杨绛英文简介 2

翻译确也追求这么一个标准：不仅能信faithfulness, 能达expressiveness，还要“信”得贴切，“达” 得恰当----称为“雅”elegance。
Her translation was honored the recreation of the original work on the basis of loyalty.
Features of her translations
• The style of her translations : humorous and ironical. • Her works penetrate the translator's humanistic thought and pay
Part I
she is a famous writer, critic, translator and scholar.
Yang Jiang belongs to an unique and beautiful existence in Chinese literature of the 20th Century.
Embodied in her works is her sense of humor, a reflection of her wisdom, her view of the world and her attitudes toward life. Her works are a combination of deep feeling and intelligence, expressing a kind of caring and respect for literature.
Part III
Her Translations Features and Thoughts
杨绛文学语言的特点
其沉淀简洁的语言，看起来平平淡淡，无阴 无晴。然而平淡不是贫乏，阴晴隐于其中，经过 漂洗的苦心经营的朴素中，有着本色的绚烂华丽 。干净明晰的语言在杨绛笔下变得有巨大的表现 力。有时把词序变换一下，不符合常规，反倒更 显别致耐读。有时明净到有些冷，但由于渗入诙 谐幽默，便平添几分灵动之气。因而使静穆严肃 的语言自有生机，安静而不古板，活泼而不浮动 ，静中有动，动还是静。沉静诙谐中有沉着老到 、雍容优雅的气派，锋芒内敛后的不动声色，有 种静穆超然的中和之美。
Her translations
• 最出名的是翻译的西班牙作品《堂吉诃德》，她还翻译了 西班牙流浪汉小说《小癞子》。
• 法国文学名著《吉尔·布拉斯》（Alain Rene Le Sage: ） • 古希腊散文柏拉图(plato)的“对话录”《斐多》(Phaedo)
等。 • 1938杨绛先生翻译了《1939年以来的英国散文选》
--The Bitter-Sweetness of Reading
• 壶公悬挂的一把壶里，别有天地日月。每一本书——不论 小说、戏剧、传记、游记、日记，以至散文诗词，都别有 天地，别有日月星辰，而且还有生存其间的人物。我们很 不必巴巴地赶赴某地，花钱买门票去看些仿造的赝品或 “栩栩如生”的替身，只要翻开一页书，走人真境，遇见 真人，就可以亲亲切切地观赏一番。 --《读书苦乐》
In 1910s, Yang Jiang was born in Beijing, originally named Yang Jikang.
In 1930s, She grauduated from university and went to Tsinghua University as a postgraduate. There she met Qian Zhongshu, they fell in love and married.
Yang Jiang 杨绛
主讲人：
• Part 1 introduction of Yang Jiang • Part 2 Her translations • Part 3 Translation features and thoughts • Part 4 The appreciation of her translations
• For Hu Gong (or Master Gourd), a master herbalist in ancient China, a magical gourd of his contains the entire world. Likewise, every book, be it a novel, a play, a biography, or a book of traveling notes, of journals, and of even essays or of poems, contains a world of its own, with its own sun, moon, and stars and its own live characters between heaven and earth. There is really no need trotting all the way to places and paying admission fees, merely to view imitations or vivid "substitutes", when we can simply open a book and find ourselv es in real situations and meet real characters for a close contact.
--The Bitter-Sweetness of Reading
She said that translation is like the servant who has to serve two masters, which is to say that translation should be loyal to both cultures.
杨绛把翻译比做一仆二主，译者同时有两个主人，一个主 人是原文作品，另一个主人是译本的本国读者。译者一方 面得彻底了解原著，不仅了解字面意思，还要领会字里行 间的韵味。另一方面，译文的读者要求从译文里领略原文。 译者得用读者的语言把原作内容用原样表达。
attention to the social reality. • Emphasize the acceptability of the translation. She put Chinese
traditional culture into her works to help the reader understand more easily.
• In 1980s, She began to write short novels.
• In 1990s, after her husband and daughter passed away, she almost stopped all the work.
Part II
Her Translations
In 1940s, she worked in the Chinese Academy of Social Sciences.
In 1950s, she worked for Peking University and other important research institutions.
• In 1960s , she started to translate Don Quixote, 堂吉柯德 and in 1978, the Chinese version of "Quixote" was publBaidu Nhomakorabeashed.
--《读书苦乐》
Reading and studying regularly calls for a painstaking eff ort, whether it is meant for passing an exam, writing a thesis or pursuing an academic degree.
Part IV
The Appreciation of Her Translations
Life and death ----Walter Savage Landor
I stove with none, for none was worth my strife, Nature I loved, and next to Nature, Art; I warmed both hands before fire of life, It sinks, and I am ready to art.
我和谁也不争， 和谁争我都不屑； 我爱大自然， 其次是艺术； 我双手烤着生命之火取暖， 火萎了， 我也准备走了。 ----杨绛译
不与人争， 也无人值得我争， 爱的是自然， 其次是艺术。 生命之火前我把双手烘烤， 火焰低落了， 我准备离去。
---王佐良译
读书钻研学问，当然得下苦功夫。为应考试、为写论文、 为求学位，大概都得苦读。