第三版高英bookI-lesson-2--Hiroshima课后练习答案

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Symbols: • 1) Little girls and eldlders with teenagers and women in Western dress. (Para. 2 ) • 2) The rather arresting spectacle of little old Japan adrift amid beige concrete skyscrapers is the very symbol of the incessant struggle between the kimono and the miniskirt. (Para• 7) (The East and the West)
2. ... the strange emotion which had overwhelmed me at the stationreturned... (L. 2 , Para. 9 )
3. ... I was again crushed by the thought that I now stood on the site of the first atomic bombardment... (L. 3 , Para. 9 )
Key to Exercises of The liveliest __Hiroshima
II.B. Questions on Struture and Style(p.33)
B. 1 • No. The writer takes the changes of his
thoughts and feelings as the order of the whole text.
4. inhibited (L . 4 , Para. 20 )
5. agitated ( L. 2 , Para .16)
B.3 The Japanese cultural traits(p.33)
1) Little girls and elderly ladies in kimonos.. .(Para.2 ) 2) Serious-looking men... bobbed up and down repeatedly in
B.4 The Writer's major impression of the city
4. The writer's major impression of the city is that Hiroshima is a mixture of Japanese culture and Western culture.
B5
• Anti-climax
• a common literacy device to achieve humor, surprise, satire, etc.
• The mayor said that Hiroshima is a town known throughout the world for its oysters,because he did not want to embarrass the foreigners by talking about the disaster and he wanted people to forget the tragic past and because Hiroshima is famous for its oysters.
B.2. Words or expressions in the text that reveal the writer's attitude toward the atomic bombing are as follows:
1. …I had a lump in my throat and a lot of sad thoughts on my mind…(L.5, Para 1)
little bows, as they exchanged the ritual formula of gratitude and respect "Tomo aligato gozayimas". (Para.2 ) 3) As in Tokyo,taxi drivers in Hiroshima often know little of their city,but to avoid loss of face before foreigners, will not admit their ignorance, and will accept any destination without concern for how long it maytake them to find it. (Para.4 ) 4) The Japanese build their traditional houses on boats when land becomes too expensive. (Para. 7)
B.3 The Japanese cultural traits(p.33)
5) At the door to the restaurant, a stunning, porcelainfaced woman in traditional costume asked me to remove my shoes. (Para.8 )
6) ... I entered one of the low-ceilinged rooms of the little floating house, treading cautiously on the soft tatami matting and experiencing a twinge of embarrassment at the prospect of meeting the mayor of Hiroshima in my socks.(Para.8 )
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