国际上的特色音乐馆

国际音乐馆1.National Music MuseumFrom Wikipedia, the free encyclopediaThis article is about a museum in the United States.National Music Museum, Vermillion, South DakotaThe National Music Museum: America's Shrine to Music & Center for Study of the History of Musical Instruments (NMM) is a musical instrument museum in Vermillion, South Dakota, USA. It was founded in 1973 on the campus of the University of South Dakota. The NMM is fully accredited by the American Association of Museums and is recognized as "A Landmark of American Music" by the National Music Council.The NMM's renowned collections, which include more than 13,500 American, European, and non-Western instruments from all cultures and historical periods, are among the world's most inclusive. They include many of the earliest, best preserved, and historically most important instruments known to survive. The quality and scope of the NMM has earned it international recognition.Contents∙ 1 Background∙ 2 Collection∙ 3 See also∙ 4 External linksBackgroundGrand piano by Louis Bas of Villeneuve-lès-Avignon, France, 1781. Earliest French grand piano known to survive; includes an inverted wrestplank and action derived from the work of Bartolomeo Cristofiori (ca. 1700) with ornately decorated soundboard.The NMM was founded as a partnership between The University of South Dakota, which provides staff and facilities for preservation, teaching, and research, and the Board of Trustees of the NMM, a non-profit, 501(c)(3) corporation that is responsible for acquisitions, public exhibiting, and programming. The Board of Trustees is completely dependent upon support from NMM members, individuals, corporations, foundations, and governmental units.The NMM is housed in a fully accessible, climate-controlled building, where 850 representative instruments are exhibited in nine galleries. The Arne B. Larson Concert Hall has superb acoustics and provides a perfect setting for performing and recording music played on original instruments of various historical periods and cultural milieu. There is a specialized library, extensive study-storage areas, and a laboratory for the conservation and restoration of the instruments. There are violin-making tools and Baroque fittings, early harpsichord and fortepiano tuning hammers, and 1,000 brass instrument mouthpieces from virtually every turn-of-the-century manufacturer.It also has rich holdings of related objects and archival materials, such as the unequaled Salabue-Fiorini-De Wit-Hermann-Witten-Rawlins Collection of 650 violin makers' labels. The American musical instrument manufacturers archives is the largest of its kind. Scholars from around the world make frequent use of the NMM's collections and facilities, providing an important opportunity for students to meet and work with individuals on the latest scholarship on musical research.CollectionDouble chromatic harp, built ca. 1890 by Henry Greenway, Brooklyn, New York; one of two extant instruments of this type.The NMM is the only place in the world where one can find two 18th-century grand pianos with the specific type of action conceived by the piano's inventor, Bartolomeo Cristofori. Oneof these built in 1767 by Manuel Antunes of Lisbon, is the earliest signed and dated piano by a maker native to Portugal; the other, built by Louis Bas in Villeneuve-lès-Avignon in 1781, is the earliest extant French grand piano.Other extraordinary keyboards include a Neapolitan virginal (ca. 1520), three 17th-century Flemish harpsichords (two by Andreas Ruckers), 17th- and 18th-century English, German, Portuguese, and French harpsichords, and German and Swedish clavichords.A group of 500 instruments made in the late-19th-, early-20th centuries by the C. G. Conn Company of Elkhart, Indiana, is a resource unparalleled anywhere for historical research about a major American industry and the American band movement.The NMM's holdings by 17th- and 18th-century Nürnberg makers of wind instruments, including members of the Denner, Ehe, Haas, Oberlender, and Steinmetz families, as well as Ernst Busch, Paul Hainlein, Johann Benedikt Gahn, Johann Carl Kodisch, Leonhard Maussiel, Michael Nagel, and Paulus Schmidt, are unique outside of Germany.The NMM's holdings of 17th- and 18th-century Dutch woodwind instruments by such makers as Richard Haka (represented here by a soprano recorder made ca. 1690), Hendrik Richters, Philip Borkens, and Abraham van Aardenberg is unique outside of the Netherlands.The Witten-Rawlins Collection of early Italian stringed instruments crafted by Andrea Guarneri, Antonio Stradivari, three generations of the Amati family, and others by far surpasses any in Italy. Included are two of only three, 17th-century Cremonese stringed instruments preserved in the world today in unaltered condition. Additionally, the NMM preserves one of only two Stradivari guitars to be seen in a museum setting, and one of only two Stradivari mandolins known to survive.The sum of these groups of American, Dutch, German, and Italian instruments is to be found nowhere else.The 1994 addition of the John Powers Saxophone Collection (Aspen, Colorado) and the Cecil Leeson Saxophone Collection and Archives (transferred from Ball State University) make the NMM the preeminent center for studying the history of the saxophone.The 1996 addition of the Rosario Mazzeo (Carmel, California) and the Bill Maynard (Massapequa, New York) Clarinet Collections make the NMM the preeminent center for studying the clarinet.The 1999 addition of the Joe & Joella Utley (Spartanburg, South Carolina) Collection and the establishment of the Utley Institute for Brass Studies makes the NMM the preeminent center for studying the history of brass instruments.The Alan Bates Harmonica Collection and Archives (Wilmington, Delaware), received as a gift in 2000, is second in size and importance only to the Harmonika Museum in Trossingen, Germany.The 2005 gift of the D'Angelico, D'Aquisto, Gudelsky Workshop is the focus of a major exhibition, "Great American Guitars" (by D'Angelico, D'Aquisto, Fender, Gibson, Martin, and Stromberg-Voisonet).In April 2007, the Museum outbid New York's Metropolitan Museum of Art at a Christie's auction in acquiring a rare English cittern dating from the late 16th century, "This instrument is extremely rare, probably the only English cittern from the Renaissance known to survive," Museum Director Andre Larson said. "We already have an Italian cittern from the same period, but it's one of two or three that have survived."2.Museum of Making MusicFrom Wikipedia, the free encyclopediaJump to: navigation, searchThe Museum of Making Music in Carlsbad, CaliforniaThe Museum of Making Music is a division of the NAMM Foundation, a 501(c)(3) non-profit organization located in Carlsbad, California. The museum opened to the public on March 5, 2000. Its mission is to "celebrate the rich history and encourage the future of music making."The museum curates public exhibits that relate to the history of American popular music, the manufacture and retail of musical instruments and the history of the music products industry from the 1890s to the present day. The museum's galleries consist of more than 450 vintage instruments and artifacts on display, hundreds of audio samples of popular music and an area for visitors to interact with a variety of live, hands-on instruments.The museum also organizes public events, performances and lectures whose purpose is to entertain, educate and inform audiences of the benefits and heritage of making music.3 The Museum of Music in the Sheremetev Palace (Branch of St.Petersburg State Museum of Theatre and Music)Phone: (812) 272-3898, 272-4441Address: 190104, Saint-Petersbur g,Working hours:*Internet:/M102 - official w eb pageSt.Petersburg State Museum of Theatre and Music - W1197, official web siteDescription:The former mansion of Counts Sheremetev is a unique historical and cultural monument, which represents rare for St.Petersburg pattern of an urban mansion. The site on the bank of the Fontanka was granted by Peter I to the field-marshal Count Sheremetev in 1712. The existing two- storied stone palace was built in 1750 by the architect S.Tchevakinsky. There are also reasons to believe that the sketches by F.-B.Rastrelli were also used. It took two centuries for the mansion to be completed in its development. At different times different architects participated in the decoration of the Palace and its outhouses (F.Argunov, I.Starov, A.V oronikhin, J.Quarengui, Ch.Meier, J.Quadri, I.Korsini, N.Benois, A.Serebryakov and others). Up to 1917 the Palace and the land had belonged to the five generations of the senior branch - the Counts - of the old Russian family of Sheremetev. After the Revolution the Palace was turned into a museum and existed as the Museum of Russian Nobility up to 1931. The private collection of the Sheremetev, which they had been gathering for 200 years, served as the basis for the museum's archievs. The collection, complex in its composition, was universal and at the same time versatile. It comprised a picture gallery, a collection of sculptures, arms, coins, samples of decorative and applied arts(among them collections of bronze articles, china, silver, furniture), a library (both music sheets and books; manuscripts, post-cards), church plate and icons (from the Fountain House church), etc. Later and up to 1984 The Sheremetev Palace premises had been used for the needs of a research institute. The interiors had perished, and the collections had been given over to the major museums of Leningrad and Moscow, except for the few items of interior decoration left in the building.In 1989 the Palace was handed over to the Museum of Theatre and Music, with the idea of setting up a Music Museum of St.Petersburg and housing the State Collection of Musical Instruments, which also belonged to the Museum of Theatre and Music.Since the 1980's restoration work has been in progress in the Sheremetev Palace, with a view to restoring the gala and memorial interiors of the 19th century.At present the majority of the Sheremetev halls, given to the museum in dramatic state, have been restored. The exhibition is arranged in three directions: a) The history of the Sheremetev family and life of Russian nobility in XVIII - XX cc. b) Open stores of the unique collection of musical instruments c) The exhibition of private collections.The permanent exhibition "The Sheremetev family and the Musical Life of the18-20th cc." was organized in 1995 in collaboration with the State Hermitage, the Russian National Library, Pushkin House, the State Tretyakov Gallery, the Ostankino Memorial Palace, the Russian Porcelain Museum in Kuskovo, as well as owners of private collections.Another notable exhibition is a private collection of A.M.Sarayeva-Bondar (wife of V.V.Strekalov-Obolensky - a Petersburg collector). The collection numbering over 700 works of fine and applied arts (18-20th centuries) is one of the most precious recent acquisitions of the museum.The permanent Musical Instruments Collection displayed at the Palace has three thousand exhibits. "The Open Stores" exhibition opened in the October of 1997 in the Gallery Wing of the Fountain House. Here one can hear the Russian bells, replicas of antique musical instruments, copied in the 19th century from authentic pieces, which had been discovered during the excavations of Ancient Etruria.The fancy shapes of the baroque instruments of the 17-18th centuries - the old harps, viols, harpsichords- go extremely well with the style of the Palace, the delicate design of the iron railings, the stucco moulding of the interiors.The famous collection, framed by the old baroque architecture, is perceived as a new page in the musical-historical annals of the Fountain House, in which there are the names of famous artists of the past, renowned historians, painters, architects.The museum has become a popular place for concerts Next to the museum there are:hotels and restaurantsAdministrative phone:(812) 315-5243, Fax: (812) 314-7746Foundation and opening day:founded: 1900г.opened: 23.10.1997Organisation status:State RussiaOrganization form:non-for-profitOrganisation type:culture for societyClassification:Historical,Musical,Painting artSquares:permament show rooms 350м2temporary exhibitions 479м2museum's store 120м2Employee number:14 (curators: 3)Average visitors per year:50000Specific departments:science library, experts team, restoration dep. по мебелиCollections volume:3020, rare collection's items: 2935俄罗斯音乐博物馆坐落在原什尔梅捷夫伯爵在丰坦卡运河沿岸上的宫殿里，宫殿是用石头建成的，它分为两层。