英雄联盟美服新英雄大决斗家菲欧拉演示
林聪电子 Power Wave 产品说明书
P O W E R W A V E ®EVERYWHERE ACROSS THE GLOBETHEPOWER WAVE®SOLUTIONThe most robust and reliable advanced equipment rangeOne platform for all welding applications with waveform upgrades free of chargeDesigned to perform anywhere in the world with local technical support centers ready to assist with your applicationNEVER STOPS WELDINGPower Wave® makes it easy to control the weld as a process with synergic features, process controls, lockouts and limits, and comprehensive weld data that leads to solutionsREADY FOR INDUSTRY 4.0Real-time data through ArcLink® enabling innovative solutions connecting your people, products, and processes.READY FOR TOMORROW, TODAYINTELLIGENT PLATFORM ENGINEERED FOR MAXIMUM PRODUCTIVITY AND QUALITYMAKING THE COMPLEX SIMPLEPOWER WAVE® SOLUTIONS 2TABLE OF CONTENTSPOWER WAVE®– PHILOSOPHY OF PROCESS CONTROLTHE RIGHT PROCESS FOR ANY APPLICATIONTAKE CONTROL. EVERY MACHINE, EVERY WELDINFORMATION THAT LEADS TO SOLUTIONSPOWER WAVEPower Wave Resource Center POWER WAVE® PROCESS CONTROL OPERATESON THREE PRINCIPLESIt’s no secret that the mindset of continuous improvement is a proven approach for improving production efficiency, quality and profitability – so why not view your welding operation the same way?Lincoln Electric’s Power Wave® advanced welding system allows you to do just that. Power Wave® is more than justa welder, it’s a complete process control platform that provides a full view of your welding operation, giving you thetools you need to deliver continuous improvement of safety, quality and productivity.by selecting the best waveform POWER WAVE® SOLUTIONSPIONEER OF PATENTED WELDING PROCESSESustomer focus drives our innovationUsing Waveform Control Technology ™, each process can be tailored to your specific needs.APPLICATION VARIABLES:Material/Shielding gas/Welding positionsPERFORMANCE CONSTRAINTS:Travel speed/Spatter/Part fit-upIMPLEMENTV E R I F YI M P L EM EN T OPTIMIZE YOUR ARC PERFORMANCE.THE RIGHT PROCESS FOR ANY APPLICATIONConstant Voltage Low Fume Pulse™RapidArc®Pulse33 cm21 cm* 66% Fume Generation Reduction (grams/minute) basedRapid X®Pulse30 cm21 cmRapid Z®Standard solutionPulse26 cmAC Aluminium Pulse36 cm0.6 mm Material2mm0.6mmMaterial & Gap0.6mm GapPOWER WAVE® MANAGER••Remote configuration••Easily standardize fleet settings ••F ine-tune weld parameters and send to your equipmenteduce welding variation among operators ••Improve WPS compliance •• A llow operators to focus on welding, not machine settings ••Transfer settings among machinesTAKE CONTROL.EVERY MACHINE, EVERY WELD.Welding can be the most complex part of any manufacturing process and is often the least controlled. Your quality relies on every operator on every shift to make the same welds with the same parameters. It is clear, there are many risks to quality and cost.The Power Wave® platform allows you to reduce risk and remove variation from your welding processes and operations. Designed with the operator, foreman, and engineer in mind, Power Wave's® embedded process control tools help you standardize your welding processes, increase weld quality and part-to-part consistency, and remove the guess work for operators.EQUIPMENT CALIBRATIONMANAGEMENTDIAGNOSTICTESTSYOUR POWER WAVE® PC COMMAND CENTERCAPTURE, STORE, ANDTRANSPORT SYSTEM SETTINGS FROM STATION TO STATIONCUSTOMIZE PROCEDUREMEMORIES• Part-to-Part Consistency • Weld QualityCONTROLWELD SEQUENCERChanging what was done by paper work instructionsto an operator guided complete welding system.No longer is it difficult to train operators, interpret work instructions and prints, or execute and verify welds. Guide operators step-by-stepEasy to follow graphical interfaceTAKE CONTROL. EVERY MACHINE, EVERY WELD.VERIFYINFORMATION THAT LEADS TO SOLUTIONS®The success of every operation, big or small, depends on making the best weld in an efficient way, withFOR MOREWELDSCORE®•• E mbedded quality monitoring technology ••Model-based weld evaluation••Simple, easily understood quality score for each weldWeldScore® is a tool intended for in-process monitoring of consistent and repeatable welding operations based upon your example kJ/cm Distance TraveledTrue Energy® ValueTrue Energy® Heat Input CalculationWeldScore®4%WeldScore®15%5 CFH 75/25 Argon/CO₂25 CFH, 90/10 Argon/CO₂WeldScore®99%INFORMATION THAT LEADS TO SOLUTIONS ®PROVEN PERFORMANCE. UNMATCHED DEPENDABILITYPOWER SOURCESPower Wave®S500•• T he industry standard for performance and versatility ••450 A at 100% duty cycle ••Output range: 5-500 APower Wave®C300•• I ntegrated user interface and wire feeder••250 A at 100% duty cycle ••Output range: 5-300 A3THE FASTEST COMMUNICATIONPower Wave®S350•• A dvanced welding performance, compact package••300 A at 100% duty cycle ••Output range: 5-350 APower Wave®S700•• F lexible configuration. Endless possibilities ••700 A at 100% duty cycle ••Rated output: 20-900 A •• I deal for: High Amperage, High Deposition ApplicationsPower Wave®R450•• H igh-performance, reliable robotic welding••450 A at 100% duty cycle ••Output range: 5-500 A •• I deal for: Robotic Automotive, General Fabrication and Heavy Fabrication ApplicationsMORE INFORMATION ABOUT POWER WAVE® EQUIPMENTPOWER WAVE® EQUIPMENTPOWER WAVE® SOLUTIONS 12ADD-ON MODULESSEMI-AUTOMATIC WIRE FEEDERSAUTOMATIC WIRE FEED SYSTEMSBuilt-in simple mounting solution keeps a clean & compact systemAdvanced ModuleSTT® ModulePower Wave® equipment utilizes ArcLink® digital communication amongthe system components for seamless sharing of weld system parameters. ArcLink® control cables are special high quality cables for digital communication.Power Feed® 84 Single & DualPower Feed® 25M4R100 & 4R220AutoDrive S & SAPF 46AutoDrive 19•• F urther expands welding capabilities •• I deal for: Adding AC polarity, STT® and High Frequency TIG capabilities••Bright digital meters •• F our roll drive system with powerful motor ••Remote control on the gun optional•• E asy-to-understand user interface panels •• F eatures push-pull capability for great performance on aluminium••Equipped with wheels as standard••Expand welding capabilities •• I deal for productivity and quality improvements with STT® welding and Rapid X®••Advanced performance. Rugged, portable design ••P ush-Pull functionality •• I nternal heating and lighting •• D ual procedure and memory buttons for on-the-fly process switching•• P owerful and dependablerobotic wire feeders •• P atented MAXTRAC® 4-roll drive system •• B est in class torque for high-speed applications •• P recise speed control•• H igh-performance, servo-drive robotic wire feeders•• C onsistent arc performance from start to finish •• T ouch-retract start technology for smooth,spatter-free arc starts •• I mproved contact tip performance and lifespan•• P rovide automatedwelding functionality for Power Wave® S-SeriesTHE FASTEST COMMUNICATION3THE FASTEST COMMUNICATIONWireless Connectivity Module•• R aising the bar for intelligent process feeders •• S imple & customizable controls •• D ual procedure and memory buttons for on-the-fly process switching ••Optional USB port •• S implifies machine set-up •• E nables machine setting lockouts •• S ingle feed, dual feed, or boom mount options available•• S imple & secure machine connectivity •• I deal for reducing network drops & connecting remote power sourcesDOWNLOAD BROCHURENEVER STOPS WELDINGPOWER WAVE® SOLUTIONS13Modular ConceptTESTED BEYOND THE STANDARDS & NORMSDURABLE TRAY MOUNTED AND POTTED ELECTRONICSPrinted circuit boards are environmentally-shielded using Lincoln Electric’s engineered encapsulation and protective frame trays.Why Lincoln Electric Power Wave® is suitable for industry••PCB board made at the Lincoln Electric Company •• F ully encapsulated with vertical and inverted mounting position •• C apable of surviving the harshest testing conditionsCLIMATERAIN DUST DROP & JERK VIBRATION ELECTRICAL ACCELERATED STRESS NEVER STOPS WELDINGTRUSTED SUPPORTLOCAL LINCOLN ELECTRIC ASSISTANCE AND SUPPORT Far beyond the simple recommendation of processes or equipment, Lincoln Electric works with you by offering advice and expertise, demonstrations, feasibility studies, installation and commissioning, training, maintenance, after-sales service, and even equipment upgrades.SOLUTION CENTERSVisit one of our many Solution Centers to see and testour latest generation welding and cutting systems.WIREBEING PRESENT LOCALLYMAKES US MORE AWARE GLOBALLYCUSTOMER ASSISTANCE POLICYThe business of The Lincoln Electric Company® is manufacturing and selling high quality welding equipment, consumables, and cutting equipment. Our challenge is to meet the needs of our customers and to exceed their expectations. On occasion, purchasers may ask Lincoln Electric for information or advice about their use of our products. Our emp-loyees respond to inquiries to the best of their ability based on information provided to them by the customers and the knowledge they may have concerning the application. Our employees, however, are not in a position to verify the information provided or to evaluate the engineering requirements for the particular weldment. Accordingly, Lincoln Electric does not warrant or guarantee or assume any liability with respect to such information or advice. Moreover, the provision of such information or advice does not create, expand, or alter any warranty on our products. Any express or implied warranty that might arise from the information or advice, including any implied warranty of merchanta-bility or any warranty of fitness for any customers’ particular purpose is specifically disclaimed.Lincoln Electric is a responsive manufacturer, but the selection and use of specific products sold by Lincoln Electric is solely within the control of, and remains the sole responsi-bility of the customer. Many variables beyond the control of Lincoln Electric affect the results obtained in applying these types of fabrication methods and service requirements.Subject to Change – This information is accurate to the best of our knowledge at the time of printing. Please refer to for any updated information.ACTIVE IN 160COUNTRIESWORLDWIDEEMPLOYEES WORLDWIDE YEARS OF EXPERIENCE BILLION USD REVENUEGlobal HeadquartersCleveland, Ohio USAASIA PACIFIC4 Countries9 Facilities5 Solution CentersEUROPE/AFRICA/ME13 Countries26 Facilities14 Solution CentersSOUTH AMERICA3 Countries6 Facilities7 Solution CentersNORTH AMERICA3 Countries22 Facilities16 Solution Centers。
Autodesk Nastran 2022 用户手册说明书
MPA, MPI (design/logo), MPX (design/logo), MPX, Mudbox, Navisworks, ObjectARX, ObjectDBX, Opticore, Pixlr, Pixlr-o-matic, Productstream,
Publisher 360, RasterDWG, RealDWG, ReCap, ReCap 360, Remote, Revit LT, Revit, RiverCAD, Robot, Scaleform, Showcase, Showcase 360,
TrueConvert, DWG TrueView, DWGX, DXF, Ecotect, Ember, ESTmep, Evolver, FABmep, Face Robot, FBX, Fempro, Fire, Flame, Flare, Flint,
ForceEffect, FormIt, Freewheel, Fusion 360, Glue, Green Building Studio, Heidi, Homestyler, HumanIK, i-drop, ImageModeler, Incinerator, Inferno,
Autodesk Nastran 2022
Reference Manual
Nastran Solver Reference Manual
ABB空气断路器技术资料
moN
!"#
!"#$%&'()*
!"#$%&'()*
!"#$%&'()*
!"
!"#$%#&'( !"#$%&'() !" !"#$%&'() !"#$%
jÉÖ~ã~ñ
!"#$
!"#$%&'()*
!"#$ %&'(
!"#$%&'()*
!"#$%&'()*
!"#$%&'()* !"#$%&'()* !"# $%&'(
0/6
!"
!"
!"
!"#$%&'
!"#$
!
!
!
NKN
!"#
rÉ RMLSM=eò
súQNR
!"#
rá
RMLSM=eò
súNMMM
!
N RM=eò súPRMM
!"#$% ráãé
âs=NO
!"
PJQ
!"#=ENF
EQR°CF=EOF
^ NORM
NSMM
OMMM
cNp
!"#$%&'=EPF
OOMLOPM=EQF=súâ^
==========cR PJQ QMMM RMMM
cRp NMM NMM OOM NMM NMM _ NMM SM QR QRJSM NMJNR SM
四轴机器人操作使用说明书
C07US002-1701
6.4.4. 等待 I 点............................................................................................................56 6.4.5. 等待 R 值状态 ..................................................................................................57 6.4.6. 标号...................................................................................................................58 6.4.7. 跳跃.......................................................................................59 6.4.8. I 跳跃.................................................................................................................60 6.4.9. R 跳跃 ...............................................................................................................61 6.4.10. GM 码 .......................................................
Autodesk Nastran 2023 参考手册说明书
FILESPEC ............................................................................................................................................................ 13
DISPFILE ............................................................................................................................................................. 11
File Management Directives – Output File Specifications: .............................................................................. 5
BULKDATAFILE .................................................................................................................................................... 7
伯朗特操作说明书
LNC-R6000 操作手冊
2012/03 版本：V01.00 ()
Leading Numerical Controller
东莞市伯朗特自动化科技有限公司 Nhomakorabea东莞市伯朗特自动化科技有限公司
1
LNC-R6000
目录 1 2 3 LNC-R6000 塑胶机机械手控制系统简介...................................................... 1 画面编排说明............................................................................................... 3 原点 ............................................................................................................. 4
3.1 归原点动作说明 ................................................................................................................................... 4
4
手动说明 ...................................................................................................... 5
4.1 手动操作 .............................................................................................................................................. 5 4.1.1 O 点输出说明 ............................................................................................................................. 5 4.1.2 手动连续轴向移动模式 .............................................................................................................. 6 4.1.3 增量寸动模式 ............................................................................................................................. 7 4.1.4 回待机点 .................................................................................................................................... 7 4.2 4.3 IO 状态 ................................................................................................................................................ 8 调整待机点 .......................................................................................................................................... 9
美的电子洗衣机用户手册说明书
Fh;ih4ijj40.+3)*5O 4
4 4
4 4
k"D
%&'(
`.)+==fH0C+C>1,g
`d;liha4jbiG4Bbbm 40.+3)*5H
4
4
7&89 0+V.0C+C>1,C1fH
4
4
4
n"$
%&'( 7&89
`.)+==fo0C+C>1,g 0+V.0C+C>1,C1fo
A*1EFGH>,<14A*1E I=+JC>K.40.+3)*5L MN0C5)=1)? ON,@5)=1)?>,-
)=1)? )=1)?>,-
)=1)? )=1)?>,-
P!
%&'( 7&89
Q1,.M1,41<< 4
Q1,.M1,41<< 4
Q1,.M1,41<< 4
X7_ 7&89 I1E.31<<
I1E.31<<
I1E.31<<
I1E.31<<
!"D %&'( `.)+==fM0C+C>1,g
I=+J4I+20.4 0.+3)*5M
4
4
7&89 0+V.0C+C>1,C1fM
4
4
4
#"
%&'( 7&89
JVC GY-HC900 CONNECTED CAM 高清摄像机说明书
The Ultimate Live-Over-IP2/3-inch 3CMOS Sensors with High Sensitivity of F12 (60Hz)/F13 (50Hz)New Image Processing Engine50Mbps 4:2:2 10-bit Recording (H.264) and Standard MPEG-2 (35Mbps) Recording Industry-Standard B4 Lens Mount Professional OLED Viewfinder HDR via HLG/J-Log 1Magnesium Alloy Body and IPX2 Equivalent Splash-ProofVarious Codecs and File FormatsMode (Bit rate)Resolution File formatMPEG-4 AVC/H.264XHQ(50Mbps 4:2:210-bit)1920 x 1080MOV1280 x 720XHQ (50Mbps)1920 x 1080UHQ (35Mbps)1920 x 10801280 x 720HQ (8Mbps)720 x 480 (U model)720 x 576 (E model)Web HQ (3Mbps)960 x 540Web LP (1.2Mbps)480 x 270MPEG-2 Long GOP HQ (35Mbps)1920 x 1080MOV/MXF1440 x 10801280 x 720SP (25Mbps)1440 x 1080High-Speed RecMPEG-4 AVC/H.264XHQ (50Mbps)1920 x 1080MOV UHQ (35Mbps)J-Log 1 and Rec709+Knee Gamma HLG & J-Log 1 Color Gamut3Connected to the Field. Delivering to the World.ENG STUDIOProduct photo shown with optional equipment.Live-over-IP FeaturesLive Streaming up to 20Mbps with Low LatencyThe GY-HC900 is capable of streaming LIVE HD/SD and proxy video/audio files via network up to 20Mbps with Return over IP for ENGThe GY-HC900 can receive return video/IFB from the station while streaming live to air via IP thanks to a newplatform. This allows reporters and camera operators toAuto FTPReturn VideoIFBBR-DE900 DecodersBR-800 Streaming ServerLive Streaming FTPReturn Video / IFBRemote Control / MetadataConnection in the FieldBR-DE900 DecodersBR-800 Streaming ServerVPN RouterWireless LANFS-900BS1 – 3-camera base stationFS-900BS2 – 2-camera base stationFS-900CAMStudio ViewfinderGY-HC900Hosting BR-800 in the Cloud for Live Feeds and Playout SharingFiber Remote Studio SystemGPS — Asset Tracking and Remote ControlDecoderDecoderConnected to Excitement. Share it with the World.LIVE EVENTPRODUCTIONProduct photo shown with optional equipment.67Complete Video-over-IP Solution for Remote ProductionStreaming Peer-to-Peer to Decoder or CDNsStreaming to Zixi, ProHD Broadcaster orBroadcaster on Cloud. Advanced QoS technologyfor reliable communication with Forward ErrorCorrection (FEC), Auto Repeat Request (ARQ),BR-DE900 DecoderVPN RouterWireless LAN1.2.4.• TC Out • TC In • Video Out • Genlock 3.System ConfigurationCHE/CHECGY-HC900CHU: Anton Bauer Unit: mm (inch)910OptionsTandem 70Anton BauerBattery Charger/AC AdapterMCSH050D2PD2PXX (16m/52.5ft)MCSH082D2PD2PXX (25m/82ft)MCSH164D2PD2PXX (50m/164ft)MCSH246D2PD2PXX (75m/246ft)MCSH328D2PD2PXX (100m/328ft)MCSH410D2PD2PXX (125m/410ft)MCSH492D2PD2PXX (150m/492ft)MCSH574D2PD2PXX (175m/574ft)MCSH656D2PD2PXX (200m/656ft)Fiber Cables (Hybrid Cable/Optical CON)MCSH050SIPSIRXX (16m/52.5ft)MCSH082SIPSIRXX (25m/82ft)MCSH164SIPSIRXX (50m/164ft)MCSH246SIPSIRXX (75m/246ft)MCSH328SIPSIRXX (100m/328ft)MCSH410SIPSIRXX (125m/410ft )MCSH492SIPSIRXX (150m/492ft)MCSH574SIPSIRXX (175m/574ft)MCSH656SIPSIRXX (200m/656ft)Fiber Cables (Hybrid Cable/SMPTE304M)KJ20x8.2BKRSD(Canon)2/3” Zoom LensHZ-AS1Manual Zoom ControlRM-LP25URemote Control UnitRM-LP20GRemote Control UnitKA-551UTripod Base V-mount AdapterDionic XTAnton Bauer BatteryIA70APower SupplyDUO-C98IDX BatterySMX-100AzdenStereo Shotgun MicRM-LP100Remote Camera Controller via LANHZ-FR15GManual Focus ControlBR-800BroadcasterPB-CELL200Portable Wireless Bridge Cellular UplinkSFE-CAMDockable Wireless Bridge Cellular UplinkBR-DE900DecoderKA-SLCC100GProHD Bridge Command CenterFS-900Multidyne Fiber Optic SystemProduct and company names mentioned here are trademarks or registered trademarks of their respective owners. "AVCHD Progressive" and "AVCHD Progressive" logo are trademarks of Panasonic Corporation and Sony Corporation. HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. Dolby is a trademark of Dolby Laboratories. Zixi and the Zixi logo are trademarks of Zixi LLC. The SD, SDHC and SDXC are trademarks of the SD Card Association.Simulated pictures.The values for weight and dimensions are approximate.E.&O.E. Design and specifications subject to change without notice.Copyright © 2019, JVCKENWOOD Corporation. All Rights Reserved.DISTRIBUTED BYKCS-8461"JVC" is the trademark or registered trademark of JVCKENWOOD Corporation.。
LaCie d2 Network 网络硬盘用户手册说明书
目录用户手册Fra bibliotek第1目录
1. 简介........................................................................................................................................................................................5 1.1. 包装内容......................................................................................................................................................................................... 6 1.2. 最低系统要求................................................................................................................................................................................ 7 1.2.1. Windows 用户................................................................................................................................................................ 7 1.2.2. Mac 用户.......................................................................................................................................................................... 7 1.3. d2 Network 视图....................................................................................................................................................................... 8 1.4. 以太网电缆.................................................................................................................................................................................... 9
《光明格斗刀锋对决EX》全人物出招表及格斗对战指南
《光明格⽃⼑锋对决EX》全⼈物出招表及格⽃对战指南 《光明格⽃⼑锋对决E X》这款格⽃游戏很多玩家都对其具体的玩法还不了解，下⾯⼩编就为⼤家带来《光明格⽃⼑锋对决E X》图⽂攻略，包括基本的操作指南、菜单界⾯介绍、格⽃技巧、全⼈物出招表，希望各位玩家喜欢。
游戏介绍 《光明格⽃：⼑锋对决E X》是世嘉公司制作发⾏的⼀款2D对战格⽃游戏。
⾓⾊来⾃该公司的光明系列R P G作品《光明之⼼》《光明之刃》等，⼈物设定依然是由⽇本著名插画家T O N Y担任，玩家可操控历代经典⾓⾊进⾏全明星格⽃⽐赛。
界⾯操作 ⼗字键↕：选择; 回车键：确认; E S C键：后退; 上⼿指南 键位操作(P C版) ⼗字键：移动; A键(A)：轻攻击; S键(B)：中攻击; X键(C)：重攻击/取消; Z键(D)：⽀援/确认; C键：e m o t i o n; 1键：A+B，轻攻击+中攻击; 2键：A+C，轻攻击+重攻击; 3键：B+C，中攻击+重攻击; 4键：A+B+C，轻攻击+中攻击+重攻击; 5键：A+D，轻攻击+⽀援; 6键：B+D，重攻击+⽀援; 7键：C+D，重攻击+⽀援; R键：开始录像; P键：回放录像; Q键：系统/训练重启; 空格键：开始; 游戏模式介绍 街机模式，选择其中⼀个⾓⾊，⾯对即将出现的敌⼈，⼀共10个阶段就可以完成这个模式。
V S模式，选择⾓⾊以及⼀个阶段并且能够与其他玩家在这个模式中战⽃，在设置菜单中可以对胜利所需的场次进⾏调整。
⽹络模式，与其他玩家透过⽹路进⾏对战，⾸先你需要在s t e a m中注册才能使⽤⽹路对战。
%{p a g e-b r e a k|基本操作指南及模式介绍|p a g e-b r e a k}% ⾸页菜单 故事模式：选择⾓⾊进⾏每个⾓⾊的剧情游戏。
对战模式：与你的朋友或者是电脑选择⼈物进⾏对战。
训练模式：选择⾓⾊进⾏⾃由练习模式。
在线模式：与其他玩家进⾏线上排名赛。
洛奇英雄传菲欧娜全攻略之术语篇
洛奇英雄传菲欧娜全攻略之术语篇首先祝贺你成为了菲欧娜的一份子，作为攻守兼备的菲欧娜天生会比其他职业更高防御，战斗的时候更能强硬地应付BOSS的技能。
但是菲欧娜的短处是欠缺无敌的闪避技能和长距离的移动能力.我们的武器有单手剑、单手锤、小盾、巨盾，或许你有很多问题要问，但是请你认真看完整个帖子，你的问题就会迎刃而解。
那么下面将开始本篇教程，单个问题的错误提出和补充请在对应楼层发；个人问题的提问请在最后回帖不要进层。
本攻略撰写于S2EP2，大部分的EP3内容由于国服不存在而不列入讨论，包括11月份的新韩服改动因为不知道什么时候国服才实装也不会列入讨论。
V2.0版本更新的内容：1.增加一些图片。
2.修改一些错误。
3.增加部分篇章的内容。
下次更新应该是EP3后再次改版的时候了。
本教程内容纯属手打和复制自己过去的发言，如有雷同，最终解释权归作者所有一、术语篇逛贴吧和游戏，总会有很多很多你看不懂的名词，那么对于刚进入这个游戏你，无疑是一头雾水，下面将一一解释（当然只解释跟菲欧娜有关的部分）：1.菲欧娜外号：盾娘、av娜（因为某个发型配合脸型很像苍井空）、大饼脸（因为脸很圆），以此延伸的盾妈之类的外号不作重复。
2.K：也就是千。
一般玩家会用xxK来指代你的攻击力有多少千，比如1w（1万）就是10K，比如1wF就是10K防御。
3.三围：平衡、攻速、暴击，角色除了攻击力之外主要影响输出能力的三个数据4.DPS：从著名网游魔兽世界出来的名词，意思是“每秒伤害输出”，在洛奇英雄传里主要指伤害能力，大多时候不在意时间单位。
5.门槛：玩家进行组队的时候定义的队员能力要求6.面板：游戏里按C键，你的攻击力、防御力、平衡、攻速、暴击都属于其中，甚至是力量7.羽毛步：一个游戏漏洞，利用羽毛+重击让菲欧娜拥有了长距离快速移动能力8.完美防御：根据攻击打中你之前你按防御的时机，造成的成功防御分为普通防御（包括重击防御）、完美防御、BUG防御，完美防御则是单次攻击到达前1秒按防御，被击中后盾牌会出现蓝光。
惯性导航工具箱INS Toolbox2003
捷联惯性导航工具箱Inertial Navigation SystemTOOLBOXFor MatlabFor Windows用户手册目录1.安装说明 (4)2指南 (5)1.介绍 (5)航迹/飞行器动力学仿真 (5)导航用坐标系 (6)简化的3D惯性导航 (7)地球体-加速度漂移 (7)旋转地球体-科氏漂移和加速度计漂移 (8)陀螺仪漂移 (10)初始化速度误差 (13)初始化姿态角 .............................................................................. 错误！未定义书签。
陀螺仪噪声 (17)地球大圆轨迹产生与显示 (19)地球大圆轨迹的惯性导航 (20)游动方位角系统 (23)参考资料： (27)3. 参考 (28)介绍 (28)bodupdat (30)coriolis (31)crafrate (32)dcm2eulr (34)dcm2llw (34)dcm2qua (35)dcmelgen (36)dcmnbgen (37)earthrot (37)enu2xyz (38)eulr2dcm (39)eulr2qua (39)extrapol (40)gendelcr (40)gendthet (41)gendv (42)gendvcor (43)gendverr (44)gentherr (44)genvelpr (45)gravity (46)greatcir (47)interpol (48)lclevupd (48)llh2xyz (49)llw2dcm (50)navupdat (51)pathplot (51)plotwrld (52)progen (52)propitch (54)proroll (54)prostrai (55)proturn (56)qua2dcm (57)quamult (57)quaupdat (58)radicurv (59)skewsymm (59)velupdat (60)xyz2enu (61)xyz2llh (62)1.安装说明对matlat5.x：本手册附带的磁碟包含参考和应用文件。
美服新英雄菲欧拉游戏原画及技能介绍
美服新英雄菲欧拉游戏原画及技能介绍
菲欧拉技能介绍：被动决斗者：菲奥娜在6秒内每次造成伤害都会恢复生命值，攻击英雄可以叠加该效果，最多4次。
【Q】长剑突刺：菲奥娜冲向目标，对其造成40/65/90/115/140物理伤害。
并可在数秒内再次冲刺，不耗蓝（类似兰波的鱼叉）冷却时间：16/14/12/10/8秒耗蓝：60
射程：600 【W】反身回击：被动：菲奥娜攻击力提升
15/20/25/30/35 主动：闪避1.5秒内敌方英雄或野怪的下次普通攻击，并反弹40/80/120/160/200魔法伤害AP加成1.0 冷却时间：10/9/8/7/6
秒耗蓝：40 射程：20
【E】暴走加速：菲奥娜在3
秒内提升攻击速度60/80/100/120/140%。
激活时间内每次使用长剑突刺或普通攻击都会提升7/9/11/13/15%的移动速度，最多叠加3次冷却时间：15秒耗蓝：55 【R】华尔兹之刃：菲奥娜在战场上穿梭，随机对敌方英雄冲击造成5次，每次造成140/290/440物理伤害，同一目标受到连续冲刺的伤害递减65%。
首次冲刺和末次冲刺将触发武器特效冷却时间：
150/130/110秒耗蓝：100 射程：400 更多内容请浏览中关村在线英雄联盟专区： 英雄联盟论坛：/
玩游戏，就上ABAB游戏网，原文地址
/gonglue/3283899.html。
AESOP_Fables
Aesop's Fables Translated by George Fyler TownsendAesop's Fables (1)Translated by George Fyler Townsend (1)Preface (7)The Wolf and the Lamb (11)The Bat and the Weasels (11)The Ass and the Grasshopper (12)The Lion and the Mouse (12)The Charcoal−Burner and the Fuller (12)The Father and His Sons (12)The Boy Hunting Locusts (12)The Cock and the Jewel (12)The Kingdom of the Lion (13)The Wolf and the Crane (13)The Fisherman Piping (13)Hercules and the Wagoner (13)The Ants and the Grasshopper (13)The Traveler and His Dog (13)The Dog and the Shadow (14)The Mole and His Mother (14)The Herdsman and the Lost Bull (14)The Hare and the Tortoise (14)The Pomegranate, Apple−Tree, and Bramble (14)The Farmer and the Stork (15)The Farmer and the Snake (15)The Fawn and His Mother (15)The Bear and the Fox (15)The Swallow and the Crow (15)The Mountain in Labor (15)The Ass, the Fox, and the Lion (16)The Tortoise and the Eagle (16)The Flies and the Honey−Pot (16)The Man and the Lion (16)The Farmer and the Cranes (16)The Dog in the Manger (17)The Fox and the Goat (17)The Bear and the Two Travelers (17)The Oxen and the Axle−Trees (17)The Thirsty Pigeon (18)The Raven and the Swan (18)The Goat and the Goatherd (18)The Miser (18)The Sick Lion (18)The Horse and Groom (19)The Ass and the Lapdog (19)The Lioness (19)The Boasting Traveler (19)The Cat and the Cock (19)The Boy and the Filberts (20)The Lion in Love (20)The Laborer and the Snake (20)The Wolf in Sheep's Clothing (20)The Ass and the Mule (21)The Frogs Asking for a King (21)The Boys and the Frogs (21)The Sick Stag (21)The Salt Merchant and His Ass (21)The Oxen and the Butchers (22)The Lion, the Mouse, and the Fox (22)The Vain Jackdaw (22)The Goatherd and the Wild Goats (22)The Mischievous Dog (23)The Fox Who Had Lost His Tail (23)The Boy and the Nettles (23)The Man and His Two Sweethearts (23)The Astronomer (23)The Wolves and the Sheep (24)The Old Woman and the Physician (24)The Fighting Cocks and the Eagle (24)The Charger and the Miller (24)The Fox and the Monkey (24)The Horse and His Rider (25)The Belly and the Members (25)The Vine and the Goat (25)Jupiter and the Monkey (25)The Widow and Her Little Maidens (25)The Shepherd's Boy and the Wolf (25)The Cat and the Birds (26)The Kid and the Wolf (26)The Ox and the Frog (26)The Shepherd and the Wolf (26)The Father and His Two Daughters (26)The Farmer and His Sons (27)The Crab and Its Mother (27)The Heifer and the Ox (27)The Swallow, the Serpent, and the Court of Justice (27)The Thief and His Mother (27)The Old Man and Death (27)The Fir−Tree and the Bramble (28)The Mouse, the Frog, and the Hawk (28)The Man Bitten by a Dog (28)The Two Pots (28)The Wolf and the Sheep (28)The Aethiop (29)The Fisherman and His Nets (29)The Old Woman and the Wine−Jar (29)The Fox and the Crow (29)The Two Dogs (30)The Stag in the Ox−Stall (30)The Hawk, the Kite, and the Pigeons (30)The Widow and the Sheep (30)The Wild Ass and the Lion (31)The Eagle and the Arrow (31)The Sick Kite (31)The Lion and the Dolphin (31)The Lion and the Boar (31)The One−Eyed Doe (32)The Shepherd and the Sea (32)The Ass, the Cock, and the Lion (32)The Mice and the Weasels (32)The Mice in Council (32)The Wolf and the Housedog (33)The Rivers and the Sea (33)The Playful Ass (33)The Three Tradesmen (33)The Master and His Dogs (33)The Wolf and the Shepherds (33)The Dolphins, the Whales, and the Sprat (34)The Ass Carrying the Image (34)The Two Travelers and the Axe (34)The Old Lion (34)The Old Hound (34)The Bee and Jupiter (34)The Milk−Woman and Her Pail (35)The Seaside Travelers (35)The Brazier and His Dog (35)The Ass and His Shadow (35)The Ass and His Masters (36)The Oak and the Reeds (36)The Fisherman and the Little Fish (36)The Hunter and the Woodman (36)The Wild Boar and the Fox (36)The Lion in a Farmyard (37)Mercury and the Sculptor (37)The Swan and the Goose (37)The Swollen Fox (37)The Fox and the Woodcutter (37)The Birdcatcher, the Partridge, and the Cock (38)The Monkey and the Fishermen (38)The Flea and the Wrestler (38)The Two Frogs (38)The Cat and the Mice (38)The Doe and the Lion (39)The Farmer and the Fox (39)The Seagull and the Kite (39)The Philosopher, the Ants, and Mercury (39)The Mouse and the Bull (39)The Lion and the Hare (40)The Peasant and the Eagle (40)The Image of Mercury and the Carpenter (40)The Bull and the Goat (40)The Dancing Monkeys (40)The Monkeys and Their Mother (41)The Oaks and Jupiter (41)The Hare and the Hound (41)The Traveler and Fortune (41)The Bald Knight (41)The Shepherd and the Dog (41)The Lamp (42)The Lion, the Fox, and the Ass (42)The Bull, the Lioness, and the Wild−Boar Hunter (42)The Oak and the Woodcutters (42)The Hen and the Golden Eggs (42)The Ass and the Frogs (42)The Crow and the Raven (43)The Trees and the Axe (43)The Crab and the Fox (43)The Woman and Her Hen (43)The Ass and the Old Shepherd (43)The Kites and the Swans (44)The Wolves and the Sheepdogs (44)The Hares and the Foxes (44)The Bowman and Lion (44)The Camel (44)The Wasp and the Snake (44)The Dog and the Hare (45)The Bull and the Calf (45)The Stag, the Wolf, and the Sheep (45)The Peacock and the Crane (45)The Fox and the Hedgehog (45)The Eagle, the Cat, and the Wild Sow (46)The Thief and the Innkeeper (46)The Mule (46)The Hart and the Vine (46)The Serpent and the Eagle (47)The Crow and the Pitcher (47)The Two Frogs (47)The Wolf and the Fox (47)The Walnut−Tree (47)The Monkey and the Dolphin (48)The Jackdaw and the Doves (48)The Horse and the Stag (48)The Kid and the Wolf (48)The Prophet (48)The Fox and the Monkey (49)The Thief and the Housedog (49)The Man, the Horse, the Ox, and the Dog (49)The Apes and the Two Travelers (49)The Wolf and the Shepherd (50)The Hares and the Lions (50)The Lark and Her Young Ones (50)The Fox and the Lion (50)The Weasel and the Mice (50)The Boy Bathing (51)The Ass and the Wolf (51)The Seller of Images (51)The Fox and the Grapes (51)The Man and His Wife (51)The Peacock and Juno (52)The Hawk and the Nightingale (52)The Dog, the Cock, and the Fox (52)The Wolf and the Goat (52)The Lion and the Bull (52)The Goat and the Ass (53)The Town Mouse and the Country Mouse (53)The Wolf, the Fox, and the Ape (53)The Fly and the Draught−Mule (53)The Fishermen (53)The Lion and the Three Bulls (54)The Fowler and the Viper (54)The Horse and the Ass (54)The Fox and the Mask (54)The Geese and the Cranes (54)The Blind Man and the Whelp (54)The Dogs and the Fox (55)The Cobbler Turned Doctor (55)The Wolf and the Horse (55)The Brother and the Sister (55)The Wasps, the Partridges, and the Farmer (55)The Crow and Mercury (56)The North Wind and the Sun (56)The Two Men Who Were Enemies (56)The Gamecocks and the Partridge (56)The Quack Frog (56)The Lion, the Wolf, and the Fox (57)The Dog's House (57)The Birds, the Beasts, and the Bat (57)The Spendthrift and the Swallow (57)The Fox and the Lion (57)The Owl and the Birds (58)The Trumpeter Taken Prisoner (58)The Ass in the Lion's Skin (58)The Sparrow and the Hare (58)The Flea and the Ox (58)The Goods and the Ills (58)The Dove and the Crow (59)Mercury and the Workmen (59)The Eagle and the Jackdaw (59)The Fox and the Crane (59)Jupiter, Neptune, Minerva, and Momus (60)The Eagle and the Fox (60)The Man and the Satyr (60)The Ass and His Purchaser (60)The Two Bags (61)The Stag at the Pool (61)The Jackdaw and the Fox (61)The Lark Burying Her Father (61)The Gnat and the Bull (61)The Bitch and Her Whelps (61)The Dogs and the Hides (62)The Shepherd and the Sheep (62)The Grasshopper and the Owl (62)The Monkey and the Camel (62)The Peasant and the Apple−Tree (62)The Two Soldiers and the Robber (63)The Trees Under the Protection of the Gods (63)The Mother and the Wolf (63)The Ass and the Horse (63)Truth and the Traveler (63)The Cat and Venus (65)The She−Goats and Their Beards (65)The Camel and the Arab (66)The Miller, His Son, and Their Ass (66)The Crow and the Sheep (66)The Fox and the Bramble (66)The Wolf and the Lion (66)The Dog and the Oyster (67)The Ant and the Dove (67)The Partridge and the Fowler (67)The Flea and the Man (67)The Thieves and the Cock (67)The Dog and the Cook (67)The Travelers and the Plane−Tree (68)The Lion, Jupiter, and the Elephant (68)The Lamb and the Wolf (68)The Rich Man and the Tanner (69)The Shipwrecked Man and the Sea (69)The Mules and the Robbers (69)The Viper and the File (69)The Lion and the Shepherd (69)The Camel and Jupiter (69)The Panther and the Shepherds (70)The Ass and the Charger (70)The Eagle and His Captor (70)The Bald Man and the Fly (70)The Olive−Tree and the Fig−Tree (70)The Eagle and the Kite (71)The Ass and His Driver (71)The Thrush and the Fowler (71)The Rose and the Amaranth (71)The Frogs' Complaint Against the Sun (71)LIFE OF AESOP (71)Aesop's FablesTranslated by George Fyler Townsend This page copyright © 2001 Blackmask Online.•PrefaceThe Wolf and the Lamb••The Bat and the Weasels•The Ass and the Grasshopper•The Lion and the Mouse•The Charcoal−Burner and the Fuller•The Father and His Sons•The Boy Hunting Locusts•The Cock and the Jewel•The Kingdom of the Lion•The Wolf and the Crane•The Fisherman Piping•Hercules and the Wagoner•The Ants and the Grasshopper•The Traveler and His Dog•The Dog and the ShadowThe Mole and His Mother••The Herdsman and the Lost Bull•The Hare and the Tortoise•The Pomegranate, Apple−Tree, and Bramble•The Farmer and the Stork•The Farmer and the Snake•The Fawn and His Mother•The Bear and the Fox•The Swallow and the Crow•The Mountain in Labor•The Ass, the Fox, and the Lion•The Tortoise and the Eagle•The Flies and the Honey−Pot•The Man and the Lion•The Farmer and the Cranes•The Dog in the Manger•The Fox and the Goat•The Bear and the Two Travelers•The Oxen and the Axle−Trees•The Thirsty Pigeon•The Raven and the SwanThe Goat and the Goatherd••The Miser•Aesop's Fables The Ass and the Lapdog••The Lioness•The Boasting TravelerThe Cat and the Cock•The Piglet, the Sheep, and the Goat•The Boy and the Filberts•The Lion in Love•The Laborer and the Snake•The Wolf in Sheep's Clothing••The Ass and the MuleThe Frogs Asking for a King•The Boys and the Frogs•The Sick Stag•The Salt Merchant and His Ass•The Oxen and the Butchers••The Lion, the Mouse, and the FoxThe Vain Jackdaw•The Goatherd and the Wild Goats••The Mischievous DogThe Fox Who Had Lost His Tail•The Boy and the Nettles••The Man and His Two SweetheartsThe Astronomer•The Wolves and the Sheep••The Old Woman and the PhysicianThe Fighting Cocks and the Eagle••The Charger and the Miller•The Fox and the MonkeyThe Horse and His Rider•The Belly and the Members•The Vine and the Goat•Jupiter and the Monkey•The Widow and Her Little Maidens•The Shepherd's Boy and the Wolf••The Cat and the BirdsThe Kid and the Wolf•The Ox and the Frog•The Shepherd and the Wolf•The Father and His Two Daughters•The Farmer and His Sons••The Crab and Its MotherThe Heifer and the Ox•The Swallow, the Serpent, and the Court of Justice••The Thief and His MotherThe Old Man and Death•The Fir−Tree and the Bramble••The Mouse, the Frog, and the HawkThe Man Bitten by a Dog•The Two Pots••The Fisherman and His Nets••The Huntsman and the Fisherman•The Old Woman and the Wine−Jar•The Fox and the Crow•The Two Dogs•The Stag in the Ox−StallThe Hawk, the Kite, and the Pigeons••The Widow and the Sheep•The Wild Ass and the LionThe Eagle and the Arrow••The Sick Kite•The Lion and the Dolphin•The Lion and the Boar•The One−Eyed Doe•The Shepherd and the SeaThe Ass, the Cock, and the Lion••The Mice and the Weasels•The Mice in Council•The Wolf and the Housedog•The Rivers and the Sea•The Playful Ass•The Three Tradesmen•The Master and His Dogs•The Wolf and the Shepherds•The Dolphins, the Whales, and the Sprat •The Ass Carrying the Image•The Two Travelers and the Axe•The Old LionThe Old Hound••The Bee and Jupiter•The Milk−Woman and Her Pail•The Seaside Travelers•The Brazier and His Dog•The Ass and His Shadow•The Ass and His Masters•The Oak and the ReedsThe Fisherman and the Little Fish••The Hunter and the WoodmanThe Wild Boar and the Fox••The Lion in a Farmyard•Mercury and the SculptorThe Swan and the Goose••The Swollen Fox•The Fox and the Woodcutter•The Birdcatcher, the Partridge, and the Cock •The Monkey and the Fishermen•The Flea and the Wrestler•The Two Frogs•The Cat and the Mice•The Lion, the Bear, and the FoxThe Farmer and the Fox••The Seagull and the Kite•The Philosopher, the Ants, and Mercury•The Mouse and the Bull•The Lion and the Hare•The Peasant and the EagleThe Image of Mercury and the Carpenter••The Bull and the Goat•The Dancing MonkeysThe Monkeys and Their Mother••The Oaks and Jupiter•The Hare and the Hound•The Traveler and Fortune•The Bald Knight•The Shepherd and the DogThe Lamp••The Lion, the Fox, and the Ass•The Bull, the Lioness, and the Wild−Boar Hunter •The Oak and the Woodcutters•The Hen and the Golden Eggs•The Ass and the Frogs•The Crow and the Raven•The Trees and the Axe•The Crab and the Fox•The Woman and Her Hen•The Ass and the Old Shepherd•The Kites and the Swans•The Wolves and the SheepdogsThe Hares and the Foxes••The Bowman and Lion•The Camel•The Wasp and the Snake•The Dog and the Hare•The Bull and the Calf•The Stag, the Wolf, and the Sheep•The Peacock and the CraneThe Fox and the Hedgehog••The Eagle, the Cat, and the Wild SowThe Thief and the Innkeeper••The Mule•The Hart and the VineThe Serpent and the Eagle••The Crow and the Pitcher•The Two Frogs•The Wolf and the Fox•The Walnut−Tree•The Gnat and the Lion•The Monkey and the Dolphin•The Jackdaw and the Doves•The Horse and the StagThe Prophet••The Fox and the Monkey•The Thief and the Housedog•The Man, the Horse, the Ox, and the Dog •The Apes and the Two Travelers•The Wolf and the ShepherdThe Hares and the Lions••The Lark and Her Young Ones•The Fox and the LionThe Weasel and the Mice••The Boy Bathing•The Ass and the Wolf•The Seller of Images•The Fox and the Grapes•The Man and His WifeThe Peacock and Juno••The Hawk and the Nightingale•The Dog, the Cock, and the Fox•The Wolf and the Goat•The Lion and the Bull•The Goat and the Ass•The Town Mouse and the Country Mouse •The Wolf, the Fox, and the Ape•The Fly and the Draught−Mule•The Fishermen•The Lion and the Three Bulls•The Fowler and the Viper•The Horse and the AssThe Fox and the Mask••The Geese and the Cranes•The Blind Man and the Whelp•The Dogs and the Fox•The Cobbler Turned Doctor•The Wolf and the Horse•The Brother and the Sister•The Wasps, the Partridges, and the Farmer The Crow and Mercury••The North Wind and the SunThe Two Men Who Were Enemies••The Gamecocks and the Partridge•The Quack FrogThe Lion, the Wolf, and the Fox••The Dog's House•The Wolf and the Lion•The Birds, the Beasts, and the Bat•The Spendthrift and the Swallow•The Fox and the Lion•The Owl and the Birds•The Trumpeter Taken Prisoner•The Ass in the Lion's SkinThe Flea and the Ox••The Goods and the Ills•The Dove and the Crow•Mercury and the Workmen•The Eagle and the Jackdaw•The Fox and the CraneJupiter, Neptune, Minerva, and Momus ••The Eagle and the Fox•The Man and the SatyrThe Ass and His Purchaser••The Two Bags•The Stag at the Pool•The Jackdaw and the Fox•The Lark Burying Her Father•The Gnat and the BullThe Bitch and Her Whelps••The Dogs and the Hides•The Shepherd and the Sheep•The Grasshopper and the Owl•The Monkey and the Camel•The Peasant and the Apple−Tree•The Two Soldiers and the Robber•The Trees Under the Protection of the Gods •The Mother and the Wolf•The Ass and the Horse•Truth and the Traveler•The Cat and Venus•The She−Goats and Their BeardsThe Camel and the Arab••The Miller, His Son, and Their Ass•The Crow and the Sheep•The Fox and the Bramble•The Wolf and the Lion•The Dog and the Oyster•The Ant and the Dove•The Partridge and the FowlerThe Flea and the Man••The Thieves and the CockThe Dog and the Cook••The Travelers and the Plane−Tree•The Hares and the FrogsThe Lion, Jupiter, and the Elephant••The Lamb and the Wolf•The Rich Man and the Tanner•The Shipwrecked Man and the Sea•The Mules and the Robbers•The Viper and the File•The Lion and the Shepherd•The Camel and Jupiter•The Panther and the Shepherds•The Eagle and His Captor•The Bald Man and the Fly•The Olive−Tree and the Fig−Tree•The Eagle and the KiteThe Ass and His Driver••The Thrush and the Fowler•The Rose and the AmaranthThe Frogs' Complaint Against the Sun••LIFE OF AESOPPrefaceTHE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction. Each is distinguished by its own special characteristics. The Tale consists simply in the narration of a story either founded on facts, or created solely by the imagination, and not necessarily associated with the teaching of any moral lesson. The Parable is the designed use of language purposely intended to convey a hidden and secret meaning other than that contained in the words themselves; and which may or may not bear a special reference to the hearer, or reader. The Fable partly agrees with, and partly differs from both of these. It will contain, like the Tale, a short but real narrative; it will seek, like the Parable, to convey a hidden meaning, and that not so much by the use of language, as by the skilful introduction of fictitious characters; and yet unlike to either Tale or Parable, it will ever keep in view, as its high prerogative, and inseparable attribute, the great purpose of instruction, and will necessarily seek to inculcate some moral maxim, social duty, or political truth. The true Fable, if it rise to its high requirements, ever aims at one great end and purpose representation of human motive, and the improvement of human conduct, and yet it so conceals its design under the disguise of fictitious characters, by clothing with speech the animals of the field, the birds of the air, the trees of the wood, or the beasts of the forest, that the reader shall receive advice without perceivingthe presence of the adviser. Thus the superiority of the counsellor, which often renders counsel unpalatable, is kept out of view, and the lesson comes with the greater acceptance when the reader is led, unconsciously to himself, to have his sympathies enlisted in behalf of what is pure, honorable, and praiseworthy, and to havehis indignation excited against what is low, ignoble, and unworthy. The true fabulist, therefore, discharges a most important function. He is neither a narrator, nor an allegorist. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue. In this consists the superiority of the Fable over the Tale or the Parable. The fabulist is to create a laugh, but yet, under a merry guise, to convey instruction. Phaedrus, the great imitator of Aesop, plainly indicates this double purpose to be the true office of the writer of fables.Duplex libelli dos est: quod risum movet,Et quod prudenti vitam consilio monet.The continual observance of this twofold aim creates the charm, and accounts for the universal favor, of the fables of Aesop. "The fable," says Professor K. O. Mueller, "originated in Greece in an intentional travestieof human affairs. The 'ainos,' as its name denotes, is an admonition, or rather a reproof veiled, either from fear of an excess of frankness, or from a love of fun and jest, beneath the fiction of an occurrence happening among beasts; and wherever we have any ancient and authentic account of the Aesopian fables, we find it to be the same." lThe construction of a fable involves a minute attention to (1) the narration itself; (2) the deduction of the moral; and (3) a careful maintenance of the individual characteristics of the fictitious personages introduced into it. The narration should relate to one simple action, consistent with itself, and neither be overladen with aand so intimately interwoven with, and so necessarily dependent on, the narration, that every reader should be compelled to give to it the same undeniable interpretation. The introduction of the animals or fictitious characters should be marked with an unexceptionable care and attention to their natural attributes, and to the qualities attributed to them by universal popular consent. The Fox should be always cunning, the Hare timid, the Lion bold, the Wolf cruel, the Bull strong, the Horse proud, and the Ass patient. Many of these fables are characterized by the strictest observance of these rules. They are occupied with one short narrative, from which the moral naturally flows, and with which it is intimately associated. "'Tis the simple manner," says Dodsley, 2 "in which the morals of Aesop are interwoven with his fables that distinguishes him, and gives him the preference over all other mythologists. His 'Mountain delivered of a Mouse,' produces the moral of his fable in ridicule of pompous pretenders; and his Crow, when she drops her cheese, lets fall, as it were by accident, the strongest admonition against the power of flattery. There is no need of a separate sentence to explain it; no possibility of impressing it deeper, by that load we too often see of accumulated reflections." 3 An equal amount of praise is due for the consistency with which the characters of the animals, fictitiously introduced, are marked. While they are made to depict the motives and passions of men, they retain, in an eminent degree, their own special features of craft or counsel, of cowardice or courage, of generosity or rapacity.These terms of praise, it must be confessed, cannot be bestowed on all the fables in this collection. Many of them lack that unity of design, that close connection of the moral with the narrative, that wise choice in the introduction of the animals, which constitute the charm and excellency of true Aesopian fable. This inferiority of some to others is sufficiently accounted for in the history of the origin and descent of these fables. The great bulk of them are not the immediate work of Aesop. Many are obtained from ancient authors prior to the time in which he lived. Thus, the fable of the "Hawk and the Nightingale" is related by Hesiod; 4 the "Eagle wounded by an Arrow, winged with its own Feathers," by Aeschylus; 5 the "Fox avenging his wrongs on the Eagle," by Archilochus. 6 Many of them again are of later origin, and are to be traced to the monks of the middle ages: and yet this collection, though thus made up of fables both earlier and later than the era of Aesop, rightfully bears his name, because he composed so large a number (all framed in the same mould, and conformed to the same fashion, and stamped with the same lineaments, image, and superscription) as to secure to himself the right to be considered the father of Greek fables, and the founder of this class of writing, which has ever since borne his name, and has secured for him, through all succeeding ages, the position of the first of moralists.7The fables were in the first instance only narrated by Aesop, and for a long time were handed down by the uncertain channel of oral tradition. Socrates is mentioned by Plato 8 as having employed his time while in prison, awaiting the return of the sacred ship from Delphos which was to be the signal of his death, in turning some of these fables into verse, but he thus versified only such as he remembered. Demetrius Phalereus, a philosopher at Athens about 300 B.C., is said to have made the first collection of these fables. Phaedrus, a slave by birth or by subsequent misfortunes, and admitted by Augustus to the honors of a freedman, imitated many of these fables in Latin iambics about the commencement of the Christian era. Aphthonius, a rhetorician of Antioch, A.D. 315, wrote a treatise on, and converted into Latin prose, some of these fables. This translation is the more worthy of notice, as it illustrates a custom of common use, both in these and in later times. The rhetoricians and philosophers were accustomed to give the Fables of Aesop as an exercise to their scholars, not only inviting them to discuss the moral of the tale, but also to practice and to perfect themselves thereby in style and rules of grammar, by making for themselves new and various versions of the fables. Ausonius, 9 the friend of the Emperor Valentinian, and the latest poet of eminence in the Western Empire, has handed down some of these fables in verse, which Julianus Titianus, a contemporary writer of no great name, translated into prose. Avienus, also a contemporary of Ausonius, put some of these fables into Latin elegiacs, which are given by Nevelet (in a book we shall refer to hereafter), and are occasionally incorporated with the editions of Phaedrus.。
BOSCHDCN嵌入式系统中文操作说明书
!
!"#$%&'() O
ORKQKS=
!"#$%& !'()*
N
!"
!"#$
! ORKS
!"#
!" #$a`kJcjf`_ !"#$%&'()*+
!"#$
!
!"#
======
======
!"#$!%&'
!"#
======
!"#$%&'()*+*,-./
======
======
!"#$%&'()*+,-./
!" ORKV
!"
!"#$%&"#$'
ORKSKN===a`k
a`k
!"#$%&$' a`k
a`k
!"#$%&'()*
!"
====== ======a`kJaaf
!"#$%&'()*+,
== ORKR a`k
==
!
==N a`k
==N
!"# a`k
==
==
==
==OKO=t=EQKV=tF
EO=ãF
! ! !
!"#$%=ö=OMMRJMV=ö=VVOO=NQN=TMROQ=òÜJë
a`k=ö=
!"#$%&=ö=
!"#$
òÜJë NSP
ORKQKP=
通信工程建设项目施工招标文件范本
通信工程建设项目施工招标文件范本（2017版）中华人民共和国工业和信息化部使用说明一、《通信建设项目施工项目招标文件范本》适用于依法必须进行招标的通信建设项目施工项目招标。
二、《通信工程建设项目施工集中招标文件范本》第二章“投标人须知”正文、第三章“评标办法”正文原则上不允许修改。
三、《通信工程建设项目施工集中招标文件范本》前附表与正文对应相同的条款号；以“”标示由招标人填写的内容，招标人应根据招标项目具体特点和实际需要填写，确实没有需要填写的，在“”中用“/”标示。
四、招标人按照《通信工程建设项目施工集中招标文件范本》第一章的格式发布招标公告或发出投标邀请书后，将实际发布的招标公告或投标邀请书编入发售的招标文件中，作为投标邀请。
其中，招标公告应同时注明所有的发布媒介。
五、招标人应根据实际情况填写第二章“投标人须知”前附表的内容，如果前附表内容与投标人须知正文内容不一致，以前附表内容为准。
六、第三章“评标办法”分别规定经评审的最低投标价法和综合评估法两种评标方法，供招标人根据招标项目具体特点和实际需要选择适用。
招标人选择适用综合评估法的，各评审因素的评审标准、分值和权重等由招标人自主确定。
法律法规对各评审因素的评审标准、分值和权重等有规定的，从其规定。
第三章“评标办法”应按要求列明全部评审因素和评审标准，未列明的不得作为评审依据。
七、第四章“合同协议书”中的“通用合同条款”，招标人应当不加修改地引用；“专用合同条款”，招标人可根据实际情况自主确定，除“通用合同条款”明确“专用合同条款”可以作出不同约定外，补充、细化的内容不得与“通用合同条款”强制性规定相抵触。
八、第五章“工程量清单”由招标人根据工程实际需要编制，并与“投标人须知”、“合同条款”、“图纸”等相衔接。
本章所附表格可根据有关规定作相应的调整和补充。
九、《通信工程建设项目施工集中招标文件范本》为2017年版，将根据实际执行过程中出现的问题及时进行修改，如存在与国家法律、行政法规的规定相抵触时，应按国家法律、行政法规的规定执行。
尼康 COOLPIX S8200 数码照相机 使用说明书
数码照相机参考手册商标信息•Microsoft、Windows和Windows Vista是Microsoft Corporation在美国和/或其它国家的注册商标或商标。
•Macintosh、Mac OS 和 QuickTime 是 Apple Inc. 在美国和其它国家的注册商标。
iFrame 标志和 iFrame 符号是 Apple Inc. 的商标。
•Adobe和Acrobat是Adobe Systems Inc.的注册商标。
•SDXC、SDHC和SD标志是SD-3C, LLC的商标。
•PictBridge是商标。
•HDMI、标志和High-Definition Multimedia Interface（高清晰度多媒体接口）是HDMI Licensing LLC的商标或注册商标。
•在本说明书或随尼康产品提供的其它文件中所提及的所有其它商标名称，分别为其相关所有者所持有的商标或注册商标。
AVC Patent Portfolio License本产品在AVC Patent Portfolio License下被授权于客户在个人和非商业使用范围内使用，用以(i)按照AVC标准进行视频编码（“AVC视频”），和/或(ii)对从事个人和非商业活动的客户编码的和/或从经授权可以提供AVC视频的视频供应商处获得的AVC视频进行解码。
任何其它使用范围均未获得授权或予以默示。
可以从MPEG LA, L.L.C.获得更多信息。
请访问。
简介照相机部件和基本操作拍摄和播放的基本操作拍摄功能播放功能录制和播放动画一般照相机设定参考部分技术注释和索引iii*如果在需要使用插头适配器的国家或地区购买了照相机，则会附带插头适配器。
插头适配器的形状会因购买照相机的国家或地区而异。
注：照相机不附送存储卡。
可充电电源适配器EH-69P*USB 连接线 UC-E6EG-CP16音频/视频线ViewNX 2 Installer CD （ViewNX 2安装光盘）Reference Manual CD （参考手册光盘）•保修卡iii简介关于本说明书如果您想立即使用照相机，请参见“拍摄和播放的基本操作”（A 13）。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
英雄联盟美服新英雄大决斗家菲欧拉演示
技能说明: 决斗者(被动)：菲欧拉每次造成伤害都能在6秒内恢复生命值。
攻击英雄能使这个效果最多叠加4次。
猛冲(Q)：菲欧拉朝她的目标猛冲过去，造成物理伤害。
菲欧拉可以在数秒内再猛冲一次，且不消耗法力值。
回刺(W)：提高菲欧拉的AD。
激活时，菲欧拉招架下一次基础攻击，并将反弹魔法伤害给攻击者。
对英雄，怪物和大型爪牙有效。
突然加速(E)：菲欧拉暂时获得额外的攻击速度。
在此期间，每次基础攻击或猛冲都能提高她的移动速度。
杀死英雄会刷新冷却时间。
华尔兹之刃(R)：菲欧拉在战场上来回冲刺并随机攻击英雄对同一目标的连续攻击造成35%的伤害。
第一次和最后一次攻击同一个目标。
更多内容请浏览中关村在线英雄联盟专区：
英雄联盟论坛：
/
玩游戏，就上ABAB游戏网，原文地址
/gonglue/3284010.html。