从弗洛伊德的三重人格结构理论分析《茶花女》的爱情悲剧

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从弗洛伊德人格结构论的角度,解析莫言的小说《怀抱鲜花的女人》

从弗洛伊德人格结构论的角度,解析莫言的小说《怀抱鲜花的女人》

从弗洛伊德人格结构论的角度,解析莫言的小说《怀抱鲜花的女人》《怀抱鲜花的女人》是莫言20世纪90年代创作的中篇小说,主要讲述海军上尉王四在回家结婚途中,被一位怀抱鲜花的女人吸引,一时冲动吻了她,结果这个女人“缠上”了王四,任凭他怎么劝说、哄骗、辱骂、威胁都无法摆脱,女人一直跟随他回家,搅黄了王四的婚事,各方压力之下,王四拥抱着女人一起死去。

有人评价这是莫言写的最好的中篇小说,他延续过去的魔幻现实主义风格,打造了一个亦真亦假,亦仙亦鬼的爱情小说,也深刻揭示了主人公的现实窘境。

上尉王四在前后不到一天的时间内,经历了一生中最刺激也最窘迫的时刻,明明回去结婚的他,为什么要去吻一个刚刚认识的姑娘?那姑娘又为什么死皮赖脸跟着他?两人为什么要拥抱死去?本文主要从弗洛伊德人格结构理论,解析主人公王四的行为动因,理解莫言作品背后的深刻内涵。

一、什么是“弗洛伊德人格结构论”?心理学家弗洛伊德,是精神分析学派创始人,他一生著作等身,受人敬仰,晚年所著的《自我与本我》一书,被称为是心理学的革命性著作,书中提出:“人格自身是一个人动态的能量系统,由本我、自我和超我三部分构成。

”本我,是一个人心理最原始的部分,属于无意识领域,由人的本能和欲望构成,受快乐原则支配,是一种非理性冲动,一味需求满足。

自我,是从本我中分化出来的,受知觉系统影响,代表理性和常识,接受外部世界的现实要求,自我以现实世界的要求为考量,根据“现实原则”行事,自我主张克制,用来控制和压抑本我的非理性冲动,自我上有超我监视,下有本我刺激,经常处于两难之间。

超我,从“自我”发展而来,以良知的形式支配自我,分为自我理想和良心两部分,是人性中高级的、道德的、超个人的方面,和人们常说的良知、自我批判能力相关,根据“至善原则”行事。

二、本我:偶遇“鲜花姑娘”,本能欲望被激发弗洛伊德说,本我充满发自本能的欲望,包括各种生理需要,不受任何物质和社会的约束,属于人格的生物成份,容易冲动。

《茶花女》系列读后感:爱情、社会与人性的悲剧

《茶花女》系列读后感:爱情、社会与人性的悲剧

《茶花女》系列读后感:爱情、社会与人性的悲剧茶花女是亚历山大·杜马的一部经典小说,也是法国著名的戏剧作品。

这个故事围绕着一个废寝忘食的男人与一个被社会视为不道德的女人之间的爱情展开。

通过这个故事,我们可以深入探讨爱情、社会和人性的复杂性和悲剧。

首先,茶花女描绘了一段充满矛盾和挑战的爱情。

在故事中,阿尔芒·杜瓦尔(男主角)与玛格丽特·果达(茶花女)之间的爱情是一种纯粹而激情的感情。

然而,他们的爱情面临着来自社会道德观念的压力和阻碍。

他们的关系被视为不道德和犯罪,因为玛格丽特是一个妓女。

这种爱情的矛盾和挑战使他们的关系变得复杂而悲剧性。

其次,茶花女也揭示了社会对于爱情的压迫和束缚。

在这个故事中,社会道德观念对于爱情的发展起着决定性的作用。

玛格丽特作为一个妓女,受到了社会的歧视和打压。

她被迫过着双重生活,一方面是纷繁喧嚣的社交圈,另一方面是孤独和悲伤的内心。

社会的偏见和压迫最终导致了她与阿尔芒之间的爱情悲剧。

最后,茶花女还探讨了人性的复杂性和脆弱性。

玛格丽特和阿尔芒都是具有矛盾和复杂性的人物。

玛格丽特在外表上看起来是一个风情万种的女人,但内心却充满了孤独和虚无。

阿尔芒则是一个富有的绅士,但他对玛格丽特的爱情却是自私而不负责任的。

他无法接受和理解玛格丽特的过去,最终导致了他们的分离和彼此的伤害。

这种人性的复杂性和脆弱性使这个故事变得更加深刻和悲剧化。

综上所述,《茶花女》系列读后感中爱情、社会和人性的悲剧是这个故事的核心。

通过阐述玛格丽特和阿尔芒之间的爱情矛盾、社会对爱情的压迫以及人性的复杂性和脆弱性,这个故事揭示了爱情和社会之间的紧张关系,并呈现了一个悲剧的结局。

这个故事引发了我对于爱情、社会和人性的思考,让我更加意识到这些主题的重要性和复杂性。

《茶花女》的爱情悲剧与社会批判

《茶花女》的爱情悲剧与社会批判

茶花女的爱情悲剧与社会批判引言《茶花女》是法国作家亚历山大·蒂马斯·迪普曼托的代表作之一,也是世界文学中一部脍炙人口、经久不衰的经典作品。

该作以19世纪巴黎为背景,讲述了在红灯区中相遇的贵族阿尔曼和妓女玛格丽特之间的悲壮爱情故事。

本文将探讨《茶花女》中展现出的爱情悲剧与对当时社会现实的深入批判。

爱情悲剧在《茶花女》中,阿尔曼与玛格丽特之间发生了真挚而复杂的爱情。

尽管他们来自完全不同的社会阶层,但他们两人深深地相爱,并试图寻找一种超越阶级和道德束缚的幸福。

然而,命运使得他们无法成功地共度余生。

首先是阿尔曼所受到的社会舆论压力。

由于玛格丽特是一个妓女,她无法被高贵阶层所接受。

当阿尔曼的父亲得知他们的关系后,强烈反对这场不合规范的婚姻,并最终迫使他放弃了玛格丽特。

这个情节凸显了19世纪社会中等级森严的问题,以及无论个人感情多么真实和纯粹,也无法抵挡社会压力。

其次是玛格丽特自身所面对的病痛困扰。

她患上了肺结核,生命渐行渐远。

尽管她想要与阿尔曼共度余生,但疾病使得她变得孱弱无力,最终导致了她的死亡。

这一情节表达了作者对于现实生活中健康与良好命运之间相互制约关系的思考。

社会批判角度通过展示爱情悲剧,迪普曼托也同时对当时法国社会进行了深入而尖锐的批判。

首先是贵族社会的虚伪与道德沦丧。

虽然高贵出身的阿尔曼在初识玛格丽特时被她真挚的爱情所打动,但在他父亲的强烈反对下,阿尔曼最终背叛了自己的感情并离开了玛格丽特。

作者通过这一情节揭示了社会对于贵族与底层人士之间婚姻的径直不容忍和道德标准的虚伪。

其次是对红灯区生活的揭示。

“茶花女”即指红灯区中卖艺为生的女子。

小说以可憎却又可怜的形象展现了这些女性被迫陷入靠身体谋生且没有选择余地的窘境。

作者通过细腻描写红灯区中人们所面对的粗暴生活、虚伪交际和道德沦丧等问题,对19世纪巴黎社会存在的问题进行了无情地批判。

结论《茶花女》不仅是一部感人至深、动人心弦的爱情故事,同时也是一部对19世纪法国社会和人性黑暗面进行尖锐批判的作品。

《茶花女》:爱情与社会阶层的悲剧

《茶花女》:爱情与社会阶层的悲剧

茶花女:爱情与社会阶层的悲剧1. 引言《茶花女》是法国作家亚历山大·小仲马所创作的一部经典文学作品,既是一部爱情小说,也是一幅展示19世纪上流社会现实的社会画卷。

本文将探讨《茶花女》中爱情与社会阶层之间的冲突和悲剧。

2. 主要角色介绍•马格丽特:故事的女主角,是一个在巴黎高级娼妓界受欢迎的艳星,她和主人公阿尔芒相爱。

•阿尔芒:故事的男主角,一个年轻、富有才华但贫穷的诗人,深深地爱上了马格丽特。

•弗雷德里克:马格丽特的富有、风度翩翩的贵族情人,在他们之间形成了三角关系。

•保尔:马格丽特最好的朋友,也是她在最后时刻唯一站在她身边的人。

3. 爱情与社会阶层冲突3.1 社会的偏见与道德指责马格丽特作为一个娼妓,面临着社会的偏见和道德指责。

她被贵族阶层视为卑鄙低贱的存在,尽管她深爱着阿尔芒,但他的家人和朋友们都无法接受他与一个娼妓建立感情。

3.2 社会地位与爱情选择阿尔芒和马格丽特之间存在巨大的社会地位差距。

虽然阿尔芒是个才华横溢的诗人,但因为贫穷而无法提供给马格丽特一个体面的生活。

他们必须在相互之间做出艰难的选择:是追求真爱还是放弃,并遵循社会规范?4. 爱情与社会阶层悲剧的展开4.1 爱情甜蜜时刻在相对短暂却充满快乐的时光里,阿尔芒和马格丽特体验到了纯粹、真挚的爱情。

他们彼此倾心,在一起时忘记了外界对他们关系的负面看法。

4.2 社会压力加剧阿尔芒的家庭和朋友们对他的恋情表示强烈反对。

贵族社会施加的压力迫使他最终与马格丽特分手,并娶了一个与他社会地位相当的女子,以维护自身形象。

4.3 悲剧的结局马格丽特在失去阿尔芒之后走向了堕落,她逐渐衰弱并生病了。

在生命垂危之际,唯一留下来支持她的是保尔。

最终,马格丽特因为贫穷和重病而死去,在悲切中结束了她的一生。

5. 总结《茶花女》是一部揭示爱情与社会阶层冲突、展现19世纪上流社会现实的悲剧作品。

通过马格丽特和阿尔芒的故事,我们深刻领悟到社会偏见、道德束缚以及经济地位差异对爱情造成的巨大冲击。

《茶花女》:爱情、社会与牺牲的交织

《茶花女》:爱情、社会与牺牲的交织

茶花女:爱情、社会与牺牲的交织概述《茶花女》是法国作家亚历山大·伏尔泰创作的一部文学作品,于1852年首次出版。

该小说以19世纪法国巴黎为背景,描绘了主人公马格丽特·高蒂埃在爱情、社会和牺牲之间的挣扎与矛盾。

这部小说深入探讨了爱情与社会制度之间的冲突,以及个人追求幸福和真爱所付出的代价。

主题1:爱情的复杂性茶花女中描绘了多种形式和层次的爱情关系。

主人公马格丽特与阿尔弗雷德·德·沙提尼相遇后展开了一段激烈而复杂的恋情。

然而他们来自不同的社会阶层,这使得他们面对来自外界观念和道德约束的压力。

此外,在小说中还出现了其他形式的爱情关系,如马格丽特与贝诺瓦先生以及阿尔弗雷德与女儿兼保护者亚当斯之间的情感纠葛。

这些复杂的爱情关系使得茶花女成为一部深入探讨人性和情感的作品。

主题2:社会制度与个人自由茶花女以19世纪法国社会为背景,展示了当时社会制度对个人自由和幸福追求的限制。

马格丽特作为一个妓女,受到了道德上的谴责和歧视,她无法在传统社会中得到认可和尊重。

整个小说也反映了当时的阶级分化和社会不公现象。

作者通过描写主人公马格丽特在不同社交场合中的遭遇,剖析了当时妇女地位和性别不平等问题。

主题3:牺牲与救赎茶花女中,主人公马格丽特为了爱情做出了巨大的牺牲,并最终因某种疾病去世。

马格丽特即使身患重病,也坚持要向阿尔弗雷德隐藏真相,保护他免受伤害。

她以自己的幸福为代价换取了他人的安宁和满足,表达了对爱情的无私奉献精神。

这一主题在小说中反复出现,使得读者反思了个人与社会、个人与自我之间的关系。

总结《茶花女》通过描绘爱情、社会和牺牲等主题,展示了19世纪法国社会中个人命运与制度限制的交织。

小说深刻揭示了人性的复杂性,并对当时社会问题进行了批判和反思。

通过马格丽特的故事,作者向读者传递出追求真爱和幸福的美好愿望,以及对社会不平等现象的关注与呼吁。

《茶花女》:爱情、荣誉与社会压力

《茶花女》:爱情、荣誉与社会压力

《茶花女》:爱情、荣誉与社会压力1. 引言1.1 概述在经典文学作品《茶花女》中,作者亚历山大・迪热所描绘的爱情、荣誉与社会压力成为了该小说的核心主题。

这部小说以19世纪巴黎作为背景,展现了一个妓女玛格丽特与她的情人阿尔芒之间禁欲而又深刻的爱情故事。

同时,小说也探讨了社会对爱情和个人选择的巨大压力,以及茶花女在追求荣誉与社会地位时面临的挑战。

本文将重点探索茶花女这一角色在爱情、荣誉和社会压力之间所面临的冲突与矛盾。

1.2 文章结构本文分为五个部分进行阐述。

首先是引言部分,概述文章要探讨的内容以及整体结构。

接下来将聚焦于茶花女对爱情的看法和人们对爱情施加的压力,并思考如何处理个人选择与社会期望之间的冲突。

第三部分将探讨茶花女追求荣誉与地位背后的动机,并分析社会地位对荣誉的影响以及荣誉对人格塑造所起到的作用。

随后,第四部分将重点研究爱情、荣誉和社会压力之间的冲突与矛盾,并探讨化解这种冲突的策略与思考。

最后是结论部分,总结并呈现本文的主要观点。

1.3 目的本文旨在深入剖析《茶花女》中涉及的爱情、荣誉与社会压力问题。

通过对茶花女角色形象以及她所面临的挑战进行分析,我们可以更好地理解19世纪巴黎时期社会对个体选择和追求幸福的压力。

此外,文章还将探讨如何应对冲突与矛盾,并在最后提出一些关于个体和社会之间相互影响以及启示性反思的观点。

通过这篇文章,希望读者能够深入思考爱情、荣誉与社会压力在现实生活中的意义,并对自己的生活态度做出积极反思和调整。

2. 爱情与社会压力:2.1 茶花女的爱情观:在《茶花女》中,主人公玛格丽特是一个具有独立思想和追求幸福的女性。

她对爱情持有积极的态度,相信爱情可以给予她希望和满足。

对于玛格丽特来说,爱情是一种追求自由和真实感情的力量,是人生中重要而美好的部分。

2.2 社会对爱情的压力:然而,19世纪法国社会对于单身女性及其爱情关系存在着极大的压力。

社会舆论和道德观念认为未婚女性与男性保持亲密关系是不道德甚至是犯罪的行为。

《茶花女》深度剖析爱情与社会的冲突与矛盾

《茶花女》深度剖析爱情与社会的冲突与矛盾

《茶花女》深度剖析爱情与社会的冲突与矛盾《茶花女》这部作品以其深刻的情感、尖锐的社会批判和对人性的洞察,成为了文学史上的经典之作。

小仲马通过讲述玛格丽特和阿尔芒之间的爱情悲剧,展现了爱情与社会之间不可调和的冲突与矛盾。

故事的女主人公玛格丽特是巴黎社交场上的名妓,她以美貌和风情吸引着众多的追求者。

然而,在这繁华与虚荣的背后,是她内心深处的孤独和痛苦。

她的职业使她被社会所轻视,人们只看到她的外表,却忽略了她作为一个人的情感和灵魂。

阿尔芒的出现,如同黑暗中的一道光,照亮了玛格丽特的生活。

他对玛格丽特的爱是真挚而热烈的,不带有任何世俗的偏见。

他们相爱了,这份爱情让他们感受到了前所未有的幸福和满足。

然而,他们的爱情从一开始就面临着巨大的挑战。

社会的偏见和压力是他们爱情的首要阻碍。

在当时的社会观念中,玛格丽特的身份是不被接受的。

她是一个妓女,被认为是道德败坏、堕落的象征。

而阿尔芒来自一个体面的家庭,社会的舆论和家庭的期望都不允许他与这样一个女子在一起。

阿尔芒的父亲为了维护家族的名誉,更是极力反对他们的爱情,甚至不惜以欺骗和威胁的手段来拆散他们。

经济因素也是他们爱情的一大障碍。

玛格丽特过惯了奢华的生活,她的医疗费用和日常开销巨大。

尽管阿尔芒愿意为她付出一切,但他的经济实力毕竟有限。

这种经济上的不平衡,使得他们的爱情在现实面前显得十分脆弱。

此外,玛格丽特自身的性格弱点也在一定程度上影响了他们的爱情。

她虽然渴望真爱,但长期的社交生活让她养成了依赖他人、缺乏独立的性格。

在面对困难和压力时,她往往选择妥协和牺牲自己。

然而,正是在这种重重的冲突与矛盾中,我们看到了爱情的伟大和无奈。

玛格丽特为了阿尔芒的前途和家族的声誉,选择了离开他,重新回到那痛苦的生活中。

而阿尔芒在误会玛格丽特的背叛后,对她进行了报复,直到最后才明白她的苦衷,但为时已晚。

《茶花女》所揭示的爱情与社会的冲突与矛盾,具有深刻的现实意义。

它让我们看到,社会的偏见和传统观念往往会束缚人们追求真爱的脚步。

精神分析视野下《茶花女》中女主人公解读

精神分析视野下《茶花女》中女主人公解读

精神分析视野下《茶花女》中女主人公解读作者:迟明辉来源:《青年文学家》2017年第35期摘要:小说《茶花女》是法国著名作家亚历山大·小仲马的著作。

故事主要讲述了青年男子阿尔芒与巴黎交际花玛格丽特之间凄美的爱情故事。

国内对其研究一般侧重于女性主义,本文将从弗洛伊德精神分析中的人格结构来解读茶花女这一形象,使读者对小说有更深刻的理解。

关键词:茶花女;精神分析批评;人格结构作者简介:迟明辉(1994-),女,汉族,黑龙江人,哈尔滨师范大学2016级硕士研究生,研究方向:英语语言文学。

[中图分类号]:I106 [文献标识码]:A[文章编号]:1002-2139(2017)-35--01《茶花女》是小仲马据亲身经历所写,他笔下的女主人公玛格丽特因为喜爱茶花而被叫做茶花女,是一个性格鲜明,拥有着纯真感情的姑娘,虽悲惨的命运使她沦为了风尘女子,可这些经历并没有改变她真挚的情感。

为了与阿尔芒的爱情她宁愿放弃一切,甚至牺牲自己。

弗洛伊德精神分析中的人格结构分为本我、自我和超我。

其中,自我引导本我,最终实现超我。

本文将从这三个方面来剖析玛格丽特的人物特点:沉迷奢华的本我,追求幸福的自我,为爱牺牲的超我。

一、沉迷奢华的本我弗洛伊德认为本我是一个原始的、且与生俱来的非组织性的结构,它是人出生时人的唯一成分,也是建立人格的基础。

本我是非道德的,是本能和自身欲望的体现,并遵循“快乐原则”工作。

小说《茶花女》以第三人称有限视角来讲述整个故事,女主人公玛格丽特在遇到阿尔芒之前靠出卖自己的肉体过着纸醉金迷的生活,豪华公寓,四轮马车,开司米披肩,以及每晚的狂欢,暴饮都是其追求享乐的表现。

检查出肺炎后,玛格丽特深知自己命不久矣,便遵循着“快乐原则”去尽情地释放她心中的本我。

这除了对金钱物质的追求,还包含她对肉欲的渴望,玛格丽特正值花样年华,是经受不住修女般的生活的,这也是她与老公爵决裂的重要原因。

为了维持这种奢华的生活,玛格丽特一年要花费十万法郎,所以她必须依靠不同的男人给她足够的费用,即便在与阿尔芒相恋之后的一段时间内,她依旧如此。

《茶花女》悲剧的成因分析

《茶花女》悲剧的成因分析

《茶花女》悲剧的成因分析作者:尹洵熠来源:《读天下》2019年第02期摘要:茶花女玛格丽特性格的善良、命运悲惨的深入人心。

基于此,本文将针对男权主义根深蒂固和上流社会生活的糜烂来写封建社会对茶花女的压迫;针对婚姻爱情观和道德观来写资本主义经济社会对茶花女的摧残;针对善良孤傲的性格和肺部疾病的折磨来写茶花女的自我凋零,希望可以加深人们对茶花女悲剧成因的理解。

关键词:茶花女;悲剧成因;男权主义;道德观;善良孤傲茶花女在盛开的年龄,过早凋零不禁引人深思。

但是人们对茶花女的悲剧命运的了解还不够深入,所以本文针对《茶花女》悲剧的成因分析是很有现实意义的。

一、封建社会的压迫(一)男权主义根深蒂固男权主义思想根深蒂固是封建社会对于茶花女压迫的主要原因之一,在男权主义思想的影响下,女性大多只能作为社会的牺牲品存在。

在政治上,女性不具备发言权;在思想上,女性没有接受教育的权利;在生活中,女性同样没有自由选择的权利。

她们没有属于自己的交际圈子,也不具备改变自身命运的能力,所以处于这个时期的女性想要活下去就只能被迫依附于男人。

普通女性尚且如此,更别说是妓女了。

在封建社会男权主义思想的压迫下,妓女成为社会经济发展推动下的必然产物,那些没有生活来源的女性被迫用自己的身体作为主要的经济来源。

玛格丽特原本是一个单纯善良的农家女孩,由于“七月王朝”执政者的贪婪淫秽,使得人民群众生活困苦不堪,受到地主阶级和资产阶级的压迫与剥削,茶花女与许多贫苦的农民一样,通过出卖劳动力来维持基本的生活。

(二)上流社会生活的糜烂茶花女在巴黎艰苦谋生的过程中,亲眼见证了上流社会生活糜烂的全过程。

茶花女辛苦劳作却仍旧需要忍受饥饿,过着食不饱腹的日子。

而那些所谓的上流社会的贵族,则利用投机得来的财富痴迷地享受着纸醉金迷的生活,在这种奢华生活的吸引下,茶花女依靠出卖灵魂渐渐步入了上流社会。

从此,昔日单纯善良的农家女孩变成了上流社会贵族们肆意玩弄的物品,她们也逐步成为上流社会中资本主义泄欲的工具。

灵与肉的纠葛——弗洛伊德精神分析法解析莎菲

灵与肉的纠葛——弗洛伊德精神分析法解析莎菲

・艺术研究灵与肉的纠葛——弗洛伊德精神分析法解析莎菲扈建青(山东大学 文学院,山东 济南 250100)摘 要:本文通过弗洛伊德的精神分析理论,分析莎菲骚动的肉体欲望与孤独高傲的灵魂之间的矛盾纠葛。

而正是这种灵肉上的稚嫩纠葛和社会仪规的束缚,预示着莎菲选择离开、走向堕落的结局的必然性。

关键词:莎菲;灵与肉;“三我”近九十年来,随着时代的演进,对《莎菲女士的日记》的评价以及对莎菲形象的注解,经历了夸赞和贬低的过程,并逐渐趋向理性化。

然而,对莎菲的形象描述却一直多多少少带有不少的阶级色彩,或是称莎菲“所谓的恋爱自由、热情,以至恋爱至上主义”,[1]或是说莎菲“是一个可怕的、虚无主义的个人主义者”,[2]又或是说莎菲只是想“征服别人,占有别人,玩弄别人,来满足自己的情欲”,“是资产阶级认为的一种”。

[1]而在这众多的评论中,笔者比较推崇茅盾的说法,“莎菲女士是‘五四’以后解放的青年女子在性爱上的矛盾心理的代表者”。

[1]因为丁玲在创 作前期“不参加共产党,也不参加青年团,哪个组织也不是”,[3]直至1932年3月丁玲才在上海加入了共产党,此时,离《莎菲女士的日记》发表已经有近五年的时光。

所以,与其把莎菲禁锢在阶级的囚笼中,强行阐述她的阶级行为,倒不如把她从时代的枷锁里解救出来,迈过阶级的沟壑,仅从莎菲作为女性的精神心理角度来审视她的生活。

弗洛伊德的精神分析学说比较完美地诠释了人性的复杂和多变。

早期,弗洛伊德认为人的心理包含三个部分,即意识、前意识和无意识,并以此发表了冰山理论。

而后,弗洛伊德将这个理论进行了修正,提出了三重人格结构学说,他认为人格也有三个部分构成,即本我、自我和超我。

本我完全是无意识的,基本上是由性本能组成,按“享乐原则”活动;自我代表理性,它受外界影响,满足本能要求,按“现实原则”活动;超我代表社会道德准则,压抑本能冲动,按“至善原则”活动。

其中,本我和超我经常处于不可调和的矛盾中,自我总是试图调和这对相互冲突的力量。

《茶花女》的悲剧爱情

《茶花女》的悲剧爱情

《茶花女》的悲剧爱情茶花女是法国作家亚历山大·雨果的代表性作品之一,该小说以悲剧爱情为主题,揭示了社会道德观念、贫富差距以及爱情和理性的冲突。

本文将从剧情梗概、人物塑造以及主题表达三个方面,来探讨《茶花女》的悲剧爱情。

剧情梗概《茶花女》的故事发生在19世纪的巴黎,以法国上流社会的爵士阶级为背景。

女主角玛格丽特是一位迷人的茶花女,她身世贫寒却过着奢靡的生活,以应付高昂的生活开销。

她与阿尔芒·杜哥邂逅后陷入一段痴缠的爱情。

然而,阿尔芒是一个年轻的贵族,他们之间的爱情充满了阶级和道德的冲突。

阿尔芒的父亲不批准他与茶花女的关系,玛格丽特为了阿尔芒的幸福,最终决定离开他,与富有的男人进行婚姻交易。

多年过去,阿尔芒无法忘记茶花女,重新与她相遇后,他们的感情再次燃烧。

然而,命运对他们不利,他们的爱情遭到了社会的冷漠和残酷对待。

玛格丽特知道自己患上了肺病,她不愿城府地与阿尔芒在一起,最终在贫病交加中逝去,留下了一段凄美的回忆。

人物塑造《茶花女》的人物塑造丰满而生动,通过不同人物的言行举止,展现了他们复杂的内心世界。

玛格丽特是一个既脆弱又坚强的女性形象,她用美丽和聪明来吸引男人,并且拥有一颗善良的心。

她对自己命运的无奈和对爱情的执着表达了女性的情感与抗争意识。

阿尔芒是一位浪漫而矛盾的人物,他同样受制于社会的道德和家庭的压力。

他在玛格丽特面前表现出坚强和坚定的爱意,但也因为自己的身份和地位而彷徨不定。

其他一些角色如阿尔芒的父亲和亲友们,以及玛格丽特的情人和朋友,都在不同程度上反映了当时时代的社会观念和道德观念。

主题表达《茶花女》的悲剧爱情主题主要通过对社会对个体的压迫以及现实与理想的冲突来表达。

作品通过对玛格丽特和阿尔芒爱情的描写,展示了社会贫富差距和阶级冲突对个人幸福的破坏。

茶花女这一身份的贫穷和低贱,让她与阿尔芒的爱情注定难以实现。

同时,作品也暗示了高级社交圈对个体感情的无情和冷漠,揭示了当时上流社会虚伪与残酷的一面。

茶花女中的悲欢离合情感解析

茶花女中的悲欢离合情感解析

茶花女中的悲欢离合情感解析茶花女是法国作家小仲马的著名小说,以及洛可可风格的歌剧《茶花女》的改编。

故事以19世纪法国巴黎为背景,展现了主人公玛格丽特的悲欢离合情感。

通过玛格丽特的经历,小说探讨了社会的道德观念、个人自由与爱情的冲突,以及女性在当时社会地位的局限性。

一、爱情的甜蜜与悲凉玛格丽特是一个风情万种的舞女,她与年轻的阿尔芒相遇之后,两人深陷爱情的漩涡中。

他们的相遇是美丽的,他们的相爱是快乐的,然而,命运却并不相容他们的爱情。

阿尔芒的父亲阻挠了他们的婚姻,并迫使玛格丽特与他分手。

这对情侣悲惨地被迫分离,他们的爱情被现实打碎,悲凉的离别令人唏嘘。

二、社会道德与个人自由的冲突小说中,玛格丽特从一个底层舞女蜕变为巴黎社交界的名媛,这其中的冲突体现了社会道德与个人自由之间的矛盾。

玛格丽特在治愈了阿尔芒患重病的同时也耗尽了自己的财富和身体,最终导致她被社会所唾弃。

法国当时的社会禁忌和道德准则限制着女性,使得玛格丽特在选择爱情和自由时陷入了困境。

三、女性命运的局限性茶花女这个职业本身就代表着靠身体谋生,社会地位低下。

在小说中,玛格丽特从舞女变成了富有的情人,尽管她通过自己的努力和才华改变了命运,但她终究无法逃脱女性命运的局限性。

她为了爱情付出了一切,最终却孤独地死去。

玛格丽特的遭遇反映了当时女性在社会中所面临的不公平待遇和困境。

四、珍爱生命与追求真爱通过玛格丽特的故事,小说向读者传递了珍爱生命和追求真爱的重要性。

玛格丽特在遭受病痛和折磨时,仍然勇敢地展示出积极乐观的生活态度。

她选择珍惜每分每秒,追求自己真心的爱情。

小说以玛格丽特的坚持和无憾的态度,呼唤读者在生活中积极面对困境,追求真正属于自己的幸福和爱情。

综上所述,茶花女中的悲欢离合情感通过玛格丽特的经历展现出社会的道德观念、个人自由与爱情的冲突,以及女性在当时社会地位的局限性。

小说同时呼唤读者珍爱生命,追求真爱。

玛格丽特是一个具有魅力和坚毅的女性形象,她的故事引发了人们对于自由、爱情和人生意义的思考。

浅析“茶花女“的性格缺陷酿成的自身悲剧

浅析“茶花女“的性格缺陷酿成的自身悲剧
这位可怜的女子妄图通过自己的成全获取别人的尊重但是这份牺牲却获得引起阿尔芒家人的任何感恩甚至同情只因为曾经的妓女身份切断了所有人对她付出真心的可能
2 0 1 5 年 第 1 3 期 争 I 式周 刊
浅析“ 茶花女“ 的 性 格 缺 陷 酿 成 的 自身 悲 剧
张 星
( 南京晓庄学院 . 江苏 南 京 2 1 0 0 1 7 )
摘 要 : 《 茶花女》 为我 们 塑造 了一 个 令 人 难 忘 的 艺 术 形 象— — 女 主 人 公 玛 格 丽特 , 一位 美 丽 、 善 良又 值得 同情 的女 性 她 虽
沦 落风 尘 , 但 依 旧保 持 一 颗 纯 洁 、 高 尚 的心 灵 。 她 充 满热 情 和 希 望 地 追 求 真 正 的 爱 情 生 活 , 而 当这 种 希 望破 灭之 后 . 又 甘 愿 自我 牺 牲成全他人。 这 一切 都使 这位 烟 花 女 子 的形 象 闪耀 着 圣 洁 的 光 辉 。 茶 花女 的原 形 阿 尔丰 西那 ・ 普 莱西, 同样 是 个命 运 悲惨 的姑 娘 然而 , 虽 然 身世 值 得 同情 , 但 她 的 的确 确 是 个 堕 落的 女人 。 用 小 仲 马 的 话 来 说 , 她“ 既 是 一 个 纯 洁 无 瑕 的 贞女 . 又是 一 个彻 头彻 尾 的娼妇” 。可 以说 , 现 实与 小 说 向我 们 展 现 了有 共 同点 又 本 质 不 同的 两 个 茶 花女 形 象 。本 文 在 小说 世 界 与 现 实 中的 茶 花 女 形 象的 比较 、 分析 之 后 , 以两 个 人 物之 间 的命 运 及 性 格 差 异 为 切 入 点 , 力 图揭 示 出主 人 公 玛 格 丽 特 身上 存 在 的无 法 克服 的 劣根 性 玛 格 丽特与 阿尔芒最终以分手告终 , 既 有 外界 因 素 , 又 有 玛 格 丽特 自身性 格 中无 法 克服 的 弊 病 , 这 些弊 病 才 是 导 致 悲剧 的根 本 原 因

文学作品赏析茶花女中的爱情悲剧

文学作品赏析茶花女中的爱情悲剧

文学作品赏析茶花女中的爱情悲剧茶花女中的爱情悲剧茶花女,这部由法国作家亚历山大·迪蒙特创作的小说,以其深情的描写和感人的故事情节,成为世界文学中的经典之作。

本文将对茶花女中所呈现的爱情悲剧进行赏析,探究其背后所蕴含的深刻主题。

一、爱情的美与悲茶花女以对主人公马尔歇尔的深情厚爱为核心线索,展现了一段既美丽又悲伤的爱情故事。

小说中,茶花女玛格丽特无私地献出自己的爱,心甘情愿地为马尔歇尔付出一切。

然而,由于社会阶级和道德观念的制约,他们的爱情最终被迫分离。

玛格丽特在被逼放弃真爱的过程中,经历了巨大的痛苦和折磨,她的命运被无情地抛弃,深处爱情的漩涡中。

在茶花女中,作者以细腻入微的文字描写了玛格丽特短暂而灿烂的一生,她是一个富有魅力的女性,性格独立且勇敢。

她敢于追求自己的爱情和幸福,但命运却对她虚弱,无情地安排了一连串的不幸。

她被迫放弃马尔歇尔,与富商成婚却不幸染上了肺病,最终病倒而去。

茶花女的爱情悲剧,既体现了个人命运的无奈和悲剧,也反映了法国当时社会及时代背景下的爱情观。

二、社会阶级与爱情之痛茶花女中,玛格丽特和马尔歇尔的爱情因社会阶级的差异而受到了严重的限制。

高贵的马尔歇尔和出身贫寒的茶花女之间的阶级鸿沟是他们爱情悲剧的主要根源。

在19世纪的法国社会中,贵族与底层人民的差距是无法逾越的,玛格丽特和马尔歇尔的爱情不被社会接受,注定了他们的悲剧结局。

茶花女中的爱情悲剧不仅仅受到阶级制度的压迫,也因道德观念的禁锢而受到束缚。

玛格丽特在小说中被描绘成一个妓女,这在当时的社会是一个道德底线之外的职业,她的职业身份成为她和马尔歇尔爱情困境的又一个障碍。

即使马尔歇尔真心地爱她,但社会舆论和道德规范让他最终选择了放弃。

这些社会和道德束缚使得爱情无法纯粹、无法守护,最终走向了悲剧的结局。

三、人性的善与恶茶花女中,作者巧妙地塑造了一系列充满善意和恶意的人物形象,揭示了人性中的复杂与矛盾。

马尔歇尔作为主人公的情人,他对玛格丽特的爱充满着真挚和细腻,但当他面临社会压力和道德约束的时候,他最终选择了与玛格丽特分离。

2021年戏剧与影视专业模拟试卷与答案解析(8)

2021年戏剧与影视专业模拟试卷与答案解析(8)

2021年戏剧与影视专业模拟试卷与答案解析8一、单选题(共30题)1.地方文化喜剧小品的著名人物有赵本山、赵丽蓉和:()A:黄宏B:郭达C:朱时茂【答案】:B【解析】:2.《中国财经报道》属于下列哪个栏目?()A:专题性新闻栏目B:杂志性新闻栏目C:专栏型新闻栏目D:消息类新闻栏目【答案】:C【解析】:3.《这里的黎明静悄悄》的导演是()。

A:大卫·芬奇B:史蒂文·斯皮尔伯格C:斯坦尼斯拉夫·罗斯托茨基D:伍迪·艾伦【答案】:C【解析】:斯坦尼斯拉夫·罗斯托茨基,前苏联导演、演员。

他曾四次担任莫斯科电影节的评委会主席,1999年担任上海国际电影节评委会评委。

代表作《这里的黎明静悄悄》《白比姆黑耳朵》先后提名奥斯卡金像奖最佳外语片,后者获得1978年卡罗维发利电影节水晶地球仪奖最佳剧情片大奖。

《这里的黎明静悄悄》是根据鲍里斯·瓦西里耶夫的同名小说改编,讲述了苏联卫国战争时期,准尉瓦斯科夫带领五位女战士在广袤的森林中进行激烈残酷的阻击战,最终战胜数倍于己的德寇的故事。

4.小仲马最具代表性的作品是()。

A:《茶花女》B:《放荡的父亲》C:《上尉的女儿》D:《霍乱时期的爱情》【答案】:A【解析】:亚历山大·小仲马(法语:Alexandre Dumas fils,1824~1895),19世纪法国剧作家、小说家,代表作品有:《半上流社会》《金钱问题》《私生子》《放荡的父亲》《茶花女》《克洛德的妻子》《福朗西雍》(1887)等,其中最具代表性的作品是《茶花女》。

《茶花女》讲述了一个青年人与巴黎上流社会一位交际花曲折凄婉的爱情故事。

作品通过一个妓女的爱情悲剧,揭露了法国七月王朝上流社会的糜烂生活。

对贵族资产阶级的虚伪道德提出了血泪控诉。

在法国文学史上,这是第一次把妓女作为主角的作品。

5.播音员主持人处于广播电视媒体的前沿,应首先立足于()。

《茶花女》爱情分析

《茶花女》爱情分析

《茶花女》中爱情悲剧分析摘要:《茶花女》是法国作家小仲马的代表作之一,它开创了法国“裸男女郎”系列的先河,玛格丽特作为一个首创的妓女形象,集聚了善良、对爱情向往、对平等执着等种种精神。

这部小说是以玛格丽特和阿尔芒感人至深的爱情故事展开,给读者留下了深刻的影响,深得人们的同情和惋惜,下面就玛格丽特和阿尔芒爱情悲剧来分析。

关键字:茶花女人物塑造世俗眼光爱情悲剧《茶花女》是法国作家小仲马的作品,这部作品基本取材于现实生活,原型就是小仲马在巴黎的一段亲身经历。

小说讲述的是巴黎名妓玛格丽特为青年阿尔芒的真情所动而离开繁华的社交生活,与阿尔芒同居乡间。

阿尔芒的父亲的责备与事实的无奈使她被迫返回巴黎重操旧业,阿尔芒为她的不辞而别而当众羞辱她。

在阿尔芒的报复下玛格丽特一病不起,最终在爱情和疾病的双重折磨下悲惨死去,而阿尔芒在玛格丽特死后知道了真相,后悔已莫及。

《茶花女》这部小说是以玛格丽特和阿尔芒的爱情故事展开,其中包含了对爱情的憧憬、金钱的诱惑、现实的残酷等事实性的问题,作者这通过一系列因素将玛格丽特和阿尔芒的这一段爱情故事描写的感人至深。

一个完整的故事要有深刻的人物形象的塑造才能推动整个故事的发展,而人物形象的塑造又是推动故事发展的影响因素之一。

《茶花女》主人公玛格丽特是巴黎社会上出名的名妓,但她也是一个美丽、善良、令人同情的女子,她向往爱情,渴望爱情,但最后她却放弃了爱情。

玛格丽特是一位美丽的女子,作者在书中有对她的身材、头、脸蛋等有正面的描写到她的美貌,另外作者将她的死去比喻为“一位艺术家痛惜一件精美的艺术品被毁坏一样”,可见这是一位多么美丽的姑娘。

而沦陷在风尘中的这样一个美丽的女子很多男人为她倾倒,但这些男人基本都是用钱财赢得她的芳心,以求他们在社会上地位的显赫以及愉悦,她向往真正的爱情,渴望一个爱她的男人。

当阿尔芒出现,她为他所做的一切所感动,她不计钱财与他在一起。

当阿尔芒父亲找到她时,她还没有退缩,她拿出变卖家具的收据来证明她对阿尔芒的爱,但她知道一个无辜的女孩因为她的原因不幸福时,她选择了牺牲自己成全阿尔芒妹妹的幸福。

从弗洛伊德的三重人格结构理论分析《茶花女》的爱情悲剧

从弗洛伊德的三重人格结构理论分析《茶花女》的爱情悲剧

北京中医药大学学士毕业论文题目A Study on the Love Tragedy in The Lady of the Camellias from Freud’s Tripartite Structure of Personality从弗洛伊德的三重人格结构理论分析《茶花女》的爱情悲剧系别人文学院英语(医学)专业姓名___________________________________导师____________________________________定稿日期2016 年 5 月3日北京中医药大学人文学院学士学位论文诚信声明本人郑重声明:所呈交的学位论文,是本人在导师的指导下,独立进行研究工作所取得的成果。

除文中已经注明引用的内容外,本论文不含任何其他个人或集体已发表或撰写过的作品成果。

对本文的研究做出重要贡献的个人和集体,均已在文中以明确方式标明。

本人完全了解本声明的法律结果将由本人承担。

学士论文作者签名:日期:年月日A Study on the Love Tragedy in The Lady of the Camelliasfrom Freud’s Tripartite Structure of PersonalityA Thesis SubmittedBySong XiaohuiToThe School of HumanitiesIn Partial Fulfillment of the RequirementsFor the Degree of Bachelor of ArtsSupervised byAssociate Professor Kong XiangguoBeijing University of Chinese MedicineBeijing, ChinaMay 2016AcknowledgementsI would like to express my gratitude to my supervisor, Associate Professor Kong Xiangguo for his constructive suggestions and supervision during the development of the thesis and this paper. And I would show my gratitude to my classmate for her advice on grammar.I am also grateful to other respectable teachers at Beijing University of Chinese Medicine.AbstractIn 1898, Chinese translator Lin Shu translated the novel The Lady of the Camellias into Chinese. The distinctive love tragedy shocked the Chinese society. Since then, Chinese people have been reading and studying this novel from several perspectives. Sigmund Freud put forward several theories: sub-consciousness, psychoanalysis, theory of Instinct, theory of structure of personality. This thesis studies the cause of this love tragedy from the perspective of Freudian Theory of Tripartite Structure of Personality: id, ego and superego. It will discuss main characters’ id, ego and superego and demonstrate the relation between individuals and the society. The id of Marguerite is love, Prudence’s id is money. At the beginning Armand’s id is the sexual interest to Marguerite then his id became love. The superego of Marguerite is sacrifice which was stimulated by the society’s superego (reputation). Armand’s superego was distrust and it changed to lament to Marguerite after she died.The society is the collection of all or most of people. Therefore the id of the society is the collection most individuals. The id of society is and money and will attack Marguerite’s id because she gave up money for love. After analyzing the novel, a conclusion is made that there were external and internal causes. The external activated her superego and repressed her id. And the inhibition of desire led to sorrow but she would feel guilty if she did not obey the superego. The struggle between id and superego tormented her and to stop the suffering the instinct of death produced destructive behaviors (ignoring illness, unhealthy lifestyle and so on) and caused her death.Key words: The Lady of the Camellias, tragedy, the id, the superego, society中文摘要自1898中国文学家林纾将法国小说《茶花女》翻译称中文(《巴黎茶花女遗事》)以来,中国学者、学生便开始阅读、研究这篇小说,并且从各种角度进行解读。

《茶花女》:爱情、社会与道德的鲜明对立

《茶花女》:爱情、社会与道德的鲜明对立

《茶花女》:爱情、社会与道德的鲜明对立1. 引言1.1 概述在文学史上,就像一朵娇艳的茶花般绽放而出,《茶花女》是亚历山大·迪慕福尔创作的一部经典小说。

这个故事不仅展现了一个爱情故事,更是对当时社会与道德观念的强烈抨击和反思。

本文将深入探讨《茶花女》中呈现的爱情、社会与道德之间的鲜明对立,并尝试寻找解决之道。

1.2 文章结构本文将分为5个部分进行分析和讨论。

首先,在“茶花女的爱情与社会对立”部分,将描述茶花女的爱情故事,并分析她在社会中所面临的地位与困境,以及由此引发的道德观念冲突。

接着,在“社会与道德对立的角度分析”部分,将揭示当时社会背景及其价值观念,并讨论茶花女所选择生活方式对社会和道德观念带来的挑战,同时探讨这种对立如何影响爱情关系和主人公命运走向。

随后,在“爱情、社会与道德解决之道的探讨”部分,将分析作者是否提出了解决方案或思考方式,并探讨爱情、社会和道德间是否存在妥协或统一点,并给出个人观点和建议。

最后,在“结论”部分中,将总结文章主要观点和分析结果,并引用茶花女作为一个触动人心的经典故事来呼吁人们对于茶花女作品的评价与意义展开讨论。

1.3 目的本文旨在通过对《茶花女》中爱情、社会与道德之间的鲜明对立进行深入分析,引起读者对这些重要话题的思考和探讨。

同时,希望通过阐述茶花女故事所传达出的深层意义,揭示社会价值观念对个体命运的影响,并尝试寻找解决这种对立关系的可能性。

最终,希望读者能够从茶花女作品中汲取智慧,并在现实生活中更加理性地面对爱情、社会与道德之间复杂而又紧密的交织关系。

2. 茶花女的爱情与社会对立:2.1 描述茶花女的爱情故事:《茶花女》是法国作家小仲马创作的一部著名小说,描绘了主角玛格丽特·高达和她与阿卡迪奥相遇、相恋以及幸福被剥夺的爱情故事。

玛格丽特是巴黎最负盛名的艳舞女郎之一,她在社交场合上靠着自己漂亮动人的外表吸引了许多男人的注意。

然而,在一个偶然的机会下,她与年轻有为、富有魅力的阿卡迪奥相遇并坠入了热烈而真挚的爱情之中。

《茶花女》读后感

《茶花女》读后感

《茶花女》:爱情与道德的挣扎《茶花女》这部作品,以法国19世纪的社会背景为舞台,讲述了一段凄美的爱情故事。

通过主人公玛格丽特的人生经历,展现了当时社会背景下,人的命运如何被社会道德观念所束缚,以及爱情如何与道德产生激烈的碰撞。

玛格丽特,一个美丽而善良的女子,却因生活所迫而成为了一名妓女。

她过人的美丽和智慧并没有为她带来幸福的生活,反而成为了她悲剧命运的起点。

尽管她的职业让她在社会上获得了财富和地位,但她的内心却始终渴望得到真正的爱情和尊重。

阿尔芒的出现,让玛格丽特看到了幸福的希望。

他们之间的爱情纯净而热烈,仿佛茶花般美丽而短暂。

然而,这段感情却遭到了来自社会的重重阻碍。

阿尔芒的父亲坚决反对他们在一起,认为这段感情会毁掉阿尔芒的未来。

社会的舆论和道德观念也对他们的爱情施加了巨大的压力。

在这个过程中,玛格丽特展现出了令人敬佩的勇气和坚定。

她为了爱情,放弃了原本的生活,选择了与阿尔芒私奔。

然而,命运的捉弄却让她的美好愿望化为泡影。

贫病交加的生活和社会的冷嘲热讽最终击败了她,使她在痛苦中离开了这个世界。

《茶花女》这部作品,不仅是对爱情的赞美,更是对当时社会道德观念的批判。

它揭示了社会对于妓女的歧视和压迫,以及对于个体命运的束缚。

玛格丽特的悲剧命运,正是这种社会道德观念的牺牲品。

同时,作品也让我们思考了爱情与道德的关系。

当爱情与社会道德产生冲突时,我们应该如何选择?是坚守道德底线,还是勇敢追求真爱?这部作品给予我的启示是:在追求爱情的过程中,我们应该尊重自己的内心感受,勇敢地面对命运的挑战。

同时,我们也应该关注社会的道德观念,努力打破对于个体的束缚和歧视。

只有这样,我们才能在生活中找到真正的幸福和意义。

分析《茶花女》中的爱情、艺术与社会地位问题

分析《茶花女》中的爱情、艺术与社会地位问题

分析《茶花女》中的爱情、艺术与社会地位问题1. 引言1.1 概述《茶花女》是法国作家亚历山大·围城尔的一部经典小说,通过描绘19世纪巴黎社会中的爱情、艺术和社会地位问题,深入探讨了人与社会之间的复杂关系。

在故事中,主角茶花女玛格丽特面对自身的爱情追求和艺术天赋,受到了来自社会地位限制的挑战与冲突。

本文将对《茶花女》中的爱情、艺术与社会地位问题进行深入分析。

1.2 文章结构本文共分为五个部分,首先是引言部分,在此部分我们将对研究对象进行概述,并介绍文章结构及各个部分内容。

接下来是“爱情与社会地位问题”部分,我们将探讨在《茶花女》中爱情受到社会限制性的现象,并考察社会地位对于爱情产生的影响。

然后是“茶花女艺术形象分析”部分,我们将着重研究主角玛格丽特这一艺术形象,并剖析她在社会中的边缘地位与艺术才华之间的矛盾。

接着,我们将在“爱情、艺术与社会地位的交织与冲突”部分探讨三者之间的关系以及可能带来的冲突和抉择。

最后,在结论部分,我们将总结爱情、艺术与社会地位问题之间的关联性,并提出对《茶花女》所揭示问题的思考和启示,同时展望对现实社会中类似问题的思考和应对。

1.3 目的本文旨在通过对《茶花女》中爱情、艺术与社会地位问题进行深入分析,探讨人性、社会环境以及个体追求之间的关系。

通过对茶花女玛格丽特这一形象的研究,进一步理解社会中不同阶层人们面临的困境和选择。

此外,本文也旨在引发读者对于现实社会中类似问题的思考,并为应对这些问题提供一定启示。

2. 爱情与社会地位问题:2.1 爱情的社会限制性:在《茶花女》中,爱情受到了许多社会限制和规范的束缚。

首先,茶花女这一职业的女性被贴上了不受尊重和道德约束的标签,因而她们常常受到歧视和排斥。

其次,社会阶级的差距也成为了爱情关系的一个重要问题。

巴黎19世纪末期的社会结构中,富豪与贵族们往往娶亲侧重家族背景、地位以及经济条件,而不太考虑对方是否真正被自己所爱。

因此,低下身份的茶花女与他们之间建立起来的爱情关系常常充满了冲突和挣扎。

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北京中医药大学学士毕业论文题目A Study on the Love Tragedy in The Lady of the Camellias from Freud’s Tripartite Structure of Personality从弗洛伊德的三重人格结构理论分析《茶花女》的爱情悲剧系别人文学院英语(医学)专业姓名___________________________________导师____________________________________定稿日期2016 年 5 月3日北京中医药大学人文学院学士学位论文诚信声明本人郑重声明:所呈交的学位论文,是本人在导师的指导下,独立进行研究工作所取得的成果。

除文中已经注明引用的内容外,本论文不含任何其他个人或集体已发表或撰写过的作品成果。

对本文的研究做出重要贡献的个人和集体,均已在文中以明确方式标明。

本人完全了解本声明的法律结果将由本人承担。

学士论文作者签名:日期:年月日A Study on the Love Tragedy in The Lady of the Camelliasfrom Freud’s Tripartite Structure of PersonalityA Thesis SubmittedBySong XiaohuiToThe School of HumanitiesIn Partial Fulfillment of the RequirementsFor the Degree of Bachelor of ArtsSupervised byAssociate Professor Kong XiangguoBeijing University of Chinese MedicineBeijing, ChinaMay 2016AcknowledgementsI would like to express my gratitude to my supervisor, Associate Professor Kong Xiangguo for his constructive suggestions and supervision during the development of the thesis and this paper. And I would show my gratitude to my classmate for her advice on grammar.I am also grateful to other respectable teachers at Beijing University of Chinese Medicine.AbstractIn 1898, Chinese translator Lin Shu translated the novel The Lady of the Camellias into Chinese. The distinctive love tragedy shocked the Chinese society. Since then, Chinese people have been reading and studying this novel from several perspectives. Sigmund Freud put forward several theories: sub-consciousness, psychoanalysis, theory of Instinct, theory of structure of personality. This thesis studies the cause of this love tragedy from the perspective of Freudian Theory of Tripartite Structure of Personality: id, ego and superego. It will discuss main characters’ id, ego and superego and demonstrate the relation between individuals and the society. The id of Marguerite is love, Prudence’s id is money. At the beginning Armand’s id is the sexual interest to Marguerite then his id became love. The superego of Marguerite is sacrifice which was stimulated by the society’s superego (reputation). Armand’s superego was distrust and it changed to lament to Marguerite after she died.The society is the collection of all or most of people. Therefore the id of the society is the collection most individuals. The id of society is and money and will attack Marguerite’s id because she gave up money for love. After analyzing the novel, a conclusion is made that there were external and internal causes. The external activated her superego and repressed her id. And the inhibition of desire led to sorrow but she would feel guilty if she did not obey the superego. The struggle between id and superego tormented her and to stop the suffering the instinct of death produced destructive behaviors (ignoring illness, unhealthy lifestyle and so on) and caused her death.Key words: The Lady of the Camellias, tragedy, the id, the superego, society中文摘要自1898中国文学家林纾将法国小说《茶花女》翻译称中文(《巴黎茶花女遗事》)以来,中国学者、学生便开始阅读、研究这篇小说,并且从各种角度进行解读。

奥地利心理学家精神分析学派创始人弗洛伊德在其一生中发表了许多著作,也提出许多理论,如潜意识理论、精神分析、本能理论、人格结构理论。

这篇文章将从弗洛伊德人格结构理论的角度分析《茶花女》的爱情悲剧,讨论主要人物的本我与超我,寻找个人与社会之间的关系。

玛格丽特的本我是爱情,普律当丝的本我是金钱。

阿尔芒的本我一开始表现为对玛格丽特的兴趣,就像普通两性之间的吸引,而后转变成爱情,此外还有金钱。

而玛格丽特的超我是牺牲,阿尔芒的主要超我则是对社会道德的屈服——怀疑妓女的真情。

团体的意志体现的是团体中大多数人共同的意志。

所以可以推论,“社会的意志”是社会中大多数人意志的集合。

因此,社会的本我是大多数个人本我的集合,小说中社会的本我是金钱,它将会攻击与之相反的玛格丽特的本我。

玛格丽特的超我被社会的超我所激发,压制本我欲望的表达,为解决这种冲突所带来的痛苦,玛格丽特死的本能派生出了内向性毁灭行为,她无视疾病,寻欢作乐。

这是她死亡以及这个爱情悲剧形成的原因。

关键词:《茶花女》,悲剧,本我,超我,社会Contents Introduction (1)ⅠBook Synopsis and Tripartite Structure of Personality (2)1.1 Book synopsis (2)1.2The id, the ego and the superego (2)ⅡAnalysis of Main Characters’ Id and superego (4)2.1 Id of main characters (4)2.1.1 Marguerite’s id: love (4)2.1.2 Armand’s id: from sexual interest to true love (6)2.2 Superego of main characters (7)2.2.1 Marguerite’s superego: sacrifice (7)2.2.2 Armand’s superego: from distrust to mourning (7)ⅢSocial Personalities and Individual Personalities (8)3.1 The realistic significance of id and superego (9)3.2 The relations and interaction (10)3.3 The causes of the tragedy (11)ⅣConclusion (12)ReferencesIntroductionAlexander Dumas published his first masterpiece La Dame aux Camélias in 1848 and the novel caused a great sensation. Since 1898, when the novel was translated into Chinese by Lin Shu, countless Chinese scholars and students have been always studying it. They studied the love tragedy from several perspectives, such as religion, character analysis, sexology and many other methods. Su Yifeng’s study showed that the cause of the tragedy is the oppression to female in the male-dominated society (Su, 2006). Zhang Shuqin’s study made a conclusion that the misshapen societ y shaped Marguerite’s fate and gave rise to her death (Zhang,2004). Zhou Rong’s study thought that the capitalist society morals led to Marguerite’s tragedy (Zhou, 2011). And Zhao Ying analyzed the tragedy from the perspective of Jung’s Prototype Theory and found that prostitute was Marguerite’s persona and her animus caused her death to some extent (Zhao, 2010). These studies have read the novel and the tragedy well and help people understand the story better. However, as is indicated by the database CNKI, no thesis studies the tragedy from the Freudian Theory of Tripartite Structure of Personality: id, ego and superego. Theory of Tripartite Structure of Personality is concept of the psychology and it can describe mental changes and reveal the relations between individuals and society. Therefore, in this thesis, the love tragedy will be analyzed from the perspective of id, ego and superego.In chapter one, the story will be briefly reviewed and Sigmund Freud and his theory of Structure of Personality will be introduced. In chapter two, the main characters’id and superego and the interaction between them will be analyzed. Chapter three will demonstrate the realistic meaning in the Orleanist Monarchy and show the relation between society and individuals and society’s influence on individuals. Chapter four will conclude the cause of the tragedy from individual and social perspectives. The significance will be described in this chapter, too.ⅠBook Synopsis and Tripartite Structure of Personality1.1 Book synopsisMarguerite Gautier is a kept woman in Paris. She is beautiful, charming, hot and pure. A lot of playboys became her lovers and then went bankrupt. She was popular in one day in the theater, Marguerite got to know a young man, son of a District Collector of Taxes, Armand Duval. Having fallen in love with her, Armand expressed his love to Marguerite and asked her to be his lover. She accepted his love and agreed. In order to be together with Armand, Marguerite moved to countryside with him. What’s more, Marguerite sold her horses, jewelry and Indian shawls and pawned her carriage. Anything was nice and peaceful, until Armand’s father Mr. Duval came. Mr. Duval visited Marguerite and persuaded her to leave Armand in the name of love. Marguerite returned to Paris and continued her life of being kept. Armand went back to his home with father, misunderstanding that Marguerite betrayed their love and was not worthy to be loved.However, he couldn’t help loving and missing Marguerite so he returned to Paris but found that she had become earl N’s lover. Armand was extremely wrathful and he found another lover to revenge upon Marguerite. He insulted her in words and behaviors ignoring her serious disease. At last, Marguerite died with the desire to see her true love again, but Armand was hundreds of miles away because of misunderstanding. After her death, Armand knew the reason she left but it had been too late to regret.The Lady of the Camellias was the first masterpiece of Alexandre Dumas. Though the love between two protagonists was disapproved by the rank and fashion, the love tragedy moved and shocked French and later spread to the world.1.2 The id, the ego and the superegoSigmund Freud (1856-1939) was a psychiatrist and psychologist of Austria and the founder of psychoanalysis. In 1895, he came up with the concept of psychoanalysis. The Ego and the Id was published in 1923(English version in 1927) and in this book he presented the conceptions of the id, the ego and the superego which constitute the three parts of his Tripartite Structure of Personality.His personality theory includes two parts: tripartite structure of personality and personality development. In this thesis, tripartite structure of personality: the id (das Es), the ego (das Ich) and the superego (das Uber-Ich). (Berg 2003,p. 69) will be applied in the analysis of the love tragedy in The Lady of the Camellias.The id refers to the original human, contains the basic desire, impulse and vitality which is necessary to survive like desire of eating, drinking and sex. It is original and the only integration of personality when a baby is born. The id is also the foundation of personality establishment. (Hall, 1954, p.19) The id obeys the pleasure principle and ignores the social morality and external behavior rules. The only requirement of id is to obtain happiness and avoid pain and its aim is to gain individual comfort, survival and reproduction. (Freud, 1961, p.92) Besides, it is unconscious and not be perceived by the individual. However, when somebody behaves impetuously, he/she is under the control of the id. The id is immorally and the embodiment of instinct and desire. In other words, the id is more likely the part of animal in human. If a person is totally controlled by the id, he is more an animal than a human.The ego is conscious and is the junctional complex between the id and external world. The role of ego is to make individual be aware of his ability and restrain and depress the id in order to adapt to the real world. In the book The Ego and the Id, Freud described the relation between the id and the ego as the relation between the knight and horse(Freud,2004,126). Horse provides energy to the knight and the knight controls the direction. Similarly, the id is the foundation and provides energy, and the ego regulates and controls the id and behavior to respond to the external world.Freud thought that the main goals of superego are to comply with the social morality and to restrain the id. Superego not only contains principles, morality but also ideal. But it was not equal to intuitive knowledge. (Berg, 2003, p.70) It could good and could be bad, too. Morality is the requirement of deferring to the society. And ideal is to be better. The superego constantly uses guilt to punish the person when he could not reach the requirement of ideal behavior. Superego tends to pursue moral perfection by any kind of means, which is similar with the id pursuing sexual pleasure (Berg, 2003, p.70). Like the id, the superego has the effect of criticizing and braking on the ego. In addition, the superego is also irrational. They both distort and tamper with the reality. The superego knows things according to subjective. A conclusion can be made that the superego is the product of socialization and the carrier of traditional culture. What’s more, the superego is essentially the compulsion from the external world and pays more attention on obeying morality and depressing desires. Actually, superego always gives rise to destructive consequences.ⅡAnalysis of Main C haracters’ Id and SuperegoMarguerite and Armand were the protagonists and analysis on them can reveal the tragedy better so their personalities will be analyzed. Besides, due to the id and the superego have greater influence on human’s mental state, the main characters’ id and superego will be analyzed in this chapter.2.1 Id of main characters2.1.1 Marguerite’s id: loveThe first chapter of the novel The Lady of the Camellias reveals that Marguerite was a kept woman. In the novel, Marguerite’s sister came from a village and had never been away from her hometown. This indicates that Marguerite’s family was poor and this view was proved in Chapter 25:“Mymother died of consumption, and the way I have always lived could but increase the only heritage she ever left me.”(Dumas,2011, p. 179).But in chapter one of the book, the description of her room and the jewelry, furniture and china indicates that her life was supported by a lot of money, and also shows that she had no lack of money, regardless of the source. Then the desire for money can be eliminated which is the base of basic survival during the period of being kept.She had a lot of lovers so she did not have the desire for sex. This can be proved in the chapter two of the book (Dumas,2011,p. 8):I knew that Marguerite had lived with some of the mostfashionable young men in society, that she spoke of it openly, andthat they themselves boasted of it, so that all seemed equallypleased with one another.Her desire of sex had been fulfilled. Thus the desire for sex can be eliminated. This sentence also proved that Marguerite cared about nothing. She didn’t mind her identity as a prostitute and her action living with many men. Therefore she can “spoke of it openly and boast of it”. She also said that “if I took care of myself I should die” (Dumas,2011,p. 64). It means that she had to forget her conditions and diseases and was indulged in the distorted life to escape from sorrows in the real world as if reflected in chapter ten (Dumas,2011,p. 64):Then as for taking care of oneself, that is all very well for womenwith families and friends; as for us, from moment we can nolonger serve the vanity or pleasure of our lovers, they leave us,and long nights follow long days. I was in bed for two months,and after three weeks no one came to see me.When she spoke of the experience, she was sad because no one truly cared about her. Though she behaved as caring about nothing, she indeed long for concern from others. Her basic life standard had been insured but her heart was lonely. Fortunately, human have the instinct of love. To Marguerite, she desired love and desired to be a common or normal woman. On one hand, she must relyon her life of being kept. however,on the other hand, she admired a normal women’s right to love. Therefore, when Armand showed his concern and love, Marguerite accepted his love. The behavior of love made her satisfied in mortal and pleased in body. Hence, love was most obviously expressed in Marguerite’s id and when she decided to love Armand, she was under the control of love, ignoring the hypocritical social morality.2.1.2Armand’s id: from sex to loveIn the novel, Armand Duval fell in love with Marguerite at first sight though he did not know her very well, her qualities for example. At beginning, he loved Marguerite’s appearance, like any other gentleman in the upper class. He was just interest in her. Besides, Marguerite was popular and his vanity will be satisfied if he was with her. At that time, sex is the id in his love for Marguerite. But the id changed its expression when he visited Marguerite’s house. In chapter nine, he thought that there was a kind of candour in this woman. You could see she was still in the virginity of vice.(Dumas,2011,p. 58).He found her nature that her heart was still pure and truly fell in love with her. His id changed from sex to love. He begged Marguerite that “love me a little”. He showed his love.In chapter sixteen of the book, Armand had spent almost all money and he nearly cannot afford Marguerite’s large expenditures. In this condition, he desires money to maintain the decent life. He gambled to get enough money but he was not addicted in gambling. He just need money and gambling was just a tool to get money. Money, then, was his a part of id but he was not controlled by it. On the contrary, his ego regulated and vented his desire for money.In conclusion, his id showed up as sex and interest in Marguerite at beginning. Then he truly loved her pure soul and the main part of his id became love. And love forced the desire for money, which was another manifestation of his id.2.2 Superego of main characters2.2.1 Marguerite’s superego: sacrificeIn the countryside, Marguerite made up her mind to love and live with Armand. They walked, talked and loved like normal lovers. What’s more, Marguerite sold her horses, jewelry and Indian shawls and pawned her carriage to cut down expenditure and gave up the former lifestyle. After half-year living in Bougival with Armand, Marguerite had a talk with Armand’s father Mr. Duval and had to be faced with the cruel reality. He asked her to leave and scarify her love for Armand’s future and for Miss Duval’s marriage. Mr. Duval told her the bad consequences of their love that Armand’s future would be limited due to their love which was regarded as scandal by the society and Miss Duval’s marriage would be broken off because the family of the man would consider the Mr. Duval’s family as less honourable. Additionally, the superego is essentially the compulsion from the external world and focuses on obeying morality and depressing desires. Consequently, the requirement from external world, leaving Armand, stimulated her superego to comply with the requirement. Besides,she loved Armand, so she was willing to scarify. Therefore, Marguerite repressed her instinct of love and went back to Paris and restarted her life of being kept. The superego administrated and controlled her behavior and she gave up her love for the lover’s promising future.2.2.2 Armand’s superego: from distrust to mourningIn chapter two, in the upper part, Armand’s personality was discussed when he fell in love with Marguerite and expressed his love. And Armand was controlled by his id: love or sexual instinct when he fell in love with Marguerite. But later, he suspected whether Marguerite loved him and was jealous knowing she had other lovers. Chapter one showed that superego is the product of education of reality. He grew up with education of the social morality, which thought prostitutes were bad and it was immoral to associate with them. Then thesuperego tent to achieve perfectionism and forbad him to have moral blemish and disapproved his love to Marguerite. That is to say, unconsciously, the superego tells Armand that prostitutes are unworthy of trust due to all people or almost people thought that and the society instilled the view into his mind. Therefore, on one hand he loved Marguerite but on the other hand he doubted her. As result, when Marguerite left Bougival for Paris, he nearly immediately believed that she betrayed him and felt extremely sad.In the chapter four of the book, Armand said (Dumas,2011,p.22): And when I think that she died before I could see her, and that Ishall never see her again, when I think that she did for me whatno sister would ever have done, I cannot forgive myself forhaving left her to die like that. Dead! Dead and thinking of me,writing and repeating my name, poor dear Marguerite!When Marguerite died and Armand knew the truth, he suffered from regret and sorrow. He regretted insulting her and hated his stupid actions. Besides, he was distraught because of lover’s death. Therefore he looked for Marguerite’s things and relocated her body to a better graveyard. He cried at Marguerite’s grave and his dominant superego distrust had been ineffective at that moment. The death of Marguerite motivated the second manifestation of his superego: moral goodness. This was also the production of society’s education. Morality always has the part of kindness and goodness. Marguerite died for him, so the goodness affected and now the superego had same aim with the id, loving Marguerite. As a result, he mourned her and ignored social prejudice.In summary, Armand’s superego showed up as distrust at beginning and as mourning for Marguerite at last. Both of them consisted with the social morality. Ⅲsocial personalities and individual personalitiesIndividuals comprise the society and inevitably they will be affected by it. Thus the society can have effect on protagonists’ personalities. In this part, therelation between social and individual personalities and individuals’ interaction will be discussed.3.1 The realistic significance of id and superegoTo analyze the story better, an induction was made as follows. If there is a group containing 10 persons and all of them desire money, the team will manifest as wanting money. Furthermore, if the team consists of a hundred of persons and most of them are controlled by the desire for money, the team’s nature will be getting money unscrupulously. Thus, when the group is made by hundreds even thousands of people and most of them have common desire (id), the team will show the id as the team objective. Similarly, if the team is made by people who are kind-hearted and have same morals (superego), the team will manifest as its members. What’s more, if the team can be personalized, it will show the desires and morals of its members. Although the society contains more people and is more complicated than the examples, the society, as a group, always shows the values of majority. In conclusion, the society’s id is the collection of most people’s common id and so its superego is. Besides, social superego (morals) can become the social morality and has influence on individuals.In the novel, Marguerite went to Bagneres to take the waters in the spring of 1842 and died on February 20th, 1847. In the next year, 1848, French Orleanist Monarchy was overturned and was replaced by the French Second Republic (Mason,2015, p.52). In 1840s, the social nature was capitalism and the country was led by the bourgeoisie. Workers wanted to earn more money to raise family and the bourgeoisie wanted to enlarge the property to gain more interest. Thus, the society had the characteristics of early capitalism—money as the first priority.What’s more, typical characters also showed the main appearances of id and superego of people in that era. Marguerite’s neighbor Prudence was a good friend when Marguerite had money. However, when Marguerite was in serious illness even was dying, Prudence never walked in the door of Marguerite’s house. Shewas the representative of common prostitutes and the only thing that she focused on was money. As Liu Yinchuan said in his article “Money worship is the necessity of capital logic and the inevitable end of the development of capitalism.”(Liu, 2015) Money was the most popular desire of people in upper and lower classes so the id of society manifested as money in that age.In the novel, when Mr. Duval tried to persuade Armand, he emphasized the importance of reputation. Then he told Marguerite that his daughter was to marry the man whom she loved and she would enter an honourable family but her marriage would be damaged by their love for the scandal. Reputation is in the field of morality so caring about good reputation is the product of social morality and if Mr. Duval did not maintain his good reputation he will feel guilty for his daughter’s marriage. His behavior was the result he obeyed the social principle so good reputation was Mr. Duval’s superego. Besides, Miss. Duval’s marriage indicated that the family which she would enter also put a high value on good reputation, too. This revealed that families and people in Mr. Duval’s class attach importance to good reputation. However, people always want to have good reputation which symbolized morally good. Thus, the good reputation was the society’s superego.3.2 The relations and interactionThe induction in the last part can be analyzed further. For example, in the team whose members’ id is money, there are some persons who say that money isn’t better than love and even give up money because of love. In the team whose members’ superego is good reputation, there are a few people tending to damage their reputation. What will be the fate of these people? They may have absolute power and control majority of people.Or they are assimilated and have common desires and morals with others. And they probably insist on their own values but are attacked by the team until they leave the team. Marguerite and Armand were different from most of people in the society. Obviously, they had no much power so they had to be affected by the society but in different ways. Marguerite was aprostitute and she did not have a good reputation. Therefore, when she and Armand truly fell in love with each other, her id (prostitute’s love) had stricken the society’s main superego (reputation). So the social superego stimulated the part of superego in her heart. Since she loved Armand and had a kind heart, she sacrificed her peaceful life and right to love. But to Armand, the view that prostitutes only wanted money and had no love had been formed so he doubted that Marguerite cheated him. His superego showed up as distrust which was the production of social morality’s education. When he heard of Marguerite’s death and her sacrifice, he regretted his revenge and felt guilty. It was Marguerite’s superego that stimulated another manifestation of Armand’s superego.3.3 The causes of tragedyIn fact, when they were separated, the tragedy had been initially formed. But Marguerite’s death completely developed the tragedy and they would never restore their relation again. Therefore, the death of Marguerite was regarded as the real tragedy. There were two causes of the tragedy, external and internal. The external cause was the pressure from society’s id and superego because Marguerite’s id was different from its id and would damage its superego. They attacked and stroke Marguerite’s id of love by activating her superego (sacrifice). This made the protagonists separated from each other and formed the prerequisite of the tragedy.The internal cause was the conflict between her id and superego. The external pressure pressed her id and, unfortunately and inevitably, inhibition of desire of love made her painful but she would feel guilty if did not obey the superego. As result, she constantly struggled between pain and guilt, both of them tormented her. What’s more, Armand’s id was represse d, too. The excessive inhibition of desire resulted in the instinct of death led to outwards destructive behaviors which contained that he found another lover to revenge upon Marguerite and insulted her in words and behaviors. Armand’s behaviors intensified Marguerite’s sorrow. Only death could stop her suffering. Thus, theinstinct of death produced the inwards destructive behaviors. She gave herself up as hopeless (as suicide slowly) until eventual death.ⅣConclusionThe Lady of the Camellias is a novel whose female protagonist is a kept woman but it has been widely spread and moved millions of people. Generations of scholars had studied the love tragedy from different angles and had achieved greatly. In this thesis, the love tragedy is analyzed from the theory of structure of personality of Freud and gets the cause of this love tragedy. The society’s id and superego are the collection of most individuals’ id and superego. In the Orleanist Monarchy, the society’s id was money and its superego was good reputation. Marguerite’s id was love, for which she gave up money. Her id was the opposite of the society’s id and would damage the society’s superego so she was attacked by the society. Her superego was activated and repressed her id. Marguerite suffered from the pain caused by the struggle between the id and the superego. Besides, Armand’s vindictive behaviors hurt her again. In this circumstance, the instinct of death led to inwards destructive behaviors and finally gave rise to her death. This is the cause of the tragedy.The concepts of id, ego and superego represent the psyche and the essential needs of human. Causes of tragedy can be found by analyzing stories from this perspective. In the analysis of other stories, by looking for protagonists’personalities and personalizing the society and comparing what individuals have and what society needs, the causes can be explored easily.。

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