绝望主妇第一季结束语

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绝望的主妇第一季第10集中英对照剧本,学习笔记

绝望的主妇第一季第10集中英对照剧本,学习笔记

d e 10: Come Back to Me-前情回顾。

-t. Zach离开了银冠青少年康复中心-y? 你饿了吗?- … 有时候…-t e: if I don't get some e, I will lose my mind.?l ent: 极好的 ’ 失去理智,疯掉sco r e: 得到:高级的如果我得不到一些帮助,我就要疯了。

我 ‎到高 ‎的保姆?- …Car t.-FBI: FBI, open the door. ‎开门war r ant: 授权证t: 逮捕t: 逮捕证你如 ‎努力…,你被捕了-t or: … 有些问题…- ’ , and you are? 不好意思,你是?-Bree: Oh, ’ n s. 我想你已经见过Mai n s了吧take it: 猜想,以为- ’ m are. 她真是个恶梦。

:完全的m are: 恶梦-o m. 热衷于统治她的小小王国。

do: 确实rule: 统治e: 小的o m: 王国- ’’ d to ask.sex life: 性生活get: 得到y: 实在,简直 … 太…以至于d: 害怕你 我 的‎性生活不 ‎意,你有些 ‎ 我 ‎得到 你‎就是不 ‎出来- … ’ d. 是 法轻易得到解决的y: 容易地,不费力地:解决.n d. Her eveno rk.:度过:履行,完成d: 差事d s for: 为…跑腿,办事dis h: 盘,碟with: 帮助(某人)做某事要了解n s,你首先需要知道她如 度过她的下午,她 午 为‎她的 跑‎腿办事‎‎帮助 做‎功课-: Okay, so nine plus one is... 嗯,好,那么9加1‎是…plus: 加 、加法-n y of men.n y of: …一起n y: 陪伴是在下午的时候,她 是 男人在一起to y.n g to help them.:失意的,挫败的o od: 被误解的n g to: 愿意做… 支付e: 少许【 是修饰比较级】y: 孤单的,孤独的那些 到挫‎的 被人误解的‎孤独 愿意花钱使自己不那么孤独的男人n s 愿意帮助他- ’ r ed, , do they?r: 想知道、迷惑:知道、了解b y: 业余爱好、嗜好,我一直觉得很惊讶, 有人知道‎你 个小小‎的爱好, 吧?-: Mm-mm. 是啊。

中英对照绝望的主妇每集结束语

中英对照绝望的主妇每集结束语

Everyone understands the nature of war, we also understand that victory depends on the cards that we have been dealt. Some when faced with a bloody battle simply give in, but for some surrender is unacceptable, even though they know it would be a fight to the death.每个人都清楚战争的本性,我们也知道胜利取决于我们打出的那些牌。

有些人在面对血战会从容放弃;但是对某些人来说投降是无法接受的,尽管他们清楚面前的是决一死战。

The world is filled with unlikely friendships. How did they begin, with one person desperately in need and another willing to lend a helping hand. When such kindness is offered, we are finally able to see the worth of those we have previously written off, and before we've known it, a bond has formed, regardless of whether others can understand it. Yes, unlikely friendships start up everyday, no one understands this more than the lonely, in fact, and it’s what they count on.世界上到处都是不太可能的友谊。

美剧英文台词文本绝望主妇第1季第17集

美剧英文台词文本绝望主妇第1季第17集

DESPERATE HOUSEWIVES 1X17ORIGINAL AIRDATE : Mon, Apr. 3rd, 2005 @ 10pm (ABC)WRITTEN BY JOHN PARDEE & JOEY MURPHYDIRECTED BY JEFF MELMAN==========================TRANSCRIPT:==========================Sacred Heart Hospital - Nighttime"In the Coma Ward at Sacred Heart Hospital, the dreams begin just after midnight. The pitch black of night gives way to vivid images that comfort the dreamer until the morning."A janitor stops cleaning the floor and stretches."Gus, the custodian, dreams of someday winning the lottery and quitting his thankless job." He removes a piece of paper from his shirt pocket, kisses it, picks up his thermos, and walks off.A security guard, sitting in a chair, pulls out a neck pillow to place on his neck. "Howard, the security guard, envisions a luxurious retirement in the tropics."He kicks off his shoes and closes his eyes.A night nurse sits at a desk, looking bored. She spins something on the desk and watches it. "Ruth Ann, the night nurse, fantasizes about leaving her husband."As it spins, she checks her watch, picks up a pack of cigarettes and stands up to leave, leaving her wedding ring spinning on the desk."But the most vivid dreams of all belong to the patient in Room 312."Inside room 312, Juanita Solis lies still in her hospital bed."Yes, Juanita Solis had been dreaming steadily for five months. Sometimes of the shocking secret she had uncovered."Flashback to her taking a picture of Gabrielle and John caught in bed.."Other times, she dreamt of the accident that had put her in the hospital."Flashback to her running out of the Solis house and getting hit by a car."But her most common dream was the one in which she finally told her son the truth." Carlos sits next to Juanita’s bedside holding her hands. Juanita leans over and begins whispering to Carlos.Juanita: "Carlos. Gabrielle...""And then one night...Juanita Solis decided it was time to wake up."Juanita's eyes open suddenly and she sits up in bed.A few minutes later, Juanita leaves her hospital room, holding onto her pole with IV fluids. She looks up and down the empty hallway.Juanita: "Hello? Is anybody here?"Juanita goes down the hallway, looking back and forth.Juanita: "Hello!"Juanita reaches the empty nurse's station and bangs on the counter.Juanita: "I have to call my son!"Juanita continues to run down the hallway in her stocking feet. She runs past the hallwayand doesn’t see the sleeping guard. She continues running and see a phone on the wall at the end of a hallway. She pulls out the intravenous tube and runs down the hallway toward the phone.As she heads towards it, she slips on the wet floor left by the janitor. She slides straight into a stairwell, where she falls down the stairs, right near the feet of the nurse taking her cigarette break. Ruth Ann, turns, shocked."Even though she knew she was about to die, Juanita didn’t care. The truth was finally going to come out."Ruth Ann puts out her cigarette and runs toward Juanita. Ruth Ann kneels down and holds Juanita’s head.Juanita: "Tell my son his wife is cheating on him."Ruth Ann: "Oh my God!"Juanita dies."Sadly for Juanita, this was one dream that would never come true."Ruth Ann pulls earphones from her ears. Music is blasting from the earphones.CUT TO:CreditsCUT TO:Susan's HouseAt Susan's kitchen table, there are illustrated drawings knights and dragons."We all honor heroes for different reasons. Sometimes for their bravery, sometimes for their daring, sometimes for their goodness, but mostly we honor heroes because at one point or another we all dream of being rescued."Susan goes to the coffeemaker by the sink and pours herself a cup. She looks through the kitchen window and sees Mike walking up to the door.He knocks on the door.Mike: "Susan, I know you’re in there. We have to talk."Susan opens door and faces Mike.Mike: "This is crazy."Susan: "I know."Mike grabs Susan and they kiss.Cut to Susan standing at the kitchen window again, daydreaming.Susan again opens the door and faces Mike.Mike: "Everything the cop said to you is true. I did kill someone. But there’s one thing they didn’t tell you. I killed for you, Susan."Susan grabs Mike and kisses him.Cut to Susan standing at the kitchen window again, daydreaming.Susan opens the door and faces Mike. He pulls out a gun and aims at her.Mike: "Susan, if I can’t have you, no one else can."Susan knocks the gun out of Mike’s hand.Susan: "Shut up."Susan grabs Mike and kisses him. The coffee cup she is holding falls and breaks.Cut to Susan standing at the kitchen window again, daydreaming. She looks down at the unbroken cup in her hand. She sees Mike walking toward the door, and then he knocks.Susan drops to the floor and crawls to the door.Mike: "Susan, are you home? Susan, your car is here. I know you’re in there. I was hoping we could talk for a minute."Susan whimpers and leans against the door. Mike slides a letter under the door. Susan pulls it in.Mike: "Susan, maybe you should have waited until I left to do that. All right, look, I know you don’t want to see me right now, but I owe you an explanation and it’s all in there, all of it. Everything you ever wanted to know about my past, about my reasons for doing what I did. It’s all there."Susan stands up and looks out the door in time to watch Mike walk away.CUT TO:School Parking LotA car sits in the parking lot. Its interior is filled with smoke. A school security guard knocks on window. A window rolls down and smoke pours out.Andrew: "Hey!"Security Guard: "Guys come on. What are you doing?"Andrew: "Ah, you know, just bonding. Discussing current events."Security Guard: "Hey, seriously, listen, if you guys would have just parked across the street I could have let you go."Andrew: "Why don’t you pretend like we did?"Andrew's friends laugh.Security Guard: "Get out of the car."Instead, Andrew starts pulling away.Security Guard: "Hey, hey, hey! Stop the car!"He holds onto the window and as the car speeds up, he trips and rolls on the ground as the car leaves.CUT TO:Bree's HouseRex: "I can’t believe it. Two months from graduation and he gets expelled."Bree: "You know we are just lucky that that security guard did not press charges."Rex: "So what are we gonna do?"Bree: "Well, glad that you asked."Bree pulls out some pamphlets from a drawer and lays them out.Rex: "What are these?"Bree: "They’re brochures for youth detention centers."Rex: "How long have you had these?"Bree: "They’ve been in the drawer for a few months. I had a feeling we might be needing them."Rex: "Bree, I don’t know."Bree: "We have to admit that we need help. If we can’t get through to Andrew then we have to find someone who can."Rex: "You really want to send our son away to some prison camp?"Bree: "Oh come on, don’t be so dramatic. Some of these places actually look fun. Look. Camp Hennessey." (reading) "Camp Hennessey teaches kids respect for authority andboundaries in a summer camp-like atmosphere."Bree holds up the brochure for Rex to see. Rex grabs the brochure.Rex: "The perimeter is surrounded by an electrified fence."Bree: "Well, you have to admit that’s an efficient way to teach respect for boundaries. Okay, how about this one. It’s perfect for Andrew. It’s a ranch in Montana. It has lots of fresh air and plenty of open spaces and daily classes in anger management."Rex: "I’m, I’m not comfortable with this."Bree: "All right, what about this one. It’s in the desert and it’s very reasonable. Barracks are a little bit bleak, but that recidivism rate is to die for!"Rex: "Bree, I’m not doing it. I’m not sending my son away."Bree: "It’s easy for you, isn’t it? You’re not the one he’s openly rude to. You’re not the one he challenges every day. You’re not the one he hates."Rex: "I’ll talk to him, all right? I’ll sit him down for a little old-fashioned heart to heart." Bree: "You talk to him all you want. I’m gonna check out the place with the electrified fence."CUT TO:Barcliff AcademyFive children, including Porter and Preston, dressed in colonial costume, stand on a small stage, reciting lines.Twin: "Listen, my children and you shall hear of the midnight ride of Paul Revere."Lynette proudly smiles as she watches her sons recite. She turns to see, in the audience, a mother and young daughter signing to each other.Twin: "In the lantern is turned off in the belfry arch of the North church tower. One if by land, two if by sea, and I on the opposite shore will be."The parents applaud. Lynette smiles proudly as she applauds.Lynette, pushing a stroller, approaches the little girl and woman who had been signing. Lynette: "Um, hi. I, I wanted to introduce myself to your Mom. I’m Lynette Scavo."Alisa Stevens: "Have we met? I’m Alisa Stevens."Lynette: "Oh, I'm sorry! I thought..."Alisa: "I read lips."Lynette: "Oh."Alisa starts signing and her daughter begins translating for her.Lily (translating): "But a lot of the time, signing is much easier. I don’t like to misunderstand or be misunderstood."Lily turns toward Lynette and offers her hand.Lily: "And I’m Lily."Lynette: "Oh hi. Nice to meet you, Lily."A young boy in a horse costume runs by.Matt: "Hi, mom."Alisa: "That’s my son, Matt."Lynette: "My twins talk about Matt all the time. We should set up a play date."Alisa: "That sounds great. Let’s have dinner, too."Lynette: "I’d love to."Lynette turns toward her boys as she hears them yelling. They are holding Matt’s horse’stale, whipping it and yelling. Matt is trying to run away.Twins: "The British are coming! The British are coming. Giddy up! Giddy up! Giddy up." Matt:"No, no, no."Lynette turns back toward Alisa.Lynette: "Even better, let’s just keep it adults."CUT TO:Gabrielle’s House.Gabrielle is sitting on the couch reading the paper. Carlos comes in the front door. Carlos: "Babe, they blinked! We got 'em by the short hairs!"Carlos grabs Gabrielle’s hand and pulls her up.Gabrielle: "Who? Who blinked?"Carlos picks Gabrielle up and she shrieks.Carlos: "I just spoke to the lawyers. They offered a plea bargain."Gabrielle: "And that’s - good?"Carlos: "It means they know they got a weak case. They don’t think they can win. It’s over." Gabrielle: "Oh my god! Honey, that means we can keep the house!"Carlos: "No. We still have to sell the house. I gotta pay the lawyers."Gabrielle: "But I thought you said they offered a plea bargain."Carlos: "Yeah, but we’re not gonna take that."Gabrielle: "Put me down."Carlos puts Gabrielle down.Carlos: "Honey, it would mean me going to jail for eight months."Gabrielle: "I think that’s pretty reasonable considering you're guilty as sin!"Carlos: "You said that you were fine with selling the house."Gabrielle: "That was before I knew we could trade a couple months in prison to keep it!" The phone rings. Gabrielle goes over to answer it.Gabrielle: "What? No, this is her daughter-in-law."Carlos: "Is it the hospital? Is it Mama?"Gabrielle turns away from Carlos.Gabrielle: "Ah, thank you, yes."She hangs up.Carlos: "Gabby?"Gabrielle: "I'm sorry, Carlos."She puts her arms around him and hugs him close. As she holds him, she smiles.CUT TO:Gabrielle's HousePamphlets for crypts, caskets, and flowers are spread all over the coffee table."Some believe people are judged by the way they live life, and others by the way they leave it."Carlos: "I like the Lexington mahogany with gold leaf. It comes with a pink velvet interior and drapes. Plus it’s hand-engraved so in case of a flood or earthquake, they’ll at least be able to know which one is hers."Gabrielle: "Don’t you think that’s a little over the top?"Carlos: "I want the best for Mama."Gabrielle: "No, honey, these funeral homes make a fortune trying to convince people to overspend."Carlos: "What are you saying?"Gabrielle: "Well, I’m saying your mother was a sensible woman. She wouldn’t be comfortable with all these bells and whistles. Maybe this one. Wood veneer!"Carlos closes his eyes and shakes his head.Gabrielle: "What?"Carlos: "You never liked Mama."Gabrielle: "Well, it’s awfully hard to like someone who actively hates your guts. She always thought you married beneath you and she let me know it."Carlos: "She loved you."Gabrielle: "She treated me like trash!" (crosses herself) "God rest her soul."Carlos: "I’m putting my mother in the grave. Now is not the time to pinch pennies." Gabrielle: "Carlos, we’re not exactly flush with cash right now. Let her be true to her roots. She was born humble and barefoot."Carlos: "She was a queen."He walks away.CUT TO:Susan's House - OutsideSusan holds the sealed letter marked "Susan" that Mike had put under her door. Sitting around her are Lynette, Edie, and Bree.Lynette: "So what did Mike say when he gave you the letter?"Susan: "That it explains everything."Bree: "Well, does it?"Susan: "I haven’t read it."Edie: "Well, why the hell not?"Susan: "I just can’t."Lynette: "You’re a better woman than me. I would have ripped that open with my teeth. Aren’t you dying to know what he wrote?"Susan: "Yes. What if it just a bunch of far-fetched stories."Bree: "Well, you should assume that it is."Lynette: "Why?"Bree: "Well, think about how good men are at lying on the spot. I mean, God forbid, you should give them time and a pen!"Lynette and Edie laugh.A car drives up on the street behind them and honks. The sign on the door of the car reads "General Contractors." A handsome man calls out to Edie.Bill: "Hey Edie, you mind stopping by the site later? I have blueprints of the master bath." Edie: "Oh. I’ll see you in a few, Bill."Susan turns and looks at Bill. Bill nods and smiles at Susan as he drives away.Edie: "That’s my new contractor. We’re sort of dating."Lynette: "Didn’t you once say you never mix business with pleasure?"Edie: "No, I said never mix pleasure with commitment."Lynette (laughing): "Right."Bree: "So, Susan, what are you gonna do with the letter?"Edie: "And for pete’s sake, would you open it up already?"Susan begins to open the letter, then stops.Susan: "No, no, I won't. I don’t trust Mike anymore. And without trust...no, no. I’m just gonna go in and rip it up and throw it in the trash."Susan begins walking toward her house. Lynette grabs the letter and acts like she's going to rip it up.Lynette: "Why wait, why don’t we just rip it up now."Susan grabs the letter back.Susan: "No, no no. That’s okay, I don’t wanna, you know, litter."She runs inside her house. The other women watch her go.Lynette: "She is so opening that letter."CUT TO:Sacred Heart HospitalGabrielle walks down the hallway."While Carlos was making arrangements to bury his mother, Gabrielle was making sure she’d be taking her secret to the grave."Gabrielle reaches the nurse's station. As she looks at the nurse behind the counter, a man in a business suit walks up to a room behind Gabrielle, and enters it, but makes sure to keep the door cracked open so he can eavesdrop.Gabrielle: "Hi, I’m Gabrielle Solis. You're Nurse Heissel?"Nurse Ruth Ann Heissel: "Yes, Hi. Um, when you called and said you were coming down I collected all the personal things that your husband brought in during Juanita’s stay with us."Nurse Heissel puts a cardboard box on the counter.Nurse Heissel: "I assume that that’s why you were stopping by."Gabrielle: "Oh, that’s so thoughtful of you, but actually no."Nurse Heissel: "No?"The man behind the door continues to watch.Gabrielle: "No, you see my husband and I still don’t have a clear account as to how Juanita passed."Nurse Heissel: "How?"Gabrielle: "Yes, did she die quietly in her sleep?"Nurse Heissel and the man in the doorway nod as if agreeing with what Gabrielle is saying. Nurse Heissel: "Oh yeah, that’s usually how it happens. I mean, I’m pretty sure that that’s how it happened."Gabrielle: "Pretty sure?"Nurse Heissel: "I mean, I don’t know exactly cause I wasn’t with her at that time." Gabrielle: "Uh huh. Was anyone with her? An orderly, candy striper, anyone?"The man still watches them.Nurse Heissel: "No. She was alone."The man closes his eyes and bows his head.Gabrielle: "Thank you so much. That’s all I needed to hear."Gabrielle walks away. As she passes by the room the man is in, he quickly closes the door.Nurse Heissel picks up the cardboard box.Nurse Heissel: "Mrs. Solis!"Gabrielle: "Oh, you can just toss that!"CUT TO:Susan's House - OutsideSusan comes out with purse and keys. She looks at her car and sees that she has a flat tire. Susan: "Great, just great!"She stoops down to look at the tire and pulls out a long nail. She hears construction work going on at Edie’s house and looks that way.Susan walks over to the construction lot. She sees the man, Bill, who had been in the general contractors truck and walks up to him, nail in hand.Susan: "I think this is yours."She hands Bill the nail.Bill: "Yeah. Yeah, I’ve been looking for this one. Thanks."Susan: "I don’t suppose you have any idea where I found it?"Bill: "Well, these little suckers are drawn to bare feet and car tires and since you’re not limping or bleeding..."They smile at each other.At Susan’s car, Bill has a compressor filling Susan’s tire.Bill: "This is only temporary. You’re going to need to take this tire in to get it fixed." Susan: "Thanks, I will."Bill: "Seriously. It’s not safe. You’re probably only going to get 20, 30 miles out of it." Susan: "All right, I promise."Bill: "Hey listen, I’m about to break for lunch. How would you like to join me?"Susan: "Lunch?"Bill: "Yeah. Lunch."Susan: "Are you asking me out on a date?"Bill: "That sounds kind of formal for a burrito and a can of soda but, yeah, I guess I am." Susan: "Aren’t you dating Edie?"Bill: "We went out on a date, we’re not dating."Susan: "Oh."Bill: "So how about it? I’m buying."Susan: "Yeah. I just got out of this relationship with this guy, Mike, and it’s kind of complicated. Anyway, I’m just not even sure where I am right now emotionally, I’m just all jumbled up and I don’t think I could leap right into something new, relationship wise, you know, at the moment."Bill: "Again. Just a burrito."Susan: "Sorry."Bill: "Okay, I understand. Sounds like you need a little time to reflect and heal."Susan: "I do. I really do."Bill: "Okay. I’ll check back with you again tomorrow."CUT TO:Lynette's HouseTom, Lynette, Alisa and her husband, Dennis, are having dinner. Alisa is signing and herhusband it translating.Dennis (translating Alisa’s signing): "This is so delicious. I don’t know how you find the time with four kids."Lynette: "Only for first time guests. Normally you’d be having, um, chicken fingers and cartoon shaped macaroni."Tom: "If that."Lynette: "Hey. Shut up."Alisa: "Tom, you’re in advertising, right?"Tom: "Uh hm."Alisa: "I worked five years at Simon and Scott."Tom: "Well, I started at Simon and Scott. I hated those guys."Everyone laughs.Alisa: "But we have to talk."Tom: "Yes. Who do you know? Do you know who’s there now?"Tom scoots his chair closer to Alisa's and Dennis turns to Lynette.Dennis: "Well, it's all over now. They’ll be talking shop for the rest of the night. Alisa loves talking about Alisa."Lynette: "Well, Lynette loves talking about Lynette, too."Dennis: "Oh I don’t believe that for a second. You and your husband seem pretty solid." Tom and Alisa can be seen and heard talking in the background.Dennis: "We’re going through some tough stuff. We’re in counseling."Tom (in the background): "They’re nice people."Lynette (uncomfortably): "Oh really? More steak?"Dennis: "It was her idea. It’s not the most pleasant way to spend an hour. Basically, I look at the clock and she blames me for everything."Lynette: "I don’t think we should be talking about Alisa with her, so..."She gestures over at Alisa.Dennis: "It’s okay, it’s not like she can hear. Maybe I’ll have some more of that potato stuff."A shocked Lynette stares at Dennis.Later, Tom and Lynette clear the dishes.Tom: "He actually said those things with her just sitting right there?"Lynette: "It was really nasty and he wouldn’t shut up either."Tom (disgusted): "Ahhh."Lynette: "I can’t believe you said we’d play tennis with them."Tom: "Honey that was before I knew that he was a jerk. She was great. Look what she taught me."Tom signs "I Love You."Tom: "Means I love you."Lynette: "Yeah, that’s great. What am I gonna do?"Tom: "What do you mean?"Lynette: "Well, obviously she needs to be told."Tom: "Wha-no, no, no, she doesn’t. This is between Dennis and Alisa."Lynette: "How can I ignore this? And I quote, 'It’s not like she can hear.'"Tom: "Lynette you’re starting to ring up into that whole meddling thing that you do." Lynette: "Excuse me!"Tom: "Let me just handle it. Let’s avoid a big thing."Lynette: "Are you saying I can’t be tactful?"Tom: "No. If he says something when we play tennis, I will take him aside man to man and say that’s not cool."Lynette: "Are you saying I’m not tactful?"Tom looks as though he does not know what to say so instead he signs "I love you" to Lynette. She grabs his finger and pushes him back.Tom: "Ow, ow, ow, owww."CUT TO:Bree's HouseAndrew lies on his bed watching TV. Bree walks in with a laundry basket.Bree: "Andrew, I need you to take out the trash."Andrew: "Sure."Bree: "Now, not five hours from now."With a long-suffering sigh, he sits up.Andrew: "I’m going, I’m going. God! Um, I’m meeting Justin at the mall tonight so I’m gonna need forty bucks."Bree: "No!"Andrew: "What?"Bree: "You no longer get an allowance."Andrew: "Fine. I’m not taking out the trash."Bree (exasperated): "Andrew."Andrew: "What are you gonna do, torture me? Go ahead, I can take it."Bree approaches Andrew who is sitting on the bed.Bree: "What I want, what I have always wanted is for you to be happy. And you're not. And I have no idea how to help you."Rex walking by the room, stops in the doorway.Andrew: "Well, you can start by getting out of the way."Bree: "I will not. We’re gonna talk about this now."Andrew: "I said get out of the way!"He kicks at her, pushing her with his leg. Bree stumbles, almost falling. Rex runs into the room and grabs Andrew by the arms and pulls him up and slams him against the wall. Rex: "The next time you touch your mother like that, I’m gonna throw you through this wall! You understand me?"Andrew has a frightened look on his face. Rex leaves the room glancing at Bree to make sure she is okay. Bree grabs the laundry basket and walks to the door. She turns to look at Andrew who looks like he's about to start crying. Bree turns away and walks out.CUT TO:Susan's HouseSusan sits on the bench in her front yard, drawing. Edie jogs by.Susan: "Oh, Edie. Wait up, I, I want to ask you something."Edie continues to run, so Susan follows her.Edie: "Can’t stop, gotta keep my heart rate up."Susan: "I was just wondering how you’d feel if I went out with Bill."Edie stops running.Edie: "What?"Susan: "Um. Bill asked me out."Edie: "Bill? My Bill?"Susan: "Well see that’s the thing, he doesn’t think of himself as "your Bill" cause he said that date was just a one time thing. Which I know because when he asked me out, I told him I thought you guys were involved."Edie: "So, you haven’t agreed to go out with him?"Susan: "No. No, I wanted to check with you first."Edie: "Wow. That was nice of you."Susan: "So can I?"Edie: "No."Edie takes off jogging again. Susan runs after her.Susan: "Edie! Edie, why can’t I go out with him?"Edie stops jogging again.Edie: "Because I saw him first."Susan: "Come on, that’s a really 3rd-grade thing to say."Edie: "Look, you asked my permission, I said no. That should be the end of it!"Edie takes off jogging again. Susan yells after her.Susan: "Well, you know, technically, I don’t need your permission!"Edie stops jogging and turns to face Susan.Edie: "You know, I so much want to like you but you just won’t let me."Susan: "Edie."Edie: "Susan, you know I try. I try to look past your flaws, your klutziness, that, that faux vulnerability, your hair, but you look for ways to push my buttons."Susan: "He just wants to buy me a burrito."Edie: "Susan, please. Let me like you."Susan: "Okay, I won’t go out with him. I mean obviously you have feeling for him."Edie: "No, I don’t. I really don’t."Susan: "So what then? If you can’t have him, nobody can?"Edie: "See? Now you’re thinking like a friend."Edie turns and jogs away leaving Susan with a dumbfounded look on her face.CUT TO:CemetaryA singer in black, holding a single rose, sings Ave Maria as she leads a procession of black-clad mourners for Juanita Solis.Lynette walks with Bree.Lynette: "What a voice."Bree: "You have to hand it to Gabby and Carlos. They do grieve better than anyone."A white horse pulling a carriage containing Juanita Solis’ casket is leading the procession. Carlos and Gabrielle are near the front of the group.Gabrielle: "So, how much did that horse and buggy set us back?"。

美剧英文台词文本绝望主妇第1季第8集

美剧英文台词文本绝望主妇第1季第8集

DESPERATE HOUSEWIVES 1X08Original Airdate (ABC): 28/NOV/2004==========================TRANSCRIPT:==========================SCENE: Focus in on a Bible being opened. Mary Alice begins speaking.MARY ALICE: There is a widely read book that tells us everyone is a sinner. Of course, not everyone who reads this book feels guilt over the bad things that they do.Pull out to see that Bree opened the Bible and is reading from it.MARY ALICE: But Bree Van de Kamp did. In fact, Bree had spent most of her life, feeling guilty.Flashbacks showing the images of what Mary Alice is speaking of.MARY ALICE: As a child, she felt guilty about not getting straight A’s. As a teenager, she felt guilty about letting her boyfriend go to second base. As a newlywed, she felt guilty about taking three weeks to get out her thank you cards she knew the transgressions of her past were nothing compared with the sin she was about to commit.SCENE: The Van de Kamp family is all in the living room. Danielle and Rex are seated while Andrew paces, and Bree looks through the Bible.DANIELLE: Couldn't we just go to the police and tell them it was an accident?REX: This wasn't some simple DUI. Not only was your brother drinking, Andrew left the scene of the crime. That makes it a hit and run.ANDREW: Maybe I could go to Canada, you know, until the statute of limitations is up. DANIELLE: Do you really think mom and dad are going to foot the bill while you go moose hunting for seven years?REX: If Carlos’ mother dies, there is no statute of limitations..DANIELLE: Right. Because then it’s murder.ANDREW: Shut up!DANIELLE: You shut up!ANDREW: How could it be murder, it was an accident!(pause)BREE: We have to get rid of the car. But we can't sell it. The police might find it, and there could be DNA. We take the car to a bad part of town. We'll leave the keys in the ignition and the doors unlocked. If the police don't find it, we'll get the insurance money, and if they do, it wasn't in our possession. Anyone could have hit Mrs. Solis.ANDREW: That sounds good!REX: Bree, are you sure?BREE: Our son could spent the rest of his life in jail. I won't allow that.Bree stands up and puts the Bible away.MARY ALICE: Bree knew what she was about to do was wrong, but like most sinners, she would worry about her guilt tomorrow.BREE: Well everybody should, uh, go wash up. We're having pancakes for breakfast.MARY ALICE: Not since my own suicide had violence intruded upon the serenity of life on Wisteria Lane in such a conspicuous fashion. And needless to say, my friends attacked the problem head on.Lynette, Susan, and Bree are all in the middle of the street, trying to clean off the skid marks on the road. Lynette brought the broom. Susan brought the trash bags. And Bree brought the industrial strength solvent.LYNETTE: Woo. That stuff is strong!BREE: It has to be, I don't want Gabrielle and Carlos coming home to this ugly reminder in front of their house.LYNETTE: So, has anyone been over there?SUSAN: Julie and I went over this morning.BREE: How is Juanita doing?SUSAN: She’s been in a coma ever since she came out of ER. Nobody knows when or even if she'll wake up.LYNETTE: This is awful. Carlos must be just devastated.SUSAN: I hope she wakes soon. Maybe she can tell us who was driving that car.BREE: We can only hope.A red car zips around the corner and speeds past the women.Lynette stands up, shouting after the car.LYNETTE: Slow down, you jerk, this is a residential neighborhood.She throws her sponge at the car and it bounces off of the car's hood.SUSAN: Wow, that’s quite a pitching arm you've got there.LYNETTE: It pisses me off. I've got four kids, you know. I was up all night reading statistics online. One out of every four traffic accidents happens on residential streets. I hope whoever hit Juanita gets put away for life.BREE: don't you think that’s a little bit extreme?LYNETTE: An innocent woman gets hit by a car and the driver just takes off? I don't think it’s extreme.SCENE: Carlos and Gabrielle are in Mama Solis's hospital room. Carlos sits by the bed and Gabrielle checks her nails as she sits on the dresser.GABRIELLE: You should go home and get some rest, eat something. You have a ton of messages from work--Tanaka called; said it was urgent. Carlos, I can stay here with your mother.CARLOS: I need to be here if she wakes up.GABRIELLE: You can't go on like this. You have to take care of yourself.CARLOS: And what if she dies? People slip into comas all the time and never come out. GABRIELLE: Don't say that! We need to stay positive.The door opens and John sticks his head in.JOHN: Mr. and Mrs. Solis?GABRIELLE: John!JOHN: Is it okay if I come in?CARLOS: Of course.JOHN: Mr. Solis, I'm so sorry this happened.CARLOS: It means a lot that you came.They embrace.CARLOS: Look, I think I'm gonna to go down to the chapel and pray. You want to come? GABRIELLE: Um, no, I think I will stay here with mama.JOHN: Is it all right if I come?CARLOS: Of course, we need all the prayers we can get.John leaves the flowers he had brought for Mama Solis on the table by her bed, then leaves with Carlos. Gabrielle is annoyed. A nurse comes in with a bucket of water.NURSE: Mrs. Solis, it’s time for her sponge bath.GABRIELLE: Come again?NURSE: Sometimes family members prefer to administer sponge baths themselves. GABRIELLE: I think I'll pass.SCENE: Mrs. Huber is neatly packing luggage on the kitchen table when her front door opens and Edie comes in.EDIE: Martha. Where’s your purse?MARTHA: Over there, why?Edie walks over to the purse without saying a word and opens it.MARTHA: What are you doing?"EDIE: I am taking back the $40 that you stole out of my purse.MARTHA: Edie!EDIE: We both know you did it, now hand it over!MARTHA: I have taken nothing from your purse, and if you're missing money, I'd ask one of those strange men you parade through here at all hours.She grabs the purse from Edie and walks away.EDIE: I am not going to apologize for having a healthy sex life!MARTHA: Healthy? I'm going to have to burn every sheet you've touched.EDIE: I want my money.MARTHA: And I want those non-fat peach yogurts. They didn't just walk out of that fridge by themselves.EDIE: Well you can deduct it from the $40 that you're going to give me, now!MARTHA: You're my best friend, why would I steal from you?EDIE: It’s no secret that you've been having financial problems. I hear you bitching on the phone to your bank.MARTHA: That’s it! I can put up with your debauchery and your food theft, but I will not tolerate spying. I want you out.EDIE: You don't mean that.MARTHA: Yes I do. I'm leaving tomorrow to visit my sister for a few days. I want you gone by the time I get back.EDIE: I'll do one better. I will leave today.She takes her purse and leaves. Once she's gone, Mrs. Huber reaches into her blouse and removes some money, which she then puts into her purse.SCENE: Lynette is lying on a table while Dr. Chang, an acupuncturist, places needles intoher forehead.LYNETTE: I hope this works. My sleep cycle is totally out of whack. I'm up all night, I'm dozing off during the day.DR. CHANG: Trust me, this will do the trick. In fact, you should be feeling more relaxed already.LYNETTE: You know, you're right.Faintly, from outside of the room, calls and shouts from Lynette's kids can be heard. LYNETTE: Boys, I can hear you out there. Now be quiet. Just sit there and color.DR. CHANG: Now is not a good time to be moving.LYNETTE: Oh, yeah. Sorry.DR. CHANG: Just block everything out, and let it go. Imagine that you're in a forest. There’s a babbling brook nearby, and the wind is just coming through the trees...Parker comes through the door, dragging a plastic tree.PARKER: Mommy.LYNETTE: Parker! I don't know --ow!--what you think that you're doing, but put that back where it belongs!LYNETTE: I'm sorry. You were saying something about wind?DR. CHANG: I was just creating a soothing image.LYNETTE: Oh, for the love of God!She gets off the table and opens up the door to where her boys are waiting.LYNETTE: Knock it off, you little monsters.DR. CHANG: Mrs. Scavo, please lie down. we need to finish this.LYNETTE: Look, I'm on my last nerves, so I'm going to level with you. I've screwed up my entire system by taking my system by taking my kids’ ADD medication. Yeah, that’s right, you heard me. I plan to stop, but right now I need to sleep, and I need more than a few, crappy, needles, so whattya got?DR. CHANG: I'm not licensed to write prescriptions.LYNETTE: I know you're not.The acupuncturist goes to her cabinet and removes a small bag of herbs. She turns to Lynette.DR. CHANG: This will put you right to sleep. It’s a very powerful herbal remedy. Now promise me you're going to use it judiciously?LYNETTE: Sure. Whatever.SCENE: Susan knocks on Mike's screen door.SUSAN: Knock, knock!MIKE: Hey! Come on in!SUSAN: You're a mess.MIKE: Ah, yeah, I'm tearing out these leaky pipes in the upstairs bathroom. Wall to wall rotten wood.SUSAN: Sounds like a job. So, Julie said that you came by before?MIKE: Um.. Yeah. Uh... yeah, I was thinking about driving up to the Girmany vineyard tomorrow for this wine tasting, and, um..SUSAN: What time do you want me to be ready?MIKE: How about six?SUSAN: Six is good.MIKE: All right. I thought maybe afterwards, we could have a little dinner, maybe some dancing.SUSAN: Sounds great. Um, you do know that it’s like a two-hour drive up there. And isn't that kind of late to be coming back?MIKE: I thought if, you know, worse came to worse, we could grab a room...SUSAN: Oh? Like a hotel room?MIKE: Yeah, as a last resort.SUSAN: Of course, of course, yes. So, maybe we should make reservations, you know, just in case.MIKE: Yeah, I found some hotels online. Let me get a printout.She laughs and he goes upstairs. Bongo, who had been off in the corner, comes towards Susan.SUSAN: Hey, Bongo, come here. You want a treat? Hey Mike, where do you keep the dog biscuits?MIKE: I'm sorry, what?SUSAN: Oh, never mind! We'll just find them ourselves. We'll go find them ourselves.She opens up one of Mike's cabinets and, in plain view, are stacks of money and a gun. Susan takes out a couple of stacks of money and looks at them.Mike comes down the stairs.MIKE: I'm sorry Susan. I couldn't hear you. What did you say?SUSAN: Nothing. It’s not important.She quickly puts the money back and closes the cabinet. The phone rings.MIKE: It’s my tile guy. Here, see what looks good.He hands her the printout of hotels and answers the phone.MIKE: Hey Phil. Um, no. No. Tomorrow morning I'm making a lumber run. It’s no good. Uh, no, I'll be gone tomorrow night, too.SUSAN: I could let him in.MIKE: No, that’s okay.SUSAN: No, it’s fine, just give me the key. I'll be around all day.MIKE: All right. Thanks. Phil, I'll give the key to my neighbor. She'll be here to let you in.SCENE: A car drives down the street of an old, worn-out neighborhood.MARYALICE: Like every city, Fairview had a neighborhood that was less than desirable. It was an accepted fact: anyone who lingered there after midnight was usually up to no good. Rex and Bree Van de Kamp were no exception.The car stops and Bree gets out. In a nonchalant manner, she walks around the car and heads towards Rex, who's parked in his own car in a darkened alleyway, with a perfect view of the car Bree had driven.She gets into the car with Rex.REX: You really think this is gonna work?BREE: This is the most impoverished neighborhood in the city. Trust me, somebody will steal the car.REX: How can you be so sure?BREE: Because I have faith in the poor.SCENE: On the television is a home video of Mary Alice wearing a party hat. As the video plays, Paul watches it as he talks.PAUL: She’s so beautiful. I shot this last year on her birthday. How you going to do it?MR. SHAW: I made contact with her at a bar. She thinks I'm a real estate developer. PAUL: Is she going to suffer?MR. SHAW: No. Edie Britt will disappear, and you'll go back to your life.PAUL: Before you do it, do you think you should ask her why she sent this note to my wife? MR. SHAW: You can't think like that, Mr. Young. You can't give in to your curiosity. Curiosity leads to guilt. Guilt leads to talking. You still have questions?Paul sighs and shakes his head no.MR. SHAW: I want to be clear about something. When I walk away with this cash, it’s done. No refunds. No buyer's remorse.PAUL: I get it.MR. SHAW: We won't talk again so I'll ask one more time: are you sure you want this? PAUL: My wife is dead because of Edie Britt. I absolutely want this.He touches her face on the TV screen.SCENE: Rex and Bree sit relaxed in the car, watching the car Bree left behind.REX: You've been awfully quiet.BREE: I had just been...thinking about the kids. They sure grew up quickly, didn't they? REX: They sure did.BREE: I remember telling them when they were babies that they weren't allowed to get any bigger because they were so adorable. And we were so happy.REX: Yeah, well...BREE: They sure didn't turn out like we expected them to.REX: No, they didn't.BREE: We could have been better parents.REX: We weren't that bad.BREE: We still have so much to teach them. For starters, we need to get across to Andrew the enormity of what he’s done.REX: I don't - I suppose we could punish them.BREE: All right, then what’s the appropriate punishment for a child who drives over a woman?REX: I...I don't know.BREE: You know, no matter how the kids turn out, I still love them.REX: Of course, you do.BREE: But I'll never forgive them for growing up so quickly.REX: Hey, look.A man stands by the car on the street, looks around, then quickly gets into the car and drives away.SCENE: Susan packs as she talks with Julie.SUSAN: And then I opened the cabinet and there was all this money in it. I mean, there waswads of it.JULIE: That’s why you're freaking out? A few stacks of cash? Come on."SUSAN: Well what? Realistically, I've known this guy a few weeks. I mean, he could be a hit man for the mob!JULIE: If you really think that, why are going on a trip with him?SUSAN: I never get out of the house.JULIE: Mom, if you really need something to freak out about, just remember that you're going to spend the night with Mike in a hotel. No man has seen you naked in years, except your doctor.SUSAN: Yeah, and he retired. I try not to take that personally.She puts on a sweater.JULIE: You look old in that.SUSAN: Maybe I am being silly, but going to a hotel with a man is a big deal to me. What if Mike is hiding something?JULIE: Like what?SUSAN: I don't know.A horn honks outside.JULIE: That’s Dad. I gotta go. Now, listen to me. No more freaking out. I need this weekend to go well.SUSAN: Why do you care so much?JULIE: Because I'm gonna have a husband of my own someday, and I really don't want you living with us.SCENE: The four Van de Kamps are visiting Carlos and Gabrielle.BREE: Are the lady fingers okay?GABRIELLE: Oh, they're terrific. We just appreciate you all stopping by.BREE: We just want you to know how much we care.REX: So, have the police come up with any leads?GABRIELLE: Not really. They'll be able to determine the make and model of the car, but without any eye witnesses, no one seems very optimistic.BREE: Well, more importantly, is there any good news about Juanita?GABRIELLE: No change. All we can do is wait and hope for the best.DANIELLE: We put her on our prayer list at church.GABRIELLE: Oh, that’s very sweet, Danielle, thank you.CARLOS: It must really help during times like these--having kids.REX: Yeah, they're a blessing.CARLOS: Children make everything worthwhile. You guys are the future. Legacy. ANDREW: Thanks.CARLOS: After we're all dead, you'll be the only ones left to carry on. Gabrielle and I are about to start a family.REX: Oh, hey, that--that’s great.BREE: Well, when did you decide this?GABRIELLE: It’s a fairly recent development.She stares pointedly at Carlos, who bows his head in slight acknowledgement.BREE: I see.GABRIELLE: We'll talk about this later.CARLOS: Face it. We're shallow people. I mean, can our lives have any meaning if all we ever do is buy stuff?GABRIELLE: That depends on what we buy.CARLOS: I want a child.GABRIELLE: In case you've forgotten, before we got married, we made a deal. No kids. CARLOS: Yeah, well, deals were meant to be renegotiated.GABRIELLE: Well, we're not negotiating my uterus.BREE: We should probably be going.REX: Yeah.BREE: Thank you so much.The Van de Kamps leave the Solis's house and walk back to their house.DANIELLE: That was weird.BREE: I feel awful for Carlos. That talk about children was obviously coming from his grief. ANDREW: Whatever. I'm off the hook.He and Danielle touch fists and walk off. Bree stops walking and stares after him. SCENE: Lynette lies down on the couch and covers herself up with blankets when the doorbell rings.MARY ALICE: A weary Lynette drank her potent tea in hopes of finally finding the sleep that had eluded her. Unfortunately for Lynette, there would be no rest for the weary. LYNETTE: Go to hell.The doorbell rings several more times.LYNETTE: Go to hell. Go to hell. Go to hell. Go to hell. Go to hell.She stomps to the door and opens it. A stream of boy scouts with a scout mother rush inside. SCOUT MOTHER: Sorry we're late, Kenny Lipman couldn't find his handkerchief. Come on guys!LYNETTE: The scout meeting is today?The boys run all over the house, being noisy, as Lynette stares at them. Later, the boys are separate into groups, with the other scout mother monitoring the boys at the table and Lynette on the floor with her three boys and one other boy. They have books on rope tying in front of them. Lynette leans against the couch, sleeping sitting up.PARKER: Mommy!LYNETTE: What? Oh...right! Okay, boys. This knot is called the bowline. It is a remarkably useful knot. Now, pick up your ropes. Okay. First we cross this end over here, and then we make a loop, and then another loop, and then you sort of pull it through, I'm guessing, and then, ready? Yank it taut.She pulls her rope taut and it's a straight piece of rope.TWIN: Mommy, that doesn't look like the picture.LYNETTE: You're never going to be a sailor, what do you care? Okay everybody, let’s just take a break!She gets up.LYNETTE: Thanks!She walks away and the boys on the floor start hitting each other with the rope. Lynette goes to the bathroom and takes out some pills, which she swallows. She pauses, thenswallows some more.SCENE: Susan is getting a package from the door.PHIL: Okay, it’s all up there. Can I get a signature?SUSAN: Oh, of course.PHIL: Thank you very much.SUSAN: Here you go. Have a nice weekend.PHIL: You too, lady.She closes the door behind him, then heads for the kitchen, where she removes all of the money and the gun. Later, she sits on the living room couch, counting out the money. She hears a car door slam and when she looks out the window, see Phil getting out of his truck. Quickly, she gathers up all of the money and the gun and rushes up the stairs.PHIL: Hey ma'am, you still here? I forgot to give you a receipt! Ma'am?Susan heads into Mike's bathroom and dumps everything into the sink. She climbs on the toilet to look out the window and sees Phil driving away. She lets out a sigh of relief. She then jumps down, falling through the floor, where she stays there, trapped.SUSAN: Hello! I need help, I'm up here, I'm trapped in the floor, hello?!Bongo comes running in to stare at her.SUSAN: If you came in here to judge me, you can just leave!Bongo looks behind him to the door.SUSAN: Wait! Wait! No! Wait, don't, don't go! Wait, I have an idea. Here! Here! Here! Here, grab the towel, Bongo! Come on, grab the other end! Come on, boy! That’s it! Get the other end! Come on, Bongo! Pull the other end! Come on, Bongo! What are you doing? Bongo, over here!He goes over and starts drinking out of the toilet.SUSAN: Bongo? Oh, oh! don't do that! Bongo!She grimaces.SCENE: Gabrielle walks up the path to John's house, past John, himself, who's working on the yard.MARY ALICE: While Susan was hopelessly stuck, Gabrielle was moving to confront the issue of her young lover’s restless conscience.JOHN: Nobody’s home.GABRIELLE: I know, I've been watching. I came to talk to you.She turns slightly and sees that he's stopped working.MARY ALICE: Although she would need to be discrete.GABRIELLE: Keep working! What were you thinking, showing up at the hospital?JOHN: I had to see if she was okay.GABRIELLE: You need to keep a low profile right now.JOHN: Look, you and I are finished. From now on, I'm sticking with Danielle. GABRIELLE: Why would you say that?Gabrielle rings the doorbell again.JOHN: I hate myself for what we did! Okay? I can't sleep at night! I've got to make a clean break.GABRIELLE: We weren't driving the car. We didn't chase Juanita into the street!JOHN: Well, she wouldn't have been there if we weren't having an affair.Gabrielle turns away from the door to face John.GABRIELLE: Oh, for God’s sakes, between you and Carlos! Listen to me carefully, you didn't do anything wrong.She rings the doorbell again.JOHN: That’s not what Father Crowley thinks.GABRIELLE: What?JOHN: I went to confessionGabrielle turns around and walks over to him.GABRIELLE: Have you lost your mind? What did you tell him?She leans over to smell the rose.JOHN: Everything.GABRIELLE: Including in the alley? Behind the truck stop?JOHN: Everything.GABRIELLE: Damn you!She storms off.SCENE: Bongo comes into the bathroom again where Susan is still stuck.SUSAN: What is wrong with you? Lassie would have had a fire truck here by now! Stupid dog. Bongo turns and rushes off.SUSAN: Good boy, Bongo! Run, Bongo, run, go get help!Bongo returns and drops a dead crow in front of her.SUSAN: Ooooeeewwwoooohhh...SCENE: Bree and Andrew are both in the kitchen.BREE: Andrew, um, I know the last few days have been stressful, and, uh, you know, if you ever need to talk to anybody...ANDREW: I know, I know. You and Dad are here for me.BREE: Actually, I was thinking we could arrange for you to talk to a professional. ANDREW: A shrink? You think I'm crazy?BREE: Of course not. It’s just that the accident probably stirred up a lot of emotions, and it would be normal for you to be feeling confused or depressed or ashamed...ANDREW: I'm cool, mom. Really.BREE: Honey, you put a woman into a coma. Surely that arouses some kind of emotion! ANDREW: Yeah, well, it doesn't. Now if you'll excuse me...BREE: No, I won't, not until you tell me.ANDREW: Why do you care?BREE: Because I need to know that you're not a monster!ANDREW: You want to know how I feel?BREE: Yeah.ANDREW: Okay, here it goes. I feel bad that she got hurt. But I also feel bad that my car got dinged because somebody didn't have enough sense to look both ways before she crossed the street. And I also feel bad that now I'm gonna have to ride my bike to school.BREE: Andrew, you almost killed another human being.ANDREW: She’s an old lady. Okay? She’s lived her life. I have my whole life ahead of me, and now it might be screwed up! That’s what you should be worried about!BREE: What I'm worried about, Andrew, is that you don't seem to have a soul. Give me one good reason why I shouldn't call the police!ANDREW: Because I'm your son. That would make you the monster.He walks out.SCENE: Mike opens up the front door and Bongo comes rushing down the stairs to greet him. MIKE: Hey, buddy!He goes into the kitchen and sees the remains of the bathroom floor scattered on the kitchen. He looks up and sees Susan's legs dangling from the ceiling.MIKE: Susan, is that you?SUSAN: Mike? I'm upstairs. Sorta.MIKE: Hang on, I'll be right up.When he gets to the bathroom, he stops, and leans against the door frame.MIKE: What happened?SUSAN: Well, you see, this bird, um, flew in your bathroom window, and, I, tried to save it, but, uh, it died.MIKE: I don't think that’s what happened.SUSAN: I don't think so, either.MIKE: Come on...He lifts her out and puts her to the side.SUSAN: Thank you, oh, you have no idea what that was like...Mike looks in the sink and notices the money and gun Susan left there.MIKE: You went through my cabinets.SUSAN: What? Oh, I can explain.MIKE: Get out of my house.SUSAN: Mike...MIKE: Get out!She leaves.SCENE: Mr. Shaw gets out of his car and goes to the trunk. He opens it. Inside are shovels. He takes out a gun and hides it in the back of his paints, underneath his jacket. Edie pulls up in her car and gets out. Mr. Shaw closes the trunk.EDIE: Hello there!MR. SHAW: Good afternoon.EDIE: Ooh, well isn't this just as pretty as a picture book!MR. SHAW: Well, the plan is to put in a small condo.EDIE: You want to make some money, or you want to pussyfoot around?MR. SHAW: What do you suggest?EDIE: I'm thinking strip mall. I've run some numbers.She pulls out a sheet of the purple stationary with numbers written on it and hands it to him.MR. SHAW: Nice stationary.EDIE: Oh, it’s stolen.MR. SHAW: What do you mean?EDIE: After my house burned down, I was staying with this neighbor, Martha Huber. That is, until the old troll threw me out. Anyway, I'd steal her stuff, she'd steal mine. Circle of life.MR. SHAW: So this paper is hersEDIE: Oh, God, yes.SCENE: Parker plays with the radio, switching stations and turning it louder. The twins bang on pots, The house is a mess, with food and toys everywhere. Lynette comes into the kitchen, talking on the phone.LYNETTE: No, Tom, you can't do this to me. Because, I need you at home. Boys, stop it, I am on the phone. Well, yeah, I realize it’s not your fault that the meeting got postponed, but you promised you'd be back tonight. I, I, I gotta go. The kids are... Yeah, I know... you're sorry, just, will you try to get back as soon as you can? Okay, bye.She hangs up the phone.SCENE: The boys are listening to the radio whilst Lynette does not seem pleased with this at all.LYNETTE: Boys, would you please, please, stop it. Really, really, mommy’s got a headache. Okay? Just, uh...RADIO: ...and drowsy and ready to sleep, let the morning time drop all its petals on me... life I love you, all is groovy...LYNETTE: "Turn that damn thing off.Lynette starts screaming at the boys as everything happens in slow motion. She throws pans on the floor and throws a can through the window. Facing the window, she sees Mary Alice appear. Mary Alice smiles, looks down at her hands, and then hands Lynette a gun. Slowly, Lynette takes the gun, looks at it, and then holds it up to her own head. She closes her eyes.A loud crash wakes up Lynette, who had been sleeping with her head on the kitchen table. She looks at her boys, who are ignoring her, doing their own thing, and she sighs. SCENE: Susan rings Mike's doorbell. He answers the door, unfriendly.MIKE: What?SUSAN: I just came over to say I'm sorry, and I'll pay for all the damage.MIKE: don't worry about it.He starts to close the door.SUSAN: Well, so, in your mind, is the date off?MIKE: Well, you snooped around my house, and went through my stuff. Uh, yeah, in my book, that’s pretty much a deal breaker.Susan opens the screens and enters the house.SUSAN: Hold on a minute, now. I started snooping around because I found all that money by accident. And, and then, I found a gun. Are you a drug dealer or something?MIKE: Is that what you think?SUSAN: Well, I wouldn't know because you never let me in. You know, there’s this whole part of your life that you keep completely walled off.MIKE: I have a gun for protection, I keep cash for emergencies. I'm a good guy, Susan, and you should know that. I'm, I'm not obligated to share every little detail of my life with you. SUSAN: Well, every little detail is one thing. You know, weird creepy secrets, that’s another.MIKE: You know what, I don't want to be with someone who doesn't trust me.SUSAN: Well, maybe we shouldn't be dating.MIKE: Maybe we shouldn't.。

绝望主妇第一季第7集剧本(中英文)

绝望主妇第一季第7集剧本(中英文)

-Mary Alice: Previously on Desperate Housewivespreviously: 以前【previously on后加剧名,表示为对剧情的“前情提要”。

】desperate: 绝望的,不顾一切的housewife: 家庭主妇前情回顾。

-Mr. Shaw: What is it hired me to do?hire: 出钱雇佣某人做(某事)你雇佣我来干什么?-Paul: Someone sent that to my wife. I need to know who.send: 送,寄有人给我太太寄了这张纸条,我想知道是谁。

-Mary Alice: Some secrets were discovered.secret: 秘密discover: 发现,发觉有些秘密被发现了。

-Zach: After Mom died, I started remembering what happened to Dana.die: 死亡start doing: 开始干…happen to: 发生我妈妈死后,我开始回忆起发生在Dana身上的事。

-Julie: Dana?谁是Dana?-Nurse: What are you doing?你在这干什么?-Mary Alice: Some secrets were uncovered.uncover: 揭开,揭露有些秘密揭开了。

-Carlos: Could be anyone she's having an affair with.have an affair with:(与某人)有不正当的男女关系有可能是这些人中的某一个和她有一腿。

-Mama Solis:Don't worry. I'm not letting her out of my sight.out of one’s sight: 看不见,在视野之外【这里指“我不会让她远离我的视线之外”。

绝望主妇第一季第11集中英字幕+学习笔记

绝望主妇第一季第11集中英字幕+学习笔记

绝望主妇第一季第11集中英字幕+学习笔记第一季 11集: Move On-Rex: I am just trying to move on with my life.try to: 设法、试图 move on: 继续前进 life: 生活、生命我只是想渡过这一关,继续我的生活这没什么可耻的。

-Bree: Are you having an affair with my husband?have an affair with: 通奸 husband: 丈夫那得看情况,你是不是和我丈夫有一腿?-NARRATOR: Suspicion ended in tragedy.suspicion: 怀疑,猜疑 end in: 以?为结果 end: 结束 tragedy: 悲剧猜疑的结果是悲剧-BREE: Um, excuse me, I’m here to see Rex Van de Kamp.excuse me: 对不起、打扰一下 excuse: 理由、借口嗯,不好意思,我来探望Rex Van De Kamp。

Apparently, he had a heart attack.apparently: 似乎、显然 heart attack: 心脏病发作heart: 心、心脏 attack: 疾病发作、攻击他好像心脏病发作了。

-NARRATOR: Trust…信任?-Carlos: It kills me that I’m putting you throu gh this.kill: 杀死、弄死 put through: 使经受、遭受我真是对不起你,让你受了这些苦。

-NARRATOR: was put on trial.put on: 强使承担(责任等) trial: 考验,试验经受严峻的考验-Judge Sullivan: Bring me the passport, and Mr. Solis can visit his mother.bring: 带来 passport: 护照 visit: 看望、探视把护照交给我,Solis就可以去探望他的母亲了。

绝望的主妇第一季(1—3集)中英文台词对照

绝望的主妇第一季(1—3集)中英文台词对照

绝望的主妇中英文台词对照-NARRATOR: My name is Mary Alice Young.我是Mary Alice Young。

When you read this morning's paper, you may come across an article about the unusual day I had last week.come across: 偶然遇到article: 文章unusual: 不平常的当你浏览今天的晨报,可能会读到一篇文章关于上个星期我所渡过的不平常的一天。

Normally, there's never anything newsworthy about my life.normally:通常newsworthy: 有新闻价值的通常,我的生活里是没有什么有新闻报道价值的。

That all changed last Thursday. change: 改变 . 但是上个星期四一切都改变了。

Of course everything seemed as normal at first.of course: 当然seem: 好像,仿佛normal: 平常as normal: 照常at first: 最初,开始时当然,起初,一切看起来都很平常。

I made my breakfast for my family. 我给一家人做好早餐。

-MARY ALICE: Here we are. Waffles.Waffles: 华夫饼干华夫饼来了。

-NARRATOR: I performed my chores. perform: 完成chore: (家庭或农庄的)杂务,杂活我做好了做家务。

-NARRATOR: I completed my projects. complete: 完成project: 设计【这里指美化家居】完成我的手工作品。

--NARRATOR: I ran my errands. ran: 有步骤地进行errand: 差使,差事run errand: 跑腿完成我的使命。

(完整版)1《DesperateHousewives》(绝望主妇)第一季台词

(完整版)1《DesperateHousewives》(绝望主妇)第一季台词

《Desperate Housewives》第1季1-01The next day my friends came together to pack away my clothes, my personal belongings and what was left of my life. Not quite Gabrielle, not quite. How ironic. To have something I tried so desperately to keep secret treated so causally. I'm so sorry, girls. I never wanted you to burden with this.第二天我的朋友们都来帮我收拾衣服,私人物品还有――我剩下的那些东西。

远不只这些Gabrielle,远不只。

多么讽刺,我拼命努力想要保守的秘密就这样随便的被她们发现了。

对不起,姐妹们。

我绝对不想让你们承受这种负担。

1-02Yes, as I look back at the world I left behind, it's all so clear to me. The beauty that waits to be unveiled, the mysteries that long to be uncovered. But, people so rarely stop to take a look. They just keep moving. It's a shame, really. There's so much to see.是的,当我回头看我身后的世界,它变得如此清晰。

那么多期待闪亮登场的美丽,那么多渴望不被发现的秘密。

但人们很少停下脚步去观察,他们只是一路前行。

这真的很可惜。

1-03Yes I remember the world. Every detail. And what I remember most is how afraid I was, what a waste. You see, to live in fear is not to live at all. I wish I could tell this to those I left behind, but would it do any good? Probably not. I understand now, there will always be those who face their fears, and there will always be those who run away.是的,我记得这个世界的每一个细节。

绝望主妇第一季第11集中英字幕+学习笔记

绝望主妇第一季第11集中英字幕+学习笔记

第一季11集: Move On-Rex: I am just trying to move on with my life.try to: 设法、试图move on: 继续前进life: 生活、生命我只是想渡过这一关,继续我的生活这没什么可耻的。

-Bree: Are you having an affair with my husband?have an affair with: 通奸husband: 丈夫那得看情况,你是不是和我丈夫有一腿?-NARRATOR: Suspicion ended in tragedy.suspicion: 怀疑,猜疑end in: 以…为结果end: 结束tragedy: 悲剧猜疑的结果是悲剧-BREE: Um, excuse me, I’m here to see Rex Van de Kamp.excuse me: 对不起、打扰一下excuse: 理由、借口嗯,不好意思,我来探望Rex Van De Kamp。

Apparently, he had a heart attack.apparently: 似乎、显然heart attack: 心脏病发作heart: 心、心脏attack: 疾病发作、攻击他好像心脏病发作了。

-NARRATOR: Trust…信任…-Carlos: It kills me that I’m putting you through this.kill: 杀死、弄死put through: 使经受、遭受我真是对不起你,让你受了这些苦。

-NARRATOR: was put on trial.put on: 强使承担(责任等) trial: 考验,试验经受严峻的考验-Judge Sullivan: Bring me the passport, and Mr. Solis can visit his mother.bring: 带来passport: 护照visit: 看望、探视把护照交给我,Solis就可以去探望他的母亲了。

绝望主妇第一季台词

绝望主妇第一季台词

《Desperate Housewives》第1季1-01"My name is Mary Alice Young. When you read this morning's paper, you may come across an article about the unusual day I had last week. Normally, there is never anything newsworthy about my life. But that all changed last Thursday.""Of course, everything seemed quite normal at first. I made breakfast for my family. I performed my chores. I completed my projects. I ran my errands. In truth, I spent the day as I spent every other day, quietly polishing the routine of my life. Until it gleamed with perfection. That's why it was so astonishing when I decided to go to my hallway closet and retrievea revolver that had never been used."The next day my friends came together to pack away my clothes, my personal belongings and what was left of my life. Not quite Gabrielle, not quite. How ironic. To have something I tried so desperately to keep secret treated so causally. I'm so sorry, girls. I never wanted you to burden with this.第二天我的朋友们都来帮我收拾衣服,私人物品还有――我剩下的那些东西。

绝望主妇第一季各集结束语 Desperate Housewives Season 1 中英

绝望主妇第一季各集结束语 Desperate Housewives Season 1 中英

绝望主妇第一季结束语Desperate Housewives Season 11-01Once some things are said...You can't take them back.The damage is already done.话一旦说了出去,你就没办法收回来。

因为后果已经产生了。

1-02Yes , As I look back the world I left behind, it all so clear to me, the beauty that wait to be unwilled , the mystery that long uncovered , but people so rarely stop to take a look, they just keep moving, it's the shame really , there are so much to seeing .是的, 当我回头看看身后这个世界时, 一切都如此的清晰. 等待被发现的美丽. 和等待被揭开的神秘. 但人们很少会停下来看上一眼. 他们只是不停地往前走. 这真的很遗憾, 有那么多值得一看的东西.1-03Yes I remember the world every detail , and what I remember most is how afraid I was , what a waste , you see , to live in fear, is not to live at all. I wish I could tell this who those I leave behind ,but it would do any good? Probably not, I understand know, there will be always who face their fears , and there always be those who run away。

绝望主妇第一季中英文剧本对白(可编辑)

绝望主妇第一季中英文剧本对白(可编辑)

绝望主妇第一季中英文剧本对白绝望主妇第一季中英文剧本对白 - MARY ALICE:: My name is Mary Alice Young. 我是Mary Alice Young。

When you read this morning's paper, you may come across an article about the unusual day I had last week. 当你浏览今天的晨报,可能会读到一篇文章关于上个星期我所渡过的不平常的一天。

Normally, there's never anything newsworthy about my life. 通常,我的生活里是没有什么有新闻报道价值的。

That all changed last Thursday. 但是上个星期四一切都改变了。

Of course everything seemed as normal at first. 一切看起来都很平常。

I made my breakfast for my family. 我给一家人做好早餐。

-MARY ALICE: Here we are. Waffles. 华夫饼来了。

- MARY ALICE: I performed my chores. 我做好了做家务。

I completed my projects. 完成我的手工作品。

I ran my errands. 完成我的使命。

In truth, I spent the day as I spend every other day quietly polishing the routine of my life until it gleamed with perfection. 事实上, 和平时没什么不同――一切都和往常一样,直到一件不寻常的事情的发生。

That's why it was so astonishing 这就是为什么一切令人震惊 when I decided to go to my hallway closet to retrieve a revolver that had never been used. 当我决定走向走廊的壁橱,拿起一把从没用过的左轮手枪。

《绝望的主妇》1-8季每集结束语整理完整版

《绝望的主妇》1-8季每集结束语整理完整版

101 The next day my friends came together to pack away my clothes, my personal belongings and what was left of my life. Not quite Gabrielle, not quite. How ironic. To have something I tried so desperately to keep secret treated so causally. I’m so sorry, girls. I never wanted you to burden with this.第二天我的朋友们都来帮我收拾衣服,私人物品还有――我剩下的那些东西。

远不只这些Gabrielle,远不只。

多么讽刺,我拼命努力想要保守的秘密就这样随便的被她们发现了。

对不起,姐妹们。

我绝对不想让你们承受这种负担。

102 Yes, as I look back at the world I left behind, it's all so clear to me. The beauty that waits to be unveiled, the mysteries that long to be uncovered. But, people so rarely stop to take a look. They just keep moving. It's a shame, really. There's so much to see.是的,当我回头看我身后的世界,它变得如此清晰。

那么多期待闪亮登场的美丽,那么多渴望不被发现的秘密。

但人们很少停下脚步去观察,他们只是一路前行。

这真的很可惜。

103 Yes I remember the world. Every detail. And what I remember most is how afraid I was, what a waste. You see, to live in fear is not to live at all. I wish I could tell this to those I left behind, but would it do any good? Probably not. I understand now, there will always be those who face their fears, and there will always be those who run away.是的,我记得这个世界的每一个细节。

美剧英文台词文本绝望主妇第1季第4集

美剧英文台词文本绝望主妇第1季第4集

DESPERATE HOUSEWIVES 1X04:DESPERATE HOUSEWIVES1X04: WHO'S THAT WOMAN?Original Airdate on ABC: 24-OCT-2004 Written by Tom Spezialy & Marc Cherry.Directed by Jeff Melman.==========================CAST:==========================Teri Hatcher as SUSAN MEYERFelicity Huffman as LYNETTE SCAVOMarcia Cross as BREE VAN DE KAMPEva Longoria as GABRIELLE SOLISBrenda Strong as MARY ALICE YOUNG / NARRATORJames Denton as MIKE DELFINOSteven Culp as REX VAN DE KAMPNicolette Sheridan as EDIE BRITTMark Moses as PAUL YOUNGRicardo Antonio Chavira as CARLOS SOLISCody Kasch as ZACK YOUNGAndrea Bowen as JULIE MEYERJesse Metcalfe as JOHN ROWLANDChristine Estabrook as MRS. HUBERJoy Lauren as DANIELLE VAN DE KAMPDoug Sevant as TOM SCAVOZane Huett as PARKER SCAVOBrent Kinsman as PRESTON SCAVO / PORTER SCAVOShane Kinsman as PRESTON SCAVO / PORTER SCAVOSam Lloyd as DR. ALBERT GOLDFINE==========================Mary Alice Voiceover: Previously on Desperate Housewives…[INT – Britt House – Living Room – Night](Shots of Susan sneaking into Edie’s house, carrying a measuring jug. She sits down on the sofa and is distraught, seeing the romantic setting with all the candles. She throws the bra she picked up over her shoulder. It catches fire, which spreads to the curtains and much further. We see Susan run out, running past the now forgotten measuring jug on the floor.) Mary Alice Voiceover:….Susan played with fire…. [EXT – Wisteria Lane – Night](shots of Edie’s house in flames, sirens are going off and firemen are trying to put out the blaze)[EXT – Britt House – Day](Edie and Mrs Huber go through the wreckage of the house looking to see if anything can be salvaged. Mrs Huber holds up the charred measuring jug)Edie: That’s not my cup(Mrs Huber’s brain kicks into gear and she gets a look on her face as if she’s got a plan)Mary Alice Voiceover: ….And could get burned[INT – Solis House – Living Room – Day]Carlos: Go to a spa, go shopping. Find a way to relax(Gabrielle gets a wicked little look on her face, as if she knows exactly what she’s going to do)[INT (split screen shot) – Solis House and John’s apartment – Day]Gabrielle (to John on the phone): Just get here as fast as you canMary Alice Voiceover: Gabrielle found herself a playmate(shots of Gabrielle and John kissing, he’s not wearing a top) [EXT – Scavo Car – Day] (Lynette is driving while the kids are jumping up and down and screaming in the back seat. She hangs her head as if she’s given up trying to control the boys)Mary Alice voiceover: Whilst Lynette couldn’t get her kids to stop playing(Lynette sees a policeman on a motorbike in her rear view mirror)Policeman: Ma’am do you know why I pulled you over?(shots of the boys pulling faces at the policeman through the window)Lynette: I have a theory [INT – Van Der Kamp House – Living Room - Night](shots of Rex trying to sleep on the sofa-bed)[INT – Van Derk Kamp House – Living Room – Day]Rex: If I don’t start getting any sleep soon I’ll be forced to move back upstairs out of sheer exhaustion.(Bree is alone in the living room, she has a pair of pliers in her hands)Mary Alice Voiceover: And Bree played hardball(Bree pulls back the mattress of the sofa-bed and used the pliers to cut the wire frame. She bends the spokes upwards, presses her finger against one to test how sharp it is and puts the mattress back)Mary Alice Voiceover: Everyone has a little dirty laundryEnd of Recap [INT – Scavo House – Living room – Day](shots of a very messy house. The shot pans over children’s toys)Mary Alice Voiceover: When I was alive I maintained many different identities.(shot pans over a coffee table filled with magazines on a range of different topics. One of which is a newspaper ‘the national informer’ which has a front page with a picture of Mary Alice and the headline ‘inside: the suburban suicide mom’)Mary Alice Voiceover: Lover, wife and ultimately victim.(we see Lynette bending down to pick up some of the mess, attempting to tidy up)Mary Alice Voiceover: Yes, labels are important to the living, they dictate how people see themselves, like my friend Lynette. She used to see herself as a career woman, and a hugely successful one at that.(shot switches to…) [INT – Scavo House – Kitchen - Day](shot of one of the twins passing Lynette a bottle. She yawns, brushes her hair back and starts to feed the baby)Mary Alice Voiceover: She was known for her power lunches….(shot switches to…) [INT – Scavo House – Kitchen – Day](Lynette attaches another of the kids drawings to the fridge and slaps a magnet on top to hold it in place)Mary Alice Voiceover: ….Her eye catching presentations….(shot switches to…) [INT – Scavo House – Living Room – Day](Lynette sprays cleaning products on the dirty windows and wipes them clean. She looks incredibly fed up)Mary Alice Voiceover: ….And her ruthlessness at wiping out the competition(Shot switches to…) [INT – Scavo House – Kitchen – Day](Lynette is washing the dishes)Mary Alice Voiceover: But Lynette gave up all that to assume a new label.(The phone rings)Mary Alice Voiceover: The incredibly satisfying role of full time mother(Lynette wipes her hands and answers the phone)Lynette (on the phone): Scavo residence…yes, this is me…(her face drops and she sighs as she listens to what the person on the other end of the phone is saying) [EXT – The Boys’ School – Day](Lynette is walking towards the boy’s classroom)Mary Alice Voiceover: But unfortunately for Lynette this new label frequently fell short of what was advertised.(She stops when she sees the twins sat outside their classroom. When they see their mom they both give a wave at her, which reveals blue paint on their hands) [INT – The Boys’ Classroom – Day](Lynette enters, looks at the art supplies cupboard and looks perplexed)Lynette: How in the world did they?Teacher: I left the door to the art supply cupboard open for five minutes, that’s all. Five minutes.Lynette: Well, the little girl,(Lynette sits down opposite the teacher on one of the children’s small chairs)Lynette: Why didn’t she say anything?Teacher: Your boys work quicklyLynette: Well, obviously they will be punished for this. Severely.Teacher: I hesitate in brining this up, seeing as you got so ugly about it the last time Lynette: They don’t have attention deficit disorder, and I’m not going to drug my boys just to make your job easier. I’d rather change teachersTeacher: The boys are in my class because I’m the only teacher that can handle them Lynette: What if we separate the twins? Put them in different classes? They’re much calmer when they’re not bouncing off one anotherTeacher: We can try that. But if it doesn’t work, we may no longer be able to accommodate them(Lynette is resigned to that fact and nods slightly. She leaves and collects the boys from outside the classroom. They all head off)Mary Alice Voiceover: It suddenly occurred to Lynette that her label was about to change again. And that for the next few years she would be known as the mother of the boys who painted Tiffany Astelrod blue.(they walk past another mother and little girl, who she protectively moves behind her as the Scavos walk past. Because this is the girl that is covered from head to foot in blue paint,Lynette looks shocked, she can’t believe what her boys did!!)Opening Credits [EXT – Wisteria Lane – Outside Solis House – Day](opening shots of the street, focusing in on a tape player. It pulls back out to show Gabrielle, Bree, Lynette and Susan sat outside about to switch on the tape player)Mary Alice Voiceover: It looked to be an interesting afternoon on wisteria lane. A mysterious cassette tape had been discovered by my friend Bree. She had stolen it from her marriage counsellor, a counsellor I had once spoken to in strictest confidenceCounsellor (on the tape): So how have you been?Mary Alice (on the tape): I had the nightmare againGabrielle: Its so weird to hear Mary AliceCounsellor (on the tape): Still the same one?Mary Alice (on the tape): Yes. But this time I was standing in a river and I saw the girl under the water and she kept screaming ‘Angela’ over and over again.Counsellor (on the tape): So what do you think the significance of the name ‘Angela’ is? Mary Alice (on the tape): Actually, its my real nameGabrielle: (really shocked) Her real name?(Bree nods)Gabrielle: That doesn’t make any sense. I’ve seen her drivers licence, it does not say ‘Angela’Susan: Bree, what does it say on the rest of the tape?Bree: Just some more about her nightmares and this girl she was afraid of.Gabrielle: So what the hell do we do now?(shots of the women sitting and thinking. Susan looks up across the street at Paul watering his garden. The rest of the women turn and look too. Paul waves at them, and they all give nervous waves back.)Susan: I think we should show Paul the noteLynette: Are you sure? He’s gonna freakBree: Well its now or never. I saw what he’s asking for the place its going to sell really quickly(Gabrielle gets up and stares at Paul- feeling uncomfortable)Gabrielle: Can I say something? I’m glad Paul’s moving.Bree: (can’t believe her friend would say such a thing) Gabby!!Gabrielle: I’m sorry, he’s just always given me the creeps. Haven’t you guys notices that he’s got this ‘dark thing’ going on? There’s something about him that just feels…..(Searches for the word)Lynette: Malignant?Gabrielle: Yes!Susan: We’ve all sort of felt it(more shots of Paul working on the garden)Bree: That being said, I do love what he’s done with that lawn(Lynette, Gabrielle and Susan turn to look at Bree as if she’s crazy) [INT – Mayer House – Kitchen – Day](Susan is absentmindedly washing dishes as she stares out the window. She’s been scrubbing the same one for quite some time. Julie comes up behind her and cranes her neck to seewhat her mother is looking at. She sees that its Mike Delfino working in his garden – without a shirt on. Julie laughs at her mother)Julie: Mom, the dish is cleanSusan: Huh?Julie: I still don’t understand why you don’t just ask him out on an ‘official date’ date. Susan: I’m trying a new strategy. I’m playing hard to getJulie: How long do you think you can keep that up?Susan: Oh, maybe until noon. Then I’m going to have to run over there and beg him to love me(Julie laughs at her mother’s joke)Julie: Uh mom? (indecipherable)(shots of Edie washing her car. Theres lots of soap suds and she isn’t wearing very much at all)Susan: You’ve got to be kidding me! She washed her car yesterday(Shots of Edie with her hose, showing off her breasts in her top. Mike definitely notices her. Shots of Susan and Julie watching from the kitchen window. Edie gets a sponge from one of the buckets of water and dabs it to her chest to ‘cool down’)Susan: Oh, no, she did not!(shot of Mike pausing his raking to watch Edie)Susan: Well, she’s bringing out the big guns(shot of Edie squeezing out all the water over the front of her top, and Mike’s appreciative glances)Julie: You’d better get over there. She’s wearing cotton(Julie goes to a drawer in the table and takes out a letter)Susan: What am I supposed to say to Mike? “I saw you half naked so I thought I’d drop by”? (Julie offers the letter to her mother)Susan: Whats that?Julie: A piece of Mike’s junk mail we got by mistake. I held on to it incase of an emergency Susan: God bless you!(Susan kisses Julie’s cheek. And heads out the door) [EXT – Wisteria Lane – Day](Susan leaves her house heading for Mike’s. She and Edie exchange stinking looks as she goes past.)Susan: HiMike: Oh, hey SusanSusan: We, uh, got this by mistake (offers him the letter)Mike: Thanks (opens the letter)Susan: I hope its not importantMike: No, its just a promotion from the Realto. They’re having a film festivalSusan: Oh.(shots of Edie watching Susan and Mike from behind her car)Susan: Well, I guess I’ve done my good deed for the day (tries to make a joke of this – but it doesn’t work)Mike: HuhSusan: So I guess I’ll just head back home(practically begging for an invitation to stay). Bye(Susan turns to leave)Mike: Hey, do you like old moviesSusan: (turns around really quickly) I love old movies!!(Edie, upon hearing this, throws her sponge into the bucket – giving up. We see shots of Mike and Susan laughing as Edie storms off into Mrs Huber’s house) [INT – Mrs Huber’s House – Day](Mrs Huber is cutting out coupons in the kitchen when Edie storms in and slams the door shut after her)Edie: I hate Susan Mayer! Every time I see those big doe eyes of hers, I swear to god I just want to go out and shoot a dear.(As she vents to Mrs Huber, she takes a beer out of the fridge)Mrs Huber: What has she done this time?Edie: She is out there throwing herself at Mike Delfino. Again!Mrs Huber: Susan likes mike?(Mrs Huber is shocked by this information. Edie looks at her like she’s an idiot and pops the lid off her beer)Edie: Where the hell have you been Martha? She’s been lusting after him since he moved in (Mrs Huber figures out that it was probably Susan who burnt down Edie’s house. She looks like she’s making a plan) [EXT – The Scavo Boy’s School- Day](Lynette comes rushing up to the teacher who is having lunch outside the boys’ classroom) Lynette: Hi, I got your message. Whats going on?Teacher: The boys refused to be separatedLynette: They refused? They’re six years old…make them.Teacher: (sarcastically) Well school regulations are pretty strict about me wrestling with the boys. (she had taken a bite of something that didn’t agree with her and spat it out into her hand) But if you want to give it a shot…(Lynette looks at her as if she can’t believe that the woman is teaching her sons) Lynette: Fine(stops on her way inside)Lynette: oh.. which one goes and which one stays?Teacher: (shrugs) you pick(Lynette heads inside. As she opens the door we hear the noise that the boys were making inside. The teacher goes to the doorway and eavesdrops on what is being said inside) There’s lots of screaming but I can’t quite make out what is said.(the teacher opens the door, and we see one of the twins is lying on top of a table, holding on for dear life as his mother tries to pull him off. The other twin is on the floor hugging the table leg, trying to stop his mother making his brother leave. The teacher smiles at the sight) [INT – Solis House – Bathroom – Night](Its dark in the bathroom, the only light coming from the many candles in the room. We pan across and see Gabrielle and John in the bath with lots of bubbles)Gabrielle: I love taking baths. Especially with you. Its like taking a vacation from the world John: I hated taking baths when I was a kid. Of course, back then all I had to play with was my rubber ducky(Gabrielle thinks this is sweet and they kiss. The doorbell rings)John: Who’s that? (panics) Its Mr Solis (gets out of the tub – water goes everywhere) Gabrielle: (not at all worried) Relax! Carlos is at work…and he doesn’t ring the doorbell (Gabrielle gets out and dons a robe. She opens a window to see who it is. There’s a purple van outside that says ‘Cliffside Cable’)Gabrielle: It’s the cable guy. He’s three hours late (closes the window)Gabrielle: (Calls out to John, who is frantically getting dressed in the bedroom) Use the side entrance [INT – Solis House – Bedroom- Night]Mary Alice Voiceover: Gabrielle knew her vacation from the world had ended….(John grabs his shoes and leaves)Mary Alice Voiceover: ….What she didn’t know was that John had left behind a souvenir (the shot pans down and we see one of John’s socks left under the bed) [INT – Van Der Kamp House – Kitchen – Night](Danielle and Andrew enter the house)Danielle: I’m telling you. Dad didn’t come home last night. They had a fight. A bad one. Andrew: How bad?Danielle: Like divorce court bad(They both look up at the sound of humming from the next room, and see their mother placing and replacing a candle in the middle of the dining table)Danielle: Listen to her! She always overcompensates when she’s worriedAndrew: If dad moves out and leaves us with her, I’m going to loose my mind(Bree opens the sliding doors to the dining room and smiles)Bree: Dinner is on the tableAndrew: Mom, where did dad go last night?Bree: He got a last minute call to speak at a medical conference in Philadelphia. Take your seats(Danielle and Andrew enter the dining room and see the feast laid out for them there, its like Christmas dinner in there!! They’re both shocked by what they see)Danielle: This marriage is so over(Andrew can’t stand what he sees and walks out the back door)Bree: Andrew?! [INT – Solis House – Bathroom – Night](Gabrielle blows out the candles in the bathroom)Cable Guy: Sorry I’m late. The scheduler overbooked meGabrielle: How long are you going to be?Cable Guy: Almost done. What is that scent? Is it the sage of citrus? Its amazing Gabrielle: Try to hurry. I have stuff to do(Gabrielle leaves the room, letting the cable guy get on with what he’s doing. He packs up a role of wire, then turns to another wire coming out of the wall. He pulls at it, but it won’t budge. So he braces himself to pull harder, but slips on the water that John split when he got out of the tub. He goes down hard, flat on his back. Gabrielle pokes her head around the corner and gasps at what she sees) [INT – Solis House – Bathroom - Night](we see the cable guy being loaded onto a paramedic’s trolley. He’s on a back board, with a neck brace on. A paramedic shines a light in his eyes whilst Gabrielle looks on, worried. Carlos enters, confused)Carlos: What is happening?Gabrielle: The cable guy fell. He hit his head on the tub. He may have a concussion. Carlos: (suspicious) Its almost 8Gabrielle: He was late(The paramedics wheel the cable guy out, Gabrielle follows them, whilst Carlos looks on, suspicious. He sniffs and smells the scented candles that Gabrielle had been burning with John earlier, and sees the remaining candles burning. He takes in the full scene around him and is even more suspicious) [EXT – Mayer House – Night](Mrs Huber is at Susan’s door, carrying a pie. Susan opens the door)Susan: Mrs HuberMrs Huber: Hello Susan. I made you a pieSusan: Oh, wow. Why?Mrs Huber: Do I need a motive to do something nice?(Susan kind of shrugs, not knowing what to say) [INT – Mayer House – Night](Mrs Huber cuts a slice of the pie)Mrs Huber: I can’t wait for you to try this, its mince meatSusan: Actually, I just had dinnerMrs Huber: That’s okay, you can save it for later(Mrs Huber licks her finger and laughs)Susan: Whats so funny?Mrs Huber: I was just thinking of that expression ‘ I’ll make mincemeat out of you’. (Susan looks confused)Mrs Huber: Mincemeat. It used to be an entrée mostly made up of chopped meat. So it was like saying ‘I’ll chop you up into little bits’(Susan stares at Mrs Huber like she’s nuts. Mrs Huber is still laughing as she goes to the sink to wash her hands)Mrs Huber: But that was centuries ago. Today mincemeat is mostly made up of fruit, spices and rum. Theres no meat in it, and still people say I’ll make mincemeat out of you. Susan: I don’t know that people really say that anymoreMrs Huber: I do(she carelessly throws away the towel she was using to dry her hands)Mrs Huber: So, Susan. How are you?(opens up Susan’s cookie jar and looks inside)Susan: I’m fineMrs Huber: Good. You know, I have a confession to make…I always wish I had been more supportive when Carl left you.Susan: Oh, you don’t have to apologise about Carl. Really, Carl and I are over. I’ve moved onMrs Huber: Yes, I know. You’ve moved on to that nice Mike Delfino. He’s quite a catch isn’t he?(Mrs Huber winks at Susan. Then goes into her cupboard to take out a plate)Susan: Um, sure. As a friendMrs Huber: Oh, Susan, being coy is a strategy best employed by virgins at their first dance. For women of our age its just annoying. (suddenly all nice again) are you sure you don’t want pie?Susan: No. Thank you. I hope it works out with you and Mike, you’ve been so desperate to land himSusan: WHAT? I am not desperateMrs Huber: Oh, lord! Susan you burned you love rival’s house down! If that isn’t desperate I don’t know what is(Susan stands there opening and closing her mouth, not knowing what to say)Susan: Mrs Huber, with all due respect, you’re crazy(Mrs Huber puts down the fork she was using to eat the pie, reaches into her bag and takes out the charred measuring jug, placing it on the table)Susan: What’s that?Mrs Huber: (she’s thoroughly enjoying this) I think you recognise it. I found it in the ruins of Edie’s home.Susan: Well, that’s not…Mrs Huber: sh, sh, sh. My point is this. I wasn’t there for you when Carl left you, but I’m here for you now. As far as I’m concerned, this is our little secret and no one need ever know. Oh Susan, you have no idea how good it feels to finally be able to help you. (Susan is shell shocked through all this)Mrs Huber: You look so pale. Now I insist you try some of my pie(Mrs Huber gets up and forcibly feeds some of her pie to Susan)Mrs Huber: Go on(Susan obligingly opens up)Mrs Huber: Did I mention its mincemeat?(Susan gulps and swallows at the same time) [INT – Van Der Kamp House – Andrew’s Bedroom – Day](Bree knocks on Andrew’s bedroom door. Its got a sign on it saying ‘Keep Out’. There’s no answer so she tries again)Andrew (off screen): What?Bree: Open the door pleaseAndrew (off screen): Hang on(Andrew opens his door)Andrew: What?Bree: Can I come in?Andrew: NoBree: Well I want to talk to youAndrew: Then talk(Bree folds her arms across her chest)Bree: Where were you last night?Andrew: Brian’sBree: I spoke to Brian’s mother. Now tell me again where you were last night and this time don’t lie to meAndrew: Where did you say dad was again? In Philadelphia?Bree: Andrew don’t change the subjectAndrew: I’m sorry. I thought the subject was telling lies. I called dad’s cell phone and I know he moved out.Bree: Well its just temporary and….I thought it would upset you, so I was protecting you Andrew: Whatever. You lied so stop pretending like you have some sort of moral authority. Bree: Andrew, just because I chose not to share my marital problems with you does not give you the right to be rudeAndrew: How about driving my father away? Do I get to be rude then?(Andrew closes the door in his mother’s face. Bree is left standing there thinking about what he said) [INT – Solis House – Bedroom - Day](Its morning and Carlos is getting dressed for work. We see Gabrielle in the walk in closet trying to decide what to wear. He drops his tie clip on the floor and bends down to pick it up. As he looks under the bed he sees the sock that John left behind. He picks it up and looks at it. Gabrielle turns around and sees the sock in Carlos’s hand. Her eyes widen in shock and she rushes out the other door to the closet. She goes through the laundry basket in the bathroom and pulls out several items. She quickly runs downstairs with them and puts them in the cleaning supplies closet. She’s about to head back upstairs when she is greeted by Carlos at the bottom of the stairs)Gabrielle: (nervous) HiCarlos: Whats this?(Carlos holds up the sock)Gabrielle: (sarcastically) That’s a sockCarlos: It’s a man’s sock. I found it under our bed. Its not mineGabrielle: For god’s sake, Carlos, its Yeolin’sCarlos: Our maid wears size 13 gym socks?Gabrielle: No, she dusts with them(Carlos looks confused, so Gabrielle beckons for him to follow her. She leads him to the cleaning supplies closet)Gabrielle: See? Socks. She uses them as rags(Carlos doesn’t look like he quite believes her. But Gabrielle thinks she’s dodged a bullet. She closes the doors, leans back against them and sighs) [INT – Supermarket – Day] (Susan puts eggs and orange juice on the conveyer belt at the checkout. She picks up a magazine to flick through as she waits to be served. Mrs Huber pulls up behind her, with a full trolley load of purchases)Mrs Huber: Susan, hello.(Mrs Huber is all smiles, but Susan’s face drops when she hears her voice)Susan: Mrs Huber (trying to be nice)Mrs Huber: Did you and Mike come together? I saw him over in the fresh produce aisle. Susan: No, like I told you before, we’re just friends(Mrs Huber puts down the block to separate her goods from Susan’s items)Susan: By the way, if I didn’t make it clear yesterday, I absolutely did not do that thing that you accused me of doing(Mike comes up behind them)Mike: Hey Susan. Hi Mrs HuberMrs Huber: Nice to see you MikeMike (flirting with Susan): Hey, you like Alfred Hitchcock? They’re doing a retrospective down at the realto.(Susan looks at Mrs Huber who is listening to everything that they say. She looks back at her suggestively)Susan: Um, I’m not really a fanMike: Oh, come on. How can you not like Hitchcock?Susan: I just, ah, don’tMike: (shocked at being knocked down) oh, uh, okay(Mike backs up to walk away)Mike: Well uh, nice to see you. You too, Mrs HuberMrs Huber: You’re so silly. Pretending not to like him on my account, really!Susan: Will you please just drop it?Mrs Huber: You shouldn’t be rude to me, Susan. Your secret is not an easy burden to bare. That insurance company is putting Edie though hell, but still I’ve said nothing.Susan: (fed up with Mrs Huber’s snide remarks) Well th-Mrs Huber: And the longer it takes for her to get payment, the longer she’ll be staying with me. Eating me out of house and home. Using up my hot water.Susan: What exactly is it you want from me, Mrs Huber?(Mrs Huber takes away the block separating their goods, implying she wants Susan to pay for her food)Check out girl: Are these together?(Mrs Huber looks challengingly at Susan, as if tempting her to refuse what she wants) Susan: (resigned to what she has to do) Ring it up(Mrs Huber keeps adding goods to the conveyer belt, all the while smiling sickly at Susan) [INT – Scavo House – Kitchen – Day](Lynette is pouring Bree a cup of coffee as they talk at the kitchen table)Bree: If the school and the paediatrician both think that the twins could stand to be ‘medicated’ then whats the problem?Lynette: I used to run a company with 85 people and now I can’t wrangle three small boys without doping them? Talk about feeling like a failureBree: Lynette, you are a great mother. But lets face it, your kids are…(smiles) a challenge. Lynette: (laughs) Thank you. That’s the nicest way you could have said that. you know, the truth is, when they’re not making me want to pull my hair out they’re really, really sweet. I’m afraid that if I change the bad stuff, I’m going to change the good stuff.Bree: It’s a tough call(Lynette nods)Lynette: Like this mug (It’s a strange looking, badly painted green mug), I love this mug. If I medicate them are they still going to make me a mug like this?(Lynette brings it to her lips to have a drink and coffee falls out the bottom)Bree: You know its leakingLynette: Yeah, I know(Susan and Gabrielle enter the house)Susan: We talked to Paul, told him we need to show him somethingGabrielle: He’s on his way over [INT – Scavo House – Kitchen – Later in the Day](They’re all sitting around the kitchen table)Susan: So Paul, we noticed that you’re selling the housePaul: Yes, um, too many painful memories. I’m sure you understand.。

绝望的主妇每集结束语,没事可以读读

绝望的主妇每集结束语,没事可以读读

绝望的主妇每集结束语,没事可以读读 Everyone understands the nature of war, we also understand that victory depends on the cards that we have been dealt. Some when faced with a bloody battle simply give in, but for some surrender is unacceptable, even though they know it would be a fight to the death.每个人都清楚战争的本性,我们也知道胜利取决于我们打出的那些牌。

有些人在面对血战会从容放弃;但是对某些人来说投降是无法接受的,尽管他们清楚面前的是决一死战。

The world is filled with unlikely friendships. How did they begin, with one person desperately in need and another willing to lend a helping hand. When such kindness is offered, we are finally able to see the worth of those we have previously written off, and before we've known it, a bond has formed, regardless of whether others can understand it. Yes, unlikely friendships start up everyday, no one understands this more than the lonely, in fact, and it’s what they count on.世界上到处都是不太可能的友谊。

看美剧练口语之绝望主妇第1季全23集台词词汇注释文化学习笔记汇总16-20集

看美剧练口语之绝望主妇第1季全23集台词词汇注释文化学习笔记汇总16-20集

E Noun Explanation 16memoirsprecautionlouse pl. Lice 虱子ridicule mock, scornsewage sewersuspense feeling of tenseness, worry, etc about what may happenout-take segment of film or tape, etc edited out before it is released because it contains a mistake 删减的片段grand sl 1000 dollars 1000美元dirt malicious gossip 流言蜚语fling short period of enjoyment in some, often irresponsible, activity check-up thorough examination, esp a medical one 全身检查anecdote ['?nik,d?ut]bug any small insect 小虫子measles infectious disease, esp of children, with a fever and small red pots that cover the whole body 麻疹camp-out live in a tent 露营John a prostitute’s customer嫖客DA District Attorneyupshot outcome; result 最终结果apricot 杏hose 軟管llama['lɑ:m?] 美洲驼,无峰驼standalleypeach thing that is exceptionally good or attractive of its kind; excellent, usu a personfriendthing that is very helpful or familiar Persistence has always been my friend.port-a-pottytilelimestone 石灰岩Jacuzzi bath-tub with underwater jets of water that massage the bodybongo 用手指敲打的小鼓exclusivity 独特性17ward patient roomcustodian person who take care of or look after sthperimeter boundary of an area 边界barrack any large ugly buildingrecidivism persistent offending 屡犯heart-to-heart frank conversation about personal matters 谈心belfry part of a church tower in which bells hang 钟楼archplea statement made by or for a person charged with an offence in courtbargain agreementdrape curtain 窗帘veneer [v?'ni?] n. 1. 2. ;外饰veneer(,)roots ; 祖籍blueprint detailed plan or scheme , 具体规划contractor person or firm that does jobs, esp construction, under contract sucker gadget; thing 玩意儿burrito [b?:'rit?u] () allowanceklutziness foolishness; stupidness 愚蠢 klutzy foolish; stupidbuggy 轻便马车padre ['pɑ:dri] priestcryptElectrolyte [i'lektr?u,lait] 电解质saint unselfish or patient persondeodorant odor smellmoron very stupid person 大傻瓜nacho n. ()jalapeno [,hɑ:l?'peinj?u] 墨西哥辣椒foremanhottie a sexually attractive personlasik LASIK Laser in Situ Keratomileusisstench very unpleasant smell 臭味con convictcompulsionlitigation lawsuitscratch-off 刮彩票的动作18drink alcoholic liquor 酒pantyhose (pantyhose = panty + hose)manslaughter crime of killing a person unlawfully but not intentionally 过失杀人term 条款savingsweed cigarettes 烟hysterectomypaperbackgut abdomen; stomach 腹部shack roughly-built house19etiquette ['eti'ket] formal rules of correct and polite behavior in society or among members of a profession 礼节;礼仪freezer 冰柜rosary string of beads for keeping count of prayers used in religion 念珠tombstone ['tu:mst?un] 墓碑counseling advice, esp from a professional person 咨询salsa kind of Latin American style of music and dance SALSAATM automatic teller machine 自动提款机guacamole[gwɑk?'mol?] 鳄梨色拉酱() batchwhispermandarin official standard spoken language of Chinachest large strong box for storing or shipping things in 大皮箱bratwurst['br?tw?st]refreshments snacksflat A term for wine lacking a refreshing, tart or sour taste, or sparkling wines that have lost their bubbles. Flat: Wine lacking a refreshing slightly sour taste and sparkling wines that have lost most of their carbon dioxide.bubbly champagne 香槟ministry 全体牧师sodomy anal sexual intercourse between a man and esp another man sodomite person practicing sodomybunion painful swelling 胀痛basementcouponcapper ['k?p?] the climax or clincher of sthWhen the butler tripped and served Mr. Wilson the entire dessert, in his lap, that was the capper to an exciting evening.casepink-eye 红眼病pharmacy drug storepiccolo['pik?l?u] 短笛outpouring uncontrollable expression of strong feelingscomplication new illness, or new development of an illness, that makes treatment more difficult 并发症heterosexual[,het?r?'sek?u?l] 异性恋的service20gravel small stones, as used to make the surface of road, etc 小石子pebblecornea['k?:ni?] 角膜cocoon [k?'ku:n] 茧nectar花蜜cardiologistdosage amount of medicine to be taken at a time or over a period 剂量sabbatical[s?'b?t?k!] 休假;公休calf小牛皮革boob woman’s breastpaperworksludge sewage 污水trench战壕sentiment attitude or opinion, usu influenced by emotionfalling-outall-nighter a person who often stays up all nightE Adjetive Explanation16sordid (of people, behavior, etc) dirty, displaying selfishness, meanness, etc down sad; depressedborderline between two different groups or categories 边缘性的sluggish slow-moving; not alert or livelyjuicy interesting, esp because scandaloushigh-profile keep a low-profilecrappy sl bad; worthless; unpleasantmaterialistic excessively interested in material possessions, bodily comforts, etc while neglecting spiritual valuesiffy doubtful; uncertainbouncydiscreet careful or showing good judgment in what one says or does; not too obvious 谨慎的everyused with abstract nouns all possible I have every intention of sleeping with him.I have every chance of success.I have every reason to punch him.skanky ugly; repellent, usually said of a woman 丑陋的cocky conceited, arrogant 自大的mortifyingdistasteful unpleasantcreepy causing or having an unpleasant feeling of fear or horror cold-blooded without pity; cruel 冷血的speedyhypocritical17thankless (of an action) not likely to win thanks, appreciation, or reward for the person performing itbleak bare; exposed 光秃秃的hand-engraved hand-carved hand-painted far-fetched (of a story, an account, etc) exaggerated; unbelievable orderly well-behaved; peacefulfaux (French) imitation; not genuinewacky loony; silly and giddy loony sl crazy or eccentric giddy having the feeling that everything is turning around and that one is going to fallphony false, faked, faux 虚假的perfect total, absolute 完全的hideous very ugly; frightfulpossessive treating sb as if one owns him, demanding total attention or love sketchy incomplete; roughhypothetical 假设的18dead no longer effective; no longer of any consequence That guy is dead—out of power.common (of people, their behavior and belongings) typical of the lower classes of society, showing a lack of taste; vulgar Don’t be common.unsubstantiated not provedblessed fortunateimpeccable free from mistakes; excellent or faultless 完美无暇的hollow empty; not solid 空洞的heated angry; excitedvibrant full of life and energy 活力四射的19god-awful extremely bad; terriblestunning impressive; splendidleastsmallest in size, amount, extent, etc That ‘s the least of my anxieties.Arthritis is the least of my problems.limber supple; flexible 灵敏的blue sad; depressedungrateful not recognizing a kindness, service, etc; not grateful ,gray 灰白的righteous morally justifiableproactive taking charge of a situation and causing things to happen by intervention, rather than reacting after the event /提前行动的ticklish(of a person) sensitive to tickling 痒的crabby bad-tempered; irritable20platonic [plei't?nik] of love or a friendship between two people close and deep but not sexualtender painful when touched; sensitiveachey painful continuously 持续疼痛的roomy having plenty of space to contain things or people 宽敞的torrid passionate; eroticembittered filled with bitter feelings 痛苦的dumb stupiddense stupidrock-solid immovable; dependableparanoidinviting tempting; attractive 吸引人的hazy not clear; vague so you'll forgive me if I'm hazy on the details. extensive large in amount; wide-rangingpreoccupiedinattentive because one is thinking of or worrying about sth else。

绝望地主妇第一季(1—3集)中英文台词对照

绝望地主妇第一季(1—3集)中英文台词对照

无望的主妇中英文台词比较-NARRATOR: My name is Mary Alice Young.我是 Mary Alice Young。

When you read this morning's paper, you may come across an article about theunusual day I had last week.come across:有时碰到article:文章unusual:不平时的当你今日的晨, 可能会到一篇文章对于上个礼拜我所渡的不平时的一天。

Normally, there's never anything newsworthy about my life.normally :平时 newsworthy:有新价的平时 , 我的生活里是没有什么有新道价的。

That all changed last Thursday. change:改.可是上个礼拜四全部都改了。

Of course everything seemed as normal at first.of course:自然seem:仿佛,忧如normal:平时as normal:照旧at first:最先,开始自然,开初,全部看起来都很平时。

I made my breakfast for my family.我一家人做好早饭。

-MARY ALICE: Here we are. Waffles.Waffles:夫干夫来了。

-NARRATOR: I performed my chores. perform:达成chore: (家庭或庄的) ,活我做好了做家。

-NARRATOR: I completed my projects. complete:达成project:【里指美化家居】达成我的手工作品。

--NARRATOR: I ran my errands. ran:有步地行errand:差使,差事run errand:跑腿达成我的使命。

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101.An odd thing happens when we die. Taste, touch, smell, and sound become a distant memory, but our sight --ah, our sight expands, and we can suddenly see the world we've left behind so clearly. Of course, most of what's visible to the dead could also be seen by the living, if they'd only take the time to look. 我们死去以后就会有奇怪的事情发生,我们的感觉消失了,味觉、触觉和听觉都成为遥远的回忆,但是我们的视觉,它变得开阔了。

我们能突然把被我们扔在身后的这个世界看清楚。

当然,大多数死人能看见的世界,活着的人也能看清楚,只要他们愿意花时间去看。

102.As I look back at the world I left behind, it's all so clear to me: the beauty that waits to be unveiled, the mysteries that long to be uncovered. But people so rarely stop to take a look, they just keep moving. It's a shame really, there's so much to see.当我回头看看身后这个世界时;我看的如此清晰。

有那么多有待发现的美丽;和那么多有待揭幕的神秘;但是人们很少会停下来看上一眼。

他们只是不停的往前走,这真的很遗憾。

有那么多值得一看的东西!103.Yes, I remember the world --every detail. And what I remember most is how afraid I was. What a waste. You see, to live in fear is not to live at all. I wish I could tell this to those I left behind, but would it do any good? Probably not. I understand now -- there will always be those who face their fears... and there will always be those who run away.是的,我记得这个世界的每一个细节;而我记的最多的是我有多害怕;真是浪费。

你看,住在恐惧中并不是真正的活着!我希望能告诉活在我身后世界的人们这个道理,但是会有用吗?可能并不会。

我现在明白,总是会有人要面对他们的恐惧;也总有人会选择逃避104.When I was alive, I maintained many different identities --lover, wife, and ultimately, victim. Yes, labels are important to the living. They dictate how people see themselves.当我活着的时候,我保持着很多不同的身份——恋人,妻子,最终是受害者。

是的,这样那样的标签对于活着的人们来说是很重要的,因为它指示了人们怎么看待自己。

105.People, by their very nature, are always on the lookout for intruders. Trying to prevent those on the outside from getting in. But there will always be those who force their way into our lives, just as there will be those we invite in. But the most troubling of all will be the ones who stand on the outside looking in...the ones we never truly get to know.人本能都在寻找入侵者;阻止别人从外面闯入。

但总有些人强行闯入我们的生活;正如那些被我们邀请进入我们生活圈的人一样。

但最令人头疼的是;那些站在外面向里面偷窥的人;是一些你根本无法去了解的人~!其它:Life was suddenly full of possibilities, not to mention a few unexpected surprises. 生命充满了各种各样的可能,还有一些意想不到的惊喜。

The beauty that waits to be unveiled, the mysteries that long to be uncovered. But people so rarely stop to take a look, they just keep moving. It's a shame really, there's so much to see.有那么多待发现的美丽,和那么有待揭幕的神秘。

但人们很少会停下来看一眼,他们只是不停地往前走。

这真是令人遗憾,有那么多丰富多采的事物等着去看啊。

We are all searching for someone, that special person who will provide us what's missing in our lives. Someone who can offer companionship...or assistance...or security. And sometimes, if we search very hard, we can find someone who provides us...with all three. Yes, we're all searching for someone, and if we can't find them, we can only pray they find us.我们一直在寻寻觅觅,寻找着一位能弥补我们生命中缺陷的与众不同的人。

给予友谊,或是帮助,又或者是安全的人。

有些时候,要是我们能努力地寻求,我们甚至会找到能把以上三种东西都给予我们的人。

是的,我们都在寻觅着,如果我们一无所获,那只能祈祝寿他们能找到我们。

We've all done something in our lives we're ashamed of. Some of us have fallen for the wrong man. Some have let go of the right woman. There are those who have humiliated their parents and those who have failed their children. Yes, we've all made mistakes that diminish us and those we love. But there is redemption if we try to learn from those mistakes and grow.在生活中,我们都做过一些我们为之羞愧的事情。

我们中一些人爱错了男人,会错过合适的女人。

有使他们的父母丢脸的孩子,有让他们的孩子失望的父母。

是的,我们都会犯错,让爱我们的人离去。

但还是有挽回的机会,只要我们试着从这些错误中汲取经验教训,从而成长。

Everyone enjoys a game of make-believe now and then. Of course, the ways in which we play can vary greatly. Sometimes, we tell ourselves work won't interfere with our family life. Sometimes we imagine certain relationships to be more meaningful than they really are. Occasionally we put on a show, as if to convince ourselves our secrets aren't really all that terrible. Yes, the game of make-believe is a simple one. You start by lying to yourself. And if you can get others to believe those lies, you win.每一个人总喜欢时不时地自欺欺人。

当然了,我们每人的表达方式不尽相同。

有时我们告诉自己我作不会影响家庭,有时我们幻想某段关系比实际的有有意义。

有时我们会掩饰,好像这样能安慰自己我们的秘密并不是真的那么可怕。

是的,自欺欺人的游戏很简单。

只要你说服自己谎言是真的。

要是你能可以让全世界相信这是真的,那么你就是赢家。

The world is filled with good fathers. How do we recognize them? They're the ones who are missed so terribly that everything falls apart in their absence. They're the ones who love us long before we've even arrived. They're the ones who come looking for us when we can't find our way home. Yes, the world is filled with good fathers. And the best are the ones who make the women in their lives...feel like good mothers.世间好爸爸到处都有。

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