浅谈中国画与诗歌的关系
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中国画与古诗词关系的研究已经不是一个新的课题,很早以前很多人都对此做以了解 与研究,并且得出了一系列的研究成果。我们可以说诗和画都是人类本性加之感情的结合 体。无论是从《诗经》中的“昔我往矣,杨柳依依,今我来思,雨雪霏霏”,还是到唐代 的“竹喧归浣女,莲动下渔舟”。这些作品的艺术形象和内心感受都讲究意境美,也就是 说意境是主观与客观相融的产物。例如清代画家书法家方士庶说:“山川草木,造化自然, 此实境也。因心造境,以手运心,此虚境也。虚而为实,是在笔墨有无间。”也有人说诗 歌与中国画是两种不同的艺术形式,虽然它们之间有很多相通的地方,但是两种艺术是不 能互相替代的,也就意味着它们之间也有着差异性,它们在某种程度上是不通的,各有各 自的表现领域。
学校代ຫໍສະໝຸດ Baidu 分类号
学号 密级
公开
本 科毕 业 论文( 设 计)
题目
(中、英文)
浅谈中国画与诗歌的关系
Chinese paintings and poems on the relationship
作者姓名 专业名称 学科门类 指 导 教 师 一、 提交论文日期 成绩评定
摘要
诗歌和绘画是中国传统文化的两朵奇葩,它们在很早以前就有着千丝万缕的联系,而 且二者之间又在相互地影响。二者无论是在意境上,还是在内容上,或是在审美情趣上都 有着交融性与共通性。它们都是依附于一定的艺术形象来表达作者的思想感情,并且与大 家一起分享他们的人生感悟。同时二者又存在着不能忽视的差异性,不能完全看成是同一 种艺术形式。本文简要阐述了诗画结合的历史地位及历史意义。从诗歌的角度,分析了诗 和画的联系是诗中有画,从绘画的角度分析了诗画的关系是画中有诗和诗画一体。在我们 沉醉在中国画的意境中的时候,经常会发现画中有大片的留白,画的旁边还会有一些题款 或诗词,诗写在画面上,所以也就成了画的一部分,从而诗与画完整统一起来。本文从诗 歌和绘画的角度分别分析了它们之间的关系及异同。
关键词: 中国画;诗歌;关系
I
Abstract
Poetry and painting is in the China traditional culture of two exotic flowers, long before they are closely related, and in between each other and influence. Both whether in artistic conception, or in the content, or in the aesthetic appeal has combination and convergence. They are all attached to certain artistic image to express the thoughts and feelings of the author, and to share their life feeling. At the same time both there and cannot ignore the difference, and can not as the same kind of art form. This paper briefly expounds the status and the history and combined with historical significance. From the point of view of poetry, analyzes the contact of poetry and painting in the poem is a painting, painting from the perspective of the relationship between poetry is a picture with poems in and making one. We lost in the Chinese painting in the artistic conception, often find the painting in the takes a large, beside the picture will still have some TiKuan or the poetry, the poem in picture, so also became part of the painting, poetry and painting complete and unified. This paper, from the perspective of poetry and painting are analyzed the relations between them and the similarities and differences.
1、线条美......................................................................................................................... 5 2、气韵美......................................................................................................................... 6 3、意境美......................................................................................................................... 6 4、色彩美......................................................................................................................... 7 5、艺术形象美................................................................................................................. 7 四、回归中国画的本质................................................................................................................. 7 结论................................................................................................................................................. 8 参考文献....................................................................................................................................... 10 谢辞............................................................................................................................................... 11
Key words: Chinese paintings; poetry; relationship
II
目录
摘 要..............................................................................................................................................I Abstract........................................................................................................................................... II 目 录........................................................................................................................................... III 前 言............................................................................................................................................. 1 一、诗歌与绘画的传统说............................................................................................................. 1 二、诗歌与中国画的互补性......................................................................................................... 2
III
咸阳师范学院 2012 届本科毕业毕业论文(设计)
前言
中国艺术家和西方艺术家一直在探讨诗歌和中国画的关系,但是他们对二者的关系有 着各自的看法与观点。西方艺术家认为二者有着根本的差异,但是也有可能合二为一。如 黑格尔认为诗歌有音乐的一面,也有绘画的一面,西蒙尼底斯也说过“画是静默的诗,诗 是语言的画”。[1]而中国艺术家则认为中国画与诗歌本来就是感情的产物,自觉地交融在一 起,可谓“诗画本一律,天工与清新。”
(一)、诗中有画.................................................................................................................... 2 (二)、画中有诗.................................................................................................................... 3 三、中国画与诗词的异同............................................................................................................. 4 (一)、诗画同源.................................................................................................................... 4 (二)、二者创作都要求新颖立意........................................................................................ 4 (三)、时间与空间的不同.................................................................................................... 4 (四)、说的出,画不就........................................................................................................ 5 (五)、中国画与诗词同样讲究表现手法............................................................................ 5
学校代ຫໍສະໝຸດ Baidu 分类号
学号 密级
公开
本 科毕 业 论文( 设 计)
题目
(中、英文)
浅谈中国画与诗歌的关系
Chinese paintings and poems on the relationship
作者姓名 专业名称 学科门类 指 导 教 师 一、 提交论文日期 成绩评定
摘要
诗歌和绘画是中国传统文化的两朵奇葩,它们在很早以前就有着千丝万缕的联系,而 且二者之间又在相互地影响。二者无论是在意境上,还是在内容上,或是在审美情趣上都 有着交融性与共通性。它们都是依附于一定的艺术形象来表达作者的思想感情,并且与大 家一起分享他们的人生感悟。同时二者又存在着不能忽视的差异性,不能完全看成是同一 种艺术形式。本文简要阐述了诗画结合的历史地位及历史意义。从诗歌的角度,分析了诗 和画的联系是诗中有画,从绘画的角度分析了诗画的关系是画中有诗和诗画一体。在我们 沉醉在中国画的意境中的时候,经常会发现画中有大片的留白,画的旁边还会有一些题款 或诗词,诗写在画面上,所以也就成了画的一部分,从而诗与画完整统一起来。本文从诗 歌和绘画的角度分别分析了它们之间的关系及异同。
关键词: 中国画;诗歌;关系
I
Abstract
Poetry and painting is in the China traditional culture of two exotic flowers, long before they are closely related, and in between each other and influence. Both whether in artistic conception, or in the content, or in the aesthetic appeal has combination and convergence. They are all attached to certain artistic image to express the thoughts and feelings of the author, and to share their life feeling. At the same time both there and cannot ignore the difference, and can not as the same kind of art form. This paper briefly expounds the status and the history and combined with historical significance. From the point of view of poetry, analyzes the contact of poetry and painting in the poem is a painting, painting from the perspective of the relationship between poetry is a picture with poems in and making one. We lost in the Chinese painting in the artistic conception, often find the painting in the takes a large, beside the picture will still have some TiKuan or the poetry, the poem in picture, so also became part of the painting, poetry and painting complete and unified. This paper, from the perspective of poetry and painting are analyzed the relations between them and the similarities and differences.
1、线条美......................................................................................................................... 5 2、气韵美......................................................................................................................... 6 3、意境美......................................................................................................................... 6 4、色彩美......................................................................................................................... 7 5、艺术形象美................................................................................................................. 7 四、回归中国画的本质................................................................................................................. 7 结论................................................................................................................................................. 8 参考文献....................................................................................................................................... 10 谢辞............................................................................................................................................... 11
Key words: Chinese paintings; poetry; relationship
II
目录
摘 要..............................................................................................................................................I Abstract........................................................................................................................................... II 目 录........................................................................................................................................... III 前 言............................................................................................................................................. 1 一、诗歌与绘画的传统说............................................................................................................. 1 二、诗歌与中国画的互补性......................................................................................................... 2
III
咸阳师范学院 2012 届本科毕业毕业论文(设计)
前言
中国艺术家和西方艺术家一直在探讨诗歌和中国画的关系,但是他们对二者的关系有 着各自的看法与观点。西方艺术家认为二者有着根本的差异,但是也有可能合二为一。如 黑格尔认为诗歌有音乐的一面,也有绘画的一面,西蒙尼底斯也说过“画是静默的诗,诗 是语言的画”。[1]而中国艺术家则认为中国画与诗歌本来就是感情的产物,自觉地交融在一 起,可谓“诗画本一律,天工与清新。”
(一)、诗中有画.................................................................................................................... 2 (二)、画中有诗.................................................................................................................... 3 三、中国画与诗词的异同............................................................................................................. 4 (一)、诗画同源.................................................................................................................... 4 (二)、二者创作都要求新颖立意........................................................................................ 4 (三)、时间与空间的不同.................................................................................................... 4 (四)、说的出,画不就........................................................................................................ 5 (五)、中国画与诗词同样讲究表现手法............................................................................ 5