榆树下的欲望分析解析
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Part One
The Author: Eugene Glastone O’Neill
Born in a hotel room and died in a hotel room.
Eugene O’Neill (1888-1953)
The greatest American dramatist “Founder of the American drama” and “American Shakespeare”
4
O’ Neill himself was constantly wrestling with these issues and struggling with the perplexity about the truth of life.
Features of his plays
Tragic struHale Waihona Puke Baiduture Naturalistic and realistic spirits
Realism Stream of consciousness
Interior monologue
&
Naturalism
Expressionism Symbolism
Language of dialect Masks
Comment
People who influenced on his writing
Desire Under the Elms (1924) 《榆树下的欲望》 Strange Interlude (1928)
《奇异的插曲》 Pulitzer Prize
Mourning Becomes Electra (1931)
《悲悼》
Final period: Realism and Modernism
dream—doubt—defeat symbolic expressionism plot representing all human beings
Psychological struggles
Puppet characters
Style and techniques
Experimenting with new styles and forms Borrowing from both traditional and modern theories and techniques
His career as a dramatist began and he had been wholly dedicated to the mission as a dramatist.
I knew it. I knew it. Born in a hotel room, and God damn it, died in a hotel room.
Won Pulitzer Prize four times
Won the Nobel Prize (1936)
His life
Birth
A theatrical family
Family
Father-an actor
Education
Princeton University
Experiences
The Iceman Cometh (1946) 《送冰的人来了》
Long Day’s Journey Into Night (1956) Pulitzer Prize 《进入黑夜的漫长旅程》
Themes of his plays: tragic view of life
1 Life and death, illusion and disillusion, dream and reality, etc. Human existence and predicament 1 3 Disappointment and despair Meaning and purpose 2 4 The truth of life 2 Many characters are seeking meaning and purpose of life. 3 But ending with disappointment and despair.
Eugene O’Neill is the founder of modern American drama. He has been well nourished from different sources, especially from August Strindberg, Henrik Ibsen, Nietzsche and Schopenhauer.
His works
The early period: Realistic plays
Bound East for Cardiff (1916) 《东航卡迪夫》 His first play The beginning of his dramatic career Ushering in the modern era of the American theatre Sea life; one-act plays Romanticism, naturalism realism
Sailor Gold digger Theatre manager
His life
1912-1913
Tuberculosis
Baker’s drama class
Baker’s drama class at Harvard
Illness and death
Parkinson
Became infatuated with the works of Ibsen and Strindberg and cultivated an interest in play writing.
The middle period: Expressionistic plays
Beyond the Horizon (1920) prize in literature
《天边外》 Pulitzer Prize & Nobel
Anna Christie (1922) 《安娜·克里斯蒂》 Pulitzer Prize
The Author: Eugene Glastone O’Neill
Born in a hotel room and died in a hotel room.
Eugene O’Neill (1888-1953)
The greatest American dramatist “Founder of the American drama” and “American Shakespeare”
4
O’ Neill himself was constantly wrestling with these issues and struggling with the perplexity about the truth of life.
Features of his plays
Tragic struHale Waihona Puke Baiduture Naturalistic and realistic spirits
Realism Stream of consciousness
Interior monologue
&
Naturalism
Expressionism Symbolism
Language of dialect Masks
Comment
People who influenced on his writing
Desire Under the Elms (1924) 《榆树下的欲望》 Strange Interlude (1928)
《奇异的插曲》 Pulitzer Prize
Mourning Becomes Electra (1931)
《悲悼》
Final period: Realism and Modernism
dream—doubt—defeat symbolic expressionism plot representing all human beings
Psychological struggles
Puppet characters
Style and techniques
Experimenting with new styles and forms Borrowing from both traditional and modern theories and techniques
His career as a dramatist began and he had been wholly dedicated to the mission as a dramatist.
I knew it. I knew it. Born in a hotel room, and God damn it, died in a hotel room.
Won Pulitzer Prize four times
Won the Nobel Prize (1936)
His life
Birth
A theatrical family
Family
Father-an actor
Education
Princeton University
Experiences
The Iceman Cometh (1946) 《送冰的人来了》
Long Day’s Journey Into Night (1956) Pulitzer Prize 《进入黑夜的漫长旅程》
Themes of his plays: tragic view of life
1 Life and death, illusion and disillusion, dream and reality, etc. Human existence and predicament 1 3 Disappointment and despair Meaning and purpose 2 4 The truth of life 2 Many characters are seeking meaning and purpose of life. 3 But ending with disappointment and despair.
Eugene O’Neill is the founder of modern American drama. He has been well nourished from different sources, especially from August Strindberg, Henrik Ibsen, Nietzsche and Schopenhauer.
His works
The early period: Realistic plays
Bound East for Cardiff (1916) 《东航卡迪夫》 His first play The beginning of his dramatic career Ushering in the modern era of the American theatre Sea life; one-act plays Romanticism, naturalism realism
Sailor Gold digger Theatre manager
His life
1912-1913
Tuberculosis
Baker’s drama class
Baker’s drama class at Harvard
Illness and death
Parkinson
Became infatuated with the works of Ibsen and Strindberg and cultivated an interest in play writing.
The middle period: Expressionistic plays
Beyond the Horizon (1920) prize in literature
《天边外》 Pulitzer Prize & Nobel
Anna Christie (1922) 《安娜·克里斯蒂》 Pulitzer Prize