2017考研英语时文精选伦敦街头的涂鸦文化
经济学人伦敦涂鸦文化濒临灭绝
Graffiti——The writing's on the wall涂鸦：墙上文化Having turned respectable, graffiti culture is dying涂鸦文化获得体面，然濒临灭绝LONDON'S fastest-changing art gallery is hidden in a sunken ball court on a housing estate in Stockwell, south London. On a sunny Sunday afternoon six or seven men, mostly in their 30s, are busy painting the walls with new designs. They have put up cartoons, names written in elaborate, multi coloured lettering and clever perspective tricks. Tins of spray paint and beer stand on the ground; ladders lean against the paintings. The atmosphere is not unlike that of a golf course: a mix of concentration and blokey relaxation.伦敦的艺术展瞬息万变，这次则在伦敦南部斯托克维尔住宅区的一个地下球场举行。
一个阳光明媚的周日午后，六七个30多岁的男子把自己的新设计画在墙壁上。
他们在上面画了卡通图，精心设计的名字、色彩缤纷的字母和巧妙的错觉图。
地上摆着一瓶瓶喷漆和啤酒，扶梯靠在墙上。
这场景和高尔夫球场一样：是一种专注力和娱乐休闲的并存体。
Graffiti painting is traditionally a daredevil pursuit. Teenagers dodge security guards to put their names on trains and buses. But over the past decade that has all but disappeared from Britain's cities. Between 2007and 2012 the number of incidents of graffiti recorded by the British Transport Police fell by 63%. A survey by the environment ministry shows that fewer places are blighted by tags than ever. Graffiti are increasingly confined to sanctioned walls, such as the Stockwell ball courts. In time the practice may die out entirely.一般来讲，涂鸦画可谓是一种不计后果的活动。
2017考研英语（二）完整真题与答案解析
2017考研英语（二）完整真题与答案解析2017年考研英语(二)完整真题及答案解析Section I Use of EnglishDirections:Read the following text. Choose the best word (s) for each numbered blank and mark A, B, C or D on the ANSWER SHEET.(10 points)People have speculated for centuries about a future without work .Today is no different, with academics, writers, and activists once again _1_ that technology be replacing human workers. Some imagine that the coming work-free world will be defined by _2_ . A few wealthy people will own all the capital, and the masses will struggle in an impoverished wasteland.A different and not mutually exclusive _3_ holds that the future will be a wasteland of a different sort, one _4 _by purposelessness: Without jobs to give their lives _5_ , people will simply become lazy and depressed. _6_ , today's unemployed don't seem to be having a great time. One Gallup poll found that 20 percent of Americans who havebeen unemployed for at least a year report having depression, double the rate for _7_ Americans. Also, some research suggests that the _8_ for rising rates of mortality, mental-health problems, and addicting _9_ poorly-educated middle-aged people is shortage of well-paid jobs. Perhaps this is why many __10_ the agonizing dullness of a jobless future.But it doesn't __11__ follow from findings like these that a world without work would be filled with unease. Such visions are based on the __12__ of being unemployed in a society built on the concept of employment. In the __13__ of work, a societydesigned with other ends in mind could __14__ strikingly different circumstanced for the future of labor and leisure. T oday, the __15__ of work may be a bit overblown. "Many jobs are boring, degrading, unhealthy, and a waste of human potential," says John Danaher, a lecturer at the National University of Ireland in Galway.These days, because leisure time is relatively __16__ for most workers, people use their free time to counterbalance the intellectual and emotional __17__ of their jobs. "When I come home from a hard day's work, I often feel __18__ ," Danaher says, adding, "In a world in which I don't have to work, I might feel rather different"—perhapsdifferent enough to throw himself __19__ a hobby or a passion project with the intensity usually reserved for __20__ matters.1.[A] boasting [B] denying [C] warning [D] ensuring动词词义辨析。
2020考研英语1
Section III Reading ComprehensionPart A Directions : Read the following four texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on the ANSWER SHEET. ( 40 points )Text 1A group of labour MPs, among them Yvette Cooper, are bringing in the new year with a call to institute a UK " town of culture " award. The proposal is that it should sit alongside the existing city of culture title, which was held by Hull in 2017 and has been awarded to Coventry for 2021. Cooper and her colleagues argue that the success of the crown for Hull, where it brought in £220m of investment and an avalanche of arts, ought not to be confined to cities. Britain’s towns, it is true, are not prevented from applying, but they generally lack the resources to put together a bid to beat their bigger competitors. A town of culture award could, it is argued, become an annual event, attracting funding and creating jobs.Some might see the proposal as a boo by prize for the fact that Britain is no longer be able to apply for the much more prestigious title of European capital of culture, a sought-after award bagged by Glasgow in 1990 and Liverpool in 2008. A cynic might speculate that the UK is on the verge of disappearing into an endless fever of self-celebration in its desperation to reinvent itself for the post-Brexit world: after town of culture, who knows that will follow village of culture? Suburb of culture? Hamlet of culture?It is also wise to recall that such titles are not a cure-all. A badly run "year of culture ”washes in and out of a place like the tide, bringing prominence for a spell but leaving no lasting benefits to the community. The really successful holders of such titles are those that do a great deal more than fill hotel bedrooms and bring in high-profile arts events and good press for a year. They transform the aspirations of the people who live there; they nudge the self-image of the city into a bolder and more optimistic light.It is also wise to recall that such titles are not a panacea. A badly run “year of culture” washes in and washes out of a place like the tide, bringing prominence for a spell but leaving no lasting benefits to the community. The really successful holders of such titles are those that do a great deal more than fill hotel bedrooms and bring in high-profile arts events and good press for a year. They transform the aspirations of the people who live there; they nudge the self-image of the city into a bolder and more optimisitic light.It is hard to get right, and requires a remarkable degree of vision, as well as cooperation between city authorities, the private sector, community groups and cultural organisations. But it can be done: Glasgow's year as European capital of culture can certainly be seen as one of complex series of factors that have turned the city into the power of art, music and theatre that it remains today.A " town of culture " could be not just about the arts but about honouring a town's peculiarities-helping sustain its high street, supporting local facilities and above all celebrating its people and turn it into action.21. Cooper and her colleagues argue that “a town of culture” award could[A] consolidate the town-city ties in Britain[B] promote cooperation among Britain's towns[C] increase the economic strength of Britain's towns[D] focus Britain's limited resources on cultural events22. According to Paragraph 2, the proposal might be regarded by some as[A] a sensible compromise.[B] a self-deceiving attempt.[C] an eye-catching bonus.[D] an inaccessible target.23. The author suggests that a title holder is successful only if it[A] endeavours to maintain its image.[B] meets the aspirations of its people.[C] brings its local arts to prominence.[D] commits to its long-term growth.24. Glasgow is mentioned in Paragraph 3 to present[A] a contrasting case.[B] a supporting example.[C] a background story.[D] a related topic.25. What is the author's attitude towards the proposal?[A] Skeptical[B] Objective[C] Favourable[D] Critical包括伊薇特•库珀(Yvette Cooper)在内的一群工党议员在新年之际，呼吁设立一个英国“文化小镇”的奖项。
城市涂鸦英语作文
城市涂鸦英语作文Graffiti in the city is a form of art that has been both celebrated and controversial. Some people see it as a creative expression of individuality and a way to beautify urban spaces, while others view it as vandalism and a form of illegal activity. In this essay, we will explore both sides of the argument and discuss the impact of graffiti on cities.On one hand, graffiti can be seen as a powerful form of self-expression. Artists use graffiti to convey their thoughts, emotions, and messages to the public. Graffiti can also serve as a reflection of the cultural and social issues that exist in a city. In this way, graffiti can be a powerful tool for sparking conversations and raising awareness about important topics.Additionally, graffiti has the potential to transform ordinary spaces into vibrant and visually appealing areas. Many cities have embraced graffiti as a way to revitalize neighborhoods and create a sense of identity and community. When done thoughtfully and with permission, graffiti canenhance the aesthetic appeal of a city and contribute toits cultural richness.However, there are also negative aspects to graffiti. Illegal graffiti can deface public and private property, leading to increased costs for cleanup and repair. Graffiti that is offensive or inappropriate can also create a sense of unease and discomfort among residents and visitors. Furthermore, graffiti done without permission can be seen as a violation of property rights and a disregard for the rules of society.In conclusion, graffiti is a complex and multifaceted form of art that elicits strong reactions from people. While it can be a powerful tool for self-expression and community engagement, it is important for graffiti artists to consider the impact of their work on others and thelegal implications of their actions. By finding a balance between creativity and respect for the law, graffiti can continue to be a dynamic and meaningful part of urban culture.城市涂鸦是一种被人们赞美和争议的艺术形式。
伦敦 涂鸦 核心价值观
伦敦涂鸦核心价值观伦敦涂鸦核心价值观伦敦是一个充满活力和创意的城市，而伦敦的涂鸦艺术正是这种活力和创意的象征。
涂鸦艺术在伦敦的发展已经有几十年的历史，它不仅仅是一种艺术形式，更是表达社会观点和价值观的媒介。
伦敦的涂鸦作品以其独特的风格和内容吸引了全球的关注，其中蕴含着伦敦的核心价值观。
自由是伦敦涂鸦的核心价值观之一。
涂鸦艺术家们通过墙壁、桥梁和建筑物等公共场所来展示他们的作品，这种自由创作的精神体现了伦敦人独特的个性和自由思想。
涂鸦艺术本身就是一种反传统、反体制的形式，它给艺术家提供了一个表达自我观点的平台。
而伦敦的涂鸦作品往往批判社会不公和权力滥用，呼吁人们追求真正的自由和公正。
多元文化也是伦敦涂鸦的核心价值观之一。
伦敦是一个多元文化的城市，吸引了来自世界各地的人们。
在涂鸦艺术中，你可以看到来自不同国家和文化背景的艺术家的作品。
涂鸦作品往往融合了不同的风格和元素，展现了伦敦多元文化的魅力。
这些作品不仅仅是一种视觉享受，更是一种文化交流和理解的方式。
涂鸦艺术打破了国界和种族的限制，通过艺术的语言将不同文化融合在一起。
创新和创造力是伦敦涂鸦的核心价值观之一。
伦敦一直以来都是艺术和文化的中心，涂鸦艺术家们通过创新的方式将城市变成了他们的画布。
他们利用各种材料和技巧，在城市的角落和墙壁上创造出独特的艺术作品。
涂鸦艺术家们不断挑战传统的艺术形式和观念，通过创造力和想象力来创作作品。
这种创新的精神不仅仅体现在涂鸦艺术中，也影响了整个伦敦的艺术和文化领域。
社会正义是伦敦涂鸦的核心价值观之一。
涂鸦作品往往批判社会问题和不公平现象，呼吁人们关注社会正义。
涂鸦艺术家们通过作品表达对社会问题的关切和愤怒，推动社会变革和改善。
伦敦的涂鸦作品中可以看到对贫困、种族歧视、环境破坏等问题的关注和呼吁。
这些作品不仅仅是艺术的表现形式，更是一种社会行动和呼声。
伦敦的涂鸦艺术承载着丰富的文化内涵和社会意义。
它通过自由、多元文化、创新和社会正义等核心价值观，展现了伦敦作为一个国际大都市的独特魅力。
2017职称英语综合类A级阅读理解练习题及答案解析1
阅读判断 The Writing's on the Wall? Is it art or is it just vandalism (野蛮⾏为)? Well, it's still a crime, but graffiti (涂鸦) has changed since the days of spraying your name on a wall to mark your territory. Street art has become much more sophisticated since a 17-year-old called Demetrius started spraying his "tag" , TAKI 183, all over the New York underground in 1971, and hip - hop culture was born. Hip-hop is a mixture of art, music and dancing, poetry, language and fashion. It came from young inner-city people who fell left out by their richer classmates and who were desperate to express themselves in any way they could. An experiment to control the spread of graffiti in Rochdale, Creater Manchester, has been sosuccessful that plans have been made by local street artists for an international convention in June. "We're planning to get people together from different countries like France and Cermany for a week, " says Liam, one of the organizers. The scheme started in 2000, and has attracted people of all age groups and both sexes. " We all share a commen interest and get on really well with each other. " The first site to be chosen was a subway. " Before we began, people were afraid to use the subway. We had it cleaned up and now, with all the artists hanging out down there, people are using it again. People can relate to graffiti much more now. " By providing places to display their talents legally, there has been a fall in the amount of "tagging" on people's private property. Street artists Temper developed his drawing skills at a young age. In art classes at school he was really frustrated because the Art teacher didn't spend time with him. They thought he was already very good at art and so spend more time with other students. So, at 12 years old, Temper started painting with all these guys he'd hooked up with who were about 22 years old. He looked up to them and loved what they were doing on the streets of Wolvehampicn, England. "The whole hip -hop scene was built up of different things and I did a bit of everything. But it was always the graffiti I was best at. " he says. 16. Demetrius was a teenager bom in New York. A. Right B. Wrong C. Not mentioned 17. The graffiti scheme in Rochodale was for teenagers only. A. Right B. Wrong C. Not mentioned 18. People did not like using the subway before an organized group of graffiti aritists came. A. Right B. Wrong C. Not mentioned 19. Since the scheme started, new wall in the town were sprayed with graffiti. A. Right B. Wrong C. Not mentioned 20. Most of the other graffiti artists in England were about ten years older than Temper. A. Right B. Wrong C. Not mentioned 21. Temper, a street artist, is now head of graffiti club in England. A. Right B. Wrong C. Not mentioned 22. Temper is involved in many different aspects of hip-hop culture. A. Right B. Wrong C. Not mentioned参考答案： 16.C [解析]⽂章的第⼀段提到"_since a 17 - year - old called Demetrius started spraying his' tag'，TAKI 183，all over the New York underground_"，由此可以得知他是⼀名青少年，但是没有证据显⽰他来⾃于纽约，因此，该判断在⽂中没有提到。
graffiti street art or crime雅思阅读
graffiti street art or crime雅思阅读【中英文版】Section 1: IntroductionGraffiti, a form of street art, has long been a subject of debate.Some view it as a vibrant expression of creativity and culture, while others consider it a crime that defaces public property.In this IELTS reading task, we will explore both perspectives and delve into the intricacies of this controversial art form.涂鸦，作为一种街头艺术，长期以来一直是争论的焦点。
有些人认为它是创意和文化的生动表达，而另一些人则认为它是破坏公共财产的犯罪行为。
在这次雅思阅读任务中，我们将探讨这两种观点，并深入研究这种具有争议性的艺术形式的复杂性。
Section 2: The Artistic AspectGraffiti can be traced back to ancient times, where cave paintings served as a means of communication and expression.Today, graffiti street art has evolved into a dynamic and accessible form of art that captivates people"s imagination.It often reflects the pulse of the community, showcasing the talents of artists and inspiring social and political commentary.涂鸦可以追溯到古代，当时的洞穴绘画是沟通和表达的手段。
对街头涂鸦的看法英语作文
对街头涂鸦的看法英语作文Title: The Controversy Surrounding Street Art。
Street art, a form of expression that thrives in urban landscapes, has sparked significant debate and controversy worldwide. From vibrant murals to intricate graffiti tags, street art encompasses a wide range of styles and messages, each leaving its mark on the cityscape. While some view it as a powerful form of artistic expression and cultural commentary, others condemn it as vandalism and degradation of public spaces. In this essay, we will explore the various perspectives on street art and delve into the complexities of this contentious issue.To begin with, proponents of street art argue that it serves as a vital means of self-expression for marginalized communities and individuals who may not have access to traditional art platforms. By reclaiming public spaces and transforming blank walls into vibrant canvases, street artists can convey messages of social justice,environmental activism, and cultural identity. Furthermore, street art has the potential to beautify neglected neighborhoods and foster a sense of community pride. Murals depicting local history or celebrating cultural diversity can serve as symbols of resilience and unity, bringing people together in shared appreciation of art.However, detractors of street art raise valid concerns regarding its legality and impact on property owners and the broader community. Graffiti tags, often associated with vandalism and gang activity, can contribute to a sense of urban decay and blight, detracting from the aesthetic appeal of neighborhoods. Moreover, the unauthorized nature of street art raises questions about property rights and public safety. Property owners may incur significant costs in removing graffiti from their buildings, while city governments grapple with the challenge of balancingartistic expression with the maintenance of public spaces.Despite these criticisms, it is essential to recognize that street art occupies a unique space in the realm of contemporary art. Unlike traditional forms of art confinedto galleries and museums, street art is inherentlytransient and ephemeral. Its impermanence adds to its allure, inviting viewers to engage with the ever-changing landscape of the city. Additionally, street art has gained recognition and legitimacy within the art world, with renowned artists such as Banksy achieving international acclaim for their work.Moreover, the democratization of art afforded by street art challenges conventional notions of who can be an artist and what constitutes legitimate artistic expression. By breaking free from institutional constraints, streetartists can reach audiences beyond the confines of the art world, sparking conversations and provoking thought in unexpected ways. Furthermore, the rise of social media has enabled street art to transcend geographical boundaries, with images of murals and graffiti circulating globally, amplifying their impact and reach.In conclusion, street art remains a topic of considerable debate, eliciting diverse reactions and interpretations from viewers. While some applaud itscreativity and subversive spirit, others decry its perceived illegality and impact on public spaces. Nevertheless, it is undeniable that street art has left an indelible mark on the cultural landscape, challenging conventions and sparking dialogue on issues ranging from social justice to urban development. As we navigate the complexities of this ever-evolving art form, it is essential to engage in constructive discourse and foster a greater appreciation for the diverse voices and perspectives that shape our cities.。
对涂鸦的看法英语作文高中
对涂鸦的看法英语作文高中Graffiti, a form of street art, has different views among people.Some think graffiti is a wonderful form of self-expression. Artists can use walls and other public spaces as their canvases to show their creativity and imagination. For example, in some abandoned areas, graffiti can turn dull and empty walls into vivid artworks, adding colors and vitality to the city.However, others see graffiti as vandalism and a violation of public property. When graffiti is done without permission on public buildings or historical sites, it can damage the original appearance and historical value.In my opinion, graffiti can be a great art form if it's done in the right places and with permission. It can bring beauty and inspiration to our lives. But we also need to respect public property and laws.涂鸦，一种街头艺术形式，人们对此有不同的看法。
涂鸦是街头艺术的英语作文
涂鸦是街头艺术的英语作文Graffiti is a form of street art that can be found in cities all over the world. It's often seen as a way for artists to express themselves and make a statement about society.Some people see graffiti as a form of vandalism, but others view it as a legitimate form of artistic expression. It can be found on the sides of buildings, on trains, and even on the streets themselves.Graffiti artists often use spray paint to create their works, and they can be very skilled at creating intricate and detailed designs. Some graffiti is purely decorative, while other pieces may have a political or social message.One of the most famous graffiti artists is Banksy, whose work often features satirical and thought-provoking images. His pieces can be found in cities around the world, and they have gained him a large following of fans.Graffiti can be controversial, and many cities have strict laws against it. However, some places have embraced graffiti as a form of public art, and have even commissioned artists to create murals and other works in public spaces.Overall, graffiti is a form of art that is both loved and loathed by different people. It's a way for artists to make their mark on the world, and it's a form of expression that can't be ignored.。
2017考研英语二：阅读理解C节（划线句子翻译）《精选文档》
章节分类：◆社会生活类（TEST 1-2）◆科普知识类（TEST 3-4）◆文化教育类（TEST 5-7）◆人物传记类（TEST 9）◆经济管理类（TEST 9-10）◆医疗卫生类（TEST 11-12）◆社会生活类TEST 1Do animals have rights? This is how the question is usually put. It sounds like a useful, ground-clearing way to start. 71) Actuall y, it isn’t, because it assumes that there is an agreed account of human rights, which is something the world does not have.On one view of rights, to be sure, it necessarily follows that animals have none. 72) Some philosophers argue that rights exist only within a social contract, as part of an exchange of duties and entitlements. Therefore, animals cannot have rights. The idea of punishing a tiger that kills somebody is absurd, for exactly the same reason, so is the idea that tigers have rights. However, this is only one account, and by no means an uncontested one. It denies rights not only to animals but also to some people—for instance to infants, the mentally incapable and future generations. In addition, it is unclear what force a contract can have for people who never consented to it, how do you reply to somebody who says “I don’t like this contract”?The point is this: without agreement on the rights of people, arguing about the rights of animals is fruitless. 73) It leads the discussion to extremes at the outset: it invites you to think that animals should be treated either with the consideration humans extend to other humans, or with no consideration at all. This is a false choice. Better to start with another, more fundamental, question: is the way we treat animals a moral issue at all?Many deny it. 74) Arguing from the view that humans are different from animals in every relevant respect, extremists of this kind think that animals lie outside the area of moral choice. Any regard for the suffering of animals is seen as a mistake—a sentimental displacement of feeling that should properly be directed to other humans.This view which holds that torturing a monkey is morally equivalent to chopping wood, may seem bravely “logical.” In fact it is simply s hallow: the confused center is right to reject it. The most elementary form of moral reasoning—the ethical equivalent of learning to crawl—is to weigh others’ interests against one’s own. This in turn requires sympathy and imagination: without which there is no capacity for moral thought. To see an animal in pain is enough, for most, to engage sympathy. 75) When that happens, it is not a mistake: it is mankind’s instinct for moral reasoning in action, an instinct that should be encouraged rather than laughed at.71. 【答案】事实并非如此，因为这种问法是以人们对人的权利有共同认识为基础的，而这种共同认识并不存在。
2017考研英语二真题及答案：阅读【2】
2017考研英语二真题及答案：阅读【2】Part ADirections：Read the following four texts。
Answer the questions below each text by choosing A， B， C or D。
Mark your answers on the ANSWER SHEET。
(40 points)Text 1Every Saturday morning，at 9 am，more than 50，000 runners set off to run 5km around their local park。
The Parkrun phenomenon began with a dozen friends and has inspired 400 events in the UK and more abroad。
Events are free， staffed by thousands of volunteers。
Runners range from four years old to grandparents; their times range from Andrew Baddeley’s world record 13 minutes 48 seconds up to an hour。
Parkrun is succeeding where London’s Olympic “legacy” is failing。
Ten years ago on Monday， it was announced that the Games of the 30th Olympiad would be in London。
Planning documents pledged that the great legacy of the Games would be to level a nation of sport lovers away from their couches。
2017考研英语阅读理解题材解析之复刻音乐
2017考研英语阅读理解题材解析之复刻音乐每年考研英语阅读篇章很多都取材于经济学人，因此2017年考研复习之初，一定要从基础打好，稳扎稳打。
凯程网考研频道分享《经济学人》文章，希望大家能够多看、多练，提升阅读能力！考研英语阅读题源经济学人文章：复刻音乐Waxing lyrical复刻音乐Why one British record shop is thriving一家英国唱片店的兴起VISITING Rough Trade, a west London record shop,in the 1970s and 1980s was like going on apilgrimage. Young men and a few women wouldgather to discuss the latest releases and swaprecords, overseen by knowledgeable (if sometimes surly) staff. But Rough Trade's latestbusiness venture tests the limits of faith. On November 25th it will open a colossal, 15,000-square-foot music store in New York.在上世纪七八十年代，漫步于地处伦敦西部的Rough Trade唱片店是一次对英伦音乐的朝圣。
通常，一些青年男子和为数不多的女子聚集于此，在看似专业的店员眼皮子下讨论最新发行唱片或交换各自珍藏。
但最近Rough Trade的最新商业计划—于11月25日在纽约开张的15，000平方尺的超大音像店的这一计划着实令人震惊。
Between 2001 and 2012 the number of independent music shops in Britain fell by 69%. Overthe same period physical album sales fell by 68%. The American market is no healthier.Expanding in either country seems barmy.在2001年至2012年间，英国独立音像店的数量减少了69%，与此同时，实体专辑的发售量也下降了68%，实际上美国的音像市场也并没有好多少，因此此时无论是在这其中哪个国家扩大店面都不太切合实际。
英国涂鸦文化英语介绍作文
英国涂鸦文化英语介绍作文涂鸦文化 Graffiti Culture。
Graffiti culture has long been an intriguing and controversial aspect of urban life, especially in the United Kingdom. From its humble beginnings as simple tags on city walls to elaborate murals adorning public spaces, graffiti has evolved into a multifaceted form of expression that resonates with artists and enthusiasts worldwide.Originating in the late 1960s in cities like New York and Philadelphia, graffiti quickly spread across the globe, finding a significant following in the streets of London, Manchester, Bristol, and other UK cities. Initially viewed as vandalism and a nuisance by authorities, graffiti gradually gained recognition as a legitimate art form, thanks to the efforts of pioneering artists who pushed its boundaries and challenged societal norms.One of the most notable figures in the UK graffitiscene is Banksy, whose anonymous works have garnered international acclaim for their social and political commentary. Banksy's stenciled designs, often featuring poignant messages and satirical imagery, have transformed the way people perceive graffiti, elevating it from mere vandalism to thought-provoking art.However, Banksy is just one among many talentedgraffiti artists who have left their mark on the streets of Britain. From the vibrant colors of street murals to the intricate details of urban installations, the diversity of styles and techniques within the UK graffiti scene is truly remarkable. Artists like DFace, Eine, and Shok-1 have made significant contributions to the evolution of graffiti, pushing the boundaries of creativity and innovation.But graffiti culture is not just about the artists;it's also about the communities that embrace and support their work. In cities like London and Bristol, graffiti has become a tourist attraction, with guided tours showcasing the best street art the cities have to offer. Local businesses often commission artists to create murals ontheir walls, turning once drab streetscapes into vibrant cultural hubs.Moreover, graffiti culture has inspired other forms of artistic expression, from fashion and music to photography and film. Streetwear brands like Supreme and Stüssy have incorporated graffiti motifs into their designs, while musicians like Banksy collaborator DJ Shadow have sampled graffiti-inspired artwork in their album covers and music videos.Despite its growing popularity and mainstream acceptance, graffiti culture still faces challenges, particularly from authorities seeking to curb illegal tagging and vandalism. While some argue that graffiti detracts from the beauty of urban landscapes and poses a threat to public property, others see it as a form of self-expression that adds character and vibrancy to city streets.In conclusion, graffiti culture in the United Kingdomis a dynamic and multifaceted phenomenon that continues to captivate and inspire people around the world. From itshumble beginnings as an underground movement to its current status as a recognized art form, graffiti has come a long way, thanks to the passion and creativity of artists who refuse to be confined by conventional boundaries. As long as there are walls to be painted and stories to be told, graffiti culture will remain an integral part of the urban landscape, challenging perceptions and sparking dialogue wherever it goes.。
英国涂鸦文化英语介绍作文
英国涂鸦文化英语介绍作文英文回答：Graffiti culture in the United Kingdom has a long and vibrant history, dating back to the early days of hip-hop in the 1980s. Today, graffiti can be found in cities and towns across the country, from the iconic street art of Bristol to the more subversive tags of London.There are many different styles of graffiti, from the elaborate murals of Banksy to the simple tags of local crews. Some graffiti artists use their work to expresstheir creativity, while others use it to make a political statement. Whatever the reason, graffiti has become an integral part of British culture.One of the most famous graffiti artists in the UK is Banksy. Banksy's work is often satirical and political, and he has become known for his clever use of stencils and spray paint. His work has been seen on everything frombuildings to bridges, and he has even been commissioned to create works for museums and galleries.Another well-known graffiti artist in the UK is Inkie. Inkie's work is more abstract and experimental thanBanksy's, and he often uses bright colors and geometric shapes. His work has been featured in numerous exhibitions, and he has collaborated with other artists such as Banksy and Shepard Fairey.In addition to these two artists, there are many other talented graffiti artists working in the UK. Some of these artists have gained international recognition, while others are still relatively unknown. However, all of these artists are contributing to the rich and diverse graffiti culture of the UK.中文回答：英国涂鸦文化历史悠久，起源于20世纪80年代街头嘻哈文化的早期岁月。
涂鸦的看法英语作文
涂鸦的看法英语作文Recently, graffiti can be seen anywhere in many colleges, which makes our eyesight unpleasant. Worse still, many students regard graffiti as a special art. I get annoyed at this phenomenon.From my point of view, graffiti is so ugly to look at. It’s a kind of pollution as well as an ill behavior. Moreover, public buildings are symbols of civilization, not the places to express our thinkings and ideas.Consequently, I think graffiti should be prohibited by our school regulations. Those who don’t want to get rid of this bad habit must be punished strictly. In conclusion, we must clear out this bad manner, in order to create a good atmosphere for us to study.译文最近，在许多大学校园里随处可以看到涂鸦，这些带给我们不愉快的视感。
更糟糕的是许多学生却将涂鸦当作一种艺术，我对这种现象感到很烦恼。
在我看来，这些涂鸦看上去很丑。
这是一种污染，也是种病态的行为。
此外，公共建筑是文明的'象征标志，而不是用于表达我们思想和主意的地方。
因此，我认为校规应禁止涂鸦行为。
描写街头涂鸦的作文英语
描写街头涂鸦的作文英语Street Art: A Canvas of Urban Expression。
Walking down the bustling streets of the city, one cannot help but notice the vibrant display of street art adorning the walls, alleys, and even the pavements. These intricate masterpieces, born from the imagination of talented artists, breathe life into the concrete jungle, transforming mundane surfaces into canvases of urban expression.The diversity of street art is striking. From colorful murals depicting historical events to abstract designs that challenge perception, each piece tells a unique story. One might encounter portraits of local heroes, political statements demanding change, or simply whimsical creations that spark joy in the passerby.What makes street art truly fascinating is its ephemeral nature. Unlike traditional art confined togalleries, street art exists in the public domain, vulnerable to the elements and the passage of time. It is this transience that adds to its allure, inviting viewers to cherish the moment and embrace the impermanence of beauty.Moreover, street art serves as a reflection of society, mirroring its values, struggles, and aspirations. In economically marginalized neighborhoods, graffiti often becomes a form of protest, a means for disenfranchised voices to be heard. Conversely, in affluent areas, street art may be embraced as a symbol of cultural vibrancy and creativity.Despite its growing popularity, street art remains a controversial subject. While some view it as a form of vandalism, others argue that it revitalizes neglected spaces and fosters a sense of community pride. Indeed, many cities have embraced street art festivals and commissioned public murals as a means of urban regeneration.Furthermore, street art has transcended geographicalboundaries, becoming a global phenomenon that transcends language and culture. Artists from different corners of the world collaborate and exchange ideas, creating a rich tapestry of styles and influences. This interconnectedness has sparked a renaissance in urban art, fueling innovation and experimentation.In conclusion, street art is more than just graffiti on walls—it is a dynamic form of expression that celebrates the diversity of human creativity. As we navigate the bustling streets of our cities, let us pause to appreciate the beauty and significance of these ephemeral masterpieces, for they are a testament to the resilience of the humanspirit and the power of art to transform the mundane intothe extraordinary.。
街头涂鸦英文作文
街头涂鸦英文作文英文回答：Street art, a form of unsanctioned urban art that includes graffiti, murals, stencil art, and wheatpasting, has emerged as a significant cultural phenomenon in recent decades. Often seen as a form of vandalism, street art has evolved into a respected art form, blurring the boundaries between public and private space, high and low culture, and art and activism.The origins of street art can be traced back to ancient times, with examples of graffiti found in Egyptian tombs and Roman ruins. However, it was not until the 1970s that street art began to take on its modern form in New York City, where graffiti artists such as TAKI 183 and SEEN began using spray paint to mark their territory. In the 1980s, street art spread to other cities around the world, becoming a global phenomenon.Street art encompasses a wide range of styles and techniques, from the simple tags of graffiti writers to the elaborate murals of contemporary artists. Graffiti, themost common form of street art, involves writing or drawing words or symbols on public property. Murals, on the other hand, are larger, more complex works of art that oftendepict detailed scenes or portraits. Stencil art, which involves cutting out a design and spraying paint through it, is another popular form of street art. Wheatpasting, which involves pasting paper posters on walls, is often used for political or social commentary.Street art has been both celebrated and condemned by critics. Some argue that it is a form of vandalism that defaces public property and contributes to urban decay. Others view it as a legitimate form of artistic expression that can revitalize public spaces and engage the community. Indeed, street art has been shown to have a number of positive effects, including reducing crime, promoting community engagement, and fostering creativity.In recent years, street art has become increasinglyinstitutionalized, with galleries and museums exhibiting works by street artists. This has led to a debate about the authenticity of street art, with some arguing that it loses its meaning when it is removed from its original urban context. However, others contend that institutionalization can help to legitimize street art and make it more accessible to a wider audience.The future of street art is uncertain. Some argue that it will continue to evolve as a legitimate form of artistic expression, while others believe that it will eventually decline as cities become more tightly controlled. However, one thing is for sure: street art has made an indelible mark on the urban landscape, and it will continue to be a subject of debate and fascination for years to come.中文回答：街头涂鸦，一种不受制裁的城市艺术形式，包括涂鸦、壁画、模板艺术和粘贴画，在最近几十年中已成为一种重要的文化现象。
涂鸦与街头艺术作文英语
涂鸦与街头艺术作文英语Graffiti and street art are forms of expression deeply ingrained in urban culture, often sparking debates about their legitimacy as art forms and their impact on communities. In this essay, we will delve into the origins, characteristics, controversies, and significance ofgraffiti and street art.Graffiti can be traced back to ancient civilizations, where markings on walls served as a means of communication or expression. However, it wasn't until the 1960s and 1970s that graffiti began to gain recognition as an art form in modern society, particularly in urban centers like New York City. During this time, graffiti emerged as a form of protest, social commentary, and identity assertion, often associated with marginalized communities and youth culture.Street art, on the other hand, encompasses a broader range of artistic expressions found in public spaces, including murals, stencils, wheatpaste posters, andinstallations. Unlike traditional graffiti, street art tends to be more elaborate and conceptually driven, often addressing social, political, and environmental issues. Street artists like Banksy, Shepard Fairey, and Invader have gained international acclaim for their thought-provoking works that challenge the status quo and engage with the public on a global scale.One of the defining characteristics of graffiti and street art is their ephemeral nature. Both forms of art exist in a constant state of flux, subject to weathering, vandalism, and urban development. This transience adds to their allure but also raises questions about ownership, preservation, and commodification. While some view graffiti and street art as acts of vandalism or property defacement, others see them as legitimate forms of artistic expression that contribute to the cultural vibrancy of cities.Controversies surrounding graffiti and street art often revolve around issues of legality, gentrification, and cultural appropriation. Many cities have strict laws against graffiti, leading to clashes between authoritiesand artists who view public spaces as canvases for self-expression. Additionally, the gentrification of urban neighborhoods has led to the commodification of street art, with developers using it as a tool to attract affluent residents and tourists, often at the expense of local communities.Despite these controversies, graffiti and street art play an important role in shaping public discourse and challenging societal norms. They provide a voice for marginalized communities, offer alternative perspectives on urban life, and create opportunities for dialogue and engagement. Moreover, graffiti and street art have the power to beautify neglected spaces, revitalize urban environments, and foster a sense of community pride and identity.In conclusion, graffiti and street art are dynamic forms of expression that have evolved from rebellious subcultures to influential movements in contemporary art. While they continue to face challenges and controversies, their significance in urban culture cannot be denied.Whether viewed as acts of vandalism or acts of creativity, graffiti and street art compel us to reconsider our notions of art, public space, and community.。
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2017考研英语时文精选:伦敦街头的涂鸦文化研究过考研英语真题的同学都会发现，考研文章中的素材都是来源于西方的主流期刊和杂志，其中从《经济学人》这个期刊采取的素材较多。
如果考研的同学能够把这些题源的文章作文平常泛读的材料，势必会增强大家对背景知识和语感的把握。
现在为大家精选一些有代表性和话题性的文章为大家解读，希望2017考研的学生能够跟着我们的脚步去复习英语。
打好基础，脚踏实地地在考研的路上越走越顺。
那么，今天我们来分享一篇《经济学人》中的《涂鸦墙上文化》，希望大家能够希望的涂鸦文化有所了解。
下面请看具体文章和词汇解析(红色字体为写作常用词汇)。
Graffiti,The Writing's on the Wall涂鸦墙上文化Having turned respectable, graffiti culture is dying .LONDON'S fastest-changing art gallery is hidden in a sunken ball court on a housing estate in Stockwell, south London. On a sunny Sunday afternoon six or seven men, mostly in their 30s, are busy painting the walls with new designs. They have put up cartoons, names written in elaborate, multi-coloured lettering and clever perspective tricks. Tins of spray paint and beer stand on the ground; ladders lean against the paintings.The atmosphere is not unlike that of a golf course: a mix of concentration and blokey relaxation.Graffiti painting is traditionally a daredevil pursuit. Teenagers dodge security guards to put their names on trains and buses. But over the past decade that has all but disappeared from Britain's cities. Between 2007 and 2012 the number of incidents of graffiti recorded by the British Transport Police fell by 63%.A survey by the environment ministry shows that fewer places are blighted by tags than ever. Graffiti are increasingly confined to sanctioned walls, such as the Stockwell ball courts. In time the practice may die out entirely.The most obvious reason for the decline in tagging and train-painting is better policing, says Keegan Webb, who runs TheLondon Vandal, a graffiti blog. Numerous CCTV cameras mean it is harder to get away with painting illegally. And punishments are more severe.Once-prolific taggers such as Daniel Halpin, who painted his pseudonym “Tox”all over London,have been given long prison sentences. British graffiti artists who want to paint trains usually go abroad to do it these days, says Mr Webb.A generational shift is apparent, too.Fewer teenagers are gettinginto painting walls. They prefer to play with iPads and video games, reckons Boyd Hill, an artist known as Solo One, who in effect runsthe Stockwell ball courts. Those who do get involved tend to prefer street art to graffitiproper (which purists define as letters and names, however elaborately drawn).Some have gone to art school and want to make money from their paintings. Theinternet means that painters can win far more attention by posting pictures online than they can by breaking into a railway yard.Taggers and graffiti artists mostly grew up in the 1980s and 1990s. Those men—and almost all are men—are now older and less willing to takerisks.“We can't runaway from the police any more,”says Ben Eine, who turned from tagging to street art. The hip-hop culture that inspired graffiti in the first place has faded. Video games and comic books provide more inspiration than music.Graffiti may eventually disappear. But for now the hobby is almost respectable. Mr Eine says he has lots of friends who used to paint trains. Now with wives and children, they paint abandoned warehouses at the weekend. It has become something to do on a Sunday afternoon—a slightly healthier alternative to sitting watching the football.涂鸦文化变得让人尊敬，却正在面临着灭绝。
伦敦瞬息万变的艺术展在伦敦南部的斯托克维尔的一个住宅区的地下球场举行。
在一个阳光灿烂的周日下午，六七个30多岁的男人这在墙壁上设计他们的新画。
他们在墙壁上画了卡通画、精美的名字、多姿多彩字母和精妙的视觉图。
许多瓶喷漆和啤酒在地上摆放着，扶梯靠墙着墙立着。
这氛围就像是高尔夫球场一样：是融合了集中性和娱乐休闲性的环境。
从传统上来说，涂鸦作画是一种不计后果的追求。
年轻人们会躲避安保人员，然后把它们的名字画在火车和公交车上。
但是，在过去的十年中，这种现象已经在英国的城市里消失了。
在2007到2012年，违反英国交通法规的涂鸦事件的数量下降了63%。
根据环境部的调查，相比以前来说，越来越少的地方受到涂鸦画的破坏。
目前，涂鸦画逐渐被限制在那些允许被涂画的墙上，比如说，斯托克维尔的球场。
随着时间的推进，这种行为很有可能会全部消失。
绘名和火车涂鸦盛行的下降最主要是因为政策的不断完备，这是Keegan Webb 的观点，他是一个叫做“伦敦文化艺术破坏者”的涂鸦博客的博主。
中央电视台的摄像头不断关注在墙上非法地涂鸦。
相应地，惩罚也更加严重了。
曾经多产的涂鸦人，比如Daniel Halpin，他把他的别名“Tox”涂遍了整个伦敦，其结果是被判了长期监禁。
Mr Webb认为，近来想去涂鸦火车的英国的涂鸦艺人，通常都会出国。
一代人的转化也是很显然易见的。
越来越少的年轻人参与到墙上涂鸦中来了，他们更喜欢IPad和电脑游戏。
这是Boyd Hill(被称为艺术家独一人)的观点，他经营着斯托克维尔球场。
就算年轻人对这方面感兴趣，他们也比较喜欢街头艺术，而非真正的涂鸦(尽管画的很好，但是纯粹主义者们都认为他们是字母和名字)。
他们中有一些年轻人已经上了艺术学校，并想从他们的绘画中赚钱。
网络的发展意味着，相比较于把画画在铁路调车场来说，绘画人可以把自己的绘图在线上传，这样更能提高他们的知名度。
绘名和涂鸦艺人大都成长在20世纪80或90年代。
这个群体—大多是男人—现在都比较年长了，他们不甚愿意去冒险。
Ben Eine---从绘名转到了街头艺术，他认为，“我们不能像从前那样从警察眼皮子下溜走了。
”刚开始引起涂鸦文化的嘻哈文化现在已经渐渐消失了。
相比较而言，电子游戏和漫画书比音乐提供了更多的灵感。
最终，涂鸦可能会消失。
但是直到现在，这种爱好几乎是受到人们的尊敬的。
Ben Eine说，他有很多朋友，他们曾经都在火车上画画。
现在，他们有了妻子和孩子们，因此他们只有周末才会去废弃的仓库墙上画画。
这对于比坐在电视机前看足球来说，这是一个更加健康的休闲方式。
重点词汇：1.respectable adj. 值得尊敬的；人格高尚的；相当数量的n. 可敬的人2.fastest-changing adj.发展最迅速的3.Traditionally adv. 传统上；习惯上；传说上4.over the past decade 在过去的十年里5.Increasingly adv. 越来越多地；渐增地6.die out 灭绝；消失7.Illegally adv. 非法地8.be getting into 正在进入9.get involved 加入、介入10.take risks 冒险11.inspiration n. 灵感；鼓舞；吸气；妙计12.eventually adv. 最后，终于通过这篇文章的泛读，希望2017考研的考生对考研英语的文章的题材和类型有所了解。