William Faulkner-Dry September威廉福克纳 干旱的九月 英文版
William_Faulkner-Dry_September威廉福克纳_干旱的九月_英文版
VIII.Dry September:William Faulkner’s short story "Dry September" deals with a lynching of a black man, Will Mayes, wrongly accused of attacking a white woman, Minnie Cooper. But Mayes is not the only victim in this short story. Minnie Cooper is also a victim in "Dry September." Minnie is as much a victim of the social standards and practices of southern society as Willie Mayes is. ?While "Dry September" may seem to be just a story about how a black man is wrongly condemned to death, it is also about the moral and social demise of a woman who is no longer valued in society. Minnie Cooper lives in a society that has no more place for old maids than it has for black men, and that makes her just as much a victim as Willie Mayes.Minnie had no choice but to create a lie because, "Minnie’s world, offering no alternatives, encouraged Minnie to consent to, even create, her own victimization in the interests of consolidating white control" ?The structure of the story itself points to the importance of Minnie Cooper. She is dealt with more in the text of "Dry September" than Willie Mayes is. "Dry September" is divided up into five sections. The first section takes place in the barbershop, where the men decide to get Willie back for "raping" Minnie. The second section deals directly with Minnie, her life, what she does, and how she is being ignored by society. The third section deals with the lynching of Willie. However, in this section Willie‟s thoughts and feelings are not made known to us. Instead the readers get an account of what happens up to the point where Hawshaw jumps out of the car. The fourth section again deals with Minnie, how she is acting, what she is wearing, and how people act toward her. The fifth section deals with McLendon beating his wife, which not only mimics the violent death of Willie, but also suggests the helplessness and vulnerability of women in this white, male-dominated society.Minnie Cooper clearly is an important character due to the amount of material written about her. Two fifths of the story deal directly with her. Only one fifth of the story deals directly with Willie, and in that section his character is not developed at all. Minnie is a victim in this story because there are two sections of the story explaining what her character is like and why she is ?suffering so much. Minnie is a victim of her gender, while Willie is a victim of his race. Noel Polk in Faulkner and Gender, states that, "Dry September" is "more centrally concerned with gender than with race". It is obvious that Willie is a victim, for he is the one who is murdered. But Minnie is also?a victim; although she does not die physically, she has for a long period been dead to society.?"She was the last to realize that she was losing ground. One evening at a party she heard a boy and two girls, all schoolmates, talking. She never accepted another invitation"We are told that there was a short time in her life when she was part of society—part of the crowd: "When she was young she had a slender, nervous body and a sort of hard vivacity which had enabled her for a time to ride upon the crest of the town’s social life ?Since being sexually attached or sexually a ttractive was so important to women, Minnie‟s diminished status is clearly revealed when she is no longer able to hold any man‟s interest.This feeling compels her even more to falsely accuse Willie. After Minnie accuses Willie ofrape, she receives attention from the men in the town again./dry-september/William FaulknerA man who live through the Realistic Period and Modernism Period, and “the man himself never stood taller than five feet, six inches tall, but in the realm of American literature, William Faulkner is a giant.” He‟s known as a Mississippi writer by his works.William Faulkner is recognized by many as America‟s greatest writer of prose fiction of the 20th century and he‟s also a Nobel Prize-winning novelist of 1949. He was born on September 25, 1897, in New Albany, Mississippi. He was named after his grandfather William Clark Falkner who was the auth or of a popular romantic novel called “The White Rose of Memphis. Faulkner grew up in an old southern family, just before his fifth birthday, his family moved to Oxford, Mississippi, during that time, he met his childhood sweetheart, Estelle Oldham, and his lifetime friend Phil Stone who encouraged him to write. At the Oxford High School, he played the football as a quarterback and suffered a broken nose. And soon, he dropped out of school at age of 15. Later, he tried to join the U.S Army Air Force but was denied because he was too short.In July 1918, impelled by dreams of martial glory and by despair at a broken love affair, he joined Canadian Royal Air Force. On his application to the RAF, he lied about a few things, including his birth date, place, and added a “U” to his real last name “Falkner”, believing it would look more British. During the World War I, but he never fought. After the war, he returned to Mississippi as a war veteran and enrolled at the University of Mississippi under a special provision for war veterans. Even though he had never graduated from high school, his first published poem “L …Apres-Midi d‟un Faune” appeared in The New Republic. His writing career started to turn around since then.William Faulkner was a very indifferent student in high school, and that determined his talent and unique writing style. His writings are mostly longer, and quite hypnotic, and his writings often have highly emotional impacts and complex, or sometimes even Gothic. He and Ernest Hemingway are considered two greatest American novelists of his era. Faulkner was also a prolific short story writer, many of his short stories and novels are set in Mississippi, and his most celebrated works include “Barn Burning” and “Dry September”.The story “Barn Burning”, narrated in the third person, was set in the imaginary Mississippi country Yoknapatawpha, where a ten year-old little boy Satoris Snopes faced a major decision in his life, which is either going alone with the views and actions of his father or to do what he innately senses is right. The story opens with the protagonist Sartoris Snopes in the court, and hoping that he will not be testify for a case against his father, even though Sarty knows the fact that his father is absolutely guilty for what he did. Sartoris‟s father Abnernathy Snopes has a habit that he likes to burn a barn of whomever he is angry with. His father once said to him: “You got to learn to stick to your own blood or you ain‟t going to have any blood to stick to you.” His father threatened him to be loyal to his family no matter if the family is right or wrong, or else he‟d have no place to live or no help from relatives.After being …kicked‟ out by many towns, Sartoris finally realized that there‟s something wrong with his father psychologically. When they arrived at the plantation of Major de Spain, Sarty felt that everything is fine and his father would be safe, “People whose lives are a part of this peace and dignity are beyond his touch, he no more to them than a buzzing wasp: capable of stinging for a little moment but that's all, - the spell of this peace and dignity rendering even thebarns and stable and cribs which belong to it impervious to the puny flames he might contrive . . .” However, Sartoris didn‟t know t hat his father can just easily bring down such a big plantation with his metal problem.The theme of Faulkner‟s “Barn Burning” is Sarty‟s desire to break away from his family. It is easy enough for us to say what‟s right and wrong, but, for Sartoris, it‟s not simple as right and wrong or peace and dignity, it is between blood and justice. As the beginning of the story, Sartoris did what his father told him to do, to stick with blood. He would probably defend his father anyways because the son always sticks with his father. But in the end, Sartoris warned Major de Spain that he father would burn down his plantation, even though such an action will cause his father and his family, or even worse that he would have no place to go. But, the ten years old Sartoris was able to make his own decision between family and morality.“Barn Burning” is a tale of a southerner, a man who is forced into a role by society. The main character Abnernathy Snopes, is a sharecropper of a poor family. He and his family had to share half or more than half of their harvest with the landlord. Two of Snopes‟s daughters have to stay home and help out their parents in the field. And about Sarty Snopes, the ten years old boy, there is significant fact about him. Although he knows that his father is a barn burner, Sartoris fought those boys who called his father a “barn burner” to defend his father‟s integrity. “Maybe he's done satisfied now, now that he has ... stopping himself, not to say it aloud even to himself.” Deep inside of his head, he doesn‟t want to face the truth that his dad is a barn burner, a person who caused the family to move so many times. “Likely, his father bad already arranged to make a crop on another farm before he ...” And here again he stopped his thought. At the end of the story, Sarty made his decision and the “pull of blood” was not strong enough to corrupt his mind. It is understandable of what he did. It was a choice between family and morality. Nevertheless, he was probably too young to understand his father. He was not able to see through him, and the family‟s poverty condition, because the route he wants to travel is nothing like his father‟s path.“Dry September” was in Faulkner‟s first short story collection. The story is told in five parts, and the author presented a vision of Southern life during reconstruction. The setting is a September day, “Sixty-two rainless days.” The story deals with a lynching of a black man, Will Mayes, wrongly accused of attacking a white female, Minnie Cooper and condemned to death. The opening of “Dry September” focuses on the oppressive heat and sets an overwhelming setting for the story along with the townspeople and has fueled Miss Minnie‟s accusation that she was raped by a black man, Will Mayes. “Dry September” touched a s ubject that many Southern authors like Faulkner would mentions, the relationship between black people and white people. The setting and characters also show the conflict and race relations that among the story.The story begins in a barbershop, where is located in a small town. People within the barbershop started an argumentative conversation about the crime of Will Mayes. Whoever is supporting Mr. Mayes are to be called the “niggerlover” by other. One of them is a man named Hawkshaw, he insists that for those who want to get the man guilty should find out the facts before even rushing into judgments. Also, throughout the whole story, the weather has been mentioned several times. "It‟s this durn weather. It‟s enough to make a man do anything," one of the ba rber comments. Especially the hot weather and temper on the dry September day. The story is divided into five parts. Part one is basically the argument over Will Mayes, part two is a flashback to Minnie‟s life. In part three, we‟re back to the barbershop, and a gang was formed this time. Part four and five kind of give us a little more details about Minnie and McLendon.William Faulkner gave his story the perfect title “Dry September”. It fits well because there are numerous changes in the story as well as during the season, just like when summer turns into fall, everyone will notice the differences and changes, and not just the weather changes, so do the people. For a story from the old South, this story has all the factors: a crime of passion, racism, and violence. This story shows us how we can affect other‟s lives. And violence is not the solution to everything, because violence can only cause more violence. “Dry September” also shows how difficult it was to be a black man to live within in a entire white population, it is a passionate story that truly open our field of vision.“Dry September” and “Barn Burning”, two stories have a almost identical setting, they both are stories during 1930s in Mississippi, which both contains a common decline of the old social Southern theme. Faulkner uses his stories to call out and challenge people to change and awaken to the race, class, and economic turmoil. Both stories have very one thing in common, that is they all have a final unanswered question. In “Barn Burning”, Little Sarty left his family, and in the end of the story, …He did not look back.” Faulkner did not tell what happened to him and what his future is. In “Dry September”, the whole story is concentrated on a black who is accused of attacking a white female, but the narrator did not give us an answer for Will Mayes but only said that he is condemned to death.“Barn Burning” was a story during the ebb of the 1930s while the “Dry September” was a story about a black man who lived in the old South. The main character of both stories seems to have a similar but very different bitter experience. Abnernathy Snopes, a white sharecropper who has to pay more than half of his harvest to his landlord and always burn down their barns as return. Will Mayes was wrongly accused of attacking a white woman, what he was going to face is a serious consequence of attacking a white person –guilty to death. The whole story is full filled with racism, the …n‟ word is used repeatedly used by many white man who‟s living in the town.William Faulkner once said: “He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion.” In other words, a writer should write story with lust, and passion.It is remain an unsolved myth that whethet Minnie is raped by the nigger, or whether she is raped at all. But the old maid and the nigger are both the opperessed and humiliated onesin the story.Minnie is always seen as an joking object by the others. They humiliate her, look down opun her for her failiure in love, and dig out her miserable past, finding pleasure in doing so. They do not care her emotions and mind. Their seemingly tenderness is actually colder than indifference.The nigger is punished for what he may not have done. The men in the twon do not care whether he did it. They actually do not care Minnie too, but between a white woman and a nigger, they choose to believe in the white. What they seek is not truth or fact, or justice. They get some fun from the seemingly "protection" of the whites, and the dry wether add to their fury.In the story, the descrimination is shown between sex, and races. The white male is the dominant force of the world. They can abuse white women, as well as black men. And Mclendon is the typical representor of the brutle white male.Q: the dry weather symbols what in the story?"Dry September," is a novel about racism in the south by William Faulkner. In a small southern town of Jefferson , an aging and sexually frustrated white spinster starts the rumor that the blackman has attacked her. A group of men, led by a former war hero, murder him before they proves his guilt.McLendon, is one of the main characters in this short story. It is him who raises the mob against Mayes and in the end of the story, he strikes his wife very badly, when he cannot endure her accusing eye. It seems that he is a person of violence.So , my question is : what is the author‟s aim to establish an imag e like McLendon?The story is about the position of woman in society, the racism, and the violence around these questions. The plot is divided into five sections: Sections I and III show the town‟s reaction to the rumor that Miss Minnie, a spinster, has been attacked by Will Mayes, a black man; Parts II and IV familiarize us with Miss Minnie‟s history and give us an inside view of her emotional state; and Section V provides us with a glimpse of McLendon‟s home life and the hints of his violence to Will Mayes.Miss Minnie Cooper, a southern aristocrat, “was of comfortable people--not be the best in Jefferson, but good people enough”. She is driven to desperation by her “idle and empty days”: She has no occupation, no social position, no intellectual interests, and is trapped by her advancing age. Her desire of being accepted surpasses her morality. The society has pushed her so much that she finds it hard to accept herself and what the society thinks about her. When her friend's children call her 'aunty' she objects and insists on being called cousin. She wants to change their impression of her and in doing so she wants to be liked by them, hoping that the mere hint of rape will prove her still sexually desirable. Miss Minnie is the symbol of the decline of southern aristocracy, which was aging, rotten, lifeless, and deserted.The horrible racism is clearly showed in Dry September. Will Mayes is the most innocent victim, the only character who evokes our complete sympathy. He does no harm to Miss Minnie.H e is obedient, When Mclendon force and order to him, he even doesn‟t do any resistance. “The Negro did not not move. …What you all going to do with me, Mr. John? I aint done nothing. White folks, captains, I aint done nothing: I swear fore God‟ “. Poor Wil l! Who would listen to him?Although everybody knows what happens, nobody prefers to believe him. Will is accused of guilty, just because he is a black man, and they prefer that a Southern lady could never tell lie. Poor and defenseless Will Mayes is murdered in spite of his innocence.As a Southern writer, Faulkner draws upon the mores and prejudices of his own regional culture to create unforgettable characters and settings for his novels and short stories. “Dry September,” short though it may be, addresses many aspects of this Southern culture. Rather than emphasize the violence of Will Mayes‟ death, the story focuses on the causes leading up to that violence and the mentality that breeds such monstrous behavior.My question is: Why does Faulkner treat many of his characters as victims of various social forces?A strong curiosity drove me to finish this story without neglecting a small clue, and yet I haven‟t found a clear answer even in the end of it. Like many other stories, its open ending leaves a large space for the readers to practice their imagination. Maybe whether the woman was raped or not, or by whom was she raped is not important at all, because after all it‟s the dark side of human nature that the author wanted us to focus on.Here in this story, the main character Minnie Cooper is a typical southern lady, and the author spent the whole chapter in describing her (Chapter II), from which we know that she is already an outdated and unappealing spinster. My question is, since she is “relegated to adu ltery by public opinion” and “men did not even follow her with their eyes anymore”, why people make such a fuss about her claiming to be raped? I think those people only use Minnie Cooper as an excuse to lynch Will Mayes rather than really care about her."Dry September" is a short story by William Faulkner. When seeing the title, I didn‟t really know what the story is about. In the beginning, a lot of characters pop out (which almost confused me) and their dialogue drag the story out, then I started to have a clue. I was mostly impressed by the dialogues between different characters, it is actually what they say that reveal their nature. The perspectives of the mob and the rumored victim are all revealed this way.In Chapter III, I notice that the image of moon appears once and again: “Below the east was a rumor of the twice-waxed moon”, and “Below the east the wan hemorrhage of the moon increased ”. So I wonder is moon here a metaphor? What‟s its connotation?。
威廉·福克纳
威廉·福克纳《⼲旱的九⽉》读这篇⼩说,很容易让⼈联想到加西亚·马尔克斯那篇著名的《⼀桩事先张扬的凶杀案》。
福克纳写完这篇⼩说时,马尔克斯很可能还躺在炕上尿炕或蹲在地上撒尿和泥玩呢,因此谁是师傅谁是徒弟,也就⼀⽬了然了。
成名后的马尔克斯再提起福克纳时,显得颇有些不以为然,我觉得这样很不好,这有点像长⼤了的⼩孩⼦冲他妈妈说,反正现在我也⽤不着喝你的奶了。
故事⾮常简单,在杰弗⽣⼩镇,⼀群⽩⼈男⼦怀疑本镇39岁的淑⼥⽶妮·库珀遭到了⿊⼈男⼦威尔·梅耶斯的性侵犯,于是⽩⼈们商量着⼀起去教训⼀下⿊⿁,结果,⼀出惨剧可能就不可避免的发⽣了···⼩说的篇名起的很巧妙,《⼲旱的九⽉》,给⼈⼀种⼥⼈们的失态,男⼈们的狂躁可能都是因为这⼲热的天⽓引起的,这是福克纳跟读者开的⼀个⼩玩笑。
⼩说共分五章,⼀,三,五章写男⼈们,⼆,四章描写库珀⼩姐。
其中写男⼈的⼏个章节全篇都充斥着紧张焦躁的情绪,充满了⽕药味。
写库珀⼩姐那两章时,节奏⼀下⼦就舒缓⽂静了下来,娓娓道来,慢慢述说着⼥⼈⼀⽣苍凉的命运。
⼥主⼈公库珀⼩姐的家境不错,⼆⼗多岁时,由于她⾝材苗条,活泼好动,感情充沛,曾⼀度成为⼩镇上社交界的⼥皇。
渐渐地,她的⼥伴们都先后结婚开始⽣⼉育⼥,她也就慢慢的当上了阿姨,等她发现了⾃⼰的失势落伍,已为时已晚,谁让⾃⼰总是沉浸在过去的辉煌中⽽成长缓慢呢?她开始喝酒,与有钱的⽼鳏夫约会,还卷⼊到与银⾏出纳员的私通中,这些都是她三⼗岁之前的事。
接近四⼗岁的时候,她的⽣活就更闲了,⽽她长年卧病在床的母亲更让她的这种闲适显得极不真实。
去年,她说有男⼈扒在她家厨房的屋顶看她脱换⾐服,现在,她⼜说⼀个⿊⼈男⼦在⼤街上强奸了她。
之后的星期六晚上,她纱裙⾥穿着轻薄的内⾐长袜与同伴们去看电影,她在电影院⾥忍不住的失声⼤笑,让朋友搀出剧院更是在路边尖声狂笑,朋友们只好将她送回家,为她敷上冰块。
《干燥的九月》读后感
威廉·福克纳的《干燥的九月》是一部充满悲剧与挣扎的作品,它以真实的笔触描绘了人性的脆弱与无奈,让我深感震撼。
故事发生在美国南方的一个小镇,主人公是一位年轻的男子。
他在一个干旱的九月里,经历了一场突如其来的洪水。
这场灾难让他失去了家园和亲人,也让他陷入了无法自拔的困境。
在经历了一系列的挣扎与痛苦之后,他开始反思自己的生活和命运,最终找到了自己的救赎。
福克纳的文字如同一面镜子,将现实生活的种种矛盾与无奈展现得淋漓尽致。
他通过对主人公的描绘,让我们看到了这个世界的残酷与无情。
而那些被困在困境中的人,则成为了他笔下的牺牲品,让我们感受到了人性的脆弱与无奈。
这种悲凉的氛围让人不禁感到心痛,也让我们思考:在这个充满竞争与压力的社会中,我们应该如何去面对自己的困境?
在这部作品中,福克纳还探讨了命运与自由意志的关系。
主人公在面对命运的挑战时,内心充满了挣扎与痛苦。
然而,正是在这种困境中,他找到了自己的力量,努力地去改变自己的命运。
这让我意识到,虽然生活中总会有许多无法预料的困境等待着我们去面对,但我们仍然可以通过自己的努力去改变命运,找到属于自己的价值。
福克纳笔下的一个暴徒形象——《干燥的九月》中的麦克伦登
,
也是美 国
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篇小说 一样
这些短 篇小说 以 虚构世 界 的广度 和 深度
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深邃 的 道 德寓意
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以及 小说 主题 叙述方 法 的 多样 性 和 艺术性 给读 者 留 下 了深 刻 的印象
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死 地 而后快 呢 ? 难 道真 是为 了维护 米 尼 小 姐 的权 益 切 说 到 底都 是 因 为他那 毫无 道理 的 种族偏 见在 作祟 见
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为 了 白人 妇女 的 尊严 吗 ? 非也 ! 这 一 这种 根深 蒂 固在 白人 头脑 中的种 族偏
。
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实则 是一 种危 害更 大 的变 态 心 理
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作 者在 这里通 过麦 克伦 登在理 发店 里 和 别人 的 争论
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“
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福克纳笔下 的一个暴徒形象
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而麦 克伦登 的 出场
dry_september 干燥的九月(课堂PPT)
• An American novelist and poet whose works feature his native state of Mississippi
• regarded as one of the most influential writers of the twentieth century
the United States;
★a representative of the
writers using stream liam Faulkner 1897—1962)
• ★Works are famous for multiple(多重的 ) narrations and time shifts within narrative.
• awarded the 1949 Nobel Prize for Literature.
Simultaneously(同时地) original and assimilative;
regarded as one of the
leading American writers
in the literary history of
Absalom, Absalom 《押沙龙,押沙龙!》
• (3) 1940~end: won recognition in America (巩固和确认)
Go Down, Moses 《去吧,摩西》
…
Faulkner's most celebrated novels
➢ ★The Sound and the Fury (1929)
William Faulkner
(1897-1962)
---One of the greatest writer in 20th century
福克纳《干旱的九月》和《献给艾米丽的玫瑰》对比
摘要:美国现代主义大师威廉•福克纳的短篇小说《干旱的九月》,自问世以来一直受到评论界的冷落,本文主要以其家喻户晓的代表作《献给艾米丽的玫瑰》为参照,通过对小说主题意义和写作技巧的探讨,说明《干旱的九月》包含了很高的小说艺术价值,是对《献给艾米丽的玫瑰》继承中的超越。
关键词:主题意义写作技巧参照超越讲到美国现代主义大师福克纳在短篇小说方面的艺术成就,绝大多数的读者会想到他那篇脍炙人口的《献给艾米丽的玫瑰》(以下简称《玫瑰》)。
《干旱的九月》(以下简称《九月》)与《玫瑰》同被收入福克纳的短篇小说集《短篇十三篇》中,但两部作品自发表以来,在评论界所受的待遇是大相径庭的。
笔者曾在中国期刊网上对有关两部作品的评论文章进行了搜索,从一九九四年到二零零六年发表的学术论文中,有五十一篇文章对《玫瑰》从叙事特征、时间艺术、象征意义、话语策略、接受美学、女性主义、反讽艺术等各个角度进行解读,但只有两篇文章涉及《九月》②。
国外评论界的情况稍有不同,但厚此薄彼的倾向也是显而易见的。
据南方文学研究会(SSSL)论文索引不完全统计,从六十年代至九十年代关于《九月》的学术论文仅有十五篇,而研究《玫瑰》的则有上百篇,《九月》成了一个渐被遗忘的故事。
本文以《玫瑰》为主要参照,从主题意义和写作手法两大方面探讨《九月》的艺术价值。
从题材上来看,《九月》与《玫瑰》不无相似之处。
从大的方面讲,两部作品都涉及到个人与社会的冲突,个人在社会剧变、岁月变迁中的角色,个人适应变化的能力。
从小的方面来说,两部作品均反映了美国南方女性当时的压抑、绝望以及她们悲剧性的反抗和报复。
但在主题意义的挖掘上,《九月》比《玫瑰》更进了一步。
在《九月》中福克纳第一次把美国南方社会的衰败和腐朽、南方女性的悲剧命运和南方黑人的悲剧命运紧密联系在一起,更深刻地揭示了过时的却在美国南方白人头脑中根深蒂固的“南方神话”(southern myth)的荒谬性。
在这个神话中,白人妇女被罩上纯洁与完美的神秘光辉,而黑人被视为兽性的载体,因此白人妇女应当受到保护,远离黑人男性。
福克纳短篇小说创作论文
福克纳短篇小说创作论文摘要:福克纳在他的经典短篇小说《干旱的九月》中,成功地运用了含蓄的语言、复杂的句式以及独具特色的象征为读者揭示出人性中罪恶的一面以及人生的悲剧。
他的作品不愧被看成是20世纪美国南方文学的巅峰。
1.引言威廉·福克纳是美国20世纪最伟大和最具有影响力的文学家之一,以长篇和中短篇小说见长。
他是美国南方文学的杰出代表,他以独特的视角,高超的叙事手法,创作了一系列约克纳帕塔法世系小说,深刻反映了美国南方社会的变迁,尤其是贵族地主阶级的衰落、严重的种族歧视、南方传统的妇道观等主题。
《干旱的九月》是福克纳最为读者所称道的短篇小说之一。
小说讲述了发生在福氏典型场景“杰福逊”小镇上的一起谋杀事件。
本文将以《干旱的九月》为文本,从语言句式特点、象征主义两个方面阐释其别具一格的创作技巧。
2.含蓄的语言和复杂的句式结构20世纪现代主义文学特征之一,就是作者的意图不轻易流露,作品的主题思想往往也含蓄隐晦。
含蓄的一种表现方式就是使用暗示语言。
在福克纳的许多作品中,语言充满暗示性。
这种暗示就是陌生化效果,这种效果是让读者感到奇异又可疑。
在《干旱的九月》中,麦克兰登出现后,关于黑人是否调戏白人小姐的事情说:“出事了?有没有出事,这又有什么关系?难道你想打算让这些黑崽子们就此溜掉,让他们有朝一日真这么干起来?”。
读者读完后,就会疑惑在讨论黑人是否调戏白人妇女的事情上,为什么会说“有没有出事,这又有什么关系”?结合上下文,就会发现麦克伦登根本不在乎白人妇女是否受过调戏,他在乎的是黑人。
他是个极端种族主义者,在他眼里黑人是种罪恶。
这里便暗示了种族压迫和种族歧视的主题。
另外,复杂的句式结构也是福克纳短篇小说的一大特色。
在《干旱的九月》中,福克纳开篇介绍背景时用了复杂的长句。
下面这句描写干燥炎热环境的话是推动整个故事向前发展的重要线索:“谣言、传闻、不管是什么,像干草一样燃烧了起来,这是一个与米妮·库伯小姐和黑人有关的故事。
福克纳短篇小说《干旱的九月》中的语言艺术
福克纳短篇小说《干旱的九月》中的语言艺术作者:郭雷唐利梅来源:《读与写·上旬刊》2013年第08期摘要:福克纳是一位极具语言天赋的作家,他短篇小说的语言艺术高超多样。
在《干旱的九月》一文中,福克纳娴熟的利用语言,语言时而极其繁复,时而又简洁明快,时而又有浓厚的乡土气息,充分的展示了福克纳语言风格的多样性。
关键词:福克纳;语言;繁复;简洁;乡土口语中图分类号:G648文献标识码:B文章编号:1672-1578(2013)08-0004-01很长时间以来,评论家们的视角多集中在福克纳的长篇小说上,而他创作的100多篇短篇小说常常受到忽视。
其实,短篇小说也是甚至是更高的艺术创作,福克纳本人曾做过这样的评论:"也许每个小说家都想先写诗,发现自己写不了以后又试着写短篇小说,短篇小说是在诗歌之后最讲究的形式。
只有在写短篇小说失败之后,他才着手长篇小说的创作。
"笔者选取语言为焦点,以《干旱的九月》为例来分析他短篇小说的魅力艺术。
《干旱的九月》描述一位长期受性压抑而产生了"被虐狂"变态心理的南方老处女控告一个黑人"强奸"了她,结果使一名无辜黑人丧生在一群白人暴徒手中。
1.繁复1.1描绘环境繁复语言。
在《干旱的九月》的开篇第一段有两个长句构成,一句36个单词,另一句49个单词。
这段描写干燥炎热环境,是推动整个故事向前发展的重要线索。
在这个长句中,从句嵌套着从句,状语接着状语,与人们在这样炎热无雨的气候条件下容易变得焦躁不安的心理状况相互呼应,同时繁复语言表达的压抑环境能很好的流露出对对种族主义的鞭挞。
另一个例子是小说第三部分的开头,作者用两个长句描绘了暗淡冷漠的月亮、遮天蔽月的尘埃、令人窒息的空气、沉寂的黑夜天气环境。
这样的大段夸夸天气环境描述多次出现,让读者不由自主地联想到社会的阴暗和一种不详的征兆,制造出哥特式的气氛。
1.2刻画人物的心理繁复。
威廉·福克纳的《干旱的九月》的文体学分析
威廉·福克纳的《干旱的九月》的文体学分析作者:卫雪然周玉忠来源:《青年文学家》2017年第20期摘要:文体学诞生于20世纪初,在六七十年代达到兴盛,在进入21世纪以后,不断得到人们的关注,取得了新的划时代进展。
从文体学的角度分析赏析文学作品对于读者有很强的启迪性。
威廉·福克纳是美国战后最杰出的南方作家之一,也被认为是二十世纪最重要的美国作家之一。
他创作了大量优秀的短篇小说,他笔下的南方社会,经济萧条,家族没落,人们精神颓废,性情暴戾,思想束缚,《干旱的九月》是其中的经典之作。
国内许多学者从文化,文学批评等角度对这部作品进行了多角度的解读分析,不过鲜有学者从文体学角度研究这部杰出的短篇小说。
本论文从文体分析的角度分析威廉·福克纳的短篇小说《干旱的九月》中的文体学特征,从文体学角度欣赏威廉·福克纳的语言艺术特色。
关键词:文体学;叙事特色;语言特色;地方特色作者简介:卫雪然(1992.3-),女,宁夏石嘴山人,宁夏大学2015级学术硕士在读,研究方向:翻译理论与实践,本文第一作者;周玉忠(1959.10-),男,宁夏银川人,博士研究生,单位:宁夏大学,研究方向:翻译理论与实践、美国文学、语言规划与语言政策,本文第二作者。
[中图分类号]:I106 [文献标识码]:A[文章编号]:1002-2139(2017)-20-0-02一、导入威廉·福克纳是美国战后最杰出的南方作家之一,也被认为是二十世纪最杰出的美国作家之一。
他的小说,写作风格独具特色,语言具有鲜明独特的文体学特征。
作为一位经典的现代主义作家,他无疑对美国文学发展产生了积极而深远的影响。
1949年他的长篇小说《喧嚣与躁动》获得诺贝尔文学奖,他还创作了大量优秀的短篇小说,这些小说大都以约克纳帕塔法县作为背景地点,他笔下的南方社会,经济萧条,家族没落,人们精神颓废,性情暴戾,思想束缚,而《干旱的九月》是其中的經典之作。
dry_september 干燥的九月
• Barber: “"I know Will Mayes. He's a good nigger. And I know Miss Minnie Cooper, too." "I dont believe Will Mayes did it," • The client (the drummer): "Then you are a hell of a white man," "Do you claim that anything excuses a nigger attacking a white woman? • The client (to the second speaker): Do you mean to tell me you are a white man and you'll stand for it? You better go back North where you came from. The South don’t want your kind here."
• The youth (Butch): "Do you accuse a white woman of lying?" you damn niggerlover.” • McLendon: "are you going to sit there and let a black son rape a white woman on the streets of Jefferson?" • The third (a soldier):"Did it really happen?" a third said. "This aint the first man scare she ever had, like Hawkshaw says. Wasn't there something about a man on the kitchen roof, watching her undress, about a year ago?"
干燥的九月 威廉·福克纳(中文版)
美国作家威廉·福克纳(William Faulkner):美国小说家。
出生于没落地主家庭,第一次世界大战时在加拿大空军中服役,战后曾在大学肄业一年,1925年后专门从事创作。
他被西方文学界视作“现代的经典作家”。
共写了19部长篇小说和70多篇短篇小说。
其中绝大多数故事发生在虚构的约克纳帕塔法县,被称为“约克纳帕塔法世系”。
这部世系主要写该县及杰弗逊镇不同社会阶层的若干家庭几代人的故事。
时间从独立战争前到第二次世界大战以后,出场人物有600多人,其中主要人物在他的不同作品中交替出现,实为一部多卷体的美国南方社会变迁的历史。
其最著名的作品有描写杰弗逊镇望族康普生家庭的没落及成员的精神状态和生活遭遇的《声音与疯狂》(又译《喧哗与骚动》1929);写安斯·本德仑偕儿子运送妻子灵柩回杰弗逊安葬途中经历种种磨难的《我弥留之际》(1930);写孤儿裘·克里斯默斯在宗教和种族偏见的播弄、虐待下悲惨死去的《八月之光》(1932);写一个有罪孽的庄园主塞德潘及其子女和庄园的毁灭性结局的《押沙龙,押沙龙》(1936);写新兴资产阶级弗莱姆·斯诺普斯的冷酷无情及其必然结局的《斯诺普斯三部曲》(《村子》1940,《小镇》1957,《大宅》1959)等。
福克纳1949年获诺贝尔文学奖。
干燥的九月作者:[美]威廉·福克纳(William Faulkner)(1897-1962) 译者/许志文九月如血的黄昏,62个无雨日子的不幸结果;谣言、传闻,无论它们是什么,仿佛干草一般燃烧了起来。
这是与米尼·库坡小姐和一个黑人有关的事。
受攻击、侮辱、惊吓的,并不是他们,星期六晚上聚集在理发室里的人们。
天花板的电扇使劲吹着,却没能使它冷却,浊热的空气,又吹回向他们,在变质的涂发乳和护肤液的气味反复翻腾中,他们散发出自己浑浊的气息和臭味,在仔细打听究竟发生了什么事。
"谁干也不会是威廉·莫耶斯干的,"一位理发师说。
论福克纳短篇小说《干旱的九月》中的环境描写重点
论福克纳短篇小说《干旱的九月》中的环境描写摘要:环境描写是小说创作中加强或升华作品主题思想和美学效果的一种重要艺术手段。
作为一位具备极高语言艺术天赋的作家,威廉·福克纳在其短篇小说《干旱的九月》里以其独特的眼光和超常的手法将个人的感觉与感情寓于对自然界的描写之中。
从文学文体学的角度分析文本中富有诗意的背景刻画,揭示出环境描写强化了反种族主义歧视的主题。
寄寓着深层内涵,耐人寻味。
关键词:文学文体学;福克纳;环境描写作为二十世纪前半期美国的一位举足轻重的作家,威廉·福克纳(1897-1962)的作品常被看成是二十世纪美国南方文学的顶峰。
《干旱的九月》(Dry September)是其短篇小说中的名篇之一。
故事涉及到他长期以来关注的种族问题。
揭露了白人种族主义者仅凭谣言动用私刑杀害黑人的罪行。
小说篇幅虽短,却能充分体现福克纳对语言的完美把握和运用。
尤其是该篇中他将气候、月亮等自然环境的悉心刻画与故事情节的发展完美地结合起来的精彩手法令人叹服。
本文从文学文体学的角度通过对该小说里作者对背景的诗意般的精心描写及其对深化小说主题思想的意义进行分析,探求文本中的语言艺术的潜在功能。
《干旱的九月》共五部分,其中一、三、五部分是小说的主线,叙述围绕着以麦克伦登为首的白人种族主义者迫害黑人事件进行,而二、四部分则是讲述库柏小姐,深受美国南方妇道观影响的受害者。
通过描述她的经历和她心灵的扭曲更加衬托出黑人梅斯所受的残害的无辜。
小说的背景描写主要出现在一、三、五部分,作者一直没有明写暗杀的情节,而是通过一系列精心的背景刻画使读者自然而然地感受到恐怖、血腥的氛围。
小说的标题《干旱的九月》从一开始便使读者感受到气候的压抑和不同寻常。
小说的第一句话交代了故事发生的时间、气候背景:连续六十二天无雨之后的九月的一个血红的黄昏(Through the Moody September twilight,aftermath of sixty-two rainless days)。
短篇小说《干旱的九月》的人物心理分析
短篇小说《干旱的九月》的人物心理分析作者:徐曼来源:《文教资料》2013年第05期摘要:威廉·福克纳是20世纪美国杰出的小说家。
他的短篇小说《干旱的九月》涉及暴力和种族主义这一主题,揭露了种族歧视的罪恶。
本文通过小说中主要人物的行为表现,探索人物的内心世界,从而进一步理解小说的主题。
关键词:短篇小说《干旱的九月》暴力种族主义行为表现威廉·福克纳是美国南方文学的杰出代表,他以独特的视角,高超的叙事手法,创造了一系列约克纳帕塔法世系小说,深刻反映了美国南方社会的变迁,尤其是贵族地主阶级的衰落、传统道德观念的沉疴、严重的种族歧视、南方传统的妇道观等主题。
虽然福克纳以长篇小说闻名于世,但他的短篇小说从人物、情节、场景到主题、叙事技巧等,被认为是其长篇小说的浓缩和补充,视角独特,结构精巧,匠心独运。
《干旱的九月》是最为读者所称道的短篇小说之一,出自福克纳1931年的短篇小说集《这十三篇》(These 13),讲述了发生在杰斐逊小镇上的一个故事:一个久旱无雨的九月,因为一个黑人强奸白人妇女的谣言,在没有任何证据的情况下,一伙白人对这个黑人实施了私刑。
《干旱的九月》是福克纳创作的最短的一部短篇小说,共分为五个部分:第一、第三和第五部分描写了以约翰·麦克莱顿为首的白人男人们的态度和言行;第二和第四部分则聚焦于处于谣言中心的白人妇女米妮·库珀小姐的反应和行为表现。
对于这桩似是而非的强奸案,各色人物的各色言行,充分体现了其不同的心理状态。
一、疯癫妄想的始作俑者整个故事开始于一个谣言,一则桃色新闻——黑人威尔·梅耶斯强奸了白人妇女米妮·库珀。
没有证据证明这一事件的真实性,也没人知道谁制造了这个谣言,不过在开篇理发店里沸沸扬扬的争论中,有人指出:“她可不是第一回说男人对她不怀好心了。
约摸一年以前,不是有过那么一回事,她说什么有个男的趴在厨房屋顶上看她脱衣服?”(245)暗示这个谣言似乎是受害者米妮·库珀小姐自我杜撰的。
[精品]浅析《干旱的九月》中主人物性格趋向
浅析《干旱的九月》中主人物性格趋向浅析《干旱的九月》中主人物性格趋向【摘要】福克纳的短篇小说《干旱的九月》故事发生在一战之后的南方,讲述发生在“杰弗逊”镇上的一起强奸案件以及在故事中体现的人物性格,本文将从《干旱的九月》中故事发生的社会背景、时间背景以及人物背景这三个方面来分析福克纳小说中的人物性格。
【关键词】干旱的九月;背景;人物性格威廉・福克纳(William Faulkner,1897-1962)是20世纪美国最伟大的小说家之一,同时也是南方文艺复兴的代表人物,他于1949获得诺贝尔文学奖,从而奠定了他在美国文学史上举足轻重的地位。
《干旱的九月》是福克纳著名的短篇小说之一。
故事以麦克莱顿为首的众暴徒在没有任何证据的情况下杀害了一个无辜的黑人,原因是黑人威尔强奸了白人老处女明妮,而“强奸案”实际上是明妮小姐自己杜撰的谣言。
通过这样一个荒诞、残暴的事件,揭示了当时社会环境对人物性格的影响,而人性的表露和社会的大背景有直接的关系。
本文从背景这个角度探讨小说《干旱的九月》中人性这一主题。
这篇论文着重去分析两个人:一个是白人明妮小姐;另一个是一个暴徒形象―麦克莱登。
从该小说的背景因素分析其对人物的影响(一)社会背景美国的种族歧视问题历史悠久,美洲的发展史也是黑奴的一部辛酸的血泪史,尤其在20世纪上半叶的美国南方,黑人的地位非常低下,种族歧视极其严重。
福克纳的短篇小说《干旱的九月》就是通过描写南方社会中由种族歧视而引起的一场案件。
在谣言传开后莱登一伙人在不了解事情的真相下,就杀死了黑人威尔。
传统比人命更重要,更别说那些卑贱的黑鬼的命了。
在种族主义狂热情绪的影响下,理性屈服于疯狂。
由莱登带领的一群暴徒毫不犹豫地、残忍的杀死了黑人威尔,就血淋淋地体现了这一点。
在这篇小说中人物莱登是一个典型,他被当时社会的价值观念所误导,深受当时社会影响。
此外,南方淑女文化也对当时南方的社会生活起着重要的作用,深受南方淑女观念影响的男士们首先考虑的是对方是否具有稳重的淑女品德。
描写旱灾的作品
描写旱灾的作品
《旱灾》是美国作家威廉·福克纳的短篇小说,收录于《福克纳短篇小说集》。
故事发生在美国南方的一个小镇,由于长期的旱灾,庄稼歉收,人们生活困难,社会矛盾激化。
小说通过描写一个家庭在旱灾中的遭遇,展现了人类在自然灾害面前的脆弱和无助,同时也反映了社会的不公和人性的丑恶。
福克纳的文字简洁而有力,他通过细腻的描写和深刻的洞察力,将旱灾对人类的影响展现得淋漓尽致。
他不仅描写了人们的物质生活受到的影响,还深入探讨了人们的心理和精神状态。
在小说中,福克纳通过描写主人公一家的遭遇,反映了社会的不公和人性的丑恶,同时也表达了他对人类命运的关注和思考。
《旱灾》是一部思想深刻、艺术精湛的作品,它通过对人类与自然、人类与社会的关系的探讨,展现了福克纳对人类命运的关注和思考。
描写旱灾的作品还有;
1.《旱灾》- 威廉·福克纳
2. 《大旱》- 玛格丽特·米切尔
3. 《干涸之地》- 汤姆·克兰西
4. 《沙乡年鉴》- 奥尔多·利奥波德
这些作品都以不同的方式描写了旱灾对人类和自然环境的影响,以及人们在面对旱灾时的生存和应对策略。
福克纳短篇小说《干旱的九月》的解读-外国文学论文-文学论文
福克纳短篇小说《干旱的九月》的解读-外国文学论文-文学论文——文章均为WORD文档,下载后可直接编辑使用亦可打印——一、引言美国小说家威廉福克纳是1949 年诺贝尔文学奖的获得者, 在20 世纪的美国文坛占据着举足轻重的地位. 威廉福克纳不仅写出了一批史诗般的长篇小说,还在短篇小说方面取得了杰出成就,他的短篇小说大部分都是以虚构的密西西比州的约克纳帕塔法县为背景,题材广泛深刻,技巧匠心独运,充分显示他故事大师的才能.《干旱的九月》(Dry September)是他短篇小说中非常出色的代表作之一,被认为是标志着作者短篇小说创作最为成熟的水平的作品(钱青,1999).《干旱的九月》发表于1931 年,正值福克纳小说创作的黄金期.小说讲述了发生在作者虚拟的美国南方杰弗逊小镇上的一起谋杀, 缘于一个谣言: 黑人威尔梅耶斯强了年近四十尚未成婚的白人女子米妮库柏. 而以麦克莱顿为首的几个白人暴徒,在没有任何证据的情况下,在九月的一个夜晚,杀害了这个无辜的黑人. 关于《干旱的九月》比较典型的观点是作品反映了南方白人根深蒂固的种族主义意识以及与此相关的道德和南方淑女神话主题,备受学者关注的还有福克纳高超的非线性时序技巧、立体结构和模糊化叙述以及文章的文体特点和意象解读. 但可能很少有人注意到小说名字的改变.故事最初完成于1929 年秋季,并于次年投递于《美国信使》,其原名为《干旱》(Drouth). 1930 年2 月《美国信使》拒绝了福克纳.福克纳并没有就此放弃,而是立即对小说进行了修改,做了三处重大改动.首先,他改动了前两节的顺序,开头热浪这一小节放在了小说篇首,米妮库珀个人的背景介绍放在了第二部分.第二处改动是对威尔梅耶斯实施私刑的头儿由原来的Plunkett 改成了现在的麦克莱顿. 第三处改动就是将原来的题目《干旱》改为了现在的《干旱的九月》.从这些改动不难看出福克纳将小说的重心从这位白人女子移向了天气. 斯克里布纳(Scribners)于1930 年5月接受了改动之后的版本, 并于1931 年1 月出版(Blotner, 1974). 本文旨在分析小说中的外因干旱和内因九月,从而得出黑人威尔梅耶斯的死是由内外因共同作用的结果.二、《干旱的九月》的解读小说围绕干旱和九月两个核心,讲述了一群狂躁的男暴徒在麦克莱顿带领下通过向黑人威尔梅耶斯实施私刑释放了他们的种族主义狂热,另一群女暴徒以恶作剧形式对米妮库珀实施了另一种私刑来释放她的性燥热.小说中两位年龄步入人生九月的男女主人公所迎来的种种饥渴,恰逢干旱一起引发了小镇的.最终遗弃了被弥漫沙尘淹没的小镇.(一)干旱与小说的开始就告诉我们这是一个久旱后---整整六十二天没有下过一场雨的黄昏,聚集在理发店里的人们就一个谣言, 即黑人威尔梅斯是否强了年近四十尚未成婚的白人女子米妮库柏而展开了讨论和争执. 其中一个人说:全都得怪这该死的天气! 天气热得让人什么事都干得出来, 即使是对米妮库柏这样的老也一样. (福克纳,2013:14)在场参加讨论的人们的情绪异常狂躁.这种狂躁与当时干燥的环境之间的关系密不可分.正如小说的开头说到的那样:久旱后的黄昏,有一件事像燎原烈火般迅速传播开来. (福克纳,2013:13) 这说明紧张的氛围中潜伏着一种一触即发的危险,这种紧张氛围为描述谣言的巨大威力埋下了伏笔. 干旱的、灼热的九月天似乎使小镇居民备受煎熬,惶惶不可终日,迫使他们想做些什么,而这种焦灼的自然环境是小镇人狂躁、几近疯狂心态的外化. 正如利莲费德在《文学中的疯狂》一书中所指出的那样:疯狂通常是个人对环境的影响所产生的反应.这里的环境影响包括来自、经济、文化和社会的种种压力,个人的心理、生理需求与这些压力相对应、相矛盾就会使人产生不安全感,因此造成心理失衡而狂躁不安. 人们要宣泄这种情绪,就不免要做出极端的行动. (Feder,1980)米妮小姐的极端行动就是为了重新得到大家的关注而散布遭受强的谣言,间接害死黑人威尔;而麦克莱顿的极端行动就是为了找回自信和树立威信,而不问青红皂白就把黑人威尔抓去动用私刑枪毙了. 在杀害黑人威尔这件事上,米妮小姐使用的是软,而与之相对的麦克莱顿使用的是硬.如果我们仔细阅读小说第二节和第四节关于主人公米妮小姐的描述,便不难看出她在性方面表现出过度强烈的望.年轻时她在社交场合总是表现得很兴奋, 甚至活泼得有些过分, 比起她的同伴来,她是朵更为欢蹦乱跳的火焰(福克纳,2001:57). 火焰一词形象地描述了一个正值青春期的疯傻傻的年轻姑娘对异性热情似火的渴望和追求,充分显示了她对与婚姻的美好愿望.小说第二部分描写米妮小姐的七百二十四个字中,憔悴(haggard) 一词就出现了三次. 憔悴说明米妮小姐干旱了,需要得到滋润. 在小说的第四节,作者描写明妮小姐发烧时她的女伴们照料她的时候,把她的裙子、内衣和丝袜都脱去了. 这是福克纳给我们设的一个恶作剧:正当以麦克莱顿为首的一群男暴徒在对黑人威尔动私刑, 没有通过任何法律途径就活生生地把他弄死的同时,一群女暴徒在对米妮小姐动私刑,给她降温,驱除她体内的燥热.我们来看一下她们是如何为她驱热的. 她们便主动照料她,不时压低嗓门尖叫一声(福克纳,2013:26)的原文是so they ministered to her with hushed e-jaculations, 本句话极可能是作者的双声叙事.ministered的意思是照料,满足的需求,这里作者一定是暗示着什么. hushed是压低声音. 但是这个单词从外形和读音上更像,也更容易让人们联想到husband,其汉语意思是丈夫. 因为后面的单词ejaculations主要意思是射精,也有尖叫的意思. 但是,结合原文,从干旱炎热角度解读小说,此处福克纳的黄色幽默是她们用模仿丈夫射精的方式满足着她.如果不是这样,无论如何都没有必要脱掉她的薄内衣(福克纳,2013:26),没必要将她脱得. 另外,接下来的(moaning)和喷涌(welled)以及尖叫(screaming)都印证了前面的黄色幽默.福克纳本人也曾说:写长篇小说时,可以马虎,但在写短篇小说时就不可以它要求几乎绝对的精确几乎每一个字都必须完全正确恰当. ( 俊,2003:159). 本着严谨的态度研读作品,福克纳在这里并不是和文学评论界与读者们开了个玩笑,而是用他特有的一语双关和双声叙事辛辣地讽刺和挖苦了当时美国南方一些污浊不堪的社会现实.上述幽默场景是小镇女子们在米妮身上搞的恶作剧.这正是小镇的微缩景观,他们把杀人当儿戏,这里的社会生活就是闹剧.美国汉密尔顿学院福克纳研究专家凯瑟琳G柯达特教授有过这样的论断:有足够的证据可以证明---在福克纳的诗歌、小说、散文还有新闻采访中---弥漫着性的内容:热情洋溢、高潮迭起还有纠缠不休. (Kodat,2004)理查德戈登解码了一些福克纳使用的粗俗语.在他看来,福克纳用一些黄色幽默来讽刺和责难当时美国南方破烂不堪的社会经济环境.所有这些放在一起来看都说明了米妮小姐对性的过度专注和幻想.说到这里我们不得不谈一下精神分析大师弗洛伊德提出的力比多(libido)的概念.弗洛伊德将力比多定义为包含于所谓的本我---精神内部主要的无意识结构---中的本能能量或动力.他指出这些力比多驱力可能与现有的文明行为规范相抵触,这些规范在精神结构当中表现为超我. 从众求同与控制力比多的需要导致了个体的不安与紊乱,进而促使个体利用自我防卫机制将这些未满足的,而且主要是无意识的心灵能量在其他形式当中得到释放,而这一机制的过度使用可以导致神经症.小说最后一节麦克莱顿的妻子说了句热(heat),而字典里关于heat的解释说道:哺乳动物的性兴奋期或状态(A.S.Hornby, 2000:817),即发情期,所以明妮小姐身体的干旱其实是一种本能需要,是她的心理现象发生的驱动力,是无可厚非的. 由于她身体上的干旱得不到滋润,再加上小镇人的冷嘲热讽,最终导致了她的神经质状态:一会儿声称有人偷看她脱衣服,一会儿声称自己被人强,其实都不过是她自己的凭空臆想罢了. 可是她虽然内心骚动不安,但在与人打交道时却显得很冷静(cold),如她们在商店里对各种货物指指点点,品头论足,虽无意购买,仍冷静而快嘴快舌地讨价还价. (福克纳,2013:18)这种表里不如一是因为她要靠表面上的冷静来掩饰其内心里的躁动.这些是米妮小姐身体上的干旱, 那她精神层面上的干旱又体现在哪呢?米妮小姐的母亲常年卧病不起,足不出户,没见她在床边照顾; 她骨瘦如柴的姑姑整天忙着操持家务,也没见她帮忙料理家务事. 只见她整天穿着花色鲜艳的裙服荡荡秋千逛逛街,无所事事,从这里可以看出她不止没有孝心和爱心,也没有社会责任感. 这些是她精神层面上的干旱.而白人麦克莱顿的干旱不同于米妮小姐.作为一名曾经获得过荣誉勋章的退伍军人,他极度渴望荣誉,迫切地想要找回过去的辉煌,而现实却事与愿违:他只能住在鸟笼似的房子里,像囚犯一样活着. 所以他迫不及待地想找个机会来表现自己.而小说开头谣言的出现就给了他出手的机会. 由于南方淑女神话(南方淑女神话就是指那些被视为白百合般的南方女人,在南方社会中,人们时时处处都要保护她们.因为她们是白人, 南方文化将其置于神话的宝座之上,创造出一个保护伞,南方贵族利用它保证南方女人免受身心上的危害. (Fox-Genovese, 1988))和种族主义根深蒂固的影响,造成了南方白人对南方白人女人的强烈保护和对黑人强烈的痛恨和排斥.而黑人威尔梅耶斯强米妮库柏小姐这个谣言无疑是触碰了他们最敏感的两根神经.所以当麦克莱顿义正词严地站出来要为米妮小姐主持公道而去惩罚那个黑人的时候,大家是把他当成正义凛然的民族英雄一样看待的. 这也极大地满足了麦克莱顿的虚荣心.理发师亨利霍克肖是这群人中唯一相信黑人威尔梅耶斯是清白且认为应该先找到证据再对威尔采取行动的人. 在由谣言所造成的张力之中,霍克肖代表的是理性的声音.他在追求事实和正义时所表现出的耐心和毅力同其他人非理性的形成了鲜明的对比,但是他不久就被亲黑鬼的混账东西的称呼所困. 所以对一个南方白人而言,在当时这样的称呼无疑要比追求事实和正义严重得多.因此他不得不违背自己的良心,加入到迫害黑人威尔的行列. 虽然他半路上跳下了车,终止了自己错误的行径,可是他最终还是做了胆小鬼,没有勇敢地站出来制止麦克莱顿一行人. 所以他只能算是心里和口头上的好人,而不是行动上的好人.当然,这也不能怪他,整个小镇的空气中都弥漫着沙尘(dust),就像当时由于种族主义根深蒂固的影响,在杰弗逊小镇上,甚至整个美国南方,都被狂热的种族主义思想笼罩着一样.(二)九月与九月是夏末初秋,本该是收获的季节. 但小说中的九月却悲剧般的干旱无比. 如果把人的一生看做12 个月份的话, 九月是过了朝气蓬勃的春天和青春荡漾的夏天之后的中年时期.小说写于1929 年,当时明妮小姐是三十八九岁, 而12 年前她正是小镇社交生活的风云人物, 风光无限; 往回追溯12 年恰是1917 年,正值美国加入第一次世界大战,当时的麦克莱顿正在激烈的战场上建功立业,还因为作战英勇而被授予了勋章.而现在米妮小姐和麦克莱顿正都处于九月这个中年危机时期.米妮小姐年轻时曾是小镇社交生活的核心人物,深受年轻男士的青睐.但是,随着时间的流逝,她失去了往日的魅力. 可她不想接受这个现实,甚至要求她同学的孩子不要叫她阿姨而是叫她表姐.她依旧每年夏天定做几身新纱裙,穿着它们跟邻居家的女人去闹市区逛街看电影. 可是无论她怎样地招摇和渴望,男人们的眼光再也不注视她、追随她了,她的心理开始出现极度的落差. 而小镇上的人不仅不同情她,还用异样的眼光看她,甚至是刻意地冷嘲热讽,这些给她造成了巨大的心理压力.她从未得到爱的安抚与滋润,性饥渴与来自社会的压力使她几近疯狂,甚至出现思维混乱. 所以她要找一个发泄处,于是便不惜凭空捏造黑人威尔强她的谣言.麦克莱顿曾经因为在一战中表现英勇而被授予勋章,可是现在12 年过去了,已经人到中年了,他却没有任何建树.这从他住在很小的鸟笼似的房子里可以看出来. 正因为他在外面没有什么建树,所以他回家经常拿温顺的妻子来发泄, 已经接近疯狂的状态.在小说第一节,我们可以看到麦克莱顿在外面维护白人女人米妮小姐时表现出来的是怒见不平一声吼,该出手时就出手的民族英雄形象,可是回到家里呢?他对温顺的妻子随意地动粗, 毫无尊重与疼惜可言.这不仅让我们反思一个问题:麦克莱顿他们是真正关心妇女吗?又或者只不过是给自己的暴行找一个合适的借口而已呢?麦克莱顿的这种在外面和在家里的言行不一与米妮小姐的表里不一如出一辙.干旱的九月是该小说的题目,也是其关键词之一.从字面意义上来看,九月是一年中的一个月份,是小说故事发生的时间. 但是,从弗莱的原型意象的解析来看,九月隐含着悲剧的意义. 九月是秋季的月份. 秋季具有深厚的集体无意识的心理积淀,与落日一样,引发人们联想到与衰败.它是悲剧与挽歌的原型意象, 象征着暴死与牺牲(Frye,19 ) .马克思在《关于费尔巴哈的提纲》中提出:人的本质不是单个人所固有的抽象物, 在其现实性上,它是一切社会关系的总和.他揭示了人的能动性,创造性的来源是社会.社会的环境是具体的人形成的重要条件. 在《德意志意识形态》中,他提及:一个人的发展取决于和他直接或间接进行交往的其他一切人的发展.( 中央马克思恩格斯列宁着作编译局, 1995: 56)因此我们不难知道,米妮小姐真正所缺乏的其实是大家广义上的关爱和理解;麦克莱顿真正所缺乏的是自信心和来自他人的认可; 亨利霍克肖真正所缺乏的是坚持正义的决心和勇气.福克纳在另外一篇以理发师亨利霍克肖为主角的短篇小说《头发》(Hair)里很多次用了地狱(hell)这个词来形容杰弗逊小镇.而《干旱的九月》里面多次出现沙尘(dust)这个词,而沙尘象征着和.在小说中,无辜的黑人威尔被杀害,归于永恒的沙尘,谋杀者随即也被沙尘吞没了. 这些无孔不入的沙尘笼罩着整个小镇,就像种族主义思想在小镇的白人的心里根深蒂固一样.在这里地位优越的白人可以随意杀死身份低下的黑人而不用承担任何责任,谋杀和谋杀者都会被全镇人所原谅. 在这样的大环境下, 连亨利霍克肖这样的好人都不敢站出来主持正义和公道,而是被迫选择加入到迫害者的行列当中.另外小说第三节一开始说到两轮圆月也是在暗示我们:由于沙尘的笼罩,真相已经被扭曲了.而此时正如同满天的月光和星光一样冷静地审视着这个凡尘俗世上发生的一切.如此地视生命如草芥,如此地倒行逆施,连都寒心了,难怪小镇居民会被认为是被所抛弃的子民(Volpe,1989:60).三、结语干旱的九月的炎热以及由它所带来的沙尘作为外在因素加剧了米妮库珀体内累积多年望的燥热和小镇种族主义暴徒心里的狂热,还有一直憋闷在麦克莱顿心中的灼热,这三股火合三为一烧死了无辜的黑人威尔梅耶斯.在干旱的九月炎热的氛围中,在弥漫沙尘的笼罩下, 的行径得到了整个小镇的原谅. 整个小镇皆热,唯有月光清凉. 整个小镇皆浊,唯有月亮独清. 整个小镇皆被沙尘覆盖,只有星光未被乌云遮挡. 整个镇子没有了一个好人, 遗弃了这座村庄. 外因是事物变化的条件,内因才是变化的根本,外因通过内因发生作用. 如果内心清凉,无论环境多热,人也不会燥,不会灼,不会狂,也就不会有无辜为此遭殃. 不管环境如何变化,把握自我才能一世清凉.参考文献[1] A.S.Hornby.Oxford Advanced Learners Dictionary of Cur-rent English(Sixth edition)[M].Oxford University Press,2000:817.[2] Catherine Gunther Kodat.Posting Yoknapatawpha,Missis-sippi Quarterly,57:4(Fall 2004 special issue:William Faul-kner and Yoknapatawpha),593-618.[3] Faulkner,William. Dry September.The Norton Anthologyof American Literature.2nd Ed.Nine Bym.New York:W.W.NortonCompany,1985.[4] Faulkner,William.Dry September[A]//钱青. 美国文学名着精选[C]. :商务印书馆,1994:407-421.[5] Feder,Lillian.Madness in Literature[M].Princeton UP,1980.[6] Fox -Genovese,Elizabeth.Within the Plantation Household:Black and White Women of the Old South[M].ChapeI Hill:University of North Carolina Press,1988.[7] Frye,Northrop.The Educated Imagination [M].Bloomington:UP of Indiana,19 .[8] Joseph Blotner.Faulkner:ABiography[M].New York:RandomHouse,1974.[9] Volpe,Edmond L. Dry September:Metaphor for Despair.College Literature Fall,1989:60-65.[10] 福克纳.外国中短篇小说藏本[ M]. 俊,等,译. :人民文学出版社,2013.[11] 俊.福克纳传[M]. :新世界出版社,2003.[12] 中央马克思恩格斯列宁着作编译局.马克思恩格斯选集[M].翻译局,译. :人民出版社,1995。
疯狂、暴力和死亡_福克纳短篇小说 干旱的九月 中隐喻的分析
在 !""" 年 # 月 !$ % !& 日密西西比大学主持召开的, 以 “ 二十一世纪的福克纳研究” 为 议题的第 !# 届福克纳暨约克纳帕塔法年会上, 福克纳研究专家塞罗撒・姆・唐纳 ( ’()*)+, -. ’/01)*) 批评说, 在过去的福克纳研究中, 将其作品分为 “ 主要作品” 和 “ 次要作品” 这一 传统的简单分类方法导致了研究者只注重 “ 主要作品” 的研究, 而忽略了对福氏十分优秀却 被列入 “ 次要” 行列作品的研究! 。陶洁先生也在 “ 对我国福克纳研究的回顾与思考” 一文 中指出, 国内的福克纳研究 “ 过于集中对个别长短篇小说的研究,对绝大多数的短篇小说和 大部分的长篇研究得少” ($ ) 。事实上的确如此, 在国内外的相关领域研究中, 对于福克纳 《 喧哗与骚动》 、 《 押沙龙、 押沙龙》 、 《 去吧, 摩西》 、 《 八月之光》 等主要长篇小说研究的论著 汗牛充栋, 而对其绝大多数短篇小说的研究却鲜有问津。事实上, 福克纳短篇小说的成就绝 不在其长篇之下。著名的福克纳研究专家汉斯・赫・斯盖在其著述 《 威廉・福克纳— — —作 为长篇小说家的短篇小说家》 中评论说: “ 福克纳的短篇小说是其创作生涯中重要的组成部 分, 其重要性不容评论者以2有趣 2来搪塞。这是因为福克纳既是长篇小说家, 也是短篇小说 家。他将长篇小说的场景、 人物、 情节、 主题浓缩、 提炼在其短篇小说中, 或者说, 他的长篇小 说是短篇的拓展。因而, 他的短篇小说无论在人物刻画、 场景描述、 还是叙事技巧、 主题的丰 富多样性上都超越了一般意义上的短篇小说” ( 34)5 67 ) 。因此, 对福克纳短篇小说进行细 致深入的研究有助于全面把握这位伟大作家思想和艺术的发展脉络。 在短篇小说的研究中, 国内外的学者聚焦于收集在 《 短篇 6$ 篇》 ( !"#$# %& ) 中的 “ 献给 爱米莉的玫瑰” , 而对 “ 干旱的九月” 则反应冷淡。椐南方文学研究会 ( 3338 ) 论文索引不完 全统计, 从 9" 年代至 :" 年代, 关于 “ 干旱的九月” 的学术论文仅有 67 篇, 而 “ 献给爱米莉的 玫瑰” 则有上百篇。国内从 6::7 年至今, “ 干旱的九月” 的评论文章仅有 6 篇。实际上, 这 部小说从人物刻画、 主题展现、 表现手法上都可以与前者并驾齐驱。亚瑟・ ; ・肯尼 ( <*=(>* ; ?)11)@) 在 《 福克纳与种族神话》 中指出: “ ‘ 干旱的九月’ 是福克纳反映种族神话与种族暴
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VIII.Dry September:William Faulkner’s short story "Dry September" deals with a lynching of a black man, Will Mayes, wrongly accused of attacking a white woman, Minnie Cooper. But Mayes is not the only victim in this short story. Minnie Cooper is also a victim in "Dry September." Minnie is as much a victim of the social standards and practices of southern society as Willie Mayes is. ?While "Dry September" may seem to be just a story about how a black man is wrongly condemned to death, it is also about the moral and social demise of a woman who is no longer valued in society. Minnie Cooper lives in a society that has no more place for old maids than it has for black men, and that makes her just as much a victim as Willie Mayes.Minnie had no choice but to create a lie becaus e, "Minnie’s world, offering no alternatives, encouraged Minnie to consent to, even create, her own victimization in the interests of consolidating white control" ?The structure of the story itself points to the importance of Minnie Cooper. She is dealt with more in the text of "Dry September" than Willie Mayes is. "Dry September" is divided up into five sections. The first section takes place in the barbershop, where the men decide to get Willie back for "raping" Minnie. The second section deals directly with Minnie, her life, what she does, and how she is being ignored by society. The third section deals with the lynching of Willie. However, in this section Willie’s thoughts and feelings are not made known to us. Instead the readers get an account of what happens up to the point where Hawshaw jumps out of the car. The fourth section again deals with Minnie, how she is acting, what she is wearing, and how people act toward her. The fifth section deals with McLendon beating his wife, which not only mimics the violent death of Willie, but also suggests the helplessness and vulnerability of women in this white, male-dominated society.Minnie Cooper clearly is an important character due to the amount of material written about her. Two fifths of the story deal directly with her. Only one fifth of the story deals directly with Willie, and in that section his character is not developed at all. Minnie is a victim in this story because there are two sections of the story explaining what her character is like and why she is ?suffering so much. Minnie is a victim of her gender, while Willie is a victim of his race. Noel Polk in Faulkner and Gender, states that, "Dry September" is "more centrally concerned with gender than with race". It is obvious that Willie is a victim, for he is the one who is murdered. But Minnie is also?a victim; although she does not die physically, she has for a long period been dead to society.?"She was the last to realize that she was losing ground. One evening at a party she heard a boy and two girls, all schoolmates, talking. She never accepted another invitation"We are told that there was a short time in her life when she was part of society—part of the crowd: "When she was young she had a slender, nervous body and a sort of hard vivacity which had enabled her for a time to ride upon the crest of the town’s social life ?Since being sexually attached or sexually attractive was so important to women, Minnie’s diminished status is clearly revealed when she is no longer able to hold any man’s interest.This feeling compels her even more to falsely accuse Willie. After Minnie accuses Willie of rape, she receives attention from the men in the town again./dry-september/William FaulknerA man who live through the Realistic Period and Modernism Period, and “the man himself never stood taller than five feet, six inches tall, but in the realm of American literature, William Faulkner is a giant.” He’s known as a Mississippi writer by his works.William Faulkner is recognized by many as America’s greatest writer of prose fiction of the 20th century and he’s also a Nobel Prize-winning novelist of 1949. He was born on September 25, 1897, in New Albany, Mississippi. He was named after his grandfather William Clark Falkner who was the author of a popular romantic novel called “The White Rose of Memphis. Faulkner grew up in an old southern family, just before his fifth birthday, his family moved to Oxford, Mississippi, during that time, he met his childhood sweetheart, Estelle Oldham, and his lifetime friend Phil Stone who encouraged him to write. At the Oxford High School, he played the football as a quarterback and suffered a broken nose. And soon, he dropped out of school at age of 15. Later, he tried to join the U.S Army Air Force but was denied because he was too short.In July 1918, impelled by dreams of martial glory and by despair at a broken love affair, he joined Canadian Royal Air Force. On his application to the RAF, he lied about a few things, including his birth date, place, and added a “U” to his real last name “Falkner”, believing it would look more British. During the World War I, but he never fought. After the war, he returned to Mississippi as a war veteran and enrolled at the University of Mississippi under a special provision for war veterans. Even though he had never graduated from high school, his first published poem “L ‘Apres-Midi d’un Faune” appeared in The New Republic.His writing career started to turn around since then.William Faulkner was a very indifferent student in high school, and that determined his talent and unique writing style. His writings are mostly longer, and quite hypnotic,and his writings often have highly emotional impacts and complex, or sometimes even Gothic. He and Ernest Hemingway are considered two greatest American novelists of his era. Faulkner was also a prolific short story writer, many of his short stories and novels are set in Mississippi, and his most celebrated works include “Barn Burning” and “Dry September”.The story “Barn Burning”, narrated in the third person, was set in the imaginary Mississippi country Yoknapatawpha, where a ten year-old little boy Satoris Snopes faced a major decision in his life, which is either going alone with the views and actions of his father or to do what he innately senses is right. The story opens with the protagonist Sartoris Snopes in the court, and hoping that he will not be testify for a case against his father, even though Sarty knows the fact that his father is absolutely guilty for what he did. Sartoris’s father Abnernathy Snopes has a habit that he likes to burn a barn of whomever he is angry with. His father once said to him: “You got to learn to stick to your own blood or you ain’t going to have any blood to stick to you.”His father threatened him to be loyal to his family no matter if the family is right or wrong, or else he’d have no place to live or no help from relatives.After being ‘kicked’ out by many towns, Sartoris finally realized that there’s something wrong with his father psychologically. When they arrived at the plantation of Major de Spain, Sarty felt that everything is fine and his father would be safe, “People whose lives are a part of this peace and dignity are beyond his touch, he no more to them than a buzzing wasp: capable of stinging for a little moment but that's all, - the spell of this peace and dignity rendering even the barns and stable and cribs which belong to it impervious to the puny flames he might contrive . . .” However, Sartoris didn’t know that his father can just easily bring down such a big plantation with his metal problem.The theme of Faulkner’s “Barn Burning” is Sarty’s desire to break away from his family. It is easy enough for us to say what’s right and wrong, but, for Sartoris, it’s not simple as right and wrong or peace and dignity, it is between blood and justice. As thebeginning of the story, Sartoris did what his father told him to do, to stick with blood. He would probably defend his father anyways because the son always sticks with his father. But in the end, Sartoris warned Major de Spain that he father would burn down his plantation, even though such an action will cause his father and his family, or even worse that he would have no place to go. But, the ten years old Sartoris was able to make his own decision between family and morality.“Barn Burning” is a tale of a southerner, a man who is forced into a role by society. The main character Abnernathy Snopes, is a sharecropper of a poor family. He and his family had to share half or more than half of their harvest with the landlord. Two of Snopes’s daughters have to stay home and help out their parents in the field. And about Sarty Snopes, the ten years old boy, there is significant fact about him. Although he knows that his father is a barn burner, Sartoris fought those boys who called his father a “barn burner” to defend his father’s integrity. “Maybe he's done satisfied now, now that he has ... stopping himself, not to say it aloud even to himself.” Deep inside of his head, he doesn’t want to face the truth that his dad is a barn burner, a person who caused the family to move so many times. “Likely, his father bad already arranged to make a crop on another farm before he ...” And here again he stopped his thought. At the end of the story, Sarty made his decision and the “pull of blood” was not strong enough to corrupt his mind. It is understandable of what he did. It was a choice between family and morality. Nevertheless, he was probably too young to understand his father. He was not able to see through him, and the family’s poverty condition, because the route he wants to travel is nothing like his father’s path.“Dry September” was in Faulkner’s first short story collection. The story is told in five parts, and the author presented a vision of Southern life during reconstruction. The setting is a September day, “Sixty-two rainless days.”The story deals with a lynching of a black man, Will Mayes, wrongly accused of attacking a white female, Minnie Cooper and condemned to death. The opening of “Dry September” focuses on the oppressive heat and sets an overwhelming setting for the story along with the townspeople and hasfueled Miss Minnie’s accusation that she was raped by a black man, Will Mayes. “Dry September” touched a subject that many Southern authors like Faulkner would mentions, the relationship between black people and white people. The setting and characters also show the conflict and race relations that among the story.The story begins in a barbershop, where is located in a small town. People within the barbershop started an argumentative conversation about the crime of Will Mayes. Whoever is supporting Mr. Mayes are to be called the “niggerlover” by other. One of them is a man named Hawkshaw, he insists that for those who want to get the man guilty should find out the facts before even rushing into judgments. Also, throughout the whole story, the weather has been mentioned several times. "It’s this durn weather. It’s enough to make a man do anything," one of the barber comments. Especially the hot weather and temper on the dry September day. The story is divided into five parts. Part one is basically the argument over Will Mayes, part two is a flashback to Minnie’s life. In part three, we’re back to the barbershop, and a gang was formed this time. Part four and five kind of give us a little more details about Minnie and McLendon.William Faulkner gave his story the perfect title “Dry September”. It fits well because there are numerous changes in the story as well as during the season, just like when summer turns into fall, everyone will notice the differences and changes, and not just the weather changes, so do the people. For a story from the old South, this story has all the factors: a crime of passion, racism, and violence. This story shows us how we can affect other’s lives. And violence is not the solution to everything, because violence can only cause more violence. “Dry September” also shows how difficult it was to be a black man to live within in a entire white population, it is a passionate story that truly open our field of vision.“Dry September” and “Barn Burning”, two stories have a almost identical setting, they both are stories during 1930s in Mississippi, which both contains a common decline of the old social Southern theme. Faulkner uses his stories to call out and challenge people to change and awaken to the race, class, and economic turmoil. Both stories havevery one thing in common, that is they all have a final unanswered question. In “Barn Burning”, Little Sarty left his family, and in the end of the story, ‘He did not look back.” Faulkner did not tell what happened to him and what his future is. In “Dry September”, the whole story is concentrated on a black who is accused of attacking a white female, but the narrator did not give us an answer for Will Mayes but only said that he is condemned to death.“Barn Burning” was a story during the ebb of the 1930s while the “Dry September”was a story about a black man who lived in the old South. The main character of both stories seems to have a similar but very different bitter experience. Abnernathy Snopes, a white sharecropper who has to pay more than half of his harvest to his landlord and always burn down their barns as return. Will Mayes was wrongly accused of attacking a white woman, what he was going to face is a serious consequence of attacking a white person – guilty to death. The whole story is full filled with racism, the ‘n’ word is used repeatedly used by many white man who’s living in the town.William Faulkner once said: “He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion.”In other words, a writer should write story with lust, and passion.It is remain an unsolved myth that whethet Minnie is raped by the nigger, or whether she is raped at all. But the old maid and the nigger are both the opperessed and humiliated onesin the story.Minnie is always seen as an joking object by the others. They humiliate her, look down opun her for her failiure in love, and dig out her miserable past, finding pleasure in doing so. They do not care her emotions and mind. Their seemingly tenderness is actually colder than indifference.The nigger is punished for what he may not have done. The men in the twon do not care whether he did it. They actually do not care Minnie too, but between a white woman and a nigger, they choose to believe in the white. What they seek is not truth or fact, or justice. They get some fun from the seemingly "protection" of the whites, and the dry wether add to their fury.In the story, the descrimination is shown between sex, and races. The white male is the dominant force of the world. They can abuse white women, as well as black men. And Mclendon is the typical representor of the brutle white male.Q: the dry weather symbols what in the story?"Dry September," is a novel about racism in the south by William Faulkner. In a small southern town of Jefferson , an aging and sexually frustrated white spinster starts the rumor that the black man has attacked her. A group of men, led by a former war hero, murder him before they proves his guilt. McLendon, is one of the main characters in this short story. Itis him who raises the mob against Mayes and in the end of the story,he strikes his wife very badly, when he cannot endure her accusingeye. It seems that he is a person of violence.So , my question is : what is the author’s aim to establish animage like McLendon?The story is about the position of woman in society, the racism, and the violence around these questions. The plot is divided into five sections: Sections I and III show the town‟s reaction to the rumor that Miss Minnie, a spinster, has been attacked by Will Mayes, a black man; Parts II and IV familiarize us with Miss Minnie‟s history and give us an inside view of her emotional state; and Section V provides us with a glimpse of McLendon‟s home life and the hints of his violence to Will Mayes.Miss Minnie Cooper, a southern aristocrat, “was of comfortable people--not be the best in Jefferson, but good people enough”. She is driven tode speration by her “idle and empty days”: She has no occupation, no social position, no intellectual interests, and is trapped by her advancing age. Her desire of being accepted surpasses her morality. The society has pushed her so much that she finds it hard to accept herself and what the society thinks about her. When herfriend's children call her 'aunty' she objects and insists on being called cousin. She wants to change their impression of her and in doing so she wants to be liked by them, hoping that the mere hint of rape will prove her still sexually desirable. Miss Minnie is the symbol of the decline of southern aristocracy, which was aging, rotten, lifeless, and deserted.The horrible racism is clearly showed in Dry September. Will Mayes is the most innocent victim, the only character who evokes our complete sympathy. He does no harm to Miss Minnie. He is obedient, When Mclendon force and order to him,he even doesn‟t do any resistance. “The Negro did not not move. …What you all going to do with m e, Mr. John? I aint done nothing. White folks, captains, I aint done nothing: I swear fore God‟ “. Poor Will! Who would listen to him? Although everybody knows what happens, nobody prefers to believe him. Will is accused of guilty, justbecause he is a black man, and they prefer that a Southern lady could never tell lie. Poor and defenseless Will Mayes is murdered in spite of his innocence.As a Southern writer, Faulkner draws upon the mores and prejudices of his own regional culture to create unforgettable characters and settings for his novels and short stories. “Dry September,” short though it may be, addresses many aspects of this Southern culture. Rather than emphasize the violence of Will Mayes’ death, the story focuses on the causes leading up to t hat violence and the mentality that breeds such monstrous behavior.My question is: Why does Faulkner treat many of his characters as victims of various social forces?。