu-san.-(er)right-(lao)don’t do if you don’t want to.-(er)I’ll do to see him.-(3)who is it?-(er)it’s Murakami… it’s Taro.-(3)come on in.-(3)what is it?-(er)I was over at Toku-san’s and two fellows came in and tied Kim and me up and they said they were going to kill you.They put us out in the kitchen.They were going to kill you when you came in.Toku-san thought I better come and tell you about it.-(3)There is nothing…..I can do about it.-(er)I’ll tell you what they look like.-(3) No……I’d rather not know.Thanks for coming to tell me about it.- (er)Don’t you want me to go to the police?- (3)(笑声) Police…..No. That wouldn’t do any good.-(er)isn’t there something I could do?-(3)no.there is nothing to go.-(er)maybe it was just a bluff.-(3)no,it’s not a bluff.-(er) couldn’t you get out of town?-(3)I’m through with all that running around.I Don’t care anymore.-(er) couldn’t you fix it up some way?-(3) No. Not anymore.-(er) I better go back and see Toku-san.-(3)taro. Thanks for everything.。
The Killer(海明威-杀人者英文赏析)
The Killers by Ernest Hemingway80k药学(英语强化)二班汤玉云13102015《The Killers》is one of the classical short stories of Ernest Hemingway. The story describes a society with Violence and people’s fear of the evil society.Ernest Hemingway’s “iceberg theory” runs through the whole story. It doesn’t like many traditional novels which usually introduce the time, place and background at the beginning. Hemingway omitted this part and directly presents to the readers a picture of real scenes:” The door of Henry's lunchroom opened and two men came in. They sat down at the counter.” The story did not specify the reason why ole Anderson hunted, and we can only know something from George and Nick's dialogue. His “iceberg theory” suggests that the writer include in the text only a small portion of what he knows, leaving about ninety percent of the content a mystery that grows beneath the surface of the writing.Hemingway is very good at writing begins with few words and tell the map of the two killers from their conversation in the restaurant.From the dialogue of George, Nick and Sam,we can also know the different character of the three persons. Nick is an innocent guy. Sam is timid and overcautious and don’t want to be involved in the matter. George is ambivalent that he want to help Anderson but afraid to be involved in it. The character and the past and future of characters are hidden behind in the dialogue, the reader can onlyspeculate the plot of the story by their own imagination. Nick comesto see Anderson,seeing him lying in bed. Anderson always looking at the wall or facing the wall whentalk to Nike. In this part, the word “wall” appears six times totally. The sixwalls form a closed three-dimensional space, which indicates Anderson completely trapped in it and unable to escape the violence of the modern society. The despairing Anderson is anatypical Hemingway hero.The title of this short story is “The killer”, but the hero of the novel is not the two killers. It's Nick, who seems to be a secondary character. In fact, he was the central character in the whole story. On the surface the story is about two murderers who want to kill Anderson. Actually Anderson is also a killer. When Nick tells him the news,Anderson’s performance that waiting to be killed kills Nick’s innocence. He realizesthehorrible evil but unable to do anything about it, let him want to escape from the society, force him also yield to evil eventually.Hemingway through the novel “the killer”with his masterful skills of people’s dialogue and iceberg theory reveals thetragic fate of people under violence. The novel is simple on the surface, but it has profound meaning, giving people unlimited imagination and shock, thus causing deep thinking.。
英语专业论文题目分类
英语专业毕业论文题目分类语言与语言学类001 从历史文化的发展看某个英语词或短语的语义演变002 英诗中常用的修辞003 英语谚语的修辞手法004 委婉语种005 英语中的缩略语006 英语词汇中的外来语单词007 英语新词新意探究008 美国英语的特色009 如何正确把握英语定语从句(或其他各种从句或语法形式)在句子中的确切含义010 Fuzzy Words and Their Uses in Human Communication011 Ambiguity and Puns in English012 Some basic consideration of style013 English by Newspaper014 English Personal Pronouns: a Preliminary Textual Analysis015 Thematic Network and Text Types016 An Inquiry into Speech Act Theory017 On Lexical Cohesion in Expository Writing018 The Inferences of Conversational Implications019 Context and Meaning020 The Construction and Interpretation of Cohesion in Texts语言教学类001 扩大词汇量和提高英语阅读能力的关系002 提高英语阅读速度的主要障碍003 英语阅读能力和阅读速度的关系004 通过扩大知识面提高英语阅读能力005 如何在阅读实践中提高英语阅读能力006 阅读英文报刊的好处007 如何处理精读和泛读的关系008 如何对付英语阅读材料中的生词009 如何通过阅读扩大词汇量010 提高阅读能力和提高英语听力的关系011 英语听说读写四种技能的关系012 通过英语阅读提高英语写作能力013 英语快速阅读能力的构成成分014 中学生英语自主学习能力的培养015 英语教学中的语言焦虑及解决策略016 简笔画-英语教学中简单高效的教学手段017 提高英语听力理解能力的策略和技巧018 电子辞典与英语教学019 普通话对英语语音的迁移作用020 母语迁移在基础教育各阶段中的作用021 提高大班课堂教学的效果022 《英语课程标准》研究023 口语教学中教师的角色024 从心理学角度探讨少儿英语教学025 英语课堂提问的策略研究026 英语后进生产生的原因以及补差方法研究027 英语词汇教学方法探讨028 小学生英语口语能力评估方法研究029 朗读在英语教学中的作用030 任务型教学法研究031 方言对学生英语语音的影响032 英语阅读课堂教学模式探讨033 英语课堂的合作学习策略研究034 中学生英语学习策略的培养035 探究式教学法在中学英语教学中的应用036 现代信息技术在英语教学中的应用037 教师教学行为对高中生英语学习的影响038 实施成功教育减少两极分化039 小学英语活动课教学模式研究040 中学英语听力训练最佳方案041 原版电影与英语学习042 中学生英语兴趣的培养043 《疯狂英语》(或各种教学方式)的利与弊044 张思中教学法实践调查报告045 如何杜绝中式英语046 英语教师的文化素养047 网络时代如何学好英语048 背景知识与阅读理解049 上下文在阅读理解中的作用050 家庭教师在中学生英语学习中的利弊051 中学英语教学现状分析052 中学英语课堂上的Daily Report053 中外教师解释课文方法比较054 中外教师课堂提问方法比较055 中外教师课堂鼓励性用语比较056 中外教师对学生总体要求之比较057 计算机辅助英语教学中的诸问题058 不同种类的计算机辅助英语教学方式059 计算机辅助英语教学中的教学法原则060 The Instructive Meaning of Inter-language Pragmatics for foreign Language Teaching 061 Pedagogical Translation and Translation Teaching062 The Importance of Cultural Authenticity in Teaching Materials063 Micro-teaching and Student Teacher Training064 How to Evaluate the Teacher Performance - A Case Study065 English Test Design066 The Interference of Native Language in English Writing or Translation 067 Translation Methods and English Teaching翻译类001 英汉文化差异和翻译002 英语习语翻译003 翻译与语境004 翻译中的对等问题005 翻译中的衔接与连贯006 翻译中的文化信息传递007 语篇体裁与翻译策略008 汉语四字词语的翻译009 数字的翻译010 翻译中的语序转换011 谈英语被动句的翻译012 英汉句法对比和翻译013 谈合同(或其他各种类型文本)的翻译014 英语否定句的翻译015 广告英语及其翻译016 中国特色词汇及其英译017 英语长句的理解与翻译018 商号、商标、公司名称等的翻译019 Importance of Meaning Group in Translation文学类001 文学批评方法之我见002 解读布莱克诗篇《老虎》的象征意义003 弥尔顿创作目的和结果的矛盾之我见004 华滋华斯诗歌的自然观005 简析《秋颂》的美学价值006 由《云雀颂》看雪莱的诗歌创作观007 论叶芝诗歌中的象征主义008 狄金森诗歌的现实意义009 论现代诗歌与后现代诗歌的异同010 解读《麦克白》的创作意义011 由海明威的《杀人者》理解客观叙述法012 解读福克纳的《干燥七月》013 中外文学作品比较014 不同英语文作品比较015 英文作品中的人物分析016 英文作品的社会意义017 英文作品的文体风格。
the_killers杀手解析
Four scenes in the novel
• In the first scene, 2 killers talked with Nick and George and caused some amusement. 第一场景主要集中在亨利餐馆,围绕杀手和乔治 的对话展开。
In Scene 2, 2 killers controlled George, Nick and Sam, and arranged the crime scene skillfully. But Ole Andreson didn’t appear. So they left. 第二场景在亨利餐馆,杀手控制了乔治,尼克和 赛姆,准备刺杀奥尔,奥尔没有出现,杀手离开。 In Scene 3, after the killers’ leaving, Nick went to tell Ole Andreson about what had happened. But it seemed that Ole Andreson knew all about it. He didn’t take any action and refused Nick’s suggestion. He was waiting to die. 第三场景在赫奇公寓,侧重描述尼克向奥尔报信 以及后者的反应。
描写拳击手安德森,当餐馆的小伙计尼克找到他并告知有人要杀他时,安 德烈森的反应却并不像我们所预料的那样充满恐惧和愤怒。“奥利・安德 烈森和衣躺在床上。他头枕着两只枕头。他并没有朝尼克看。”他和衣躺 在床上,不看尼克,说明他已经知道有人要杀他,但他只是坐以待毙,不 愿采取任何行动,“这种事情,叫我有什么办法。”“我已经叫人家不高 兴啦,没有什么办法。”他明知道“那不光光是恐吓。”却“不想知道他 们是啥样子”,也不愿去找警察“去了(警察局)也没什么用。”也不打 算逃离这个地方,他只是躺在床上,望着墙壁,冷漠而麻木地等待着,文 中“他望着墙壁”重复了七次,表明他对即将到来的死亡的无奈。
七宗罪英文电影赏析
Dire ctor
David Andrew Leo Fincher (born August 28, 1962) is an American film and music video director who is known for his dark and stylish thrillers, such as Alien 3 (1992), Seven (1995), The Game (1997), Fight Club (1999), Panic Room (2002), and Zodiac (2007). Fincher received Academy Award nominations for Best Director for his 2008 film The Curious Case of Benjamin Button and his 2010 film The Social Network, which also won him the Golden Globe and the BAFTA for Best Director. His most recent film is 2011's The Girl with the Dragon Tattoo, an English-language adaptation of Stieg Larsson's novel of the same name.
Actor
William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. Pitt has received four Academy Award nominations and five Golden Globe Award nominations, winning one Golden Globe. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention
英文影视赏析——七宗罪台词
老:Get out of the van! 从车里出来!Out ! 出来!递:Jesus Christ, man. Don’t shoot me. 天哪,老兄。
不要开枪。
老:Step away. 离车远点。
Turn around. Put your hands on your head. 转过去,手抱头。
(飞:What the hell is going on? 到底发生了什么?)老:Why and what are you doing here? 你为什么来这里?递:I’m delivering a package man. 我只是送快递而已。
I got a package for this guy, David. 我有个快递要送给戴维。
Detective... 警探David Mills. 戴维•米尔斯老:Get it. Slowly. 拿过来。
慢一点。
(飞:He’s opening the back of van. 他正在打开火车的后备箱。
We’ve got him in sight. 我们瞄准他了。
)递:This guy paid me ﹩500 to bing it out here, man.有人出500块让我把它带过来。
He said he wanted it here at exactly 7 o’clock.他让我在7点钟准时送到。
老:Put it down. 放下来。
We got a box 我们有个盒子。
(飞:We got a box . Call the bomb squad. 有一个盒子,快找拆弹组。
Bomb squad . We got a box . 拆弹组,我们这有个盒子。
)老:Face the van. 面朝货车。
Hands up. 举起手来。
Turn around . 转过来。
Okay. Go. 好的,快走。
Off you go. Go . 快离开这里。
快。
I’m sending the driver out on foot . 我让司机跑着离开了。
美国文学红字英文赏析 The+Scarlet+Letter
Hawthorne Biography
Early Writing Career Hawthorne's short stories came slowly but
steadily into critical favor, and the best of them have become American classics. By his own account it was Hawthorne's love of his Salem neighbor Sophia Peabody that brought him from his "haunted chamber" out into the world. Hawthorne and Sophia, whom he finally married in 1842, resorted not to Brook Farm but to the Old Manse in Concord, Massachusetts, where they spent several years of happiness in as much quiet living as they could achieve.
Writing Novels
Facing the world once more, Hawthorne obtained in 1846 the position of surveyor (one who maps out new lands) in the Salem Custom House, but was relieved of this position in 1848 because of his political ties.
跨文化交际中英汉“红色”词汇对比研究
跨文化交际中英汉“红色”词汇对比研究发布时间:2021-11-24T05:48:26.759Z 来源:《教育学文摘》2021年7月总第379期作者:杨楠[导读] 物质保持着自己的基本属性,人们对同一物质的感受应该是基本相似的。
四川外国语大学成都学院应用英语学院四川成都610000摘要:不同民族对颜色的认知大体一致,不会因为国籍不同把色谱上的颜色识别成不同的颜色;但因为文化背景的不同,对不同颜色不同的民族也赋予了不同的文化内涵。
红色一直被认为是中国色,本文将对比英汉红色词汇,从其文化内涵和翻译两个方面探讨其异同,以更好地促进其跨文化交流,减少跨文化交流中的障碍。
关键词:红色英汉对比文化翻译物质保持着自己的基本属性,人们对同一物质的感受应该是基本相似的。
对于颜色也应该如此,从认知的角度来说人们对于色谱的感受是一样的,不会因为中国人看来是黑色,而欧洲国家的人就看成了白色。
颜色与人类的生活息息相关,关于颜色的词语也丰富多彩,但是颜色除了它的本质属性也有一定的文化内涵,不同的国家因为政治背景不同,宗教色彩不同,生活习惯不同,历史传统不同,思维方式不同,对于颜色,不同国家也有不同的理解和解释,不同国家也赋予了颜色不同的意义,有时候你会发现同一种颜色的意义不尽相同,有时候你会发现同一种颜色的意义却大相径庭。
在日常生活中,表示颜色的词占据着举足轻重的位置。
随着时代的发展、人类文明的进步和发展,使得表示颜色的词的意义也在不断地丰富,其意义外延也越来越多,人类语言也变得丰富多彩。
英汉两种语言中,对红色的理解也大有不同,很多国家都认为红色是中国色,只有理解了英汉两种语言中红色的真正含义,才能进行有效的交际,才不会出现跨文化障碍。
本文将从英汉红色词汇的文化内涵以及翻译两个方面入手,探究对红色词汇的认知。
一、英汉“红色”文化内涵对比美国研究学者Brent Berlin 和Paul Kay对世界上98种语言进行对比研究,认为尽管各种语言颜色词数量不同,但基本颜色词都不超过11个,它们的存在是进化式的和有序的。
刺杀小说家英语作文赏析
刺杀小说家英语作文赏析Assassination of a Novelist is a thrilling and suspenseful novel written by the renowned author, Shuichi Yoshida. The story revolves around the murder of a famous novelist, Kunihiko Hidaka, and the investigation that follows. The novel is a masterpiece of the crime fiction genre, combining intricate plot twists with compelling characters and a gripping narrative.The novel opens with the discovery of Hidaka's body in his office, locked from the inside. The initial investigation suggests that the killer must have been someone who had access to the office and knew Hidaka's routine. The two prime suspects are his best friend and fellow novelist, Osamu Nonoguchi, and his wife, Rie Hidaka. The detectives assigned to the case, Kyoichiro Kaga and Junpei Wakui, begin to unravel the complex web of relationships and motives that led to Hidaka's murder.As the investigation progresses, the detectives uncovera series of shocking revelations about Hidaka's past, including his troubled relationship with his wife and his rivalry with Nonoguchi. The novel also delves into the lives of the suspects, exploring their personal struggles and motivations. The characters are well-developed and multi-dimensional, making the reader empathize with them even as they are suspected of murder.The plot of the novel is intricately woven, with unexpected twists and turns that keep the reader guessing until the very end. The author skillfully creates a sense of tension and suspense, building up to a dramatic climax that is both satisfying and surprising. The novel is also notable for its exploration of themes such as jealousy, betrayal, and the price of success.Overall, Assassination of a Novelist is a masterful work of crime fiction that is sure to captivate readers with its complex plot, compelling characters, and skillful storytelling. Shuichi Yoshida is a talented writer who has created a novel that is both entertaining and thought-provoking. This book is a must-read for fans of the crimefiction genre and anyone looking for a thrilling and suspenseful read.In my opinion, Assassination of a Novelist is a fascinating novel that keeps the reader engaged from start to finish. The author's skillful use of plot twists and suspenseful pacing creates a sense of tension that makes it hard to put the book down. The characters are well-developed and multi-dimensional, adding depth and complexity to the story. The novel also raises thought-provoking questions about the nature of success and the price that one must pay for it. Overall, I highly recommend this book to anyone looking for a thrilling and thought-provoking read.。
海明威:《杀人者》(曹庸译短篇小说)
海明威:《杀人者》(曹庸译短篇小说)海明威:杀人者(曹庸译短篇小说)海明威海明威短篇小说《杀人者》(曹庸译),请喜欢的朋友欣赏。
文本转贴于豆瓣社区“小水(i 2) ”网友的帖子,发布日期2010-02-23 15:45:10 ,特此说明并致谢。
帖主留言:“ 略萨说这是海明威最好的短篇小说,原因么就是那个冰山技巧喽。
” 请朋友们多加品味。
杀人者海明威亨利那家供应快餐的小饭馆的门一开,就进来了两个人。
他们挨着柜台坐下。
"你们要吃什么?"乔治问他们。
"我不知道,"其中一个人说。
"你要吃什么,艾尔?""我不知道,"艾尔说。
"我不知道我要吃什么。
"外边,天快断黑了。
街灯光打窗外漏进来。
坐在柜台边那两个人在看菜单。
尼克·亚当斯打柜台另一端瞅着他们。
刚才他们两人进来的时候,尼克正在同乔治谈天。
"我要一客烤猪里脊加苹果酱和马铃薯泥,"头一个人说。
"烤猪里脊还没准备好。
""那你干吗把它写上菜单呢?""那是晚餐的菜,"乔治解释说,"六点钟有得吃。
"乔治瞄一眼挂在柜台后面墙上的那只钟。
"五点啦。
""钟面上是五点二十分,"第二个人说。
"它快二十分钟。
""浑蛋钟,"头一个人说。
"那么,你们有些什么吃的?""我可以供应你们随便哪一种三明治,"乔治说。
"你们可以要火腿蛋,熏肉蛋,肝加熏肉,或者牛排。
""给我来客炸仔鸡饼,配上青豆,奶油生菜和马铃薯泥。
""那是晚餐的菜。
""我们要的,样样都是晚餐的菜,是吗?你们就是这么做生意的。
""我可以供应你们火腿蛋,熏肉蛋,肝--""我要火腿蛋,"那个叫做艾尔的人说。
杀人者
四、海明威名言
一个人并不是生来要给打败的。你尽可以消 一个人并不是生来要给打败的。 灭他,可就是打不败他。 灭他,可就是打不败他。 生活与斗牛差不多。不是你战胜牛,就是牛 生活与斗牛差不多。不是你战胜牛, 挑死你。 挑死你。 对一个作家最好的训练是不快乐的童年 。 二十世纪的丧钟为人类而鸣! 二十世纪的丧钟为人类而鸣! 自己就是主宰一切的上帝,倘若想征服全世 自己就是主宰一切的上帝, 界,就得先征服自己。 就得先征服自己。 青年人要有老年人的沉着,老年人应有青年 青年人要有老年人的沉着, 人的精神。 人的精神。
三个次要人物
塞姆,他战战兢兢如履薄冰的形象, 塞姆,他战战兢兢如履薄冰的形象,通过他 面对事件激烈的反应鲜明的呈现在读者面前。 面对事件激烈的反应鲜明的呈现在读者面前。 乔治, 更多的是一种处变不惊的镇定, 乔治, 更多的是一种处变不惊的镇定,他和 冷静的交谈,说着该说的话,做着该做的事, 杀手 冷静的交谈,说着该说的话,做着该做的事, 看不出一丝异样。 看不出一丝异样。 尼克,在他的人生中第一次有了对于“ 尼克,在他的人生中第一次有了对于“邪恶的 发现”——这个世界是个罪恶的世界 因此, 这个世界是个罪恶的世界, 发现”——这个世界是个罪恶的世界,因此,他 要远离邪恶。 要远离邪恶。
走进《杀人者》 走进《杀人者》
《杀人者》是海明威的经典短篇之一, 杀人者》是海明威的经典短篇之一, 最能体现他的创作风格。 最能体现他的创作风格。小说采用纯客观 叙事手法,通篇由简洁的对话构成, 叙事手法,通篇由简洁的对话构成,讲述 了一个关于杀人者的故事, 了一个关于杀人者的故事,而中心却是表 现作为事件旁观者的尼克对邪恶社会的发 现和恐惧。 现和恐惧。
冰山原则” “冰山原则”
“冰山在海里移动很是庄严宏伟,这是 冰山在海里移动很是庄严宏伟, 因为它只有八分之一露在水面上。 因为它只有八分之一露在水面上。”而深藏 在水下的八分之七,引人深思。 在水下的八分之七,引人深思。 英国作家H.E.贝茨曾经说过“海明威是 贝茨曾经说过“ 英国作家 贝茨曾经说过 一个拿着板斧的人” 他抡起“板斧” 一个拿着板斧的人”,他抡起“板斧”, 斩伐了整座森林的冗言赘词, “斩伐了整座森林的冗言赘词,还原了基本 枝干的清爽面目” 把英语文学上的“ 枝干的清爽面目”,把英语文学上的“乱毛 剪了个一干二净” 剪了个一干二净”。
英语专业文学类论文题目
For personal use only in study and research; not for commercial use五、英语文学类毕业论文选题121. The Independent Spirit of Hester Brynne in The Scarlet Letter《红字》中海丝特。
白兰的独立精神探析122. On the Meanings of Images in Moby Dic论《白鲸》中的象征意义123. Democratic Idea in Leaves of Grass论《草叶集》中的民主思想124. The Analysis on different Concept of Value in Sister Carrie《嘉莉妹妹》中不同价值观的分析125. Mark Twain’s Humor & Satire in Adventures of Huckberry Finn马克。
吐温的幽默与讽刺在《哈克贝利。
费恩》中的充分体现126. 从接受美学看莎士比亚《第十二夜》中的喜剧元素Comic Elements in << The Twelfth Night>> from the Perspective of Receptive Aesthetics127. 《罗密欧与朱丽叶》中的奶妈和《西厢记》中的红娘人物形象比较The Comparison of Nanny in Romio and Juliet and Hongniang in Romance of the Western Chamber128. 试论自卑情结对夏绿蒂勃朗特创作的影响The Influence of Inferiority Complex on the works of Charlotte Bronte129. 从依恋理论看《呼啸山庄》主人公希力克列夫悲剧性格的形成The Forming of Heathcliff”s Tragic Personality in Wuthering Heights from the Perspective of Attachment Theory130. 灵与肉的对立――从《无名的裘德》中的苏和阿拉贝拉人物分析看哈代的悲观主义The contrast between the Spirit and the Flesh--- Ha rdy’s Tragic Thought analyzed through Sue and Alabella in Jude the Obscure131. On the Realistic Style of Chaucer’s Canterbury Tales论乔叟《坎特伯雷故事集》的现实主义风格132. On Shakespeare’s Religious Ideas论莎士比亚的宗教思想133. On the Essence and Specialty of Shakespeare’s Tra gedy论莎士比亚悲剧的本质与独特性134. On the Linguistic Features of Burns’ Poetr论彭斯诗歌的语言特色135. On the Fatalistic Ideas in Hardy’s Works论哈代作品中的宿命论观点136. Fitzgerald, Spokesman of the “Roaring 20’s”----- A Study of His(e.g. The Great Gatsby)菲茨杰拉德:美国二十世纪二十年代的代言人------ 再读《了不起的盖茨比》137. Ernest Hemingway, Spokesman of the “Lost Generation”.海明威:迷惘的一代的代言人138. A Further Study of the “Code Hero” in Ernest Hemingway's Works.再论海明威作品中的“硬汉”形象139. William Faulkner’s Style in (e.g. A Rose for Emily.)威廉•福克纳小说的艺术手法解析(例如:《献给艾米莉的玫瑰》)140. Ezra Pound and Imagism Or Ezra Pound’s Imagism and His(e.g. In a Station of the Metro, A Girl…)庞德与意象主义的形成或庞德的意象主义在中的表现(例如:《在地铁站》,《女孩》)141、Mechanisms and Types of Metonymy and its Realization in Discourse 换喻映射机制、类型及其话语体现142、Corpus-based Study on Collocation in English-majors’ Compositions基于语料库的英语专业学生词语搭配研究143、Conceptualization of Lexical Categories in Second Language Acquisition: An Empirical Research Based on CLEC二语习得过程中的词类概念建构——基于《中国英语学习者语料库》的实证研究144、Conceptual Integration Theory From the Perspective of Cognitive Pragmatics概念整合理论的认知语用价值145、Discourse Analyses on A Dream of Red Mansions《红楼梦》小说中的话语建构146、Modes of Nominalization in Scientific Discourse From the Perspective of Cognitive Pragmatics科技语篇中的名词化现象及其认知语用模式19|文学类文学批评方法之我见解读布莱克诗篇《老虎》的象征意义弥尔顿创作目的和结果的矛盾之我见华滋华斯诗歌的自然观简析《秋颂》的美学价值由《云雀颂》看雪莱的诗歌创作观论叶芝诗歌中的象征主义狄金森诗歌的现实意义论现代诗歌与后现代诗歌的异同解读《麦克白》的创作意义由海明威的《杀人者》理解客观叙述法解读福克纳的《干燥七月》中外文学作品比较不同英语文作品比较英文作品中的人物分析英文作品的社会意义英文作品的文体风格LITERATURE文学类19.On the Character of Shylock in “The Merchant of Venice”论《威尼斯商人》中的人物夏洛克20.29Humor and Satire in “Pride and Prejudice”《傲慢与偏见》幽默与讽刺21. On Charles Dickens’ Style and Language in “x x x”论查尔斯.狄更斯XXX作品中的语言及风格31.Points of View and the Mode of Disc ourse in “Vanity Fair”论《名利场》的观点及言语方式32.Technipues of Theme Production in “Wuthering Heights”《呼啸山庄》主题的表现手法33.A Probe into the Feminist Idea of “Jane Eyre”《简.爱》男女平等思想的探索34.On the linguistic Features of “Huckleberry Finn”《哈克贝利。
刺客英语单词
刺客英语单词单词:assassin1. 定义与释义1.1词性:名词1.2释义:刺客,暗杀者,通常指以秘密方式杀人的人。
1.3英文释义:A person who murders someone, especially a public figure, by a sudden or secret attack.1.4相关词汇:hitman(杀手,打手,常指受雇于人进行暗杀的人,可视为近义词);murderer(杀人犯,凶手,广义的杀人者,刺客也是一种杀人犯,为近义词);assassinate(动词,暗杀,行刺,是assassin的动词形式,为派生词)。
---2. 起源与背景2.1词源:“assassin”这个词源于阿拉伯语“hashshashin”,最初是指中世纪时一个秘密的穆斯林什叶派团体的成员,他们会使用大麻(hashish),并进行政治暗杀等活动,后来演变成表示刺客的单词。
2.2趣闻:传说这个教派的成员在执行暗杀任务前会服用大麻,使自己进入一种无畏且狂热的状态。
他们的暗杀行动在当时的中东地区引起了极大的恐慌,也因此这个词逐渐与暗杀者联系在一起并流传开来。
---3. 常用搭配与短语3.1短语:- assassin's blade:刺客之刃例句:The assassin's blade was hidden in his sleeve.翻译:刺客之刃藏在他的袖子里。
- hired assassin:雇佣刺客例句:The rich man hired an assassin to kill his business rival.翻译:那个富人雇了一个刺客去杀害他的商业对手。
- target of assassin:刺客的目标例句:The politician was the target of assassin.翻译:那个政治家是刺客的目标。
---4. 实用片段(1). "I heard there was an assassin lurking in the shadows near the king's palace. Everyone is on high alert."翻译:“我听说有一个刺客在王宫附近的阴影里潜伏着。
国外大片(Movie)中英文对照D
Daddy ⽗亲⼤⼈Daddy Long Legs 长腿爸爸Daisy Miller 黛丝密勒Dakota 浪⼦回头Damage 烈⽕情⼈Damnation du Docteur Faust 浮⼠德Damned,the 纳粹狂魔Dances with Wolves 与狼共舞Dangerous Liaisons 危险关系Dark at the Top of the Stairs,the 琴瑟怨如需转载,请注明来⾃ FanE『翻译中国』: http;//DAVE, President For A Day 冒牌总统David and Bathsheba 霸王妖姬David Copperfield 块⾁余⽣Day after,the 浩劫后Day the World Ended,the 世界末⽇Day's of Wine and Roses 相见时难别亦难D-Day in the Sixth of June 六⽉六⽇断肠时Dead Calm 航越地平线Dead Poets Society 春风化⾬Death of Salesman 推销员之死Death on the Nile 尼罗河上谋杀案Deep,the 深深深Deer Hunter,the 越战猎⿅⼈Deliverance 激流四勇⼠Delta of Venus 激情维纳斯DeMille,Cecil B 西席.地密尔Demitrius and the Gladiators 圣徒妖姬Demolition Man 超级战警Denis,Claire 克莱⼉.丹妮丝Dennis the Menace 淘⽓阿丹Dennis The Menace 淘⽓阿丹-⼩⿁报到Desert Fox,the 沙漠之狐Desert Rats,the 沙漠之⿏Deserter,the 伪叛者Desire under the Elms 榆树下的欲望Desiree 拿破仑情史Desperately Seeking Susan 神秘约会Destination Tokyo 直捣东京(突击东京湾)Det Sjunde Inseglet 第七封印Deux hommes dans la ville 基诺与郭陶(杀⼈者死) Devil's Brigade,the 魔⿁兵团Devil's Disciple,the 魔⿁门徒Diamond Mercenaries,the 狂风沙Diary of a Chambermid 厨娘⽇记Diary of Anne Frank,the 安妮少⼥⽇记Die Hard 终极警探Die Hard With a Vengeance 终极警探第三集Die Hard2 终极警探第⼆集Dinosaur 恐龙Divorce American Style 美国式离婚Divorce His/Divorce Hers 缘尽情未了Divorzio Di Paglia 意⼤利式离婚Doctor Dolittle 杜⽴德先⽣Doctor Dolittle 2 怪医杜⽴德 2Doctor Dolittle 2 怪医杜⽴德 2Doll's House,a 傀儡家庭Don Juan 唐璜Don Ouixote U.S.A. 美国唐.吉诃德Don't Say a Word 沉默⽣机Double Man,the 谍报双⾯龙Dove, the 勇⽓Down to Earth 来去天堂如需转载,请注明来⾃ FanE『翻译中国』: http;//Dr Jekyll and Mr.Hyde 化⾝博⼠(⼜译双⾯怪⼈) Dr. Frankeuetein 科学怪⼈Dr. Seuss' How the Grinch Stole Christmas ⿁灵精Dr.No 第七号情报员Dr.T & the Women 浪漫医⽣Dr.Zhiavgo 齐⽡哥医⽣Dracula 2000 神⿁⼤反扑Dragon:The Burce Lee Story 李⼩龙传Driven ⽣死极限Driving Miss Daisy 温馨接送情Dublin Murders 情迷都柏林Dude, where's my car 猪头,我的车咧Dumb ad Dumber 阿呆与阿⽠Dumbo ⼩飞象Duras,Marguerite 玛格丽特?莒哈斯。
三千字英语文章
三千字英语文章篇一:英语文章Out – Of – TownersThey were obviously from out of town. All were dressed in business suits and carried identical shopping bags with a company logo emblazoned on the side. They seemed nervous when getting on the train, and several lost their balance as thetrain started down the track with a lurch. One man almostfell, prevented only by grabbing the arm of the man next to him.“So I guess they don’t have subways in Kansas, do they?” The first man asked the second.“ We don’t have anything in Kansas except wheat fi elds and the occasional cow,” he replied. “We don’t have subways, shopping malls or stoplights.”I looked down at my hands and choked on a laugh. “Areyou laughing?” the second man asked me. “We were told thatno one laughs in New York.”I laughed openly this time. “He’s serious,” the first man said. “They told us that people here don’t smile, that those watches aren’t real Rolexes, and that the men who open the door for you after you use the automatic teller aren’tjust being polite.“Well,” I said, “I’ve only lived here a couple of years. It’s been hard to break the habit.”They laughed in appreciation. A few of the other subway riders looked at the three of us out of the corners of their eyes.“So, where are you from?” the second man asked me. “Colorado.” “Now, we used to be neighbors.” “I drove through Kansas on my way here,” I said shaking my finger asif in proof. “and we had to stop at a stoplight.”The second man covered his face in mock shame and said, “Ok, I confess, we do have a stoplight. But we don’t needit. It was installed to make all of the Nebraskans jealous of us. “篇二:好的英语文章Than when you’re confronted with a medical decision to make and at some point all of us are going to be in that position where we have to make a very important decisionabout the future of our medical care or that of a loved oneto help them with a decision and so I want to talk about that. And so I want to talk about that. And I’m going to talkabout a very particular medical condition. But this sounds a proxy for all kinds of medical decision making and indeed for financial decision making and social decision making Any kind of decision you have to make that would benefit from arational assessment of the facts. So supposeyou go to see doctor,篇三:英语专业论文题目大全英语专业论文题目大全好的论文题目既是研究的轴线,也是一个新的学习重要领域。
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The Killers of substance
The Killers is a short story of Ernest Miller Hemingway. I only spend 15 minutes on reading it. It has no ups and downs of the plot. But the theme is profound. Its distinctive writing style shows Hemingway’s iceberg theory. By using unique narrative style, Hemingway, in his many great books, constructed the harmonious relationship between the works and the readers.
In this story did not intense shaking and describe the killers’cruelty. The plot completely depends on the characters’dialogue. Through it to show the character s’ personality characteristics. A total of seven main characters in the story, the existence of any one character is essential to reveal the theme.
George, is a little older than Nick. When he in the face of the two killers to kill Ollie Andreessen, more is numb with cold. He admitted the existence of the violence, and tried his best to adapt it. He is a symbol of is step into society. He does not like Sam (nigger) was terrified, and wanted to escape from a distance of violence hurt, stay away. Sam only an ordinary people, he just wanted to protest himself. Ollie Andreessen is a fighter which is the most tragic characters in the story, when known that someone wants to kill him, but did not escape. He is very clam and numb. Because facing the violence, he is also powerless. Mrs. Bell is one of the common people, she had no idea to the killings, which contrasts the unusual terrorist event. She thinks Andreessen is an excellent man, this good man but others killed which makes us think deeply about the society. The two professional killers, Max and Adams, even did not know the man’s appearance that they will kill, reflecting the darkness of society. The author details of their clothes such as appearance reflected their arrogance, numbness, cold.
The title of the story is The Killers, but Nick is the hero. He is good, pure, naive view the society. When he known Andreessen will be killed, he did not listen to the advice of Sam, to notice Andreessen. Facing the numbness, clam, helpless of Andreessen, the cold, violence, cruel of killers, the ruthless of Sam and George, his heart was shocked, he decided to leave here. When facing such scenes, anyone will be shocked, but this is life. We can only force us to get
used to it. But he did not realize that the town is a microcosm of America society. Such a walk it is no use.
Just 10,000 words, but shows such deep theme. As a famous American port Allen, think:” A set of objects, a situation, a chain of events which shall be the formula of that particular emotion, such as when the external facts, which must be terminate in sensory experience are given, the emotion is immediately evoked.”So Hemingway’s works are quite different in the global literature fields. His works can stimulate the readers’ reading interest. I like to read his book very much.。