《Justice》(《金牌律师》)12的英文字幕

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boston legal第一季02

Boston LegalStill Crazy After All These YearsSeason 1, Episode 2Written by Kerry Ehrin and David E. Kelley© David E. Kelley Productions. All Rights ReservedBroadcast: October 10, 2004Transcribed by olucy.Scene opens inside a mental institution’s visiting room. The room is filled with various patients, including an older, African American man with Tourette’s syndrome yelling “Bats on the run!”, and a younger Caucasian woman with multiple scars on her arm. A woman is ushered into the room by a psych nurse and taken to a long table where Alan Shore is seated, hunched over a jigsaw puzzle.Psych Nurse: You have 30 minutes.Christine Pauley: I have to say I find this very strange. I always thought I’d be the one visiting you in a mental hospital.Alan smiles. She sits down across from him.Christine Pauley: I’m excited about tomorrow. Please tell me we have a shot. I don’t know how much longer I can take it in here.Alan Shore: We have a shot. I’ll get you out.Christine Pauley: I don’t need to hear it, Alan. I need it to happen.Alan Shore: The board will question you directly. It’s entirely possible they’ll try to provoke you.Christine Pauley: Make sure I’m bomb proof?Alan Shore: Sorry?Christine Pauley: It’s an expression with horses. To be safe to ride a horse it needs to be bomb proof. It doesn’t spook easily. Can’t have one who just flies off.Alan Shore: Yes. In addition to not flying off, you need to show contrition. They like to see that you’re sorry. Christine Pauley: I am. I – I am so sorry. So deep--deeply ashamed. How do I say it right?Alan Shore: Just like that. Christine, you were in love with a man who was unworthy of you. Who made you doubt everything that you had a right to count on. Who perhaps even toyed with your sanity.Christine Pauley: Still no excuse for trying to kill him.Alan Shore: Perhaps he had it coming.Christine Pauley: Perhaps you did.Theme songInside a CP&S conference roomPaul Lewiston: Why is it we agreed to bifurcate the trial?Brad Chase(speaking rapidly): There’s been no claim for punitive damages, only compensatory. But our fear was the jury could be so outraged, they might artificially inflate compensatories as a de facto puni, so we opted to bifurcate. Separate juries – one for liability, one for damages. The client concurred.Alan Shore(looking at Brad in amazement): Do you do tongue push-ups?Brad Chase: This is a staff meeting. I encourage all to conduct themselves professionally, keeping in mind that remarks are tantamount to assertive conduct.Paul Lewiston: Lansing versus Mahoney.Brad Chase(speaking rapidly,Alan still looking amused): Hospital settled out. Deposition of Dr. Mahoney is today. We’re hoping to make some movement on that as well.Paul Lewiston: Lot of eyes are on us. We’ve got an HMO on the bubble here waiting to see how this lawsuit is restored. I assume you’ve prepared for today’s deposition.Brad Chase: Actually, Denny’s taking it.Paul Lewiston: Denny’s taking the deposition?Brad Chase: Yes.1Paul Lewiston: Wouldn’t it be better to save Denny for trial? Roll out the big gun later?Denny Crane: Roll out the big gun now, this won’t be a trial. Move along, Paul.Paul Lewiston: In re Christine Pauley.Alan Shore: Mine. Ex-girlfriend. Tried to kill me.Paul Lewiston: This is the commitment proceeding?Alan Shore: She was committed. This hearing is to secure her release.Lori Colson: Wait a second. She tried to kill you?Alan Shore: She did.Lori Colson: And now she wants out?Alan Shore: She does.Lori Colson: And you’re trying to help her get out?Alan Shore: I am.Sally, visibly upset, picks up her things and leaves the room.Alan enters Sally’s office. Sally is sitting at her desk rifling through papers.Alan Shore: You’re angry with me.Sally Heep: I’m just busy. Okay? Shuffles papers. Alan turns to leave. I’m not gonna even discuss the absurdity of representing an ex-lover who tried to kill you. But how do you not at least tell me? That isn’t something that I should know?Alan Shore: I wanted to surprise you with it.Sally Heep: You think it’s funny? You think it’s appropriate for me to learn about it in a staff meeting?Alan Shore: Forgive me. As you can imagine, I haven’t kept up with the boyfriend/girlfriend regulations. Sits down. What I can say is she’s a client and a friend that I’m trying to free from the clutches of an overreaching asylum.Inside a rather sterile meeting room at the psychiatric hospital. Alan and Christine are sitting behind a table, facing a panel of doctors, three men and a woman. There is a security guard behind Alan and Christine.Dr. Gill: You keep calling it an asylum. This is a psychiatric hospital.Alan Shore: I mean no disrespect, doctor, but the word “hospital” implies treatment.Dr. Gill: And she has gotten treatment.Alan Shore: Is she less crazy?Dr. Gill: Excuse me?Alan Shore: As a result of your treat. Is she less crazy?Dr. Gill: Crazy is not a medically recognized term, Mr. Shore. As I’ve just explained, Christine has what theD.S.M. refers to as intermittent explosive disorder.Alan Shore: Then please tell us. Is she less intermittently explosive?Dr. Gill: She has improved.Alan Shore: And to what do you attribute that?Dr. Gill: Primarily the pharmacological regimen.Alan Shore: Pills.Dr. Gill: Twenty-five milligrams each of three different antipsychotics administered three times daily.Alan Shore: Then maybe it’s a good thing she’s here. That sounds like a very complicated protocol to administer on one’s own.Dr. Gill: IndeedAlan Shore: How do you know she actually takes these pills?Dr. Gill: Obviously, we keep very careful records.Alan Shore: I’m sure you do. But, hypothetically, suppose there was a patient who felt she didn’t belong here. Felt she’d entered your hospital quite troubled, but essentially sane, and was being driven insane by this institution? Maybe she’s a New York University graduate. A respected attorney. A charming, intelligent, sensitive, funny woman. A fully functional person with the exception of one incident. So each and every time your orderlies come around with your 75 milligrams of powerful antipsychotics for her to swallow, she hides the2tablets under her tongue and saves them day after day. A growing collection of thoroughly unnecessary medication that her primary psychiatric caregiver wants to shove down her throat.Dr. Gill: Are you asking if this hypothetical scenario could happen?Alan Shore: I am.Dr. Gill: It could not. We keep very careful records.Alan gestures as if understanding. Christine proceeds to take handful upon handful of pills out of her pocket and set them on the table in front of her. It appears to be between 100 to 200 pills. The doctors look vexed.Inside conference room at CP&S. The deposition has started.Dr. Mahoney: Look, I don’t see why I need to be present.Brad Chase: A part of her emotional distress claim goes to how you informed her of her husband’s death.Dr. Mahoney: I’ve been a surgeon for 30 years. If there’s a pleasant want to tell a family a patient died…. Denny Crane: We’ll need your response to her account. Acknowledges Carrie Lansing and Attorney Kevin Ripley walking towards them.Brad Chase: Speaking to Lansing and Ripley. We’re in Conference Room 1. We’ll be right in.Atty. Kevin Ripley: Thank you.Dr. Mahoney: Why can’t I just review the transcript? I really don’t want to sit in that room.Brad Chase: We don’t need you to do or say anything. We just need you to sit there and listen.Paul Lewiston comes to the doorway.Paul Lewiston: Brad? One second please.Brad meets Paul in the hallway.Paul Lewiston: You can’t let him first chair this deposition.Brad Chase: Paul, he’s insisting.Paul Lewiston: First of all, the case could turn on this proceeding. And second, as I mentioned, we have several medical corporations, potential clients, taking a key interest….Denny approaches Paul and Brad in the hallway.Denny Crane: Hey, guys. What are we talking about? It looks interesting from afar. Anything I might enjoy? Paul Lewiston: What’s this case about, Denny? The deposition you’re about to conduct. What’s it about again? Denny Crane: A man died during angioplasty, leaving him dead. Tragic.Back inside Conference Room 1Carrie Lansing: He even described the procedure as common. So for—Denny Crane: One of your allegations goes to how Dr. Mahoney informed you of the tragic outcome.Carrie Lansing: He just came out and said my husband had a cardiac arrest and was dead. He just turned and walked away. But he said he was going to talk to me later.Denny Crane: Do you make room for the possibility that Dr. Mahoney himself was devastated at this time? Carrie Lansing: The patient was my husband. Whatever pain he had, I---Denny Crane: These are difficult questions. You’re, um, 40 pounds lighter since before your husband’s death? Carrie Lansing: Yes.Denny Crane: Dating again?Atty. Kevin Ripley: Objection. This certainly has no relevance.Denny Crane: All objections have been waived till the trial. Except for the form of the questions, sport. This your first deposition?Atty. Kevin Ripley: This is not my first deposition.Denny Crane: Well then play by the rules. Don’t make me move for costs, which she’ll end up paying. Addresses Carrie Lansing. In this last year, would you say you’ve had more or less sex since the time of your husbands’—Atty. Kevin Ripley: Objection!Brad Chase: All right. This is a tough deposition for everybody. Let’s just try to get through it. Denny.Denny Crane: More or less sex this past year?3Carrie Lansing: My physical relationship with my husband had waned, partly because of his heart condition. We remained very much in love.Denny Crane: And did you go on lots of trips together, you and your husband?Carrie Lansing: Some. He was very busy with work.Denny Crane: Did he regularly tell you how incredibly—incredibly beautiful you are? Did you wear this perfume when your husband was alive?Carrie Lansing: I believe I did.Denny Crane: That’s magnificent.Atty. Kevin Ripley: All right. This deposition is over.Denny Crane: Why?Atty. Kevin Ripley: It’s over. Come on, Carrie.Denny Crane: All right. Off to court we go, cub scout.Atty. Kevin Ripley: Oh, we’ll be going into court all right. We’re done here.Back to the meeting room at the psychiatric hospital, same day.Dr. Bender: The fact that she was secretly refusing to take her medication does not persuade us of progress. Alan Shore: But it does show she’s capable of going six months unmedicated without incident.Dr. Bender: Mr. Shore, you were her lover.Alan Shore: Any bias that I might have in favor of Christine would be more than offset by the fact that she tried to kill me.Martha Silver: Frankly, we’re insulted by that. It might get you a spot on Good Morning America, but—Alan Shore: I’m trying to get her a spot of freedom.Dr. Bender: Freedom is a privilege, Mr. Shore, not a right.Alan Shore: A privilege?Dr. Bender: Yes, and it’s revocable. Especially if you try to run someone over with an automobile.Alan Shore: Christine Pauley is well. You have an affidavit from three different independent psychiatrists who evaluated her.Dr. Bender: And likely made her sign waivers as soon as you paid them.Alan Shore: The only reason you’re holding her is you’re afraid of being sued should she do something.Dr. Bender: We’re afraid she’ll hurt herself or someone else, you cynical snot! Is liability to the hospital a factor? Yes. We can’t treat patients out of bankruptcy.Alan Shore: I hardly see how that makes me a snot. She’s in here because of one isolated incident she’s not likely to repeat.Dr. Bender: Oh, you can gaze into some crystal ball—Alan Shore: I can gaze into her. I saw the look in her eyes the day she was brought here. I saw the look in her eyes which led to her being brought here. She had that look then. She does not have it now.Martha Silver: Who would be this woman’s guardian? Why is no one here to present—Alan Shore: Her parents would serve as guardians. You’ll find their affidavit—Martha Silver: They live in Illinois.Alan Shore: Where Christine would be going upon release.Martha Silver: And until she gets to Illinois?Alan Shore: Until then, I will be her guardian.Dr. Bender: Miss Pauley?Christine Pauley: Well, at the risk of also sounding biased, I agree with him. This is not a parole board. This is not a prison. As you say Dr. Gill, this is a hospital. And when patients are healed, they’re let out of hospitals.4Sally is in the kitchenette, pensively staring ahead, holding coffee, leaning against the counter. Lori Colson enters the room.Lori Colson: Coffee not good?Sally Heep: Oh, no. I was just thinking about something.Lori Colson: Yeah, I do that. Thinking about what?Sally Heep: It’s kind of private.Lori Colson: You know, I’d stake out a little distance from that Shore guy, Sally. He tends to leave people’s minds a little worse off than he finds them. His old girlfriend, case in point.Alan enters the kitchenette.Alan Shore: You two discussing cases? I wasn’t aware you provided emotional counsel as well as legal, Lori. That’s quite a perk.Lori Colson: A woman tries to kill you. You go to represent her. You don’t think there’s a pathology at play here? I refer to yours.Alan Shore: I got the reference. Thank you. Speaking as an enormously unlikeable person, I find it difficult to maintain grudges against all those who wanna kill me. Don’t you? Lori smiles, and starts to leave. Yes, you’ll perhaps find that witty comeback in your office.That night. Denny is in his office with Brad.Brad Chase: He’s got a motion for costs. For sanctions. He’s ordered a transcript so he can read back to the judge what you said today.Denny Crane: Good. Then I won’t have to bother trying to remember.Brad Chase: Damn it, Denny. You’re way out of line. This woman has just lost a husband. You’re asking her questions about her sex life, her perfume.Denny Crane: I know what I’m doing.Brad Chase: Which is?Denny Crane: It’ll come to me.Brad Chase: That lawyer is going to pick you apart in open court tomorrow.Denny Crane: Let him try. Denny Crane.Brad Chase: Listen to me. Do you know why I was brought here? The firm thinks that you are becoming a liability. They wanted me to control you.Denny Crane: Who thinks I’m a liability?Brad Chase: It doesn’t matter.Denny Crane: Who?Brad Chase: Denny. Where you were once something to aspire to, you’re now becoming something to parody. You walk around saying “Denny Crane. Denny Crane,” like it’s supposed to intimidate or conjure up awe.You’re a complete joke. If that gets me fired, so be it. I’m saying it just the same. You know why? ‘Cause I love you. I adore you. But it hurts to see you deteriorating into a---Denny Crane: Get the hell out of my office.Brad leaves. Denny is sitting alone.Outside Alan’s hotel room, same night. Alan is opening the door and he and Christine are walking in. Christine Pauley: You didn’t have to get me a hotel room.Alan Shore: I didn’t. You’re staying in my place.Christine Pauley: I beg your pardon?Alan Shore: I won’t get fresh.Christine Pauley: You live in a hotel?Alan Shore: I do.Christine Pauley: What happened to your big grotesque house with your more grotesque swimming pool and your even more grotesque rumpus room?Alan Shore: I sold it. I require a lot of fresh towels and nightly turndown service.Christine Pauley: Why would you live in a ho---. Oh, I , I see. The comfort of being able to check out on a whim. You know, as much as you explained it, you’ve never really explained it.Alan Shore: I demand only one thing in a relationship, Christine. That I remain utterly alone.5Christine Pauley: Nice out, Alan.Alan Shore: I’m sorry?Christine Pauley: Even in conversation, you always have a nice out.CP&S conference room, same night. Present are Brad, Lori, Paul, Walter Seymore and other unnamed CP&S lawyers.Brad Chase: I did my best to control him.Paul Lewiston: And the other attorney has brought a motion for sanctions?Brad Chase: Which he wants to argue himself.Walter Seymore: My God.Paul Lewiston: We count on you to help prevent these kinds of situations, Brad.Brad Chase: Paul, I’m a relatively junior partner. What exactly do you expect me to do?Walter Seymore: If that man gets up in open court—Lori Colson: Excuse me. The man can still handle himself in court.Paul Lewiston: Oh, please. The only possible good that could come form his—(pauses). Is he adamant about arguing this himself?Brad Chase: I’m afraid so.Paul Lewiston: Well. I guess we can’t say no. His name still is first on the letterhead. Let him argue.The next morning. Alan is in bed, waking up. The other side of the bed is empty. He looks toward the living room suite and sees Christine on the sofa, dressed and reading the paper.Alan Shore: We’re up early.Christine Pauley: I’ve been up since 6:00, actually. I’ve been waiting for you to get up so I could say good-bye. There’s a cab outside waiting.Alan Shore: I thought your flight’s at 11:00.Christine Pauley: I’m going to the airport early. Ridge upped the security to level mauve.Alan Shore: Let me drive you. Starts to put on pantsChristine Pauley: No. I, I’d prefer to--. Thank you. For getting me out. For forgiving me. Laughs. Well, that’s it, creep. Kisses his cheek.Alan Shore: Hmm.Christine Pauley: Better go.Alan Shore: Call me when you land.Denny’s office. Denny is stuffing papers into his briefcase, listening to Brad.Brad Chase: I just think I should argue.Denny Crane: Why? So you can control me? Nobody controls me.Brad Chase: Denny, you’re the subject of the hearing. I’m certainly gonna have more objectivity—Denny Crane: I’ll argue the motion. When Denny Crane gets attacked, he stands up for himself. I don’t need you or anybody else controlling or protecting me.Brad Chase: You’re not going to court in this state.Denny Crane: Brad, you can join me or not. Your choice. Denny leaves as Lori enters.Lori Colson: What’s going on?Brad Chase: He still plans to argue it himself.Lori Colson: The partners said let him.Brad Chase: I know. But I thought—Lori Colson: You know why they’re saying ‘Let him.’? A public debacle on record is just what they need to convince the full partnership in January to broom him.Brad Chase: What?Lori Colson: Yeah. They want him to self-destruct, Brad. They obviously think losing a few clients is worth losing him. You cannot let him argue this motion. Brad leaves.6Alan and Sally walking together down a CP&S hallway.Sally Heep: You’re her guardian, and she slept in your hotel room last night.Alan Shore: You see, you get upset when I don’t tell you these things. But then, when I do—sighs. She’s gone to Chicago. It’s –Sally Heep: It’s not about her.Alan Shore: ExcellentSally Heep: It’s, it’s us. Is there an us?Alan Shore: Sally, I know this seems difficult. You know what? At his office door he stops walking andturns to face her. Can we go shopping for shoes? Or a new dress? Something revealing for the office party. Soft,but tight. Alan’s office door opens, revealing Christine.Christine Pauley: Alan.Alan Shore: What are you doing here?Christine Pauley: My flight was canceled. I thought you might feel like an early lunch.Alan Shore: Christine Pauley, Sally Heep.Christine Pauley: Hi. It’s nice to meet you.Sally Heep: Hi.Alan Shore: Your flight was canceled?Christine Pauley: I’m rescheduled at 4:30. This is why I’ve refused to fly for the last two years. That, and I’ve been locked up. So can I steal you for lunch?Alan Shore: Actually, no. We were just about to go on—Sally Heep: It’s okay, really. She turns and starts walking away.Christine Pauley: Very nice to meet you. Sally, still walking away, raises her hand to wave “bye”. Maybe I shouldn’t have come. Alan motions her into his office. Truth is, you weren’t my first choice for lunch. I called a few friends. Everybody seems to need a little distance. It was all like, “Oh, Christine. How nice to hear from you.”Alan Shore: You’re smart enough to expect that.Christine Pauley: Never got it from you. Are you and Sally –Alan Shore: We’re seeing each other.Christine Pauley: Oh. She seemed nice.Alan Shore: She is.Christine Pauley: Certainly attractive.Alan Shore: There’s that.Christine Pauley: Well. It’ll be easier when I get to Chicago. Easier to start over there, I think.Alan Shore: I agree.Christine Pauley: Yeah. So. Lunch?Alan Shore: On your next visit He helps her on with coat.Christine Pauley: Well. Goodbye. Again. Uh—Alan kisses her briefly on the mouth.Alan Shore: Good-bye Christine.She leaves as Alan watches her go.Interior court hallway. Brad and Denny are walking down the hall talking.Brad Chase: Denny, listen to me. Some of the partners are coming down to watch the motion. And not in support. They’re hoping you crash in there. They’re hoping to get some leverage to be able to say at the partnership meeting “it’s time to take Denny Crane out of the game.”Denny Crane: What game? Denny and Brad enter the courtroom.Inside courtroom. Jerry Austin, Sam Halpern and Paul Rober from CP&S are sitting in the galley.Atty. Kevin Ripley: I don’t know if he was trying to humiliate her or hit on her. It wasn’t clear. What was clear was the indecency of it. This is what lawyering has degenerated to. Carrie Lansing lost her husband. He’s probing her about her sex life. It was a blatant abuse of our process. It was an embarrassment to the integrity of our profession. This attorney should be sanctioned severely, your honor. A message has to be sent to the bar, that our bar is raised higher than an episode of reality television. Denny Crane demeaned Carrie Lansing. He demeaned our court system, and he should be dealt with.7Judge Morgan Baker: Mr. Crane?Brad Chase: Denny, I have a good feel for this. Can I take it?Denny Crane: I’ll take it. Looking at judge. This is, um, pretty powerful stuff. I can see Mr. Ripley’s a very powerful man. And that’s a big thing with lawyers, isn’t it? Power. Fear of feeling weak. I’ve seen it before. Attorneys coming up against Denny Crane. They jump and stomp and shake their fists and bellow with impassioned rage. It makes quite a demonstration, doesn’t it? When you cut through the merits, this lady has alleged in her complaint loss of consortium. Legal terms meaning sex and affection. And if she’s enjoying sex and affection, it’s relevant. It’s a mitigating factor. I’m entitled to explore it. Mr. Ripley may not like it, but it’s legitimate. And, I may add, that I conducted my probe in the relative privacy of a closed conference room. Mr. Powerful Man made it much more public with his impassioned chest-thumping in a courtroom.Atty. Kevin Ripley: I object to this.Denny Crane: Oh, go ahead and pound the table. I’ll tell you what I object to. We have an offer on the table you so love to pound. An offer I can’t discuss because the settlement talks have been sealed. Suffice it to say it’s on the high side, the extreme high side, considering the fact that liability is not certain. Mr. Lansing had a preexisting heart condition. But instead of taking the offer, powerful guys like Mr. Ripley want to go to trial. Why? Because I’m the opponent. It’s a coup to beat the big guy. Well, what if you don’t? You demean the profession, Mr. Powerful Guy. You’re using your client to get a notch. You’re making Carrie Lansing go through the ordeal of a trial for your own ego.Atty. Kevin Ripley: Objection!Denny Crane: A trial you may lose, in which case she gets nothing!Atty. Kevin Ripley: Objection!Denny Crane: Oh, but if you’re loud enough—Atty. Kevin Ripley: Objection!Denny Crane: Forceful enough and strong enough, she may never realize that you blew it.The CP&S attorneys are looking at Denny. Brad smiles slightly.Sally is looking through books in the CP&S library. Alan walks up behind her, unnoticed, pulls back her hair and starts nuzzling her ear. Sally smiles.Sally Heep: Brad? She smiles and turns to face him.Alan Shore: Funny. You’d like me to feel threatened, wouldn’t you? I may not be able to talk as fast, but my tongue is certainly more versatile. He starts pushing back her hair. Sally appears to be looking at someone behind him. Alan turns to see Lori standing in the hallway.Alan Shore: You disapprove of me. That warms my cockles.Lori Colson smiles and walks away.Alan Shore: I’m afraid something’s come up.Sally Heep: Oh, don’t tell me—Alan Shore: Her flight left an hour ago. She’s gone. So. Shopping. Maybe not shoes. Butsomething….slippery to perhaps slide out of later.Sally Heep: I’m not that easy.Alan Shore: Well, I am. Sally throws her arms around him, kissing him, and swinging him around, pushing him against the library stacks.That night. Alan and Sally are in a bar.Sally Heep: Do you feel responsible for her being in there?Alan Shore: I certainly was a precipitating factor.Sally Heep: Is she well now?Alan Shore: I think so. But perhaps I’m inclined to believe that. You might come to value my latitude on these matters a little more fully on the day you try to kill me.Sally Heep: Laughs. I miss you. Leans over and kisses him. I have a friend who has this amazing house in Vermont. Maybe for Columbus weekend we could sneak up there.Alan Shore: I love Vermont. Would you allow me to cover your body in maple syrup? As he says this, their heads very close together, Alan turns his face slightly and spots Christine across the room, in the doorway, looking at them. Excuse me. Gets up, crosses the crowded room to the door, but she’s gone.8The next morning. Alan is pouring himself coffee in the kitchenette and talking to Tara.Tara Wilson: Where does she stay?Alan Shore: I have no idea. I wouldn’t even know where to go look for her.Tara Wilson: Well, she clearly knows where to look for you. Alan, she is stalking you.Alan Shore: She’s not—Tara Wilson: Crazy? She tried to kill you. She was institutionalized. Now she’s out, and she’s stalking you. You said that you were her legal guardian.Alan Shore: That’s a technicality.Tara Wilson: Well, you may have certain rights to have her recommitted.Alan Shore: She hasn’t done anything to warrant that.Tara Wilson: At the very least you could get a restraining order.Alan Shore: There’s nothing to warrant that either.Tara Wilson: Do you really want to wait till there is? Alan looks at her, then leaves.Paul is walking down a CP&S hallway and approaches Brad in the library.Paul Lewiston: Brad. You hear? He won the motion and settled the case.Brad Chase: You must be disappointed. I know what you were hoping for, Paul.Paul Lewiston: Let me tell you something, my friend. I have loved and admired Denny Crane a lot longer than you have. We all want him to be great.Brad Chase: If you loved him, you wouldn’t have wanted his demise to be public. Brad walks away.Denny is seated at his desk, smoking a cigar, with his back toward the door, looking out his window. Someone knocks.Brad Chase: Hey.Denny Crane: Hey. The plaintiff lost his motion for sanctions. Accepted our offer. The case is over. Settled. Done.Brad Chase: I heard. Denny, you did an incredible job. I think you turned his own client against him in there. Denny Crane: Swivels his chair to face Brad. Is that what you think? Am I now to put stock in what you think?Brad Chase: Denny, I just came here to congratulate you.Denny Crane: I don’t need your praise. Hmm. Nods toward his credenza full of awards. Hardware. Trunks full of praise.Brad Chase: Denny—Denny Crane: I want your respect! I’m senior partner. Respect goes with the job. Not to mention I’ve earned it. Sits down. Sighs. I’ve earned it. Don’t you think I feel the wagons circling?Alan is standing, looking over papers on his desk and talking into a dictaphone.Alan Shore: Now comes the plaintiff here and after the alleges and charges as follows -- Count one. On September 11 in the year of our – There’s a knock, the door opens, it’s Christine.Christine Pauley: I’m so, so sorry. I came to see you last night –Alan Shore: Why did you not go to Chicago?Christine Pauley: I decided to collect a few letters of recommendation before I leave. If I’m going to try –Alan Shore: You could do that by phone.Christine Pauley: I could, and I plan to. But Bernie Levinson, senior partner at my old firm, insists on meeting me in person. Evidently, he wants to be sure I’m not nuts. So I’m seeing you at 2:00. I fly out at 6:00.Alan Shore: All right. So why’d you come to find me last night?Christine Pauley: You weren’t picking up your cell. And—Alan, I’m so sorry. I had no idea you were on a date. I shouldn’t have come at all. I realized that and I left as soon as I saw the expression on your face. And—I truly, truly apologize.Alan Shore: I have to be honest, Christine. It scared the hell out of me.Christine Pauley: Believe me. If I had thought for a second that you were on a date—Sally—is it, is it serious? Alan Shore: I really don’t want to talk about it.9。

Justice_01_Pilot之楼梯案

Justice 01 Pilot之楼梯案(The Staircase)FOX出品首播：2006年8月30日评价：★★★☆FOX于06年8月30日推出法律题材系列剧Justice，第1集讲的是Kevin的妻子Caitlin 头部受伤多处，死于家中泳池；Kevin报警后却成为唯一的犯罪嫌疑人被推上被告席，Kevin 委托了TNT&G律所的律师们—Trott, Nicholson, Tuller & Graves—作无罪辩护。

事实上，Pilot的案例并不是完全虚拟的，以此案为蓝本构架剧情的还包括CSI中的一集。

CSI与Justice恰巧从控辩两个角度描述了一个真实的案例：北卡罗来纳州诉Michael Peterson案(N.C. v. Michael Peterson)，又称楼梯案(The Staircase)。

2001年11月9日凌晨2点41分，北卡罗来纳州的Durham城（注：杜克大学位于此城）911接到一个男人的呼救电话。

开始的时候，这个男人语无伦次，根本说不清什么。

经过接线员的引导询问，才知道他的妻子从楼梯上摔了下来（Pilot即以此开头）。

五分钟后，当救援人员赶到案发地点时，伤者已经死去，只剩死者的丈夫浑身是血地立在当场。

据当值警官的纪录，死者身上有太多的血迹和伤痕。

一周后，死者的丈夫Michael Peterson被捕。

Pilot基本是按照本案原始纪录开始的，开篇即为Kevin的报警电话。

但在Kevin被捕的环节上作了些改动：考虑到Kevin在众多媒体前被捕会给陪审团造成Kevin就是凶手的负面影响，TNT&G的律师们建议Kevin避开媒体，抢先去警局自首。

娱乐还是写实？这是法律题材影视作品永远无法规避的自我拷问。

虽然Pilot取材于真实案例，但开篇即显示出Jerry Bruckheimer（制片人）式的风格：娱乐至上。

所以，有Bruckheimer压阵，你丝毫不用怀疑Justice的可看性和娱乐性。

100部好看的校园喜剧片(可练习英文)

美国校园青春励志电影 : 律政俏佳人1、2(Legally Blonde)……谁说金发美女头发黄见识短，个个头脑空空？ ====================================== 劲歌飞扬(Raise Your Voice)……小城女孩纽约孤身求学，立志闯出广阔音乐天地 ====================================== 高校天后(Confessions of a Teenage Drama Queen)……纽约漂亮女孩到乡下小城 ====================================== 冰上公主(Ice Princess)……一段关于滑冰少女的励志故事 ====================================== 魅力四射1、2、3、4(Bring It On)……美少女啦啦队 ====================================== 录取通知书(Accepted)……落榜高中生自创“南哈蒙理工学院” ====================================== 邻家女孩(The Girl Next Door)……隔壁的美女竟然是 AV 女优！ ====================================== 爱情服务生(Waiting…)……让我们品尝了一顿餐饮业的幕后味道 ====================================== 新丁驾到(The New Guy)……倒霉男生监狱里面学做人 ====================================== 辣妈辣妹(Freaky Friday)……怪诞星期五，母女大换身 ====================================== 贱女孩(Mean Girls)……美国青春校园版《金枝欲孽》 ====================================== 纽约时刻(New York Minute)……孪生姐妹纽约圆梦记 ====================================== 平民天后(The Lizzie McGuire Movie)……美国少女旅行途中被误认为意大利明星 -

美剧金牌律师字幕justice 12

=The Last Fantasy=- Proudly PresentsSync:CFLILY -==-THE CABDRIVER,MR. PATEL,WAS SHOT IN THE HEAD WITH HIS OWN GUN. THE KILLER LEFT IT IN MR. PATEL'S CAB AFTER HE STOLE HIS MONEY. WHO DID YOU IDENTIFY AS THE KILLER?THAT MAN THERE AT THE DEFENSE TABLE- STEVEN GERARD.KEEP IT TOGETHER,STEVE. THE JURY'S WATCHING.I DON'T WANT THEM SEEING YOU LOOK UPSET.I'M SORRY. IT'S HARD. I CAN'T BREATHE.I DIDN'T KILL ANYONE.DETECTIVE,TELL US WHY YOU THINKMR. GERARD WAS THE KILLER.A BOUNCER AT THIS CLUB SAW GERARD GETINTO THE VICTIM'S CAB AT 1:00 A.M.THE TAXI METER SHOWED THAT GERARD WAS DROPPEDOFF A BLOCK FROM HIS APARTMENT AT 1:23 A.M.THAT'S EXACTLY WHEN A CONVENIENCE STORE CLERK NEARTHE MURDER SCENE HEARD A GUNSHOT AND CALLED THE POLICE. YOU ARRESTED MR. GERARD ATHIS APARTMENT THE NEXT DAY?YES. HE WAIVED HIS RIGHTS,AND HE ADMITTED THAT HE HADGOTTEN INTO A FIGHT WITH THE DRIVER ABOUT THE FARE.WE SEARCHED HIS PLACE FOR THE MONEYHE TOOK FROM MR. PATEL,BUT IT WAS GONE.RON WANTS TO MAKE SURE YOUGET BACK IN TIME FOR THE PARTY.HE SENT YOU JUST TO TELL ME THAT?MM-HMM.STEVE,MEET LISA CRUZ,ONEOF OUR INVESTIGATORS.RON SAYS YOU ONLY TOOK THIS CASE TOAVOID SMALL TALK AT THE CHRISTMAS PARTY.I DID IT TO STOP AN INJUSTICE.MISSING THE CHRISTMASPARTY WAS JUST A BONUS.WAIT. YOU CAN'T PUT ME BACK IN JAIL.I DIDN'T DO ANYTHING.PIPE DOWN,MR. GERARD. YOUR LAWYER ISN'T HEREFOR YOUR PRETRIAL CONFERENCE,SO I'M MOVING YOUR TRIAL TO MAY.MAY? I CAN'T STAY IN JAILUNTIL MAY! PLEASE,DON'T DO THIS!GIVE ME A SECOND. YOUR HONOR,HOLD ON.MAY I SPEAK TO THIS MAN?DO WHAT YOU WANT. YOU'VE GOT 30 SECONDS. WHAT'S YOUR STORY?THEY SAY I SHOT A CABDRIVER,BUT I DIDN'T. SEE,MY FRIENDS AND I WENT OUTTO CELEBRATE AFTER MIDTERMS.MIDTERMS? YOU'RE A COLLEGE STUDENT?MY FRIENDS MET SOMEWOMEN,AND THEY DITCHED ME.I DIDN'T HAVE A RIDE BACK HOMEFROM THE CLUB,SO I CALLED A CAB.I DIDN'T REALIZE UNTIL LATER THAT I LOST MY WALLET AT THE CLUB,AND I COULDN'T PAY. THEN WHAT HAPPENED?HE TURNED INTO AN ALLEY,ANDHE PULLED A GUN ON ME.I RAN FOR MY LIFE.WHERE DID YOU GET THE BRUISES?JAIL.I KEEP GETTING JUMPED IN THE YARD.I- I'VE BEEN IN THREE MONTHS.MY MOM LIVES IN PITTSBURGH,AND SHE DOESN'T HAVE THE MONEY TOPOST MY BAIL OR COME OUT HERE,EVEN.LET ME SEE THIS GUY'S FILE?- WHY? IT'S NOT YOUR CASE.- JUST GIVE ME THE FILE.NO WITNESS STATEMENT.NO FORENSIC EVIDENCE.YOU GOT THIS KID ON A MURDERCHARGE,BUT YOU HAVE NO CASE.TIME'S UP.YOUR HONOR,MR. GERARDJUST FIRED HIS OLD LAWYER.I'M TAKING HIS CASE. WHEN'S HIS TRIAL SET FOR? FRIDAY.GREAT. BASED ON THESEFACTS,IT'S A 1-DAY CASE,SO WE'LL KEEP THAT TRIAL DATE.IF YOU TAKE DECEMBER 22nd,IT ENDS WHEN COURT CLOSES AT 5:00 P.M.I'M NOT KEEPING A JURY HERE OVERTHE HOLIDAY BREAK,YOU UNDERSTAND?YES,YOUR HONOR.MISS HALE,CHECK YOUREXHIBITS WITH THE CLERK.YOUR CLIENT LOOKS PRETTY NERVOUS.WELL,HE SHOULDN'T.THE D.A. HASN'T MET HER BURDEN,AND WHEN SHE RESTS,I'M MOVING TO DISMISS.IF THE JUDGE DOESN'T GRANTIT,I'LL REST AND GO TO CLOSINGS.SEE,JURIES NEVER WANT TO HANGAROUND BEFORE THE HOLIDAY,SO WE'LL BE OUT OF HERE BY 5:00.STEVE WILL BE HOME,ON A PLANEBACK TO PITTSBURGH TO SEE HIS MOM.MR. NICHOLSON,YOUR CROSS.I KNOW WE ALL WANT TO GET OUT OF HEREFOR THE HOLIDAYS, SO I'LL BE BRIEF.MY CLIENT'S PRINTS WEREN'TFOUND ON THE GUN,WERE THEY?NO.AND NOBODY SAW HIM SHOOT THE DRIVER?NO.AND YOU DIDN'T FIND ANY MONEY OR ANYTHING TO SUPPORT YOUR THEORY THAT THIS WAS A ROBBERY. NOW ISN'T IT POSSIBLE THEREASON THERE WASN'T ANY MONEYIN THE CAB IS BECAUSE MR.PATEL JUST STARTED HIS SHIFTAND DIDN'T HAVE ANY CASH ON HAND?OR HE DID,AND YOUR CLIENT STOLE IT.WHAT'S THAT,A THEORY?BASICALLY WHAT YOU'VE GOTAGAINST MY CLIENT IS JACK.IN FACT,YOUR HONOR,THE D.A.'s CASE IS SO WEAK,WE'RE MOVING FOR AJUDGMENT OF ACQUITTAL NOW.MISS HALE?GREAT TO SEE YOU,COUNCILMAN.HEY,GO EASY ON THE BOOZE THIS YEAR.BILL. BILL! GRAB SOME DUCK.EVA?TELL THE BARTENDERS TO SAVE THE DOM P\RIGNON FOR POTENTIAL CLIENTS.THEY CAN GIVE THE D.A.s BRUT.THEY'LL BE ABLE TO TELLWHICH IS WHICH BY THEIR SUITS.HOW DOES RON MANAGE TO JUGGLE A FULL CASELOAD AND PLAN THIS PARTY? HE MUST SLEEP IN HIS OFFICE. NO,HE SLEEPS WITH A PARTY PLANNER, WHICH ISWHY HE GETS SUCH A GOOD DEAL ON ALL OF THIS.I JUST HAVE TO FINISH ONE LAST THING.GO SEE IF WE QUALIFY FOR THE DOM.CAPTAIN,GREAT TO SEE YOU.SO WHAT DO YOU HEAR ABOUT THE DUNN CASE?YOU GUYS GONNA MAKE AN ARREST?COME ON,RON,YOU KNOWI CAN'T TALK ABOUT THAT.I KNOW I KNOW HAVE FUNIN AN HOUR,HE'LL BE TALKING HIS HEAD OFF.LOVE THE CHRISTMAS PARTY.YOU GET TO SEE OLD FRIENDS,BURY THE HATCHET, GET NEW CLIENTS. IS TOM HERE YET?STILL IN COURT. HE SAYS IT'S ADEAD-BANG ACQUITTAL. HE'LL BE HERE SOON. YEAH,WE'LL SEE.TOM WILL DO ANYTHING TO AVOIDSCHMOOZING AND SMALL TALK.- OH,HI. HOW ARE YOU?- OH,GREAT.JUDGE MADISON'S HERE.YOU KNOW WE INVITE ALL THE JUDGES,RON. YES,WE INVITE THEM.I JUST DON'T EXPECT THEM ALL TO SHOW UP. HEY,I'M GLAD SHE'S HERE. REALLY.SHE'S THE ONE WITH ISSUES.I AGREE WITH MR. NICHOLSON.YOUR CASE IS AWFULLY THIN,MISS HALE.YOUR HONOR,I HAVE-TAKE IT EASY. LET THE MAN FINISH.BY LAW,LOOKING AT THE EVIDENCE IN THE LIGHT MOST FAVORABLE TO YOU,MISS HALE,I DON'T SEE HOWA REASONABLE JURY COULD CONVICT.MR. NICHOLSON'S RIGHT. YOU HAVE JACK.WE DID HAVE JACK,BUTNOW WE HAVE A GREAT CASE.THIS MORNING,AN EYEWITNESS SHOWED UP. YOU-YOU CAN'T DROP ANEYEWITNESS ON THE DEFENSE NOW.HE JUST CAME FORWARD THIS MORNING. YEAH. YOU DON'T FIND THATA LITTLE ODD OR SUSPICIOUS?WHERE'S THE DISCOVERY?WHAT THE HELL IS THIS? THEREISN'T EVEN A WITNESS STATEMENT.HE DIDN'T GIVE ONE. HEDIDN'T SPEAK TO THE POLICE.HE SPOKE TO ME. I'M NOTOBLIGATED TO CREATE DISCOVERY.CAN YOU TELL ME WHAT HE SAID?HE SAW YOUR CLIENT SHOOT THE DRIVER DEAD. IS THAT CLEAR ENOUGH FOR YOU?YOUR HONOR,THE DEFENSE NEEDS TIMETO PREPARE FOR THIS WITNESS.UH,WE NEED TO REQUEST-A CONTINUANCE? NOT A CHANCE.NOW LOOKIT,I TOLD YOU WHEN YOU TOOKTHIS CASE, THIS IS A 1-DAY TRIAL.NOW THE D.A. WILL PRESENT THEIRNEW WITNESS. YOU WILL CROSS HIM.I WILL GET THIS CASE TO THE JURY BY 4:00. ANDIF THEY'RE LIKE MOST JURIES BEFORE A HOLIDAY,WE'LL HAVE A VERDICT BY 5:00,UNDERSTAND?PLEASE FIIND HIM A GOOD HOMERON!RON!UH,EXCUSE ME.\I- I DIDN'T ORDER A BABY.HE LOOKS LIKE JUSTICE SCALIA.I FOUND HIM ON A TABLEIN THE EVIDENCE PREP ROOM.WHAT?HE'S BEEN ABANDONED,RON.TAKE HIM TO THE BACK. I'LL GET SECURITY TOCHECK TAPES SO WE CAN FIGURE OUT WHO LEFT HIM.I CAN'T GO BACK TO JAIL.TAKE IT EASY,ALL RIGHT? YOU'RESTILL WALKING OUT OF HERE.OH,GOD,I'M SORRY. ATTORNEY/CLIENT MEETING. ITHINK THERE'S ANOTHER ONE ON THE FIFTH FLOOR. WHAT DID THE DISCOVERY TELL YOU?THE EYEWITNESS' NAME IS NICK ALLEN,AND HE'S GOT NO CRIMINAL RECORD.NOW WHEN A WITNESS SHOWS UP LIKE THIS,THAT'S ALL THE D.A. HAS TO GIVE US.NOW USUALLY WE GOT MONTHS TO INVESTIGATETHIS GUY. THIS TIME WE'VE GOT FIVE MINUTES.HOW COULD THERE BE AWITNESS? I DIDN'T DO THIS!DON'T WORRY. WE'LL HANDLE IT.CALL THE OFFICE.HAVE THEM SET UP A TRIAL COMMAND CENTERAND SEND US THE EQUIPMENT WE'LL NEED.HOW ARE YOU GONNA CROSS-EXAMINE A WITNESS WHEN YOU DON'T KNOW WHO HE IS OR WHAT HE'S GONNA SAY? CAREFULLY. STEVE'S INNOCENT,RIGHT?OR HE'S JUST WRONG.I HAVE TO SHOW THE JURY THAT.I'M NOT GOING HOME,AM I?THIS CASE GOES TO JURY IN THREE HOURS.YOU WILL BE ON A PLANE HOME TONIGHT.I PROMISE.100%INNOCENT.* I'M THE INNOCENT BYSTANDER ** SOMEHOW I GOT STUCK ** BETWEEN A ROCK AND A HARD PLACE ** SEND LAWYERS,GUNS AND MONEY *LIKE I ALWAYS SAY,IF YOU GOT THE RIGHT LAWYER WITH YOU, WE'VE GOT THE GREATESTLEGAL SYSTEM IN THE WORLD.I'VE GOT TO HELP TOM.HIS TRIAL JUST BLEW UP.RON,YOU HAVE TO TELL THEPOLICE ABOUT THIS BABY.WE HAVE CLIENTS HERE. IF ONE OF THEM ABANDONED A BABY,THEY BROKE THE LAW.WE CAN'T TURN THEM IN WITHOUTAT LEAST TALKING TO THEM.HERE'S THE SECURITYFOOTAGE. NO SIGN OF A BABY.WE DON'T KNOW THIS WAS A CRIME.WHAT ELSE COULD IT BE,A MISTAKE?LOSING YOUR CAR IN APARKING GARAGE IS A MISTAKE.THIS IS A CRIME.THE LAW SAYS A MOTHER WHOCAN'T CARE FOR HER BABYCAN'T BE PROSECUTED FOR LEAVINGHER CHILD IN A SAFE PLACELIKE A HOSPITAL OR FIRE STATION.WE COULD ARGUE IT EXTENDS TO LAW FIRMS.we cou ld WHEN A CHILDIS LESS THAN 3 DAYS OLD.THAT BABY IS OLDER THAN THAT.I AM OPENING UP A TRIALCOMMAND CENTER FOR TOM.ONE OF US NEEDS TO GET BACK TO THE PARTY. WE DIDN'T INVITE EVERYONE HERESO THEY COULD GIVE BUSINESS TO EACH OTHER. I'D RATHER GO MINGLE,BELIEVE ME.WE'VE GOT A BIG PROBLEM.THIS IS ALL OUR SECURITY FOOTAGE. CLEARLY,THIS BABY DIDN'TCOME IN THROUGH OUR LOBBY.SO WHERE DID IT COME FROM?THE ONLY OTHER WAY IN IS THROUGH THE BACK ENTRANCE, AND YOU NEED A KEY CARD. GREAT. SO ONE OF OUREMPLOYEES ABANDONED HIM.TELL THE JURY WHAT YOU SAWTHE NIGHT OF THE MURDER.I SAW A CABDRIVER GET SHOT BY THAT MAN.DO YOU RECOGNIZE THIS GUY?NO,I'VE NEVER SEEN HIM BEFORE.COULD HE HAVE BEEN OUT THERE?I DON'T KNOW. MAYBE.AFTER THE CABBIE PULLEDTHE GUN ON ME,I JUST RAN.I DIDN'T SEE OR HEAR ANYTHING.WHAT DID YOU SEE IN THE CAB?I SAW A FIGHT GOING ON- A BAD ONE- BETWEEN THE DRIVER AND THE DEFENDANT.I TRIED TO CALL 9-1-1 FOR HELP,BUT MY CELL PHONE DIDN'T GET SERVICE. THEN THE DEFENDANT SHOTTHE CABBIE TO DEATH.MERRY CHRISTMAS.WELCOME TO EVERY TRIALLAWYER'S WORST NIGHTMARE.TOM HAS THREE HOURS TO CROSS A WITNESS WITH NO AMMO AND NO TIME TO PREPARE.WE ARE GOING TO DIG INTOTHIS WITNESS FOR HIM.NOW USUALLY,YOU'D HAVE WEEKS TO DO THIS.TODAY WE ARE DOING THIS ONTHE FLY AND ON A DEADLINE.THE COURTS CLOSE AT 5:00 P.M.Luther,can you hear me?YES.THE PACKAGE JUST ARRIVED.GOOD. THE LAPEL MIKE WILL BROADCASTWHAT HAPPENS IN COURT BACK TO US.I WILL TALK TO YOU THROUGH THE EARPIECE.SIT CLOSE TO TOM SO YOU CAN RELAYMY MESSAGES. DO NOT GET CAUGHT.What we're doing might belegal,or it might not be.WITH THIS JUDGE,WE'D BE BETTER TOSAY SORRY THAN ASK FOR PERMISSION.ARE WE READY?LET'S GO.PLEASE TELL THE JURYWHY YOU WERE IN THE ALLEY THAT NIGHT.I WAS AT A CLUB ON SUNSET AND ALVARADO.I LEFT AT ABOUT 1:15.WHAT TIME DID YOU GET TO THE ALLEY?MAYBE FIVE MINUTES LATER.I TOOK THE ALLEY BEHIND ALVARADOBECAUSE IT'S A SHORTCUT TO MY APARTMENT. I LIVE ON EWING STREET.HIS ROUTE CHECKS OUT ON THEMAP. IN THE TIME HE SAYS.HOW MANY OF YOU PARALEGALS ARE SOBER?NO,REALLY.IF I HAVE TO ASK ONE OF YOU TODRIVE ME HOME, HOW MANY COULD?OKAY. SIX OF YOU JUST EARNEDCHRISTMAS BONUSES. GO HELP LUTHER.YOUR ABILITY TO INTIMIDATE 25 YEAR OLDSIS STILL IMPRESSIVE.JUDGE MADISON,GOOD TO SEE YOU.WHERE'S YOUR HUSBAND?HOME. YOU KNOW HOW HE FEELS ABOUT YOU,RON.AT LEAST IT'S MUTUAL.ACTUALLY,I THOUGHT YOU FELT THE SAME WAY.WELL,AS LONG AS YOU KEEP INVITING ME,I'M GONNA KEEP COMING.WE KNOW WHOEVER ABANDONEDTHE BABY WORKS FOR US.THE HANDWRITING LOOKSFEMININE,SO CHECK OFF THE GUYS.THAT'S 23 WOMEN. 8 ARE OUT OF TOWN,AND I WALKED IN WITH THESE TWO.THAT LEAVES 13.UH,HUNGRY? NEEDS A CHANGE? WHAT?I'M GUESSING HUNGRY.WHOEVER LEFT HIM BOUGHT THISAT A GROCERY STORE IN LOS FELIZ.HOW MANY OF OUR EMPLOYEESLIVE IN LOS FELIZ?ONE-EVA,THE NEW RECEPTIONIST.LUTHER WANTS TO KNOW IF THERE'S ANYTHING ABOUTNICK'S APPEARANCE THAT MIGHT HELP GET A READ ON HIM. YEAH. WHEN HE FIRST WALKED IN, I NOTICEDHE WAS WEARING AN OFF-THE-RACK SUIT.BUT HE HAD ON DESIGNER SHOES.AND HE LIVES ONE BLOCK FROM STEVE'S CRUMMY APARTMENT, BUT HIS WATCH COSTS MORE THAN STEVE'S RENT. NOW THERE'S GOTTA BE A STORY THERE.HE JUST GOT A HAIRCUT,SO HEWANTS TO MAKE A GOOD IMPRESSION.HE'S CONFIDENT,CONVERSATIONAL.MAKES EYE CONTACT. THE JURY LOVES HIM.THEY DO? ALREADY?JURORS JUDGE FAST. FIRSTIMPRESSIONS ARE EVERYTHING.This guy makes a great one.THE D.A. PROBABLY TOLD HIMTO DRESS DOWN FOR COURT.I WOULD HAVE.WHY WOULD YOU GIVE UP YOUR SON,EVA?HE'S NOT MY SON.HE'S MY NEIGHBOR'S SON.I'M SORRY.YOU TOOK THIS BABY?I DIDN'T KNOW WHAT ELSE TO DO.MY NEIGHBOR KELLY,SHE'S ON DRUGS,AND SHE LEAVES HIM ALONE ALL THE TIME.IT'S AWFUL.THIS MORNING,I SAW HER LEAVE,AND...THE BABY WAS CRYING FOR HOURS.AND SHE NEVER CAME BACK.I HAD TO DO SOMETHING. I HAD TO SAVE HIM. ANYBODY WOULD HAVE.YOU KIDNAPPED HIM ANDBURGLARIZED THE APARTMENT-TWO FELONIES.EVA,WOULD YOU EXCUSE US FOR A MINUTE?BE NICE. SHE THOUGHT SHEWAS DOING THE RIGHT THING.WE'RE NOT HARBORING A KIDNAPPER.WE HAVE TO TURN HER IN.LET'S AT LEAST TRY TOGET THE MOTHER DOWN HERE,REUNITE HER WITH HER BABY,TRYTO SAVE EVA FROM PRISON.NO. IF THE MOTHER IS AS BAD AS EVA SAYS, GIVING THE BABY BACKWOULD PUT HIM IN DANGER.I DON'T WANT THAT ON MY CONSCIENCE.YES,I HAVE A CONSCIENCE.IF WE CALL THE POLICE,EVA WILL BE ARRESTED, AND THE BABY COULD END UP IN FOSTER CARE. YOU WANT THAT ON YOUR CONSCIENCE? FIND A DOCTOR TO EVALUATE THE BABY- PREFERABLY NOT ONE WE REPRESENTEDIN A MALPRACTICE SUIT.KEEP SECURITY ON EVA. SHE CAN'T LEAVE.AND DIG INTO THE MOTHER.KEEP IT ALL QUIET.DON'T LET ANYONE OUTTHERE KNOW WHAT'S GOING ON.WE'RE NOW CRIMINALCONSPIRATORS IN A KIDNAPPING.WHAT A GREAT PARTY.THIS MAN,STEVE GERARD,WAS THE KILLER.ARE YOU SURE?IT WAS HIM. I'M ABSOLUTELY SURE.MR. NICHOLSON? CROSS?I GOTTA START.DO WE HAVE ANYTHING WECAN USE AGAINST THIS GUY?LUTHER SAYS THEY'RE STILL TRYING, BUTTHEY HAVEN'T COME UP WITH ANYTHING YET. MR. NICHOLSON,ARE YOU GOING TOCROSS-EXAMINE THIS WITNESS OR NOT?WE JUST GOTTA STALL LONG ENOUGHTO GIVE LUTHER TIME TO FIND SOMETHING.THE DOCTOR SAYS THERE ARE NO SIGNS OF ABUSE. HE'S A LITTLE MALNOURISHED,BUTOTHERWISE FINE.HAS THE MOTHER REPORTEDTHE BABY MISSING YET?NO,AND I CAN'T GET HER ON THE PHONE.WELL,KEEP TRYING. SEND SOMEONE OUTTO HER APARTMENT IF YOU HAVE TO.WE NEED TO FIND THIS WOMAN.I'M READY TO START MY CROSS,YOUR HONOR.HOW DID YOU KNOW THIS WASGOING TO TRIAL TODAY,MR. ALLEN?HAVE YOU BEEN FOLLOWING IT IN THE PAPER?- OBJECTION. RELEVANCE.- OBJECTION?WE'RE TRYING TO GET THE JURYOUT OF HERE FOR THE HOLIDAYS.I'M SORRY,FOLKS. I'M TRYING.OBJECTION OVERRULED.HOW IS TOM GONNA GET HIM TO TELL THETRUTH? HE'S NOT GONNA JUST ADMIT HE'S LYING.HE'S GONNA GET NICK TO COMMIT TO A STORY,CATCH AN INCONSISTENCY ANDSHOW THE JURY HE'S A LIAR.I HEARD ABOUT THE TRIAL ON THE RADIO.HAVE YOU EVER SEEN APICTURE OF MY CLIENT-IN THE PAPER,ON THE NEWS?NO.HAS THE D.A. EVER SHOWN YOUA PICTURE OF THE DEFENDANTAND ASKED IF HE WAS THE GUILTY PARTY?NO. THE LAST TIME I SAW YOUR CLIENT WAS WHEN I SAW HIM PULL THE TRIGGER AND KILL THE CABDRIVER.I SEE YOUR NAME ISN'THERE IN THE POLICE REPORT.LIKE I SAID,I COULDN'TGET THROUGH TO THEM.BUT YOU DIDN'T STICK AROUND TOTALK TO THE COPS EITHER. WHY NOT?I WAS SCARED.I MEAN,I KNOW WHAT CAN HAPPENWHEN YOU TESTIFY AGAINST A KILLER.BUT I COULDN'T LET HIM WALKJUST BECAUSE I WAS AFRAID.THAT'S WHY I'M HERE NOW.FOR A WITNESS THAT JUST SHOWED UP TODAY,I'D SAY THE D.A. PREPPED HIM VERY WELL.I WANT PROOF THAT THIS GUYCOULDN'T SEE ANYTHING THAT NIGHT!GET ME WEATHER REPORTS FORTHE NIGHT OF THE MURDER,AND CHECK OUT THE LIGHTINGCONDITIONS IN THE ALLEY. GO. GO NOW!YOU WERE WALKING HOME FROM A CLUBWHEN YOU SAW THIS INCIDENT?YES.DID YOU HAVE ANYTHING TO DRINK?NO,I DON'T DRINK. I'VEBEEN SOBER THREE YEARS.HOW'S YOUR EYESIGHT?OKAY,I GUESS.YOU GUESS?WHEN WAS THE LAST TIMEYOU HAD YOUR EYES CHECKED?LAST YEAR MAYBE.BUT LOOK,I CAN READ THE HEADLINE OF THE NEWSPAPER THAT GUY'S READING IN THE BACK ROW- LOOKS LIKE THE LAKERS BLEWANOTHER CLOSE ONE,94-91.CAN I GET A LITTLE HELP HERE,LUTHER?TRYING TO STALL WITH THIS GUY,and he's killing me.THE DOCTOR DIDN'T FINDANY EVIDENCE OF ABUSE,EVA.THAT'S GREAT FOR THEBABY,BUT IT'S BAD FOR YOU.IT MEANS YOU HAD NO EXCUSE FOR TAKING HIM. WELL,THERE ARE OTHER KINDS OF ABUSE.KELLY WAS NEVER HOME.SHE LEFT HIM ALONE ALL THE TIME.THEN WHY DIDN'T YOU CALL THE POLICE?I DIDN'T PLAN THIS,YOUKNOW? IT-IT JUST HAPPENED.I WAS JUST TRYING TO DO THE RIGHT THING.AND MAYBE YOU DID,BUT YOU DEFINITELY DID IT THE WRONG WAY.I KNOW. I'M SORRY.I JUST THOUGHT YOU GUYS ALWAYS KNOWHOW TO HANDLE THINGS AND HELP PEOPLE.I THOUGHT YOU WOULD KNOW WHAT TO DO.THIS CRIME TOOK PLACEAROUND 1:30 IN THE MORNING.ARE YOU IN THE HABIT OF STAYING OUT LATE?Lisa,tell Tom we've gotsomething he can use.ALLEN TESTIFIED THATHE COULD SEE EVERYTHING.HE COULDN'T HAVE. THERE WAS NO MOON THE NIGHT OF THE MURDER, AND STREETLIGHTS IN THAT ALLEY WERE OUT.THE CITY SENT A REPAIRTEAM THE FOLLOWING WEEK.PLUS IT WAS TRASH DAY. THEREWERE DUMPSTERS OUT THERE.Tell Tom to lock the guy down onwhere he was when he saw the shooting.Tell Tom to be precise.LUTHER SAYS TO ASK WHERE HE WAS STANDINGEXACTLY WHEN HE SAW THE CAB AND THE MURDER.TELL ME,WHERE EXACTLY WERE YOU STANDINGWHEN YOU SAW THIS CRIME?I WAS ALMOST DOWN TO BERKELEY AVENUE.I WAS STILL IN THE ALLEY.I STOPPED NEXT TO THE BACK DOOR OFTHIS CHINESE PLACE WHEN I SAW THE GUN.WAS ANYONE ELSE THERE?NOT THAT I NOTICED.WHAT COULD YOU SEE FROMWHERE YOU WERE STANDING?THE GAS STATION ACROSS THE STREET.TAKE A LOOK AT THIS PICTURE.IS THIS THE POINT OF VIEW OFTHE ALLEY YOU HAD THAT NIGHT?YEAH,IT LOOKS LIKE IT.HOW FAR AWAY WAS THE CAB?MAYBE 30 FEET.ANY OBJECTS OBSTRUCTING YOUR VIEW?IT WAS TRASH DAY.THERE WOULD HAVE BEEN ADUMPSTER BEHIND THE RESTAURANT.THE DUMPSTER WASN'T IN MY WAY.IT WAS ON THE OTHER SIDE OF THE ALLEY.ALL RIGHT. MAYBE YOU HADA CLEAR LINE OF SIGHT,BUT HOW COULD YOU HAVESEEN ANYTHING IN THE DARK?ALL THE STREETLIGHTS WERE BROKEN...AND THERE WAS NO MOON OUT THAT NIGHT.ARE YOU TELLING US THATIN THE DEAD OF NIGHT,WITH NO LIGHTS,YOU CANI.D. A MAN FROM 30 FEET?THE DOME LIGHT INSIDE THE CAB WAS ON.IT WAS LIKE A SPOTLIGHTON BOTH THEIR FACES.I WENT TO THE MOTHER'S HOUSE,BUT SHE WASN'T THERE.NONE OF THE NEIGHBORS HAVE SEEN KELLYSHE CLEARLY DOESN'T CARE ABOUT THE BABY.I SAW THAT HER MAILBOX WAS BROKENAND LETTERS WERE SPILLING OUT.SOME OF HER MAIL WAS ON THE GROUND,SOIT'S NOT A CRIME TO LOOK AT IT.BASED ON THE LETTERS,I DID SOME RESEARCH ON THE MOTHER.KELLY WRIGHT WENT TO REHABTHIS YEAR,BUT SHE LEFT EARLY.I CHECKED COURT FILES. SHE AND HER HUSBAND SPLIT UP THREE MONTHS AGO. HE LIVES UP NORTH. OUCH. BASED ON THESE DIVORCE PLEADINGS,I'D SAY HE'S THE STABLE ONE-LIVES IN SACRAMENTO,WORKSCONSTRUCTION,NO CRIMINAL RECORDS.MOTHERS ALMOST ALWAYS GETCUSTODY,DESERVING OR NOT.I LEFT A PARALEGAL AT THE APARTMENT.KELLY JUST SHOWED UP.SHE STILL HASN'TREPORTED HER KID MISSING?NO. SO WHAT'S THE PLAN?INVITE HER TO THE PARTY.WHAT?WELL,LIKE YOU SAID,WE NEED TO FIND OUT IF SHE'S A BAD MOTHER, WHETHER ABE HERE SHOULDGO TO FOSTER CARE.ABE? HIS NAME'S DAVID.REALLY? HE LOOKS LIKE AN ABE TO ME.WE NEED TO SETTLE THIS THING QUIETLY,OR EVA'S GOING TO PRISON ALONG WITH US. RON,YOUR GUESTS ARE STARTINGTO WONDER WHERE YOU ARE.YOU- YOU DON'T KNOCK?H- HE'S NOT MINE.ARE YOU SURE?YES,I'M SURE.HE'S A CLIENT'S NEPHEW.REALLY?WHICH CLIENT?GOD,I LOVE CATCHING YOU IN LIES.YOU'RE RUNNING LOW ON DOM.MY DIRECT EXAMINATIONOF THIS WITNESS TOOK 15 MINUTES.MR. NICHOLSON HAS KEPT HIM ONTHE STAND FOR ALMOST TWO HOURS.HIS CLIENT IS GOING TO GET CONVICTED. DELAYING THE INEVITABLE WON'T STOP IT.MR. NICHOLSON,DO YOU HAVEANY MORE REAL QUESTIONS?OH,THEY'RE ALL REAL.SEE,THIS IS WHAT HAPPENS WHEN THEY DROP AN EYEWITNESS ON THE DEFENSE OUT OF NOWHERE. NOW I HAVE THE RIGHT TO CONDUCT AFULL AND COMPLETE CROSS-EXAMINATION.IT'S 3:00 NOW. YOU HAVE 1 MORE HOUR.BUT I'M LOOKING AT THIS JURY,ANDTHEY'RE HATING YOU FOR KEEPING THEM HERE. THE MOTHER JUST GOT HERE. WE'VE GOTA PARALEGAL WATCHING HIM IN THE E.P.R. WHY? WHY ISN'T THE MOTHER WITH HIM?SHE'S NOT READY TO BE WITHHIM YET,RON. YOU'LL SEE.YOU COME IN MY HOUSE,AND YOU TAKE MY SON? AND YOU HAD NO RIGHT!YOU LEFT HIM ALONE FOR HOURS!IT IS NONE OF YOUR BUSINESS,YOU BITCH!LADIES,PLEASE!LET'S ALL BE RATIONAL,ALL RIGHT?EVA BROUGHT DAVID HEREBECAUSE SHE WAS CONCERNED.WE ARE ALL CONCERNED. WE JUST WANT TO FIGURE OUT WHAT'S IN HIS BEST INTEREST AND YOURS.I AM HIS MOTHER. I'M IN HIS BEST INTEREST!WHERE IS HE? WHERE IS DAVID?HE'S SAFE. WE HAVE SOMEONE WATCHING HIM. KELLY,YOU HAVE A DRUG PROBLEM. MAYBEDAVID NEEDS MORE THAN YOU CAN GIVE HIM.WHO THE HELL ASKED YOU,YOU SKINNY BITCH?LET'S ALL JUST CALM DOWN.YOU NEED TO GIVE ME MY SON NOW,OR I AM GONNA TELL EVERYONETHAT YOU KIDNAPPED HIM!MR. ALLEN,YOU CLAIM THAT AFTER THE SHOOTING,YOU TRIED TO CALL FOR HELP.I DID CALL. I COULDN'T GET THROUGH.ARE YOU IMPLYING THAT I DIDN'T?CHECK MY CELL RECORDS.I'M NOT IMPLYING ANYTHING.I'M JUST SAYING THAT IF YOU WEREBUSY LOOKING DOWN AT YOUR PHONE,YOU COULDN'T HAVE SEEN EVERYTHINGTHAT HAPPENED IN THE CAB.SO WHEN EXACTLY WERE YOULOOKING DOWN AT YOUR PHONE?WHERE'S RON? I HAVEN'T SEEN HIM.DID YOU SEE THAT BABY?DID IT LOOK LIKE RON?SO WHERE'S THE MOTHER NOW?IN MY OFFICE. WE HAD TO SEPARATE THEM.KELLY WANTS TO PRESSCHARGES AGAINST EVA AND US.SURE,WE'RE LIABLE,TOO.WE'RE HER EMPLOYERS.AT WORSE,WE'RE CONSPIRATORS.AT BEST,WE'RE ACCOMPLICES.YOU WANT TO BE THE ONE TO FIRE HER? LOOK,WE HAVE TO PROTECT OUR FIRM.IF EVA GETS PROSECUTED, I'LL PAY FORHER DEFENSE... AND,OF COURSE,OURS.EVA,I'M SORRY,BUT AS LONG AS KELLY IS THREATENING TO PRESS CHARGES, WE NEED LEGAL SEPARATION. THAT MEANS YOU'RE FIRED.WE'LL TRY TO TALK KELLYOUT OF INVOLVING THE POLICE.YOU DON'T NEED TO LOSEYOUR JOB AND GO TO PRISON.IT'S CHRISTMAS.STAY HERE.IF WE'RE GOING TO MEDIATE THIS,WE NEED THE FATHER'S PERMISSION.I JUST SPOKE WITH HIM. HEGAVE US POWER OF ATTORNEY.BUT KELLY NEEDS REPRESENTATION,TOO.WE GOT A LOBBY FULL OF LAWYERS.I'M SURE WE CAN FIND SOMEBODYWILLING TO EARN A QUICK FEE.WE NEED A JUDGE,TOO,SOMEONEWHO HANDLES MEDIATION.JUDGE MADISON COULD DO IT.BETTER GET SOMEBODY ELSE.THERE ISN'T. I CHECKED.WHAT'S GOING ON WITH YOU?YOU'VE BEEN AVOIDING HER ALL NIGHT.DID YOU SLEEP WITH HER OR SOMETHING? JUDGE MADISON WAS THE FIRST MRS. TROTT. THAT'S AN AWFULLY NICE WATCH,MR. ALLEN. YES. SO?HOW COULD YOU AFFORD IT?WHAT DO YOU DO FOR A LIVING?I'M SELF-EMPLOYED...AS A CONSULTANT. "CONSULTANT."THAT'S PRETTY BROAD. WHAT IS THAT?WELL,THE SERVICE I PROVIDE VARIES DEPENDING ON WHAT EACH CLIENT NEEDS.TELL TOM TO MOVE IN ON MOTIVE.Maybe there really wasa robbery that night.He doesn't have a real job.Maybehe killed the cabdriver for money.It's worth asking.HOW COULD YOU AFFORD THE WATCH,MR. ALLEN? DID YOU BUY IT?WAS IT A GIFT?OR ARE YOU A THIEF?OBJECTION. MR. NICHOLSONIS BADGERING THE WITNESS.SUSTAINED.DID YOU MURDER THE CABDRIVER?NO.THIS REALLY WAS A ROBBERYGONE WRONG,WASN'T IT?- OBJECTION! ASKED AND ANSWERED.- THAT'S ENOUGH. THAT'S WHY YOU CAME HERE... - ARGUMENTATIVE! YOU HAVE TO STOP HIM!- TO PIN YOUR CRIME ON SOMEONE ELSE!I DIDN'T KILL THE CABDRIVER. HE DID.I NEED A MOMENT WITH MY CLIENT.PRETEND LIKE WE'RE TALKING ABOUT SOMETHING. I JUST NEED A MINUTE TO THINK.- YOU OKAY?- NO.DO YOU REALLY THINK HE KILLED THE DRIVER? HONESTLY,NO. HE'S TOO COOL.WHY WOULD HE COME HERE IF HE DID?I WAS JUST TRYING TO RATTLE HIM.YEAH,WELL,I DON'T THINK IT WORKED.NO,ME NEITHER.AND NOW...I'M ALL OUT OF QUESTIONS.YOUR HONOR,I WAS WONDERING IFWE COULD TAKE A BRIEF RECESS.NO,KEEP GOING. LIKE YOU SAID,LET'SGET OUT FOR THE HOLIDAYS.I REALLY NEED TO TAKE A BREAK.I NEED TO USE THE RESTROOM.GO AHEAD. WE'LL ALL WAIT.YO,THIS GUY'S GOT ALL THE ANGLES COVERED. Yes,and right now he's comingacross like the perfect witness.I'LL KEEP HIM TALKING,BUT YOU HAVE GOT TO FIND SOMETHING FAST.WE'RE DOING EVERYTHING WE CAN,TOM,BUT I DON'T KNOW WHAT TO TELL YOU.DON'T MAKE A LIAR OUT OF ME,LUTHER. I PROMISED THIS KID I WOULD GET HIM HOME FOR CHRISTMAS. YES,WELL,MAYBE YOU SHOULDN'THAVE MADE THAT PROMISE.GET OUT OF MY WAY. GET OUT OF MY WAY!I'M GOING TO FINDDAVID,AND THEN I'M LEAVING.NO,YOU'RE NOT.WE HAVE TO MEDIATE CUSTODY OF YOUR SON. YEAH,MEDIATE THIS. I'M CALLING THE COPS. THERE'S THE PHONE RIGHT THERE. GO AHEAD. YOU READY TO TAKE A DRUG TEST?THE POLICE WILL GIVE YOU ONE.NO,THEY WON'T.I HAVEN'T DONE ANYTHING WRONG.YOU LEFT YOUR BABY ALONEFOR HOURS THIS MORNING,SO IF YOU CALL THE POLICE NOW, LETME TELL YOU WHAT'S GONNA HAPPEN.THEY'RE GOING TO INVESTIGATE YOU, ANDYOU'LL GO TO JAIL FOR CHILD ENDANGERMENT. YOU CAN HAVE EVA ARRESTED FOR KIDNAPPING, BUT YOU MIGHT JUST END UP SHARING A CELL.OR YOU CAN AGREE TO MEDIATION.OKAY.WHERE DID YOU GO WHEN YOULEFT THE SCENE OF THE CRIME?YOU ALREADY ASKED THAT.I WENT HOME,REMEMBER?MR. NICHOLSON,IT'S GETTINGCLOSE TO LAST CALL HERE.WRAP IT UP.NO,NOT YET! WE'RE CLOSE!I'd appreciate the court'spatience,Your Honor.OH,GOD. OKAY,OKAY,OKAY.HE'S A GREAT WITNESS.HE DIDN'T COME FORWARD UNTIL TODAY.NO CRIMINAL RECORD.HE'S GOT MONEY.NO VISIBLE MEANS OF INCOME.LISA,TELL TOM TO ASK NICKIF HE'S EVER BEEN ARRESTED.LUTHER SAYS TO ASK NICKIF HE'S EVER BEEN ARRESTED.MR. ALLEN,HAVE YOU EVER BEEN ARRESTED? NO,I'VE NEVER BEEN ARRESTED.PAY ATTENTION,PEOPLE.YOU HAVE JUST HEARD A MANCOMMIT PERJURY. LISA...ARE THERE TWO MEN IN SUITSSITTING TOGETHER IN THE GALLERY?Uh,one's athletic,short-haired.The other's a nerd,arrogant,but his suit is nicerthan the other guy.YEAH,EXACTLY. WHATARE YOU LUTHER,PSYCHIC?IF I'M RIGHT,ONE OF THEM ISAN ASSISTANT U.S. ATTORNEY,AND THE OTHER'S AN FBI AGENT,BUTI NEED YOU TO CONFIRM IT.DID YOU COME OUT HERE TO PLAY HOST,OR ARE YOU GONNA DISAPPEAR AGAIN?WE'VE GOT AN ISSUE IN THE。

经典法律美剧介绍

经典的法律美剧1. Boston Legal《波士顿法律》Boston Legal is an American legal dramedy created by David E. Kelley and produced in association with 20th Century Fox Television for ABC. The series aired from October 3, 2004, to December 8, 2008.《波士顿法律》讲述的是美国波士顿市一家律师事务所的故事，主要是两位活宝Alan(James Spader）扮演，曾凭该剧三夺艾美奖最佳男主角奖）和 Denny (William Shatner扮演），每集一般有两个官司要打，穿插办公室和个人生活的趣事，每集最后Alan和Denny在阳台夜话的是粉丝的一大爱好，只有这一刻，得一知己，把酒言欢，足以。

《波士顿法律》可以算是一朵奇葩，把不同律师辩护的若干个独立的案子剪切成碎片，用一些生活琐事连接在一起，浇上一些重口味幽默，就做成了这道口味独特的律师剧大餐。

抛开那些长篇累牍的传统庭审环节，《波士顿法律》把更多的焦点放在了律师本人上面，你不需要去关注案件的结果，无罪还是有罪无关重要，甚至案件结束你都无法确定。

所以这是一部“律师剧”，还不是“法律剧”。

2. The Practice《律师本色》The Practice is an American legal drama created by David E. Kelley centering on the partners and associates at a Boston law firm. Running for eight seasons on ABC from 1997 to 2004, the show won the Emmy in 1998 and 1999 for Best Drama Series, and spawned the successful and lighter spin-off series Boston Legal, which ran for five more seasons, from 2004 to 2008.The Practice, Bobby Donnell带领下的波士顿律师事务所以维护社会道德，种族平等为宗旨,在很多案件中成功为当事人争取应有的权力。

模拟法庭——Justice金牌律师第六集-英文对白【范本模板】

B :Your honor，at this time。

The prosecution calls its first witness。

FBI agent Donald Payne.A :Objection，your honor. Move that this witness be excluded as unfairly prejudicial.C ：Mr. Nicholson，I’ve already denied your in liming motion。

To exclude this evidence. Your motion is denied. Don't raise it again。

一、正方：自己方对自己证人询问B :According to your profile，the killer was most likely young？D ：Statistically，most ritualistic killers are younger。

They're also smart but impressionable。

Often, they’re obsessed with death imagery and religious themes。

B :Does Colin Clark fit your profile. Of the killer in this case？D ：Yes, he's very smart but unpopular, lonely，which he resents. He grew up with an inchoate, confused religious identity. His crucifixion paintings and pentagrams were his role—playing。

Sadly，he turned his fantasies of death into reality。

美国影片少女戏春潮》[高清完整版]

美国影片《少女戏春潮》[高清完整版]【簤阌影院】《少女戏春潮》酴羰骀璺导演帕特．唐森以充满沙滩的阳光、少女胴体以及一些无伤大雅的轻松笑料贯穿全剧，是一部供年轻人解闷的娱乐片。

本片剧情采用有别于其它影片的双线进行：一方面讲述了一位将入读大学的女生利用暑假约了两位女同学前往海滩开舞会，而俩女友则召来一大批男女前来狂欢，其中笑话百出；另一方面讲述了一个走私大麻的船长为了逃避巡警追捕将大麻抛入大海，却被海水冲至开舞会的沙滩，双方因此展开了一场别开生面的沙滩大混战。

美国影片《到此为止》[高清完整版]雨霖收藏屋该片讲述了两个年过五旬的纽约的单身者富有激情和性爱的生活。

...美国影片《神秘洞穴》[高清完整版]雨霖收藏屋因某种原因，17岁的男孩丹恩-汤姆森随着母亲苏珊和弟弟卢卡斯搬离喧嚣的布鲁克林，来到一座幽静小镇居住。

虽然离开了朋友们，小镇生活也有些枯燥，好在邻居的女孩茱莉-坎贝尔性感魅力，丹恩烦躁的心稍显平静。

某天，兄弟俩打闹时无意间在杂物间发现一个深不见底的洞穴。

此后不久，卢卡斯和与兄弟俩熟稔的茱莉相继遭遇奇怪恐怖的事情，他们更在光天化日下看见一个双眼流血的小女孩。

三人开始有意识地探究这幢房子和黑洞的过去，由此也唤醒了沉睡已久的恐怖……各地戏水避暑少女：青岛美艳武汉彪悍(图)来开好运各地戏水避暑少女：青岛美艳武汉彪悍(图) 各地戏水避暑少女：青岛美艳武汉彪悍(图) 发布时间: 2011-07-29 11:42 来源: 凤凰网。

上海：扩建竣工的南外滩上千平米阳光沙滩当天首次迎来一场盛大的"沙滩派对"活动，充漫浪漫情凋的"沙滩派对"和动感十足的沙滩排球、沙滩劲舞等多项活动让数百名中外年轻人、白领玩得开心尽兴，现场的一只只"微型游池"也让游人能在沙滩上亲水，享受酷暑里的一份凉爽。

美国影片《裸夜淫魔》[高清完整版]雨霖收藏屋...何华是有名作家，因为好奇在中国城买了一个装有未出生动物畸形尸体的泡叶瓶，回家后就连续发生许多怪事。

经典法律电影130（法科学生必看）

经典法律电影1301、《十二怒汉》12 Angry Men (1957)：西德尼•鲁迈特导演的第一部作品，个人认为在法律电影中排名第一，在imdb的排名也相当靠前。

2007年俄罗斯导演米哈尔科夫翻拍了这部经典，重拍版亦获得很多的好评。

2、《大审判》The Verdict (1982) ：西德尼•鲁迈特导演作品，保罗•纽曼演一个穷困于酒的律师办一个重振雄风的案子。

本片能反映出在美国“小律师”与“大律师”法庭如何搏弈，富有信息，很能给人各种启发。

好片啊。

3、《判我有罪》Find Me Guilty（2006）：西德尼•鲁迈特导演作品。

影片根据美国司法历史上最长的一次黑帮刑事审判改编而成，主人公为上世纪80年代的传奇帮派头目杰基•迪诺西奥（Jackie DiNorscio），故事情节与台词片段均采自18年前入档的庭审记录。

由于案情复杂，且牵涉人物众多，审判持续21个月之久，并创下多项纪录：创下了多项庭审纪录：20名被告配备了20名辩护律师、8个陪审团轮番上阵以及史无前例的超长结案陈词（其中一位辩护律师的结案陈词居然宣读了5天）。

4、《在魔鬼知道你死前》Before the Devil Knows You're Dead（2008）：西德尼•鲁迈特导演作品。

片名出自于一句爱尔兰当地谚语：“在魔鬼知道你死之前，希望你已经在天堂待了半个小时。

”（May you be in heaven half an hour before the devil knows you're dead）。

导演通过对一个犯罪惊悚的故事描述，揭示人性罪恶及黑暗的一面。

5、《性书大亨》The People vs. Larry Flynt（1997）：柏林电影节金熊奖影片，曾执导过《飞跃疯人院》《莫扎特传》的著名导演米洛斯•福曼作品，一个激荡人心的故事，一切关于言论自由，一切关乎宪政理想。

6、《公民行动》A Civil Action (1998) ：又名“禁止的真相”、“民事诉讼”，是由畅销作家强纳森•哈尔的名作《民事诉讼》改编，真实事件，环保题材。

美国25部经典法律电影

如果没有律师，好莱坞将干什么？在一个立基于版权和整形手术的城市里，律师所作的不只是草拟难懂的影视合同条文或用保释金将眼窝凹陷的明星保释出来以恢复期名誉。

从尖锐的亨利•卓蒙德到（Henry Drummond）和滑稽的林肯先生到稚嫩的丹尼•卡菲（Danny Kaffee）和正义凛然的阿提克斯•芬奇（Atticus Finch），律师为一些好莱坞影片提供了最值得怀念的银幕英雄，其中的一些影片是值得我们敬礼和深思的电影。

2008年初，《美国律师协会杂志》（ABA Journal）请12位杰出的法律专家选出他们认为最佳的有关律师和法律的电影。

《美国律师协会杂志》根据这些不同的提名从而整理出了这份史上最佳法律电影排行榜。

所有的这些影片获得了31次奥斯卡奖和85次奥斯卡提名。

现在请看史上25部最佳法律电影。

1、To Kill A Mockingbird (1962)《杀死一只知更鸟》，1962年该片根据哈柏•李（Harper Lee）的畅销小说改编而成，知更鸟（Mockingbird）在字面上与情节没什么联系，但在小说中具有强大的象征性。

它代表了天真无辜者。

而“杀死一只知更鸟”的故事就是一个罪恶毁灭天真无辜者的故事。

格里高里•派克（Gregory Peck）在片中扮演格外端庄的阿提克斯•芬奇（Atticus Finch）。

（译者按：派克曾经声称《罗马假日》是他最喜欢的片子，但是他还认为只有《杀死一只知更鸟》才“最接近我的内心，是我演艺生涯中的高峰”。

）芬奇在南方梅岗城任职，为人正直沉稳，常常不计报酬地为穷人们伸张正义。

他对年幼丧母的女儿斯科特与儿子詹姆即严格又慈爱。

有一次谈起打鸟时，他对孩子说，不要去杀死知更鸟，因为它们只为人类歌唱，从来不做危害人类的事情。

一天，芬奇去法院为黑人汤姆一案当辩护律师。

白人检查官指控汤姆犯有强奸罪，芬奇经过认真调查发现事实并非如此。

于是在法庭上实事求是地进行辩护，把对汤姆的指控一一加以驳斥，最后他要求判汤姆无罪，并且义正辞严地呼吁人们要尊重事实，要维护人类的尊严与平等。

Justice_01_Pilot之楼梯案

事实上，Pilot的案例并不是完全虚拟的，以此案为蓝本构架剧情的还包括CSI中的一集。

CSI与Justice恰巧从控辩两个角度描述了一个真实的案例：北卡罗来纳州诉Michael Peterson案(N.C. v. Michael Peterson)，又称楼梯案(The Staircase)。

2001年11月9日凌晨2点41分，北卡罗来纳州的Durham城（注：杜克大学位于此城）911接到一个男人的呼救电话。

开始的时候，这个男人语无伦次，根本说不清什么。

经过接线员的引导询问，才知道他的妻子从楼梯上摔了下来（Pilot即以此开头）。

五分钟后，当救援人员赶到案发地点时，伤者已经死去，只剩死者的丈夫浑身是血地立在当场。

据当值警官的纪录，死者身上有太多的血迹和伤痕。

一周后，死者的丈夫Michael Peterson被捕。

Pilot基本是按照本案原始纪录开始的，开篇即为Kevin的报警电话。

娱乐还是写实？这是法律题材影视作品永远无法规避的自我拷问。

虽然Pilot取材于真实案例，但开篇即显示出Jerry Bruckheimer（制片人）式的风格：娱乐至上。

所以，有Bruckheimer压阵，你丝毫不用怀疑Justice的可看性和娱乐性。

律政剧及电影

1.Boston Legal 律师风云2. 2.Justice 金牌律师3. 3.Silk 皇家律师4. 4.The Practice 律师本色5. 5.Shark 律政狂鲨6. 6.Drop Dead Diva美女上错身7.7.The Deep End律海扬帆8.8.The good wife 傲骨贤妻9.9.Harry’s firm 律政俏师太10.10.Eli stone神奇律师11.11.Criminal Justice司法正义12.法学专业学生须看的75部电影作者：学法者13.14.15.1、《死囚168小时》Dead Man Walking (1995) ：苏珊·萨兰登奥斯卡奖作品。

西恩·潘演一个死囚，死前获得了宁静。

而凶杀事实是渐渐呈现出来的，也并非重要，重要的是死囚的心理变化。

2、《刺杀肯尼迪》JFK (1991)：检察官调查肯尼迪案。

奥利弗·斯通导演，美国有人说他在不负责任地胡说八道，而另有一个我国网友曾说那个凯文·科斯特纳最后陈词的长镜头让他激动流泪。

很好的法庭演讲啊，被很多人赞为经典。

3、《伸张正义》And Justice for All (1979) ：又名义勇急先锋，阿尔·帕西诺主演。

北大一老师作文举例称此片主角是一个三流律师。

是三流吗？不是，只不过确实是一个在生活中挣扎的律师，为公正与恶法官作鱼死网破式的斗争。

说他是三流，太市井味了。

本片对律师在公正与职业义务之间的挣扎也有很好的表现。

4、《甘地传》Gandhi (1982) ：甘地学法律的，也做律师。

本片获得当年奥斯卡最佳影片。

5、《丑闻》(1950)：日本法律电影，黑泽明重要作品。

“故事以一个无能而又品质恶劣的辩护律师和一位委托他对损坏名誉案件做辩护的年轻画家为中心展开”，“压轴一场法庭戏差不多长达15分钟，镜头沉实，剧力迫人”。

6、《民事诉讼》A Civil Action (1998) ：又名“禁止的真相”“公民行动”，获得当年奥斯卡提名，着名律师电影，约翰·特拉沃尔塔主演，是由畅销作家强纳森哈尔的名作《民事诉讼》改编，为一真实故事。

法律人必看的电影

关律师的经典影片1、《魔鬼代言人》（Devil’Advocate）基努.里维斯的律师造型与《生死时速》中的T恤造型一样酷气逼人，艾尔.帕西诺也一如既往，瞪大了眼睛，咄咄逼人。

不过本片的主题：现实功利的诱惑与理想道德正义之间不可调和的冲突。

仍然是好莱坞的古老话题，只不过引入了一些魔幻现实主义的手法。

在片尾十分钟里，艾尔.帕西诺代表的魔鬼慷慨激扬地集中展现他的诱惑力，基努.里维斯最终也以悲壮的自杀投向了正义。

2、《费城故事》（Philadephia）经典中的经典。

这部电影是最先给予我心灵上的震撼的律师电影。

它最成功之处是在传扬真善美的同时，避免了中国电影常见的对人物的高大全的处理。

丹泽尔·华盛顿本人甚至很憎恶同性恋，也惧怕爱滋病，但在被震动之毅然投身诉讼的行为更使人感动。

同时，它展现的娴熟和精彩的法庭辩论场面也让我学到了很多实用的技巧。

其实，这是个再主流不能的电影了，人物形象鲜明，情节清楚，叙事手段十分正统，甚至在片头采用了那种纯粹以费城风物为画面的纯粹主题歌放送手法。

结局也是正义终究战胜非正义的典型路数。

但也许正是因为这一点，才让人没有目眩神迷的疏离感，而是每次看时都结结实实地被感动番。

看两位纯粹演技派演员飙戏真是莫大的享受。

3、《律师事务所》（The Form）哈佛法学院一毕业，就被一家大型律师事务所看中，代为还清了所有贷学金，送房，赠车，老板还催着他早点娶妻生子。

这等好事全让汤姆.克鲁斯碰上了。

不料想这是一家专为黑社会洗钱的事务所，最后小汤以毒攻毒，狠很敲了一大笔钱，抱着复印来的机密档案周游世界去了。

不过，他的律师生涯也就此划上了句号。

这种事即使是在无奇不有的美国，恐怕也只在电影里才有。

4、《律证俏佳人1，2》（Legally Blonde）一部没什么深度的娱乐片，女主人公为了赢得郎心归，硬着头皮上哈佛法学院，没想到歪打正着，成了正果。

男人们呐，不是因为弱智被无情抛弃，就是心理肮脏的猥琐教授，总之没一个是好东西。

哈佛公开课Justice 第一课字幕中英对照精解

JusEpisode OnPART ONE If you ha five oth would di What wou Professo After the to save conundru difficul becomes contradi always b PART TWO Sandel i Bentham,shipwrec decides the rest a classr doctrine for the stice: What’s One E: THE MORAL S ad to choose b ers and (2) d e right befor ld be the rig r Michael Sane majority of the lives of ms—each one t. As studen clear that th ctory, and th lack and whit O: THE CASE FO introduces the with a famou cked crew of f to kill the w t can feed on room debate ab e that the righ greatest numb s the Right T SIDE OF MURDE between (1) ki oing nothing re your eyes i ht thing to d ndel uses to l students vote five others, artfully desi nts stand up to he assumptions e question of te.OR CANNIBALISM e principles o us nineteenth four. After n weakest amongs his blood and bout the moral ht thing to do ber.Thing to Do?ER 谋杀的道德侧illing one per even though y f you did not o? That’s t launch his co es for killing Sandel prese igned to make o defend their s behind our m what is right SM 食人肉案件of utilitaria h century lega nineteen days st them, the d body to sur l validity of is whatever p侧面rson to save t you knew that thing—what wo the hypothetic urse on moral g the one pers nts three sim the decision r conflicting moral reasonin t and what is w an philosopher al case involv lost at sea, young cabin b rvive. The c f utilitariani produces the gr the lives of five people ould you do? cal scenariol reasoning. son in order milar moral n more choices, it ng are often wrong is not r, Jeremy ving a the captain boy, so that case sets up ism—and its reatest good episode ['epi moral ['m ɔr hypothetical ['scenario [si'na reasoning ['ri:vote [v əut] n conundrum [k artfully ['a:tful defend [di'fen conflict ['k ɔnfl conflicting [k defend [di'fen assumption [contradictory cannibalism ['utilitarian [.ju legal ['li:g əl]shipwrecked [crew [kru:] amongst [ə'm cabin ['kæbi survive [s ə'vdebate [di'be validity [væ'l doctrine ['d is əud] n. 插曲əl] adj. 道德的'haip əu'θetik əl]a:ri əu] n. 情节zni ŋ] n. 推论n. 投票, 选举v k ə'n ʌndr əm] n li] adv.艺术地,有d] v. 防护, 辩likt] n.冲突,矛ən'flikti ŋ] adj d] v. 防护, 辩护ə's ʌmp ʃən] n.假 [.k ɔntr ə'dikt əri 'kænib əliz əm] n u:tili't ɛəri ən] n.功 adj. 法律的, 合'ʃiprekt] adj. 失 n. 全体船员ʌŋst] prep. 在 n] n. 船舱, 机vaiv] 活下来, 幸eit] n.v. 辩论liditi] n. 有效性ɔktrin] n. 教义曲, 一段情节, 片的 ] adj.假设的,假节梗概, 剧本论, 推理, 论证 v. 投票, 选举, n. 谜语, 难题有技巧地,熟练地辩护, 防守矛盾vi. 冲突,争. 相冲突的护, 防守假定,设想,担任(职i] adj. 矛盾的n n.吃人肉的习性功利主义者adj 合法的, 法定的失事的, 遭海难... 之中,在...之机舱, 小木屋幸存; 残留论, 讨论性, 正确性, 正当义, 主义, 学说片段, 轶事假定的,爱猜想的表决地,狡诈地争执职责等),假装 n.矛盾性, 同类相食 j.功利的,实用的的难的之间(=among) 当的Funding for this program is provided by... 此节目由以上公司 fund [fʌnd]资金,基金,专款Additional funding provided by... 以上人士提供赞助This is a course about justice 这是一堂关于公平与正义的公共课 course [kɔ:s]学科，课程，教程and we begin with a story. 让我们先从一个故事讲起 hurtle ['hə:tl] v.猛冲;飞驰,猛烈碰撞Suppose you’re the driver of a trolley car, 假设你现在是一辆有轨电车的司机 suppose [sə'pəuz] 假定; 设想，料想and your trolley car is hurtling down the track at 60 miles an hour. 而你的电车正在铁轨上以时速60英里疾驶 trolley ['trɔli] 〔英〕手推车；〔美〕(有轨)电车And at the end of the track 在铁轨末端 brake [breik]制动器<->break [breik]毁坏,打破you notice five workers working on the track. 你发现有五个工人在铁轨上工作You try to stop but you can't, 你尽力想停下电车, 但是你做不到your brakes don’t work. 电车的刹车失灵了美剧绝望的主妇Desperate HousewivesYou feel desperate because you know 你觉得十分绝望，因为你知道 desperate:绝望的,穷途末路的,拼命的that if you crash into these five workers, they will all die. 如果你就这样撞向这5个工人，他们必死无疑 crash into 碰到，撞在Let’s assume you know that for sure. 假定你很清楚这一点 assume [ə'sjuːm] 假定，想像，设想And so you feel helpless until you notice 正当你感到无助的时候, 你突然发现that there is, off to the right, 就在右边a side track and at the end of that track, 一条岔道，那根轨道的尽头there is one worker, working on the track. 只有一个工人在那里工作Your steering wheel works, so you can turn the trolley car, 你的方向盘没有失灵, 只要你愿意 steering ['stiəriŋ] 舵把,方向盘；掌舵,驾驶,转向。

哈佛大学公开课Justice-What's the right thing to do 01

That's a good reason.
Justice 01 The Moral Side of Murder / The Case for Cannibalism
1
That's a good reason. Who else?
Does everybody agree with that reason? Go ahead.
So the principle there was the same on 9/11.
It's a tragic circumstance but better to kill one so that five can live, is that the reason most of you had, those of you who would turn? Yes?
Let's assume you know that for sure.
And so you feel helpless until you notice that there is, off to the right, a side track and at the end of that track, there is one worker working on the track.
Keep your hands up those of you who would go straight ahead.
A handful of people would, the vast majority would turn.
Let's hear first, now we need to begin to investigate the reasons why you think it's the right thing to do.

介绍一部法律电影英语作文

介绍一部法律电影英语作文English:One exceptional legal movie that stands out is "12 Angry Men." This 1957 film follows a jury deliberating a murder trial, with the majority initially leaning towards a guilty verdict. However, one juror, played by Henry Fonda, challenges his fellow jurors to consider the evidence more carefully. The film delves into themes of prejudice, reasonable doubt, and the power of individual conviction. The intense dialogue and riveting performances make this movie a captivating exploration of the legal system's inner workings and the importance of critical thinking and open-mindedness in the pursuit of justice.Translated content:"《十二怒汉》是一部杰出的法律电影。

这部1957年的影片讲述了一个陪审团在审议一宗谋杀案的过程中，大多数陪审员一开始都倾向于判定被告有罪。

然而，由亨利·方达饰演的一名陪审员挑战其他陪审员，要求他们更加仔细考虑证据。

影片深入探讨了偏见、合理怀疑以及个人信念的力量。

激烈的对话和扣人心弦的表演使这部电影成为对法律系统内部运作以及在追求正义过程中批判性思维和开放思维的重要性的引人入胜的探索。

Justice_Whats_The_Right_Th_55100392

Philosophy Now – Issue 83 –/issue83/Justice_Whats_The_Right_Thing_To_Do_by_Michael_Sandel Justice: What’s The Right Thing To Do? by Michael SandelPhil Badger is out for Justice.This book, based on Professor Sandel’s long running course of the same name, has some hugely enviable qualities. It is supremely clear and instructive, it will promote genuine thought in any serious reader, and it’s a one volume antidote to the frequent accusation that philosophy is obscure and irrelevant. Also, it’s by a man who is clearly striving for an honest and serious engagement with some famously difficult issues. Given all this, it is with some trepidation that this reviewer has to declare himself in significant disagreement with him.Justice is primarily about the values that should underpin the state, politics and the law, with particular reference to Western pluralistic societies. Sandel presents us with a three-cornered debate between utilitarian, liberal and communitarian perspectives, in which the latter, heavily reinforced by a dose of neo-ristotelianism, emerges the victor. Along the way we are treated to a wonderful exposition of the subtleties of these positions, as well as a forensic analysis of their limitations.Utilitarianism emerges as the lame duck of moral philosophy, largely because it seems to defend the indefensible, such as sacrificing the innocent for the ‘greater good’. Justice, Prof Sandel argues, has to have something to do with desert, that is, what people deserve. That thought is at the heart of his next move, his discussion of liberalism.Liberal JusticeSandel starts this section by looking at libertarian philosophies, and particularly the work of the late Robert Nozick, best known for Anarchy, State and Utopia (1974). What’s attractive about Nozick’s position is that it attributes to each of us the quality of ‘self-ownership’, and with this comes an absolute rejection of the idea that I can morally be used by someone as a convenient means to an end. Since I belong to myself I can be held responsible for my actions, but I can’t be used to attain someone else’s goal. To use Philippa Foot’s classic example, I can’t be dropped onto a railway track to save others from being squashed by a runaway train.Things don’t go so well when we examine the further implications of this libertarian position. Firstly, Nozick argues that we can demand virtually nothing from our fellow citizens beyond that they leave us alone. For Sandel this is problematic, in that some services we render to the community (serving on juries, for example) are things often taken to trump our claims to self-ownership. Furthermore, Sandel takes issue with Nozick’s view that given initially fair conditions, any subsequent distribution of material goods brought about by voluntary transactions would not justifiably be subject to any modification. Yet to think, as Sandel does, that Nozick’s self-ownership position rules out any obligation to serve our communities, seems premature. Liberals can invoke ‘contractual’ arguments to say that implicit obligations to a group flow from the benefits I gain from membership of it. However, we also recognise a kind of ultimate self-ownership in respect of these issues. The notion, for example, of conscientious objection is established in respect of military service, and we can imagine it being invoked in relation to other issues. If, for example, a Christian with an over-literal interpretation of theinjunction not to judge others refuses to serve on a jury, we might invoke some penalty against her, but this would rightly be tempered by our acknowledgement that she was responding to the demands of deeply held principles – what we can call her ‘large-scale concept of the good’. By contrast, Nozick’s objections to redistributive notions of economic justice don’t seem to be defensible by reference to concepts of the good, as opposed to being defended in terms of naked self-interest. Indeed, the gaping hole in Nozick’s argument is the notion that the ‘initial conditions’ people operate from are anything like fair. This leads us to Sandel’s discussion of egalitarian liberal notions of justice, and, in particular, the ideas of Immanuel Kant and Nozick’s former neighbour at Harvard, John Rawls.These two philosophers share Nozick’s distaste for the potential injustices of utilitarianism, but little else with him. What Kant and Rawls have in common is a desire to define justice in a way that makes it independent of any particular individual’s inclination or vested interest. Their point is that judging what is just from anything other than a ‘universal’ standpoint is liable to yield self-serving conclusions of the kind that Nozick reaches. For Rawls, wealth was no guarantee of desert; nor was being male, or white, or heterosexual. Indeed, even talent is not an indicator of desert, because such talent is the product of chance and its value is reliant on the caprice of society, ie, on whether the talent is for something society currently values.Kant and Rawls both think in terms of a kind of moral abstraction. For Kant this was expressed in terms of the universalisation of principles, while for Rawls it involved asking what we would accept as a just society if we were considering it from behind a ‘veil of ignorance’ which prevented us from knowing our personal situations in it. For both of them, from the point of view of justice we have no particular identity but only a generalised humanity, such that conclusions about what is just pertain to all of us. In other words, justice implies neutrality.Aristotle’s StoryFor Aristotle, whom Sandel enlists in his cause, this neutrality would have been an entirely alien notion. Rather than ethics requiring us to leave our personal values at the door, to him it is intimately connected with promoting ‘excellence’ in citizens. For Aristotle excellence has to do with our distinctive nature as human beings, and the good life is about developing our characters in such a way that we’ll make the right moral choices when we need to without recourse to any kind of moral decision-making procedure. This approach is called ‘virtue ethics’. So far so good – but if we’re looking for a guide-book to doing the right thing, we’re not going to find one here.Filling the guidance hole in virtue ethics, are culturally-specific stories about virtue which tell us what and who to value. For Aristotle, the stories of his time told him that different types of people had different natures, such that not all were worthy of participating in the political ‘conversation’. Sandel does not defend Aristotle’s ethics here, but does maintain Alasdair MacIntyre’s neo-Aristotelian faith in the importance of narratives in our lives. In part this is a reaction to what both MacIntyre and Sandel see as the austerity of the Kant/Rawls picture of morality. Sure, from those two we get a kind of rule book on how to treat others; but it’s one which hollows out life by telling us that our attachments to any particular people, society or set of values are only culturally contingent. There is no warm glow of belonging to be found in this model of justice, no sense of shared obligation or merit. To use Rawls’ phrase, ‘the right is prior to the good’ – in other words, the demands of justice have nothing to do with what people value.For Sandel this contradicts some profound moral intuitions, and he explores this thought through a series of issues, including collective responsibility for historical wrongs, and special obligations to those with whom we share our ‘collective narrative’. There is an intriguing discussion of conflicts between group loyalty and abstract principle here. Unfortunately, what we don’t get is any recognition that we don’t all have the same chance to shape our stories, or that there might be any external way to evaluate their merits.There is psychological value to be gained from seeing ourselves as part of a meaningful story, but that seems rather short of a philosophical endorsement. Western history since the Enlightenment has involved challenging our ‘stories’ so that more people have found a place in them. Other races,women, homosexuals, and even non-humans are now, for some, included in the circle of justice. It is plausible to say that a huge amount of good has followed from the willingness to step back from the particular in order to assert the universal.I’ll concede that we’re all suckers for a good yarn. I, for example, got quite misty-eyed last year listening to accounts of the Battle of Britain on its seventieth anniversary. For me this ‘story’ was a tale of the heroic defence of essentially liberal values against their absolute opposite. I got very upset when I saw an election broadcast in which a member of the BNP [an extreme right-wing party] posed in front of a Spitfire. However, precisely because stories have this seductive quality, we should be hugely suspicious of them; especially so when they are enlisted for illiberal causes.Early in my career, teaching an all-Muslim group of students in the UK at the time of the publication of Salman Rushdie’s book The Satanic Verses (1988), I explained to the group that UK law protected Christianity by means of a blasphemy law, but that this protection did not extend to other religions (things have changed since). I asked the group how the law might be altered to bring about equality. The liberal option – the notion of abolishing the law of blasphemy altogether – did not even occur to them: all simply wanted to extend the existing law to cover other religions. Liberal neutrality, as opposed to Sandel’s ‘narrative communitarianism’, suggests that we deprioritise the stories people immerse themselves in, reducing the importance we attach to our particular stories. Instead, what is absolutely important, is that your life is yours to live uncoerced in respect of what I referred to as your large-scale concept of the good. Defending this principle is as close as I get to such a concept of the good myself.All of this should I hope inspire the reader to read Justice for themselves. Professor Sandel’s work is rich (hugely more so than the constraints of a review allow me to explore) and deeply impressive. That I can’t agree with his conclusions is, ultimately, a tribute to the fact that reading his work has helped me understand my own position better than I did. I suspect that would please him, even if my conclusions do not.© Phil Badger 2011Phil Badger teaches philosophy and sociology in Sheffield.• Justice: What’s The Right Thing To Do?, by Michael Sandel; Farrar, Straus and Giroux, 2010, 320 pps, $15 pb, ISBN: 978-0374532505.Michael SandelMichael Sandel is a professor of political philosophy at Harvard. He is best known for the course‘Justice’, which he has been teaching there for more than two decades. It has been made into a twelve episode TV series, and is available to view online.。

The Sixth Day

The director:Roger Spottiswoode
罗杰· 斯波蒂伍德
This movie increased his international reputation
阿诺德· 施瓦辛格
He became famous in t he film and became an i nternational super来自tarTerminator
• The movie was a huge success, the movie's actors and director have increased the visibility
The Sixth Day
第六日
和自己的克隆体并肩作战！
The basic information
• • • • • • • • • • • • • • 中文名第六日外文名The 6th Day 其它译名魔鬼复制人 / 第六发现 / 生死第六日 / 第六天出品时间2000年发行公司Sony Pictures Entertainment 制片地区美国，加拿大制片成本$82,000,000 (estimated) 拍摄日期1999年12月 - 2000年5月导演罗杰· 斯波蒂伍德编剧Cormac Wibberley 类型动作，惊悚，科幻主演阿诺施瓦辛格，托尼-高德温，罗伯特-杜瓦尔，迈克尔鲁克片长123 min 上映时间2000-11-17
制作人：工商1301 孔瑞彪毛旭刘宇杰鲍洪桥
Cloning in biology is the process of producing populations of genetically-identical individuals that occurs in nature when organisms such as bacteria, insects or plants reproduce asexually. Cloning in biotechnology refers to processes used to create copies of DNA fragments (molecular cloning), cells (cell cloning), or organisms. More generally, the term refers to the production of multiple copies of a product such as digital media or software

辩护电影

法律辩护可看的74部电影来源：邹博的日志前言：这个帖子的原材料来自于网上流传的帖子“法律人要看的电影”，原作者是“杉树法律论坛”的网友“第三个人”，附带了相关的评价。

法律硕士联盟网的一位同仁对它做了一个补充1、《死囚168小时》 Dead Man Walking (1995) ：苏珊·萨兰登奥斯卡奖作品。

西恩·潘演一个死囚，死前获得了宁静。

而凶杀事实是渐渐呈现出来的，也并非重要，重要的是死囚的心理变化。

2、《刺杀肯尼迪》JFK (1991)：检察官调查肯尼迪案。

奥利弗·斯通导演，美国有人说他在不负责任地胡说八道，而另有一个我国网友曾说那个凯文·科斯特纳最后陈词的长镜头让他激动流泪。

很好的法庭演讲啊，被很多人赞为经典。

3、《伸张正义》 And Justice for All (1979) ：又名义勇急先锋，阿尔·帕西诺主演。

北大一老师作文举例称此片主角是一个三流律师。

是三流吗？不是，只不过确实是一个在生活中挣扎的律师，为公正与恶法官作鱼死网破式的斗争。

说他是三流，太市井味了。

本片对律师在公正与职业义务之间的挣扎也有很好的表现。

4、《甘地传》 Gandhi (1982) ：甘地学法律的，也做律师。

本片获得当年奥斯卡最佳影片。

5、《丑闻》 (1950)：日本法律电影，黑泽明重要作品。

6、《民事诉讼》 A Civil Action (1998) ：又名“禁止的真相”“公民行动”，获得当年奥斯卡提名，着名律师电影，约翰·特拉沃尔塔主演，是由畅销作家强纳森哈尔的名作《民事诉讼》改编，为一真实故事。

本片也常为国内法学老师提起，比如其中的睡醒后第一句是“我反对”情节。

一部对美国现实法律的有很集中很细腻表现的优秀电影。

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1>00:00:00,000 --> 00:00:06,980>- =the last fantasy=- proudly presents2>00:00:07,015 --> 00:00:13,480>sync:cflily -==-3>00:00:30,980 --> 00:00:34,415>the cabdriver,mr. patel,was shot in the head with his own gun.4>00:00:34,450 --> 00:00:37,850>the killer left it in mr. patel's cab after he stole his money.5>00:00:37,885 --> 00:00:39,705>who did you identify as the killer?6>00:00:39,740 --> 00:00:42,680>that man there at the defense table- steven gerard.7>00:00:43,070 --> 00:00:44,815>keep it together,steve. the jury's watching.8>00:00:44,850 --> 00:00:47,365>i don't want them seeing you look upset.9>00:00:47,400 --> 00:00:49,880>i'm sorry. it's hard. i can't breathe.10>00:00:50,440 --> 00:00:52,245>i didn't kill anyone.11>00:00:52,280 --> 00:00:55,510>detective,tell us why you think>mr. gerard was the killer.12>00:00:56,960 --> 00:01:01,250>a bouncer at this club saw gerard get>into the victim's cab at 1:00 a.m.13>00:01:02,230 --> 00:01:07,635>the taxi meter showed that gerard was dropped>off a block from his apartment at 1:23 a.m.14>00:01:07,670 --> 00:01:13,070>that's exactly when a convenience store clerk near>the murder scene heard a gunshot and called the police.15>00:01:13,105 --> 00:01:15,575>you arrested mr. gerard at>his apartment the next day?16>00:01:15,610 --> 00:01:20,540>yes. he waived his rights,and he admitted that he had>gotten into a fight with the driver about the fare.17>00:01:20,575 --> 00:01:24,550>we searched his place for the money>he took from mr. patel,but it was gone.18>00:01:32,230 --> 00:01:35,750>ron wants to make sure you>get back in time for the party.19>00:01:37,410 --> 00:01:38,940>he sent you just to tell me that?20>00:01:38,975 --> 00:01:40,030>mm-hmm.21>00:01:42,550 --> 00:01:46,470>steve,meet lisa cruz,one>of our investigators.22>00:01:49,600 --> 00:01:53,210>ron says you only took this case to>avoid small talk at the christmas party.23>00:01:55,210 --> 00:01:57,290>i did it to stop an injustice.24>00:01:57,830 --> 00:02:00,490>missing the christmas>party was just a bonus.25>00:02:02,700 --> 00:02:05,395>wait. you can't put me back in jail.>i didn't do anything.26>00:02:05,430 --> 00:02:09,400>pipe down,mr. gerard. your lawyer isn't here>for your pretrial conference,27>00:02:09,435 --> 00:02:11,195>so i'm moving your trial to may.28>00:02:11,230 --> 00:02:15,060>may? i can't stay in jail>until may!please,don't do this!29>00:02:15,095 --> 00:02:17,120>give me a second. your honor,hold on.30>00:02:17,155 --> 00:02:18,770>may i speak to this man?31>00:02:19,060 --> 00:02:22,340>do what you want. you've got 30 seconds.32>00:02:24,680 --> 00:02:25,785>what's your story?33>00:02:25,820 --> 00:02:28,025>they say i shot a cabdriver,but i didn't.34>00:02:28,060 --> 00:02:30,730>see,my friends and i went out>to celebrate after midterms.35>00:02:30,765 --> 00:02:32,525>midterms? you're a college student?36>00:02:32,560 --> 00:02:34,955>my friends met some>women,and they ditched me.37>00:02:34,990 --> 00:02:37,615>i didn't have a ride back home>from the club,so i called a cab.38>00:02:37,650 --> 00:02:41,170>i didn't realize until later that i lostmy>wallet at the club,and i couldn't pay. then39>00:02:41,205 --> 00:02:42,185>what happened?40>00:02:42,220 --> 00:02:44,780>he turned into an alley,and>he pulled a gun on me.41>00:02:44,815 --> 00:02:46,885>i ran for my life.42>00:02:46,920 --> 00:02:48,580>where did you get the bruises?43>00:02:48,920 --> 00:02:50,150>jail.44>00:02:50,500 --> 00:02:52,285>i keep getting jumped in the yard.45>00:02:52,320 --> 00:02:54,285>i- i've been in three months. >my mom lives in pittsburgh,46>00:02:54,320 --> 00:02:56,910>and she doesn't have the money to>post my bail or come out here,even.47>00:02:58,860 --> 00:03:00,405>let me see this guy's file?48>00:03:00,440 --> 00:03:03,060>- why? it's not your case.>- just give me the file.49>00:03:09,160 --> 00:03:11,075>no witness statement.>no forensic evidence.50>00:03:11,110 --> 00:03:13,510>you got this kid on a murder>charge,but you have no case.51>00:03:14,660 --> 00:03:16,110>time's up.52>00:03:21,770 --> 00:03:24,480>your honor,mr. gerard>just fired his old lawyer.53>00:03:24,515 --> 00:03:27,190>i'm taking his case. when's his trial set for?54>00:03:27,225 --> 00:03:27,905>friday.55>00:03:27,940 --> 00:03:30,560>great. based on these>facts,it's a 1-day case,56>00:03:30,595 --> 00:03:32,535>so we'll keep that trial date.57>00:03:32,570 --> 00:03:35,940>if you take december 22nd,>it ends when court closes at 5:00 p.m.58>00:03:35,975 --> 00:03:39,310>i'm not keeping a jury here over>the holiday break,you understand?59>00:03:39,345 --> 00:03:40,710>yes,your honor.60>00:03:44,200 --> 00:03:46,420>miss hale,check your>exhibits with the clerk.61>00:03:46,950 --> 00:03:49,090>your client looks pretty nervous.62>00:03:49,900 --> 00:03:51,135>well,he shouldn't.63>00:03:51,170 --> 00:03:53,255>the d.a. hasn't met her burden,64>00:03:53,290 --> 00:03:55,695>and when she rests,i'm moving to dismiss.65>00:03:55,730 --> 00:03:58,890>if the judge doesn't grant>it,i'll rest and go to closings.66>00:03:59,300 --> 00:04:01,630>see,juries never want to hang>around before the holiday,67>00:04:01,665 --> 00:04:03,640>so we'll be out of here by 5:00.68>00:04:04,150 --> 00:04:07,370>steve will be home,on a plane>back to pittsburgh to see his mom.69>00:04:07,405 --> 00:04:09,090>mr. nicholson,your cross.70>00:04:12,000 --> 00:04:14,730>i know we all want to get out of here>for the holidays, so i'll be brief.71>00:04:18,320 --> 00:04:20,660>my client's prints weren't>found on the gun,were they?72>00:04:20,695 --> 00:04:21,945>no.73>00:04:21,980 --> 00:04:24,120>and nobody saw him shoot the driver?74>00:04:24,155 --> 00:04:24,995>no.75>00:04:25,030 --> 00:04:28,980>and you didn't find any money or anything to>support your theory that this was a robbery.76>00:04:29,720 --> 00:04:32,180>now isn't it possible the>reason therewasn't any money77>00:04:32,215 --> 00:04:34,640>in the cab is because mr.>patel just started his shift78>00:04:34,675 --> 00:04:36,482>and didn't have any cash on hand?79>00:04:36,517 --> 00:04:38,290>or he did,and your client stole it.80>00:04:38,960 --> 00:04:40,820>what's that,a theory?81>00:04:43,070 --> 00:04:46,010>basically what you've got>against my client is jack.82>00:04:48,370 --> 00:04:50,970>in fact,your honor,the d.a.'s case is so weak,83>00:04:51,005 --> 00:04:53,570>we're moving for a>judgment of acquittal now.84>00:04:54,280 --> 00:04:55,850>miss hale?85>00:05:03,570 --> 00:05:06,900>great to see you,councilman.>hey,go easy on the booze this year.86>00:05:06,935 --> 00:05:09,710>bill. bill! grab some duck.87>00:05:09,745 --> 00:05:10,870>eva?88>00:05:12,280 --> 00:05:15,230>tell the bartenders to save the domp\rignon>for potential clients.89>00:05:15,470 --> 00:05:16,755>they can give the d.a.s brut.90>00:05:16,790 --> 00:05:19,030>they'll be able to tell>which is which by their suits.91>00:05:19,100 --> 00:05:23,260>how does ron manage to juggle a full caseload>and plan this party? he must sleep in his office.92>00:05:23,295 --> 00:05:27,010>no,he sleeps with a party planner, which is>why he gets such a good deal on all of this.93>00:05:27,600 --> 00:05:29,470>i just have to finish one last thing.94>00:05:29,505 --> 00:05:31,305>go see if we qualify for the dom.95>00:05:31,340 --> 00:05:33,900>captain,great to see you.>so what do you hear about the dunn case?96>00:05:33,935 --> 00:05:35,255>you guys gonna make an arrest?97>00:05:35,290 --> 00:05:37,160>come on,ron,you know>i can't talk about that.98>00:05:37,220 --> 00:05:39,520>i know i know have fun99>00:05:40,530 --> 00:05:42,720>in an hour,he'll be talking his head off. 100>00:05:43,660 --> 00:05:45,790>love the christmas party.101>00:05:46,200 --> 00:05:50,470>you get to see old friends,bury the hatchet,>get new clients. is tom here yet?102>00:05:50,505 --> 00:05:54,130>still in court. he says it's a>dead-bang acquittal. he'll be here soon.103>00:05:54,165 --> 00:05:55,235>yeah,we'll see.104>00:05:55,270 --> 00:05:59,060>tom will do anything to avoid>schmoozing and small talk.105>00:05:59,150 --> 00:06:01,230>- oh,hi. how are you?>- oh,great.106>00:06:01,265 --> 00:06:02,945>judge madison's here.107>00:06:02,980 --> 00:06:04,775>you know we invite all the judges,ron. 108>00:06:04,810 --> 00:06:07,820>yes,we invite them.>i just don't expect them all to show up.109>00:06:08,860 --> 00:06:11,880>hey,i'm glad she's here. really.110>00:06:12,210 --> 00:06:14,130>she's the one with issues.111>00:06:22,510 --> 00:06:25,820>i agree with mr. nicholson.>your case is awfully thin,miss hale.112>00:06:25,855 --> 00:06:26,585>your honor,i have-113>00:06:26,620 --> 00:06:28,775>take it easy. let the man finish.114>00:06:28,810 --> 00:06:32,540>by law,looking at the evidence in the>light most favorable to you,miss hale,115>00:06:32,575 --> 00:06:34,780>i don't see how>a reasonable jury could convict.116>00:06:34,815 --> 00:06:37,950>mr. nicholson's right. you have jack.117>00:06:38,330 --> 00:06:40,570>we did have jack,but>now we have a great case.118>00:06:40,605 --> 00:06:42,730>this morning,an eyewitness showed up. 119>00:06:45,150 --> 00:06:48,100>you-you can't drop an>eyewitness on the defense now.120>00:06:48,135 --> 00:06:49,680>he just came forward this morning.121>00:06:50,120 --> 00:06:53,410>yeah. you don't find that>a little odd or suspicious?122>00:06:56,970 --> 00:06:58,650>where's the discovery?123>00:07:03,680 --> 00:07:05,830>what the hell is this? there>isn't even a witness statement.124>00:07:05,865 --> 00:07:07,897>he didn't give one. he>didn't speak to the police.125>00:07:07,932 --> 00:07:09,930>he spoke to me. i'm not>obligated to create discovery.126>00:07:09,965 --> 00:07:11,025>can you tell me what he said?127>00:07:11,060 --> 00:07:14,500>he saw your client shoot the driver dead.>is that clear enough for you?128>00:07:16,200 --> 00:07:20,120>your honor,the defense needs time>to prepare for this witness.129>00:07:20,155 --> 00:07:20,985>uh,we need to request-130>00:07:21,020 --> 00:07:22,685>a continuance? not a chance.131>00:07:22,720 --> 00:07:25,990>now lookit,i told you when you took>this case, this is a 1-day trial.132>00:07:27,050 --> 00:07:29,655>now the d.a. will present their>new witness. you will cross him.133>00:07:29,690 --> 00:07:33,280>i will get this case to the jury by 4:00.and>if they're like most juries before a holiday,134>00:07:33,315 --> 00:07:35,300>we'll have a verdict by 5:00,understand? 135>00:07:59,360 --> 00:08:01,700>please fiind him a good home136>00:08:04,510 --> 00:08:05,950>ron!137>00:08:10,890 --> 00:08:12,380>ron!138>00:08:16,620 --> 00:08:17,960>uh,excuse me.\139>00:08:22,660 --> 00:08:24,390>i- i didn't order a baby.140>00:08:24,740 --> 00:08:26,085>he looks like justice scalia.141>00:08:26,120 --> 00:08:28,100>i found him on a table>in the evidence prep room.142>00:08:28,135 --> 00:08:29,220>what?143>00:08:30,170 --> 00:08:31,470>he's been abandoned,ron.144>00:08:34,160 --> 00:08:38,310>take him to the back. i'll get securityto>check tapes so we can figure out who left him.145>00:08:41,970 --> 00:08:43,155>i can't go back to jail.146>00:08:43,190 --> 00:08:45,400>take it easy,all right? you're>still walking out of here.147>00:08:46,060 --> 00:08:49,640>oh,god,i'm sorry. attorney/client meeting.i>think there's another one on the fifth floor.148>00:08:51,210 --> 00:08:52,785>what did the discovery tell you?149>00:08:52,820 --> 00:08:56,600>the eyewitness' name is nick allen,>and he's got no criminal record.150>00:08:57,040 --> 00:08:59,785>now when a witness shows up like this,>that's all the d.a. has to give us.151>00:08:59,820 --> 00:09:03,680>now usually we got months to investigate>this guy. this time we've got five minutes.152>00:09:03,715 --> 00:09:05,590>how could there be a>witness? i didn't do this!153>00:09:05,625 --> 00:09:08,270>don't worry. we'll handle it.154>00:09:08,750 --> 00:09:09,755>call the office.155>00:09:09,790 --> 00:09:12,905>have them set up a trial commandcenter>and send us the equipment we'll need.156>00:09:12,940 --> 00:09:16,340>how are you gonna cross-examine a witness when>you don't know who he is or what he's gonna say?157>00:09:16,375 --> 00:09:19,480>carefully. steve's innocent,right?>or he's just wrong.158>00:09:24,610 --> 00:09:26,040>i have to show the jury that.159>00:09:27,530 --> 00:09:29,290>i'm not going home,am i?160>00:09:31,840 --> 00:09:34,030>this case goes to jury in three hours.161>00:09:34,540 --> 00:09:36,470>you will be on a plane home tonight.162>00:09:37,340 --> 00:09:38,600>i promise.163>00:09:41,730 --> 00:09:43,025>100%164>00:09:43,060 --> 00:09:44,340>innocent.165>00:09:45,340 --> 00:09:48,030>* i'm the innocent bystander *166>00:09:50,670 --> 00:09:52,980>* somehow i got stuck *167>00:09:56,060 --> 00:09:58,330>* between a rock and a hard place *168>00:09:59,670 --> 00:10:01,830>* send lawyers,guns and money *169>00:10:04,060 --> 00:10:05,125>like i always say,170>00:10:05,160 --> 00:10:06,645>if you got the right lawyer with you,171>00:10:06,680 --> 00:10:09,240>we've got the greatest>legal system in the world.172>00:10:11,140 --> 00:10:13,940>i've got to help tom.>his trial just blew up. 173>00:10:14,160 --> 00:10:16,085>ron,you have to tell the>police about this baby.174>00:10:16,120 --> 00:10:19,460>we have clients here. if one ofthem>abandoned a baby,they broke the law.175>00:10:19,495 --> 00:10:21,530>we can't turn them in without>at least talking to them.176>00:10:21,565 --> 00:10:24,160>here's the security>footage. no sign of a baby.177>00:10:24,490 --> 00:10:26,180>we don't know this was a crime.178>00:10:27,170 --> 00:10:28,695>what else could it be,a mistake?179>00:10:28,730 --> 00:10:31,150>losing your car in a>parking garage is a mistake.180>00:10:31,185 --> 00:10:32,705>this is a crime.181>00:10:32,740 --> 00:10:34,795>the law says a mother who>can't care for her baby182>00:10:34,830 --> 00:10:37,590>can't be prosecuted for leaving>her child in a safe place183>00:10:37,625 --> 00:10:40,025>like a hospital or fire station.184>00:10:40,060 --> 00:10:42,155>we could argue it extends to law firms.185>00:10:42,190 --> 00:10:45,040>we cou ld when a child>is less than 3 days old.186>00:10:45,075 --> 00:10:46,675>that baby is older than that.187>00:10:46,710 --> 00:10:50,010>i am opening up a trial>command center for tom.188>00:10:51,630 --> 00:10:52,825>one of us needs to get back to the party. 189>00:10:52,860 --> 00:10:56,360>we didn't invite everyone here>so they could give business to each other.190>00:10:56,620 --> 00:10:59,200>i'd rather go mingle,believe me.191>00:10:59,235 --> 00:11:00,625>we've got a big problem.192>00:11:00,660 --> 00:11:03,025>this is all our security footage.193>00:11:03,060 --> 00:11:05,560>clearly,this baby didn't>come in through our lobby.194>00:11:05,595 --> 00:11:07,285>so where did it come from?195>00:11:07,320 --> 00:11:10,420>the only other way in is through the>back entrance, and you need a key card.196>00:11:10,455 --> 00:11:14,010>great. so one of our>employees abandoned him.197>00:11:15,600 --> 00:11:18,050>tell the jury what you saw>the night of the murder.198>00:11:18,770 --> 00:11:22,190>i saw a cabdriver get shot by that man.199>00:11:23,090 --> 00:11:24,380>do you recognize this guy?200>00:11:24,415 --> 00:11:25,712>no,i've never seen him before.201>00:11:25,747 --> 00:11:27,010>could he have been out there?202>00:11:27,045 --> 00:11:28,660>i don't know. maybe.203>00:11:28,990 --> 00:11:31,040>after the cabbie pulled>the gun on me,i just ran.204>00:11:31,075 --> 00:11:32,617>i didn't see or hear anything.205>00:11:32,652 --> 00:11:34,125>what did you see in the cab?206>00:11:34,160 --> 00:11:36,405>i saw a fight going on- a bad one-207>00:11:36,440 --> 00:11:37,945>between the driver and the defendant. 208>00:11:37,980 --> 00:11:41,510>i tried to call 9-1-1 for help,>but my cell phone didn't get service.209>00:11:41,545 --> 00:11:44,020>then the defendant shot>the cabbie to death.210>00:11:45,630 --> 00:11:46,545>merry christmas.211>00:11:46,580 --> 00:11:48,765>welcome to every trial>lawyer's worst nightmare.212>00:11:48,800 --> 00:11:52,910>tom has three hours to cross a witness>with no ammo and no time to prepare.213>00:11:52,945 --> 00:11:55,310>we are going to dig into>this witness for him. 214>00:11:55,345 --> 00:11:56,465>now usually,you'd have weeks to do this.215>00:11:56,500 --> 00:11:59,690>today we are doing this on>the fly and on a deadline.216>00:11:59,980 --> 00:12:02,160>the courts close at 5:00 p.m.217>00:12:02,590 --> 00:12:03,850>luther,can you hear me?218>00:12:03,885 --> 00:12:04,925>yes.219>00:12:04,960 --> 00:12:06,790>the package just arrived.220>00:12:09,070 --> 00:12:12,080>good. the lapel mike will broadcast>what happens in court back to us.221>00:12:12,115 --> 00:12:14,165>i will talk to you through the earpiece.222>00:12:14,200 --> 00:12:18,370>sit close to tom so you can relay>my messages. do not get caught.223>00:12:19,070 --> 00:12:21,955>what we're doing might be>legal,or it might not be.224>00:12:21,990 --> 00:12:25,330>with this judge,we'd be better to>say sorry than ask for permission.225>00:12:26,310 --> 00:12:27,510>are we ready?226>00:12:29,140 --> 00:12:30,340>let's go.227>00:12:32,170 --> 00:12:35,725>please tell the jury>why you were in the alley that night.228>00:12:35,760 --> 00:12:39,280>i was at a club on sunset and alvarado.>i left at about 1:15.229>00:12:39,315 --> 00:12:41,020>what time did you get to the alley?230>00:12:41,055 --> 00:12:42,790>maybe five minutes later.231>00:12:46,050 --> 00:12:47,765>i took the alley behind alvarado232>00:12:47,800 --> 00:12:49,900>because it's a shortcut to my apartment.233>00:12:49,935 --> 00:12:51,595>i live on ewing street.234>00:12:51,630 --> 00:12:52,990>his route checks out on the>map. in the time he says.235>00:13:00,790 --> 00:13:02,570>how many of you paralegals are sober? 236>00:13:04,350 --> 00:13:06,070>no,really.237>00:13:08,050 --> 00:13:11,990>if i have to ask one of you to>drive me home, how many could?238>00:13:15,030 --> 00:13:18,190>okay. six of you just earned>christmas bonuses. go help luther.239>00:13:19,830 --> 00:13:23,910>your ability to intimidate 25 year olds>is still impressive.240>00:13:24,620 --> 00:13:27,250>judge madison,good to see you.241>00:13:27,285 --> 00:13:28,275>where's your husband?242>00:13:28,310 --> 00:13:31,050>home. you know how he feels about you,ron. 243>00:13:31,490 --> 00:13:32,840>at least it's mutual.244>00:13:33,820 --> 00:13:35,935>actually,i thought you felt the same way.245>00:13:35,970 --> 00:13:38,460>well,as long as you keep inviting me,>i'm gonna keep coming.246>00:13:44,830 --> 00:13:47,150>we know whoever abandoned>the baby works for us.247>00:13:47,990 --> 00:13:50,355>the handwriting looks>feminine,so check off the guys.248>00:13:50,390 --> 00:13:54,590>that's 23 women. 8 are out of town,>and i walked in with these two.249>00:13:56,120 --> 00:13:57,930>that leaves 13.250>00:13:59,950 --> 00:14:02,530>uh,hungry? needs a change? what?251>00:14:02,565 --> 00:14:04,080>i'm guessing hungry.252>00:14:05,370 --> 00:14:08,950>whoever left him bought this>at a grocery store in los feliz.253>00:14:08,985 --> 00:14:11,110>how many of our employees>live in los feliz? 254>00:14:12,580 --> 00:14:15,435>one-eva,255>00:14:15,470 --> 00:14:17,500>the new receptionist.256>00:14:21,540 --> 00:14:25,530>luther wants to know if there's anything about>nick's appearance that might help get a read on him.257>00:14:25,780 --> 00:14:30,290>yeah. when he first walked in, i noticed>he was wearing an off-the-rack suit.258>00:14:33,660 --> 00:14:35,790>but he had on designer shoes.259>00:14:36,720 --> 00:14:40,500>and he lives one block from steve's crummy>apartment, but his watch costs more than steve's rent.260>00:14:40,535 --> 00:14:42,490>now there's gotta be a story there.261>00:14:43,130 --> 00:14:46,430>he just got a haircut,so he>wants to make a good impression.262>00:14:47,620 --> 00:14:50,455>he's confident,conversational.263>00:14:50,490 --> 00:14:53,720>makes eye contact. the jury loves him. 264>00:14:54,260 --> 00:14:55,875>they do? already?265>00:14:55,910 --> 00:14:58,680>jurors judge fast. first>impressions are everything.266>00:14:58,715 --> 00:15:00,295>this guy makes a great one.267>00:15:00,330 --> 00:15:03,110>the d.a. probably told him>to dress downfor court.268>00:15:03,145 --> 00:15:04,850>i would have.269>00:15:07,530 --> 00:15:09,450>why would you give up your son,eva?270>00:15:09,485 --> 00:15:11,600>he's not my son.271>00:15:13,150 --> 00:15:15,600>he's my neighbor's son.272>00:15:16,120 --> 00:15:18,075>i'm sorry.273>00:15:18,110 --> 00:15:19,325>you took this baby?274>00:15:19,360 --> 00:15:22,070>i didn't know what else to do.275>00:15:22,105 --> 00:15:24,745>my neighbor kelly,she's on drugs,276>00:15:24,780 --> 00:15:27,170>and she leaves him alone all the time. 277>00:15:27,205 --> 00:15:28,595>it's awful.278>00:15:28,630 --> 00:15:32,150>this morning,i saw her leave,and...279>00:15:32,400 --> 00:15:35,420>the baby was crying for hours.280>00:15:36,030 --> 00:15:37,715>and she never came back.281>00:15:37,750 --> 00:15:39,860>i had to do something. i had to save him. 282>00:15:39,895 --> 00:15:41,235>anybody would have.283>00:15:41,270 --> 00:15:44,440>you kidnapped him and>burglarized the apartment-284>00:15:44,475 --> 00:15:46,400>two felonies.285>00:15:50,200 --> 00:15:52,240>eva,would you excuse us for a minute? 286>00:15:59,320 --> 00:16:02,185>be nice. she thought she>was doing the right thing.287>00:16:02,220 --> 00:16:04,910>we're not harboring a kidnapper.>we have to turn her in.288>00:16:04,945 --> 00:16:06,775>let's at least try to>get the mother down here,289>00:16:06,810 --> 00:16:09,940>reunite her with her baby,try>to save eva from prison.290>00:16:09,975 --> 00:16:12,095>no. if the mother is as bad as eva says,291>00:16:12,130 --> 00:16:13,820>giving the baby back>would put him in danger.292>00:16:13,855 --> 00:16:15,620>i don't want that on my conscience.293>00:16:17,180 --> 00:16:18,815>yes,i have a conscience.294>00:16:18,850 --> 00:16:21,200>if we call the police,eva will be arrested, 295>00:16:21,235 --> 00:16:23,212>and the baby could end up in foster care. 296>00:16:23,247 --> 00:16:25,190>you want that on your conscience?297>00:16:27,430 --> 00:16:29,425>find a doctor to evaluate the baby- 298>00:16:29,460 --> 00:16:32,410>preferably not one we represented>in a malpractice suit.299>00:16:32,445 --> 00:16:34,655>keep security on eva. she can't leave. 300>00:16:34,690 --> 00:16:37,575>and dig into the mother.>keep it all quiet. 301>00:16:37,610 --> 00:16:40,200>don't let anyone out>there know what's going on.302>00:16:41,020 --> 00:16:43,820>we're now criminal>conspirators in a kidnapping.303>00:16:43,855 --> 00:16:45,530>what a great party.304>00:16:49,020 --> 00:16:51,530>this man,steve gerard,was the killer. 305>00:16:52,080 --> 00:16:53,415>are you sure?306>00:16:53,450 --> 00:16:56,630>it was him. i'm absolutely sure.307>00:16:59,060 --> 00:17:01,450>mr. nicholson? cross?。

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