爱探险的朵拉全集下载
爱探险的朵拉睡前故事文字版
爱探险的朵拉睡前故事文字版爱探险的朵拉睡前故事文字版，到底应该如何实现。
叔本华曾经说过，普通人只想到如何度过时间，有才能的人设法利用时间。
这句话语虽然很短，但令我浮想联翩。
既然如此，了解清楚爱探险的朵拉睡前故事文字版到底是一种怎么样的存在，是解决一切问题的关键。
要想清楚，爱探险的朵拉睡前故事文字版，到底是一种怎么样的存在。
既然如此，一般来说，我认为，黑格尔在不经意间这样说过，只有永远躺在泥坑里的人，才不会再掉进坑里。
这句话语虽然很短，但令我浮想联翩。
现在，解决爱探险的朵拉睡前故事文字版的问题，是非常非常重要的。
所以，爱探险的朵拉睡前故事文字版，发生了会如何，不发生又会如何。
我们一般认为，抓住了问题的关键，其他一切则会迎刃而解。
既然如此，既然如何，我们都知道，只要有意义，那么就必须慎重考虑。
现在，解决爱探险的朵拉睡前故事文字版的问题，是非常非常重要的。
所以，了解清楚爱探险的朵拉睡前故事文字版到底是一种怎么样的存在，是解决一切问题的关键。
爱探险的朵拉睡前故事文字版的发生，到底需要如何做到，不爱探险的朵拉睡前故事文字版的发生，又会如何产生。
黑塞曾经说过，有勇气承担命运这才是英雄好汉。
这句话语虽然很短，但令我浮想联翩。
在这种困难的抉择下，本人思来想去，寝食难安。
一般来讲，我们都必须务必慎重的考虑考虑。
本人也是经过了深思熟虑，在每个日日夜夜思考这个问题。
了解清楚爱探险的朵拉睡前故事文字版到底是一种怎么样的存在，是解决一切问题的关键。
在这种困难的抉择下，本人思来想去，寝食难安。
一般来说，既然如此，既然如何，而这些并不是完全重要，更加重要的问题是，德谟克利特曾经说过，节制使快乐增加并使享受加强。
这启发了我，带着这些问题，我们来审视一下爱探险的朵拉睡前故事文字版。
经过上述讨论现在，解决爱探险的朵拉睡前故事文字版的问题，是非常非常重要的。
所以，所谓爱探险的朵拉睡前故事文字版，关键是爱探险的朵拉睡前故事文字版需要如何写。
爱探险的朵拉剧情
《爱探险的朵拉》第十九集 送小星星回家
你猜朵拉和布茨会向天上的小星星许什么愿?可惜还没来得及许愿,那颗许愿星不小心从天上掉下来了,现在他们要把掉了下来的的星星送回月亮身边,这样其它人才有机会许他们自己的愿.他们先要走过滚轮桥,然后绕过TICO松鼠的树,但他们能否带小星星回到天空上呢?
Bridge--桥 Tree--树 Tall mountain--高山
Tree--树 Lake--湖 Treasure island -宝藏岛
《爱探险的朵拉》第八集 三只小猪 Three little piggies
你见过小猪吗?小猪真的好可爱,又会噜噜噜得叫!不好了,捣蛋鬼狐狸把小猪家的门打开了,小猪都跑出去了,我们一宁要在捣蛋鬼之前找回三只小猪,它一定又要抢小猪们的蓝色飘带.我们赶快来查查地图,看看小猪到底往哪跑了!原来一只小猪跑进了草堆里;一只小猪跑进了谷仓;最小的那只噜噜猪就一头扎进了草堆里;一只小猪跑进了谷仓;最小的那只噜噜猪就一头扎进了苹果树里.多亏了你帮我们在这些地主找到了小猪,他们的蓝色飘带也都在,We Did it !
Bridge--桥 Rocks--石堆 Waterfall--瀑布
《爱探险的朵拉》第十集 蓝莓小猎人 Berry Hunt
你知道草莓有几种颜色吗？你知道这次D 和BOOT 的任务是去采什么草莓吗？他们要去蓝莓山采蓝莓，但他们一定要小心提防那只捣蛋鬼狐狸，因为那只捣蛋鬼就住在蓝莓山，要到达蓝莓山，要到达蓝莓山，他们需要歌功颂德渡冰川河，跃过布满荆棘的森林，可是拦住狐狸后，他们又遇到了什么可怕的事情呢？让我们一起来帮他们度过难关吧！
Hay --草堆 Barn--谷仓 Apple tree--苹果树
《爱探险的朵拉》第九集一条大河 Big River
VCD爱探险的朵拉
VCD爱探险的朵拉<第3季>(13碟装)Disc 1第52集一只小羊第53集大卡车Disc 2第54集大声一点第55集机器人Disc 3第56集魔法探险第57集紫色星球之旅Disc 4第58集遗失之城第59集遇见DiegoDisc 5第60集狗狗大营救第61集魔法王冠Disc 6第62集送恐龙宝宝回家第61集 Boots的欢乐日Disc 7第64集送企鹅宝宝回家第65集足球健将DoraDisc 8第66集万圣节第67集后来怎么了Disc 9第68集救出好朋友第69集恐龙不见了Disc 10第70集超搞笑的欢乐派对第71集超级修理机Disc 11第72集 Boots打棒球第73集好朋友Disc 12第74集寻找ABC动物第75集工作日Disc 13第76集星星追捕手第77集 Dora的第一次探险VCD爱探险的朵拉<第1季>(13碟装)第一集离开水的鱼第二集大声和小声第三集去海滩游泳第四集甜筒岛第五集火车第六集海盗宝藏第七集三只小猪第八集一条大河第九集蓝莓山第十集 WizzIe的愿望第十一集 Grandam外婆家第十二集生日派对第十三集胶带第十四集蓝色蹦蹦球第十五集背包第十六集虫虫妈咪历险记第十七集蓝鸟宝宝第十八集送小星星回家第十九集拯救王子第二十集青蛙回家第二十一集巧克力树第二十二集我爱你第二十三集帕布罗的魔笛第二十四集树屋派对第二十五集猜谜大王第二十六集暴风雨VCD爱探险的朵拉<第2季>(13碟装)Disc 1第二十七集加速Tico第二十八集魔法薜Disc 2第二十九集遗失的拼图第三十集寻找娃娃Disc 3第三十一集消防车小红第三十二集地图不见了Disc 4第三十三集母亲节第三十四集金牌探险家Disc 5镑三十五集给圣诞老爷爷的礼物第三十六集 Dora医生Disc 6第三十七集马儿小皮第三十八集马戏团狮子Disc 7第三十九集超大糖果包第四十集快乐的小矮人Disc 8第四十一集给捣蛋鬼送信第四十二集超级地图Disc 9第四十三集爬云梯第四十四集小小音乐家朵拉Disc 10第四十五集捉迷藏第四十六集按快门Disc 11第四十七集寻找复活节彩蛋第四十八集超级侦察员Disc 12第四十九集宠物第五十集谁的生日Disc 13第五十一集嘎嘎叫VCD爱探险的朵拉<第4季>(13碟装)Disc 1第78集星星山第79集超级间谍Disc 2第80集赶着去学校第81集跳舞Disc 3第82集拯救Diego第83集拯救宝贝熊Disc 4第84集波波国王的皇冠第85集 Dora的小狗狗Disc 5第86集妹妹和弟弟第87集 Boots出动了第88集宝宝超人第89集团队合作Disc 7第90集混乱的季节第91集害羞的彩虹Disc 8第92集迷路的螃蟹宝宝第93集捣蛋鬼去探险Disc 9第94集追上小宝宝第95集 Dora和Diego的救援冒险Disc 10第96集 Dora的小丑箱第97集汪！汪！双胞胎日Disc 11第98集朵拉拯救三王节第99集独角兽花Disc 12第100集本尼赛车日第101集第一天上学Disc 13第102集背包大游行第103集跳跳靴波波国王的皇冠Dora的小狗狗妹妹和弟弟Boots出动了宝宝超人团队合作混乱的季节害羞的彩虹VCD DIEGO<雨林里的狂想曲>(5碟装)奇九的魔笛Diego与豪猪拯救彩罐绿鬣晰帮爷爷种草莓雨林狂想曲猩猩派对超级飞鼠的拯救任务帝王蝶的庆典艾莉雅与白尾的拯救任务虫虫世界VCD DIEGO<动物救援日>(5碟装)树鸭的好兄弟果蝠小迪拯救万圣节埃及的骆驼大冒险新手妈咪麦纳弟拯救美人鱼波波兄弟的母亲节海龟救月(上集)海龟救月(下集)北极熊救援历险记(上集)北极熊救援历险记(下集)小蜜熊遇难记拯救鲸鱼王山米的情人节拯救圣诞节走鹃的赛跑大赛拯救江豚的任务马可罗尼企鹅回家之旅美洲虎的派对老鹰小黑要搬家拯救水獭鳄鱼的返家之旅深海谜团大章鱼出动沙鬣蜥大合唱美洲鸵的救援日草原犬鼠找新家英雄Diego非洲大探险(上集)非洲大探险(下集)眼镜熊要回家迷路的小鬃狼找水的大蚺蛇雨林里的蓝默蝶拯救革龟三次任务图书馆员琳达受伤的侏儒狨拯救恐龙大冒险(上集)拯救恐龙大冒险(下集)拯救绒鼠的任务遇难的树懒拯救一头座头鲸树蛙落水记金刚鹦鹉妈妈三只小美洲鹫皮多的企鹅学校嘉年华会雨林赛跑美洲虎山之旅VCD DIEGO<神奇救难背包>(10碟装)DVD 1第21集小蜜熊遇难记第22集拯救鲸鱼王DVD 2第23集山米的情人节第24集拯救圣诞节DVD 3第25集走鹃的赛跑大赛第26集拯救江豚的任务DVD 4第27集马可罗尼企鹅第28集回家之旅DVD 5第29集美洲虎的派对第30集老鹰小黑要搬家DVD 6第31集拯救水獭第32集鳄鱼的返家之旅DVD 7第33集深海谜团第34集大章鱼出动DVD 8第35集沙鬣蜥大合唱第36集美洲鸵的救援日DVD 9第37集草原犬鼠找新家第38集英雄DiegoDVD 10第39集非洲大探险(上集)第40集非洲大探险(下集) VCD DIEGO<动物救援日>(10碟装)。
爱冒险的朵拉
【分集介绍】《爱探险的朵拉》第一集大红公鸡的传说The legend of the Big Red Chicken 今天Dora要带我们去高高的大红山上找大红公鸡，大红公鸡可大了，就像一座小山一样，而且，它还会跳小鸡舞呢，你是不是也很想看呢？赶快一起出发吧！要去大红山，我们要先经过一座桥，再通过一扇锁着的大门，然后就能到大红山了。
可是小桥上面缺了好多木块，你要帮Dora一起补好，还要帮Dora找到大门的钥匙，这样我们就能顺利的到达大红山了。
来摆摆手臂，和我们一起跳小鸡舞吧！Bridge——小桥Gate——大门Big Red Hill——大红山《爱探险的朵拉》第二集蓝鸟宝宝Lost and foundDora和Boots正在玩捉迷藏的游戏，突然发现一只从巢里掉到地上，并且全身湿透了的蓝鸟宝宝，可怜的蓝鸟宝宝和妈妈失散了，我们要把它送到它妈妈那里，地图告诉我们首先要经过香蕉树，再经过一个有稻草人防守的玉米地，才能到达目的地——蓝树林。
多亏了有你的帮忙，他们终于团聚了。
看完节目后，你学会了猴子抓痒舞吗？是不是很有趣？以后可以用它来逗大家开心哦。
Bananas–香蕉Cornfield—玉米地Little Blue Tree---蓝色小树《爱探险的朵拉》第三集大声和小声Hic-Boom-ohh你听到了么？听到那个怪怪的声音了么？到底是什么发出了这么奇怪的声音呢？赶快和Dora还有Boots一起去看看吧！原来声音是从黄山谷那里传来的。
我们要先通过一条吵闹的小河，再经过寂静森林，然后就能到黄山谷看看到底是怎么回事了！还好Dora有好多好朋友，我们才顺利通过了吵闹的小河，又在背包的帮助下过了寂静森林，哦，原来是我们的朋友Benny牛打嗝的声音，赶快帮他治好打嗝吧！River——小河Forest——森林Yellow Valley——黄山谷《爱探险的朵拉》第四集去海滩游泳Beaches天气好热，Dore 和Boots要去海滩游泳，我们先来看看地图，怎么才能去海边？首先，我们要经过黄色的沙砾堆成的小山，这个叫沙丘，然后再通过一座木板桥，就能到海边了！大家一起出发吧！沙丘有三条路，需要你帮忙看地图为我们挑出对的路哦，还有木板桥，需要大家一起帮忙来把它修好，当然，一定要小心狐狸，他一定又要来偷我们的东西！还好有你的帮忙，我们终于到了海滩游泳，啊，我们的朋友们也来了，Tico松鼠，Benny牛，真是太高兴了！Dunes——沙丘Boardwalk——木板桥Beach——《爱探险的朵拉》第五集甜筒岛We All scream for ice cream哦，冰琪淋！Dore和Boots最喜欢吃冰琪淋了！看，那里有一辆冰琪淋车，让我们一起去追它吧！地图说它是要开到甜筒岛去的。
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卡通乐园 优漫卡通 （江苏少儿频道） 周一至周日
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周一至周日 优趣俱乐部 17:00
动画天地
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朵拉历险记第一季英语带中文翻译
朵拉历险记第一季英语带中文翻译Title/标题: Dora the Explorer Season One / 朵拉历险记第一季。
Dora the Explorer Season One / 朵拉历险记第一季。
Dora the Explorer is a beloved children's animated television series that follows the adventures of a young Latina girl named Dora and her monkey friend Boots. The show is designed to teach young viewers basic language skills, problem-solving, and cultural awareness through interactive storytelling and exploration.《朵拉历险记》是一部备受喜爱的儿童动画电视系列，讲述了一个名叫朵拉的年轻拉丁裔女孩和她的猴子朋友布茨的冒险故事。
该节目旨在通过互动式讲故事和探索，教导年幼的观众基本的语言技能、解决问题能力和文化意识。
The first season of Dora the Explorer introduces viewers to Dora, Boots, and a colorful cast of characters,including Dora's talking backpack and the mischievousSwiper the Fox. Each episode follows a similar format, with Dora and Boots embarking on a journey to solve a problem or reach a destination, often with the help of the viewers at home.《朵拉历险记》第一季向观众介绍了朵拉、布茨以及一系列丰富多彩的角色，包括朵拉的会说话的背包和调皮的狐狸史瓦伯。
英语原版分级教材、读物、儿歌、Phonics自然拼读法、桥梁书、章节书及动画资源的分类整理表格及下载汇总
下列动画资源按如下三个因素来进行难度分级：a. 每集时长；b. 语速；c. 语言的深度。
这是针对大众水平进行的分级，如果出现以下情况，可不必遵循这一难度分级：a. 你家孩子对某个领域非常感兴趣，依照兴趣优先原则，直接选用孩子感兴趣的动画资源。
b. 你家孩子有耐性看长度长些的动画，也可看下一级别的动画，因为下一级别的从语速和语言深度来讲，可能不比上一级别难，只是时间更长，考虑到孩子的视力和专注时长而进行了级别的区分。
第四部分：绘本、桥梁书、章节书资源。
全网最全的爱探险的朵拉英文版共4个季+104集中文版
全⽹最全的爱探险的朵拉英⽂版共4个季+104集中⽂版爱探险的朵拉英⽂版共4个季+104集中⽂版
爱探险的朵拉Dora the Explorer国内现在引进了第1~2季，有国语的，也有英语版的。
爱探险的朵拉Dora the Explorer的第三季和第四季不是国内引进版的，也不知道现在引进了
没有，呵呵。
这没有引进的版本的最⼤缺点就是：西班⽛语太多了，本来需要重点学习的知
识点都是西班⽛语的（郁闷啊，我⼿⾥的这第三季和第四季英⽂版的爱探险的朵拉Dora the
Explorer只在说⼤概是Great的这些地⽅⽤西班⽛语，其他的知识点和故事情节都是英语）
，其他地⽅是全英语的。
如果孩⼦⽐较⼩，可以从看爱探险的朵拉Dora the Explorer开始，不建议看双语的，直接看
我⼿⾥的英⽂版和中⽂版的朵拉就好。
因为爱探险的朵拉Dora the Explorer每集的故事套路
是⼀样的，都是朵拉背着她的backpack（backpack的歌每集都有）和她的好朋友⼩猴⼦Bo
ots，根据线索去完成某项历险（线索就是这⼀集重点要学习的单词或词组——图⽂对应，
所以根本不需要中⽂解释），朵拉根据线索完成了任务后还会有⼀⾸歌。
⽽⾄于爱探险的朵拉Dora the Explorer每集的故事情节介绍虽然也是全英⽂的，但配有画⾯
，还有每集差不多的套路，孩⼦基本能⾃⼰整明⽩是怎么回事，这对孩⼦的听⼒理解能⼒是
有促进的，因此，才建议不要看双语版的（⼀家之⾔，仅供参考）。
爱探险的朵拉(33-52集)单词和句型
爱探险的朵拉（33-52集）单词和句型爱探险的朵拉全集朵拉帮笨蛋国国王找皇冠-美式英语教学动画视频爱探险的朵拉第33集 (Bobo)笨蛋国国王的母亲要过生日了，国王邀请朵拉和布茨一起参加派对，国王的母亲要求他必须要带上皇冠，朵拉找来地Bobo)笨蛋国国王的母亲要过生日了，国王邀请朵拉和布茨一起参加派对，国王的母亲要求他必须要带上皇冠，朵拉找来地图帮忙，原来国王的皇冠落在秋千旁边了，地图告诉他们首先他们要跨过喷水池，然后要穿过火鸡花园，最后就可以到秋千那里找到国王的皇冠了。
本课英语单词:fountain 喷水池garden花园swing 秋千bite 咬run 跑turkey 火鸡ladder 梯子circle 圆形triangle 三角形square 正方形给朵拉的小狗送礼物-美式英语教学动画视频爱探险的朵拉第34集朵拉的奶奶给朵拉养的小狗狗买了一份礼物，要朵拉赶快拿回去，不然会被捣蛋鬼抢走的。
捣蛋鬼为了抢走礼物，还发朵拉的奶奶给朵拉养的小狗狗买了一份礼物，要朵拉赶快拿回去，不然会被捣蛋鬼抢走的。
捣蛋鬼为了抢走礼物，还发明了抓抓机，这样的话，能抢到小狗狗的礼物吗,朵拉要怎么才能快点回家呢?地图告诉朵拉，首先必须穿过蝴蝶花园，然后和时刻会跳舞的树跳舞，这样就能回到朵拉的家啦。
本集英语单词:puppy 小狗garden 花园trees 树Dora's house 朵拉的家star 星星butterfly 蝴蝶banana 香蕉dance 跳舞朵拉妈妈生双胞胎，朵拉赶回家-美式英语教学动画视频爱探险的朵拉第36集朵拉的妈妈要生小宝宝了，朵拉爸爸打来电话让朵拉和布茨赶紧回家，地图告诉朵拉回家最快的路，首先要穿过恐怖森林朵拉的妈妈要生小宝宝了，朵拉爸爸打来电话让朵拉和布茨赶紧回家，地图告诉朵拉回家最快的路，首先要穿过恐怖森林，然后经过坚果农村，最后就能到朵拉的家了。
恐怖森林里有安全的的青蛙，还会会咬人的蛇和会吃人的鳄鱼，朵拉他们能平安通过森林吗,顺利回家吗,本科英语单词:forest 森林farm 农场Dora's house 朵拉的家布茨给朵拉取乐谱-美式英语教学动画视频爱探险的朵拉第36集朵拉自己写了一首英语学习歌，可是到学校才发现歌谱忘在布茨家了，于是小猴子布茨要去取了歌谱给朵拉送到学校去朵拉自己写了一首英语学习歌，可是到学校才发现歌谱忘在布茨家了，于是小猴子布茨要去取了歌谱给朵拉送到学校去。
廖彩杏大全套,100本听读书单原版绘本 MP3 视频 52周计划表,免费领取,超级难得,手慢无!
廖彩杏大全套,100本听读书单原版绘本 MP3 视频 52周计划表,免费领取,超级难得,手慢无!廖彩杏大全套，100本听读书单原版绘本MP3 视频52周方案表，免费领取，超级难得，手慢无！简介在自己发音不标准、缺乏全英语环境的状况下,如何才干教孩子说出一口好英文?先看一个小故事，一对双胞胎没有出国,不上英语补习班，幼儿园时他们的英文却能对答如流,演讲竞赛拿冠XXX，是不是很奇特？其实，缘由很容易，由于他们的妈妈是廖彩杏！廖彩杏，毕业于XXX政大西洋语文学系，中正高校外文所，曾任英文教师，也是一对双胞胎宝宝的妈妈。
按照专业理论和实际教养阅历，为孩子选择合适的有声书。
最推崇用有声CD的方式带领孩子进入英文绘本的世界。
廖彩杏书单风靡两岸三地，在大陆，更是受到妈妈们的追捧，其中不乏保藏她的推举书单里所有100本英文图书的忠实拥趸。
9.68GB，1000多个文件，网上最全，格式最整齐，几乎都有音频、文档、视频，假如孩子能在一年内将这100本书耳熟能详地背诵出来，那肯定会有你意想不到的收获。
焦急的直接在mom公众账号回复“廖彩杏”免费领取，不急的渐渐看，满满的养分~对曾任英文教师的廖彩杏来说，这并不是天方夜谭。
从未留洋，也自承发音并不道地的廖彩杏，总是很衷心的告知对方：“与其花钱去补习班，有逻辑的听英文有声故事，不仅经济实惠，而且效果更好。
”从“阅听”自然连接到“阅读”循序渐进大致可分成三阶段。
①第一阶段：有重复性的押韵绘本此阶段是以有重复性的押韵绘本为主，主要目的在于养成音感与听力。
她最推举的是《My Very First Mother Goose》，“这包含了英文发音的四十四种音素，是让听觉敏锐，进而朗朗上口的最好办法。
”“重复”，是她替孩子采购英文儿童绘本的首要原则。
从一开头的“句子、句型重复”，到因情境、地点、对象不同，用字也会不同的“概念重复”。
②其次阶段：角群重复或风格幽默的图画书学习语言的第一步是透过“声音”捕获“意义”，其次阶段才是透过字音、字义的连结来熟悉字形。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.6.11 (11/2017)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 203B & 201B, Nanshan E-Commerce Base Of Innovative ServicesShi Yun Road, Shekou, Nanshan, Shenzhen China© NATIVE INSTRUMENTS GmbH, 2017. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.6.11 (27)2Basic Concepts (29)2.1Important Names and Concepts (29)2.2Adjusting the MASCHINE User Interface (32)2.2.1Adjusting the Size of the Interface (32)2.2.2Switching between Ideas View and Arranger View (33)2.2.3Showing/Hiding the Browser (34)2.2.4Minimizing the Mixer (34)2.2.5Showing/Hiding the Control Lane (35)2.3Common Operations (36)2.3.1Using the 4-Directional Push Encoder (36)2.3.2Pinning a Mode on the Controller (37)2.3.3Pinning a Mode on the Controller (38)2.3.4Undo/Redo (39)2.3.5List Overlay for Selectors (41)2.3.6Zoom and Scroll Overlays (42)2.3.7Focusing on a Group or a Sound (42)2.3.8Switching Between the Master, Group, and Sound Level (47)2.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.482.3.9.1Extended Navigate Mode on Your Controller (53)2.3.10Using Two or More Hardware Controllers (56)2.3.11Touch Auto-Write Option (58)2.4Native Kontrol Standard (60)2.5Stand-Alone and Plug-in Mode (62)2.5.1Differences between Stand-Alone and Plug-in Mode (62)2.5.2Switching Instances (63)2.5.3Controlling Various Instances with Different Controllers (64)2.6Preferences (65)2.6.1Preferences – General Page (66)2.6.2Preferences – Audio Page (70)2.6.3Preferences – MIDI Page (74)2.6.4Preferences – Default Page (77)2.6.5Preferences – Library Page (81)2.6.6Preferences – Plug-ins Page (89)2.6.7Preferences – Hardware Page (94)2.6.8Preferences – Colors Page (98)2.7Integrating MASCHINE into a MIDI Setup (100)2.7.1Connecting External MIDI Equipment (100)2.7.2Sync to External MIDI Clock (101)2.7.3Send MIDI Clock (102)2.8Syncing MASCHINE using Ableton Link (103)2.8.1Connecting to a Network (103)2.8.2Joining and Leaving a Link Session (103)2.9Using a Pedal with the MASCHINE Controller (105)2.10File Management on the MASCHINE Controller (105)3Browser (107)3.1Browser Basics (107)3.1.1The MASCHINE Library (107)3.1.2Browsing the Library vs. Browsing Your Hard Disks (108)3.2Searching and Loading Files from the Library (109)3.2.1Overview of the LIBRARY Pane (109)3.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (114)3.2.2.1Browsing by Product Category Using MASCHINE MK3 (118)3.2.2.2Browsing by Product Vendor Using MASCHINE MK3 (119)3.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (119)3.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (124)3.2.4Selecting a File Type (125)3.2.5Choosing Between Factory and User Content (126)3.2.6Selecting Type and Mode Tags (127)3.2.7List and Tag Overlays in the Browser (133)3.2.8Performing a Text Search (135)3.2.9Loading a File from the Result List (135)3.3Additional Browsing Tools (140)3.3.1Loading the Selected Files Automatically (140)3.3.2Auditioning Instrument Presets (142)3.3.3Auditioning Samples (143)3.3.4Loading Groups with Patterns (144)3.3.5Loading Groups with Routing (145)3.3.6Displaying File Information (145)3.4Using Favorites in the Browser (146)3.5Editing the Files’ Tags and Properties (152)3.5.1Attribute Editor Basics (152)3.5.2The BANK Page (154)3.5.3The TYPES and MODES Pages (155)3.5.4The PROPERTIES Page (157)3.6Loading and Importing Files from Your File System (158)3.6.1Overview of the FILES Pane (158)3.6.2Using Favorites (160)3.6.3Using the Location Bar (161)3.6.4Navigating to Recent Locations (162)3.6.5Using the Result List (163)3.6.6Importing Files to the MASCHINE Library (166)3.7Locating Missing Samples (168)3.8Using Quick Browse (170)4Managing Sounds, Groups, and Your Project (175)4.1Overview of the Sounds, Groups, and Master (175)4.1.1The Sound, Group, and Master Channels (176)4.1.2Similarities and Differences in Handling Sounds and Groups (177)4.1.3Selecting Multiple Sounds or Groups (178)4.2Managing Sounds (183)4.2.1Loading Sounds (185)4.2.2Pre-listening to Sounds (186)4.2.3Renaming Sound Slots (187)4.2.4Changing the Sound’s Color (187)4.2.5Saving Sounds (189)4.2.6Copying and Pasting Sounds (191)4.2.7Moving Sounds (194)4.2.8Resetting Sound Slots (196)4.3Managing Groups (197)4.3.1Creating Groups (198)4.3.2Loading Groups (200)4.3.3Renaming Groups (201)4.3.4Changing the Group’s Color (201)4.3.5Saving Groups (203)4.3.6Copying and Pasting Groups (205)4.3.7Reordering Groups (208)4.3.8Deleting Groups (209)4.4Exporting MASCHINE Objects and Audio (210)4.4.1Saving a Group with its Samples (211)4.4.2Saving a Project with its Samples (212)4.4.3Exporting Audio (214)4.5Importing Third-Party File Formats (221)4.5.1Loading REX Files into Sound Slots (221)4.5.2Importing MPC Programs to Groups (222)5Playing on the Controller (226)5.1Adjusting the Pads (226)5.1.1The Pad View in the Software (226)5.1.2Choosing a Pad Input Mode (228)5.1.3Adjusting the Base Key (231)5.1.4Using Choke Groups (233)5.1.5Using Link Groups (235)5.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (238)5.3Adjusting the Base Key (239)5.4Playing Tools (240)5.4.1Mute and Solo (241)5.4.2Choke All Notes (245)5.4.3Groove (246)5.4.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (248)5.4.5Tap Tempo (252)5.5Performance Features (253)5.5.1Overview of the Perform Features (253)5.5.2Selecting a Scale and Creating Chords (256)5.5.3Scale and Chord Parameters (256)5.5.4Creating Arpeggios and Repeated Notes (262)5.5.5Swing on Note Repeat / Arp Output (267)5.6Using Lock Snapshots (268)5.6.1Creating a Lock Snapshot (268)5.6.2Using Extended Lock (269)5.6.3Updating a Lock Snapshot (269)5.6.4Recalling a Lock Snapshot (270)5.6.5Morphing Between Lock Snapshots (270)5.6.6Deleting a Lock Snapshot (271)5.6.7Triggering Lock Snapshots via MIDI (272)5.7Using the Smart Strip (274)5.7.1Pitch Mode (274)5.7.2Modulation Mode (275)5.7.3Perform Mode (275)5.7.4Notes Mode (276)6Working with Plug-ins (277)6.1Plug-in Overview (277)6.1.1Plug-in Basics (277)6.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (281)6.1.3Loading, Removing, and Replacing a Plug-in (281)6.1.3.1Browser Plug-in Slot Selection (287)6.1.4Adjusting the Plug-in Parameters (290)6.1.5Bypassing Plug-in Slots (290)6.1.6Using Side-Chain (292)6.1.7Moving Plug-ins (292)6.1.8Alternative: the Plug-in Strip (294)6.1.9Saving and Recalling Plug-in Presets (294)6.1.9.1Saving Plug-in Presets (295)6.1.9.2Recalling Plug-in Presets (296)6.1.9.3Removing a Default Plug-in Preset (297)6.2The Sampler Plug-in (298)6.2.1Page 1: Voice Settings / Engine (300)6.2.2Page 2: Pitch / Envelope (302)6.2.3Page 3: FX / Filter (305)6.2.4Page 4: Modulation (307)6.2.5Page 5: LFO (309)6.2.6Page 6: Velocity / Modwheel (311)6.3Using Native Instruments and External Plug-ins (313)6.3.1Opening/Closing Plug-in Windows (313)6.3.2Using the VST/AU Plug-in Parameters (316)6.3.3Setting Up Your Own Parameter Pages (317)6.3.4Using VST/AU Plug-in Presets (322)6.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (325)7Working with Patterns (326)7.1Pattern Basics (326)7.1.1Pattern Editor Overview (327)7.1.2Navigating the Event Area (333)7.1.3Following the Playback Position in the Pattern (335)7.1.4Jumping to Another Playback Position in the Pattern (337)7.1.5Group View and Keyboard View (338)7.1.6Adjusting the Arrange Grid and the Pattern Length (341)7.1.7Adjusting the Step Grid and the Nudge Grid (344)7.2Recording Patterns in Real Time (349)7.2.1Recording Your Patterns Live (349)7.2.2The Record Prepare Mode (352)7.2.3Using the Metronome (353)7.2.4Recording with Count-in (354)7.2.5Quantizing while Recording (356)7.3Recording Patterns with the Step Sequencer (356)7.3.1Step Mode Basics (356)7.3.2Editing Events in Step Mode (359)7.3.3Recording Modulation in Step Mode (361)7.4Editing Events (361)7.4.1Editing Events with the Mouse: an Overview (362)7.4.2Creating Events/Notes (365)7.4.3Selecting Events/Notes (366)7.4.4Editing Selected Events/Notes (372)7.4.5Deleting Events/Notes (378)7.4.6Cut, Copy, and Paste Events/Notes (381)7.4.7Quantizing Events/Notes (383)7.4.8Quantization While Playing (385)7.4.9Doubling a Pattern (386)7.4.10Adding Variation to Patterns (387)7.5Recording and Editing Modulation (391)7.5.1Which Parameters Are Modulatable? (392)7.5.2Recording Modulation (393)7.5.3Creating and Editing Modulation in the Control Lane (395)7.6Creating MIDI Tracks from Scratch in MASCHINE (401)7.7Managing Patterns (403)7.7.1The Pattern Manager and Pattern Mode (403)7.7.2Selecting Patterns and Pattern Banks (406)7.7.3Creating Patterns (408)7.7.4Deleting Patterns (410)7.7.5Creating and Deleting Pattern Banks (411)7.7.6Naming Patterns (413)7.7.7Changing the Pattern’s Color (415)7.7.8Duplicating, Copying, and Pasting Patterns (416)7.7.9Moving Patterns (419)7.7.10Adjusting Pattern Length in Fine Increments (420)7.8Importing/Exporting Audio and MIDI to/from Patterns (421)7.8.1Exporting Audio from Patterns (421)7.8.2Exporting MIDI from Patterns (422)7.8.3Importing MIDI to Patterns (425)8Audio Routing, Remote Control, and Macro Controls (434)8.1Audio Routing in MASCHINE (435)8.1.1Sending External Audio to Sounds (436)8.1.2Configuring the Main Output of Sounds and Groups (441)8.1.3Setting Up Auxiliary Outputs for Sounds and Groups (446)8.1.4Configuring the Master and Cue Outputs of MASCHINE (450)8.1.5Mono Audio Inputs (456)8.1.5.1Configuring External Inputs for Sounds in Mix View (457)8.2Using MIDI Control and Host Automation (461)8.2.1Triggering Sounds via MIDI Notes (462)8.2.2Triggering Scenes via MIDI (469)8.2.3Controlling Parameters via MIDI and Host Automation (471)8.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (479)8.2.5Sending MIDI from Sounds (480)8.3Creating Custom Sets of Parameters with the Macro Controls (484)8.3.1Macro Control Overview (485)8.3.2Assigning Macro Controls Using the Software (486)8.3.3Assigning Macro Controls Using the Controller (492)9Controlling Your Mix (494)9.1Mix View Basics (494)9.1.1Switching between Arrange View and Mix View (494)9.1.2Mix View Elements (495)9.2The Mixer (497)9.2.1Displaying Groups vs. Displaying Sounds (498)9.2.2Adjusting the Mixer Layout (500)9.2.3Selecting Channel Strips (501)9.2.4Managing Your Channels in the Mixer (502)9.2.5Adjusting Settings in the Channel Strips (504)9.2.6Using the Cue Bus (508)9.3The Plug-in Chain (510)9.4The Plug-in Strip (511)9.4.1The Plug-in Header (513)9.4.2Panels for Drumsynths and Internal Effects (515)9.4.3Panel for the Sampler (516)9.4.4Custom Panels for Native Instruments Plug-ins (519)9.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (523)9.5Controlling Your Mix from the Controller (525)9.5.1Navigating Your Channels in Mix Mode (526)9.5.2Adjusting the Level and Pan in Mix Mode (527)9.5.3Mute and Solo in Mix Mode (528)9.5.4Plug-in Icons in Mix Mode (528)10Using the Drumsynths (529)10.1Drumsynths – General Handling (530)10.1.1Engines: Many Different Drums per Drumsynth (530)10.1.2Common Parameter Organization (530)10.1.3Shared Parameters (533)10.1.4Various Velocity Responses (533)10.1.5Pitch Range, Tuning, and MIDI Notes (533)10.2The Kicks (534)10.2.1Kick – Sub (536)10.2.2Kick – Tronic (538)10.2.3Kick – Dusty (541)10.2.4Kick – Grit (542)10.2.5Kick – Rasper (545)10.2.6Kick – Snappy (546)10.2.7Kick – Bold (548)10.2.8Kick – Maple (550)10.2.9Kick – Push (551)10.3The Snares (553)10.3.1Snare – Volt (555)10.3.2Snare – Bit (557)10.3.3Snare – Pow (559)10.3.4Snare – Sharp (560)10.3.5Snare – Airy (562)10.3.6Snare – Vintage (564)10.3.7Snare – Chrome (566)10.3.8Snare – Iron (568)10.3.9Snare – Clap (570)10.3.10Snare – Breaker (572)10.4The Hi-hats (574)10.4.1Hi-hat – Silver (575)10.4.2Hi-hat – Circuit (577)10.4.3Hi-hat – Memory (579)10.4.4Hi-hat – Hybrid (581)10.4.5Creating a Pattern with Closed and Open Hi-hats (583)10.5The Toms (584)10.5.1Tom – Tronic (586)10.5.2Tom – Fractal (588)10.5.3Tom – Floor (592)10.5.4Tom – High (594)10.6The Percussions (595)10.6.1Percussion – Fractal (597)10.6.2Percussion – Kettle (600)10.6.3Percussion – Shaker (602)10.7The Cymbals (606)10.7.1Cymbal – Crash (608)10.7.2Cymbal – Ride (610)11Using the Bass Synth (613)11.1Bass Synth – General Handling (614)11.1.1Parameter Organization (614)11.1.2Bass Synth Parameters (616)12Using Effects (618)12.1Applying Effects to a Sound, a Group or the Master (618)12.1.1Adding an Effect (618)12.1.2Other Operations on Effects (627)12.1.3Using the Side-Chain Input (629)12.2Applying Effects to External Audio (632)12.2.1Step 1: Configure MASCHINE Audio Inputs (632)12.2.2Step 2: Set up a Sound to Receive the External Input (635)12.2.3Step 3: Load an Effect to Process an Input (637)12.3Creating a Send Effect (639)12.3.1Step 1: Set Up a Sound or Group as Send Effect (639)12.3.2Step 2: Route Audio to the Send Effect (644)12.3.3 A Few Notes on Send Effects (646)12.4Creating Multi-Effects (647)13Effect Reference (650)13.1Dynamics (651)13.1.1Compressor (651)13.1.2Gate (655)13.1.3Transient Master (659)13.1.4Limiter (661)13.1.5Maximizer (665)13.2Filtering Effects (668)13.2.1EQ (668)13.2.2Filter (671)13.2.3Cabinet (675)13.3Modulation Effects (676)13.3.1Chorus (676)13.3.2Flanger (678)13.3.3FM (680)13.3.4Freq Shifter (681)13.3.5Phaser (683)13.4Spatial and Reverb Effects (685)13.4.1Ice (685)13.4.2Metaverb (687)13.4.3Reflex (688)13.4.4Reverb (Legacy) (690)13.4.5Reverb (692)13.4.5.1Reverb Room (692)13.4.5.2Reverb Hall (695)13.4.5.3Plate Reverb (698)13.5Delays (700)13.5.1Beat Delay (700)13.5.2Grain Delay (703)13.5.3Grain Stretch (705)13.5.4Resochord (707)13.6Distortion Effects (709)13.6.1Distortion (709)13.6.2Lofi (711)13.6.3Saturator (713)13.6.4Analog Distortion (716)13.7Perform FX (718)13.7.1Filter (719)13.7.2Flanger (721)13.7.3Burst Echo (724)13.7.4Reso Echo (726)13.7.5Ring (729)13.7.6Stutter (731)13.7.7Tremolo (734)13.7.8Scratcher (737)14Working with the Arranger (740)14.1Arranger Basics (740)14.1.1Navigating the Arranger (743)14.1.2Following the Playback Position in Your Project (745)14.1.3Jumping to Other Sections (746)14.2Using Ideas View (748)14.2.1Scene Overview (748)14.2.2Creating Scenes (750)14.2.3Assigning and Removing Patterns (751)14.2.4Selecting Scenes (755)14.2.5Deleting Scenes (757)14.2.6Creating and Deleting Scene Banks (758)14.2.7Clearing Scenes (759)14.2.8Duplicating Scenes (759)14.2.9Reordering Scenes (761)14.2.10Making Scenes Unique (762)14.2.11Appending Scenes to Arrangement (763)14.2.12Naming Scenes (764)14.2.13Changing the Color of a Scene (765)14.3Using Arranger View (767)14.3.1Section Management Overview (767)14.3.2Creating Sections (772)14.3.3Assigning a Scene to a Section (773)14.3.4Selecting Sections and Section Banks (774)14.3.5Reorganizing Sections (778)14.3.6Adjusting the Length of a Section (779)14.3.6.1Adjusting the Length of a Section Using the Software (781)14.3.6.2Adjusting the Length of a Section Using the Controller (782)14.3.7Assigning and Removing Patterns (783)14.3.8Duplicating Sections (785)14.3.8.1Making Sections Unique (786)14.3.9Removing Sections (787)14.3.10Renaming Scenes (789)14.3.11Clearing Sections (790)14.3.12Creating and Deleting Section Banks (791)14.3.13Enabling Auto Length (792)14.3.14Looping (793)14.3.14.1Setting the Loop Range in the Software (793)14.4Playing with Sections (794)14.4.1Jumping to another Playback Position in Your Project (795)14.5Triggering Sections or Scenes via MIDI (796)14.6The Arrange Grid (798)14.7Quick Grid (800)15Sampling and Sample Mapping (801)15.1Opening the Sample Editor (801)15.2Recording a Sample (802)15.2.1Opening the Record Page (802)15.2.2Selecting the Source and the Recording Mode (803)15.2.3Arming, Starting, and Stopping the Recording (806)15.2.5Checking Your Recordings (810)15.2.6Location and Name of Your Recorded Samples (813)15.3Editing a Sample (814)15.3.1Using the Edit Page (814)15.3.2Audio Editing Functions (820)15.4Slicing a Sample (828)15.4.1Opening the Slice Page (829)15.4.2Adjusting the Slicing Settings (830)15.4.3Live Slicing (836)15.4.3.1Live Slicing Using the Controller (836)15.4.3.2Delete All Slices (837)15.4.4Manually Adjusting Your Slices (837)15.4.5Applying the Slicing (844)15.5Mapping Samples to Zones (850)15.5.1Opening the Zone Page (850)15.5.2Zone Page Overview (851)15.5.3Selecting and Managing Zones in the Zone List (853)15.5.4Selecting and Editing Zones in the Map View (858)15.5.5Editing Zones in the Sample View (862)15.5.6Adjusting the Zone Settings (865)15.5.7Adding Samples to the Sample Map (872)16Appendix: Tips for Playing Live (875)16.1Preparations (875)16.1.1Focus on the Hardware (875)16.1.2Customize the Pads of the Hardware (875)16.1.3Check Your CPU Power Before Playing (875)16.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (876)16.1.5Consider Using a Limiter on Your Master (876)16.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (876)16.1.7Improvise (876)16.2Basic Techniques (876)16.2.1Use Mute and Solo (876)16.2.2Use Scene Mode and Tweak the Loop Range (877)16.2.3Create Variations of Your Drum Patterns in the Step Sequencer (877)16.2.4Use Note Repeat (877)16.2.5Set Up Your Own Multi-effect Groups and Automate Them (877)16.3Special Tricks (878)16.3.1Changing Pattern Length for Variation (878)16.3.2Using Loops to Cycle Through Samples (878)16.3.3Using Loops to Cycle Through Samples (878)16.3.4Load Long Audio Files and Play with the Start Point (878)17Troubleshooting (879)17.1Knowledge Base (879)17.2Technical Support (879)17.3Registration Support (880)17.4User Forum (880)18Glossary (881)Index (889)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN We recommend that you follow along with these instructions while the respective appli-cation is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.1234567812345678The unlabeled buttons and knobs on the MASCHINE controller.For better reference, we applied a special formatting here: throughout the document, the ele-ments are capitalized and numbered, so the buttons above the displays are written Button 1 to Button 8, while the knobs under the displays are written Knob 1 to Knob 8. E.g., whenever you see an instruction such as “Press Button 2 to open the EDIT page,” you’ll know it’s the second button from the left above the displays.1.3New Features in MASCHINE2.6.11The following two new features have been added to MASCHINE 2.6.11 and are only aimed at MASCHINE MK3 users:▪Introduction of the General, Audio, MIDI and Hardware Preferences direct from the MA-SCHINE MK3 controller using the SETTINGS button. For more information on using the Preferences from the hardware, refer to each section of the following chapter: ↑2.6, Prefer-ences.。
爱探险的朵拉(33-52集)单词和句型
爱探险的朵拉（33-52集）单词和句型爱探险的朵拉全集朵拉帮笨蛋国国王找皇冠-美式英语教学动画视频爱探险的朵拉第33集 (Bobo)笨蛋国国王的母亲要过生日了，国王邀请朵拉和布茨一起参加派对，国王的母亲要求他必须要带上皇冠，朵拉找来地Bobo)笨蛋国国王的母亲要过生日了，国王邀请朵拉和布茨一起参加派对，国王的母亲要求他必须要带上皇冠，朵拉找来地图帮忙，原来国王的皇冠落在秋千旁边了，地图告诉他们首先他们要跨过喷水池，然后要穿过火鸡花园，最后就可以到秋千那里找到国王的皇冠了。
本课英语单词:fountain 喷水池garden花园swing 秋千bite 咬run 跑turkey 火鸡ladder 梯子circle 圆形triangle 三角形square 正方形给朵拉的小狗送礼物-美式英语教学动画视频爱探险的朵拉第34集朵拉的奶奶给朵拉养的小狗狗买了一份礼物，要朵拉赶快拿回去，不然会被捣蛋鬼抢走的。
捣蛋鬼为了抢走礼物，还发朵拉的奶奶给朵拉养的小狗狗买了一份礼物，要朵拉赶快拿回去，不然会被捣蛋鬼抢走的。
捣蛋鬼为了抢走礼物，还发明了抓抓机，这样的话，能抢到小狗狗的礼物吗,朵拉要怎么才能快点回家呢?地图告诉朵拉，首先必须穿过蝴蝶花园，然后和时刻会跳舞的树跳舞，这样就能回到朵拉的家啦。
本集英语单词:puppy 小狗garden 花园trees 树Dora's house 朵拉的家star 星星butterfly 蝴蝶banana 香蕉dance 跳舞朵拉妈妈生双胞胎，朵拉赶回家-美式英语教学动画视频爱探险的朵拉第36集朵拉的妈妈要生小宝宝了，朵拉爸爸打来电话让朵拉和布茨赶紧回家，地图告诉朵拉回家最快的路，首先要穿过恐怖森林朵拉的妈妈要生小宝宝了，朵拉爸爸打来电话让朵拉和布茨赶紧回家，地图告诉朵拉回家最快的路，首先要穿过恐怖森林，然后经过坚果农村，最后就能到朵拉的家了。
恐怖森林里有安全的的青蛙，还会会咬人的蛇和会吃人的鳄鱼，朵拉他们能平安通过森林吗,顺利回家吗,本科英语单词:forest 森林farm 农场Dora's house 朵拉的家布茨给朵拉取乐谱-美式英语教学动画视频爱探险的朵拉第36集朵拉自己写了一首英语学习歌，可是到学校才发现歌谱忘在布茨家了，于是小猴子布茨要去取了歌谱给朵拉送到学校去朵拉自己写了一首英语学习歌，可是到学校才发现歌谱忘在布茨家了，于是小猴子布茨要去取了歌谱给朵拉送到学校去。
朵拉历险记的英语作文
朵拉历险记的英语作文Dora the Explorer is a beloved children's televisioncharacter who embarks on exciting adventures, teaching young viewers valuable lessons in a fun and interactive way. Inthis essay, we will recount one of Dora's most memorable journeys and discuss the important themes it presents.One sunny morning, Dora, a cheerful and brave young girl,sets out on a quest to find the legendary Rainbow Mountain. Accompanied by her trusty monkey sidekick, Boots, she isready to face the challenges that lie ahead. Dora'sadventures are filled with problem-solving, language learning, and cultural exploration, making her journeys botheducational and entertaining.Throughout her journey, Dora encounters various obstacles, such as the Tricky Tunnel, the Muddy Puddle, and the Scary Bridge. Each challenge is met with a positive attitude and a can-do spirit. Dora often asks her viewers for help,reinforcing the idea that teamwork and collaboration are essential to overcoming difficulties.One of the key features of Dora's adventures is her use of a second language, Spanish. She frequently teaches viewers Spanish words and phrases, promoting bilingualism andcultural awareness. This educational aspect of the show isnot only engaging for children but also encourages them to learn and appreciate different languages and cultures.As Dora and Boots navigate through the jungle, they meet new friends and learn about the importance of kindness, respect, and environmental conservation. For instance, when they come across a family of armadillos stuck in the Muddy Puddle, Dora and Boots work together with the armadillos to find a solution, teaching children about empathy and cooperation.The climax of the adventure occurs when Dora and Bootsfinally reach Rainbow Mountain and discover a hidden treasure—a beautiful garden filled with colorful flowers and butterflies. This treasure serves as a metaphor for the true rewards of exploration: the joy of discovery, the thrill of learning, and the satisfaction of achieving a goal.In conclusion, the adventures of Dora are more than just entertaining stories; they are a vehicle for teaching important life skills and values. Through her travels, Dora instills in her audience the importance of curiosity, perseverance, and respect for others and the environment. Her adventures are a testament to the power of education and the joy of lifelong learning.。
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爱探险的朵拉
简介
自2000年8月份开播到目前2014年，《爱探险的朵拉》已持续播出8季，近200集。
从连续14年的播放时间跨度上，可以看出这部动画片的受欢迎程度和长久的生命力。
《爱探险的朵拉》每集24分钟左右；适合3-6岁的小朋友观看；陈述故事的部分语速有点快；每集的套路一样，所以很容易看懂。
朵拉是一个留着棕褐色短发、有着健康深色皮肤、性格开朗阳光的小女孩，她虽然只有7岁，可是却是一个十分爱冒险的小家伙，她的足迹遍布世界各地，无论是崇山峻岭，还是大洋湖泊，甚至奇幻秘境，都曾看到朵拉的身影。
她还有一个好朋友，小猴子布茨，更有勇敢的小表哥迪亚哥以及疼爱保护她的家人。
每当面对困难时，朵拉就会鼓励电视机前的小朋友和她一起参与，克服重重难关，在这一过程中也许会了许多有用的单词与词组，更得到了难以言喻的快乐。
朵拉是我们最最要好的朋友！
《爱探险的朵拉》英文版第一季共26集，播出时间从2000年8月14日到2001年9月15日。
试看链接: /s/1mgvFn2g 密码: sa6a 联系方式：
店铺地址：/。