(完整版)英国文学名词解释

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英国文学名词解释

01. Humanism(人文主义)Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word “Renaissance” means “rebirth” or “revival”.It 343means the reintroduction into Western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classism(古典主义)Classism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in france and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to themid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in england were those great writers like Alexander pope. Jonathan swift.etc.06.Neoclassicism(新古典主义)In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.、。

英国文学史名词解释

英国文学史名词解释1、Romanticism:浪漫主义An artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism.English literary romanticism is from the publication of Wordsworth and Coleridge’s Lyrical Ballads in 1798 to the death of Sir Walter Scott in 1832.2、Byronic hero: 拜伦式英雄an idealized but flawed character exemplified in the life and writings of Byron:＊an exile流亡者, an outcast流浪者or an outlaw 歹徒＊being cynical愤世嫉俗的, rebellious反抗的, lonely＊against government, religion or moral values singly逐一地＊being passionate热情的, energetic积极的, talented多才的3、ottava rima ：Italian stanza form established by Boccaccio,An eight-line stanza of poetry in iambic pentameter (a five-foot line in which each foot consists of an unaccented syllable followed by an accented syllable), following the abababcc rhyme scheme.4、Critical realism:批判现实主义English critical realism of the 19th century flourished in the forties and in the early fifties. The critical realists described with much vividness and artistic skill the chief traits of the English society and criticized the capitalist system from a democratic viewpoint. The representative realists of the time were Charles Dickens, William Thackeray, the Bronte sisters, Mrs. Gaskell, etc.The critical realists not only gave a satirical portrayal of the bourgeoisie and all the ruling class, but also showed profound sympathy for the common people.5、Dramatic monologue：戏剧独白a kind of poem in which a single fictional or historical character other than the poet speaks to a silent ‘audience’of one or mor e persons. Such poems reveal not the poet ‘s own thoughts; this distinguishes a dramatic monologue from a lyric，while the implied presence of an auditor distinguishes it from a soliloquy. Major examples of this form in English are Tennyson，Browning and T. S. Eliot.6、Aestheticism：美学主义the doctrine that regards beauty as an end in itself, and attempts to preserve the arts from subordination to moral, didactic, or political purposes. The term is often used synonymously with the Aesthetic Movement, a literary and artistic tendency of the late 19th century which may be understood as a further phase of Romanticism in reaction against vulgar bourgeois values of practical efficiency and morality.7、Naturalism:自然主义A literary movement taking place from the 1880s to 1940s that used detailed realism to suggest that social conditions,heredity遗传and environment had inescapable force in shaping human character.8、Modernism:现代主义A general term applied to the wide range of experimental and avant-garde trends in literature of the early 20th century. It takes the irrational philosophy and the theory ofpsycho-analysis as its theoretical base. It is a reaction against realism. It rejects rationalism which is the theoretical base ofrealism; by advocating a free experimentation on new forms and new techniques in literary creation, it casts away almost all the traditional elements in literature such as story, plot, character, chronological narration etc. , which are essential to realism.9、Imagism:意象派A literary movement started by British and American poets early in the 20th century that advocated the use of short lyrics, free verse, common speech patterns, and clear concrete images. Greatly under the influence of Symbolism, and was initially led by Ezra Pound.10、Stream of Consciousness:意识流One of the modern literary techniques, which is used to depict the mental and emotional reactions of characters to external events, rather than plot, story themselves. It adopts the psycho-analytic approach in literary creation to explore the existence of sub-conscious and un-conscious elements in the mind. And it neglects totally “fetters of grammar, syntax, and logic”。

英国文学名词术语解释(已整理版)

Iambic pentameter is a commonly used type of metrical line in traditional English poetry and verse drama. The term describes the rhythm that the words establish in that line, which is measured in small groups of syllables called "feet". The word "iambic" refers to the type of foot that is used, known as the iamb, which in English is an unstressed syllable followed by a stressed syllable. The word "pentameter" indicates that a line has five of these "feet".Iambic rhythms come relatively naturally in English. Iambic pentameter is the most common meter in English poetry; it is used in many of the major English poetic forms, including blank verse, the heroic couplet, and some of the traditional rhymed stanza forms. William Shakespeare used iambic pentameter in his plays and sonnets.Allegory Allegories are typically used as literary devices or rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey.Epic(史诗)An epic is a long oral narrative poem that operates on a grand scale and deals with legendary or historical events of national or universal significance .Most epics deal with the exploits of a single individual and also interlace the main narrative with myths, legends, folk tales and past events; there is a composite effect, the entire culture of a country cohering in the overall experience of the poem . Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.简史P39Blank verse is poetry written in regular metrical but unrhymed lines, almost always iambic pentameters.[1] It has been described as "probably the most common and influential form that English poetry has taken since the 16th century"[2] and Paul Fussell has estimated that "about three-quarters of all English poetry is in blank verse."[3]Christopher Marlowe was the first English author to make full use of the potential of blank verse. The major achievements in English blank verse were made by William Shakespeare. Blank verse, of varying degrees of regularity, has been used quite frequently throughout the 20th century in original verse and in translations of narrative verse.Ode(颂歌) Long, often elaborate formal lyric poem of varying line lengths dealing with a subject matter and treating it reverently. It aims at glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Conventionally, many odes are written or dedicated to a specifie subject. For instance,Ode to the West Wind is about the winds that bring change of season in England. Ode to the Nightingale is about the nightingale that lures the poet temporarily away from his great misery. The earliest English odes include the Epithalamion and the Prothalamion,or marriage hymns by poet Edmund Spenser.Metaphysical poetry（玄学诗） a derogatory term invented by John Dryden(1631-1700 ) and later adopted by Samuel Johnson(1709-1784) describing a school of highly intellectual poetry marked by bold and ingenious conceits,incongruous imagery,complexity of thought,frequent use of paradox,and often by deliberate harshness or rigidity of expression.The main themes of metaphysical poets are love,death,and religion.According to them,all things in the universe, no matter how dissimilar they are to each other,are closely unified in God.The chief representative of this school was John Donne.Byronic belonging to or derived from Lord Byron(1788-1824)or his works. The Byronic hero is a character-type found in his celebrated narrative poem Childe Harold’s Pilgrimage(1812-18),his verse drama Manfred(1817),and other works:he is a boldly defiant butbitterly self –tormenting outcast,proudly contemptuous of social norms but suffering for some unnamed sin. Emily Bronte’s Heathcliff in Wuthering Heights(1847)is a later example.Heroic couplet a rhymed pair of iambic pentameter lines:Let Observation with extensive ViewSurvey Mankind, from China to Peru (Johnson)Named from its use by Dryden and others in the heroic drama of the late 17th century,the heroic couplet had been established much earlier by Chaucer as a major English verse-form for narrative and other kinds of non-dramatic portry: it dominated English poetry of the 18th century,notably in the couplets of Pope,before declining in importance in the early 19th century.Soliloquy a dramatic speech uttered by one character speaking aloud while alone on the stage (or while under the impression of being alone).The soliloquist thus reveals his or her inner thoughts and feelings to the audience,either in supposed self-communion or in a consciously direct address. Soliloquies often appear in plays from the age of Shakespeare, notably in his Hamlet and Macbeth. A poem supposedly uttered by a solitary speaker,like Robert Browning’s‘Soliloquy of the Spanish Cloister’(1842),may also be called a soliloquy. Soliloquy is a form of monologue,but a monologue is not a soliloquy if (as in the dramatic monologue) the speaker is not alone.简史P39 Sonnet a lyric poem comprising 14 rhyming lines of equal length:iambic pentameters in English,alexandrines in French,hendecasyllables in ltalian. The rhyme schemes of the sonnet follow two basic patterns.①The Italian sonnet②The English sonnetSpenserian stanza （宾塞诗体）an English poetic stanza of nine iambic lines, the first eight being pentameters while the ninth is a longer line known either as an iambic hexameter or as an alexandrine.The rhyme scheme is ababbcbcc. The stanza is named after Edmund Spenser,who invented it------probably on the basis of the ottava rima stanza-----for his long allegorical romance The Faerie Queene (1590-6). It was revived successfully by the younger English Romantic poets of the early 19th century: Byron used it for Childe Harold’s Pilgrimage(1812,1816), Keats for‘The Eve of St Agnes’(1820),and Shelley for The Revolt of Islam (1818)and Adonais (1821).Lake poets William Wordsworth, Samuel Taylor Coleridge, and Robert Southey became known as the Lake Poets, because they lived in the Lake District in the northwestern part of England. According to the critics, such as, Francis Jeffrey, Thomas De Quincey, the Lake Poets shared only friendship and brief periods of collaboration, not similar philosophies or poetic styles.Wordsworth used his imaginative powers to idealize nature, Coleridge explored the philosophical aspects of poetry,Southey's Romantic efforts centered on travel and adventure.Stream of Consciousness(意识流)Stream of Consciousness(意识流) ：Stream of consciousness, which presents the thoughts of a character in the random, seemingly unorganized fashion in which the thinking process occurs, has the following characteristics. First, it reveals the action or plot through the mental processes of the characters rather than through the commentary of an omniscient author. Second, character development is achieved through revelation of extremely personal and often typical thought processes rather than through the creation of typical characters in typical circumstances. Third, the action of the plot seldom corresponds to real, chronological time, but moves back and forth through present time to memories of past events and drams of the future. Fourth, it replaces narration, description, and commentary with dramatic interior monologue and free association.Critical Realism (批判现实主义) Critical realism is one of the literary genres thatflourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing the bourgeois society through conscious human effort. Their works do not point toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism.Classicism（古典主义）: A movement or tendency in art, music, and literature to retain the characteristics found in work originating in classical Greece and Rome. It differs from Romanticism in that while Romanticism dwells on the emotional impact of a work, classicism concerns itself with form and discipline.Romanticism(浪漫主义) The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, stupidity, superstition, and barbarism. Instead ,the Romantics asserted that reliance upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics and living.The Romantic movement typically asserts the unique nature of the individual, the privileged status of imagination and fancy, the value of spontaneity over “artifice”and “convention”, the human need for emotional outlets, the rejection of civilized corruption, and a desire to return to natural primitivism and escape the spiritual destruction of urban life Their writings are often set in rural, or Gothic settings and they show an obsessive concern with “innocent”characters----children, young lovers, and animals. The major Romantic poets included William Blake, William Wordsworth, John Keats , Percy Bysshe Shelley, and Lord Gordon Byron.Aestheticism( 美学主义) The basic theory of the Aesthetic movement----“art for art’s sake”----was set forth by a French poet, Theophile Gautier. The first Englishman who wrote about the theory of aestheticism was Walter Pater, the most important critical writer of the late 19th century. The chief representative of the movement in England was Oscar Wilde,with his Picture of Dorian Gray. Aestheticism places art above life, and holds that life should imitate art, not art imitate life. According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake,can it be immortal They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style. This was one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.Neoclassicism The term mainly applies to the classical tendency which dominated the literature of the early period. It was, at least in part, the result of a reaction against the fires of passion which had blazed in the late Renaissance, especially in the metaphysical poetry. It found itsartistic models in the classical literature of the ancient Greek and Roman writers like Homer, Virgil, Horace, Ovid, etc. and in the contemporary French writers such as V oltaire and Diderot. It put the stress on the classical artistic ideals of order, logic, proportion, restrained emotion, accuracy, good taste and decorum.Such elegant styles were found in almost all the writings of the period, especially in those of John Dryden, Alexander Pope，Jonathan Swift, Joseph Addison, Richard Steele, Henry Fielding, Samuel Johnson, Oliver Goldsmith, Edward Gibbon , the man who wrote the famous history The Decline and Fall of the Roman Empire(1776―1788) , and other neoclassicist writers. They were careful imitators. Their approach was thoroughly professional. Their works, mostly refined and perfect, are conscientious craftsmanship and often highly didactic. Neoclassical poetry , as represented by Dryden, Pope, and Johnson, reached its stylistic perfection during the period, although to the modem readers it seems to lack in imagination and energy. The neoclassical poetry is one of the most significant phenomena in the literature of the age, to which it has given its name.Naturalism（自然主义）: it first appeared in France, there naturalists including Zola turned especially to “slum life”, in England flourished in the 2nd half of 19th century; naturalists argued that literature reflect life, be “true to life”, writer must reproduce in his writings life exactly as it is, (including all details without any selection), theory of “a slice of life”; However, a fallacy, for impossible to include all the details in real life; only give the appearance of life but not its essence. In England, two outstanding writers in the last decades: George Gissing, George Moore.Neo-Romanticism（新浪漫主义）: it appeared at the end of 19th century and represented by Robert Louis Stevenson; it protests against the ugly social reality of their day but taking no positive steps about it，in a sense another form of escapism; dissatisfied with the contemporary reality, but at best a mild dissatisfaction; tried to find interest or enjoyment out from sheer imagination and fancy by creating exciting events and romantic characters that can hardly exist in reality，indulge in the description of exciting adventures in distant lands to deal with the heroic, to lay emphasis on the complexity and sensationalism of the material, Treasure Island, the representative in this school.Modernism（现代主义）: Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia Woolf.。

英国文学主要名词解释

1. Enlightenment:a.The Enlightenment was a progressive intellectual movement throughout western Europe inthe 18th century.进步的智力运动b.The Enlightenment on the whole, was an expression of struggle of the then progressive classof bourgeois against feudalism. The social inequality, stagnation, prejudices and other survivals of feudalism. They attempted to place all branches of science at the service of mankind by connecting them with the actual deeds and requirements of the people.总体上，启蒙主义是当时的资产阶级对封建主义，社会的不平等、死寂、偏见和其他的封建残余的一种反对。

通过将科学的各个分支与人民的日常生活和需要联系起来，启蒙主义者们努力将他们变成为人民大众服务的工具c.English enlighteners differed in some way from those of France “cleared the minds of men forthe coming revolution,” the English enlighteners set no revolutionary aims before them. They strove to bring it to an end by clearing away the feudal ideas with the bourgeois ideology.英国和法国的资产阶级启蒙主义者观念上存在一定差异。

英国文学名词解释

英国文学名词解释
英国文学是指英格兰、苏格兰、威尔士和北爱尔兰地区的文学作品。

它的历史可以追溯到中世纪，经历了文艺复兴时期、启蒙时代、浪漫主义时期、维多利亚时代等不同的文学风格和时期。

英国文学的特点之一是其丰富多样的文学形式。

从中世纪的骑士传奇和中世纪诗歌到现代小说和诗歌，英国文学涵盖了各种各样的文学体裁。

其中一些最重要的文学体裁包括史诗、戏剧、诗歌、小说和散文。

这些不同的文学形式为英国文学带来了不同的风格和主题。

英国文学的另一个重要特点是其丰富多样的主题和风格。

从中世纪的宗教作品和史诗到现代小说和诗歌，英国文学涵盖了各种各样的主题。

它反映了社会、政治、宗教和文化变革的演变。

一些最常见的主题包括爱情、战争、自然、宗教、社会道德和个人发展。

不同的作家和时代也采用了不同的文学风格和技巧来表达这些主题。

英国文学的另一个重要方面是它的历史和文化意义。

通过阅读英国文学作品，我们可以了解英国历史的演变，了解英国社会和文化的发展。

英国文学作品中经常出现的历史事件、人物和地点也成为了文学研究和文化遗产的重要组成部分。

在英国文学中，有很多重要的作家和作品。

莎士比亚、狄更斯、奥斯卡·王尔德、简·奥斯汀和弗吉尼亚·伍尔夫都是英国文学史上的重要人物。

他们的作品不仅在英国有着广泛的影响力，也
对世界文学产生了重要的影响。

总之，英国文学是一个丰富多样的文学传统，它的作品涵盖了各种各样的文学形式、主题和风格。

通过阅读和研究英国文学作品，我们可以深入了解英国的历史、文化和文学发展。

英国文学名词解释

1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fiction represented a trend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is call ed modern psychological fiction. Lawrence is a typical representative of itRealism（现实主义）Realism was a loosely used term meaning truth to the observed facts of life （especially when they are gloomy）。

Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism（现代主义）: Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner ofmodernism. The First World War quickened the rising of all kinds of literary trends of modernism, which, toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:（写实主义） A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do notpoint toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一，揭示了金钱控制一切对人性的恶劣影响，这正是19世纪批判现实主义民主和人文特点的根源。

(完整word版)英国文学_名词解释_【整理后】

1.epic 史诗：a long narrative poem，grand in style，about heroes and heroic deeds, embodyingheroic ideals of a nation or race in the making. Beowulf is the English national epic that was passed from mouth to mouth and written down by many unknown hands.2.Conceit:a kind of metaphor that makes a comparison between two startlinglydifferent things. A conceit usually provides the framework for an entire poem。

An especially unusual and intellectual kind of conceit is the metaphysical conceit，used by certain 17th-century poets, such as John Donne.。

3.Epiphany（顿悟)：a sudden revelation of truth about life inspired by a seeminglytrivial incident4.Metaphysical poetry:玄学诗派the poetry of John Donne and other 17th-centurypoets who wrote in a similar style。

It is characterized by verbal wit and excess, ingenious structure, irregular meter，colloquial language, elaborate imagery，anda drawing together of dissimilar ideas 。

英国文学名词解释大全(整理版)

1，alliteration 2，kenning 3，caesura 4,romance 5,chivalery 6,quatrain 7,meter:rhyme 8,heroic couplet 9iambic pentameter 10,bob and wheel 11,realism 12,idealism 13,renaissiance 14,blank verse 15,sonnet 16,comedy 17,tragedy 18,humanism 19,cavalier poets 20,metaphysical poets 21,metaphysical conceit1. Epic(史诗)（appeared in the Anglo-Saxon Period ）Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people are also called epic.E.g. Beowulf （the pagan（异教徒），secular(非宗教的) poetry）Iliad 《伊利亚特》，Odyssey《奥德赛》Paradise Lost 《失乐园》.1.Romance （传奇）(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.3. Alliteration（押头韵）: a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.4. Heroic couplet （英雄双韵体）（introduced by Geoffrey Chaucer）Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体：用于史诗或叙事诗，每行十个音节，五个音部，每两行押韵。

英国文学名词解释

Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism（现代主义）: Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner of modernism. The First World War quickened the rising of all kinds of literary trends of modernism, which,toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:（写实主义） A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do not point toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotentcompromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一，揭示了金钱控制一切对人性的恶劣影响，这正是19世纪批判现实主义民主和人文特点的根源。

英国文学名词解释大全(整理版)

英国文学名词解释

英国文学名词解释英国文学是指在英国境内产生的文学作品，包括散文、诗歌、戏剧等多种文学形式。

以下是一些与英国文学相关的名词解释：1. 莎士比亚戏剧（Shakespearean Drama）：指威廉·莎士比亚所创作的戏剧作品，包括《哈姆雷特》、《罗密欧与朱丽叶》等。

2. 简·奥斯汀小说（Jane Austen Novels）：指英国女作家简·奥斯汀所写的一系列小说，主要描写中上层社会的生活，包括《傲慢与偏见》、《理智与情感》等。

3. 浪漫主义（Romanticism）：指18世纪末至19世纪初的一种文艺运动，强调情感、个人主义和自然之美，代表作家有威廉·华兹华斯、塞缪尔·柯勒律治等。

4. 维多利亚时期文学（Victorian Literature）：指19世纪中后期的英国文学，以女王维多利亚统治时期为背景，作品内容反映了社会变革和道德观念的转变，代表作家有查尔斯·狄更斯、乔治·艾略特等。

5. 符号主义（Symbolism）：指19世纪末20世纪初的一种文学流派，强调象征和隐喻的运用，代表作家有奥斯卡·王尔德、D·H·劳伦斯等。

6. 现代主义（Modernism）：指20世纪初的一种思潮和文学流派，以对现代社会的批判和对传统形式的挑战为特点，代表作家有弗吉尼亚·伍尔夫、詹姆斯·乔伊斯等。

7. 女性主义文学（Feminist Literature）：指关注女性经验和性别平等的文学作品，代表作家有弗吉尼亚·伍尔夫、玛格丽特·阿特伍德等。

8. 后现代主义（Postmodernism）：指二战后出现的一种思潮和文学流派，强调对现实的怀疑和对语言的游戏性，代表作家有萨缪尔·贝克特、艾里奥·卡尔维诺等。

9. 科幻文学（Science Fiction）：指描写未来社会和科技发展的文学作品，代表作家有霍华德·菲利普斯·洛夫克拉夫特、艾萨克·阿西莫夫等。

(完整word版)英国文学名词解释

1.(1) Modernism （现代主义)A movement of experiment in new techniques in writing. Modernist fic tion represented a trend drifting away from the tradition of the 19th century realism。

It put emphasis on the description ogoometimes it is called modern psychological fiction. Lawrence is a typical representative of itRealism（现实主义)Realism was a loosely used term meaning truth to the observed facts of life （especially when they are gloomy）。

Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity。

Realism现实主义： An elastic and ambiguous term with two meanings。

（1） First, it refers generally to any artistic or literary portrayal of life in a faithful， accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world。

(完整word版)英国文学名词解释复习资料

《英国文学》名词解释Active Romanticism： Active romanticism strives to strengthen man's will to live and raise him up against the life around him， against any yoke it would impose, so the general feature of the works of the active romanticists is a dissatisfaction with the bourgeois society， which finds expression in a revolt against oppression and exploitation, so that their writings are filled with strong-willed heroes， formidable events, tragic situations， powerful conflicting passions， and exotic pictures. Active romanticists were younger poets like Byron， Shelley and Keats.AlliterationIn poetry: the repetition of sounds in closely associated words。

The term is usually applied to the repetition of consonants, particularly when they are the first letter of the words， but can apply to any stressed consonants. The term is sometimes used to refer to repeated vowel sounds, though the term more often used in this case is ‘assonance’. e.g。

英国文学名词解释【整理后】

英国⽂学名词解释【整理后】1.epic 史诗:a long narrative poem, grand in style, about heroes and heroic deeds, embodying heroicideals of a nation or race in the making. Beowulf is the English national epic that was passed from mouth to mouth and written down by many unknown hands.2.Conceit:a kind of metaphor that makes a comparison between two startlingly different things. Aconceit usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit, used by certain 17th-century poets, such as John Donne..3.Epiphany(顿悟）: a sudden revelation of truth about life inspired by a seemingly trivial incident4.Metaphysical poetry:⽞学诗派the poetry of John Donne and other 17th-century poets who wrotein a similar style. It is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery, and a drawing together of dissimilar ideas .5.Stream of consciousness意识流: a kind of writing technique in which a character's perceptions, thoughts, andmemories are presented in an apparently random form, without regard for logical sequence, chronology, or syntax.Often such writing makes no distinction between various levels of reality--such as dreams, memories, imaginative thoughts or real sensory perception.6.heroic couplet 英雄双韵体two successive lines of rhymed poetry in iambic pentameter. Geoffrey Chaucer’s masterpiece The Canterbury Tale was written in heroic couplet.7.ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ “A Red, Red Rose” is a great love ballad.8.sonnet ⼗四⾏诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourished in Italy in the 14thcentury. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.9.iambic pentameter 五步抑扬格the basic line in English verse, with five feet in a line, usually an unaccented syllable followed by an accented syllable. It was probably introduced by Geoffrey Chaucer and certainly established by him in The Canterbury Tales.10.image 意象a concrete representation of an object or sensory experience. Typically, such a representation helpsevoke the feelings associated with the object or experience itself. Many images are conveyed by figurative language. An image may be visual, olfactory, tactile, auditory, gustatory, abstract and kinaesthetic. The rose in Robert Burns’ poem “A Red, Red Rose” is a beautiful image.11.“Dramatic monologue”戏剧独⽩that is a lyric poem which reveals “ a soul in action” through the conversation of one character in a dramatic situation. T he character is speaking to an identifiable but silent listener at a dramatic monent in the speaker’s life.12.blank verse ⽆韵诗，素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespeare’s play Hamlet is written in blank verse.13.Sonnet is a verse form of fourteen lines, in English characteristically in iambic pentameter and most often in one ofthe two rhyme schemes: the Italian(or Petrarchan) or Shakespearean14.essay 散⽂a composition, usually in prose, which may be of only a few hundred words or of book length andwhich discusses, formally or informally, a topic or a variety of topics. It is one of the most flexible and adaptable of all literary forms. Francis Bacon is a great essayist; his “Of Studies” is a model of good essay.15.English Romanticism 英国浪漫主义a literary movement that aimed at free expres sion of the writer’s ideas and feelings and flourished inthe early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of “Ode to the West Wind”.16.Naturalism⾃然主义: A literary movement seeking to depict life as accurately as possible, without artificialdistortions of emotion, idealism, and literary convention. The school of thought is a product of post-Darwinian biology in the nineteenth century.17.Sentimentalism感伤主义：It is a literal movement in the middle of the 18th century in England which concentrateson the distressed of the poor unfortunate and virtuous people and demonstrates that effusive emotion was evidence of kindness and goodness.18.Bildungsroman: a novel that traces the initiation, development, and education of a young person. Examples areDickens’s David Copperfield and James Joyce’s Portrait of the Artist as a Young Man./doc/291a641caf02de80d4d8d15abe23482fb4da02cd.html ke poets 湖畔诗⼈the three romantic poets who lived in the Lake District of England and wrote poems about nature.William Wordsworth was the most famous of the lake poets; he wrote many great nature poems, including “I Wandered Lonely as a Cloud”.20.poet laureate 桂冠诗⼈ A poet honored for his artistic achievement or selected as mostrepresentative of his country or era; in England, a court official appointed by the sovereign, whose original duties included the composition of odes in honor of the sovereign’s birthday and in celebration of state occasions of importance. William Wordsworth became poet laureate in 1843. 21.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic orliterary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner.22.Allegory is a tale in verse or prose in which characters, actions, or settings represent abstract ideas ormoral qualities. Thus, an allegory is a story with two meaning, a literal meaning and a symbolic meaning.23.Byronic hero is a character-type found in Byron’s narrative Childe Harold’s Pilgrimage. He is aboldly defiant but bitterly self-tormenting outcast, proudly contemptuous of social norms but suffering for some unnamed sin. Emily Bronte’s Heath cliff is a later example.24.启蒙运动:The 18th century marked the beginning of an intellectual movement in Europe, known as theEnlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism. They attempt to place all branches of science at the service of mankind by connecting them with the actual needs and requirements of people.25.English Renaissance 英国⽂艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance.。

英国文学文学术语

Literary terms(文学术语)（一）中古时期（1）民谣（ballad）:以诗的形式被歌唱和传诵，并代代相传。

如《罗宾汉》，《老水手之行》。

(2)史诗（epic）:叙述神与英雄行为的叙事长诗。

如《贝奥武夫》，《失乐园》《复乐园》《力士参孙》，荷马《伊利亚特》《奥德赛》，中世纪但丁的《神曲》。

（3）罗曼史∕骑士文学（romance）：中世纪的一种流行文学形式，用来歌颂骑士的冒险精神和英雄行为，骑士精神（如勇敢、慷慨、忠诚、善良）是其精神。

（4）押头韵（alliteration）：一行诗中的某些词的首个发音的重复或重现。

如：“I have stood still and stopped the sound of feet”.(二)文艺复兴时期（1）文艺复兴（Renaissance）：Renaissance一词意为“重生”，指对西欧的希腊和罗马文化的复兴，其核心是人文主义，带有14、15世纪特点的态度和情感被渗入人文主义和宗教改革中。

英国文艺复兴的主流是伊利莎白时期的戏剧，莎士比亚是戏剧家的代表。

（2）人文主义（humanism）：是文艺复兴的核心，强调的是人类的尊严和现实生活的重要性，人文主义者认为人是宇宙的中心，他们不仅有权享受生活的美好，还有能力自我完善和创造奇迹。

（3）斯宾塞诗节（Spenserian stanza）：由埃德蒙•斯宾塞创造的，指每个诗节有9行诗句，前8行每行都是10个音节（五音步抑扬格），第9行为12个音节（六音步抑扬格），押韵为ababbcbcc，如《仙后》。

（4）奇特的比喻（conceit）:是一种牵强的明喻或暗喻，即把两个不相似的事物进行比较，这种手法多被约翰•多恩的诗歌采用。

（5）玄学派诗歌（metaphysical poetry）：指17世纪受多恩影响的作家所写的作品，多采用奇特的比喻手法。

玄学派诗人试图打破传统的伊利莎白时期的爱情诗歌的形式，其措词较伊利莎白和新古典主义时期更为简洁，与平民语言的用词和韵律相符，且其意象也源自现实生活。

(完整word版)英国文学史-名词解释

名词解释Heroic Couplet: a couplet consisting of two rhymed lines of iambic pentameter, and written in an elevated style.1．Renaissance: a revival or rebirth of the artistic and scientific revival which originated in Italy in the 14th century and gradually spread all over Europe. It has two features: a thirsting curiosity for the classical literature and keen interest in activities of humanity.2．Sonnet: 14-line lyric poem, usually written in rhymed iambic pentameter.3．Blank verse: poetry written in unrhymed iambic pentameter.4．Neoclassicism: the Enlightenment brought about a revival of interest in Greek and Roman works. This tendency is known as Neoclassicism.5．Sentimentalism: it was one of the important trends in English literature of the later decades of the 18th century. It concentrated on the free expression of thoughts and emotions, and presented a new view of human nature which prized feeling over thinking, passion over reason. 6．Romanticism: imagination, emotion and freedom are certainly the focal points of romanticism. The particular characteristics of the literature of romanticism include: subjectivity and an emphasis on individualism; freedom from rules; solitary life rather then life in society; the beliefs that imagination is superior to reason; and love of and worship of nature.7．Lake Poets: the English poets who lived in and drew inspiration from the Lake District at the beginning of the 19th century.8．Byronic Heroes: a variant of the Romantic heroes as a type of character( enthusiasm, persistence, pursuing freedom), named after the English Romantic Poet Gordon Byron. 9．Realism: seeks to portray familiar characters, situations, and settings in a realistic manner. This is done primarily by using an objective narrative point of view and through the buildup of accurate detail.10．Aestheticism: an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature, fine art, music and other arts.11．Stream-of-Consciousness: it is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. 12．Dramatic Monologue: a kind of narrative poem in which one character speaks to one or more listeners whose replies are not given in the poem.13．Iambic Pentameter: a poetic line consisting of five verse feet, with each foot an unstressed syllable followed by a stressed syllable, that is, with each foot an iamb.14．Epic: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated.15．Elegy: a poem of mourning, usually over the death of an individual; may also be a lament over the passing of life and beauty or a meditation of the nature of death; a type of lyric poem. 16．Canto: a section of a long poem. The cantos can be a great poem17．Ode: a complex and often lengthy lyric poem, written in a dignified formal style on some lofty or serious subjects. Odes are written for a special occasion, to honor a person or a season or to commemorate an event.Spenserian Stanza: a nine-line stanza made up of 8 lines of iambic pentameter ending with an Alexandrine. Its thyme scheme is ababbcbcc. This stanza was common to travel literature. 18．Metrical Pattern: a lyric poem of five 14-lined stanzas containing four tercets and a closing couplet. The rhyme scheme is aba bcb cdc ded ee.文学史中古时期1.Beowulf《贝奥武甫》: the natural epic of the English people; Denmark story, alliteration, metaphor, understatements2.Sir Gawain and Green Knight《高文爵士和绿衣骑士》3.Geoffrey Chaucer(杰弗里乔叟）：the Father of English Poetry; The Canterbury Tales《埃特伯雷故事集》（24stories)文艺复兴时期1.Thomas More: Utopia《乌托邦》- the communication between more and the traveler which just came back from Utopia.2.Francis Bacon: the first English Essayist; Essays《随笔集》- Of Studies, Of Truth (philosophical and literary works)3.Thus Wyatt: first to introduce the sonnet into English literature.4.Edmund Spenser: Poet's poet; The Fairy Queen《仙后》(to Queen Elizabeth I)5.William Shakespeare:Sonnet 18(Shall I compare thee to a summer's day)17世纪英国文学1.John Donne: the leading poet of Metaphysical school of poetry; A Valediction: Forbidding Mourning《分离：莫忧伤》2.John Milton: Paradise Lost《失乐园》（a revolt against God's authority), Paradise Regained 《复乐园》（how Christ overcame Santa) ——stories were taken from Bible3.John Bunyan: the son of Renaissance; Pilgrim's Progress《天路历程》(imagination, shadowing, realistic religious allegory)18世纪英国文学Novel：1.the age of reason, classicism, sentimentalism and romanticism (novels, prose, dramas, poetry)2.Daniel Defoe: representative of English realistic novel; Robinson Crusoe《鲁滨逊漂流记》(the development of a young man from a naive and artless youth to a clever and hardened man)3.Jonathan Swift: Gulliver's Travels《格列佛游记》(fictional, satirical- human nature, the European Government, the differences between religions, whole English state system)4.Henry Fielding: the Father of English novel; The History of Tome Jones, a Foundling《汤姆琼斯》，satiricPoetry：5.Thomas Gray: Elegy Written in a Country Churchyard《墓园挽歌》6.Alexander Pope: perfected in heroic couplet; An Essay on Criticism《论批评》7.William Blake: pre-romantic; Songs of Innonce《天真之歌》，Songs of Experience《经验之歌》-London, The Tiger8.Robert Burns: A Red Red Rose《一朵红红的玫瑰》Drama:9.Richard Brinsley Sheridan:Master of Comedy of manners;The School for Scandal《造谣学校》浪漫主义时期1798-18321.William Wordsworth: the Lake Poets; The Prelude《序曲》；I Wondered Lonely as a Cloud《我似流云天自游》；The Solitary Reaper《孤寂的割麦女》；features: poet of nature and human heart2.Samuel Taylor Coleridge: the first critic of the Romantic school; The Rime of the Ancient Mariner《古舟子咏》3.George Gordon Byron: vigorous, strong and beautiful; Childe Harold's Pilgrimage《恰尔德哈罗尔德游记》(spenserian stanza, fights for liberty); Don Juan《唐璜》(a broad critical picture of European life); When We Two Parted《昔日依依别》；She Walks in Beauty《她走在美的光影中》；The Isles of Greece《哀希腊》4.Percy Bysshe Shelley: Ode to the West Wind《西风颂》-赞颂西风，希望与其紧密相连; Prometheus Unbound《解放了的普罗米修斯》(the victory for man's struggle against tyranny and oppression)5.John Keats: sensuous, colorful and rich in imagery; Ode to a Nightingale《夜莺颂》；Ode on a Grecian Urn《希腊古瓮颂》6.Walter Scott: Father of Historical Novel; combine historical fact and romantic imagination7.Jane Austen: wit, dry humour, subtle irony,realistic; Pride and Prejudice《傲慢与偏见》(Elizabeth and Darcy)；Sense and Sensibility《理智与情感》；Emma《爱玛》8.Charles Lamb: Poor Relations《穷亲戚》; Dream-children《童年梦幻》; A Reverie《幻想曲》维多利亚时期1.summit：realistic novel2.Charles Dickens: critical realist writer; humour, wit, happy endings; A Tale of Two Cities《双城记》(London & Paris, where there is oppression, there is revolution); David Copperfield《大卫科波菲尔》；Oliver Twist《雾都孤儿》；Hard Time《艰难时世》；Great Expectations《远大前程》；Dombey and Son《董贝父子》；Pickwick Papers《匹克威克外传》3.William Makepeace Thackeray: Vanity Fair《名利场》(to satirize the social more, decadence and corruption of his time; to criticize the values measured by wealth)4.George Eliot: novelist, her novels are celebrated for their realism and psychological insights; Adam Bede《亚当比德》(social inequality)；The Mill on the Floss《弗洛斯河上的磨坊》；Silas Marner《织工马南》5.Alfred Tennyson: succeeded Wordsworth as Poet Laureate in 1850; Break, Break, Break《拍吧，拍吧，拍吧》；Crossing the Bar《过沙洲》6.Robert Browning: dramatic monologues; My Last Duchess《我已故的公爵夫人》7.The Bronte Sisters:Charlotte: Jane Eyre《简爱》：简·爱是一个心地纯洁、善于思考的女性，她生活在社会底层，受尽磨难。

英国文学名词解释

1．Romance: a long composition; in verse or in prose; describing the life and adventures of a noble hero; especially for the knight. The most popular theme employed was the legend of King Arthur and the round table knight.2．Ballad民谣: a story told in song; usually in four-line stanzas; with the second and fourth lines rhymed.3．Heroic Couplet英雄偶句诗: a couplet consisting of two rhymed lines of iambic pentameter; and written in an elevated style. 4．Renaissance: a revival or rebirth of the artistic and scientific revival which originated in Italy in the 14th century and gradually spread all over Europe. It has two features: a thirsting curiosity for the classical literature and keen interest in activities of humanity.5．Sonnet 14行诗: 14-line lyric poem; usually written in rhymed iambic pentameter.6．Blank verse无韵诗: poetry written in unrhymed iambic pentameter. 7．Enlightenment启蒙运动: a revival of interest in the old classical works; logic; order; restrained emotion and accuracy. 8．Neoclassicism新古典主义: the Enlightenment brought about a revival of interest in Greek and Roman works. This tendency is known as Neoclassicism.9．Sentimentalism感情主义: it was one of the important trends inEnglish literature of the later decades of the 18 century. It concentrated on the free expression of thoughts and emotions; and presented a new view of human nature which prized feeling over thinking; passion over reason.10．Romanticism: imagination; emotion and freedom are certainly the focal points of romanticism. The particular characteristics of the literature of romanticism include: subjectivity and an emphasis on individualism; freedom from rules; solitary life rather then life in society; the beliefs that imagination is superior to reason; and love of and worship of nature.11．Lake Poets: the English poets who lived in and drew inspiration from the Lake District at the beginning of the 19th century. 12．Byronic Heroes拜伦式英雄: a variant of the Romantic heroes as a type of character enthusiasm; persistence; pursuing freedom; named after the English Romantic Poet Gordon Byron. 13．Aestheticism唯美主义: an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature; fine art; music and other arts.14．Stream-of-Consciousness: it is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. 15．Dramatic Monologue戏剧独白16．Iambic Pentameter抑扬格五音步: a poetic line consisting of five verse feet; with each foot an unstressed syllable followed by a stressed syllable; that is; with each foot an iamb.17．Epic史诗: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated.18．Elegy挽歌: a poem of mourning; usually over the death of an individual; may also be a lament over the passing of life and beauty or a meditation of the nature of death; a type of lyric poem. 19．Spenserian Stanza斯宾塞诗体: a nine-line stanza made up of 8 lines of iambic pentameter ending with an Alexandrine. Its thyme scheme is ababbcbcc. This stanza was common to travel literature.1.杰弗里乔叟：the Father of English Poetry; The Canterbury Tales 埃特伯雷故事集24stories2.Thomas More: Utopia乌托邦- the communication between more and the traveler which just came back from Utopia.3.: the first English Essayist; Essays随笔集- Of Studies; Of Truth philosophical and literary works4. Poet's poet; The Fairy Queen仙后to Queen Elizabeth I四大悲剧：1奥瑟罗叙述摩尔人贵族瑟罗由于听信手下旗官伊阿古的谗言;被嫉妒所压倒;掐死了无辜妻子苔丝狄蒙娜;随后自己也悔恨自杀..奥瑟罗是个襟怀坦白、英勇豪爽的战士;苔丝德蒙娜天真痴情;毅然爱上了他;不顾家庭的反对和社会的歧视;同他结了婚..但是;他们的爱情虽然战胜了种族歧视;却没有逃脱伊阿古的阴谋陷害..伊阿古假装忠诚;心地奸诈;由于升不上副将;就对奥瑟罗怀恨在心;千方百计害死奥瑟罗夫妇;最后自己也得不到好下场..通过这个形象;莎士比亚对原始积累时期新兴资产阶级中的极端利已主义进行了深刻的揭露和批判..2李尔王描写一个专制独裁的昏君;由于刚愎自用;遭受到一场悲惨的结局..悲剧的目的同样在于揭露原始积累时期的利已主义;批判对于权势、财富的贪欲..悲剧还反映了当时广大农民流离失所的英国现实..在第三幕第四场里;李尔被两个女儿驱逐出门以后;跑到暴风雨的荒野;诅咒女儿忘恩负义..在雷电交加中;李尔对穷苦的人们喊道：“衣不蔽体的不幸的人们;无论你们在什么地方;都得忍受着这样无情的暴风雨的袭击;你们的头上没有片瓦遮身;你们的腹中饥肠雷动;你们的衣服千疮百孔;怎么抵挡得了这样的气候呢”这里;莎士比亚通过李尔的口表达了他对无家可归的农民的同情;同时也是对当代现实的揭露..但是;紧接着上面那段话之后;李尔说道：“安享荣华的人们呵;睁开你们的眼睛来;到外面来体味一下穷人所忍受的苦;分一些你们享用不了的福泽给他们;让上天知道你们不是全无心肝的人吧这种求助于剥削阶级发善心以解决社会矛盾的想法;正是一种调和阶级矛盾的人道主义思想..3麦克白野心家麦克白将军从战场上立功凯旋;由于野心的驱使和妻子的怂恿;利用国王邓肯到自己家中作客的机会;弑君而自立;最后;这个血腥的篡位者被邓肯的儿子和贵族麦克德夫所战败而死去..他的妻子也因精神分裂而死..这出悲剧深刻地揭示出个人野心对人所起的腐蚀作用;是莎士比亚心理描写的杰作..4哈姆莱特1601是莎士比亚戏剧创作的最高成就;写的是丹麦王子哈姆莱特为父复仇的故事..悲剧的情节是这样的：丹麦王子哈姆莱特;在德国威登堡大学接受人文主义教育..因为父王突然死去;怀着沉痛的心情回到祖国；不久;母后又同新王——他的叔父结婚;使他更加难堪..新王声言老王是在花园里被毒蛇咬死的;王子正在疑惑时;老王的鬼魂向他显现;告诉他“毒蛇”就是新王;并嘱咐他为父复仇..哈姆莱特认为他这复仇不只是他个人的问题;而是整个社会、国家的问题..他说自己有重整乾坤;挽狂澜于既倒的责任..他考虑问题的各个方面;又怕泄漏心事;又怕鬼魂是假</PGN0315.TXT/PGN>的;怕落入坏人的圈套;心烦意乱;忧郁不欢;只好装疯卖傻..同时;他叔父也怀疑他得知隐秘;派人到处侦察他的行动和心事..甚至利用他的两个老同学和他的情人去侦察他..他趁戏班子进宫演出的机会;改编一出阴谋杀兄的旧戏文贡札古之死叫戏班子演出;来试探叔父..戏未演完;叔父做贼心虚;坐立不住;仓皇退席..这样;更证明叔父的罪行属实..叔父觉得事情不妙;隐私可能已被发觉..宫内大臣波洛涅斯献计;让母后叫儿子到私房谈话;自己躲在帷幕后边偷听；王子发现幕后有人;以为是叔父;便一剑把他刺死..从此;奸王使用借刀杀人法;派他去英国;并让监视他去的两个同学带去密信一封;要英王在王子上岸时就杀掉他；但被哈姆莱特察觉半路上掉换了密信;反而叫英王杀掉了两个密使；他自己却跳上海盗船;脱险回来..回来后知道情人奥菲莉娅因父死、爱人远离而发疯落水溺死..奸王利用波洛涅斯的儿子雷欧提斯为父复仇的机会;密谋在比剑中用毒剑、毒酒来置哈姆莱特于死地..结果;哈、雷二人都中了毒剑;王后饮了毒酒;奸王也被刺死..王子临死遗嘱好友霍拉旭传播他的心愿.. C:鉴赏与品评:莎士比亚的悲剧主要是理想与现实的矛盾和理想的破灭..如哈剧中安排三条复仇线索;以王子复仇为主线;另两条线索穿插糅合其间..李剧中也有两条平行交错的线索..其次;人物形象鲜明;作者善于深入刻画人物的内心世界;使其性格更丰满深刻..如哈姆雷特的着名独白;富有哲理性..麦克白杀人后精神崩溃的过程更是刻画得细腻真切..此外;作者还善于渲染气氛;营造悲剧性的氛围;烘托人物的心理活动..如麦剧中夜与血的形象贯穿始终;阴森恐怖..李剧中暴雨荒原一场;激烈哀愤喜剧：A Midsummer Night's Dream仲夏夜之梦;The Merchant of Venice 威尼斯商人;As You Like It皆大欢喜；Twelfth Night第十二夜悲喜剧：Romeo and Juliet罗密欧与朱丽叶5. Paradise Lost失乐园a revolt against God's authority; Paradise Regained复乐园how Christ overcame Santa ——stories were taken from Bible6.John Bunyan: the son of Renaissance; Pilgrim's Progress天路历程imagination; shadowing; realistic religious allegory7.George Gordon Byron: vigorous; strong and beautiful; Childe Harold's Pilgrimage恰尔德哈罗尔德游记spenserian stanza; fights for liberty; Don Juan唐璜a broad critical picture of European life; When We Two Parted昔日依依别；She Walks in Beauty她走在美的光影中；The Isles of Greece哀希腊8.: Ode to the West Wind西风颂-赞颂西风;希望与其紧密相连; Prometheus Unbound解放了的普罗米修斯the victory for man's struggle against tyranny and oppression9.Jane Austen: wit; dry humour; subtle irony;realistic; Pride and Prejudice傲慢与偏见Elizabeth and Darcy；Sense and Sensibility理智与情感；Emma爱玛10.: critical realist writer; humour; wit; happy endings; A Tale of Two Cities双城记London & Paris; where there is oppression; there is revolution; David Copperfield大卫科波菲尔；Oliver Twist雾都孤儿；Hard Time艰难时世；Great Expectations远大前程； Dombey and Son董贝父子；Pickwick Papers匹克威克外传11.我已故的公爵夫人 7.The Bronte Sisters: ：简·爱是一个心地纯洁、善于思考的女性;她生活在社会底层;受尽磨难..但她有倔强的性格和勇于追求平等幸福的精神..小说以浓郁抒情的笔法和深刻细腻的心理描写;引人入胜地展示了男女主人公曲折起伏的爱情经历;歌颂了摆脱一切旧习俗和偏见..扎根于相互理解、相互尊重的基础之上的深挚爱情;具有强烈的震撼心灵的艺术力量..其最为成功之处在于塑造了一个敢于反抗;敢于争取自由和平等地位的妇女形象.. Emily: Wuthering Heights呼啸山庄：描写吉卜赛弃儿希斯克利夫被山庄老主人收养后;因受辱和恋爱不遂;外出致富;回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事..。

英国文学名词解释

Allegory:寓言a story or description in which the characters and events symbolize some deeper underlying meaning, and serve to spread moral teaching.Alliteration:頭韻A poetic device where the first consonant sounds or any vowel sounds in words or syllables are repeated.Allusion：引喻A reference to a familiar literary or historical person or event, used to make an idea more easily understood.Ballad:民謠A short poem that tells a simple story and has a repeated refrain. Ballads were originally intended to be sung. Early ballads, known as folk ballads, were passed down through generations, so their authors are often unknown. Later ballads composed by known authors are called literary ballads.Blank Verse:素體詩unrhymed lines of iambic pentameter.Carpe Diem:A Latin term meaning "seize the day." This is a traditional theme of Poetry, especially lyrics. A carpe diem poem advises the reader or the person it addresses to live for today and enjoy the pleasures of the moment.Two celebrated carpe diem poems are Andrew Marvell's "To His Coy Mistress" and Robert Herrick's poem beginning "Gather ye rosebuds while ye may...."Conceit:奇思妙喻an unusually far-fetched or elaborate metaphor or simile presenting a surprisingly apt parallel between two apparently dissimilar things or feelings.Connotation:暗示The impression that a word gives beyond its defined meaning.Couplet:對聯、兩行詩Two lines of Poetry with the same rhyme and Meter, often expressing a complete and self-contained thought.Epic:史詩A long narrative poem about the adventures of a hero of great historic or legendary importance. The setting is vast and the action is often given cosmic significance through the intervention of supernatural forces such as gods, angels, or demons. Epics are typically written in a classical style of grand simplicity with elaborate Metaphor s and allusions that enhance the symbolic importance of a hero's adventures.Frame story框架故事: a story in which another story is enclosed or embedded as a “tale within a tale”, or which contains several such tales.Heroic Couplet:英雄偶句詩A rhyming couplet written in iambic pentameter (a Verse with five iambic feet).Humanism:人文主義A philosophy that places faith in the dignity of humankind and rejects the medieval perception of the individual as a weak, fallen creature. "Humanists" typically believe in the perfectibility of human nature and view reason and education as the means to that end.Iambic pentametre:抑揚格五音步If a line of a poem has five feet, and in each foot there are two syllables, the first being unstressed, the second, stressed, the line is an iambic pentameter line.Irony:諷刺、反語In literary criticism, the effect of language in which the intended meaning is the opposite of what is stated.Metaphysical Poetry:玄學詩The body of poetry produced by a group of seventeenth-century English writers called the "Metaphysical Poets." The group includes John Donne and Andrew Marvell. The Metaphysical Poets made use of everyday speech, intellectual analysis, and unique imagery. They aimed to portray the ordinary conflict s and contradictions of life. Their poem s often took the form of an argument, and many of them emphasize physical and religious love as well as the fleeting nature of life. Elaborate conceit s are typical in metaphysical poetry.Metaphysical Poets:玄學詩人a group of 17th century English poets whose work is notable for its ingenious use of intellectual concepts in surprising conceits, strange paradoxes, and far-fetched imagery.Oedipus Complex:戀母情結A son's amorous obsession with his mother. The phrase is derived from the story of the ancient Theban hero Oedipus, who unknowingly killed his father and married his mother.Oxymoron:矛盾修飾法A phrase combining two contradictory terms. Oxymorons may be intentional or unintentional.Paradox:駁論A statement that appears illogical or contradictory at first, but may actually point to an underlying truth.Poetic License:詩的破格Distortions of fact and literary convention made by a writer — not always a poet— for the sake of the effect gained. Poetic license is closely related to the concept of "artistic freedom."Renaissance:文藝復興The period in European history that marked the end of the Middle Ages. It began in Italy in the late fourteenth century. In broad terms, it is usually seen as spanning the fourteenth, fifteenth, and sixteenth centuries, although it did not reach Great Britain, for example, until the 1480s or so. The Renaissance saw an awakening in almost every sphere of human activity, especially science, philosophy, and the arts. The period is best defined by the emergence of a general philosophy that emphasized the importance of the intellect, the individual, and world affairs. It contrasts strongly with the medieval worldview, characterized by the dominant concerns of faith, the social collective, and spiritual salvation.Rhyme:韻律When used as a noun in literary criticism, this term generally refers to a poem in which words sound identical or very similar and appear in parallel positions in two or more lines. Rhymes are classified into different types according to where they fall in a line or stanza or according to the degree of similarity they exhibit in their spellings and sounds. Some major types of rhyme are "masculine" rhyme, "feminine" rhyme, and "triple" rhyme. In a masculine rhyme, the rhyming sound falls in a single accent ed syllable, as with "heat" and "eat." Feminine rhyme is a rhyme of two syllables, one stressed and one unstressed, as with "merry" and "tarry." Triple rhyme matches the sound of the accented syllable and the two unaccented syllables that follow: "narrative" and "declarative."Romance: is a tale in verse, embodying the life and adventures of knights. Romance was characteristic of the early feudal age, as it reflected the spirit of chivalry, i. e., the quality and ideal of knightly conduct. The content of romance was usually about love, chivalry, and religion. It generally concerns knights and involves a large amount of fighting as well as a number of miscellaneous adventures;Soliloquy:獨白A monologue in a drama used to give the audience information and to develop the speaker's character. It is typically a projection of the speaker's innermost thoughts. Usually delivered while the speaker is alone on stage, a soliloquy is intended to present an illusion of unspoken reflection.Sonnet:十四行詩A fourteen-line poem, usually composed in iambic pentameter, employing one of several rhyme schemes. There are three major types of sonnets, upon which all other variations of the form are based: the "Petrarchan" or "Italian" sonnet, the "Shakespearean" or "English" sonnet, and the "Spenserian" sonnet. A Petrarchan sonnet consists of an octave rhymed abbaabba and a "sestet" rhymed either cdecde, cdccdc, or cdedce. The octave poses a question or problem, relates a narrative, or puts forth a proposition; the sestet presents a solution to the problem, comments upon the narrative, or applies the proposition put forth in the octave. The Shakespearean sonnet isdivided into three quatrains and a couplet rhymed abab cdcd efef gg. The couplet provides an epigrammatic comment on the narrative or problem put forth in the quatrains. The Spenserian sonnet uses three quatrains and a couplet like the Shakespearean, but links their three rhyme schemes in this way: abab bcbc cdcd ee. The Spenserian sonnet develops its theme in two parts like the Petrarchan, its final six lines resolving a problem, analyzing a narrative, or applying a proposition put forth in its first eight lines.Spenserian stanza:斯賓塞詩體a group of eight lines of iambic pentameter followed by a six-stress iambic line, with a rhyme scheme ababbcbcc.Theme: The main point of a work of literature. The term is used interchangeably with thesis.Tragic Flaw:悲劇性缺陷In a tragedy, the quality within the hero or heroine which leads to his or her downfall.Examples of the tragic flaw include Othello's jealousy and Hamlet's indecisiveness, although most great tragedies defy such simple interpretation.。

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