多媒体技术原理 视频中的基本概念
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5.1 Types of Video Signals
• Component video
Composite Video — One Signal
• Composite video
– color (“chrominance”) and intensity (“luminance”) signals are mixed into a single carrier wave. – Chrominance is a composition of two color components (I and Q, or U and V). – In NTSC TV, e.g., I and Q are combined into a chroma signal, and a color subcarrier is then employed to put the chroma signal at the highfrequency end of the signal shared with the luminance signal. – The chrominance and luminance components can be separated at the receiver end and then the two color components can be further recovered.
Chapter 5 Fundamental Concepts in Video
5.1 5.2 5.3 5.4
Types of Video Signals Analog Video Digital Video Further Exploration
5.1 Types of Video SignaFra Baidu biblioteks • Component video(分量视频) • Composite video(复合视频) • S-Video(超视频)
Composite Video — One Signal
• Composite video
S-Video — Two Signals
• S-Video – as a compromise, (separated video, or Supervideo, e.g., in S-VHS) uses two wires, one for luminance and another for a composite chrominance signal. – As a result, there is less crosstalk between the color information and the crucial grayscale information.
Composite Video — One Signal
• Composite video
– When connecting to TVs or VCRs, Composite Video uses only one wire and video color signals are mixed, not sent separately. The audio and sync signals are additions to this one signal. – Since color and intensity are wrapped into the same signal, some interference between the luminance and chrominance signals is inevitable.
5.1 Types of Video Signals
• Component video – Higher-end video systems make use of three separate video signals for the red, green, and blue image planes – Each color channel is sent as a separate video signal.
• Most computer systems use Component Video, with separate signals for R, G, and B signals. • For any color separation scheme, Component Video gives the best color reproduction since there is no “crosstalk” between the three channels. • This is not the case for S-Video or Composite Video, discussed next. Component video, however, requires more bandwidth and good synchronization of the three components.
S-Video — Two Signals
• S-Video – The reason for placing luminance into its own part of the signal is that black-and-white information is most crucial for visual perception. – In fact, humans are able to differentiate spatial resolution in grayscale images with a much higher acuity than for the color part of color images. – As a result, we can send less accurate color information than must be sent for intensity information — we can only see fairly large blobs of color, so it makes sense to send less color detail.