莎士比亚十四行诗第八首赏析

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莎士比亚十四行诗第八首赏析

莎士比亚十四行诗第八首赏析

我是否可以把你比喻成夏天?我是否可以把你比喻成夏天? Shall I compare thee to a summer's day?虽然你比夏天更可爱更温和:可爱更温和: Thou art more lovely and more temperate:狂风会使五月娇蕾红消香断,狂风会使五月娇蕾红消香断, Rough Rough winds winds winds do do do shake shake shake the the the darling darling darling buds buds buds of of of May,May,夏天拥有的时日也转瞬即过;夏天拥有的时日也转瞬即过; And summer's lease hath all too short a date:有时天空之巨眼目光太炽热,有时天空之巨眼目光太炽热, Sometime too hot the eye of heaven shines,它金灿灿的面色也常被遮暗;它金灿灿的面色也常被遮暗; And often is his gold complexion dimmed,而千芳万艳都终将凋零飘落,而千芳万艳都终将凋零飘落, And every fair from fair sometime declines,被时运天道之更替剥尽红颜; By chance, or nature's changing course untrimmed: 但你永恒的夏天将没有止尽,夏天将没有止尽, But thy eternal summer shall not fade,你所拥有的美貌也不会消失,你所拥有的美貌也不会消失, Nor lose possession of that fair thou ow'st,死神终难夸口你游荡于死荫,死神终难夸口你游荡于死荫, Nor shall death brag thou wander'st in his shade,当你在不朽的诗中永葆盛时;当你在不朽的诗中永葆盛时; When in eternal lines to time thou grow'st,只要有人类生存,或人有眼睛,只要有人类生存,或人有眼睛, So long as men can breathe, or eyes can see,我的诗就会流传并赋予你生命。

赏析莎士比亚十四行诗仲夏夜之梦

赏析莎士比亚十四行诗仲夏夜之梦

赏析莎士比亚十四行诗仲夏夜之梦【原创实用版】目录一、引言:介绍莎士比亚及其作品《仲夏夜之梦》二、莎士比亚的十四行诗概述三、赏析莎士比亚的十四行诗《仲夏夜之梦》四、结论:总结全文,表达对莎士比亚及其作品的敬意正文一、引言莎士比亚是英国文学史上最伟大的戏剧家和诗人之一,他的作品不仅在英国文学史上占有重要地位,同时也深受世界各国文学爱好者的喜爱。

其中,《仲夏夜之梦》是莎士比亚的一部经典喜剧作品,该剧以轻松幽默的方式探讨了爱情、友谊和家庭等主题,成为了世界文学史上的一部佳作。

二、莎士比亚的十四行诗概述莎士比亚的十四行诗是其诗歌创作的代表作品之一,这些诗歌以其优美的语言、深刻的思想和丰富的情感赢得了广大读者的喜爱。

莎士比亚的十四行诗主要涉及爱情、生命、死亡、友谊等主题,其中许多诗句都成为了英语文学中的经典名句。

三、赏析莎士比亚的十四行诗《仲夏夜之梦》在《仲夏夜之梦》中,莎士比亚通过描绘一系列奇妙的梦境,展现了爱情和友谊的复杂关系。

其中,诗句“我可将你比作夏天吗?”(Shall I compare thee to a summer"s day?)是该剧最为著名的诗句之一,通过把恋人比作夏天,表达了对爱情的热情赞美。

此外,该剧中还有许多其他优美的诗句,如“真爱的旅程是崎岖的,不是因为血统的差异,不是因为年龄的悬殊,不是因为亲友的选择,而是因为战争、死亡或疾病。

”(Love"sjourney is not smooth, not because of blood, not because of age, not because of friends" choice, but because of war, death or disease.)等,这些诗句深刻地反映了莎士比亚对人生的理解和对爱情的思考。

四、结论总的来说,莎士比亚的《仲夏夜之梦》是一部充满诗意和幽默感的作品,它通过一系列奇妙的梦境展现了爱情和友谊的复杂关系,同时也深刻地反映了人生的曲折和困难。

英语诗歌-鉴赏莎士比亚Sonnet 8

英语诗歌-鉴赏莎士比亚Sonnet 8
• The second four lines of a sonnet make of the Second Quatrain. It should develop or complicate the sonnet’s theme. Often some imaginative example is given.
separate rhyming scheme in the final two lines.
What are Shakespeare’s sonnets about?
• Shakespeare’s sonnets can be broken down into three subcategories according to themes. • Since it is not known who organized his sonnets, either Shakespeare grouped his sonnets
• The third four lines of a sonnet make of the Third Quatrain. It should round off the sonnet’s theme. Sometimes this is done by using a twist or conflict.
purposely according to their themes or the publisher went through them, recognized the themes, and ordered them according to their relevance. • Sonnets 1-17 have a common theme of procreating. • Sonnets 1-126 are all addressed to a young man. • Sonnets 127-154 share the theme of a dark lady.

莎士比亚著名十四行诗鉴赏莎士比亚著名的十四行诗

莎士比亚著名十四行诗鉴赏莎士比亚著名的十四行诗

莎士比亚著名十四行诗鉴赏莎士比亚著名的十四行诗莎士比亚著名十四行诗鉴赏莎士比亚著名十四行诗鉴赏莎士比亚十四行诗:How sweet and lovely dost thou make the shame Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name! O, in what sweets dost thou thy sins enclose! That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise but in a kind of praise;Naming thy name blesses an ill report. O, what a mansion have those vices got Which for their habitation chose out thee, Where beauty“s veil doth cover every blot, And all things turn to fair that e yes can see! Take heed, dear heart, of this large privilege;The hardest knife ill-used doth lose his edge. 耻辱被你弄成多温柔多可爱! 恰像馥郁的玫瑰花心的毛虫,它把你含苞欲放的美名污败! 哦,多少温馨把你的罪过遮蒙! 那讲述你的生平故事的长舌,想对你的娱乐作淫猥的评论,只能用一种赞美口气来贬责:一提起你名字,诬蔑也变谄佞。

哦,那些罪过找到了多大的华厦,当它们把你挑选来作安乐窝,在那儿美为污点披上了轻纱,在那儿触目的一切都变清和! 警惕呵,心肝,为你这特权警惕;最快的刀被滥用也失去锋利! 莎士比亚十四行诗:Some say thy fault is youth, some wantonness;Some say thy grace is youth and gentle sport;Both grace and faults are loved of more and less;Thou makest faults graces that to thee resort. As on the finger of a throned queen The basest jewel will be well esteem“d, So are thoseerrors that in thee are seen To truths translated and for true things deem"d. How many lambs might the stem wolf betray, If like a lamb he could his looks translate! How many gazers mightst thou lead away, If thou wouldst use the strength of all thy state! But do not so;I love thee in such sort As, thou being mine, mine is thy good report. 有人说你的缺点在年少放荡;有人说你的魅力在年少风流;魅力和缺点都多少受人赞赏:缺点变成添在魅力上的锦绣。

莎士比亚经典十四行诗附译文

莎士比亚经典十四行诗附译文

莎士比亚经典十四行诗附译文莎士比亚十四行诗结构技巧和语言技巧都很高,每首诗都有独立的审美价值,让人沉醉于优美的文字当中。

下面是店铺为大家带来莎士比亚经典十四行诗附译文,希望大家喜欢!莎士比亚经典十四行诗一Love is too young to know what conscience is;Yet who knows not conscience is born of love?Then, gentle cheater, urge not my amiss,Lest guilty of my faults thy sweet self prove:For, thou betraying me, I do betrayMy nobler part to my gross body's treason;My soul doth tell my body that he mayTriumph in love; flesh stays no father reason;But, rising at thy name, doth point out theeAs his triumphant prize. Proud of this pride,He is contented thy poor drudge to be,To stand in thy affairs, fall by thy side.No want of conscience hold it that I callHer 'love' for whose dear love I rise and fall.莎士比亚经典十四行诗译文爱神太年轻,不懂得良心是什么;但谁不晓得良心是爱情所产?那么,好骗子,就别专找我的错,免得我的罪把温婉的你也牵连。

因为,你出卖了我,我的笨肉体又哄我出卖我更高贵的部分;我灵魂叮嘱我肉体,说它可以在爱情上胜利;肉体再不作声,一听见你的名字就马上指出你是它的胜利品;它趾高气扬,死心蹋地作你最鄙贱的家奴,任你颐指气使,或倒在你身旁。

莎士比亚十四行诗第八首赏析

莎士比亚十四行诗第八首赏析

我是否可以把你比喻成夏天?Shall I compare thee to a summer's day?虽然你比夏天更可爱更温和:Thou art more lovely and more temperate:狂风会使五月娇蕾红消香断,Rough winds do shake the darling buds of May,夏天拥有的时日也转瞬即过;And summer's lease hath all too short a date:有时天空之巨眼目光太炽热,Sometime too hot the eye of heaven shines,它金灿灿的面色也常被遮暗;And often is his gold complexion dimmed,而千芳万艳都终将凋零飘落,And every fair from fair sometime declines,被时运天道之更替剥尽红颜;By chance, or nature's changing course untrimmed: 但你永恒的夏天将没有止尽,But thy eternal summer shall not fade,你所拥有的美貌也不会消失,Nor lose possession of that fair thou ow'st,死神终难夸口你游荡于死荫,Nor shall death brag thou wander'st in his shade,当你在不朽的诗中永葆盛时;When in eternal lines to time thou grow'st,只要有人类生存,或人有眼睛,So long as men can breathe, or eyes can see,我的诗就会流传并赋予你生命。

So long lives this, and this gives life to thee.注:第11行语出《旧约•诗篇》第23篇第4节:“虽然我穿行于死荫之幽谷,但我不怕罹祸,因为你与我同在……”英文赏析:This is one of the most famous of all the sonnets, justifiably so. But it would be a mistake to take it entirely in isolation, for it links in with so many of the other sonnets through the themes of the descriptive power of verse; the ability of the poet to depict the fair youth adequately, or not; and the immortality conveyed through being hymned in these 'eternal lines'. It is noticeable that here the poet is full of confidence that his verse will live as long as there are people drawing breath upon the earth, whereas later he apologises for his poor wit and his humble lines which are inadequate to encompass all the youth's excellence. Now, perhaps in the early days of his love, there is no such self-doubt and the eternal summer of the youth is preserved forever in the poet's lines. The poem also works at a rather curious level of achieving its objective through dispraise. The summer's day is found to be lacking in so many respects (too short, too hot, too rough, sometimes too dingy), but curiously enough one is left with the abiding impression that 'the lovely boy' is in fact like a summer's day at its best, fair, warm, sunny, temperate, one of the darling buds of May, and that all his beauty has been wonderfully highlighted by the comparison。

赏析威廉莎士比亚的十四行诗

赏析威廉莎士比亚的十四行诗

英语诗歌赏析——威廉·莎士比亚的《Sonnet 18》作为英国举世闻名的诗人和戏剧家的威廉·莎士比亚,在他的创作生涯中,留下了许多不朽的著作,如众所周知的四大悲剧《哈姆雷特》(Hamlet)、《奥赛罗》(Othello)、《李尔王》(King Lear)、《麦克白》(Macbeth)以及四大喜剧《仲夏夜之梦》(A Midsummer Night's Dream)、《威尼斯商人》(The Merchant of Venice)、《第十二夜》(Twelfth Night)和《皆大欢喜》(As You Like It)。

莎士比亚创作了154首十四行诗,其中格律较为严谨。

每首诗可划分为三节四行诗(quatrain)和一组对句(couplet),韵律为抑扬五步格(Iambic pentameter),韵式为abab cdcd efef gg。

这就是凸显英国特色的“莎士比亚体”(Shakespearean Sonnet)。

今天,和大家分享一下威廉·莎士比亚的《Sonnet 18》。

Shall I/ compare/ thee to/ a summer's day?Thou art/ more love/ly and/ more tem/perate:Rough winds/ do shake/ the dar/ling buds/ of May,And sum/mer's lease/ hath all/ too short/ a date.Sometime/ too hot/ the eye/ of hea/ven shines,And of/ten is/ his gold/ complexion dimm'd;And eve/ry fair/ from fair/ sometime/ declines,By chance/ or na/ture's changing/ course un/trimmed.But thy/ eter/nal sum/mer shall/ not fade,Nor lose/ posse/ssion of/ that fair/ thou ow'st;Nor shall/ Death brag/ thou wan/der'st in/ his shade,When in/ eter/nal lines/ to time/ thou grow'st.So long/ as men/ can breathe,/ or eyes/ can see,So long/ lives this,/ and this/ gives life/ to thee.在这首十四行诗中,我们可以欣赏到英诗中的韵律美和修辞美。

莎士比亚十四行诗赏析

莎士比亚十四行诗赏析

我能否将你比作夏天?你比夏天更美丽温婉。

狂风将五月的蓓蕾凋残,夏日的勾留何其短暂。

休恋那丽日当空,转眼会云雾迷蒙。

休叹那百花飘零,催折于无常的天命。

唯有你永恒的夏日常新,你的美貌亦毫发无损。

死神也无缘将你幽禁,你在我永恒的诗中长存。

只要世间尚有人吟诵我的诗篇,这诗就将不朽,永葆你的芳颜。

Shakespeare - Sonnet 18 This sonnet is by far one of the most interesting poems in the book. Of Shakespeare's sonnets in the text, this is one of the most moving lyric poems that I have ever read. There is great use of imagery within the sonnet. This is not to say that the rest of the poems in the book were not good, but this to me was the best, most interesting, and most beautiful of them. It is mainly due to the simplicity and loveliness of the poem抯praise of the beloved woman that it has guaranteed its place in my mind, and heart.The speaker of the poem opens with a question that is addressed to the beloved, "Shall I compare thee to a summer's day?" This question is comparing her to the summer time of the year. It is during this time when the flowers are blooming, trees are full of leaves, the weather is warm, and it is generally thought of as an enjoyable time during the year. The following eleven lines in the poem are also dedicated to similar comparisons between the beloved and summer days. In lines 2 and 3, the speaker explains what mainly separates the young woman from the summer's day: she is "more lovely and more temperate." (Line 2) Summer's days tend toward extremes: they are sometimes shaken by "rough winds" (line3) which happens and is not always as welcoming as the woman. However in line 4, the speaker gives the feeling again that the summer months are often to short by saying, "And summer抯lease hath too short a date." In the summer days, the sun, "the eye of heaven" (line 5), often shines "too hot," or too dim, "his gold complexion dimmed" (line 6), that is there are many hot days during the summer but soon the sun begins to set earlier at night because autumn is approaching. Summer is moving along too quickly for the speaker, its time here needs to be longer, and it also means that the chilling of autumn is coming upon us because the flowers will soon be withering, as "every fair from fair sometime declines." (Line 7) The final portion of the sonnet tells how the beloved differs from the summer in various respects. Her beauty will be one that lasts forever, "Thy eternal summer shall not fade." (Line 9), and never end or die. In the couplet at the bottom, the speaker expla ins how that the beloved's beauty will accomplish this everlasting life unlike a summer. And it is because her beauty is kept alive in this poem, which will last forever. It will live "as long as men can breathe or eyes can see." (Line 13)On the surface, the poem is on the surface simply a statement of praise about the beauty of the beloved woman and perhaps summer to the speaker is sometimes too unpleasant with the extremes of windiness and heat that go along with it. However, the beloved in the poem is always mild and temperate by her nature and nothing at all like the summer. It is incidentally brought to life as being described as the "eye of heaven" with its "gold complexion". The imagery throughout the sonnet is simple and attainable to the reader, which is a key factor in understanding the poem. Then the speaker begins to describe the summer again with the "darling buds of May" giving way to the " summer抯lease", springtime moving into the warmth of the summer. The speaker then starts to promise to talk about this beloved, that is so great and awing that she is to live forever in this sonnet. The beloved is so great that the speaker will even go as far as to say that, "So long as men breathe, or eyes can see," the woman will live. The language is almost too simple when comparing it to the rest of Shakespeare抯sonnets; it is not heavy with alliteration or verse, and nearly every line is its own self-contained clause, almost every line ends with some punctuation that effects a pause. But it is this that makes Sonnet18 stand out for the rest in the book. It is much more attainable to understand and it allows for the reader to fully understand how great this beloved truly is because she may live forever in it. An impor tant theme of the sonnet, as it is an important theme throughout much of the poetry in general, is the power of the speaker's poem to defy time and last forever. And so by doing this it is then carrying the beauty of the beloved down to future generations and eventually for al of eternity. The beloved's "eternal summer" shall not fade precisely because it is embodied in the sonnet: "Solong as men can breathe or eyes can see," (line 13) the speaker writes in the couplet, "So long lives this, and this gives life to thee."(Line 14) With this the speaker is able to accomplish what many have done in poetry and that is to give the gift of an eternal life to someone that they believe is special and outshines everyone else around them. Perhaps it is because of a physical beauty that the speaker see, but I believe that it is more because of the internal beauty as seen in line 2, "Thou art more lovely and more temperate", that the beloved is deserving to live on forever.1.Critical CommentariesSonnet 18One of the best known of Shakespeare’s sonnets, Sonnet 18 is memorable for the skillful and varied presentat ion of subject matter, in which the poet’s feelings reach a level of rapture unseen in the previous sonnets. The poet here abandons his quest for the y outh to h ave a child, and instead glories in the youth’s beauty.Initially, the poet poses a question—”Shall I compare thee to a summer’s day?”—and then reflects on it, remarking that the youth’s be auty far surpasses summer’s delights. The imagery is the very essence of simplicity: “wind” and “buds.” In the fourth line, l egal termi nology—”summer’s lease”—is introduced in contrast to the commonplace images in the first three lines. Note also the poet’s use of ex tremes in the phrases “more lovely,” “all too short,” and “too hot”; these phrases emp hasize the young man’s beauty.Although lines 9 through 12 are marked by a more expansive tone and deeper feeling, the poet returns to the simplicity of the openin g images. As one expects in Shakespeare’s sonnets, the proposition that the poet sets up in the first eight lines—that all nature is subj ect to imperfection—is now contrasted in these next four lines beginning with “But.” Although beauty naturally declines at some point —”And every fair from fair sometime declines”—the youth’s beauty will not; his unchanging appearance is atypical of nature’s steady progression. Even death is impotent against the youth’s beauty. Note the ambiguity in the phrase “eternal lines”: Are these “lines” the poet’s verses or the youth’s hoped-for children? Or are they simply wrinkles meant to represent the process of aging? Whatever the an swer, the poet is jubilant in this sonnet because nothing threatens the you ng man’s beautiful appearance.Then follows the concluding couplet: “So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee.” The poet is describing not what the youth is but what he will be ages hence, as captured in the poet’s eternal verse—or again, in a h oped-for child. Whatever one may feel about the sentiment expressed in the sonnet and especially in these last two lines, one cannot h e lp but notice an abrupt change in the poet’s own estimate of his poetic writing. Following the poet’s disparaging reference t o his “pu pil pen” and “barren rhyme” in Sonnet 16, it comes as a surprise in Sonnet 18 to find him boasting that his poetry will be eternal.__________________________________________________________________2.Sonnet 18SummaryThe speaker opens the poem with a question addressed to the beloved: "Shall I compare thee to a summer's day?" The next eleven lin es are devoted to such a comparison. In line 2, the speaker stipulates what mainly differentiates the young man from the summer's day: he is "more lovely and more temperate." Summer's days tend toward extremes: they are shaken by "rough winds"; in them, the sun ("the eye of heaven") often shines "too hot," or too dim. And summer is fleeting: its date is too short, and it leads to the withering o f autumn, as "every fair from fair sometime declines." The final quatrain of the sonnet tells how the beloved differs from the summer in that respect: his beauty will last forever ("Thy eternal summer shall not fade...") and never die. In the couplet, the speaker explains how the beloved's beauty will accomplish this feat, and not perish because it is preserved in the poem, which will last forever; it wil l live "as long as men can breathe or eyes can see."CommentaryThis sonnet is certainly the most famous in the sequence of Shakespeare's sonnets; it may be the most famous lyric poem in En glish. Among Shakespeare's works, only lines such as "To be or not to be" and "Romeo, Romeo, wherefore art thou Romeo?" are better-kno wn. This is not to say that it is at all the best or most interesting or most beautiful of the sonnets; but the simplicity an d loveliness o f its praise of the beloved has guaranteed its place.On the surface, the poem is simply a statement of praise about the beauty of the beloved; summer tends to unpleasant extremes of wi ndiness and heat, but the beloved is always mild and temperate. Summer is incidentally personified as the "eye of heaven" with its "g old complexion"; the imagery throughout is simple and unaffected, with the "darling buds of May" giving way to the "eternal s ummer", which the speaker promises the beloved. The language, too, is comparatively unadorned for the sonnets; it is not heavy with alliteratio n or assonance, and nearly every line is its own self-contained clause--almost every line ends with some punctuation, which effects a p ause.Sonnet 18 is the first poem in the sonnets not to explicitly encourage the young man to have children. The "procreation" sequence ofthe first 17 sonnets ended with the speaker's realization that the young man might not need children to preserve his beauty; he could a lso live, the speaker writes at the end of Sonnet 17, "in my rhyme." Sonnet 18, then, is the first "rhyme"--the speaker's first attempt t o preserve the young man's beauty for all time. An important theme of the sonnet (as it is an important theme throughout much of th e sequence) is the power of the speaker's poem to defy time and last forever, carrying the beauty of the beloved down to future gener ations. The beloved's "eternal summer" shall not fade precisely because it is embodied in the sonnet: "So long as men can breathe or eyes can see," the speaker writes in the couplet, "So long lives this, and this gives life to thee."IntroductionSonnet 18 deserves its fame because it is one of the most beautifully written verses in the English language. T he sonnet’s endurance comes from Shakespeare’s ability to capture the essence of love so cleanly and succinctly.After much debate amongst scholars, it is now generally accepted that the subject of the poem is male. In 1640, a publisher called John Benson released a highly inaccurate edition of S hakespeare’s sonnets in which he edited out the young man, replacing “he” with “she”.Benson’s revision was considered to be the standard text until 1780 when Edmond Malone returned to the 1690 quarto and re-edited the poems. Scholars soon realized that the first 126 sonnets were originally addressed to a young man sparking debates about Shakespeare’s sexuality. T he nature of the relationship between the two men is highly ambiguous and it is often impossible to tell if S hakespeare is describing platonic love or erotic love.CommentaryT he opening line poses a simple question which the rest of the sonnet answers. T he poet compares his loved one to a summer’s day and finds him to be “more lovely and more temperate.”T he poet discovers that love and the man’s beauty are more permanent than a summer’s day because summer is tainted by occasional winds and the eventual change of season. While summer must always come to an end, the speaker’s love for the man is eternal.For the speaker, love transcends nature in two ways:1.T he speaker begins by comparing the man’s beauty to summer, but soon the man becomes a force of nature himself.In the line, “thy eternal summer shall not fade,” the man suddenly embodies summer. As a perfect being, he becomes more powerful than the summer’s day to which he was being compared.2.T he poet’s love is so powerful that even death is unable to curtail it. T he speaker’s love lives on for futuregenerations to admire through the power of the written word – through the sonnet itself. T he final couplet explains that the beloved’s “eternal summer” will continue as long as there are people alive to read this sonnet:So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.T he young man to whom the poem is addressed i s the muse for Shakespeare’s first 126 sonnets. Although there is some debate about the correct ordering of the texts, the first 126 sonnets are thematically interlinked and demonstrate a progressive narrative. T hey tell of a romantic affair that becomes more passionate and intense with each sonnet.In previous sonnets, the poet has been trying to convince the young man to settle down and have children, but in Sonnet 18 the speaker abandons this domesticity for the first time and accepts love’s all-consuming passion – a theme that is set to continue in the sonnets that follow.。

莎士比亚最经典的九首十四行诗

莎士比亚最经典的九首十四行诗

莎士比亚最经典的九首十四行诗威廉·莎士比亚,是英国文学史上最杰出的戏剧家,也是欧洲文艺复兴时期最重要、最伟大的作家,全世界最卓越的文学家之一。

莎士比亚流传下来的作品包括39部戏剧、154首十四行诗、两首长叙事诗。

今天就来欣赏下莎士比亚的十四行诗!1. 宁可卑劣宁可卑劣,也不愿负卑劣的虚名,当我们的清白蒙上不白之冤,当正当的娱乐被人妄加恶声,不体察我们的感情,只凭偏见。

为什么别人虚伪淫猥的眼睛有权赞扬或诋毁我活跃的血?专侦伺我的弱点而比我坏的人为什么把我认为善的恣意污蔑?我就是我,他们对于我的诋毁只能够宣扬他们自己的卑鄙:我本方正,他们的视线自不轨;这种坏心眼怎么配把我非议?除非他们固执这糊涂的邪说:恶是人性,统治着世间的是恶。

2. 爱是亘古长明的灯塔我绝不承认两颗真心的结合,会有任何障碍;爱算不得真爱,若是一看见人家改变便转舵,或者一看见人家转弯便离开。

哦,绝不!爱是亘古长明的灯塔,它定睛望着风暴却兀不为动;爱又是指引迷舟的一颗恒星,你可量它多高,它所值却无穷。

爱不受时光的播弄,尽管红颜和皓齿难免遭受时光的毒手;爱并不因瞬息的改变而改变,它巍然矗立直到末日的尽头。

我这话若说错,并被证明不确,就算我没写诗,也没人真爱过。

3. 我怎么能够把你来比作夏天怎么能够把你来比作夏天?你不独比它可爱也比它温婉狂风把五月宠爱的嫩蕊作践,夏天出凭的期限由未免太短天上的眼睛有时照得太酷烈它那炳耀的金颜又常遭掩蔽被机缘或无常的天道所摧折,没有芳艳不终于凋残或销毁但是你的长夏永远不会凋落也不会损失你这皎洁的红芳或死神夸口你在他的影里漂泊当你在不朽的诗里与时同长只要有人类,或人有眼睛,这诗将长存,并赐给你生命。

4. 你的爱怜抹掉那世俗的讥谗你的爱怜抹掉那世俗的讥谗,打在我额上的耻辱的烙印;别人的毁誉对我有什么相干,你既表扬我的善又把恶遮隐!你是我整个宇宙,我必须努力从你的口里听取我的荣和辱;我把别人,别人把我,都当作死,谁能使我的铁心肠变善或变恶?别人的意见我全扔入了深渊,那么干净,我简直像聋蛇一般,凭他奉承或诽谤都充耳不闻。

密尔顿第八首十四行诗的整体隐喻

密尔顿第八首十四行诗的整体隐喻
江南大学学报 ( 人文社会科学版 ) 第1 0 卷第 4 期 V o l . 1 0 N o . 4 ( ) 2 0 1 1年8月 A u . 0 1 1 犑 狅 狌 狉 狀 犪 犾 狅 犳 犑 犻 犪 狀 狀 犪 狀犝 狀 犻 狏 犲 狉 狊 犻 狋 犎 狌 犿 犪 狀 犻 狋 犻 犲 狊牔 犛 狅 犮 犻 犪 犾 犛 犮 犻 犲 狀 犮 犲 狊 2 g 犵 狔 文学研究 】 【
[ 1] 样是侍奉 。 ” 这里值得争议的问题是密尔顿在这
首十四行诗里究竟是怨恨上帝还是在站 着待 命 。再 看他在 1 悼念亡 6 5 8年所写的第1 9号十四行诗《 妻》 , 同样 是 一 首 值 得 争 议 的 诗 。 初 读 之 后 往 往 使 读者久久不能平 静 , 心 情 萦 绕 着 诗 人 的 诗 情。 读 者 知道密尔顿是一位 清 教 徒 , 所以他也是清教派的诗 人, 或共和政体派 的 诗 人 。 这 首 十 四 行 诗 是 以 宗 教 情感为基础的 。 他也 是 文 艺 复 兴 后 期 的 诗 人 , 属古
① []Biblioteka 清晨召回黑夜 , 梦中 人 逃 无 影 。 ) 这里我的译文只能 有一处需要加以注 表示一 个 大 意 。 从 原 文 来 看 , 解: 清晨召回黑夜 ) , 因 d a r o u h tb a c km i h t( yb g yn g 为他是一个盲人 , 白 日 虽 然 来 临, 夜 梦 已 醒, 然而在 只能在睡梦中才能见到妻 白 天 他 什 么 也 看 不 见, 所以白天对他 来 说 其 实 就 是 黑 夜 。 密 尔 顿 把 全 子, 部的思念之情都融 合 到 字 里 行 间 , 在英国诗歌里很 难找到另 外 一 首 悼 亡 诗 有 如 此 的 魅 力 。 梦 中 的 情 又常常 是 无 言 的 , 别 有 一 番 滋 味, 那是 景是短暂的 , 无法用言 语 来 描 述 的 。 虽 然 诗 人 用 了 一 些 圣 洁 的 词汇 , 但是也无法 表 达 诗 人 内 在 的 深 情 。 读 者 只 能 从诗的字里行间去寻找诗人含蓄的情感 。 争议的焦点是 : 诗人梦中的妻子是马丽还是凯 萨琳 。 因为 她 们 两 人 都 因 生 孩 子 而 死 。 第 一 个 妻 子马丽 , 由 于 她 父 母 的 立 场 和 密 尔 顿 不 同, 导致马 丽结婚后 6 个 星 期 就 住 回 娘 家 。 几 年 后 才 回 到 密 尔顿身边 。 一 般 评 论 家 认 为 密 尔 顿 不 会 真 正 地 爱 她, 特别他还写过论 离 婚 的 文 章 为 和 马 丽 的 离 婚 辩 护 。 马丽去世后 , 就和 凯 萨 琳 · 伍 德 库 克 结 婚。 她 和密尔顿结婚才不 到 两 年 也 因 为 生 孩 子 而 去 世 , 密 尔顿很痛 心 。 大 多 数 评 论 家 都 认 为 梦 中 的 妻 子 应 该是凯萨 琳 · 伍 德 库 克 。 因 为 密 尔 顿 和 马 丽 有 矛 盾 。 其实这种论点 太 武 断 。 从 心 理 学 研 究 看 , 应该 是两者的混合体 。 起 初 马 丽 离 开 密 尔 顿 , 但是在她 父亲去世后就又回 到 密 尔 顿 身 边 , 给密尔顿生了三 密尔顿不 可 能 不 爱 她 的 。 不 管 怎 么 说 这 种 个女儿 , 争议是存 在 的 。 梦 里 的 形 象 究 竟 是 谁 很 难 有 确 定 的结论 。 我这里要研究的 争 议 不 是 前 两 首 诗 , 而是密尔 顿的第八首十 四 行 诗 《 在 孕 育 攻 城 之 际》 。该十四 行诗的大意如下 : “ 军 官 们、 首领们或者武装的高级 骑士们 , 在你们偶然 碰 到 要 袭 击 手 无 寸 铁 的 平 民 百 如果你们的行为里深藏着良心的荣 姓 的 家 园 时, 誉, 就保护他们使 之 免 于 受 害 。 他 会 报 答 你 们 的 救 助之恩 , 因为他有能 力 为 每 一 个 施 展 仁 慈 行 为 的 人 宣传 , 并且 使 你 们 名 扬 天 下 , 让你们的善行在阳光 照耀下的 所 有 地 方 传 扬 。 千 万 不 要 把 你 们 的 长 矛 对准诗人的住宅 ; 伟大的爱马辛的征服者就叮嘱要 虽然圣庙和尖塔都变成瓦砾 赦免品达鲁斯的家 屋 , 之地 ; 《 爱里克特 拉 》 诗 人 的 琴 弦, 反 复 吟 唱, 有能力

莎士比亚《十四行诗》详细讲解

莎士比亚《十四行诗》详细讲解

欣赏莎士比亚《十四行诗》(上)
第一辑(Sonnet 1-17)
the very man of men 男人中的极品 Nature‟s journeymen 大自然雇来的笨拙工匠 ‘She carved thee for her seal, and meant thereby/ Thou should print more, not let that copy die‟ (造物主把你作为其印玺精心雕刻,让你多多盖印,永存下 去。)
欣赏莎士比亚《Байду номын сангаас四行诗》(上)
For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings. The whips and scorns of time, the oppressor’s wrong, the proud man’s contumely, the pangs of despised love, the law’s delay, the insolence of office and the spurns, the patient merit of the unworthy takes --- Hamlet 时代的鞭打和嘲弄,压迫者 的霸道,傲慢人的无理,失 恋的痛苦,法律的延迟,官 吏的横暴,有德之人受到的 欺凌。
---Sonnet 18
死神不会夸口,说你在其阴影里徘徊,因为你在这不朽的 诗句里得到永生。只要人能呼吸,眼睛能见物,这首诗就 长存不朽,不朽的诗就赋予你永恒的生命。
Yet do thy worst old Time: despite thy wrong, My love shall in my verse ever live young.

莎士比亚经典十四行诗附译文

莎士比亚经典十四行诗附译文

莎士比亚经典十四行诗附译文莎士比亚十四行诗结构技巧和语言技巧都很高,每首诗都有独立的审美价值,让人沉醉于优美的文字当中。

下面是店铺为大家带来莎士比亚经典十四行诗附译文,希望大家喜欢!莎士比亚经典十四行诗一Love is too young to know what conscience is;Yet who knows not conscience is born of love?Then, gentle cheater, urge not my amiss,Lest guilty of my faults thy sweet self prove:For, thou betraying me, I do betrayMy nobler part to my gross body's treason;My soul doth tell my body that he mayTriumph in love; flesh stays no father reason;But, rising at thy name, doth point out theeAs his triumphant prize. Proud of this pride,He is contented thy poor drudge to be,To stand in thy affairs, fall by thy side.No want of conscience hold it that I callHer 'love' for whose dear love I rise and fall.莎士比亚经典十四行诗译文爱神太年轻,不懂得良心是什么;但谁不晓得良心是爱情所产?那么,好骗子,就别专找我的错,免得我的罪把温婉的你也牵连。

因为,你出卖了我,我的笨肉体又哄我出卖我更高贵的部分;我灵魂叮嘱我肉体,说它可以在爱情上胜利;肉体再不作声,一听见你的名字就马上指出你是它的胜利品;它趾高气扬,死心蹋地作你最鄙贱的家奴,任你颐指气使,或倒在你身旁。

莎士比亚十四行诗》赏析

莎士比亚十四行诗》赏析
批判现实主义
通过对社会现象的描绘和批判,莎士比亚的十四行诗对现代社会中的不公和不义进行揭露,激发人们对社会问题的思 考和反思。
爱情与人际关系
莎士比亚的十四行诗对爱情、友谊、家庭等人际关系进行了深入探讨,为现代人提供了处理情感关系的 启文学的贡献
诗歌形式的创新
莎士比亚的十四行诗在形式上进行了创新,打破了传统诗歌的限制, 为现代诗歌的发展提供了借鉴和启示。
丰富语言表达
莎士比亚的十四行诗运用丰富的修辞手法和意象,极大地丰富了英 语语言的表现力和表达力。
深刻的人文关怀
莎士比亚的十四行诗体现了深刻的人文关怀,对人性、情感和社会 的洞察,为现代文学创作提供了宝贵的思想资源。
对现代人精神生活的思考
精神追求与物质生活
莎士比亚的十四行诗对现代人精神追求与物质生活的关系提出了思考,引导人们关注内心世界和 精神成长。
美好,表达对爱人的深深眷恋和无尽思念。
美的追求
02
诗人通过描绘爱人的美丽和优雅,表达对美的追求和向往,以
及对美的短暂和易逝的感慨。
爱情的复杂
03
诗人揭示了爱情的复杂和悲凉,展现了爱情的痛苦、矛盾和挣
扎,以及在爱情中的人性的弱点。
生死与时间
生死轮回
莎士比亚在十四行诗中探讨了生与死的主题,表达了对生命短暂和 死亡必然的感慨,以及对生死轮回的思考和领悟。
人性的弱点
诗人揭示了人性的弱点和缺陷,如自私、贪婪、虚荣等,以及这 些弱点对个体和社会的影响。
人性的美好
诗人也赞美了人性的美好和善良,强调了人的尊严和价值,以及 对人性的理想和追求。
03
莎士比亚十四行诗的艺术 手法
修辞手法
比喻
莎士比亚善于运用比喻手法,将抽象的情感和概念具 象化,使得诗歌更加生动形象。

莎士比亚十四行诗带翻译

莎士比亚十四行诗带翻译

莎士比亚十四行诗带翻译莎士比亚的十四行诗语汇丰富、用词洗练、比喻新颖、结构巧妙、音调铿锵悦耳、张弛有度,让人印象深刻。

下面是店铺为大家带来莎士比亚十四行诗带翻译,供大家阅读欣赏!莎士比亚十四行诗1Then let not winter's ragged hand deface你还没提炼出香精,那你就别让In thee thy summer ere thou be distilled.严冬的粗手来抹掉你脸上的盛夏:Make sweet some vial; treasure thou some place你教玉瓶生香吧;用美的宝藏With beauty's treasure ere it be self-killed.使福地生光吧,趁它还没有自杀。

That use is not forbidden usury取这种重利并不是犯禁放高利贷,Which happies those that pay the willing loan;它能够教愿意还债的人们高兴;That's for thyself to breed another thee,这正是要你生出另一个你来,Or ten times happier be it ten for one.或高兴十倍,要是你一人生十人;Ten times thyself were happier than thou art,你十个儿女描画你十幅肖像,If ten of thine ten times refigured thee:你就要比你独个儿添十倍欢乐:Then what could death do if thou shouldst depart,你将来去世时,死神能把你怎样,Leaving thee living in posterity?既然在后代身上你永远存活?Be not self-willed, for thou art much too fair,别刚愎自用,你太美丽了,不应该To be death's conquest and make worms thine heir.让死神掳去、教蛆虫做你的后代。

爱与痛的边缘——莎士比亚十四行诗赏析

爱与痛的边缘——莎士比亚十四行诗赏析

爱与痛的边缘———莎士比亚十四行诗赏析石亮(黑龙江科技学院,黑龙江哈尔滨150000)1引言在欧洲文艺复兴时期英国出现了一位最伟大的剧作家和诗人,他正是威廉·莎士比亚。

他的十四行诗在英国乃至世界文学史上都占据了极其重要的地位。

莎士比亚的诗歌包含着强烈的情感,也蕴含着深遂的思想。

莎士比亚的十四行诗在描述人物或讲述故事的同时,能够触及到人性最深层的部分,使读者感受到了诗歌的灵魂,并与其产生情感共鸣。

毫不夸张地说,莎士比亚的十四行诗就是古典诗歌的光辉典范。

在欧洲文艺复兴时期,十四行诗作为最流行的诗歌体裁,许多诗人都创作过大量的诗歌。

然而随着时代的变迁,多数的诗歌作品都已默默无闻或无人问津。

而莎士比亚十四行诗的魅力依然深深地影响着一代又一代的文学爱好者,深受全世界读者的喜爱。

2莎士比亚的十四行诗集2.1诗作的格式与特点十四行诗出自于民间,最早出现在意大利和法国交界的普罗旺斯地区,是用于歌唱的小诗,内容多是描写爱情,抒发情感的。

莎士比亚的十四行诗格式一般分为三部四行句和一组对偶句,每四行句一段,先提出一个初题,然后再提出一个对题,最后两行诗句做结尾,来点明主旨,更具有画龙点睛的作用,多被用为警世格言。

在十四行诗集中,莎士比亚强调了自己的诗作特点:旋律的丰富变幻,节奏的悦耳明快,声韵的反复环绕,以及用韵自如等等。

在格式方面,莎士比亚的十四行诗具有很强的包容性,论述问题也能更深入,深入浅出的形式让读者更容易接受、理解。

2.2诗集的人物与内容在十四行诗集中一共出现了四个人物:(1)诗人自己;(2)诗人的好朋友:贵族男青年;(3)诗人的情人:黑肤女郎;(4)同诗人向那位贵族青年争宠的另一位诗人。

莎士比亚在诗中塑造的人物形象生动鲜活,人物所构成的矛盾复杂多变。

从称赞青年的美好、歌颂青年与诗人的友情,到离别、诗人与“诗敌”的争夺;青年占有黑女郎;诗人与青年之间的隔阂,再到和解。

在十四行诗集中,从第一首到第一百二十六首的大段文字是写给美貌的贵族男青年的。

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我是否可以把你比喻成夏天?Shall I compare thee to a summer's day?虽然你比夏天更可爱更温和:Thou art more lovely and more temperate:狂风会使五月娇蕾红消香断,Rough winds do shake the darling buds of May,夏天拥有的时日也转瞬即过;And summer's lease hath all too short a date:有时天空之巨眼目光太炽热,Sometime too hot the eye of heaven shines,它金灿灿的面色也常被遮暗;And often is his gold complexion dimmed,而千芳万艳都终将凋零飘落,And every fair from fair sometime declines,被时运天道之更替剥尽红颜;By chance, or nature's changing course untrimmed: 但你永恒的夏天将没有止尽,But thy eternal summer shall not fade,你所拥有的美貌也不会消失,Nor lose possession of that fair thou ow'st,死神终难夸口你游荡于死荫,Nor shall death brag thou wander'st in his shade,当你在不朽的诗中永葆盛时;When in eternal lines to time thou grow'st,只要有人类生存,或人有眼睛,So long as men can breathe, or eyes can see,我的诗就会流传并赋予你生命。

So long lives this, and this gives life to thee.注:第11行语出《旧约•诗篇》第23篇第4节:“虽然我穿行于死荫之幽谷,但我不怕罹祸,因为你与我同在……”英文赏析:This is one of the most famous of all the sonnets, justifiably so. But it would be a mistake to take it entirely in isolation, for it links in with so many of the other sonnets through the themes of the descriptive power of verse; the ability of the poet to depict the fair youth adequately, or not; and the immortality conveyed through being hymned in these 'eternal lines'. It is noticeable that here the poet is full of confidence that his verse will live as long as there are people drawing breath upon the earth, whereas later he apologises for his poor wit and his humble lines which are inadequate to encompass all the youth's excellence. Now, perhaps in the early days of his love, there is no such self-doubt and the eternal summer of the youth is preserved forever in the poet's lines. The poem also works at a rather curious level of achieving its objective through dispraise. The summer's day is found to be lacking in so many respects (too short, too hot, too rough, sometimes too dingy), but curiously enough one is left with the abiding impression that 'the lovely boy' is in fact like a summer's day at its best, fair, warm, sunny, temperate, one of the darling buds of May, and that all his beauty has been wonderfully highlighted by the comparison。

这是整体赏析 1. Shall I compare thee to a summer's day? This is taken usually to mean 'What if I were to compare thee etc?' The stock comparisons of the loved one to all the beauteous things in nature hover in the background throughout. One also remembers Wordsworth's lines: We'll talk of sunshine and of song,And summer days when we were young, Sweet childish days which were as longAs twenty days are now.Such reminiscences are indeed anachronistic, but with the recurrence of words such as 'summer', 'days', 'song', 'sweet', it is not difficult to see the permeating influence of the Sonnets on Wordsworth's verse.2. Thou art more lovely and more temperate: The youth's beauty is more perfect than the beauty ofa summer day. more temperate - more gentle, more restrained, whereas the summer's day might have violent excesses in store, such as are about to be described. 3. Rough winds do shake the darling buds of May, May was a summer month in Shakespeare's time, because the calendar in use lagged behind the true sidereal calendar by at least a fortnight. darling buds of May - the beautiful, much loved buds of the early summer; favourite flowers.4. And summer's lease hath all too short a date: Legal terminology. The summer holds a lease on part of the year, but the lease is too short, and has an early termination (date).5. Sometime too hot the eye of heaven shines, Sometime = on occasion, sometimes; the eye of heaven = the sun.6. And often is his gold complexion dimmed, his gold complexion = his (the sun's) golden face. It would be dimmed by clouds and on overcast daysgenerally. 7. And every fair from fair sometime declines, All beautiful things (every fair) occasionally become inferior in comparison with their essential previous state of beauty (from fair). They all decline from perfection.8. By chance, or nature's changing course untrimmed: By chance accidents, or by the fluctuating tides of nature, which are not subject to control, nature's changing course untrimmed. untrimmed - this can refer to the ballast (trimming) on a ship which keeps it stable; or to a lack of ornament and decoration. The greater difficulty however is to decide which noun this adjectival participle should modify. Does it refer to nature, or chance, or every fair in the line above, or to the effect of nature's changing course? KDJ adds a comma after course, which probably has the effect of directing the word towards all possible antecedents. She points out that nature's changing course could refer to women's monthly courses, or menstruation, in which case every fair in the previous line would refer to every fair woman, with the implication that the youth is free of this cyclical curse, and is therefore more perfect. 9. But thy eternal summer shall not fade, Referring forwards to the eternity promised by the ever living poet in the next few lines, through his verse. 10. Nor lose possession of that fair thou ow'st, Nor shall it (your eternal summer) lose its hold on that beauty which you so richly possess. ow'st = ownest, possess. By metonymy we understand 'nor shall you lose any of your beauty'.11. Nor shall death brag thou wander'st in his shade, Several half echoes here. The biblical ones are probably 'Oh death where is thy sting? Or grave thy victory?' implying that death normally boasts of his conquests over life. And Psalms 23.3.: 'Yea though I walk through the valley of the shadow of death I will fear no evil ' In classical literature the shades flitted helplessly in the underworld like gibbering ghosts. Shakespeare would have been familiar with this through Virgil's account of Aeneas' descent into the underworld in Aeneid Bk. VI.12. When in eternal lines to time thou grow'st, in eternal lines = in the undying lines of my verse. Perhaps with a reference to progeny, and lines of descent, but it seems that the procreation theme has already been abandoned. to time thou grow'st - you keep pace with time, you grow as time grows. 13. So long as men can breathe, or eyes can see, For as long as humans live and breathe upon the earth, for as long as there are seeing eyes on the eart. 14. So long lives this, and this gives life to thee. That is how long these verses will live, celebrating you, and continually renewing your life. But one is left with a slight residual feeling that perhaps the youth's beauty will last no longer than a summer's day, despite the poet's proud boast. 这是逐句赏析中文版:以莎氏十四行诗第18首为例,以往从未有人指出过它的缺点,但笔者根据教学实践得来的体会,认为它至少有两大缺点,一是在音韵方面,其韵脚、头韵和韵格均不同程度的破坏了诗歌的音美和形美;二是某些比喻和描述的平淡或离奇破坏了诗歌的意美。

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