莫扎特与贝多芬
莫扎特与贝多芬的区别英语作文
莫扎特与贝多芬的区别英语作文Mozart and Beethoven are two of the most iconic composers in classical music history, and their contributions to the world of music have left an indelible mark. While both composers have left a lasting legacy, their styles, approachto music, and impact on the world of music differ in several significant ways.Mozart, a child prodigy and a musical genius, is knownfor his unparalleled ability to compose music with ease and fluency. His compositions are characterized by their elegance, clarity, and grace, reflecting the classical style of thelate 18th century. Mozart's music is often marked by its seamless melodies, balanced form, and a sense of proportion and order. His operas, symphonies, and piano concertos are celebrated for their exquisite craftsmanship and emotionaldepth, showcasing his exceptional talent and mastery of musical composition.In contrast, Beethoven, a revolutionary figure in the history of music, is known for his bold and innovative approach to composition. His music is characterized by its heightened emotional intensity, dramatic power, and profound expressiveness, reflecting the romantic style of the early19th century. Beethoven's compositions often pushed the boundaries of traditional tonal structures, harmonies, and forms, ushering in a new era of musical expression and creativity. His symphonies, piano sonatas, and stringquartets are revered for their groundbreaking innovations and profound impact on the development of Western classical music.Furthermore, Mozart and Beethoven differed in their personal lives and the circumstances surrounding their careers. Mozart, a child prodigy, began his musical career at a very young age and achieved fame and success during hisearly years. Despite his exceptional talent and prolific output, Mozart struggled with financial instability and faced numerous personal and professional challenges throughout his life. In contrast, Beethoven, a virtuoso pianist and composer, overcame significant adversity and hardship, includinghearing loss, to achieve his place as one of the greatest composers of all time. His perseverance, resilience, and unwavering commitment to his art have inspired countless musicians and audiences alike.In conclusion, while Mozart and Beethoven share aprofound legacy in the world of classical music, their differences in musical style, approach to composition, and personal experiences have shaped their respectivecontributions to music history. Both composers have left an indelible mark on the world of music, and their enduring influence continues to inspire and captivate musicians and audiences around the globe.。
莫扎特与贝多芬
莫扎特，贝多芬，这两个如雷贯耳的名字，相信许多对音乐不甚了解的朋友也略闻其名吧。
莫扎特是音乐史上独一无二的天才神童；莫扎特的音乐细腻、华贵、含蓄、典雅，风格明朗，旋律优美，结构严谨，具有强烈的古典色彩和超然物外的特点。
贝多芬则是一位音乐的革命巨人，他对近现代音乐的影响犹如屈原对中国古典诗歌那样的深远，他那如哲人般的心灵至今鼓舞着芸芸众生。
莫扎特和贝多芬正好是大革命前后的二位作曲家。
二人年龄上相差十四岁。
莫扎特英年早逝，可以说基本上没有受到革命的熏陶；而贝多芬却不同了。
他亲身参加了革命，再加上他本身那刚毅的性格，于是音乐变成了他伟大心灵的写照，一场狂风暴雨般的革命在音乐领莫扎特以他朴素天真的语调和温婉蕴藉的风格，所歌颂的和平、友爱、幸福的境界，正是全人类自始至终向往的最高目标，尤其是生在今日的我们所热烈争取，努力奋斗的目标。
他的创作数量的巨大，品种的繁多，质地的卓越，是独一无二的。
莫扎特的所以成为独一无二的人物，还由于这种清明高远、乐天愉快的心情，是在残酷的命运不断摧残之下保留下来的。
贝多芬是音乐最高级的建筑师，他的天才在奏鸣曲－交响曲的思想结构形式中得到了表现。
他的速记本显示出他构想的乐思是怎样一步步地最后形成的，也显示出他将这些素材注入必然的形式时付出了多么艰卒的劳动。
她们的音乐风格的比较（1）从交响乐角度比较二人风格莫扎特短暂的一生共创作了四十一部交响曲，为交响曲的发展作出了重要的贡献。
他六十年代的交响曲明显地受到J.S.巴赫的影响，都是些稚气幼嫩的作品。
七十年代他在访问维也纳、米兰、慕尼黑、曼海姆、巴黎时，接触了当时欧洲最著名的交响乐团，从而使他进一步地了解和掌握了交响乐的特点。
八十年代在维也纳是他交响乐创作的成熟时期。
这些作品同海顿的四乐章套曲形式的古典范式一致，但第一乐章奏鸣曲式两主题的对比被大大加强，有时甚至同一主题的内部也有对比性的乐思，从而使主题的发挥更具戏剧性；另外，他还在整部曲子风格统一的前景下，突出了各乐章之间的对比，增加了作品的感染力，从而达到了更高的艺术境界。
贝多芬和莫扎特的简介
路德维希·凡·贝多芬 Ludwig Van Beethoven
（l770-1827）
路德维希·凡·贝多芬Ludwig Van Beethoven
He was born in the German town of Bonn
on the 16th of December 1770.
路德维希·凡·贝多芬Ludwig Van Beethoven
Opera
Religious Music
（宗教音乐）
Chamber music
（室内乐）
(歌剧) Concerto
（协奏曲）
The others
Symphony
（交响曲） Sonata divertimento
（奏鸣曲套曲 ）
沃夫冈．阿玛迪斯．莫札特Wolfgang Amadeus Mozart
•Mozart effect” is this: When you listen to a Mozart tune, you will enhance brain activity. Your mind becomes more agile.
•Many people choose it as the music for prenatal lfgang Amadeus Mozart
Born: 27 January 1756 Birthplace: Salzburg, Austria Died: 5 December 1791 (fever) Best Known As: Composer of Eine kleine Nachtmusik(小夜曲)
Have had twenty famous works by the age of twenty-five 。。。。。。
莫扎特与贝多芬音乐作品的对比评价
莫扎特与贝多芬音乐作品的对比评价莫扎特与贝多芬同属维也纳古典乐派。
贝多芬非常仰慕莫扎特,而且在很多方面直接继承和发展了莫扎特艺术。
莫扎特的音乐风格最突出的特点,就是自始至终保持着一种无与伦比的流畅性和歌唱性，这显然源自他天生对音乐的亲和感;贝多芬的音乐则像海浪一样，一层一层越来越激烈，越到后面越震撼。
八十年代是莫扎特交响乐创作的成熟时期。
这些作品同海顿的四乐章套曲形式的古典范式一致,但第一乐章奏鸣曲式两主题的对比被大大加强,有时甚至同一主题内部也有对比性的乐思,从而使主题的发挥更具戏剧性;另外,他还在整部曲子风格统一的前景下,突出了各乐章之间的对比,增加了作品的感染力。
莫扎特的交响曲是具有多样性的，首先吸收了他歌剧富有表情的、如歌的曲调和其戏剧对比的因素;其次在以主调和声的基础上,广泛采用了复调手法,旋律灵活,不失宏大的气魄和肌体透明、纯净而富有表情。
贝多芬的交响曲以表现革命斗争的英雄为中心,他创作构思的特点都使他偏重于采用并扩充奏鸣曲形式。
他对奏鸣曲形式的处理,在音调和形象上都达到了内在的统一他不仅在一个乐章的范围内使各个主题形成相互间的统一,而且在整个套曲的不同乐章中也是这样。
例如,《第三交响曲》第一乐章第一主题的英雄性号角式的音调，《第五交响曲》第一乐章的第一主题甚至起了主导动机的作用。
他还把歌剧创作的戏剧性手法应用到他的交响乐创作中;他把交响曲中原来的小步舞曲乐章改为诙谐曲,扩大表现力的范围。
莫扎特精通钢琴音乐的一切表现手法。
其钢琴奏鸣曲温和、明丽,纤巧细腻,旋律极富歌唱性,具有典型的维也纳古典音乐风格。
例如作品331号的A大调奏鸣曲的第一乐章,它像一个母亲在为孩子唱着摇篮曲般的宁静,带给人一种温馨,惬意的感觉。
总的来说,莫扎特的钢琴音乐中充满了宁静,幻想,浪漫——一种不同于肖邦的浪漫,不同就不同在它的简约,质朴,却抓住了聆乐人内心最基本,最美好的感受。
贝多芬的钢琴作品风格大致可分为三个时期,其中没有特别明显的界限。
莫扎特和贝多芬
莫扎特和贝多芬的独具魅力的音乐艺术，令世人为之倾倒。
今天，他们的影响已超出了音乐范畴，成为全人类的文化偶像。
翻开西方音乐文化史，由于他们特殊的历史地位，人们将他们相提并论对比参照处比比皆是，这个曾使当年维也纳陷入混乱的谁最伟大的比较和争论，今天看来已不成其为问题。
但从文化视野中重新审视他们的身世、风格以及对后世的影响的异同，无疑会在比较中发现各自的价值所在，为此，这又不失为一个绝好的比较。
一莫扎特和贝多芬都经历了无数欢乐和痛苦的人生体验，但纵观两人生命的诞生到终结，总体上却是皆然相反的人间悲喜剧。
莫扎特曾作为神童名振欧洲，从童年起便随家人浪迹天涯旅行演出，其足迹便及欧洲。
在马车上漂泊之苦，使他身心受创，当艺术日臻完善，生命却过早夭折。
家庭的温暖和良好的音乐教育，使他六岁时就完成了他的第一首小步舞曲。
传说他在四岁时就试着在五线谱上涂抹自己的钢琴协奏曲了。
他创作总是先打好腹稿再进行记录，在记录时他的创作灵感还仍不断涌现，心中仍在不断的作曲。
在他给姐姐的一封信中写道：“我在记录已打好腹稿的前奏曲时，心中同时在创作赋格曲”。
上帝的赐福使他脑中不时涌现优美的旋律、和声，而且创作出所有体裁的作品，这与他周游欧洲，耳濡目染德、奥、法、意、英各种人文风情和音乐风格体裁，集高雅洒脱的那波里和沉思严谨的曼海姆乐派旋律之大成，并将其与德奥古典和声曲体融为一炉，在写出“悠扬迭荡，领人心旷神怡的、闻所未闻的仿佛是上帝的声音”的“钢琴协奏曲（K595）”“周比特交响曲”和歌剧“魔笛”，所以说莫天赋之才得来全不费力也是不确切的，莫扎特曾说“没有人会象我一样花费这么多时间，耗费这么多心机来从事作曲，没有一为名家的作品我不是辛勤地研究了多次。
”随着艺术上的成熟，生活竟然越来越凄苦，为养家糊口，他到处碰壁，拜访了一个又一个贵族，向他们展示自己的得意之作，但由于他的很多作品不被当时接受，他得不到应得的报酬，总是走不出成功——失败的怪圈之中。
莫扎特与贝多芬的对照英语作文
莫扎特与贝多芬的对照英语作文Mozart and Beethoven, two titans of classical music, stand as towering figures in the history of Western music. Their lives, though separated by a mere decade, were marked by contrasting paths that led to their unique musical legacies.Mozart, a prodigious child, was a musical genius whose compositions were characterized by a sense of effortless grace and clarity. His music often evoked a sense of joy and lightness, reflecting the elegance of the courtly life of his time.Beethoven, on the other hand, faced personal struggles, including a gradual loss of hearing, which he overcame to create music of profound depth and emotional intensity. His works, especially his later compositions, are known for their revolutionary approach to form and their exploration of the human spirit.While Mozart's music is often seen as a reflection of the Enlightenment's ideals of order and balance, Beethoven's compositions challenged the status quo, pushing the boundaries of musical expression and paving the way for the Romantic era.Despite their differences, both composers shared a deep connection to the piano, using it as a vehicle for their mostintimate and personal expressions. Mozart's piano concertos are a testament to his virtuosity, while Beethoven's sonatas and his late piano works reveal the evolution of his musical language.Their symphonies, too, are a testament to their contrasting styles. Mozart's symphonies are often playful and full of charm, while Beethoven's, particularly his later symphonies, are monumental in scope and convey a sense of struggle and triumph.In the end, the music of Mozart and Beethoven continues to captivate audiences, offering a glimpse into the souls of two men who, despite their different approaches to life and art, left an indelible mark on the world of music.The legacy of these two composers serves as a reminder of the power of music to transcend time and connect generations. Their contrasting styles and personal journeys remind us that there is no single path to greatness, but rather a multitude of ways to express the human experience through sound.。
简述三位古典大师海顿_莫扎特_贝多芬的不同创作风格
简述三位古典大师海顿_莫扎特_贝多芬的不同创作风格海顿、莫扎特和贝多芬是古典音乐领域的三位巨匠，他们的音乐创作风格各有不同。
首先，海顿（Franz Joseph Haydn，1732-1809）是维也纳古典乐派的奠基人之一。
他是交响乐的先驱，为交响乐的发展做出了巨大贡献。
海顿的创作风格以清新明朗、朗朗上口为特点。
他的音乐作品韵律流畅、构图精确，常以幽默和欢快的调子为主，给人以轻松愉快的感受。
海顿的交响曲以明快的节奏、富有变化的动态和丰富的音乐形式而著称，他的弦乐四重奏也十分著名。
其次，莫扎特（Wolfgang Amadeus Mozart，1756-1791）的音乐作品充满了个性和激情。
他的创作风格既受到巴洛克音乐的影响，又带有浪漫主义的色彩。
莫扎特的音乐作品极其多样化，包括交响乐、室内乐、歌剧、宗教音乐等多种形式。
他的音乐与时代和社会有着深刻的联系，反映了他敏锐的观察力和情感的丰富性。
莫扎特的音乐既优美又充满了戏剧性和表现力，他的旋律曲线流畅、动情而富有感染力。
贝多芬（Ludwig van Beethoven，1770-1827）的音乐创作风格更加奔放和激烈。
他是古典音乐最伟大的创作家之一，也被誉为浪漫主义音乐的奠基人。
贝多芬的音乐作品在表现力和情感上更为深沉和激烈，他的音乐常常表达出人类的思考和奋斗的主题。
贝多芬的作品包括交响曲、钢琴奏鸣曲、弦乐四重奏以及钢琴协奏曲等，这些作品中的旋律充满了力量和冲击力。
贝多芬的音乐风格深受自然和人类命运的影响，同样也体现了他对个人自由和人类精神的思考与追求。
海顿的音乐作品明快欢快，莫扎特的音乐作品优美多样，而贝多芬的音乐作品更为深沉激烈。
这三位古典大师的音乐创作风格各具特色，为古典音乐的发展和演变作出了重要贡献。
莫扎特与贝多芬
莫扎特与贝多芬2011-01-20 22:17:55“音乐神童”莫扎特与“贝多芬”是西方国家古代著名的音乐家、艺术家和作曲家。
他们对西洋乐有着重大贡献。
人们说地没错，莫扎特绝对是名副其实的“音乐神童”，贝多芬也绝对是名副其实的“乐圣”。
莫扎特是奥地利作曲家，他是欧洲维也纳古典乐派的代表人物之一。
作为古典主义音乐的典范，他对欧洲音乐的发展有着巨大的贡献。
莫扎特一生一共创作了22部歌剧、41 部交响乐、42部协奏曲、一部安魂曲以及奏鸣曲、室内乐、宗教音乐和歌曲等作品。
他于1756年1月27日生于奥地利的萨尔茨堡一位宫廷乐师的家庭，他的父亲奥波德是那座城中宫廷大主教乐团的小提琴手，也是一个作曲家。
他的母亲也酷爱音乐，会拉大提琴和小提琴。
我以前拉过他的一首曲子，我和妈妈都觉得他很“疯狂”,甚至觉得他是一个“疯子”。
可是并不是这样，其实那些写史书的官员都不可信。
莫扎特辞去了工作，他们就说他是疯子。
路德维希•范•贝多芬（Ludwig van Beethoven，1770.12.16-1827.3.26），出生在德国波恩。
家族是科隆选侯宫廷，自幼跟从父亲学习音乐，很早就显露了音乐上的才华。
八岁便开始登台演出。
他1792年到音乐之都维也纳深造，艺术上进步飞快。
他信仰共和，崇尚英雄，创作了大量充满时代气息的优秀作品，如交响曲《英雄》、《命运》；序曲《哀格蒙特》；钢琴曲《悲怆》、《月光曲》、《暴风雨》、《热情》等等。
他集古典音乐的大成，同时开辟了浪漫时期音乐的道路，对世界音乐的发展有着举足轻重的作用。
德国最伟大的音乐家、钢琴家，维也纳古典乐派代表人物之一，也是最后一位，与海顿、莫扎特一起被后人称为“维也纳三杰”。
贝多芬的命运十分坎坷：贝多芬从4岁起就整天没完没了的练习羽管键琴和小提琴。
8岁时贝多芬首次登台，获得巨大的成功，被人们称为第二个莫扎特。
此后拜风琴师尼福为师，开始学习作曲。
11岁发表第一首作品《钢琴变奏曲》。
贝多芬和莫扎特的传奇故事
凡有成就的人，他们身上总有故事值得我们去阅读与感悟，没有付出，就永远不会有收获。
多少人前的光鲜亮丽隐藏着多少心酸。
今天在这分享给大家，欢迎大家阅读!故事一：音乐天才贝多芬1770年12月6日，贝多芬诞生在波恩市的一个音乐世家。
他4岁时就会弹奏羽管键琴，8岁起就登台演出，并获得了音乐神童的美誉。
10岁时，他拜师于普鲁士最著名的音乐教育家聂费。
12岁时经聂费的推荐，到瓦尔特斯坦伯爵的宫廷乐队充任管风琴师助手，这是贝多芬“音乐仆役”生涯的开始。
17岁时，贝多芬去拜访音乐大师莫扎特，受到热情接待。
莫扎特在听完贝多芬弹了几首钢琴曲子后兴奋地说：“各位，请注意这位年轻人，不久的将来他就会博得世人的称赞!”莫扎特还答应给贝多芬上课。
可惜此后两个月，贝多芬母亲突然去世。
对此，贝多芬父亲意志消沉，终日酗酒，贝多芬不得不挑起了养家糊口的重担，再次回到原来的歌剧院当钢琴师。
19岁那年，法国大路程爆发，贝多芬满怀激情地写了《谁是自由人》的合唱曲来表达他对自由与民主的渴望。
后来，贝多芬通过人介绍，认识了李希诺夫斯基公爵。
他很欣赏贝多芬的才华，收他为音乐仆役。
贝多芬也很快以自己的即兴钢琴奏迷住了维也纳人，其音乐旋律时而如细水潺流，时而如惊涛骇浪，时而如鸟语鸡鸣，时而如暴风骤雨。
有人曾评论贝多芬的即兴曲“充满了生命和美妙”。
我要扼住命运的咽喉30岁时，贝多芬爱上了一个伯爵小姐朱丽叶琪查尔迪，但她父亲嫌贝多芬出身低贱，硬是把女儿许配给一个伯爵。
这给了贝多芬极大的精神刺激，据说他的名曲《致爱丽丝》就是在这段时间内创作的。
失恋固然令他伤心，但更令他伤心的是他的耳朵开始发聋。
他在给朋友的一封信中写到：“我过着一种悲惨的生活……要是干别的职业，也许还可以;但在我的行当里，这是最可怕的遭遇!”贝多芬曾竭力治疗，却无济于事，他搬到维也那乡下去疗养了两年。
结果病情不但没有好转，反而更加恶化了，就连窗口对面的教堂钟声都听不到了。
绝望中，贝多芬多次想到了死，但他不甘心就这样离开人世，他坚信只有音乐才能拯救他。
莫扎特与贝多芬（MozartandBeethoven）
莫扎特与贝多芬（Mozart and Beethoven）Mozart Beethoven, two belong to the Vienna classical musiccomposers. Beethoven inherited and developed the art of Mozart in many ways. Mozart is a unique genius prodigy in the history of music. Beethoven is a revolutionary giant of music. Beethoven's Piano Sonata is a unique document to illustrate the process of the development of the spirit of musicians. His Piano Sonata has a revolutionary influence on the style of the piano music. The influence of modern music is as profound as Qu Yuan's Chinese classical poetry, and his philosopher's soul has inspired all the people today.Beethoven is a bold, he will not politely express their feelings, but what he said. What he's saying: I will take fate by the throat, it will not make me feel yield. Also see from this Beethoven character. Mozart is a more tactful, with a little bit of sadness and in the beautiful melancholy song, Beethoven is a strong feeling against the fate of the songHave a high opinion of Beethoven Engels, wrote that "the most humiliating rely on outsiders breath period, development period is just shine with great splendor of literature and philosophy, is represented by Beethoven's music boom."I think Beethoven's ear disease has affected his mind. He no longer pursues the music that can be heard on the surface, but deeply pursues the music of the heart. Based on the Beethoven three songs (third. Five, nine) the title of the symphony of the analysis, we can not only understand the basic features of all works of Beethoven and his great and pure thought, and can understand the great innovation in the creation of the symphony,the symphony is the new period of development can be seen from Haydn, Mozart era the transition to Schubert, Mendelsohn as the representative of the. It is not because Beethoven is great because of perseverance, but he is great because of disaster. Because of this kind of misfortune, let Beethoven turn to music to express their complex feelings in mind, so as to create more masterpiece. Beethoven is one of the greatest creators of human art. With excellent music Tian Bin, hot rebellious temperament and giant strong character of his hand; on the other hand, his noble ideas will never yield in spite of reverses and a sense of social responsibility and the formation of his special qualities as a musician. Through his own creation, especially in his nine symphonies, he reflected the great movement of the people and the most progressive ideas of that time. He takes time and individual destiny ", through the profound philosophical and artistic image combination, wrote a series of symphonic works, the performance from the struggle to victory, from darkness to light, from suffering to the happiness of rising period of the bourgeois spirit of history, his nine symphonies are like pearls shining forever. His nine symphonies express "facing difficulties, not fearing, not shrinking.". Never bow to fate, conquer all hardships through struggle. And that's the answer to Beethoven's success. God closes a door in your life, and it must open another window for you. After the most difficult time, we must see more beautiful scenery. That's true! As early as Beethoven lived, he had been recognized as a musician of world significance. He was both a great classical composer and a romantic pioneer. An unfortunate man, poverty, disability, loneliness, the man caused by pain, the world does not give him joy, but he created joy to give the world! This is the giant's immortality! When we feel thegreatness of the "hero", "destiny" to knock on the door, don't forget to praise and joy in the "Ninth Symphony" at the end of the chorus, and this is the immortal giant -- Beethoven "pain for pleasure"!In the long history of European music history, it is not uncommon to show musical talent from childhood. A precocious wizard like Mozart, who has been recognized as a "prodigy" at a young age, is really hard to find. On Mozart,Typical artists are everywhere. He is a person who loves life, is full of poetry, and is full of feelings. He believes that the poor are most faithful, "only the poor are the best and most authentic friends in the world, and the rich do not know what friendship is."". He was naive, simple, always cheerful. He was moved, loved to shed tears, with feminine tenderness. He childishness, like a child full of curiosity, never seem to grow up. Mozart's writing easy and quick to make his contemporaries and younger, he is seen as a science, learned without teacher not genius, throughout his life, in addition to the strict period of childhood by his father's teachings, has never really been an official guide for teachers. Genius can not be denied, but people often ignore it, genius can not be separated from hard work and diligence. One day in October 1787, Mozart walking together with the opera "Don Juan" conductor Kuchar M Azee said: "I think the art to dumb people are wrong. I tell you exactly, my dear friend, no one will spend so much time and thought on composing as I do; I have not worked hard many times without the work of a famous writer.We take these two musicians today do, because they are too close,they have to face to the music; but because they are too far, their creative inspiration, nature and style are different; but because they are just a good distance between them, only separated by a French Revolution and this is an era of innovation. First, the essential characteristics of Mozart and Beethoven's music creation are different. Mozart stayed on earth for only 35 years, and Beethoven lived only 57 years old. Mozart from the body is very weak, in bed just a little can sit up, to be able to pick up the pen and paper, he had the idea of work. His music is not a disease, but a rich spring in the spiritual world. He never shows his pain. Beethoven, after overcoming the mental pain, expresses his strength with music, and shows his unyielding nature. Classical music two words most prominent, a "harmony" word, a "force" word. Mozart is the representative of "and", his music is like a spring breeze blowing for you, under a heavy rain, it is refreshing, everywhere the fragrance of spring rain in the air, and when you lost without a clue to you a fresh agent; Beethoven represents is the "force" of his music more like let all the audience know his inner contradiction, all pain, struggle, struggle, these are all out, very excited, to give you a shot in the arm when you are down. Beethoven always gives you a powerful punch when you're in a coma, and cheer you up, and Mozart gives you the sweetest nectar when you grieve and lose your way. Second, the inspiration of Mozart and Beethoven's music creation is different. There are two poets Chinese history: "immortal" and "poet" Du Fu Li Bai. Li Bai's poems, many express carpe diem thought, passionate feelings; Du Fu's poems, showed more sorrow hurt when the world thought, the performance of deep sympathy for the social realities. Li Bai tends to be romantic, and Du Fu tends to be realistic. Thiscomparison applies equally to Mozart and Beethoven. Mozart and Li Bai are the spring water flowing "inspiration", Beethoven and Du Fu belong to the type of hard Constant dripping wears away a stone. "". The inspiration of Mozart never dried up, his idea for a lot of ideas like magic flowing out from the pen, his music is always as natural, pure natural music, a seamless heavenly robe, waves overflowing everywhere in the staff. And Beethoven's idea is very difficult, a work, he always want to constantly daub and modify, like manual repair the Great Wall, great and difficult. Beethoven finished a work every time,The waste paper on the ground can be used as a carpet. He always writes, rips, rips, writes, and rips. Third, Mozart and Beethoven have different views on music. The different experiences of two people make the difference of music view. Political events turn the world upside down - the French Revolution, Mozart had not moved by him, like "two ears do not hear out of the window of the hermit, forget the self, the creation of the heavenly music, he believes that music is music, pure music, in addition to not have any meaning. He said: "I am a layman, I am music tools, in addition to music what all don't understand." And Beethoven was immersed in revolutionary passion. The French Revolution had a decisive impact on Beethoven, he believes the Republic "," love of freedom, equality and fraternity, respected people, struggle, victory, he put this belief as their goal, will never change even unto death. So he gave music a philosophical meaning of struggle and revolution, and the famous "hero Symphony" was created during this period. Fu Cong, a famous musician, made a very penetrating remark when he commented on the two men: "Beethoven struggled for his whole life, and Mozart was born there.". Beethoven, thefate of many tribulations, lovelorn, deaf, son not to teach, from his music, we heard his groans of pain, rage, fierce struggle. However, as a struggle with the fate of the warrior, Beethoven's pursuit of life is also not very happy that Mozart is harmonious, quiet, full of sunshine, the realm of infinite vigor? "What does this mean? Although Mozart and Beethoven have a creative nature very different, but they are pursuing, but that is full of sunshine and unlimited life realm. It also reflects the musical features of the classical period: reflecting the universal ideological demands of mankind, pursuing the concept of beauty, emphasizing the elegance of style, and giving people an optimistic enterprising spirit.You can listen to Mozart's piano music with a noble quiet to chew, like walking into a quiet garden flowers blooming like a piece of brocade, enjoying classical building, court trails, moonlight lights, grass flowers, clear brook, stars reflected in the pond?? at the end of the song, can with ease to go to sleep quietly. But in appreciating Beethoven's piano works, the heart is often unable to calm. Such as the "Moonlight" Sonata in the first movement, like the bright moon in the sky, in a tranquil scene, the second movement is reflected as the bottom of the pool, wave Lan Lan third movement is also difficult in any case, reminiscent of the moon. The violent storms like playing typically show the style of Beethoven. So, the difference between Beethoven and Mozart is that two people have given to human wonderful music, beauty is not the same, the beauty of a fast and a slow; a WTO, a born; a face the difficulties of life, with a tearful smile in the face of harsh life. Mozart's mental suffering is not less than Haydn, he is brave to revolt, rather poor and can not tolerate an insult tothe archbishop, but in his music, the youthful vigor is full of sunshine and joy behind, often can still feel a pain, melancholy and sad mood. Only Beethoven, he not only angrily opposed the tyranny of feudal system, but also called for people to fight for freedom and happiness with his music."。
贝多芬和莫扎特的故事
贝多芬和莫扎特的故事18世纪的奥地利首都维也纳，被称为音乐之城，世界上许多声名赫赫的音乐大师，都云集此地。
下面小编将和大家分享那时期的伟大音乐家贝多芬和莫扎特的励志故事。
欢迎大家阅读。
1787年春天，正是奥地利著名作曲家莫扎特(1756—1791)事业辉煌之时，他17岁就任大主教宫廷乐师，写过意大利式歌剧《费加罗的婚礼》《唐璜》和德国民族歌剧《魔笛》，还写过交响曲49部。
这时，一位17岁的德国青年来到莫扎特的居室来造访，他穿着讲究，举止潇洒，风度翩翩。
他找莫扎特是为拜师求学的，但莫扎特对他并不十分热情，因为他正在房间里和朋友们畅谈。
“你把你喜欢的曲子弹奏一遍吧!”这青年欣然从命，坐在钢琴旁弹奏一曲，听得出技巧是高超的，但莫扎特不露声色，他怀疑这个不知名的青年所弹奏的那首乐曲，是长期刻意苦练过，用以在行家面前自炫的。
年轻人似乎觉察出莫扎特的心理，于是请求给自己一个即兴演奏的主题。
莫扎特给了他一个旋律。
这青年尊敬地看了大师一眼，极力使自己镇静下来，然后施展才能，莫扎特越听越出神，神情也越来越激动。
琴音刚一终止，他就指着这位青年人，以抑止不住的兴奋心情对朋友说：“请注意这一位，他将迫使全世界都谈论他自己!”这时，音乐大师才想起询问青年人的姓名，他就是贝多芬。
贝多芬(1770—1827)终于实现了多年的宿愿，莫扎特同意为他授课。
可惜由于母亲病危，他只学了六个星期就不得不匆匆返回故乡。
当他好不容易于5年后再回维也纳时，莫扎特已不在人世了。
贝多芬为此遗憾终生，他发誓要继承莫扎特的事业，集古典派之大成，开浪漫派的先河，他1818年失去听力，但仍坚持创作，主要作品有9部交响曲(其中以第3《英雄》、第5《命运》、第6《田园》、第9《合唱》最著名)。
歌剧《菲岱里奥》和为歌德的悲剧《哀格蒙特》写的配乐、钢琴奏鸣曲32首(以《悲怆》、《热情》最为著名)，钢琴协奏曲5部、小提琴协奏曲1部、弦乐四重奏16部和《庄严弥撒曲》等。
莫扎特与贝多芬英语作文
莫扎特与贝多芬英语作文Mozart and BeethovenWolfgang Amadeus Mozart and Ludwig van Beethoven are two of the most renowned and influential composers in the history of classical music. While they lived in different eras and had distinct musical styles, their contributions to the art form have been profound and enduring.Mozart, born in 1756, was a child prodigy who began composing at a very young age. He was known for his exceptional talent and the sheer beauty and elegance of his compositions. His works spanned a wide range of genres, including operas, symphonies, concertos, and chamber music. Mozart's music is characterized by its melodic richness, harmonic complexity, and emotional depth. His operas, such as "The Magic Flute" and "The Marriage of Figaro," are considered masterpieces of the genre, blending drama, humor, and sublime music.Beethoven, on the other hand, was born in 1770 and is often considered the bridge between the Classical and Romantic eras of music. He was a revolutionary figure who pushed the boundaries ofmusical expression and expanded the scope of the art form. Beethoven's music is known for its emotional intensity, dynamic range, and innovative use of form and harmony. His symphonies, such as the "Eroica" and the "Ninth Symphony," are considered some of the greatest works in the orchestral repertoire, showcasing his ability to create music that is both intellectually challenging and deeply moving.One of the key differences between Mozart and Beethoven lies in their approach to composition. Mozart was known for his fluency and effortlessness in creating music, often composing with remarkable speed and ease. His works are characterized by a sense of balance and proportion, with a focus on creating a cohesive and harmonious whole. In contrast, Beethoven was known for his intense and laborious creative process, often revising and reworking his compositions multiple times before he was satisfied with the result. His music is marked by a sense of struggle and personal expression, with a greater emphasis on the individual's emotional and psychological journey.Despite these differences, both Mozart and Beethoven shared a deep commitment to the art of music and a desire to push the boundaries of what was possible. They were both highly influential figures who left an indelible mark on the classical music tradition, inspiring generations of composers and musicians to come.One of the most striking similarities between the two composers is their ability to create music that is both intellectually and emotionally compelling. Both Mozart and Beethoven were masters of form and structure, capable of creating works that are highly complex and technically demanding. At the same time, their music is deeply expressive and resonates with listeners on a profound emotional level.Another shared characteristic is their willingness to experiment and take risks. Both composers were constantly pushing the boundaries of their art, exploring new harmonies, forms, and techniques. This spirit of innovation and exploration is a key part of their enduring legacy, as their works have continued to inspire and challenge listeners for centuries.Despite the many similarities between Mozart and Beethoven, there are also significant differences in their musical styles and approaches. For example, while Mozart's music is often characterized by a sense of grace and elegance, Beethoven's works are often marked by a sense of power and grandeur. Similarly, while Mozart's compositions tend to be more focused on creating a cohesive and harmonious whole, Beethoven's music is often more fragmented and episodic, with a greater emphasis on individual moments and emotional expressions.One of the most fascinating aspects of the relationship between Mozart and Beethoven is the way in which they influenced and inspired each other. Beethoven was deeply influenced by Mozart's music, and he often drew inspiration from the older composer's works. At the same time, Beethoven's own music had a profound impact on the development of classical music, paving the way for the Romantic era and inspiring countless composers who followed in his footsteps.In conclusion, Mozart and Beethoven are two of the most iconic and influential composers in the history of classical music. While they lived in different eras and had distinct musical styles, their contributions to the art form have been profound and enduring. Their music continues to captivate and inspire listeners around the world, and their legacies will undoubtedly continue to shape the course of classical music for generations to come.。
西方音乐欣赏 莫扎特与贝多芬
西方音乐欣赏论文莫扎特《g小调第四十交响曲》莫扎特的创作却是在难以想象的困境中完成的。
当时作曲家的妻子患病，没有钱买药，饥饿的孩子没有面包。
莫扎特在纸上写的首先不是乐谱，而是讫求借债的信件。
就在这年的六月，他在给他的富商朋友普赫贝格的信中写道：“我坚信您是我真正的朋友，也因为您了解我是个正直的人，我才会向您倾吐我心中的曲折。
并请您给予帮助。
”但是他的朋友在读完这封信后，只给了他极少的钱。
正是在这种困窘悲愤的情况下，天才作曲家写下了他的最后三部交响曲。
其中《g小调第四十交响曲》用了两个星期的时间，于1788年7月25日完成。
与上一首不同，这首交响曲的开始没有再使用慢速度的引子。
同时，莫扎特将曲调定为他很少使用的象征伤感和痛苦的g小调。
这是一部最阴沉，但也是莫扎特写过的最豪放、最狂暴的作品。
这部交响曲的所有乐章都是抒情性的。
它的基调就是抒情风格加上悲怆气氛，同时又充满着愤懑激昂的精神。
这部作品倾诉了作曲家的哀怨之情。
但这并不是作曲家当时贫寒生活的直接反映，而是深深的凝聚了一个穷困作曲家的生活体验。
是他一生中所有悲惨遭遇和挫折的集中体现。
是莫扎特含着泪水的微笑。
虽然古典时代已经离我们而去。
但是从这部作品中我们却能清晰的感触到莫扎特的呼吸，感触到他“念天地之悠悠，独怆然而涕下”的心灵孤寂。
莫扎特《g小调第四十交响曲》的第一乐章是极快的快板。
这是一个典型的奏鸣曲式的乐章。
在中提琴摇摆不安的伴奏音型上，从小提琴声部涌出了一个激动焦虑的主题。
她用愁苦压抑的音调，用不安的节奏轻轻的敲击着。
经过乐队合奏的终止式和弦后，这一忧郁而又迷人的第一主题再现。
当音乐逐渐转为舒展流畅的音调时，一支沉浸于小调忧郁色彩中的第二主题似乎倾吐出了作曲家更深的伤感。
在这之后音乐便完全处在了一种不可解脱的痛苦思绪之中。
她作为交响曲第一乐章的主部主题奠定了音乐的悲凉基调。
在向副部主题的过渡中，第一、第二主题交替出现，强弱音的巨大起伏表现出了一种冲出痛苦的气势，但很快就被一个小节的休止打断了。
贝多芬莫扎特钢琴曲
贝多芬莫扎特钢琴曲
贝多芬和莫扎特作为音乐史上最伟大的作曲家之一，他们的钢琴曲作品无疑是其中最为著名、独具特色的。
这些经典作品不仅包括了音乐的创新与探索，还表达出了作曲家们对人类情感和生命的深刻洞察。
贝多芬的钢琴曲作品涉及了各种主题和情感，如恐惧、欢乐和哀伤等。
其中最著名的三部曲是《命运》、《月光》和《热情》。
《命运》曲展现出浓烈的激情和劲爆的旋律，仿佛在向听众诉说着人生中的重要转折点。
而《月光》曲就像一部柔和的女声，轻轻细诉着悠长的旋律和淡淡的心情。
而《热情》曲则是一部史诗般的音乐作品，充满活力和热情，表达着人生中最美好的时刻。
相对于贝多芬的严肃和深刻，莫扎特的钢琴曲则弥漫着轻快、欢乐和清新的气息。
莫扎特的钢琴曲中以《幽默》、《K.309》、
《K.332》和《K.545》四部甚为出名。
其中，《幽默》曲以欢快的调子和巧妙的节奏变化著称，《K.545》则是一部庄严肃穆的曲子，表现出莫扎特的沉着和主宰性。
贝多芬和莫扎特的钢琴曲作品都具有极具表现力和探索性的特点。
他们用音符和旋律讲述着人生中最真实的情感、想法和经验。
这些曲子不仅让我们感受到音乐的魅力，还深刻地诠释了他们所处时代的文化和社会状况。
他们的作品为所有的音乐人和音乐爱好者敞开了一扇探索音乐世界的大门，启迪了无数人的艺术创作和品味。
莫扎特与贝多芬的区别英语作文
莫扎特与贝多芬的区别英语作文English Essay:Mozart vs Beethoven: The DifferencesWolfgang Amadeus Mozart and Ludwig van Beethoven are two of the most renowned composers in the history of classical music.Both contributed significantly to the development of Western music, yet they had distinct styles and experiences that set them apart.This essay aims to explore the differences between these two musical giants.Firstly, Mozart and Beethoven had different backgrounds and upbringings.Mozart was born into a musical family and was exposed to music from a very young age.His father, Leopold Mozart, was a composer and violinist who recognizing his son"s talent, nurtured and tutored him.On the other hand, Beethoven came from a less supportive family environment.His father was an alcoholic and often forced him to practice music, hoping to exploit his talents for financial gain.Secondly, their compositions differ in style and structure.Mozart"s music is characterized by its elegance, balance, and clarity.His works, such as "The Marriage of Figaro" and "Don Giovanni," showcase his mastery of the classical form with their intricate melodies and harmonies.Beethoven, however, is known for his revolutionary approach to music.His compositions, like the "Eroica" Symphony and the "Moonlight" Sonata,exhibit a move towards the Romantic era with their expressive and intense nature, breaking the traditional boundaries of classical music.Furthermore, their approaches to composition were different.Mozart was famous for his ability to compose music spontaneously and effortlessly.His creativity seemed to flow naturally, and he could produce masterpieces with remarkable speed.In contrast, Beethoven"s composition process was more laborious and intense.He would often struggle with his manuscripts, revising and refining them until he achieved the desired result.Another difference lies in their personal lives.Mozart led a life of constant travel and financial struggles.Despite his talent, he never achieved great wealth or stability during his lifetime.Beethoven, on the other hand, faced personal challenges, particularly his deafness, which began in his twenties.This adversity did not hinder his musical career, and he continued to compose some of his best works even after losing his hearing.In conclusion, while Mozart and Beethoven are both celebrated composers, their differences are evident in their backgrounds, compositions, approaches to music, and personal lives.Mozart represents the epitome of classical elegance and perfection, while Beethoven symbolizes the transition to the Romantic era and the power of perseverance.Both left an indelible mark on the world of music, and theirlegacies continue to inspire musicians and audiences alike.中文作文：莫扎特与贝多芬：区别之探讨沃尔夫冈·阿马德乌斯·莫扎特和路德维希·范·贝多芬是西方古典音乐史上最著名的作曲家之二。
莫扎特与贝多芬音乐的区别
莫扎特与贝多芬音乐的区别莫扎特与贝多芬音乐的区别，莫扎特在室内乐、交响曲、协奏曲和歌剧几个方面全方位出击，将他对社会的理解融入到他和谐美丽的音乐之中，他是以自己的痛苦融化为温柔的音符来抚慰这个世界。
贝多芬则是以他横空出世的交响乐震响着这个世界，将器乐的理解发挥到那个时代的极致，是直面人生且挥舞着时代的大旗。
莫扎特的音乐是一派天籁，贝多芬的音乐是一片浪潮。
莫扎特的音乐能够让我心们中粗糙坚硬的东西变得柔软，贝多芬的音乐能够让我们心中的柔弱淡薄的东西变得强硬。
莫扎特的音乐把痛苦点石成金化为美好的境界，贝多芬的音乐是把痛苦碾碎成药营养着人生升华为崇高的境界。
莫扎特的音乐是含有抚摸性质的，贝多芬的音乐是具有破坏力量的。
莫扎特给我们以信心，贝多芬给我们以勇气。
贝多芬站在遥远的前方，莫扎特就站在我们跟前。
莫扎特,贝多芬两位作曲家同属维也纳古典乐派。
贝多芬在很多方面直接继承和发展了莫扎特艺术。
莫扎特是音乐史上独一无二的天才神童,贝多芬则是一位音乐的革命巨人。
莫扎特的音乐风格最突出的特点,就是自始至终保持着一种无与伦比的流畅性和歌唱性。
这显然源自他天生对音乐的亲和感;贝多芬他的钢琴奏鸣曲,是阐述音乐家精神发展过程的独特文献贝多芬和莫扎特最喜爱钢琴音乐的创作,他们都为后世留下了大量的钢琴文献。
莫扎特精通钢琴音乐的一切表现手法,钢琴奏鸣曲多得惊人,还有各类的钢琴变奏曲,幻想曲,协奏曲,小步舞曲等,其钢琴作品的数量之大令人赞叹,而且影响很大。
其乐曲温和、明丽,纤巧细腻,旋律极富歌唱性,具有典型的维也纳古典音乐风格。
其中有很多耳熟能详的旋律。
例如作品331号的A大调奏鸣曲的第一乐章,它像一个母亲在为孩子唱着摇篮曲般的宁静,带给人一种温馨,惬意的感觉。
他的C大调钢琴变奏曲的主题就是《小星星》——每个人小时候都听过的。
……总的来说,莫扎特的钢琴音乐中充满了宁静,幻想,浪漫——一种不同于肖邦的浪漫,不同就不同在它的简约,质朴,却抓住了聆乐人内心最基本,最美好的感受。
从人文角度对比分析莫扎特与贝多芬的创作情怀 论述题
从人文角度对比分析莫扎特与贝多芬的创作情怀论述题古典乐派的两位音乐家：莫扎特与贝多芬，在欧洲音乐史上都占有举足轻重的地位。
一、莫扎特纵观历史，倘若要和莫扎特相比，别的神童真的都不能算是神童。
莫扎特1756年出生在奥地利的萨尔兹堡，父亲是宫廷里的乐师，很小就显露出过人的音乐天赋,他3岁时就会弹钢琴，5岁会作曲，6岁开办个人演奏会，8岁创作了奏鸣曲和交响曲，11岁写歌剧，并在欧洲巡回演出中获得成功。
少年的莫扎特取得的成绩让任何人都感到无比的震撼。
莫扎特这种过人的音乐天赋也引起了当时很多宫廷作曲家们的妒忌排斥其至是迫害，他们不能容忍这样一个人进入宫廷，如果是那样，他们都将会失宠，因为所有的风头都将会被莫扎特一人独揽。
所以，莫扎特在音乐成长和创作道路上，处处受排斥，处处受压制。
莫扎特26岁时，不顾父亲的强烈反对，与康斯坦斯小姐结婚。
婚后9年，生育多子，妻子花钱大手大脚毫无节制，他处处受压制又没有更多的经济收入生活相当贫苦。
但是，莫扎特在他的音乐世界里却从来没有流露出对生活一丝的抱怨，表达的而是欢快、轻松、和谐、优美、高贵、典雅和对人生美好的向往。
“他自己得不到抚慰，却永远抚慰着别人。
”著名音乐家傅雷这样说道。
1791年，莫扎特带着他未写完的《安魂曲》遗憾地离开了那个爱他而又毁了他的社会。
由于没有更多的钱购买墓地，被随便埋在了一个贫民墓地，下葬的那天，下起了瓢泼大雨，妻子重病无法送葬，给他送葬的只有搬运尸体的小工，场面十分凄凉。
他为未能完成《安魂曲》而抱憾终生，无奈地离开了人世。
莫扎特去世时仅35岁，但他却在短暂的一生中创作了600多部作品。
莫扎特死后不久，维也纳有位作曲家曾说：“这样一位大天才早逝的确是件憾事。
不过对于我们却又是件好事，因为要是他活得再长些，也许我们这些作曲的人就会赚不到半片面包，活活饿死。
”虽说这位作曲家对莫扎特之死有幸灾乐祸之嫌，但从另一方面也体现了莫扎特的作品在当时独霸着欧洲乐坛。
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在欧洲音乐史的源远长河中，自幼便显示出音乐才干者并不罕见。可像莫扎特那样早熟的奇才，能在那样小的年龄便被公认为“神童”的音乐家，确是再难找寻。 在莫扎特身上，处处都体现出典型的艺术家天性。他是一个热爱生活、充满诗意、富于感情的人。他认为穷人最讲信义，“世界上只有穷人才是最好、最真实的朋友，有钱人完全不知道什么叫友谊”。他天真、单纯，总是兴高采烈。他易受感动，爱掉眼泪，具有女性般的柔情。他童心不泯，像孩子一样充满了好奇，似乎永远长不大。 莫扎特写作之轻松与神速使他的同时代人和后辈都把他看作是无师自通、不学而成的天才，纵观他的一生，除了孩提时期受到父亲的严格教诲外，的确从未得到过正式的教师指导。天才是不容否认的，但人们往往因此而忽略了天才也离不开刻苦与勤奋。1787年10月的一天，莫扎特与歌剧《唐璜》的乐队指挥库查尔兹一起散步时说：“以为我的艺术得来全不费功夫的人是错误的。我确切地告诉你，亲爱的朋友，没有人会像我一样花这么多时间和思考来从事作曲；没有一位名家的作品我不是辛勤地研究了许多次。
贝多芬可以是一种豪放,他不会委婉地表达自己的感觉,而是有什么就说什么.他的名言:我要扼住命运的喉咙,它觉不能使我屈服.从这也看出贝多芬的性格特点.而莫扎特是一中比较委婉,在优美的曲子里带有那一点点的悲伤和忧郁,贝多芬则是曲子里带有强烈的反抗命运的感受
恩格斯对贝多芬的评价很高，曾写到“这个最屈辱的仰仗外人鼻息的时期，正好是文学和哲学的光辉灿烂的发展时期，是以贝多芬为代表的音乐的繁荣的时期。”
莫扎特,贝多芬两位作曲家同属维也纳古典乐派。贝多芬在很多方面直接继承和发展了莫扎特艺术。莫扎特是音乐史上独一无二的天才神童,贝多芬则是一位音乐的革命巨人,贝多芬的钢琴奏鸣曲,是阐述音乐家精神发展过程的独特文献。他的钢琴奏鸣曲对于钢琴乐曲的风格有着革命性的影响。对近现代音乐的影响犹如屈原对中国古典诗歌那样的深远,他那哲人般的心灵至今鼓舞着芸芸众生。
可以说听莫扎特的钢琴音乐时是怀着一种高尚的宁静来细细咀嚼的，仿佛是走进了一个繁花 似锦的花园，静静的享受着古典的建筑，庭中小径，月光下的路灯，小草鲜花，清亮的流水声，漫天的星 斗倒影在小池中??一曲终了，可以怀着安逸悄然入睡。而在欣赏贝多芬的钢琴作品时心中往往是不能平 静的。如《月光》奏鸣中，第一乐章好象皓月当空，一派安宁景象，第二乐章则如月映池底，波光澜澜， 第三乐章是无论如何也难以让人联想到月亮的。 其急风暴雨般的演奏典型地表现出了贝多芬的风格。 所以， 贝多芬和莫扎特的区别就在于两人都赐给人类美妙的音乐，可美的不一样，美的一快，一慢；一个入世， 一个出世；一个正视生活的困难，一个则用含着眼泪的微笑面对严酷的生活。 莫扎特精神上遭受的苦难并不比海顿少，他勇敢于反抗，宁愿贫困而不能忍受大主教的侮辱，但在 他的音乐中，从那充满阳光和青春活力的欢乐的背后，往往还是可以感觉得到一种痛苦、忧郁和伤感的情 绪。只有贝多芬，他不但愤怒地反对封建制度的专制，而且用他的音乐号召人们为自由和幸福而斗争。”
我想，贝多芬的耳疾曾影响了他的思维。他不再追求表面上能听到的乐声，而是深深向内追求心灵的音乐。 通过对贝多芬其中三首 (即第三．五、九首)标题性交响曲的剖析，我们不仅可以了解贝多芬全部创作的基本面貌和他那伟大而纯真的思想，而且可以了解到交响乐创作上的重大革新，可以看到交响乐是如何从海顿、莫扎特时代过渡到以舒柏特、门德尔逊为代表的新发展时期。 与其说贝多芬因为毅力而伟大，不如说他是因为灾难而伟大。因为这种种的不幸遭遇，让贝多芬转而用音乐来表达自己心中复杂的情感，从而创造出多部旷世佳作。 贝多芬是人类艺术上最伟大的创造者之一。他一方面有着卓越的音乐天斌、炽热的叛逆气质和巨人般的坚强性格；另一方面 他那百折不挠的意志和对社会的责任感而产生的崇高思想，形成他作为一个音乐家的特殊品质。他通过自己的创作，特别在他的九部交响曲中，反映了那个时代伟大的人民运动和最进步的思想。他以时代和个人的命运为题，通过深刻的哲理和感人的艺术形象相结合，写出了一系列交响乐作品，表现了从斗争到胜利、从黑暗到光明、从苦难到快乐的资产阶级上升时期的精神历程，他的九首交响曲象珍珠一样永远闪闪发光。 他的九部交响曲所表达的:面对艰难，不惧怕，不退缩。从不向命运低头，要通过斗争，战胜一切苦难。这也正好是贝多芬能够如此成功的答案。上帝在你的人生中关了一个门，必定给你开另一扇窗。在最艰苦的时候挺过去，之后必定能看到更美好的风光。这话说得一点没错！早在贝多芬在世时他就已被公认是具有世界意义的音乐家，他既是伟大的古典作曲家，又以浪漫派的先驱而载入史册。 一个不幸的人，贫穷、残废、孤独，由痛苦造成的人，世界不给他欢乐，他却创造了欢乐来给予世界！这——就是巨人的不朽！当我们感受“英雄”的豪壮，聆听“命运”的叩门，并在“第九交响曲”末合唱中歌颂欢乐时，不要忘记，这是不朽的巨人——贝多芬“用痛苦换来的欢乐”！