济慈夜莺颂韵律赏析

第一小节，较沉闷的元音(如在“heart”、“drowsy”、“numbness”、等词中)与较严厉的词(如“aches”、“pains”、) 形成一种强烈的对比。写诗人被美妙的歌声刺醒了被痛苦麻木的灵魂，一种隐隐的甜蜜的痛苦敲醒了诗人困顿的心神。/s/ /W / /z//T/ 等滑音的运用，给人一种舒缓的感觉，它像钝头痛一样，如丝般，一缕一缕，细细的侵入你的身躯，你的灵魂。沉闷的元音/Q /也缕缕出现（“drunk ”“some”“dull”等词中），与"beechen green","full throated ease"也形成一种对比，表现了诗人快感与痛苦的糅合，表现了诗人对那个明快亮丽世界的向往，与急于摆脱现实羁绊的强烈愿望。

第二小节，诗人用一系列爆破音/d/、/t/、/b/、/p/、/k/等与短元音/i//Q//A//R/等，构成一幅声音响亮、欢快的美好世界，那里有陈年佳酿，似灵泉之水，有生机勃勃的绿色，有舞步欢快，有笑声盈盈，有声声歌唱……诗人领我们走进了一个美妙的世界，实践着他所说的“那些值得尊敬的诗人是那些讲述悦耳动听故事的人”。

第三小节，/v/、/r/、/n/等辅音（如在“fever”“fret”“groan”中）的运用，使嗡嗡之声充溢其间，给人一种烦躁、压抑之感，一些沉闷的元音给人一种沉闷、无生气、瘫软的感觉。

第四小节，/s//f/等擦音及长元音/ei/、/i:/的运用，产生一站种柔和、安宁的效果。“fly”、“wings”、“tender”、“breezes”、“venderous”、“light”等词，一动一静、一明一暗，形成对比，使富有动感，柔风软拂，月光柔和，树林静谧，曲径通幽，给人一种宁静之感。

第五小节，“flowers”、“soft incense”“embalmed darkness”、“pastoral eglantine”等词产生一种柔美的艺术效果。头韵/m/的运用，告诉人民们在五月里，天气渐热，夹杂着苍蝇的嗡嗡声，让人们有一种昏昏欲睡之感。另外，元音从/Q/到/R/到/a:/到/ai/，不断变化，使人完全没有单调像琴键上跳跃的音符，避免了单调。

第六小节，长元音/i:/的连续运用，（如在“easeful death”“mused rhyme”“cease”“requiem”等中）带人进入一种幽静、甜熟、“奢侈”的死的意境之中。之是诗人的梦呓，是听着歌声沉醉的话语。

第七小节，/d/ /t/ /n/ /g/等辅音（如在“tread”“down”“night”“off-times”“magic”中）以及长音/ei//R://E://EU/等（如在“born”“immortal”“heard”“home”“casement”中）的运用，长短相间，意象跳跃较快，使整节诗充满了跳动的音符。

第八小节，一连贯/s/的运用（如在“sole self”“so”“elf”“fades”“past”“still stream”“vallage-glades”“sleep”等中）将读者留在那个已经离去的世界里，美妙的音乐久久盘旋在人们的心间。

诗人运用了典故：君王与平民的故事、圣经中的“路德记”和中世纪的神话故事，借以说明夜莺虽然将刺刺进自己的胸膛，但是它活在过去，现在和将来永世，他在这满目疮痍的世界里一视同仁，激励着一代一代的人，夜莺的歌声无处不在，是大地众生的希望，美的事物是万事永存的。

本首诗想象丰富，情感强烈，并在对比中显示出艺术魅力。诗人善于运用现实与理想的尖锐对立来展示诗人内心那无法克制的矛盾冲突；善于创造半虚半实的幻境和似梦非梦的情

调，从现实出发以理想为归宿，在对立中比较、扬弃，在不觉中坦露了诗人济慈可贵的艺术天性：即充满激情的火焰，又富有柔情的情怀；既有为人生操思的卷卷忧心，又有飘逸旷达，澄明无滞的气质。

The first section, compared with a dull vowel (as in the "heart", "drowsy", "numbness", such as word) with the more severe words (such as "aches", "pains",) to form a strong contrast . Poems were wonderful song was stabbed woke up numb the pain of the soul, a faint sweet pain awakens the poet exhausted mind. / S / / W / / z / / T / etc use of portamento, giving a soothing feeling, like a dull headache as it is silky, ray ray, thin invade your body, your soul. Dull vowel / Q / plume also appeared ("drunk" "some" "dull" and other words in), and "beechen green", "full throated ease" also form a contrast, a performance poet blend of pleasure and pain , a performance poet yearning for the bright and beautiful world, with a strong desire to rush to get rid of the fetters of reality.

The second section, a poet with a series of plosive / d /, / t /, / b /, / p /, / k /, etc. with the short vowel / i / / Q / / A / / R /, etc., constitute a pieces of loud, cheerful better world, where there are vintage, like the water Lingquan have vibrant green, merry dance, laughter sparkling with the sound of singing ...... poet led us into a wonderful world, the practice of what he calls "the poet who is worthy of respect melodious those who tell the story."

The third section, / v /, / r /, / n / and other consonants (such as "fever" "fret" "groan" in) the use of so hum filled the meantime, giving a irritability, depression of sense, some of the vowels giving a dull dull, lifeless, limp feeling.

The fourth section, / s / / f / etc fricative and long vowel / ei /, / i :/ use, generating a stop soothing, peaceful effect. "Fly", "wings", "tender", "breezes", "venderous", "light" and other words, a move a quiet, out of a dark, in contrast, makes dynamic, Roufeng soft brush, soft moonlight, woods quiet, winding streets, giving a sense of tranquility.

The fifth section, "flowers", "soft incense" "embalmed darkness", "pastoral eglantine" and other words to produce a soft artistic effect. Alliteration / m / use, tell the people who in May, the weather is getting hot, mixed with flies buzzing, so that people have a sense of the kind of sleepy. In addition, the vowels from / Q / to / R / to / a :/ to / ai /, constantly changing, people did not jump on the keys like a monotonous notes, to avoid monotony.

The sixth section, long vowel / i :/ continuous use, (as in "easeful death" "mused rhyme" "cease" "requiem", etc.) with some people go into a quiet, sweet and ripe, "luxury" of death The mood among. The poet's balderdash, is listening to the words of the song intoxicated.

Seventh section, / d / / t / / n / / g / etc consonants (as in "tread" "down" "night" "off-times" "magic" in) and long sound / ei / / R :/ / E :/ / EU / etc (such as "born" "immortal" "heard" "home" "casement" in) the use, length and white, image jump quickly, so that the entire section of the poem is full of beat note.