浅析《嘉莉妹妹》中嘉莉的人物形象
论《嘉莉妹妹》中的女性主义
摘要：西奥多·德莱塞的第一部小说《嘉莉妹妹》是美国文学史上一部具有划时代意义的作品。
时至今日，嘉莉妹妹仍是个有争议的人物形象。
人们对这部作品也褒贬不一，在当时，有的人将嘉莉视为堕落女人（fallen woman）的代表，有的将她视为破茧成蝶，完成“自我实现”的先锋。
本文从上个世纪之交西方女性主义如火如荼进展，这一特定社会历史背景出发，以女性主义的视角研究了《嘉莉妹妹》这部作品。
从鲜明的个性, 生活中的强者，事业及人格的独立三个方面解读嘉莉妹妹的新女性内涵。
“新女性”是工业化革命的产物。
[1]关键词：嘉莉妹妹女性主义自我实现新女性一、引言本文旨在自该作品问世以来，就饱受文学界与批评界的争议。
有的人对他的这部作品大加赞赏，认为他把当时的那种社会经济状况表现得淋漓尽致。
而也有人说他的作品太过现实违反了文学本身所要塑造的境界，特别是小说中嘉莉不择手段追求自己想要的东西这一形象被人们简单地贴上“堕落女人”的标签。
随着时代的发展，对该作品的分析和解读也不断推陈出新，由消费主义、享乐主义、女性主义、自然主义等多个角度到城市观念和城市话语。
当代中国社会，经济发展迅速，社会高速运转，在一定程度上与19世纪的美国社会相似，不少人面对社会现实之时，在物质与道德的抉择中陷入迷茫，因此对《嘉莉妹妹》的赏析，在当今中国有着很强的现实意义。
本文通过对《嘉莉妹妹》这一作品的简要介绍和赏析，解读了《嘉莉妹妹》一书中的女性主义特色，并浅析了《嘉莉妹妹》一书对我们当代社会中年青一代的启发，从女性主义角度分析分析了嘉莉妹妹这一角色。
1.女性主义的意义女性却一直被掩埋在历史之外，是“一道裂缝或一种沉默，是看不见并且听不到的性别。
”[2]j ust as Simone de Beauvoir puts it，“One"is not born but rather becomes,a woman．It is civilization as a whole that produces this creature．Only the intervention of someone else can establish an individual as an other．”[3]在文学方面，女性主义者和作家挖掘大量被埋没的妇女作家和作品，重现妇女作品的连续性、一致性和连贯性，并挑战传统的经典文学书目，将妇女作品置于经典文学之列。
论《嘉莉妹妹》中的人物心理
论《嘉莉妹妹》中的人物心理《嘉莉妹妹》是一部美国现实主义作家西奥多·德莱塞的长篇小说，出版于1900年。
这部作品以嘉莉妹妹为代表，深刻揭示了美国资本主义制度对贫苦人民压榨的残酷性以及资产阶级生活方式对小资产阶级分子的腐蚀性。
而嘉莉妹妹，这位主要人物，可以说是一个充满矛盾的角色。
嘉莉妹妹是个既简单又复杂的人物。
她具有坚韧不拔的顽强毅力和坚持不懈的精神，这可以从她从贫困的乡村来到芝加哥，为摆脱贫困，出卖自己的贞操，先后与推销员和酒店经理同居，后又凭美貌与歌喉成为演员的历程中得到印证。
她在面临生活的困境时，不畏惧困难，而是选择接受挑战，这种精神是值得我们学习的。
另一方面，嘉莉妹妹的内心世界也是非常丰富的。
虽然她来自贫困的乡村，而且生活给了她许多挫折，但她并没有被生活的困苦打倒。
相反，她对生活充满了乐观的态度，对未来充满了希望。
这是德莱塞在塑造这个人物时所赋予她的力量。
然而，嘉莉妹妹的内心世界并非只有乐观和希望。
在她的生活中，她经历了很多的坎坷和挫折，这些经历在她的内心深处留下了深深的烙印。
这些经历使她的性格中充满了矛盾和复杂性。
她既对未来充满希望，又对生活感到无助。
这种矛盾的心理状态，使她的性格更加真实和立体。
《嘉莉妹妹》是一部揭示社会现实和人物内心世界的小说。
通过嘉莉妹妹这个人物，德莱塞向我们展示了人性的复杂性和丰富性。
在现实生活中，我们也可以看到这种复杂性和丰富性。
每个人都是一个独特的个体，有着自己的思想和情感。
因此，我们应该尊重每个人的独特性，同时也要理解他们的内心世界。
《呼兰河传》是中国著名作家萧红的一部自传体小说，它描绘了作者在黑龙江呼兰河畔的童年生活。
在这部作品中，圆形人物和扁形人物的形象塑造为读者展现了生动的人物性格和行为表现，对故事情节的发展起到了重要的作用。
本文将就此展开分析。
在《呼兰河传》中，圆形人物的性格和行为表现十分丰富、多元。
以主角萧红为例，她既是一个天真烂漫、善良可爱的小女孩，又有着独立思考和反抗的精神。
读《嘉莉妹妹》阅读感想
读《嘉莉妹妹》阅读感想读完这部小说，我深受启发，对嘉莉妹妹的命运感到既悲哀又无奈。
小说中的嘉莉妹妹是一个怀揣着梦想的乡村女孩，她来到芝加哥追寻梦想，却无法忍受恶劣的工作环境和粗俗辛苦的生活，最终选择了做人情妇。
当了情妇又勾搭了个更有钱的男人当了小三。
最后两人私奔到了纽约，这男的没钱了嘉莉又把人抛弃了。
最后不知道怎么地混成个明星了，而那男的却穷途潦倒最后自杀了。
嘉莉妹妹的命运让人感到悲哀，她的生活充满了无奈和挣扎。
她渴望过上更好的生活，却又无法摆脱现实的困境。
她的遭遇反映了美国社会的现实和人性的复杂性，也让我们深刻地认识到社会的不平等和人性的弱点。
然而，从另一个角度来看，嘉莉妹妹也是一个坚强而勇敢的女孩。
她在面对生活的困境时，从不放弃，始终坚持自己的梦想。
她的坚韧和毅力让人敬佩，也让我们看到了人性的光辉。
她的经历告诉我们，只要我们有梦想，并为之努力奋斗，就一定能够实现自己的价值。
小说中的另一个重要人物是赫斯特伍德，他是一个已婚的中年男人，拥有一定的社会地位和财富。
他被嘉莉妹妹的美貌和纯真所吸引，与她私奔到了纽约。
然而，他的经济状况逐渐恶化，最终导致了他的堕落和自杀。
赫斯特伍德的命运也反映了美国社会的现实和人性的复杂性，他的遭遇让我们深刻地认识到，金钱和地位并不能带来真正的幸福和满足。
《嘉莉妹妹》是一部深刻而感人的小说，它通过对嘉莉妹妹和赫斯特伍德的生活经历和心理变化的描写，展现了美国社会的现实和人性的复杂性。
这部小说让我们深刻地认识到，生活充满了无奈和挣扎，我们需要勇敢地面对生活的挑战，坚持自己的梦想，才能实现自己的人生价值。
同时，我们也需要认识到，金钱和地位并不能带来真正的幸福和满足，我们应该珍惜自己所拥有的，关爱他人，追求真正的幸福和满足。
《嘉莉妹妹》女性主义特征解读
《嘉莉妹妹》女性主义特征解读《嘉莉妹妹》是一部充满女性主义特征的文学作品，通过故事中的女性角色和情节展现了女性的自立自强、追求自由平等的精神。
下面将从女性主义的角度对《嘉莉妹妹》进行解读。
作为女性主义文学作品，《嘉莉妹妹》强调了女性的自立自强。
故事中的主人公嘉莉是一个聪明、独立、有主见的女孩，她追求自己的梦想，独立地去做自己认为对的事情，不被社会束缚，不愿意墨守成规。
她不满足于传统的女性角色定位，而是积极地追求进步和自我实现。
在嘉莉的身上，展现了一种坚强、独立的女性形象，这种形象对于当时来说是颠覆性的，也是对传统妇女角色的一种解构和重塑。
《嘉莉妹妹》也呈现了女性追求自由和平等的愿望。
在小说中，嘉莉对自己的命运充满了自主意识，她渴望摆脱家庭和社会的束缚，去追寻自己的理想和幸福。
她不愿意被动地接受命运的安排，而是希望能够拥有自由选择的权利，能够享受与男性平等的社会地位。
这种追求自由和平等的情感，体现了女性对自身权利和地位的关注，呼应了女性主义强调的自由平等原则。
小说中对男女角色的塑造也体现了女性主义的一些特征。
在《嘉莉妹妹》中，男性角色往往被描绘成世俗、功利、冷漠的形象，而女性角色则被赋予了更多的温情、关怀和梦想。
这种塑造方式有助于突显女性在家庭和社会中的特殊作用，以及她们对情感、关怀的重视，从而为女性主义的理念提供了一种对比和支撑。
值得注意的是，《嘉莉妹妹》中的情节安排和主题思想也体现了女性主义的立场和关注点。
小说中反映了女性在婚姻和家庭中的命运困境，以及她们对爱情和自我实现的追求。
同时也探讨了女性在现实生活和内心世界中的矛盾与挣扎，对爱情、婚姻、家庭和自我认同的思考。
这些情节和主题的设计，深刻而真实地展现了女性在当时社会中的生存状态，在思想上对女性问题的认识和关注，体现了作者对女性命运和情感体验的关切和探索。
嘉莉妹妹追求自由与独立的女性之路
嘉莉妹妹追求自由与独立的女性之路嘉莉妹妹，无疑是一位追求自由与独立的女性典范。
她的故事在《傲慢与偏见》中引起了广泛的共鸣。
她是一个坚定的梦想者，勇敢追求自己的目标，并拒绝受到社会规范的束缚。
第一次见到嘉莉妹妹时，你会被她那自由奔放、率真直爽的性格所吸引。
她不把别人的意见放在心上，也不在意别人对她的看法。
她有自己的判断力，敢于表达自己的真实想法。
这种坚定的态度，让她在当时的社会中像一颗耀眼的明星。
然而，嘉莉妹妹的自由并不是毫无代价的。
她必须经历许多挫折和困难，甚至被人们嘲笑和误解。
虽然她身处一个富有的家庭，但她的家庭并不是一个理想的环境。
嘉莉妹妹生活在一个男权至上的社会中，女性的地位非常低下，她们被视为嫁妆的对象。
然而，嘉莉妹妹没有被这种现实打败，她始终坚持自己的理念，并寻找着属于自己的自由之路。
嘉莉妹妹的自由意味着她对传统价值观的反叛。
在那个时代，女性的角色被局限在家庭和婚姻中，她们的目标只是为了结婚和生儿育女。
然而，嘉莉妹妹不想让自己的人生像其他女性一样被枷锁所束缚。
她渴望有自己的事业，追求独立的生活。
她不愿意妥协，不愿意在婚姻中丧失自己的尊严和独立。
嘉莉妹妹也是一个不断探索自我的人。
她并不快乐于过着浮华的生活，被物质所迷惑。
她渴望的是内心的自由和灵魂的深度。
她通过阅读和思考来拓宽自己的视野，使自己的思想更加开放和进步。
她渴望了解自己，发现自己的潜力和才华。
她的自由是一种内心的追求，一种对真实自我的探索。
嘉莉妹妹的自由也体现在对爱情的选择上。
她并不追求一个富有的丈夫，而是希望找到一个与自己志趣相投的伴侣。
她拒绝那些只看中她家世和财富的男人，相反，她找到了一个真正欣赏她的人。
嘉莉妹妹的选择告诉我们，爱情是平等和自由的，它不应该被金钱和地位所束缚。
嘉莉妹妹的故事给了我们许多启示。
她告诉我们，追求自由和独立并不容易，需要有胆识和坚持。
她教会了我们要勇敢地挑战现状，追求自己的理想和激情。
她也提醒我们，在追求自由的同时，要学会为自己负责，不要忽视周围的人和事物。
嘉莉妹妹的读后感
嘉莉妹妹的读后感嘉莉妹妹是一本以嘉莉为主角的小说，讲述了嘉莉在成长的过程中所经历的各种挫折和困境。
作为读者，我深受这本书的感动和启示。
通过嘉莉的成长经历，我对人生的意义有了更深刻的认识，并且意识到了自己应该如何积极面对困难和追求真正的幸福。
小说中的嘉莉是一个勇敢坚强的女孩，她在成长过程中面临了很多困难和缺陷。
然而，嘉莉并没有被这些困难所击垮，相反，她积极面对，努力克服自己的弱点，并逐渐变得更加成熟和坚强。
这让我意识到，人生中的困难和挫折并不可怕，关键在于我们如何应对和面对它们，以及如何从中成长。
嘉莉妹妹这本书也给了我很大的思考空间，让我意识到了人生的真正意义。
在追求名利和物质财富的浮躁时代，嘉莉用自己朴素的生活态度告诉我们，幸福并不在于物质的追求，而是在于内心的宁静和对生活的热爱。
嘉莉在书中通过观察自然和欣赏生活中的细节，找到了心灵的寄托和宁静，并从中获得了真正的幸福。
此外，嘉莉妹妹的成长过程也让我明白了自我认知的重要性。
嘉莉通过不断探索自己的内心，认识到了自己的优点和不足。
她学会了欣赏他人的优点，接纳自己的缺点，并且相信自己可以改变和成长。
这给了我很大的启示，让我明白只有真正认识和接纳自己，才能在成长的道路上不断前行。
在阅读嘉莉妹妹的过程中，我也深受作者用心描绘的人物形象和情节的感染。
小说中的每一个人物都鲜活有趣，让人仿佛身临其境，与他们一起经历成长的喜怒哀乐。
作者通过细腻的描写和真实的人物塑造，让读者更加容易产生共鸣，并且在情节的推动下，让读者意识到成长的重要性。
总结起来，在阅读嘉莉妹妹这本书后，我深刻理解到人生的意义在于不断成长和追求真正的幸福。
嘉莉的成长经历给了我很大的启示，让我明白了困难和挫折并不可怕，关键在于我们如何应对和面对它们，并从中获得成长。
此外，对自我认知的重要性以及对生活的热爱也是我从嘉莉身上得到的宝贵经验。
通过阅读这本书，我感受到了成长的力量，并且愿意积极面对人生中的各种困难，追求真正的幸福。
嘉莉妹妹中嘉莉的人物性格分析
再起，他确曾十分努力，但生活是残酷的，好运不会一直对某一个人特别惠顾，尤其是像他这样丢了基业、又有了一定年岁的人，他注定了要失败。折腾了三年，他破产了，几经碰壁之后，空想、抱怨、沉沦成了家常便饭，嘉莉离开了他。
故事发生在十九世纪八十年代末和九十年代初的芝加哥和纽约。小说主要围绕女主人公嘉莉和赫斯特伍德展开。嘉莉出生在芝加哥附近的农村。她家境贫寒，但她虚荣心很强，向往城市的富裕生活。她较为典型地代表了当时一心想往上爬的美国下层人民。然而，她到了芝加哥后马上就成了失业大军中的一员，陷入贫困和疾病的泥潭。这时，嘉莉意识到贫富的极大差异性：一方面是贫困潦倒，另一方面是朱门酒肉臭。她依靠做工获得她幻想的幸福是不可能的了。于是她先后成了青年推销员德鲁埃和酒店经理赫斯特伍德的情人。后来，她在纽约偶然成了一位名演员，挤入了资产阶级的“上流”社会。这时的嘉莉发现她原来梦想的生活并不是那么诱人了，相反，她发现自己非常空虚和无聊。德莱塞在此小说中还刻意描写了赫斯特伍德。他是美国上层社会的一个成员。在物质上，他过着优裕富足的生活，但在精神上，他却是个十足的贫困儿。他与妻子和子女缺乏交流，没有感情。因此，他遇到嘉莉后立即“感觉到她的青春与朝气……感到神清气爽，好像在烈日炎炎的夏季突然吹过一阵清凉的春风”，并对她倾心相爱。他与嘉莉的性关系被发现后，他受到舆论的指责，因此而身败名裂。
本文从人性和社会发展背景的角度深入分析了《嘉莉妹妹》的主人公嘉莉妹妹的性格特征。对积极适应社会需要,实现自我价值的女性表示赞赏。在嘉莉身上体现的乐观的生活态度,逆境中的坚强,面对挫折不向命运屈服的这些难能可贵的品质是任何时代都值得称颂的。
《嘉莉妹妹》中的人物分析甄选文档
《嘉莉妹妹》中的人物分析摘要：《嘉莉妹妹》是德莱赛编写的第一部长篇小说，被称为典型的现代美国小说，拉开了美国现代文学的序幕。
这本书谈论的是一个年轻的乡村女孩移居到大城市中，实现自己梦想的故事。
她首先成为了一个男人的情妇，为此她感觉到了极大的优越感，后来经过自身不懈的努力成为一位著名的女演员。
这部小说被称为“伟大的美国城市小说”，深刻影响了后来20世纪的作家。
《嘉莉妹妹》中有三个主要人物：嘉莉是一个普通女孩，来自一个低收入家庭，在大城市中一步步慢慢往上爬，后来成为了高薪的女演员；而赫斯特伍德是来自上层阶级的成员最后却沦落为在街头的落魄乞丐；杜洛埃是一个推销员，年轻、精力充沛，对女人充满了热切的渴望。
小说通过对这些人物的描写比较真实地揭露了20世纪初人们狂热的追求美国梦的悲剧事实。
关键词：嘉莉；美国梦；人物分析一、简介西奥多?德莱塞是美国文学历史上一名出色的作家，同时也是美国现代小说的先驱。
《嘉莉妹妹》是德莱塞的第一部长篇小说，讲述了农村少女嘉莉如何从社会底层登上百老汇红舞星宝座的过程，细腻地展示了嘉莉的生存景观及心路历程。
这部小说的面世对美国文学界产生了巨大的影响。
它在文学史上也占据了重要的位置。
《嘉莉妹妹》大胆忠实的写作方式同20世纪早期传统的写作方式大相径庭，因此成为了美国文学史上一部里程碑式的作品。
繢監熱賜炀蚂怀涝龊栀阔廄赎晕娅谎轻貲傯鱈拋煉荪莳鱭斩獪橫蒋轔缘钦矾冈莶鋃蕭運瘧撓驛闰绵佥杀渊别爍鹺顾。
本文从人物视角分析《嘉莉妹妹》。
在《嘉莉妹妹》中，德莱塞从美国经济生活的三个阶层选取了主要人物。
他向我们展示了这些人都是如何被美国资本主义制度以及资产阶级生活压榨和腐蚀的。
韃茏軸嘵鑲莢擋猶為纵谰县遥捣齔镨属纨峥擴鉻臟診鹾尋鴉聂莸鯽鎰覿錘鑌驼鋯攣頊缛濕红頌谱锒澮頤簫谅陕竞惱。
二、对《嘉莉妹妹》中三个人物的分析读者不要期待《嘉莉妹妹》中的人物有高尚的道德立场或强大的分析能力。
但是这并不意味着他们是不吸引人的，甚至是无趣的。
物欲横流,金钱至上--浅析《嘉莉妹妹》
物欲横流，金钱至上——浅析《嘉莉妹妹》中的美国社会《嘉莉妹妹》是德莱塞颇受争议却又经久不衰的一部反映了美国社会现实的小说。
小说女主人公嘉莉是一个出身贫寒，却又对生活充满幻想的女孩，她一人离开家乡，投奔在芝加哥的姐姐，耀眼的都市生活激起了她无尽的欲望，然而现实的无奈又让她不得不另寻出路，在结识了推销员德鲁埃之后，嘉莉经不住诱惑，做了德鲁埃的情人，后有认识了更有钱的赫斯渥之后，嘉莉又与赫斯渥私奔，最终嘉莉凭借出众的美貌和演艺天赋成为了好莱坞当红的女演员，并抛弃了穷困潦倒的赫斯渥，嘉莉虽然得到了梦想的一切，却始终没有感到幸福。
德莱塞被认为是自然主义作家，他在创作嘉莉妹妹时深受达尔文的进化论“适者生存”的理论的影响，自然主义的兴起被认为是“在这个变得更加渺小，更为机械化，更具有集体主义倾向的世界中，个人已丧失了自己的尊严，自然主义就是这种情感的表露。
”①而达尔文的进化论“物竞天择，适者生存”更是将传统的道德思想推上了风口浪尖，颠覆了“上帝造人”之说，既然人不是由上帝造就的，那么这个世界上也就没有什么“末日审判”来审判人类的罪恶，恃强凌弱变得理所应当，应为被社会淘汰时自然的，不应被同情，只要能成功，能生存，不管是怎样的行径，都不应该受到指责。
因此，我们可以看到《嘉莉妹妹》中当时美国的社会风貌，资本家理直气壮的压榨工人，工人的工作环境十分恶劣，贫穷的工人随时都有可能失业，饥寒交迫，甚至死亡，就像嘉莉最初工作的鞋厂那样“女工们穿着宽大的，洗的褪了色的旧衣服，脸上的化妆都是有一块没一块的，男工都既下流又猥琐”，而即使是富有的资本家，在这样“适者才能生存”的社会中，也可能在一夜之间，变成一个一无所有的穷光蛋，就像是赫斯渥，他在芝加哥过着富裕生活，但在纽约，失去了天时，地利，人和的他很快潦倒不堪，最终以自杀这样悲惨的方式了结自己的一生。
因此，在这样的社会中，人为了生存需要，可以不择手段，所以，德莱塞对嘉莉妹妹所谓的“堕落”并没有太多指责。
《嘉莉妹妹》中嘉莉的人物性格分析
《嘉莉妹妹》中嘉莉的人物性格分析An Analysis of Carrie's Character inSister CarrieAbstract: This thesis will make a brief interpretation to social criticism of Theodore Dreiser's first masterpiece Sister Carrie. It tells a story of a girl, Carrie,who was reduced from an innocent city immigrant to a commodity, andfinally to an actress by the city environment which was permeated with anatmosphere of ceaseless commercialization. Until now, Sister Carrie isstill controversial book. And the thesis will mainly analyse Carrie'scharacter, external and internal factors affecting her and the growth of herindependent consciousness. According to those analyses, we know thisbook is still a wake-up call and its significance of social criticism doesn'tdetract at all with time gone. It is worthwhile to read again.Key words: Carrie; analysis of character; social criticism摘要：这篇论文将对西奥多·德莱塞的第一部代表作《嘉莉妹妹》的社会批判意义做一简要阐述。
浅析《嘉莉妹妹》中嘉莉的人物形象
浅析《嘉莉妹妹》中嘉莉的人物形象作者：关羽含来源：《青年文学家》2017年第26期摘要：嘉莉是美国19世纪著名现实主义小说家德莱塞的第一部长篇小说《嘉莉妹妹》的女主人公，對于她的人物形象，文学界至今众说纷纭。
本文将从嘉莉妹妹三个人生阶段的经历作为依据，从中探讨嘉莉的人物形象。
关键词：德莱塞；嘉莉妹妹；人物形象作者简介：关羽含（1994-），女，汉族，辽宁省本溪市人，辽宁大学英语语言文学专业硕士在读，研究方向：英美文学。
[中图分类号]：I106 [文献标识码]：A[文章编号]：1002-2139（2017）-26--01西奥多·德莱塞是19世纪美国杰出的自然主义小说家之一，他的作品大都以犀利的笔锋展示出当时的社会现实，揭露出资本主义社会的丑陋和黑暗，具有较高的美学价值和研究价值。
《嘉莉妹妹》是他的第一部长篇小说，主要讲述了一位出生在一个面粉厂工人家庭的年轻貌美的乡下姑娘——嘉莉，为了摆脱贫困到芝加哥谋生时的几段人生经历。
作品的背景设在19世纪90年代的美国，当时大批新兴工商业城市涌现出来，因此大批农村人口纷至沓来，而嘉莉妹妹正是这样的一位代表。
对于嘉莉妹妹的评价，大家褒贬不一，但是通过展现嘉莉妹妹的三段人生不同经历，我们可以从中看出嘉莉的人物形象。
一、初到芝加哥时的单纯天真嘉莉妹妹本是一位清秀腼腆的农村姑娘，她怀着年幼无知的幻想只身一人来到了芝加哥，投奔于姐姐。
她的天真和单纯表现在她刚到芝加哥时容易被异性的甜言蜜语所打动。
在她来芝加哥的火车上，她结识了德鲁埃并帮助嘉莉拿下了重重的行李，嘉莉便认为她在异乡得到了如此幸运的帮助。
而当她大病一场之后一无所有时，德鲁埃又请她吃饭，给她买漂亮的衣服和首饰，这时的嘉莉妹妹已经被德鲁埃的“善意”所打动，却全然不知她只是德鲁埃众多目标中的一个。
所以，当她被姐夫嫌弃而撵出去无家可归时，毫不犹豫地同意了德鲁埃邀请自己去他家住的提议，于是便顺理成章地成为了德鲁埃的小情妇。
《嘉莉妹妹》中嘉莉的性格分析
An Analysis of the Personalities of Sister Carriein Sister Carrie《嘉莉妹妹》中嘉莉的性格分析摘要《嘉莉妹妹》是美国小说家西奥多·德莱塞的第一部长篇小说, 嘉莉妹妹是文中的主角，作品揭露出一位在现实社会生活中温柔，善良，美丽的社会乡村少女在资本主义社会环境中转变成为独立，自信，聪明，优雅，有内涵的新女性，刚开始嘉莉妹妹把自己的希望寄托在男性身上，结果自己遭受了两次欺骗，到后来她认识到只有通过自己的努力才能改变自己的命运。
最终她通过自己努力和才能登上百老汇红五星舞台，成为一名大都市独立的新型女性。
本文旨在通过对嘉莉妹妹的性格分析，使读者清楚地认识到成为一名新时代的独立的女性，不能把希望依赖于别人，只有通过自己的努力才可以实现自我的价值，并最终取得成功。
同时新时代的女性首先应该在经济上独立，从而获得人格上的独立，赢得别人的尊重，而嘉莉妹妹正是通过依靠自己才成为了一名经济独立，而又有自信和内涵的新女性。
关键词：嘉莉妹妹；性格分析；性格形成原因；作者写作目的AbstractSister Carrie is written by American Theodore Dreiser. Sister Carrie is leading role. In the works, Sister Carrie is described as a gentle, kind-hearted, beautiful, country girl, eventually; she turns into be a independent, confident, smart, elegant, new metropolis female. In the beginning, she puts her hope on male. Unfortunately she is deceived twice by men. In the end she appears on Broadway red throne through her hard efforts and becomes a new independent metropolis female.This article, aiming at the analysis of sister Carrie’s characters, introduces readers a new independent female who can’t rely hope on anybody only through her own efforts to achieve self-value and success. At first, a new female must obtain economical independence to gain personal independence, and win the respect of others. Owning to her efforts, Sister Carrie becomes a female with financial independence, confidence and inner beauty.Key Words: Sister Carrie; character analysis; cause of formation; the writer’s writing purposeContents摘要 (I)Abstract (II)1. Introduction (1)2. The Characters of Sister Carrie (1)2.1 Innocence and Simplicity (1)2.2 The Character of Sister Carrie after Her Coming into City (2)2.2.1 Her Diligence and Gumption (2)2.2.2 Her Romantism and Realism (3)2.2.3 Her Independence and Persistence (4)2.2.4 A Forceful Woman in Life (4)3. The Reasons of the Formation of Sister Carrie’s Later Personalities (5)3.1 Internal Causes (5)3.1.1 The Backgroud of Family (5)3.1.2 Rebellious Character (6)3.2 External Causes (6)3.2.1 The Background of Capitalism and Consumerism (6)3.2.2 The Influence of Individual Experience (7)4. Defects of Sister Carrie’s Personality (7)4.1 Her Vanity (7)4.2 The Lack of Rational Education (8)5. The Writer’s purpose (9)6. Conclusion (9)Bibliography (12)Acknowledgments (13)1. IntroductionSister Carrie is the first novel written by the American novelist Theodore Dreiser When the industrial and commercial cities have been rising, a large number of rural population have poured into the city. Carrie,eighteen years old, a smart and simple girl, in order to get rid of poverty, boards on a train to Chicago with only four U.S., hoping to have a better life. However, the harsh reality breaks her dream because of her unemployment and disease. In desperation, she becomes the mistress of the salesman Chas.H.Drouet, and then she comes across a hotel manager, G.W. Hurstwood who was attracted by her simple beauty. Hurstwood lures Carrie to New York, stealing the money of the hotel. In New York, because of Hurstwood’s deteriorating economy and unemployment, Carrie is forced to find job. Then she earns their living by hard work. Finally, owing to chance, she becomes a popular actress, squeezing into the high society and abandons poor Hurstwood. Carrie is famous for her persistence and effort. But she is not happy, even feels lonely.This paper is divided into six sections. The first chapter introduces the background of Sister Carrie. The second chapter reviews the characters of Sister Carrie. At first the personalities of Sister Carrie is analyzed in the rural areas, and then the characters of Sister Carrie is analyzed in the city. The third chapter analyses the reasons of Sister C arrie’s personality’s formation. The fourth chapter tells Sister C arrie’s defects of personality.The fifth chapter analyses the writer’s intention. In the last chapter the Sister C arrie’s characters are summarized.Duing to her complicated characteristic, a few questions need to be asked. What kind of person she is? What are the causing factors to the formation of her characters? What are defects in her personality and why does the author create such a character?2. The Characters of Sister Carrie2.1 Innocence and SimplicityIn the first place, she is a brave girl.“When Sister Carrie boarded the afternoontrain for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, scrap of paper with her sister’ s address in Van Buren Street, and four dollars in money,”(Theodore Dreiser,1981:1-2)from the paragraph, we can see she is a courageous girl. When Sister Carrie goes out alone with little money, she is only eighteen years old. In the second place, she is easy to be moved by heterosexual complaisance and sweet words at the train for Chicago. She encounters Drouet on the train for Chicago and after getting off the train, Drouet asks for taking the package for Carrie, she says, “Very kind of you.” and feels that it is really lucky to get such a complaisant care in a strange land. Besides, at the train she gives a heterosexual stranger her address after they communicate with each other after a while without the vigilanceIn conclusion, it can be seen that Sister Carrie is brave, innocent and simple.2.2 The Character of Sister Carrie after Her Coming into city2.2.1 Her Diligence and GumptionCarrie’s diligences are found expression in the work. She goes out to find a job the next day she arrives in Chicago. For running all day, she finally finds a job in a shoes factory with a payment of five point four dollars every week. Though having to work long hours in a poor working condition with a low pay, long working hours, poor working conditions, she endures that. Later because she wears thin clothes, she gets a cold and loses her job. If she does not find a job, her sister wants to ask her to go home. But she does not give up living in Chicago; finally she becomes the mistress of Drouet. And at that time, the Masonic which Drouet belonged to is performing a “fund-raising Play”. At the meantime, the play lacks of heroine. Drouet asks Carrie to have a try, so Carrie replies to try. From that moment Carrie practices painstakingly at home every day and then it is a good choice to get rid of privation. So she knows that if she wants to succeed, she has to work hard and finally Carrie performs this role successfully. This experience lays a solid foundation for her to success in the Broadway. Hurstwood lures Carrie to New York and they lives together. Carrie is a housewife in her first time, before Hurstwood loses his job and stays at home. Theenvironment is getting increasingly embarrassment; Carrie has to go out to look for a job to do. Although she is only a humble chorus actor in a choir, then she does not give up hope and makes an effort, eventually she becomes more and more popular, enjoying a prosperous life. Without her hard work, Carrie could not have been successful at last. Her gumption is expressed in the way how she improves herself. In Chicago, Carrie learns the conversations and manners of the people in graded society.2.2.2 Her Romantism and RealismHer romance is reflected in her illusion. Her romantic fantasy is that she will eventually get back as long as she works hard. Only in this way her hard work will not be wasted. After she finds a even low-paid job, she imagines that she will be happy. Her fantasy is that she has a nice future than before—live a happy life waiting for her “For the next day Carrie indulge d in the most high-flows peculation. Her fancy plunged recklessly into privileges and amusements which would have been much more becoming had she been cradled a child of fortune. With ready will and quick mental selection she scattered her illusion four-fifty per week with a swift and graceful hand. Indeed, as she sat in her rocking-chair these several evenings before going to bed and looked out upon the pleasantly lighted street, this money cleared for its prospective possessor the way to every joy and every bauble which the heart of woman may desire. I will have a fine time, she thought”(Theodore Dreiser,1981:1-3). But her fantasy is soon shattered, and in this competitive metropolis, it is very difficult for one without any experience to find a work. Earning four point five dollars salary per week and working in poor condition are almost unbearable for her. Besides she also needs to pay her sister and brother-in-law for food. The rest of salary is not enough to offer her necessaries. Moreover her job is lost, because she is ill for three days. Her romance is also reflected in her emotional fantasies. Her first fantasy is that Chas.H.Drouet will marry her after she becomes his mistress. When she comes cross Mr.G.W.Hurstwood and lives together with him. Her second fancy is that she and Hurstwood will have an ideal combination. But the Drouet does not really want to marry her, and then the Hurstwood just avoids his wife’s outrage and rudeness to find a safe haven. Finally her emotional illusions have been shattered totally. Althoughachieving fame and fortune, she still is not happy, even Hurstwood has returned his original beauty and glory, he could not allure her. She knows that these material substances are not happiness in her own present state. Fame is not everything. She has twice been deceived by men, so that she no longer holds the magic about life and love. Her romance is because she does not understand that social competition is brutal, sinister. What’s more she does not get the people’s hearts. Her reality is because life hones church she no longer easily believes a man. Only by own efforts to live the life you want.2.2.3 Her Independence and PersistenceCarrie’s independence is not spontaneous, but is forced out. She comes to Chicago to stay with her sister and brother-in-law’s home and ha s to look for a job by herself, and then when she gets a job, she must pay the meals for her sister. After she is unemployed, she is not welcomed; they propose her to return home. At that time Carrie encounters Drouet when she is in distress, and she takes him as the last straw, which makes her abandon relations to go alone. And breaking up with Drouet, she has to find a job again. Later she is lured to New York by Hurstwood, Carrie cannot stand with poor life, and Hurstwood cannot find jobs. Their life has a problem, so she goes out again to look for a job, and tries several times. And finally she becomes a famous actress in the Broadway in a small chorus. Her persistence is embodied in searching jobs. In a prosperous city, she cannot find job after running all day. But she doesn't give up. At that time, she is only an eighteen years old. Although feeling shy and ashamed, she is full of courage to have a try. Finally, she obtains job through her efforts. In the end she becomes a famous actor and gets success through her persistence.2.2.4 A Forceful Woman in LifeCarrie dares to face the difficulties of life, and takes an optimistic attitude to face the difficulties. When she arrives in Chicago, in order to adapt to living in a flourishing city, she begins to change her mind. She does not only simply abandon the lifestyle of her mother’s generation, but also makes efforts to adapt to the new way of life in modern America. At first the initial stage of herself-fashioning, when Carrielives with her sister Minnie, she begins to focus on self-fashioning. She separates from her sister Minnie, because her sister is a traditional woman who is busy with household chores every day and seems to have lost herself, and the thought of tradition life is what Carrie wants to abandon, so Carrie would like to choose a new way of life. Carrie earns money to buy beautiful clothes for her and wants to go entertainment. She knows what kinds of life she wants. When living into the apartment with Drouet, Carrie starts to model herself in ideal. In addition to cultivate her, Carrie pays attention to the behavior and wants to be more elegant as well as more temperament. As a result, she becomes a quite charming girl. At the same time, she walks in graceful footsteps, not so heavy, she is beautiful and elegant. Eventually Mrs. Vance introduces her cousin Armstrong to Carrie; Armstrong’s thoughts have influence on Carrie about having a great degree, which makes her pursue the spiritual world from the initial simple material desires to the pursuit of art. That makes Carrie begin to realize that the pursuit of material comfort is not enough; the pursuit of spirit is the most important to her.3.The Reasons of t he Formation of Sister Carrie’s Later Personalities 3.1 Internal Causes3.1.1 The Backgroud of FamilyOrigin often leaves imprint in one’s personality or inner world. Carrie’s extreme thirst for material and her lack of rational are found a little clue in her early life in Colombia. She is afraid of returning home. Her sympathy for the poor and downtrodden people, as well as fear about the fate dating back to her father’s life mixed with complex feelings of pity and shame. Therefore, she has to be persistent in finding a job and offer fundamental life by herself. Walking in the streets of the city, she sees the clothes shabby girl and despair of those pale and shabbily dressed men; she will bit her lip with standing. Although the principle is often nagging around her ears, but it can’t save herself from her strong fear of being likely to suffer that fate. So she wants to make her every effort to achieve her goal. Carrie’s mind can’t defuse thetension of painful memories from the childhood which is most clearly seen in her relationship with men. Carrie measures their value directly whether they offer her food, shelter, clothing and pleasure within the capacity of the external factors, which is call of her nature. She continuously obtains material substances from men when she is missing something. Unfortunately she always suffers pain. Finally she reaches her dream by her efforts and independence.3.1.2 Rebellious CharacterLeaving a tearful mother, Carrie boards on train to a strange and complicated big city. We could feel tne courage of an 18 years old young girl and the heart of the rebel. With a taste prosperity of Chicago, she soon begins to resist common lifestyle of the brother-in-law. Then, just as leaving her hometown in Wisconsin, Carrie once again escapes from the residence of a brother-in-law, matting her relationship with a man’s privacy. This is the strongest hint of rebel, and also leaves a clue that she doesn’t only actualize herself, but also becomes new metropolis female.3.2 External Causes3.2.1 The Background of Capitalism and ConsumerismThe background of the novel is based on the economic condition in nineteenth century early USA dominated by agriculture. The transition from agricultural economy depending on family to capitalist economy relying on operating capitalism mainly is based on the development of industry in nineteenth century. Working out of the family is more and more prevalent. Meanwhile women at the nearest large cities search for work, which reflects an international trend. Women start to work out of the family and pursue themselves. By 1890, the national labor consists of 17% women. Thanks to capitalism and consumerism background, the traditional idea that women should pay totally attention to husband and children converts to working out of family. Sister Carrie is one of women working out of the family.Capitalist economic development relies on the rapid transfer of products from producers to consumers. The most important social changes described in the novel is from the production to consumption. On the one hand the mass retail has wider implications; on the other hand customers benefit from low prices and a wide range ofoptions. In this way the consumers are related with consumption. Particularly, Sister Carrie is a potential consumer who desires to control her fate and reach her goal. She realizes that she needs to get her dream through hard effort. So capitalism background is an indispensable element for Carrie to model a new metropolis female.3.2.2 The Influence of Individual ExperienceChicago is a city full of hope, luck and rise. At the beginning of the novel author wants to preach a concept “the city is full of cunning deception, rather than any man in Chicago attracted heroines”. Carrie looks forward to Chicago “a huge magnet, attracting people full of hope and despair from all sides”. But in fact she suffers failure at first. In Chicago, she meets a salesman Drouet and falls in love with him. She wants to be his wife and waits for a long time. In the end, she is conscious of her innocence. Drouet just regards her as a mistress, besides, Drouet is dissolute. He can’t give Sister Carrie a good future. When she is confused, she comes across Hurstwood and is attracted by him. She falls in love again; unfortunately she is deceived by Hurstwood. When she lives with Hurstwood in New York,she goes out for hunting a job. Finally she leaves Hurstwood. Fortunately, she realizes her dream by herself, and becomes a famous actress. Her independence and effort can be dated back to her experience. It helps Carrie accomplish her success.4. Defects of Sister Carrie’s Personality4.1 Her VanityCarrie is a woman with strong vanity and desire for material which leads her to become a victim of the two men-Drouet and Hurstwood, which also contributes to her success in the future. She is always yearning for clothes and Jewelry, so when she goes to the department store to look for a job, Carrie is attracted by each item whether it is cheap trinkets, or expensive jewelry. Each piece is attracted to her. She wants to wear all the jewelry and desires to have them all. That delicate slippers and stockings, trimmed with beautiful trim skirts and petticoats, all every color of the lace, ribbons, combs, and flower package, what a wonderful thing if she can have them all. Herheart is filled with the desire of possessing them. Later she lives in New York with Hurstwood in some time and once the next door neighbor－Mrs. Vance invites her to the theater. Her vanity is revealed totally by the comparisons with Mrs. Vance. Carrie thinks she is pretty enough, but when compared with Mrs. Vance, she is not pretty at all. How could Mrs. Vance have so many cute little things? Carrie feels more uncomfortable when she goes on the street with Mrs. Vance, because it is filled with strong rich and flaunted atmosphere in the street, she thinks she is incompatible in this atmosphere. The fact is that that she could never have the bright appearance like Mrs.Vance’s, which makes she feel very pain. Later she vows that she would dress more gorgeously and come here again. At the same time, she is eager to dress gorgeously to show off in public place. Carrie’s vanity is manifested in her desire for goods and the comparisons with others, and is displayed in her pursuit of fame and fortune, too. Because her vanity makes her not satisfy her present status, so that she goes out of the circle of her own life, and ultimately, she obtains success and feels that she has been looked forward to.To sum up, Carrie is to adored materials to control her desire for pursuing fame and status. Fortunately she gains success.4.2 Lack of Rational EducationCarrie is often fallen by external environment, which, especially, is reflected in her emotional affairs. She is always easily controlled by men, partly because she makes every decision depending on someone’s ideas. Partly because she is lack of education, then it is an essential factor for her to master her fate. Lacking of knowledge leads to her weakness. There is none of family education in her childhood. The only way to consult is to listen to instruction of her father who carefully explains everything. When Carrie is not able to find correct direction from her experience, her conscience is her honest and knowledgeable adviser. Carrie is not educated; she does not have chance to learn knowledge from books that is a closed garden to her. She comes to the city in order to look for the greatest happiness in life.5. The Writer’s PurposeFrom the above analysis, it is obvious to see that Carrie is an hard-working, romantic and persistent woman who is fond of pursuing fame and vanity. Certainly, what is the purpose of the author to shape such a character? There are two reasons. Firstly, in order to highlight the characteristics of naturalism, the author writes Sister Carrie that is embodied the character of Naturalistic literary. One of the purposes of shaping figure in this works is to reflect naturalistic features. The natural feature is that people need to grasp every opportunity to work hard in a competitive society in order to success. On the contrary, the author models a loser－Hurstwood. He is no longer young and capable. Eventually he makes a choice to commit suicide. This is the naturalistic Portrayal. Secondly, when Theodore Dreiser creates Sister Carrie, Darwin’s theory of evolution and survival of the fittest theory are prevailing. Consumption ideology emphasizes people on costing and occupying things. The idea of possession weakens the traditional thrift, savings, and automation ethic. When Dreiser writes Sister Carrie, American women have begun to be affected by consumerism. They begin to challenge traditional moral standards. On the one hand, they no longer believe that the responsibility of women is to help husband and teach children. On the other hand, women should stay at home to do housework. On the contrary, women think they should have their job and earn money by themselves to enjoy life.6. ConclusionThrough hard work, Carrie is turned into a successful actress from an innocent village girl. During this process Sister Carrie is shaped to a new female character. Carrie is no longer manipulated by any man. On the contrary, with an independent career, she is independent in economic, which finally helps her become an independent woman, and realizes the independence of personality. Carrie becomes brave and mature through searching for job. Her success is accompanied by performance talent and her efforts, however in this process; her consciousness hasbeen awakened at the bottom of her heart. It is reviewed by the Dreiser in his book, It is a feature for a woman to be protected, supported and loved. But the power of women is suppressed by the tradition concept. Carrie is conscious of her acting abilities by chance, but she has been accustomed to live comfortably under the male protection so as to refuse to face up to own strengths. She does not fully display her talent until she is frustrated with men. For example, when she learns that Hurstwood cheats on her and then Drouet leaves her, eventually she decides to go out looking for a job. She has needs, but she is not amenable to be tricked or to be bribed by any men. She is going to support herself. This concept helps Carrie develop women’s self-awakening. Furthermore, Carrie finds job in the cinema. It is compared with former jobs, even though it is still not easy, she adds a lot of courage. Besides when Hurstwood is out of job, Carrie attempts to look for a job. Finally she decides to go to a play regardless of her husband’s objection. This job is twice as hard as the former, but Carrie gets a position in the chorus by her tenacity and courage .Her talent is soon recognized. Carrie begins to realize own strength in the promoting process. A man a little word, will not make her mind again. She knows men every well, which eventually creates the Sister Carrie’s image. She walks out of the small world of her family. She, among the public field, gains economic independence, which is a prerequisite for women to seek to further pursuit based on financial independence. Carrie once has previously relied on Drouet and Hurstwood to get happiness before obtaining self-reliance. She wants to marry Drouet who refuses her. Immediately, she changes her hopes on Hurstwood who turns out to be impossible. And she’s like an object, from one man to another man. Because Carrie is not economically independent, it is pointless to talk about personal independence. Eventually, Carrie becomes a famous actress and achieves her worth. She no longer needs to rely on anyone and she also gets honor. Obviously, Carrie achieves real personality independence after being economical independence.Sister Carrie eventually becomes a new woman; of course there are also limitations in her personality. However, she dares to pursue individual liberation; meanwhile she also actively seizes the opportunity to adapt to the social progress. Onthe contrary, compared with her sister－Minnie Vance , Hurstwood’s wife and other female characters, she can be regarded as a representative of the females.Bibliography[1] Matthaei,J.A. An Economic History of Women in America. New York:Schocken.1982:10-12.[2] Theodore Dreiser. Sister Carrie. Beijing: Foreign Language Teaching andStudying Press , 1981 : 136.[3] Theodore Dreiser, Sister Carrie.The Pennsylvania Edition. New York: Penguin.1981:1-3.[4] Woolfolk,A. Educational Psychology.The United States of America: A Division ofSimon&Schuster,Inc.1993:50-52.[5] 霍顿，罗德. 美国文学思想背景[M]. 人民文学出版社,1991:2-5.[6] 方华文. 嘉莉妹妹[M].译林出版社:2011:7-9.[7] 蒋道超. 德莱塞研究[M]. 上海: 上海外语教育出版社, 2002 : 125.[8] 蒋道超. 德莱塞研究[M]. 上海: 上海外语教育出版社, 2002 : 222.[9] 史志康. 美国文学背景概观[M]. 上海外语教育出版社, 1998:24-26.[10] 王钢华. 嘉莉妹妹的欲望和驱动力[J].外国文学研究,2002,12(3):8.AcknowledgmentsFirstly, I would like to express my gratitude to all the people who helped me during the writing of this paper. Without their help, this thesis would have been impossible.I am extremely grateful to my tutor XXX for her valuable direction and suggestion, for her constant encouragement and generosity in spending her precious time on my paper.Special thanks go to the Anyang normal college humanistic management university where gives me the opportunity to study my favorite major English teaching. Therefore I would like to express my heartfelt gratitude to all the respectful teachers who have taught me during my undergraduate study.Last but not least, I would like to take this opportunity to thank my dear parents, for their encouragement and always supporting me to finish this thesis.。
《嘉莉妹妹》女性主义特征解读
《嘉莉妹妹》女性主义特征解读《嘉莉妹妹》是一部由路易丝·梅·奥尔科特所著，描写了19世纪初期美国南部社会风貌的小说，同时也是女性主义的经典之作。
小说中的女性形象展示了当时社会中女性所承受的压迫和剥削，同时也表达了对女性解放和自我价值的追求。
本文将从女性主义的角度解读《嘉莉妹妹》中的特征和意义。
一、女性角色的叙述和塑造在《嘉莉妹妹》中，作者通过描绘不同性格和命运的女性角色，展现了当时社会中不同阶层女性的生存状态和命运。
主人公斯嘉丽·奥哈拉自强不息，勇敢坚韧，是一个独立、聪明、有野心的女性形象。
她不甘于依附于任何男性，勇敢地追求自己的幸福和成功。
梅兰妮·汉密尔顿是一个善良、贤淑、忠诚的女性形象，她以自己的善良和坚强支撑着家庭和社会的稳定。
还有乔奇儿·塔兰顿和卡琳娜·休伯舍，她们分别代表了风尚和传统的两面，塑造了当时南部社会不同的女性形象。
这些女性角色的多样性和鲜明的个性，使她们在小说中成为了自主、独立的存在，而不是传统上男性对女性的片面定义。
二、对婚姻与爱情的解构在《嘉莉妹妹》中，作者对当时的婚姻与爱情观念进行了解构。
斯嘉丽·奥哈拉在小说中不断追求自己的爱情和婚姻，她不愿意受制于传统的婚姻观念，不愿做一个依附于丈夫的传统妇女。
她追求的是自由与幸福，她能够用自己的聪明和勇气去争取自己想要的东西。
梅兰妮·汉密尔顿则是一个传统的妻子形象，在面对丈夫的不忠时选择了宽容和原谅，她忠诚地守护着家庭和传统的价值观。
而乔奇儿·塔兰顿和卡琳娜·休伯舍所展现的，是南部上流社会传统的婚姻观念和家庭观念。
作者通过这几个不同性格和立场的女性角色，对当时的婚姻与爱情观念进行了解构和思考，呼吁女性去争取自己的幸福和自由，不受传统观念的束缚。
三、对女性自我认知的探索在《嘉莉妹妹》中，作者还通过一系列的事件和人物形象，揭示了女性自我认知和成长的过程。
《嘉莉妹妹》女性主义特征解读
《嘉莉妹妹》女性主义特征解读《嘉莉妹妹》是一部由美国文学家路易斯·梅·奥尔科特所著的小说，于1868年首次出版。
这部小说以四个姐妹为中心，讲述了她们在美国南北战争时期的成长故事，探讨了女性在19世纪的社会角色和价值观。
在小说中，每个姐妹都有自己独特的性格和梦想，她们通过不同的方式与传统的女性角色进行了抗衡，展现出了强烈的女性主义特征。
本文将从不同角度解读《嘉莉妹妹》中的女性主义特征，探讨姐妹们在19世纪社会中的挣扎和成长。
从嘉莉的角度来看，《嘉莉妹妹》中展现了女性在19世纪社会中的独立和进取心。
嘉莉是四姐妹中的第二个姐姐，她是一个聪明、勇敢、好学的女孩，有着强烈的自我意识和独立精神。
在小说中，嘉莉的梦想是成为一名作家，她积极地追求知识，努力地提高自己的才华和能力。
即使在当时的社会环境下，女性的求学和创业机会非常有限，但嘉莉并没有被这些限制所束缚，她坚定地追求着自己的目标，展现出了女性的独立和坚韧不拔的品质。
从梅格的角度来看，《嘉莉妹妹》中呈现了女性在婚姻和家庭中的自主和选择权。
梅格是四姐妹中的大姐，她是一个贤淑、善良、温柔的女孩，有着强烈的责任感和家庭观念。
在小说中，梅格的梦想是过上幸福的家庭生活，她渴望结婚并成为一个贤妻良母。
在当时的社会环境下，女性的婚姻和家庭地位非常被动，她们的婚姻对象和家庭生活是由家庭和社会的期望所决定的。
但是梅格并没有被这些传统观念所束缚，她在婚姻选择上保持了自己的独立和自主权，最终嫁给了自己所爱的人，展现出了女性在婚姻和家庭中的自主和选择权。
从贝丝的角度来看，《嘉莉妹妹》中体现了女性在社会服务和慈善事业中的奉献和价值观。
贝丝是四姐妹中的第三个姐姐，她是一个善良、纯洁、乐于助人的女孩，有着强烈的社会责任感和慈善意识。
在小说中，贝丝的梦想是成为一个公益事业的志愿者，她热心参与一些公益活动，关心弱势群体，努力帮助他人。
在当时的社会环境下，女性的社会地位和责任非常有限，她们的社会参与和公益活动往往被忽视和边缘化。
《嘉莉妹妹》女性主义特征解读
《嘉莉妹妹》女性主义特征解读1.反对父权制度嘉莉的父亲是一个典型的父权主义者，他认为女性应该从属于男性，只能教她们做家务。
嘉莉对此感到不满，她认为女性应该像男性一样有自己的事业和兴趣，而不是被束缚在家庭中。
在小说中，嘉莉不断地反抗父权制度，试图摆脱家庭的束缚，寻找自己的独立生活方式。
这种表现体现了女性主义者对父权制度的强烈批判和反抗。
2.强调女性自我意识嘉莉是一个独立思考且有自我意识的女性，她拥有自己的观点和独特的内心世界。
在小说中，她不断地探索自己的思想和情感，试图找到真正属于自己的生活路径。
她对自己的情感一直有着清晰的认识，并追求情感的自由与平等。
这种坚持自我的态度体现了女性主义者强调女性自我意识和自我价值的思想。
3.对传统婚姻制度的质疑在小说中，嘉莉对传统的婚姻制度提出了质疑。
她认为婚姻不应该只是一种形式上的契约关系，而应该建立在相互尊重和平等的基础上。
嘉莉拒绝成为一个被抛弃、被压迫的妻子，而希望成为被尊重和理解的女性。
这种对传统婚姻制度的批判与女性主义者呼吁改变传统婚姻制度，建立新的平等婚姻关系的主张相符合。
4.强调女性的自由与独立性在小说中，嘉莉追求自由与独立，试图寻找属于自己的独立生活方式。
她对婚姻和家庭的憧憬来自于内心的需求而不是被社会强加的。
她不想成为一个被束缚和压迫的妻子，而是希望成为一个自由和独立的女性。
这种强调女性的自由与独立性的思想符合女性主义者呼吁女性追求自由与独立生活的主张。
总之，嘉莉妹妹是一篇充满女性主义思想的作品。
作为女性主人公，嘉莉对传统的婚姻制度、父权制度等进行了批判，并强调了女性自我意识、自由与独立性等重要概念。
这种倡导女性自由与独立生活的思想对女性主义发展产生了积极的影响。
从自然主义视角审视《嘉莉妹妹》中小人物嘉莉的命运抗争与幻灭
嘉莉妹妹对社会的幻灭
嘉莉妹妹在小说中经历了从贫穷到富裕，再回归贫穷的过程，但最终未能实现自己的梦想和期 望。
嘉莉妹妹在追逐名利的过程中失去了自我，最终意识到社会的虚伪和无情。
嘉莉妹妹对社会的幻灭表现在她对人际关系的失望和对自己命运的无奈。
嘉莉妹妹的幻灭是她个人经历和社会环境的必然结果，反映了自然主义文学对个体命运的关注 和思考。
自然主义视角对嘉莉妹妹命运抗争与幻灭的影响
自然主义视角强调环境和遗传因素对个体 命运的决定性作用，认为个体无法摆脱命 运的束缚。
在《嘉莉妹妹》中，嘉莉的命运抗争与幻 灭体现了自然主义视角下个体与命运的矛 盾和冲突。
嘉莉在面对困境时所做出的选择和行动， 反映了自然主义视角下个体对命运的无奈 和接受。
添加标题
她通过自我救赎，不 仅改变了自己的命运， 也启示了读者要勇敢 面对生活中的困难和 挑战，坚定地追求自
己的梦想和价值。
嘉莉妹妹的命运转折
嘉莉妹妹在小说中的命运经历了从贫困到富有，再从富有到贫困的转折。 这些转折反映了自然主义视角下，个体在命运面前的无力和抗争。 嘉莉妹妹的命运转折体现了自然主义思想中，环境对个体命运的决定性影响。 这些转折也揭示了社会阶层对个体命运的制约和影响。
嘉莉妹妹的幻 灭
嘉莉妹妹对爱情的幻灭
嘉莉妹妹在小说中 经历了多次爱情的 幻灭，最终意识到 爱情并非她所想象 的美好。
嘉莉妹妹的幻灭源 于她对爱情的过度 理想化，以及对现 实世界的残酷认识 不足。
小说中通过嘉莉妹 妹的幻灭，反映了 社会阶层差异和道 德观念对个体命运 的影响。
嘉莉妹妹的幻灭不 仅是个人的悲剧， 也揭示了当时社会 价值观的扭曲和道 德沦丧的现象。
从自然主义视角审 视《嘉莉妹妹》中 小人物嘉莉的命运
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
本科毕业论文题目浅析《嘉莉妹妹》中嘉莉的人物形象学院文学与新闻传播学院专业汉语言文学年级2011 级学号77姓名汪琴红指导教师陈永兰成绩年月日目录摘要································错误!未定义书签。
关键词································错误!未定义书签。
Abstract ·······························错误!未定义书签。
Key Words ······························错误!未定义书签。
一、嘉莉的美好形象··························错误!未定义书签。
（一）美丽单纯··························错误!未定义书签。
（二）热情而富于青春幻想·····················错误!未定义书签。
（三）努力实现自我························错误!未定义书签。
二、嘉莉性格的弊端··························错误!未定义书签。
（一）贪图物质享乐，爱慕虚荣···················错误!未定义书签。
（二）道德观念上的模糊与匮乏···················错误!未定义书签。
（三）观察能力与分析能力尚不成熟·················错误!未定义书签。
结语·······························错误!未定义书签。
注释·······························错误!未定义书签。
参考文献·······························错误!未定义书签。
浅析《嘉莉妹妹》中嘉莉的人物形象摘要：在德莱塞的长篇小说《嘉莉妹妹》中，女主人公嘉莉表现出了独特的性格特征：一方面她美丽单纯、热情而富于青春幻想，努力实现自我；另一面她贪图物质享乐、爱慕虚荣，观察能力与分析能力尚不成熟，在道德观念方面的匮乏与模糊的性格缺陷也展露无疑。
她身上显现出一个人真正应有的优缺点，展现出了新一代女性的形象。
本文就上述几方面对嘉莉身上所展现的人格魅力进行进一步分析。
关键词：《嘉莉妹妹》正面形象反面形象意识的觉醒Abstract： In Dreiser's novel "Sister Carrie", the heroine Carrie showed a uniquecharacter: on the one hand, her beautiful and pure, warm and full of youthful fantasies, and strive to realize the self; the other side she covet material enjoyment, vanity, ability and observation and analysis ability is not mature, the lack of moral concept and fuzzy character defects also showed no doubt. Her show a person really should have advantages and disadvantages, showing a new generation of female image. This paper further analyzes the above several aspects of the show on the Jail Li body charm of personality.Key Words：Conservatism, Sister Carrie, positive image, negative image, The awakening of consciousness故事发生在19世纪末的美国，当时新兴工商业城市相继崛起，大批的乡村人口涌进城市。
《嘉莉妹妹》的女主人公嘉莉是一个美丽却贫穷的农村姑娘，她羡慕大城市的物质生活，只身前往芝加哥，寻求幸福。
然而残酷的现实打碎了她的美梦，迎接她的是失业和疾病。
在走投无路之际，她做了推销员杜洛埃的情妇。
后来经杜洛埃介绍，她认识了酒店经理赫斯渥，他被嘉莉的纯朴美丽深深吸引，而嘉莉则在更大欲望的驱使下又做了这位经理的情妇。
两人私奔纽约后，由于偶然的机会和自身的聪明，嘉莉成了走红一时的演员，挤进了上流社会，终于实现了她的美梦。
然而，所谓的“上流社会生活”带给她的不是快乐和幸福，反而让她感到十分的空虚和寂寞，找不到真正的生活意义，只能在寂寞和凄凉中，坐在摇椅上梦想着那遥不可及的幸福。
一、嘉莉的美好形象小说中的女主人公嘉莉既美丽单纯、热情而富于青春幻想，又敢于努力追求实现自我。
嘉莉的这些正面性格特征使她的形象表现得更加鲜明，从而给人留下了深刻的印象。
（一）美丽单纯有人说：漂亮是女人骄傲的资本，美丽是女人值得炫耀的财富。
小说的主人公嘉莉就拥有了上天赋予的美丽容貌，正是这份珍贵的礼物才使嘉莉拥有了傲人的资本和不可多得的机遇。
在小说的开篇，描写嘉莉离开家乡前往芝加哥时，德莱塞在文中就这样写到：“她当时只有18岁，有着青春期的朝气勃勃的美丽，她天生有一副迟早要出众的身材和透露着天生聪颖的眼神，还有一双小巧的双脚。
”①从这里我们就能清晰地看到嘉莉身上所具有的天生的纯洁的美丽。
这种美就如一块未经雕琢的洁白的玉石，不带丝毫杂质。
正是这种美在列车上让推销员杜洛埃早已坐立不安，迫不及待的想和这个拥有美丽容貌的女人攀谈。
像嘉莉这样美丽的女人，即使是装束成普通店员的样子，也依然掩饰不了在她身上展现出来的与众不同的特征，让她看起来可爱动人。
而杜洛埃正是被嘉莉美丽的面孔深深吸引，才会在嘉莉走投无路之际伸出援助之手。