英美文学重点

英美文学重点
英美文学重点

一、I’m am Nobody! Who are you?

1.The speaker wants to be a Nobody,because she feels peaceful and quiet. Being

Nobody won’t be disturbed by others and can do what we want to do. The author is proud of being Nobody, and she wants to find somebody to be her friend, who is also Nobody, too. And being Somebody will face the facts that they will be watched by others, their life will be disturbed by others with many noisy.

Furthermore, there will be less private room.

2)Form

1.Satire 讽刺作品on the folly荒唐of seeking fame

2.Soliloquy独白

3. 2 stanzas两节

4.Iambic tetrameter (they follow an ABCB rhyme scheme)

5.Dashes破折号: to create a dramatic effect and to create more emotion; to forcefully

interrupt lines and interfere with the flow of her poem.

3) Theme

Satire on the folly of seeking fame; identity of self; love

4)Why does the speaker choose that frogs as her representative of a public creature?

It's because frogs make a lot of noise. The poem says that frogs, though they can croak and make themselves heard and be noticed, are noticed only by "an admiring bog." The bog is the frog's environment, not the frog's friend. So, who cares what the bog thinks? That's what the poem says about being a "somebody" who gets noticed by an admiring public. Frequently, the relationship is impersonal and distanced, not like a real friendship. Somebodies may have many admirers, but they might not be able to make those personal connections that real friendship offers.

2.rhetorical device/figure of speech

1)metaphor /simile暗喻

2)conversation

3)soliloquy

4)contrast/comparison:somebody and nobody

5)capitals:emphasize/refer to a particular type of person

3.P6 speaker; P15 image; P38 symbol; P55 setting; P81music

Speaker: The speaker is the voice, or mask or persona that speaks the poem. Image: Image is a concrete representation of an object or sensory experience/ Image is whatever appeals to any of our senses (including sense of hearing as well as of sight, smell, taste, touch and sound).

Symbol: Symbols are a part of our everyday lives. A symbol is a sign which suggests more than its literal meaning. A symbol is an image but an image is not necessarily a symbol.

Setting: The time and location in which a story takes place—place, time, weather conditions, social conditions, mood and atmosphere

Figurative比喻的language: metaphor暗喻(is), simile明喻(as, like), personification 拟人

Musical effect: Alliteration头韵: the repetition of initial consonant sounds

Assonance元韵: the repetition of vowel sounds

Consonance辅韵: the repetition of final consonant sounds

Rhyme: the combination of assonance and consonance

I’m nobody! who are you; I wondered lonely as a cloud: 抑扬四步格iambic tetrameter

When you are old: 抑扬五步格iambic pentameter

二、A clean well-lighted place

1、Hemingway:极简主义Minimalism 、冰山原则Ice Principle、存在主义哲学理念Existentialist Ideal

1)对话形式dialogue: expect us to engage in the narratives and stir up our imagination to understand the emotional core

2)no any adjective or adverb: It is able to make readers feel the emotion of the character directly and the best way to produce the effect is to set down exactly every particular kind of feeling without conventionally emotive language and with a bare minimum of adjectives and adverbs.

2、Theme

Failure to communicate; loneliness; futility/despair; old age; loss of faith, nothingness; existentialism; grace under pressure;no hope, no solace安慰, no escape

3、writing style

1)economy of words- simple but suggestive

2)reliance on dialogue-showing rather than telling, highly suggestive of personality

3)repetition-foregrounding the theme

4)antithesis对照-binary oppositions used to contrast different values and forces

5)Ambiguity 含糊

6)Symbolic meaning

a.Light: represents and device man uses to distract himself from the darkness. The

story’s image of the lighted café in the sea of dark nothingness perfectly symbolizes Hemingway’s nihilistic虚无主义的view of a world.

b.Café: a refuge from despair(loneliness), where those lonely can pass their time

with dignity.

c.Shad/shadow: comfort/ warmth

d.Darkness: death, fear, loneliness, despair

e.Brandy: mental/ spiritual anesthesia精神麻醉

3、Character:

The old man: drown his sorrows in the drink and his sorrows grow out of loneliness The old waiter: compassionate, in the process of understanding and coming to terms with loneliness

The young waiter: acerbic尖酸刻薄的, resist the idea that one day he will also be the old man, think youth and confidence with last forever, immersed in专心于happiness, has little understanding for those lonely

4、code-hero

The old waiter:A compassionate man who understands why the old man may want to stay late at the café. The older waiter enjoys staying late at cafés as well. He thinks it’s very important for a café to be clean and well lit, and he sees the café as a refuge from despair. Rather than admit that he is lonely, he tells himself that he has insomnia. can understand the old man

四、Rice

1.Characters

Women images: (1) Mom: weak/ submissive顺从的; obedient服从的;Nurturing培养(2) The speaker: rebellious反抗的/ independent/ intelligent; Na?ve/ biased结果偏倚的(3) Grandma: The real victim who eternalized永恒the value of the institution/ institutionalized/ indoctrinated灌输、教导; Demonized妖魔化的/ stereotyped

Contrasting形成鲜明对比的culture: patriarchal家长的, hierarchical等级的, monotonous, exclusive排外的, superstitious迷信的, frugal节俭的, democratic民主的, dynamic, exciting, inclusive包含的

2.Symbolic meaning of rice

1)Chinese traditional value: rice is important in agriculture in society

2)A tool of living

3)The fate of the writer. The writer didn’t like eating rice and didn’t eat rice when she left home, but her husband asked her to cook a bowl of rice for him when they

got married.

4)The daily life of writer’s family. In the writer’s family, they have rice in each meal.

Even though her mother quarreled with her father, she stilled asked the writer to give her father a bowl of rice.

3、中心思想:the realization of one's true identity。

Younger generation is confused with the conflict between the traditional value of their parents and the modern value of the West. The author firstly wanted to escape her traditional value of her family, and the marriage of her is a combination of tradition and Westernization. But at last she no longer dismissed it as old fashion. She can accept some of the traditional value after she has some contact with western ones. When people are challenged., they are forced to think about their present status. Through thinking process, they gain better understanding of their own identity. Even though we reject、try to escape or ignore our identity,it may still come around as we have contact with other people. We still have our own identity no matter where we are.

三、I wandered lonely as a cloud

1、rhyme scheme: iambic tetrameter ABABCC

2、rhetorical device:

1)metaphor /simile

2)images:

daffodils:

a.Imply an inherent内在的unity between men and nature (line 1-3)

b.The daffodils proliferate in splendor along the shore of the lake without the need of human attention (line 3-8)

c.Loneliness turns into joy; the shift of the mood manifests the great influence of nature upon human (line 8-18)

d.When they are combined, it appeals richly to the senses and the imagination of human(最后一节)

e. happiness、friendship、beauty,joy

Cloud: lonely、isolation、tranquility平静、安静、graceful悠然的、lost、aimless、confused、free、relaxed

3)symbolic images:

Daffodil: symbolize the beauty of nature;symbolize living a life as rich in experience and sensation as would make a life worth living;a spiritual pursuit精神追求

Wave: the ugly reality

3)拟人personification

4)反复reiteration:I gazed -and gazed-but little thought(语态不同,emphasize he is attracted by the beautiful scene.)

3、theme

happiness; man, and the natural word (nature’s beauty uplifts human spirit); spirituality; memory and the past

四、Araby

1、setting: The blind end, a dead end with no vision, symbolize the circumstances the boy situated in—there is no escape and no choice.

The other surroundings that sent forth disgusting odor was exactly the darkness and corruption of Dublin, indicated that I doomed to fail reaching my romantic dream in such a social circumstance.

2、symbolic meaning

a.Apple trees: the garden of Eden, a symbol for the boy’s first love, a wish to try

something new. But the tree was in a “wild garden” suggests that the tree might not grow up robustly. This means that a trial for a new thing wasn’t encouraged by the Irish society, and the boy’s love towards Mangan’s sister couldn’t breed some results.

b.The priest: The priest had gone, just like his “rusty bicycle-pump”, deserted and

forgotten by other Dubliners. So, the priest is a symbol of the vital past, a contrast to the “blind” and paralyzed present. It tells us that the freedom of the Ireland has gone and people then had no passion for a bright future.

c.The street was blind, the surroundings were all unpleasant: represent the whole

Ireland, center of paralysis麻痹、无力、停顿, indeed a sterile waste land, bad economy, corrupted church; secularized世俗的church, loss of local identity;

colonization殖民by England.

d.Blind: These are the two “blind” used in the novel

Adj. Symbolizes paralysis of Dublin as well as Ireland; indifferent to the outside world or dreams

n. Manan’s sister couldn’t “me”; the blind also prevented me from seeing her clearly. Indicate a childish dream (Mangan’s sister)/fantasy: it is hard to be realized

for “I” only “watched it from a blind”.

e.Araby: a real festival in Dublin.

The boy’s dream and love, the ideal and braw life, is the place where the

boy’s dream begins and ends

3、Theme

a.Epiphany顿悟—sudden realization

b.Maturing: growing-up (anguish and anger)

c.Gap between the ideal and the reality

d.Disillusion: love, passion of life

e.The sense of isolation

f.Spiritual paralysis: The loss of devout catholic faith represented by the priest.

The unexamined faith seen in Ms. Mercer who collected

stamps (money) for pious reasons (the church)

4、为什么结尾那里写着我的眼睛充满痛苦和愤怒?

Because Araby symbolized the boy’s dream and pure love before he went there. However, after he arrived there, he found that Araby actually was a trite(陈腐的)bazaar,just along with material and philistine(市侩的)people, which is completely different from what he thought about. Also, at that time the boy had little money, and it was dark, which all made it so hopeless. The ending shows us that the boy’s idealized vision of Araby is destroyed, along with his idealized vision of Mangan’s sister, and of love. So, it said that “my eyes burned with anguish and anger”.

It is from an innocent ,idealized boy to an adolescent dealing with harsh realities, which is called “epiphany”(顿悟)between the reality and dream.

2.Characters:

Narrator: a young, sensitive (almost neurotic) boy who confuses a romantic crush and religious enthusiasm.

Mangan’s sister: described in reverential terms which call to mind the Virgin Mary.

This dual image description of Mangan’s sister represents the religious and romantic confusion of the narrator.

Narrator’s aunt: a mother figure; religious; exhibits empathy

Narrator’s uncle: self-centered; very unreliable; bears resemblance to his own

father; symbolizes the general public of Dublin.

Mercer, Mrs.: pawnbroker’s window who has an unexamined faith

五、Sonnet 130

1、Form

A sonnet has 14 lines

A sonnet must be written in iambic pentameter抑扬五步格

A sonnet must follow a special rhyme scheme, depending on the type of sonnet

A sonnet can be about any subject, though they’re often about love or nature

A sonnet introduces a problem or question in the beginning, and a resolution is offered after the turn.

2. theme

To subvert and reverse the conventions of love poems; mockery of old tradition; challenging the conventions of love poems

a.No use of grand宏伟的metaphor暗喻or allusion暗示

b.No comparison of his love to Venus

c.No evocation唤起to Morpheus睡神, etc.

d.The ordinary beauty and humanity of his lover

e.Deliberately uses typical love poetry metaphors against themselves

f.Making fun of the cliché/ mocking of the writing convention

g.Reflect men’s desire towards women (objectification客观化of women/

sexual desire)

h.Love (beauty is in the eyes of the beholder/ beauty is only skin-deep/ a

fickle lover/ a teasing lover/ a cruelty honest lover/ a unfortunate lover)

i.The girl as a metaphor of imperfection (state of life/ the poet himself/

writing skills)

j.The universal standard/ criteria of beauty

k.Racial problems

3.Insteading of exaggerating the beloved’s physical features by comparing them to the sun, coral, snow, roses, perfumes, goddess, the speaker declares that he can proclaim his love for her while maintaining her humanness

The speaker swears that he loves his mistress just as much as those poets who exaggerate their beloved’s features. He loves her simply because she’s rare or a unique individual. He wishes to proclaim his love but in truthful, human terms.

4. iambic pentameter: a. Is a sound pattern; b. IAMB: one unaccented (or unstressed) syllable with one accented syllable; c. It’s like a heartbeat: ba-bum, ba-bum, ba-bud. Five “ba-bum”s in a row make one line of iambic pentameter (10-syllable lines)

六、When you are old

1、rhetorical device/figure of speech

1)imagination:old、clumsy、warm、fragrant、bitter

2)Contrast:attractive girl and the old lady;other people's love and his love;reality and imagination;false and true;glad grace and changing face;beauty and pilgrim soul

3)Capitals:Love: goddess of love Aphrodite

4)Images:

fire: warmth;

mountains: tough、sublimation升华

stars: forever love

2.rhythm scheme韵律

1)iambic pentameter

2)Musical effect: weary repetition

The repeated use of “and” gives a slow pace to the poem, contributing to the stagnant atmosphere and slow movements of the old woman.

3.Themes: despite its surface simplicity, this poem is thematically complex

a.Love, loss and regret

b.The fleeting nature of life and love

c.False love vs. Truth love

d.Ideal love

七、The story of an hour

1.Setting: early 20th century

2. Themes:

a. gender issues

b. language

c. freedom and confinement

d. time

e. mortality

3. She put much concentration and emphasis on women’s lives and their continual

struggles to create an identity of their own within the boundaries of the patriarchy. Chopin undermines patriarchy by endowing the other, the woman, with an individual identity and a sense of self which the letters she leaves behind voice.

Women’s contradictory roles in marriages and feminine identity

a.Women as property

b.Isolation vs. solitude

c.The demands of society vs. the needs of individuals

d.The purity of sexual vs. artistic desire

e.Escape from control

f.Motherhood vs. self-determination

g.Birds vs. wildlife

h.Sleep vs. rest

英美文学史名词解释

英美文学史名词解释 TYYGROUP system office room 【TYYUA16H-TYY-TYYYUA8Q8-

英美文学史名词解释 1.English Critical Realism English critical realism of the 19th century flourished in the forties and in the early fifties. The realists first and foremost criticized the capitalist society from a democratic viewpoint and delineated (portrayed) the crying (extremely shocking) contradictions of bourgeois reality. The greatness of the English realists lies not only in their satirical portrayal of bourgeoisie and in the exposure of the greed and hypocrisy of the ruling classes, but also in their sympathy for the laboring people. Humor and satire are used to expose and criticize the seamy (dark) side of reality. The major contribution of the critical realists lies in their perfection of the novel. Charles Dickens and William Makepeace Thackeray are the most important representative of English critical realism. 2.The "Stream of Consciousness" The "stream of consciousness" is a psychological term indicating "the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the person's will." In late 19th century,

英美文学重点整理

What’s symbolism? 1)Symbolism is a movement in literature and the visual arts that originated in France in the late 19th century. In literature, symbolism was an aesthetic movement that encouraged writers to express their ideas, feelings, and values by means of symbols or suggestions rather than by direct statements. Hawthorne and Melville are masters of symbolism in America in the 19th century. 2)举例。

48. “Young Goodman Brown ”is one of Hawthorne ’s most profound tales. What is the allegorical meaning of Brown, the protagonist? What does Hawthorne set out to prove in this tale? How does Melville comment on Hawthorne ’s manner of concerning with guilt and evil?

**ELIZABETH **4. A comparison of the three giants: William Dean Howells; Mark Twain; and Henry James They are the three dominant figures of the realistic period. The forerunner of American Realism is Howells. Though the three writers wrote more or less at the same time, they differed in their understanding of the “truth.”While Mark Twain and Howells seemed to have paid more attention to the “life”of the Americans, Henry James had apparently laid a greater emphasis on the “inner world”of man. Though Twain and Howells both shared the same concern in presenting the truth of the American society, they had each of them different emphasis. Howells focused his discussion on the rising middle class and the way they lived, while Twain preferred to have his own region and people at the forefront of his stories. This particular concern about the local character of a region came about as “local colorism,”a unique variation (变体) of American literary realism.

英美文学选读 傲慢与偏见

英 美 文 学 选 读 论 文 《傲慢与偏见》的女性 叙事视角解读 姓名: 班级: 学号:

《傲慢与偏见》的女性叙事视角解读 摘要: 奥斯丁在《傲慢与偏见》中,通过在全知视角下具有限制性的叙述模式向我们展示了灰姑娘的浪漫爱情故事,描绘出作者所处时代的社会道德风貌,表达了作者的女性抗争意识及对当时社会婚姻观的批判。 关键词: 全知视角;有限视角 在奥斯丁的著作中,《傲慢与偏见》一直深受读者的喜爱,并经受住了时间的考验,成为文学史上不休的名著。剖析其原因,发现这与奥斯丁高超的叙事技巧是分不开的。自小说发表以来,其叙述技巧引起了广泛的评论,纵观其评论,发现对其独特的女性视角分析还是不够。在这部小说中,奥斯丁颠覆了以往男权统治下的话语权,采用了全知视角下,从女性的有限视角展示故事,从女性的角度来描写生活,并首次让小说中的女性形象第一次成为真正意义上的主角,让女性有了话语权。因而,从女性视角这一角度对小说进行解读,对于理解和把握作品具有重要的意义。申丹曾指出:叙事者的性别不同,往往会对叙事模式及其意义产生影响。把性别和视角结合在一起的女性视角是指从性别入手来审视人类的文化遗产和文化创造的一种批评观念和批评角度。本文将从女性叙事视角对小说进行解读,发掘其对于展现女性意识的意义。 叙事视角,在文学作品中是指作品叙述者或者人物从什么角度观

察故事。从小说的整体来说,奥斯丁在《傲慢与偏见》中选择了全知视角,如在交代故事背景,人物首次出场以及在每章节中奥斯丁看似无意的评述。例如:小说的第一章第一句话就是通过贝内特太太总括式的议论“有钱的单身汉总是要娶位太太,这是一条公认的真理。”使读者顷刻间就能识别人物形象。贝内特太太在全知叙述视角下,是作为被叙述对象而存在,她的那句总括式议论,与作者的价值信念是完全不同的,因而造成了读者与她的距离,读者高高在上地评判着贝内特太太,笑她的迂腐和无知。但是正是这一人物形象,却揭露了当时社会上普遍流行的婚姻价值观,正是因为当时流行的婚恋观所以贝内特太太才把嫁女儿当作自己的人生大事,读者在嘲讽贝内特太太的同时也了解了整个社会背景,实际上读者对贝内特太太的疏离也拉近了读者和隐含作者的距离,从而拉近了读者和女主人公的距离。在全知视角的应用方面还可以从小说的第二十二章中,作者那一段心酸讽刺的话语评价了夏绿蒂的婚姻看出。“大凡家境不好而又受过相当教育的青年女子,总是把结婚当作仅有的一条体面的退路。尽管结婚并不一定会叫人幸福,但总算给自己安排了一条最可靠的储藏室,日后可以不致挨冻受饥。”这句话揭示出了当时女子在婚姻方面的被动局面,在男权社会里,女性一直处于附属地位,婚姻是两个门当户对家庭的结合,爱情的有无处于次要地位。对于女性来说,她在婚姻市场的卖点取决于她能够带来的嫁妆,像夏绿蒂这样没有嫁妆的女性,在当时只有两条路可走,一条是做家庭教师,另一条就是抓住婚姻,所以当迂腐的柯林斯向她求婚时她爽快地答应了,这在夏绿蒂看来似乎

英美文学名词解释(1)

Epic: A long narrative poem telling about the deeds of a great hero and reflecti ng the values of the society from which it originated. The style of epic is grand宏伟的 and elevated高尚的. John Milton wrote three great epics:Paradise Lost,Paradise Regained and Samson Agonistes. Sonnet(十四行诗 A sonnet is a lyric consisting of 14 lines, usually in iambic pentameter restricted to a definition rhyme scheme Renaissance the activity, spirit, or time of the great revival复活 of art, literature, and learning in Europe beginning in the 14th century and extending to the 17th century, marking the transition过渡from the medieval to the modern world.the essence of the Renaissance is Humanism The Renaissance Period A period of drama and poetry. The Elizabethan drama is the real mainstream of the English Renaissance. Humanism人文主义 Humanism is the essence of the Renaissance. 2>it emphasizes the dignity of human beings and the impo rtance of the present life.Humanists voiced their belie fs that man was the center of the universe and man did not

如何学习《英美文学选读》

要通过《英美文学选读》这门课考试,不是考前“冲刺”一类的短训能奏效的。这门课难就难在它的阅读量很大,它包括英国和美国的诸多作家的诸多作品,而每一部作品就是一部书。现行统一教材在作家和作品的选取方面尽管已经是精而又精了,但还是不得不采用节选的办法来压缩篇幅。即便如此,为了更好地理解作品,考生还不得不在对整部作品了解的基础上,在教师指导下反复阅读节选,才能对节选部分的内容以及思想有较好的理解。不过文学阅读也有规律可循。下面的文字就“选读”课的性质、阅读时读取什么信息、现行试题各个部分的考查点是什么、如何回答简单论述题等问题,给考生一点提示,希望能对考生学习、复习《英美文学选读》课提供一些帮助。 第一部分《英美文学选读》课的性质 一、《英美文学选读》课的重点是作品顾名思义,“英美文学选读”是有选择地阅读英美文学史上有影响作家的重要作品,熟知作品内容,了解大多数批评家和读者已经接受的对这些作品主题的表述,并能从作品中找到、列举出证明这些表述的细节。这样的定义里有三个要注意的问题。一是作品内容,二是作品里的细节,三是节作品主题。三个同等重要,学习者不能只取其一。以小说为例,所谓作品内容,是指情节(plot)、场景(setting)、人物(characters)、语气(tone)、以及语言(style)。情节是指故事里所展示的事件和这些事件按作家意愿有序的安排,如事件发生的背景、事件中涉及的人物、事件本身(即冲突)、以及解决冲突的办法和结果。情节就是故事;没有情节就没有故事;熟知情节是理解文学作品,特别是小说和戏剧的第一、也是不可缺少的一步。不掌握故事情节,对作品进行深入分析就无从谈起。有故事当然就有人,对人物的分析是对作品分析的核心。语气是指作者在他/她刻画人物、安排情节、描写场景时所持的态度,而作者的态度直接影响我们对作品思想的理解。作者要表达自己对人物、事件的态度,只有通过文字才能与读者交流,而不同的作家使用语言的风格(style)是不一样的。如果掌握了以上内容,就掌握了细节,之所以把细节单列出来,是因为多数考生只记得大概情节,考试中不能用具体的细节进行人物或思想分析、评述,空话太多。劳伦斯小说《儿子与情人》(Sons and Lovers)里,成年的保罗是如何仍然生活在他母亲的掌控之下的细节,是分析这部作品里的人物和主题的关键,不能引用相关细节作为根据,分析就失去了基础。阅读文学作品一定要在一般性的了解情节的基础上,尽量记一些细节,细节显示考生对作品的熟悉程度。主题是对作品思想的高度概括。教材里作家作品概述和作品简介(斜体部分),对作品主题已有简明准确的表述,考生不可不读。对这些表述的理解,又是以考生对作品内容、细节的掌握为基础的。作品内容、细节、主题是考生学习的重点。 两点说明: (一)这里我们姑且不讨论新批评对作者和作品关系的观点,也不去讨论接受美学和读者反映理论,本科阶段没有开设文学批评理论课,没有必要进行那样的讨论,教师也不要引入类似的话题,以免造成不必要的困惑。 (二)从历年考题来看,作家的生卒年月、家庭背景、接受教育情况、作品发表年代等都不在考察范围,考生不必在这些方面浪费时间。目前市场上有一些英美文学教材和辅导材料在作家生平上花费了相当的篇幅,有的甚至远远超过了对文学作品本身的介绍和分析,这类书籍对考生复习没有多大帮助。教育部组织专家编写的现行教材尽管可以再修改、完善,但它的最大好处是它给考生提供了学生最需要的作品概要和精确而恰当的分析(教材里作品前的斜体部分),对考生从作品全貌理解文学作品很有帮助。 二、文学作品与文学史的关系关于文学作品和文学史哪个在先、以及哪个更重要的问题,我们还是留给专门的学者去争论,我们要搞清楚的是考生学习过程中应该以哪一个为重点的问题。前面讲选读课的性质时已经讲过,《英美文学选读》课的重点是作品,以往考试所包括的内容也充分说明了这一点,似乎没有争论的必要。但我们不得不考虑另一个无法回避的问题:如何对待教材中每个文学阶段前对该时期影响文学作品的经济、文化、社会、思想思

北京外国语大学英美文学专业初试复试备考经验及03

北外英美文学专业初试复试备考经验及 03—06真题 准备考研的时间不长,只有三个月,总结起来两大经验吧,细节和节奏。细节是说考研要做个有心人,要勤看别人的经验,即使不是一个方向的。因为虽然准备的内容不同,但过程都是一样的(讲到底也只有专二不同)。学习别人的经验自己才能避免走别人的弯路,犯别人犯过的错误。节奏是说时间的充分利用,时间不在长短而在效率的高低,要根据自己的情况制定合适的复习计划。在这里给大家小小的鼓励一下:永远不要觉得时间不够用,也永远不要觉得这是不可能完成的的任务。当然要基于自身实力和现实的考虑,我相信大家都明白我的意思。等到真正做到了,你就是那个“传说”。 政治:六十多分没什么经验。。。。。。总的感觉是过线不拉分就好因为进入复试政治和二外就不算分了,不要给自己太大的压力,不要浪费过多的时间,节省下来精力好好看专业。 法语:学校用的是很老的橘黄色皮的《法语》,先复习一遍,把忘掉的知识捡回来。然后把历年真题研究一遍,考察的知识点就那么多,有的题基本没变隔年又考一次。从图书馆借来新大学法语1-3,从头到尾梳理知识点整理笔记。因为知道考什么,所以看得有重点。借书的好处之一就是“书非借不能读也”,借来的总要还,有压力就看得快了,而且借的书都少都有点笔记,看看也是很好的。

基英:分阅读,翻译和写作三个部分。像名字一样就是考察英语的基础,所以投机取巧是不可取的,要稳扎稳打地不间断复习。阅读--每天精读一篇1500字左右的新闻,有用的词句整理出来,有兴趣的段落翻一翻,阅读是最好的输入方式,扩大阅读量不言而喻,也对写作和翻译大有益处。翻译--练了叶子南里面几个靠谱的文章,订在一起没事看看,每翻译一篇都会看到自己逐步的进步,翻译得逐渐成熟。写作—写作看的是内容、结构和语法。虽然在考场上不可能三方面都完美,但是写的时候有这样的意识在脑子里,偏也偏不到哪里去。基础自认为还是不错的,所以每天的复习就是一个routine,保持对英语的娴熟度,主要的精力都集中在复习专业上了。 专业:文学选段匹配+小说分析,今年取消了逻辑题。虽然文学的复习范围没边没沿,文学著作浩如烟海;但是恶俗的讲一句,只要是考试,它就有它的侧重点和一定的规律。文学选段匹配--本着上一原则,我把历年真题找来统计了一下每年考得上都是谁的作品,集中在哪几部作品上。统计过后发现大概十人左右而且都是大家Mark Twain, Charles Dicke ns, Wordsworth…然后就拜读他们的大作就好了。小说的话要先看看写作风格,像总考的adventures of huckleberry finn,如果没读过现读是来不及的,但只要了解马克吐温的写作风格,就会在看到南方方言的第一时间想到他老人家。诗歌

英美文学名词解释(1)

1puritanism清教主义 The dogmas 教条preached by Puritans. They believed that all men were predestined命中注定and the individual ‘s free will played no part in his quest for salvation. This was a rejection of the dogmas preached by the Roman Catholic Church and its rites仪式. The Puritans also advocated a strict moral code which prohibited many earthly pleasures such as dancing and other merry-makings.清教徒提倡严格的道德准则禁止如跳舞和其他许多世俗的快乐的气质。They stressed the virtues of self-discipline,自律thrift节俭and hard work as evidence that one was among the “elect” to be chosen to go to Heaven after death 2Romanticism The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, 残忍的stupidity, superstition,迷信的and barbarism. Instead, the Romantics asserted that reliance 依赖upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics 伦理and living. The Romantic movement typically asserts 声称,代言the unique nature of the individual, the privileged status 特权地位of imagination and fancy想象和幻想, the value of spontaneity over “artifice” and “convention”价值的理解“技巧”和“公约”,the human need for emotional outlets, the spiritual destruction 精神上的摧残of urban life.城市生活。Their writings are often set in rural, or Gothic settings and they show an obsessive 强迫性的concern with “innocent” characters—children, young

却最简洁最重点的英美文学考试重点

一、The Anglo-Saxon period (449-1066) 1、这个时期的文学作品分类:pagan(异教徒) Christian(基督徒) 2、代表作:The Song of Beowulf(national epic民族史诗)metaphor alliteration。 3、Angles, Saxons and Jutes. 二、The Anglo-Norman period (1066-1350) 1、The Roman Conquest: In 1066, the Duke of Normandy William led the Norman army to invade England. The result of this war was William became the king of England. After the conquest, feudal system was established in English society.Chivalry was introduced by the Normans into England. Sir Gawain and the Green Knight头韵 2、传奇ramances:描写骑士的冒险精神和典雅爱情文学。seek adventures , fighting for his lord in battle,humility,honor,sacrifice,brave,honesty,love with women 三、Geoffrey Chaucer (1340-1400)(反封建、反教会、追求个性自由) 1、the father of English poetry 英国诗歌之父 2、purely English(the London dialect伦敦方言) 3、heroic couplet英雄双韵体

英美文学选读试题详解3

英美文学选读-阶段测评3 成绩:87.5分 一、Multiple Choice 共40 题 题号: 1 本题分数:2.5 分 https://www.360docs.net/doc/6a15618481.html,wrence’s novels( )are generally regarded as his masterpieces. A、The Rainbow,Women in Love B、The Rainbow,Sons and Lovers C、Sons and Lovers,Lady Chatterley’s Lover D、Women in Love,Lady Chatterley’s Lover (P370.para2)劳伦斯的成名作是《儿子和情人》,而其代表作是《虹》和《恋爱中的女人》 标准答案:A 考生答案:A 本题得分:2.5 分 题号: 2 本题分数:2.5 分 T.S.Eliot’s poem( )is heavily indebted to James Joyce in terms of the stream - of -consciousness technique,also a prelude to The Waste Land. A、―Prufrock‖ B、―Gerontion‖ C、The Hollow Men D、Lyrical Ballads (P358.para3)―Gerontion‖是一部用戏剧式独白写成的诗歌,是《荒原》的前奏曲,也采用了意识流派的文风。 标准答案:B 考生答案:B

本题得分:2.5 分 题号: 3 本题分数:2.5 分 https://www.360docs.net/doc/6a15618481.html,wrence’s autobiographical novel is( ). A、The Rainbow B、Women in Love C、Sons and Lovers D、Lady Chatterley’s Lover (P369.para1)劳伦斯的作品大多都是从心理上去探求让人的本能的,同时也反映人性中最内在的东西。其作品《儿子和情人》真实地反映了自己在童年时期的家庭状况,被视为其半自传体小说。 标准答案:C 考生答案:C 本题得分:2.5 分 题号: 4 本题分数:2.5 分 The typical representatives of G.B.Shaw’ s early plays are( ). A、Man and Superman,The Apple Cart B、Widowers’ House,Mrs. Warren’ s Profession C、Candida,Mrs. Warren’ s Profession D、The Apple Cart,Widowers’ House (P321-322)。萧伯纳的第一步剧作是Widowers’ House,写于1892年;第二部剧作是Mrs. Warren’ s Profession,写于1893年。 标准答案:B 考生答案:B 本题得分:2.5 分 题号: 5 本题分数:2.5 分 It was only after the publication of( )that https://www.360docs.net/doc/6a15618481.html,wrence was recognized as a prominent novelist.

英美文学知识点总结(适用于英语专八)

Old English Literature 古英语文学 (450-1066年) Beowulf (贝奥武甫)---The first English national epic 中世纪英语文学(1066-1500) Geoffrey Chaucer(乔叟,c. 1343–1400) was an English poet. He is remembered for his The Canterbury Tales《坎特伯雷故事集》, called the father of English litera ture―英国文学之父‖William Langland (朗格兰,1330?-1400?),the author of the 14th-century English long narrative poem Piers Plowman《农夫皮尔斯》. 文艺复兴(16-17世纪) William Shakespeare (莎士比亚,1564-1616), English poet and playwright, his surviving works consist of 38 plays, 154 sonnets, two long narrative poems Venus and Adonis 《维拉斯和阿多尼斯》The Rape of Lucrece.《鲁克丽丝受辱记》 Shakespeare‘s greatest works: greatest tragedies are King Lear 《李尔王》,Macbeth《麦克白》,Hamlet《哈姆雷特》, Othello 《奥赛罗》,Romeo and Juliet 《罗密欧与朱丽叶》 grea t comedies: A Midsumme r Night‘s Dream《仲夏夜之梦》,As You Like It 《皆大欢喜》,The Merchant of Venice 《威尼斯商人》, Twelfth Night 《第十二夜》 great historical plays: Richard III 《理查三世》,Henry IV 《亨利四世》, Henry V 《亨利五世》, Henry VII 《亨利八世》 John Milton (弥尔顿, 1608-1674)was an English poet and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost《失乐园》, Paradise Regained《复乐园》Samson 《力士参孙》. 18世纪文学和新古典主义 Alexander Pope (浦柏,1688-1744 ) is generally regarded as the greatest English poet of the eighteenth century, best known for his satirical epigram 讽刺隽语and heroic couplet英雄双韵体.His major works include mock epic satirical poem An Essay on Man 《人论》and An Essay on Criticism 《论批评》 Daniel Defoe ( 笛福,1660—1731)was an English writer who gained enduring fame for his novel Robinson Crusoe《鲁滨逊漂流记》, spokesman for middle-class people Henry Fielding (菲尔丁, 1707 ---1754) ,an English novelist known for his novel:The History of Tom Jones. Jonathan Swift (斯威夫特,1667-1745), was an Anglo-Irish novelist, satirist. He is remembered for novel such as Gulliver‘s Travels《格列佛游记》. Richard Sheridan ( 谢立丹,1751—1816), Irish playwright ,known for his satirical play School of Scandal(造谣学校). He was a represntative writer of Comedies of Manners. Laurence Sterne (斯特恩,1713—1768 ), an English novelist. He is best known for his novel Tristram Shandy (《商第传》). Oliver Goldsmith (哥尔德斯密斯,1728-1774)English novelist, known for his novel Vicar of Wakefield (《威克菲尔德牧师传记》) Thomas Gray (托马斯?格雷1716—1771 ),an English poet, author of Elegy Written in a

英美文学名词解释总结.doc

英美文学名词解释总结 Romance:Anyimaginationliteraturethatissetinanidealizedworldandth atdealswithaheroicadventuresandbattlesbetweengoodcharactersandvi llainsormonsters.传奇故事:指以理想化的世界为背景并且描写主人公的英雄冒险事迹和善与恶的斗争的想象文学作品。 Alliteration:Therepetitionoftheinitialconsonantsoundsinpoetry.头韵:诗歌中单词开头读音的重复。 Couplet:Itisapairofrhymingverselines,usuallyofthesamelength;oneoft hemostwidelyusedverse-sinEuropeanpoetry.Chaucerestablishedtheus eofcoupletsinEnglish,notablyintheCanterburyTales,usingrhymingiam bicpentameterslaterknownasheroiccoupletsBlankverse:Versewritteni nunrhymediambicpentameter.素体诗:用五音步抑扬格写的无韵诗。 Conceit:Akindofmetaphorthatmakesacomparisonbetweentwostartlin glydifferentthings.Aconceitmaybeabriefmetaphor,butitusuallyprovid estheframeworkforanentirepoem.Anespeciallyunusualandintellectual kindofconceitisthemetaphysicalconceit.新奇的比喻:将两种截然不同的食物进行对比的一种隐喻。 它虽被视为是一种隐喻,但是它往往构建了整首诗的框架,

自考英美文学选读要点总结整理出考点26位作家完整教学内容

英美文学选读要点总结精心整理(只考26位作家) [英国』Chapter1 The Renaissance period(14世纪至十七世纪中叶)文艺复兴 1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。 2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心,人是万物之灵。 3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据,来赞美人性,并开始注意到人类是崇高的生命,人可以不断发展完善自己,而且世界是属于他们的,供他们怀疑,探索以及享受。 4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托马斯.摩尔,克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。 5. Wyatt introduced the Petrarchan sonnet into England.怀亚特将彼特拉克的十四行诗引进英国。 6. The first period of the English Renaissance was one of imitation and assimilation.英国文艺复兴初期只是一个学习模仿与同化的阶段。 7. The goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.人文主义诗歌的主要目标是对传统习俗的熟练运用,语言的力度与气概,而最重要的是发展了修辞模式,即将格律,韵脚(式),组织结构,意象(比喻,描述)与议论都结合起来勾画出情感主题,并将其极为鲜明生动的表现出来。 8. The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and Ben Jonson.文艺复兴时期英国最著名的戏剧家有克利斯朵夫.马洛,威廉.莎士比亚与本.约翰逊。 9. Francis Bacon (1561-1626), the first important English essayist.费兰西斯.培根是英国历史上最重要的散文家。(III)William Shakespeare威廉.莎士比亚 17. The first period of his dramatic career, he wrote five history plays: Henry VI, Parts I, II, and III, Richard III, and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, and Love’s Labour’s Lost.在他戏剧创作生涯的第一个阶段,他创作了五部历史剧:《亨利六世》,《理查三世》,《泰托斯.安东尼》以及四部喜剧:《错误的戏剧》,《维洛那二绅士》,《驯悍记》和《爱的徒劳》。 18. In the second period, he wrote five histories: Richard II, King John, Henry IV, Parts I and II, and Henry V; six comedies: A Midsummer Night’s Dream, The Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二阶段,他写了五部历史剧:《理查三世》,《约翰王》,《亨利四世》,《亨利五世》以及六部喜剧《仲夏夜之梦》,《威尼斯商人》,《无事生非》,《皆大欢喜》,《第十二夜》,《温莎的风流娘儿们》,还有两部悲剧:《罗密欧与朱丽叶》和《裘利斯.凯撒》。 19. Shakespeare’s third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus. The two comedies are All’s Well That Ends and Measure for Measure.第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧(或悲喜剧),悲剧有:《哈姆雷特》,《奥赛罗》,《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。两部喜剧是《终成眷属》和《一报还一报》。 20. The last period of Shakespeare’s work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winter’s Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.最后一个时期的作品主要有浪漫悲喜剧:《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。21. Shakespeare’s sonnets are the only direct expression of the poet’s own feelings.这些十四行诗都是莎翁直抒胸臆的成果。 22. Shakespeare’s history plays are mainly written under the principle that national unity under a mighty and just sovereign is a necessity.莎翁的历史剧都有这样一个主题:在一个强大英明的君主统领下的国家,统一是非常必要的。 23. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are

相关文档
最新文档