Arriflex SR2 16MM电影摄影机说明书
ArriflexSR2教学讲义I认识器材-世新大学广播电视电影学系
4 世新大學廣播電視電影學系
B：內部機構/取景器
SR2 是使用 16mm 底片的攝影機，它採用與單眼相機相同的構造來取景，內部有一片半圓 形的反光鏡，同時兼有快門的功能，稱做鏡快門(Mirror Shutter)。當鏡快門遮住片門時， 攝影師可以從取景器看到來自鏡頭的影像；而鏡快門旋轉至另一側，進入鏡頭的光線通過 片門在底片上曝光，而取景器中將看不到影像。 經由這樣的構造，取景器的進光量跟每格底片上的曝光量是一樣的，所以測光測到多少， 光圈就開到多少，不需要調整。 如果鏡快門上有刮痕，並不會影響拍攝結果，但請立即向系辦工作人員回報。
SR2 取景器有防漏光的設計，眼睛貼住眼罩才會看到影像。如果發現 不需貼住也能看到影像，則請洽系辦工作人員調整。 領取攝影機後，攝影師應使用酒精清潔眼罩，避免感染眼疾。
片門 片門是一個窗型開口，與底片幾乎零距離，片門規格會影響影像的長寬比例。 系上兩台 SR2 都已經改成超 16 (Super 16)片門，會在底片上紀錄長寬比例為 1.66 的影像。
6 世新大學廣播電視電影學系
E：片盒
背側：機械式呎數表(部分片盒無法作用) 頂側：安裝導桿，片盒安全扣 側/右側(外)：片盒開關，安全鈕 右側(內)：鐵片心，順片桿 左側(內)：塑膠片心，片心卡榫，順片桿，驅動齒輪 前側：接合卡榫，導鉤，底片壓板，驅動齒輪 底側：片圈長度指示線 SR2 使用的是 400 呎片盒。片盒分成兩大部分，將呎數表面對自己，右側是生片區(Feed Side)， 左側是熟片區(Take-up Side)。呎數表跟生片區的順片桿連動，順片桿在最外側時，呎數表指針 停在最頂，表示生片區是全滿。 底片的帶動完全仰賴驅動齒輪，如果驅動齒輪依指示方向轉動不順暢，請立刻向系辦工作人員 報修。 安裝底片
ARRI 16SR 16mm 双系统生产相机说明书
301-031
ARRI FLEX 16SR CAMERA ONLY . _ Standard camera body only. Without lens, magazine, handgrip, battery or other accessories.
303-101
BASIC ARRI 16SR ACCESSORY PACK, consisting of the following items:
A factory made test film and Arriflex Company of America warranty certificate are supplied with every camera.
No accessories not specifically mentioned above are included with the camera.
303-110 ARRIFLEX 16SR PRE-SET 100 OUTFIT
Arriflex 16SR camera with Zeiss 10-100, Vario Sonnar T3. 1 "auto iris" lens with pre-set diaphragm feature.
303-111 ARRIFLEX 16SR STD. 120 OUTFIT Arriflex 16SR camera with Angenieux 12-120 T2.5 lens_
camera. Will deliver approximately
2000 feet of film per charge.
331-001 BATTERY MOUNTING ADAPTER. Required, one per camera, to mount battery Cat. No. 331-000 on 16SR.
eCLAIR NPR 16MM 摄像机价格表说明书
830 . 00
1,,270 . 00
125 . 00 67.00
125.00 265.0 0· • 290 . 00
120 . 00 68 .00
685 . DO 42 . 00 24 . .r ~
2299.. ~50 .
16.00
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1402
ORDER CODE
DESCRIPTION
CAB01 400' magazine:.................................................................................
coaxial, snap-on, instant change, new two piece split pressure
3,820 . P13.5; 00
CAMERA ACCESSORIES
Standard matte box..... ......................................................... ' " .......... accepts 2" x 2" filters, primarly for use with fixed focal length lenses Deluxe matte box.............................. ................................................ accepts 3" x 3" filters, complete with two sets of extender rods, for use with both zoom and fixed focal length lenses
摄影机ARRI R3 中文说明书
認識器材一組SR3包含有四個攜行箱(器材箱、鏡頭箱、監視器箱、鋁合金箱)，一條BNC訊號線以及一顆24V大電池。
以下列出每個攜行箱容納的組件：器材箱SR3機身400呎片盒×1橋接套件：底板跟焦器橋接套件：滑套橋接套件：支撐桿(俗稱象牙) × 2原廠定焦25mm× 1 片盒蓋把手× 1 機身蓋噴氣球後掛式電池x2後掛式電池充電器鏡頭箱遮光斗(大小各一、更換接頭×1) 24V大電池連接線定焦鏡9.5mm、12mm、16mm、25mm、50mm各一濾鏡組85、82A、80A、PL、ND3、ND67─81mm伸縮鏡頭及支架監視器箱影像監視系統組電池× 4監視器電池充電器監視器電源線鋁合金箱充電器400呎片盒× 1暗袋皮呎24V大電池其他附件BNC訊號線基本介紹SR3是一台電子化的底片攝影機，不但能自訂拍攝影格速率，更增加了以Time Code為中心的多項功能。
SR3能夠與錄音機/電子拍板同步Time Code，並以條碼形式記錄於底片，如果後期製作單位有Time Code條碼讀取設備，影音同步的工作便得以自動化。
搭配IVS視訊輔助系統，SR3更能作為視訊攝影機進行獨立拍攝或多機協同攝影。
但必須強調的是，系上教學的規劃將SR3作為單純的底片攝影機使用，並未採購Time Code 相關功能所需的關鍵配件，故這部份的功能並無法運作。
SR3是將SR2加以電子化而來，機身組裝、底片裝卸等步驟幾無太大差異，以下將針對兩機型差異之處重點說明，而以SR3機身設定、操作IVS設定，監視器設定與視訊基本概念為主。
機身外觀(前)影像轉向鈕：可360度旋轉取景器中顯示的影像，方便導演或他人觀看。
影像歸位鈕：按下此鈕，再旋轉影像轉向鈕直至歸位鈕跳起，便可將取景器中影像回歸正位。
配件固定靴：可安裝支撐桿(系上無此配件)安裝遮光斗、跟焦器等配件。
機身外觀(後)目鏡除霧器專用電源：搭配目鏡除霧器(系上無此配件)使用。
博乐X摄影机配件说明书
Pull ring (a) towards you and turn it righ t or left until the filming speed scale is away from the zone of guide marks (c).
Slacken the tension on the ring and you will find it moves freely within a distance of approximately one quarter of the dial circumference. Only within this area will the ring, when pulled out, engage the sensitivity dial. Outside this area, the ring automatically locks.
INSTRUCTIONS FOR USE
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The BOLEX exposure meter has been designed and manufactured
by GOSSEN to PAILLARD'S specification.
Intended primarily as a filming accessory it is especially calibrated for use with BOLEX H16 Reflex and H8 Reflex cameras and takes into account the light deflected into the reflex viewfinder. If adjustment is made to the sensitivity rating, the Bolex exposure meter can be used with other cameras - in particular Bolex H16 and H8 non-reflex models. (See page 14).
弗雷扎利尼16mm摄影机说明书
Same as FRC01 except Angenieux Orientable Viewfinder (Erect Image) instead of Frezzi Viewfinder ................ 9200.00
FRC01
FRCOlA FRC03
FRC01S
FRCA01
FRCA02 FRCA03
FRCA04 FRCA07 FRCA08 FRCA10 FRCAll FRCA12 FRCA13 FRCA13A
DESCRIPTION
USER NET
MODEL FR-16 FREZZI-FLEX SOUND CAMERA, sync speed at 24 fps, 5 non-sync film speeds of 12, 18, 30, 36 and 44 fps, supplied complete with two (2) Model B-12 Batt~ries, two (2) Model OS-TC Chargers with Cassettes, Frezzi Standard Viewfinder, four (4) Magazine SnapLock Studs, two (2) Behind the Lens Filter Holders, two (2) Spare GMW-5 Fuses, two (2) 400' Take-Up Belts, Magazine Well Cover, Turret Cover, Viewfinder Port Cover and Instruction Manual .............................. $8250.00
枪机高清低照度宽动态摄像机与球机说明书
高清低照度宽动态摄像机利用说明书技术参数：1/3 Sony Super HAD CCD●彩色：550TV Lines, 黑白：600 TV Lines●内置新一代3D滤光片●最大258倍感光，最低照度●利用像素控制数字宽动态●32倍变焦●最多可设置8个隐私区参数：芯片: 1/3 Sony Super HAD CCD像素: NTSC:811(H)*508(V) PAL: 795(H)*595(V)有效像素:NTSC:768(H)*494(V) PAL: 752(H)*582(V)扫描制式: 2:1隔行扫描同步方式: 内同步OSD 菜单: 可选动态: 52dB(*258X) 背光补偿: BLC/HSBLC/Off Selectable清楚度: 570TV Lines(彩色) 600TV Lines(黑白) 信噪比: 52dB(AGC off,Weight on)最低照度: (Sens-up *258) 白平衡: A TW/AWB/Indoor/Outdoor/Manual/AWC电子快门: 1/60sec-120,000sec 感光: Auto/Fixed/Off(可选范围*2-*258)自动增益: 高/中/低/可选 3 DNR: Off/On(1-50水平调节)D-WDR: 室内/室外/关闭移动侦测: On/Off(4个区域，报警输出)隐私保护: On/Off(8个区域)镜像功能: Off/Mirror/V-Rev/Rotate 冻结画面: On/Off锐度: 0-30（品级调节）D&N选择: Color/Auto/Ext/BW数码变焦: 开启(*32)/关闭噪点: 256点（最低128点ODD 128点）电源: 12V 电流: 120mA工作温度/湿度：-10~+50 摄氏度湿度最大95% 贮存温度/湿度：-20~+50 摄氏度湿度最大95%OSD菜单操作与设置1.按键说明：针孔宽动态摄像机为一个五向按键，按键顺序是中间按下为进入菜单或确认，往上拨动一次菜单指示三角符号向上移一项，往下拨动一次菜单指示三角符号向下移一项，往左右拨动改变参数或选择子菜单；菜单中带此符号选项表示些菜单中还有子菜单。
ARRI 电影摄影设备-Arriflex 16 BL CdS 精密曝光控制系统说明书
I
A RRI P RECISION E XPOSURE C ONTROL
a major achievement in exposure control from
ARRI
A1!!!f~!! P.o. BOX 1050, WOODSIDE , N.Y 11377 0 1011 CHESTNUT STREET BURBANK, CALIF 91502
III Index support
Hale Waihona Puke The entire AP EC mechanism is built into the camera door (illustrated with cover removed)
beam from the finder optics has a selective reflectance esp~cially matched to the cell response. Another feature of this beam splitter is to absorb any light that might accidentally enter through the eyepiece so that it cannot affect the meter reading.
APEC CONVENIENTLY BUILT INTO CAMERA DOOR The entire APEC mechanism is bu ilt into the door of the Arriflex 16BL and is operated by outside concent ric control knobs which actuate the film speed setting (ASA 16500) and the camera speed setting (24 to 50 fps) .
阿尔里克斯16毫米单片相机400英尺电影厚实磁带说明书
The Arriflex 16 is designed for the right eye viewing. Still it is possible to use the left eye also by turning the rubber eyecup around. With magazine attached, however, this is not possible. It should prove no problem, even to those people who prefer sighting with the left eye, as it is not difficult for most of them to get used to right eye viewing by keeping the left eye closed, if necessary covered with an eyepatch . However, there is also a special roof prism intermediate piece available, to extend the proper eyepiece away from camera body and leaving clearance for left eye viewing and/or making possible even to change the insight direction. Please ask for complete details of that roof prism device, if needed .
ARRI 16mm 摄影系统价格表说明书
US Dollars
$54,900.00
59,600.00
6,920.00 7,770.00 7,080.00 7,910.00
755.00 576.00 161.00 250.00 1,850.40 176.00
1,350.00 1,350.00 1,350.00 1,350.00 1,350.00 1,350.00 1,350.00 3,325.00 4,395.00
16SR-3 TIME CODE
Cable set, TC, Camera/Nagra IV Cable set, TC Nagra lv/Camera ARRI FIS Time Code Amplifier/Adapter Box ARRI FIS SMPTE Time Code & Keykode reader head, (10.75mm Quick Change) ARRI FIS converter box for SMPTE Time Code and Kodak Keykode™ ARRI FIS reader head mount for Bosch Scanner ARRI FIS reader head mount for Rank Scanner External time code battery buffer for SR-3
MISCELLANEOUS
Cavity cap, PL, replacement Cavity cap, standardlbayo, replacement Throat cover, replacement Loop protector, replacement Collapsible Core Standard Core Oval chamoislfoam eyecup cover Concentric chamoislfoam eyecup cover Rain cover for 16SR-3 with zoom lens Rain cover for 16SR-3 with prime lens
arricam说明书
ARRICAM ST 摄影机快速指南概述、软件、工具、安全概述《ARRICAM ST摄影机快速指南》（K5.58311.0）简单地介绍了ARRICAM Studio（影棚型）摄影机。
其他还有：《ARRICAM LT摄影机快速指南》（K5.58312.0）《ARRICAM 摄影机附件快速指南》（K5.58313.0）《ARRICAM 摄影机系统指南》（K5.58314.0）完整地列明了ARRICAM摄影机部件、电源线及毛玻璃实物图。
《ARRICAM 摄影机系统用户指南》（K5.58508.0），用户在操作设备之前必须熟悉，是以上指南不能替代的。
上述资料可从 网站上下载Acrobat pdf 格式文件，此中文版若与英文版有歧义，以英文版本为准。
我们力求本指南的准确性，由于产品技术变更和升级，技术资料变化另行通知。
软件版本本《快速指南》阐述的是ARRICAM系统的03E版软件程序。
不同软件版本会导致不同效果。
只有经授权的ARRI维修中心有权检验和更新ARRICAM摄影机软件。
工具使用ARRICAM摄影机系统的操作者须具备如下工具：1. ARRICAM毛玻璃工具，一头用于卸下毛玻璃和物镜。
另一头，可用1.5mm六角扳手调整集成式视频系统（IVS）和校正发光画框。
2. 3mm六角扳手，用于安装和拆卸大部分附件。
3. 5mm六角扳手，用于安装或拆卸摄影机手柄、3/8英寸附件插座板转接器和 WHA-2 Rosette 托座。
4. 8-10mm（5/16英寸）一子长柄螺丝刀，用于安装底板、片盒稳定托座和ARRICAM肩架。
请注意，安装肩架不宜使用短粗柄螺丝刀。
安全规范• ST型摄影机取景臂（铰链式）可从摄影机一侧旋转至摄影机另一侧。
旋转时，要握住取景臂，否则当快速转开，有可能导致损伤和损坏。
• 摄影机工作时，不得将手伸进镜头座或伸入摄影机机内。
• 组装和首次使用须由熟悉设备的人员操作。
• 连接电子附件（即连接附件盒）之前，须关闭摄影机电源。
摄影机ARRI R3 中文说明书
認識器材一組SR3包含有四個攜行箱(器材箱、鏡頭箱、監視器箱、鋁合金箱)，一條BNC訊號線以及一顆24V大電池。
以下列出每個攜行箱容納的組件：器材箱SR3機身400呎片盒×1橋接套件：底板跟焦器橋接套件：滑套橋接套件：支撐桿(俗稱象牙) × 2原廠定焦25mm× 1 片盒蓋把手× 1 機身蓋噴氣球後掛式電池x2後掛式電池充電器鏡頭箱遮光斗(大小各一、更換接頭×1) 24V大電池連接線定焦鏡9.5mm、12mm、16mm、25mm、50mm各一濾鏡組85、82A、80A、PL、ND3、ND67─81mm伸縮鏡頭及支架監視器箱影像監視系統組電池× 4監視器電池充電器監視器電源線鋁合金箱充電器400呎片盒× 1暗袋皮呎24V大電池其他附件BNC訊號線基本介紹SR3是一台電子化的底片攝影機，不但能自訂拍攝影格速率，更增加了以Time Code為中心的多項功能。
SR3能夠與錄音機/電子拍板同步Time Code，並以條碼形式記錄於底片，如果後期製作單位有Time Code條碼讀取設備，影音同步的工作便得以自動化。
搭配IVS視訊輔助系統，SR3更能作為視訊攝影機進行獨立拍攝或多機協同攝影。
但必須強調的是，系上教學的規劃將SR3作為單純的底片攝影機使用，並未採購Time Code 相關功能所需的關鍵配件，故這部份的功能並無法運作。
SR3是將SR2加以電子化而來，機身組裝、底片裝卸等步驟幾無太大差異，以下將針對兩機型差異之處重點說明，而以SR3機身設定、操作IVS設定，監視器設定與視訊基本概念為主。
機身外觀(前)影像轉向鈕：可360度旋轉取景器中顯示的影像，方便導演或他人觀看。
影像歸位鈕：按下此鈕，再旋轉影像轉向鈕直至歸位鈕跳起，便可將取景器中影像回歸正位。
配件固定靴：可安裝支撐桿(系上無此配件)安裝遮光斗、跟焦器等配件。
機身外觀(後)目鏡除霧器專用電源：搭配目鏡除霧器(系上無此配件)使用。
Canon 影视摄影系统产品介绍说明书
Choosing the right set of lenses for a project is a crucial element of the pre-production process.This choice is one of the biggest factors for cinematographers to fully realize their creative vision.Lenses give cinema its different perspectives and visual textures, and every Canon Cinema Lensin its class is precisely engineered to deliver on what it promises. Canon is committed to providinga diverse range of products that can match the needs of any project.CANON CINEMA LENSES :THE POWER TO BUILD MASTERPIECES Cinema Lens LineupS umire Prime CN-E14mm T3.1 FP XCN-E20mm T1.5 FP XCN-E24mm T1.5 FP XCN-E35mm T1.5 FP XCN-E50mm T1.3 FP XCN-E85mm T1.3 FP XCN-E135mm T2.2 FP XMount: P rime CN-E14mm T3.1 L F CN-E20mm T1.5 L F CN-E24mm T1.5 L F CN-E35mm T1.5 L F CN-E50mm T1.3 L F CN-E85mm T1.3 L F CN-E135mm T2.2 L F Mount:C ompact Zoom CN-E15.5–47mm T2.8 LCN-E30–105mm T2.8 LMount: Z oom CN-E14.5–60mm T2.6 L CN-E30–300mm T2.95–3.7 LMount:C INE-SERVO CINE-SERVO 17–120mm T2.95–3.9CINE–SERVO 50–1000mm T5.0–8.9Mount:C OMPACT-SERVO COMPACT-SERVO 18–80mm T4.4 LCOMPACT-SERVO 70–200mm T4.4 L Mount:PL EF EF PL EF PL EF PL EFZoom Designed for EF Mount and PL Mount Cinema Cameras, Zoom Lenses offer a wide range of features and benefits, including full 4K production performance. Color matched to work seamlessly alongside the EOS Prime lineup.CINE-SERVO Designed for EF and PL Mount Cameras, CINE-SERVO Lenses offer outstanding versatility and 4K optical performance ideal for cinema, broadcast and other applications where servo zoom is needed.C ompact Zoom Compact Zoom Lenses provide high mobility and outstanding 4Koptics. These lightweight lenses are extremely well-suited forcinematic documentaries or any production where being nimbleis important. Their consistent form factors and markings are optimized for motion PACT-SERVO The COMPACT-SERVO series is a 4K Super 35mm cinema-quality class of lenses featuring integrated servo control in a compact, lightweight design for shoots that need to move at a fast pace. They offer exceptional versatility and professional videofunctionality at an affordable price.S umire PrimeCanon is introducing a new line of cinema prime lenses namedSumire Prime (pronounced “Soo-mee-ray”) – associated with thebeauty of a flower whose petals are open. This is the inspirationbehind a unique optical design that introduces a nuanced look asthe lens aperture approaches its maximum setting – subtlymodifying the textural renderings of the human facial close-up.P rime Canon’s original cinema lens lineup, designed for EF MountCinema Cameras and DSLR Cameras. Warm, sharp, high contrastand constructed in professional housing – this is the Canon lookthat you’ve always known and loved.INTRODUCING AN ALL-NEW CLASS OF LENSES FOR AN ALL-NEW LOOKDigital technologies, combined with the ever-increasing march to higher resolutions, higher dynamic ranges and wider color gamuts, are challenging producers, directors and directors of photography to harness these imaging enhancements to reproduce a spectrum of imagery that reflects broad ranging production goals. The multiple subtleties of optical imaging are critical to a creative collaboration with contemporary digital reproduction. Canon’s new Sumire Prime lens series was specifically designed to empower that imaging partnership. They pay attention to the subtle nuances of their subjects in a manner that lets the eyes do the subjective interpretation.Shot with CN-E85mm T1.3 FP X and EOS C700 FF PLSumire Primes feature bright T-stops, reduced focus breathing and uniformcolor balance across the focal range of the seven lenses – all contributingto artistically pleasing images. The 11-bladed iris provides circular andnatural bokeh while diffusing the light rays from intense highlights.In combination with the unique new Sumire look at wider aperture settings,they offer the cinematographer a broader range of visual expression.Available in industry-standard PL Mount and compatible with all full-framecameras, Sumire Prime Lenses are superbly versatile.NEW LENSES THAT BREATHENEW LIFE TO YOUR IMAGESShot with CN-E85mm T1.3 FP X and EOS C700 FF PLPowerful state of the art computer simulation empowered Canon to explore multiple aspects of imaging subtleties within optical reproduction. Central to this quest was the careful crafting of the textural rendering of facial close-ups. Numerous creative inputs were absorbed from the world’s cinematographers – that combined todescribe a look that might have universal appeal. That look would apply to all faces – of all ethnicities, ages and gender. The Sumire Prime gently rolls in that special look as the lens aperture approaches its wider settings. Texture, color and contrast are subtly woven into that Sumire look.GENTLE, BEAUTIFUL SKIN TONES AND SMOOTHER-LOOKING FOCUS FALL-OFF Shot with CN-E85mm T1.3 FP Xand EOS C700 FF PL10CN-E35mm CN-E14.5–60mm CN-E15.5–47mmCN-E14mm CN-E24mm CN-E20mm CN-E50mm CN-E85mm CN-E135mm CN-E30–105mmCINE-SERVO 17–120mm CINE-SERVO 50–1000mmCOMPACT-SERVO 18–80mmCOMPACT-SERVO 70–200mmCN-E30–300mmSuper 35mm Full Frame EF PL EF PL EF PL EF PL EF Canon Cinema Lenses Mount Image Size Zoom Lenses Compact Zoom Lenses CINE-SERVO Lenses COMPACT-SERVO Lenses Sumire Prime Lenses Prime Lenses 10015050303001000Focal length (mm)chromatic aberration.chromatic aberration. M inimal Focus Breathing All Cinema Lenses help minimize variations in the angle of view while focusing, known as focus breathing. This is extremely important while focus pulling, where focus breathing could become apparent to the viewer.Precise Focus Throughout Entire Zoom RangeCinema Lenses are parfocal in both manual and autofocus modes. This employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required.C olor ConsistencyCanon’s renown color science has become highly refined over generations of lens designs, paying the closest attention to pleasing skin tone reproduction with consistent, warm color.I mage Stabilization COMPACT-SERVO Lenses offer Canon’s excellent IS system, useful for run-and-gun shooting and long handheld takes. The amount of IS function can be dialed in as well as be switched off entirely when not in use.Supports a Wide Range of Accessories Cinema Lenses offer compatibility with a wide range of professional lens accessories, allowing you to customize productions even further to meet every last detail of what you need. Compatible with everything from rods to matte boxes and more, they can fulfill the needs of demanding high-end productions to meet and exceed industry standards.11 blades 12 blades 1011Focus Ring: 0.8M Gear Focus rotation angle: 300°Phosphorescent indicators displayed on both sidesZoom Ring: 0.8M Gear Iris Ring: 0.8M Gear E asy Manual Operation Servo Zoom DriveCINE-SERVO and COMPACT-SERVO Lenses have a built-in servo drive that controls zoom and can be powered through the lens mount or a separate port. The drive features compatibility with Canon zoom and focus broadcast style controllers.Auto Focus and Auto Iris CapabilitiesUltrasonic Motor drives provide fast, quiet autofocus. Select Canon EF Mount Cinema Cameras with Dual Pixel AF are supported.Canon’s Electromagnetic Diaphragm technology incorporates a motor directly to the lens iris for precise auto exposure response. C ontinuous Iris Control0216W968 4/19 PRINTED IN U.S.A.Canon U.S.A., Inc.One Canon Park Melville, NY 11747 U.S.A.Certain images and effects are simulated. Specifications and availability subject to change without notice. Products not shown to scale. Weight and dimensions are approximate. Not responsible for typographical errors.© 2019 Canon U.S.A., Inc. All rights reserved. Canon and EOS are registered trademarks of Canon Inc. in the United states and may also be registered trademarks or trademarks in other countries. All other product names, brand names and logos are trademarks or service marks of their respective owners.Canon makes no representations or warranties with respect to any third party accessory or product mentioned e of genuine Canon accessories is recommended; these products are designed to perform optimally when used with genuine Canon accessories. /cinemalenses/support 855-CINE-EOS For more info: @CanonUSApro @CanonUSAprovideo @CanonUSA @CanonUSA MountImage Size Focal Length Zoom Ratio Maximum Aperture Minimum Focus Iris Blades Angle of View Front Diameter Length Weight Sumire PrimeCN-E14mm T3.1 FP XPL Full-frame 14mm - 3.18"11 1.5:136.0 x 24.0mm 104.3° x 81.2° 1.78:124.6 x 13.8mm 82.6° x 52.5°114mm 3.39" / 86.0mm 2.65 lb. / 1.2kg CN-E20mm T1.5 FP XPL Full-frame 20mm - 1.512"1184.0° x 61.9°63.2° x 38.1°114mm 3.68" / 93.5mm 2.65 lb. / 1.2kg CN-E24mm T1.5 FP XPL Full-frame 24mm - 1.512"1173.7° x 53.1°54.3° x 32.1°114mm 3.68" / 93.5mm 2.65 lb. / 1.2kg CN-E35mm T1.5 FP XPL Full-frame 35mm - 1.512"1154.4° x 37.8°38.7° x 22.3°114mm 3.68" / 93.5mm 2.43 lb. / 1.1kg CN-E50mm T1.3 FP XPL Full-frame 50mm - 1.318"1139.6° x 27.0°27.6° x 15.7°114mm 3.68" / 93.5mm 2.43 lb. / 1.1kg CN-E85mm T1.3 FP XPL Full-frame 85mm - 1.338"1123.9° x 16.1°16.5° x 9.3°114mm 3.68" / 93.5mm 2.87 lb. / 1.3kg CN-E135mm T2.2 FP XPL Full-frame 135mm - 2.239"1115.2° x 10.2°10.4° x 5.9°114mm 4.24" / 107.6mm 3.09 lb. / 1.4kg PrimeCN-E14mm T3.1 L FEF Full-frame 14mm - 3.18"11 1.5:136.0 x 24.0mm 104.3° x 81.2° 1.78:124.6 x 13.8mm 82.6° x 52.5°114mm 3.70" / 94mm 2.65 lb. / 1.2kg CN-E20mm T1.5 L FEF Full-frame 20mm - 1.512"1184.0° x 61.9°63.2° x 38.1°114mm 4.0" / 101.5mm 2.43 lb. / 1.2kg CN-E24mm T1.5 L FEF Full-frame 24mm - 1.512"1173.7° x 53.1°54.3° x 32.1°114mm 4.0" / 101.5mm 2.65 lb. / 1.2kg CN-E35mm T1.5 L FEF Full-frame 35mm - 1.512"1154.4° x 37.8°38.7° x 22.3°114mm 4.0" / 101.5mm 2.43 lb. / 1.1kg CN-E50mm T1.3 L FEF Full-frame 50mm - 1.318"1139.6° x 27.0°27.6° x 15.7°114mm 4.0" / 101.5mm 2.43 lb. / 1.1kg CN-E85mm T1.3 L FEF Full-frame 85mm - 1.338"1123.9° x 16.1°16.5° x 9.3°114mm 4.0" / 101.5mm 2.87 lb. / 1.3kg CN-E135mm T2.2 L FEF Full-frame 135mm - 2.239"1115.2° x 10.2°10.4° x 5.9°114mm 4.55" / 115.6mm 3.09 lb. / 1.4kg ZoomCN-E14.5–60mm T2.6 L S/SPEF/PL Super 35mm 14.5 – 60mm 4.1:1 2.628"11 1.78:124.6 x 13.8mm 80.6° x 50.9° at 14.5mm 23.2° x 13.1° at 60mm 1.78:124.0 x 13.5mm 79.2° x 49.9° at 14.5mm 22.6° x 12.8° at 60mm 136mm EF: 12.83" / 326.0mm PL: 12.52" / 318mm 9.9 lb. / 4.5kg CN-E30–300mm T2.95–3.7 L S/SPEF/PL Super 35mm 30 – 300mm 10:1 2.95/30 – 240mm 3.7/300mm 60"1144.6° x 25.9° at 30mm 4.7° x 2.6° at 300mm 43.6° x 25.4° at 30mm 4.6° x 2.6° at 300mm 136mm EF: 13.78" / 350.1mm PL: 13.47" / 342.1mm 12.79 lb. / 5.8kg Compact ZoomCN-E15.5–47mm T2.8 L S/SPEF/PL Super 35mm 15.5 – 47mm 3:1 2.820"11 1.9:126.2 x 13.8mm 80.4° x 48.0° at 15.5mm 31.1° x 16.7° at 47mm 1.78:124.0 x 13.5mm 75.5° x 47.1° at 15.5mm 28.6° x 16.3° at 47mm 114mm EF: 8.74" / 222mm PL: 8.43" / 214.1mm 4.85 lb. / 2.2kg CN-E30–105mm T2.8 L S/SPEF/PL Super 35mm 30 – 105mm 3.5:1 2.824"1147.2° x 25.9° at 30mm 14.2° x 7.5° at 105mm 43.6° x 25.4° at 30mm 13.0° x 7.4° at 105mm 114mm EF: 8.58" / 218mm PL: 8.26" / 210.0mm 4.85 lb. / 2.2kg CINE-SERVOCINE-SERVO 17–120mm T2.95–3.9EF/PL Super 35mm 17 – 120mm 7:1 2.95/17 – 91mm 3.9/120mm 33.6"11 1.9:126.2 x 13.8mm 75.2° x 44.2° at 17mm 12.5° x 6.6° at 105mm 1.78:124.6 x 13.8mm 71.8° x 44.2° at 17mm 11.7° x 6.6° at 105mm 114mm EF: 10.35" / 262.9mm PL: 10.04" / 254.9mm 6.39 lb. / 2.9kg CINE–SERVO 50–1000mm T5.0–8.9EF/PL Super 35mm 50 – 1000mm 20:1 5.0/50 – 560mm 8.9/1000mm 138"1129.4° x 15.7° at 50mm 1.5° x 0.8° at 1000mm 27.6° x 15.7° at 50mm 1.4° x 0.8° at 1000mm 136mm EF: 16.27" / 413.2mm PL: 15.95" / 405.2mm 14.55 lb. / 6.6kg COMPACT-SERVOCOMPACT-SERVO 18–80mm T4.4 LEF Super 35mm 18 – 80mm 4.4:1 4.4/18 – 80mm 20.4"9 1.9:126.2 x 13.8mm 72.1° x 41.9° at 18mm 18.6° x 9.9° at 80mm 1.78:124.6 x 13.8mm 68.7° x 41.9° at 18mm 17.5° x 9.9° at 80mm 84mm 7.18" / 182.3mm 2.65 lb. / 1.2kg COMPACT-SERVO 70–200mm T4.4 L EF Super35mm 70 – 200mm 2.8:1 4.4/70 – 200mm 48"921.2° x 11.3° at 70mm 7.5° x 4.0° at 200mm 19.9° x 11.3° at 70mm 7.0° x 4.0° at 200mm 84mm 7.18" / 182.3mm 2.76 lb. / 1.25kg。
拍乐N2说明书
拍乐科技2013感谢您使用拍乐N2拍乐N2是一款配合单反相机拍摄的多功能独创产品，数字化参数设定，操作简单；支持5号电池，便携长待机；铝合金机身，坚固耐用。
所有接口全物理隔离，更能保证设备安全。
●独创的高成功率闪电捕捉适合支持反光板预升的单反相机拍摄闪电；●７级最多１３张分级曝光拍摄方便合成HDRI超高宽容度照片；●强力定时拍摄是延时摄影的好帮手；●最多３个电磁阀的滴水控制；●最多6盏热靴灯支持（需要多灯支持附件）物品清单名称数量备注拍乐N2拍摄控制器１标配（２节５号电池供电用户自备）专用快门线１标配电源适配器选配电磁阀选配（可自配电压１２V，工作电流小于８００MA）多灯支持附件（最多6盏灯） 1 选配支持相机快门线型号现阶段支持，且仅支持以下快门线型号，不在支持范围内的相机无法使用“定时拍摄”，“HDRI拍摄“，“拍摄闪电”。
水滴拍摄功能适合绝大部分相机，包括支持长时间曝光的卡片机。
佳能A型快门线适用机型：(圆形3孔快门接口)EOS-1Ds Mark III /EOS-1Ds Mark II /EOS-1Ds ；EOS-1D Mark IV /EOS-1D Mark III /EOS-1D Mark II N /EOS-1D Mark II /EOS-1D ；EOS 5D/EOS 5D Mark II ；EOS 7D /EOS 50D /EOS 40D /EOS 30D / EOS 20D /EOS 10D / EOS D60 /EOS D30/D2000 ；EOS-1v HS /EOS-1v/ EOS-3佳能B型快门线适用机型：（普通2.5mm接口）60D/600D/550D/500D/1000D/450D/400D/350D/300D，PENTAX K20D/K200D/K10D/K100D以及三星GX-20/GX-10系列数码专业单反尼康A型专用快门线适用机型：（窄扁口）D70/D70S/D80尼康B型专用快门线适用机型：(宽扁口)D600/D5100/D3100/D3200/D7000/D5000/D90/D7100/D5200尼康C型专用快门线适用机型：（10针接口）D300s/D3/D2x/D700/D3X/D200/D300/D800/D2H/D200/D1H/D1X等所有支持十针遥控插座的单反相机索尼A型快门线适用机型：（普通2.5mm接口）DSC-R1/DSC-V1/DSC-V3/DSC-F828/DSC-F717/DSC-707宾得A型快门线适用机型：（普通2.5mm接口）K7 K5 K10D K110D目录用前准备1，熟悉拍乐N2控制器操作界面2，安装电池或者外接电源主界面和全局设置1，主界面2，全局设置HDRI超宽容度拍摄1，相机端设置2，N2 HDRI 拍摄Timer 延时、定格动画拍摄1，相机端设置2，N2 Timer 拍摄单阀水滴拍摄1，相机端设置2，N2 Water Drop 拍摄3阀水滴拍摄3，相机端设置4，N2 Drop3 拍摄捕捉闪电拍摄5，相机端设置6，N2 Lightn Hunt 拍摄1， 熟悉拍乐N2 控制器2，安装电池闪电传感器5V 电源口蜂鸣器低电量提醒灯闪电传感器灵敏度指示灯液晶显示液晶背光开关总电源开关闪电传感器灵敏度调节旋钮上下左右、取消、确认 共6个按键用前准备返回封面> 返回目录1， 主界面2，全局设置Shuter-set ： 快门参数设置，默认参数为8，可设置范围1-9。
Canon 10x12 12-120mm 1 2.2 Fluorite 16mm 电影摄影机镜头说明
3
Performance Data of Artificial Fluorite
The Canon Macro Zoom Lens CI0 x 12 Fluorite incorporates the same artificial fluorite as in Canon Lenses FL-F 300mm 1 : 5.6 and FL-F 500mm 1 : 5.6 high quality telephoto lenses for single-lens reflex cameras which are already on the market. The CI0 x 12 is fully backed by Canon 's optical design and techniques which made possible the development of Canon Lenses FL-F 300mm 1 : 5 .6 and FL-F 500mm 1: 5.6. The Canon Macro Zoom Lens CI0 x 12 possesses the followin g high optical performances:
Angular Rotation: 95°
f/stop:
2.2,2.8,4,5.6,8,11,16, 22,
close
T/stop:
2.7,4,5.6,8, 11, 16, 22
Macro Control:
Rotating ring
Direction:
Clockwise for macro*
Torque:
2) Optical Transfer Function at Frequency 15 cycle/mm
IC Realtime FLEX-32E 数字视频录像机说明书
FLEX-32E32C h a n n e l H.264E960H2U S t a n d a l o n e D V R The flagship DVR of IC Realtime –the Flex series digital video recorder. The Flex series has seen severalhardware upgrades over its tenure in the IC Realtime lineup. The Flex series is a battle hardened, full sized (19’’ wide, 2U high) DVR capable of housing 8 HDDs internally. The Flex series recorders are typically installedin a standard 19’’ equipment rack, or are installed on a desktop.The latest generation of the Flex series recorders have stronger hardware and larger internal HDD capacity, the Flex DVR is well suited for installation in the most demanding applications. Typical Flex DVR deployments include: light to heavy commercial sites, large offices, financial institutions, educational institutions, and gambling establishments (Casinos, etc.).Like all IC Realtime series recorders, this device utilizes H.264E (Enhanced H.264) compression technology, enabling crisp image viewing with the least bandwidth consumption possible. This unit adopts an embedded system design, as well as a Linux Operating System, resulting in high levels of stability, performance, and most importantly: reliability. In addition, this unit is fully operational from remote locations (Search/Playback/Backup/Configuration) over standard Ethernet networks.Features∙Up to 32 cameras with 1080p realtime preview∙H.264 dual-stream video compression∙All channel 960H realtime recording∙HDMI / VGA / TV/ Spot simultaneous video output∙3D intelligent positioning with ICR PTZ dome camera∙Support 8 SATA HDDs up to 32TB, 1 eSATA up to 16TB,4 USB2.0∙Multiple network monitoring: Web browser, SmartICRSS, ICRSS Pro∙All channel simultaneous realtime playback, GRID interface, & smart searchRevision 1.2; 04/2016FLEX-32E SpecificationsIC Realtime LLC3050 N Andrews Avenue ExtensionPompano Beach, FL 33064(866) 997-9009Designs and specifications subject to change without notice. Copyright © 2015 IC Realtime, LLC. All rights reserved.。
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Arriflex SR2 教學講義前言：建議把腳架與測光表合併教學，作為擔任攝助的基本訓練課程，本講義不列入。
I. 認識器材一組SR2一共有兩個攜行箱，分別容納了以下組件：攝影機箱SR2機身 橋接套件：支撐桿(俗稱象牙)x2變焦鏡頭 濾鏡組：ND3,ND6,85,80A,PL片盒x2 把手跟焦器攝助箱橋接套件：底板 充電器橋接套件：滑套 噴氣球遮光斗 暗袋後掛式電池x2 皮呎SR2也可使用外接電源，系上提供12V外接電池(俗稱彈包)可借用。
系上的SR2相關規格如下：片門規格：Super 16※ 鏡頭規格：12mm~120mm，T2.3？鏡頭接環系統：54mm PL mount快門開角：180度，固定拍攝格速：每秒24格，固定Video監視器：BNC端子輸出黑白視訊(NTSC)※ 機掛電池：可持續拍攝多久？II. 器材功能介紹，使用方法右面：取景器(可旋轉)，把手接點，把手鎖孔正面：PL mount接口，鎖定環背面：片盒接合導孔，片門，過片抓勾，電池座左面：皮尺零點勾(焦平面記號)，取景器(可旋轉)，Video監視器，手動過片旋鈕，單格過片測試鈕，快門桿，快門鎖定撥鈕A：電源SR2可透過機掛電池運作，或是使用外接電池(彈包)。
安裝電池時，請先確認快門桿與Video監視器在Off狀態。
先將電池座接頭向後扳，裝上之後再推向前。
←Video監視器開關 →拆卸電池時，以雙手大拇指頂住機身，其他手指抱住電池，大拇指輕推即可取下，切勿硬拔導致電池座損壞！如果要使用外接電源，則將電池座螺絲旋鬆後取下，即可接上。
系上有12V外接電池，可供SR2拍攝8小時以上。
需注意SR2與SR3外接電源插座規格不同，無法混用。
充電器* 如何判斷電池已經充電完成？B：內部機構/取景器SR2是使用16mm底片的攝影機，它採用與單眼相機相同的構造來取景，內部有一片半圓形的反光鏡，同時兼有快門的功能，稱做鏡快門(Mirror Shutter)。
當鏡快門遮住片門時，攝影師可以從取景器看到來自鏡頭的影像；而鏡快門旋轉至另一側，進入鏡頭的光線通過片門在底片上曝光，而取景器中將看不到影像。
經由這樣的構造，取景器的進光量跟每格底片上的曝光量是一樣的，所以測光測到多少，光圈就開到多少，不需要調整。
如果鏡快門上有刮痕，並不會影響拍攝結果，但請立即向系辦工作人員回報。
攝影師領到SR2後，必須先對眼焦。
這個動作的用意在調整取景器到鏡快門的影像焦距，讓眼睛所見為清晰影像，才不會因為看不清楚去調鏡頭焦距導致拍攝影像失焦。
對眼焦的判斷依據是毛玻璃上的安全框。
調整黑白相間的粗環，直到安全框清晰為止。
對眼焦的時候最好不裝鏡頭，避免鏡頭本身有焦造成誤判。
如果已經裝上鏡頭，則先把鏡頭放到最長焦段(zoom in到底)，焦距定在最遠焦，使鏡頭內影像為最模糊再對眼焦。
SR2取景器有防漏光的設計，眼睛貼住眼罩才會看到影像。
如果發現不需貼住也能看到影像，則請洽系辦工作人員調整。
領取攝影機後，攝影師應使用酒精清潔眼罩，避免感染眼疾。
片門片門是一個窗型開口，與底片幾乎零距離，片門規格會影響影像的長寬比例。
系上兩台SR2都已經改成超16 (Super 16)片門，會在底片上紀錄長寬比例為1.66的影像。
清理片門(Check Gate)因為片門非常接近底片，一旦任何物體沾黏在片門上，會直接在底片上形成陰影，非常難以挽救，故每次裝卸鏡頭或片盒，都務必要清理片門。
步驟如下：1.以手電筒逆光照射片門，檢查是否黏有毛屑異物2.如發現則以噴氣球從鏡頭側吹氣清除。
請注意持噴氣球的姿勢為反手，由下往上吹氣；機身要向前傾斜，異物才會掉出。
3.若一直無法清除異物，請洽系辦工作人員處理。
4.也要檢查鏡快門是否有損傷或異物，鏡頭側朝下，先移除電池，快門桿設在Off，才能轉動手動過片旋鈕，一邊旋轉一邊觀察，並以噴氣球吹氣清除。
※攝助每次更換片盒或鏡頭時，如果不能馬上替換，要立即蓋上片門蓋跟接口蓋，更換前再做一次清理片門的動作。
C：鏡頭系上的SR2使用PL mount鏡頭接環系統，鏡頭由一個可左右旋轉的鎖定環固定。
因為教學上的規劃，SR2只會搭配變焦鏡頭。
安裝鏡頭時，先將鎖定環逆時針鬆開，鏡頭上的光圈/焦距標線朝向機身左右面，將鏡頭接環上的小缺口對準機身接口的突起，確認鏡頭已經與機身密合，再將鎖定環順時針鎖上即完成。
一旦鬆開鎖定環，鏡頭就與機身脫離，所以拆卸鏡頭時，攝助務必緊握鏡頭以防掉落。
D：功能控制SR2沒有電源開關，只要裝上電池就能開始運作。
它的功能控制都在機身左側，由上至下分別是1.手動過片旋鈕：旋轉它會同時帶動過片抓勾以及旋轉鏡快門。
2.TEST(單格過片測試鈕)：鏡快門旋轉一圈，同時帶動底片移動一格。
3.快門桿：為三段式，最上方為Off，撥到最下方Start即開始攝影。
中間為Stand‐by，需配合把手使用。
4.快門鎖定撥鈕：只有其中一台有，可將快門桿鎖定於Stand‐by到Start兩段，或將快門桿鎖定於Off。
SR2可以安裝把手，左右皆可，但只有機身右側有接點。
橋接套件(見F:上腳架)與把手無法同時使用。
使用把手時，必須將快門桿撥至Stand‐by，才能透過把手啟動／停止攝影。
安裝前，請確認把手上的按鈕在Off狀態（長度較長），再插上把手接點，避免誤Roll底片。
E：片盒背側：機械式呎數表(部分片盒無法作用)頂側：安裝導桿，片盒安全扣左側/右側(外)：片盒開關，安全鈕右側(內)：鐵片心，順片桿左側(內)：塑膠片心，片心卡榫，順片桿，驅動齒輪前側：接合卡榫，導鉤，底片壓板，驅動齒輪底側：片圈長度指示線SR2使用的是400呎片盒。
片盒分成兩大部分，將呎數表面對自己，右側是生片區(Feed Side)，左側是熟片區(Take‐up Side)。
呎數表跟生片區的順片桿連動，順片桿在最外側時，呎數表指針停在最頂，表示生片區是全滿。
底片的帶動完全仰賴驅動齒輪，如果驅動齒輪依指示方向轉動不順暢，請立刻向系辦工作人員報修。
安裝底片安裝底片分成四階段。
在開始之前，請確實清除片盒內的底片殘屑，確認鐵片心與塑膠片心都在片盒內。
準備動作：把片盒的生片區朝上(壓板朝右)，與已拆封底片連同鐵盒裝入暗袋。
第一階段：生片區裝片。
1.先按住安全鈕，再依箭頭方向轉動片盒開關，打開片盒。
2.將順片桿撥到最外側固定。
3.將底片從鐵盒黑袋取出，摸索片頭，撕掉固定貼紙後把它貼在鐵盒上。
4.生片應依逆時針方向，齒孔朝下(BWinding)，5.拉出一段底片塞入右邊的縫隙中，緩緩推入，6.直到底片從壓板上方穿出一小段。
7.右手將穿入底片撥開避免壓折，左手將底片片心套至鐵片心，壓到底固定8.接著將順片桿扣上底片，注意順片桿是騎在底片上，才能確實順片9.即可關閉片盒，將片盒取出暗袋。
第二階段：預留片圈長度。
1.將片盒前側(壓板)面向自己，底側(指示線)朝前2.一手拉住露出的片頭，另一手依指示方向轉動齒輪3.把底片拉到指示線，保持適當鬆緊，如果太短則繼續拉出，太長則從對齊指示線的齒孔撕開4.接著把片頭塞入壓板另一邊的凹槽中，緩緩推入直到驅動齒輪開始轉動5.底片務必保持平整無折痕，如果發現有阻礙感，把底片抽出重新塞入，一旦有折痕則撕去，重新對齊指示線再裝第三階段：熟片區裝片。
1.驅動齒輪開始轉動後，依指示方向轉四到五次，將壓板朝左2.按住安全鈕後打開片盒開關。
3.先將順片桿撥到最外側，打開片心卡榫，4.把片頭從片心縫隙塞入，扣上卡榫，5.手指伸入片心空隙，依指示方向轉數圈，直到底片捲緊6.扣上順片桿，同樣注意要騎在底片上，再關閉片盒。
第四階段：做出片圈1.壓板面向自己，底側朝右，把底片塞入導鉤之間2.平行移動底片，直到右邊導鉤向左數三格齒孔都是透空3.左邊導鉤向左數應該可以看到三格齒孔4.右邊導鉤向右數應該可以看到三到四格齒孔到此裝片全部完成。
這時把片盒頂側朝上來看的話，就是上面三格下面四格，口訣念作上三下四，這是最適合的鬆緊程度，底片不會摩擦到片盒，也不會因過緊而拉斷。
裝好底片的片盒要裝上攝影機才能進行拍攝。
每組SR2都配有兩個片盒，可隨時替換不同感光度與片類的底片。
前置動作：先清理片門(Check Gate)，完成後，轉動過片旋鈕，讓兩隻抓勾不要突出，即可開始上片盒。
上片盒：一手握住頂側，食指壓住接合卡榫的柄，另一手扶住片盒下緣，向下稍微傾斜，先將卡榫插入導孔，確認導孔上側緊貼卡榫後，才把片盒放下，將安全扣撥到lock，完成上片盒動作。
卸除底片一捲400呎底片約可拍攝11分鐘，但一般不會把底片拍到用完(Roll Out)，而會蓋上鏡頭Roll 數秒，稱作Roll黑。
這個動作可以避免最後一個鏡頭被刮花或是受到不必要的感光。
前置動作Roll黑之後，將片盒從機身上取下，從壓板處撕斷底片，把熟片區朝上(壓板朝左)，準備兩個黑袋跟底片鐵盒，一起放入暗袋。
卸除熟片1.按住安全鈕，轉動開關打開片盒2.手指伸入片心順時針轉動數圈，直到撕斷的片尾被捲出。
3.將順片桿撥到最外側，打開片心卡榫，手指貼住片心內側，將底片向上提起。
注意不要將塑膠片心一起取出！遺失本零件將導致高額賠償！4.將底片依序裝入黑袋及鐵盒，取出暗袋後以電工膠帶封住鐵盒，清楚標示片類與拍攝捲號後儘速送沖。
卸除生片請一定要在暗袋中完成下列動作：1.把生片區朝上，開啟片盒。
依順時針旋轉底片，直到撕斷的片頭被捲出。
2.打開順片桿，雙手拇指壓住鐵片心，其餘手指伸入底片下方，將底片連同塑膠片心向上提起取出。
3.將底片依序裝入黑袋及鐵盒，取出暗袋後以電工膠帶封住鐵盒，並標示片類，特別註明為生片，以免搞混。
如果底片不易取出，可以將鐵片心中間的固定卡榫合上，連鐵片心一同提起，再以拇指將鐵片心推出，千萬不要把價格昂貴的鐵片心也裝進底片鐵盒！F：上腳架只要完成A至E的指示，SR2便能開始手持攝影。
如果需要上機拍攝，SR2不能直接使用系上腳架的雲台快拆板，而須使用橋接套件滑套+底板。
方向判別滑套一端有兩個孔洞，可以安裝支撐桿(俗稱象牙)，此端為前，與鏡頭同向。
底板一邊有按下後會自動彈回的防滑脫安全鈕，軌道有斜面的此側為尾端，朝向自己。
安裝方式1.將腳架油壓頭調整為水平。
2.先將雲台快拆板鎖在底板的底側。
底板有多組鎖孔，靠頭端開始鎖，才有調整重心的空間。
3.把滑套鎖上機身，把鎖定桿扳開(朝鏡頭方向推)4.壓住底板尾端的安全鈕，5.鏡頭面對底板軌道的斜面，再把滑套推入軌道，直到安全鈕彈回，將鎖定桿拉回即可固定。
拆卸方式一手握住機身把手，另一手扳開鎖定桿後，按住安全鈕，將機身往後拉出軌道。
G：其他配件SR2的配件還有跟焦器、遮光斗以及濾鏡組。
濾鏡要安裝在遮光斗上，遮光斗可直接鎖在鏡頭上，也可以安裝於支撐桿上；跟焦器一定要配合支撐桿使用。
G‐1：跟焦器 跟焦器由兩個組件構成：本體與驅動臂安裝方式 將驅動臂伸直裝上本體，稍微鎖緊螺絲之後，將本體ARRI的商標朝前，套入支撐桿至適當位置，鎖上固定螺絲，再將驅動臂的齒輪咬合鏡頭上的輪齒，鎖上驅動臂螺絲，轉動對焦環，確認可以帶動鏡頭對焦環，即安裝完成。