英译汉赏析+02
名篇名译(英译汉)

名篇名译0011.原文:It is an ill wind that blows nobodygood.译文:世事皆利弊并存。
赏析:原句结构比较特殊("Itis…that…"),理解起来有点困难。
“对谁都没有好处的风才是坏风”,也就是说大多数情况下风对人都是有好处、有坏处,在引申一步就是成了上面的译句。
林佩耵在《中英对译技巧》一书中(第68页)还给了几个相同结构的英文句子。
翻译的前提是理解。
有人指出。
市面上见到的翻译作品,有好多都带有因理解不正确而产生的低级错误,“信”都谈不上还妄谈什么“达”和“雅”!初学翻译的朋友,在理解原文上当不遗余力。
2.原文:Their languag e was almostunrestr ainedby any motiveof prudenc e.译文:他们几乎爱讲什么就讲什么,全然不考虑什么谨慎不谨慎。
赏析:如果硬译,译文势必成了“他们的言论几乎不受任何深思熟虑的动机的约束”。
译者本其译,化其滞,将原句一拆为二,充分运用相关翻译技巧,译文忠实、通顺。
3.原文:Get a livelih ood,and then practis e virtue.译文:先谋生而后修身。
(钱钟书译)赏析:原句是祈使句,译句也传达出了训导的意味。
用“谋生”来译“Getalivelih ood",用“修身”来译“practis e virtue",可谓精当。
巧的是,原句七个词,译句也是七个汉字。
4.原文:I enjoy the clean voluptu ousnes s of the warm breezeon my skin and the cool support of water.译文:我喜爱那洁净的暖风吹拂在我的皮肤上使我陶然欲醉,也喜爱那清亮的流水把我的身体托浮在水面。
英汉互译lecturenote2(仅供参考)解析

Lecture note 21、直译(literal translation)VS意译(free translation)直译:是既保持原文内容、又保持原文形式的翻译方法或翻译文字。
直译不等于硬译或死译,也叫逐字翻译——就是以词为单位进行考虑的,力求目的语的每个词都能与原语的每个词对等。
直译不仅能保持原作的特点,而且还可使读者逐步接受原作的文学风格,促进语言多样性,丰富目的语的语言形式,以利跨文化沟通与交流。
Eg:1.dark horse(黑马)brandy(白兰地)rifle(来福枪)carnation(康乃馨)litchi(荔枝)salon(沙龙)engine(引擎)gentlemen’s agreement(君子协议)one country,two systems(一国两制)2.to show one’s cards摊牌3.Soon got, soon gone.来得容易,去得快。
4.Speech is silver, silence is golden.雄辩是银,沉默是金。
5.There is no smoke without fire.无火不生烟6.The worst wheel of a cart creaks most.最坏的车轮最会嘎嘎响。
7.Out of sight, out of mind.眼不见,心不念。
8.来得易,去得疾。
Easy come, easy go.9.同一个世界,同一个梦想。
One world, one dream.10.She has many hot potatoes to handle every day.她每天都要处理很多棘手的问题。
11.Partly as a result of the recently increasing demand, whole sale tea prices havealmost doubled.部分由于日益增长的需求,批发茶的价格几乎翻了一番。
经典翻译欣赏 (二)——段落1

赏析:原文共四句话,三个祈使句加一个陈述句。 前两个祈使句,被译成了两个结构相同、字数一 样的祈使句,形成排比,干净而有力。第三个祈 使句,译者将其拆译成两个小句,"要"怎么怎么, "不要"怎么怎么,形成强烈的对比,语气不容置 疑。译文与原文不仅"神似",而且"形似"。本来" 优胜劣败"已经能够表达"the success of the best by means of force"的主要意思,译者仍加上了一 个"弱肉强食",是为了句子节奏的和谐,更是为 了突出、强调说话人的观点。
黄博士的评价无疑是中肯的。至于黄博士说"靠拆句拼字 的机械办法是出不了那么好的译文的",照笔者的理解是,要 出好的译文,译者必须在充分理解原文内容、思想、感情、 语气,掌握原文风格的基础上,融会贯通,将原文抛到一边, 摆脱原文形式上的束缚,设想"若令原作者用中文表达其原意, 他当作何语?"(曹译《培根随笔选-前言》如此方能在"神"上与原文 契合无间)。这种观点也许会让读者觉得笔者前后矛盾:"既 然你前文说过要重视原文的"形",怎么在这儿又大谈'摆脱原 文的形'?"笔者的回答是:"理想的译文当然是'形神皆似', 而如果两者不能得兼,那就要视具体情况,由译者定夺,至 少译文应具有某一种长处。"神似而形不似"的译作尚可为人 们接受,"形似而神不似"的译作很少有人认同。事实上,对" 形"、"神"重视程度的不同,反映了两种不同的翻译观,而在 笔者看来,在翻译标准还没有完全确定下来之前--也许永远 也确定不下来,应提倡翻译方法上的多样化和翻译批评上的 多元化,这也就是鲁迅先生所提倡的"翻译的路要放宽"(《鲁 迅全集》第5卷,第508页)。
名篇名译(英译汉)

名篇名译0011.原文:It is an ill wind that blows nobody good.译文:世事皆利弊并存。
赏析:原句结构比较特殊("It is … that …"),理解起来有点困难。
“对谁都没有好处的风才是坏风”,也就是说大多数情况下风对人都是有好处、有坏处,在引申一步就是成了上面的译句。
林佩耵在《中英对译技巧》一书中(第68页)还给了几个相同结构的英文句子。
翻译的前提是理解。
有人指出。
市面上见到的翻译作品,有好多都带有因理解不正确而产生的低级错误,“信”都谈不上还妄谈什么“达”和“雅”!初学翻译的朋友,在理解原文上当不遗余力。
2.原文:Their language was almost unrestrained by any motive of prudence.译文:他们几乎爱讲什么就讲什么,全然不考虑什么谨慎不谨慎。
赏析:如果硬译,译文势必成了“他们的言论几乎不受任何深思熟虑的动机的约束”。
译者本其译,化其滞,将原句一拆为二,充分运用相关翻译技巧,译文忠实、通顺。
3.原文:Get a livelihood,and then practise virtue.译文:先谋生而后修身。
(钱钟书译)赏析:原句是祈使句,译句也传达出了训导的意味。
用“谋生”来译“Get a livelihood",用“修身”来译“practise virtue",可谓精当。
巧的是,原句七个词,译句也是七个汉字。
4.原文:I enjoy the clean voluptuousness of the warm breeze on my skin and the cool support of water.译文:我喜爱那洁净的暖风吹拂在我的皮肤上使我陶然欲醉,也喜爱那清亮的流水把我的身体托浮在水面。
(章振邦译)赏析:"voluptuousness"不会"clean",是"breeze""clean","support"不会"cool", 是"water""cool",这种“甲乙两项相关联,就把原属于形容甲的修饰语移属于乙”的修饰手法叫“移就”(transferred epithet)(《英语修辞赏析》,第145页)。
汉英翻译70句分析解析

1)这种力,是一般人看不见的生命力,只要生命存在,这种力就要显现。
It is an invisible force of life. So long as there is life, the force will show itself.2)凭窗站了一会,微微的觉得凉意侵入。
转过身来,忽然眼花缭乱,屋子里的别的东西,都隐在光云里;……Standing at the window for a while, I felt a bit chilly. As I turned round, my eyes suddenly dazzled before the bright light and could not see things distinctly. Everything in the room was blurred by a haze of light.3)这架收音机该有多大的重量啊!它载着解放区人民的心,载着全中国人民的希望,载着我们国家的命运。
What a heavy load this aerorplane bore! It carried the hearts of the people of the liberated areas,the hopes of the entire Chinese people,and the destiny of our country.4)看着信,林震不禁独自笑起来了,他拿起笔把“中于”改成“终于”,准备在回信时告诉他们下次要避免别字。
Reading the letter, Lin couldn’t help smiling to himself. He changed “rite” to “right” thinking that he should tell them to be more careful with their spelling next time they wrote.5)人无千日好,花无百日红。
经典翻译赏析一-单句篇

13. Charity begins at home, they say. (Thomas Hardy: Tess of the d’Urbervilles)
译文:人家不是说,行善得由已及人吗? (张谷若译)
译文:基辛格觉得这场大规模的Fra bibliotek炸会使总统在中国的
Kissinger felt the massive bombing would
赏析:文化不同,用以表达类似概念的形象化词语也不一样。在英文中可以说“strengthen...one’s hand”,在汉语中却不能说“增强了某人的手”,但汉语中有表示类似意思的形象化词语“使……腰杆子硬一些”,放在译句里,既传达了原文的意思,又没有丧失形象感。
译文:国之横祸,莫过于暴君当政。
赏析:现代汉语是在古汉语的基础上发展起来的,相对于现代汉语来说,古汉语有它自己的优势,如词汇丰富、语法有弹性、表情表意能力强等等,在写作和翻译时,适当地运用一些古汉语的语素或词,能给文章带来一种书卷气,显得庄重典雅。上面这个译例就体现了这种特色,译者灵活套用了古汉语的句子结构,使用了古汉语的个别语素(词语),译出的句子简洁、庄重,读来好似看见了一个学识渊博的老学究在摇头晃脑地评说历史。
改译:常言道:家丑家家有,羞于外人道。
10. If you think me in a way to be happier than I deserve, I am quite of your opinion
译文:如果你认为我的幸福来之太易,得之有愧,那我完全同意你的看法。 ( 张经浩译)
译文:阵阵寒风,带着雨意,街上冷冷清清,儿乎没有什么人了。
赏析:英文是形合的文字,英语句子讲究结构严谨;汉语重意合,遣词造句推崇形散而神不散。请看这里的英文句子,主、谓、宾一目了然,原因和结果清清楚楚,如果按这样的顺序、结构直译成汉语,势必凝滞不化。为了使译句能体现汉语句式的特点,译者大胆地进行了结构调整,将原文一句切分成了译文四个短语(小句),充分利用句子内部语义上的联系,不用任何关联词,由风到雨,到街,再到人,用白描的手法将一幅寒夜凄雨图呈现在读者面前,处理之妙,令人击节。
(完整word版)《江雪》英译文对比赏析-文档资料

《江雪》英译文对比赏析柳宗元,《江雪》:千山鸟飞绝,万径人踪灭。
孤舟蓑笠翁,独钓寒江雪。
译文一:River Snow。
A hundred mountains and no bird,A thousand paths without a footprint;A little boat, a bamboo cloak,An old man fishing in the coldriver-snow.(Translated by Witter Bynner, 摘自文殊选注《诗词英译选》,外语教学与研究出版社,1989年版)译文二:The Snowbound River。
O’v er mountains and mountains no bird is on the wing;On thousand lines of the pathways there’s no footprint,In a lone boat on the snowbound river, an old man,In palm-bark cape and straw hat, drops his angle string.(吴钧陶编译《唐诗三百首(汉英对照、文白对照)》,湖南出版社,1997年版)1 原作分析及序言在对比这篇五言绝句的英译本之前,笔者对这首诗的意境及作者柳宗元写这首诗词时的心境及时令做了充分了解。
这有助于笔者从宏观与微观角度更好地对诗词的英译本进行较有把握的评析。
整个诗句总共只有二十二个字(含标题),它主要的大意是:千山万岭不见飞鸟的踪影,千路万径不见行人的足迹。
一叶孤舟上,一位身披蓑衣头戴斗笠的渔翁,默默地在漫天风雪中垂钓。
这首五言绝句作于诗人柳宗元在永州期间。
柳宗元被贬到永州后,精神上受到很大打击和压抑,借助歌咏隐居山水的渔翁来寄托自己清高孤傲的情怀,抒发政治上失意的苦闷和压抑。
诗中客观境界的幽僻更能体现出作者落寞孤寂的心情。
The Little Prince 《小王子》翻译解析

摘自P238-239
• 原文:There was nothing but a flash of yellow close to his ankle. He remained motionless for an instant. He did not cry out. He fell as gently as a tree falls. There was not even any sound, because of the sand.
• 译文:“我那时什么也不懂!我应该根据她的行为,而不是根据她的 话来判断她。她使我的生活芬芳多彩,我真不该离开她跑出来。我本 该猜到她那小小诡计后面所隐藏的柔情。花儿是多么自相矛盾!可我 太年轻了,还不懂得爱她。”
• 解析:1、本句翻译使用了增词法和省略法,根据句意在2处增加了 “她的”,并在翻译后省略2处"her",使语意的表达更加顺畅;2、将 she cast her fragrance and her radiance over me 一句翻译为 “她使我的生活芬芳多彩”,及将poor little stategems翻译为 “小小诡计”,都使英译汉后的文字更加精彩,契合中文阅读习惯。
• 译文:“火山是熄灭了的也好,苏醒的也好,这对我们来 讲都是一回事,”地理学家说,“关键的是山。山是不会 变换位置的。”
• 解析:1、增加语气词“也好”,会比直译为“无论火山 是熄灭了还是苏醒着”更加口语化,符合表达习惯;2、 根据词义增加名词,如“山是不会变换位置的”一句中 “位置”为根据词义所增加词汇,英汉翻译中各种增此法 的应用较多。
• 2、同时本句中也使用了增词法,原句中a flash of yellow中并没有 动词,在译成汉语后增加了动词,变为“一道黄光闪了一下”,使语 言更加生动;
英汉翻译评析(附参考译文)

英汉翻译讲解(1)I.英汉之间的差别:“对于中国学生最有用的帮助是让他认识英语和汉语的差别。
”------吕叔湘国内学者的共识是:汉语是综合性的,描写性的,而英语是分析性的,逻辑性的。
在语言学上最重要的区别在于形合和意合的对比(contrast between hypotaxis and parataxis),英语重形合(形式上的融合),汉语重意合(意思或意境的融合)。
在句法方面,有学者形象地把英汉比喻为以下几种:1.雄孔雀/雄狮-----即英语习惯于把最着重的事物放在句首先说出来,开门见山,一语破的,然后再把各种标志一条条补述,一步步交代,慢条斯理,从容不迫,形成一条头短尾长地线性链,象头小尾大地雄孔雀。
而汉语则相反,其线性序列的展开好比画龙点睛,先把外围的环境与衬托一一交代周到,最后点出话语的信息中心,水到渠成,给人以豁然开朗之感,形成雄狮型头大尾小地局式。
例如:I was all the more delighted when, as a result of the initiative of your Government it proved possible to reinstate the visit so quickly.译文:由于贵国政府的提议,才得以这样快地重新实现访问。
这使我感到特别高兴。
又如:The assertion that it was difficult, if not impossible, for a people to enjoy its basic rights unless it was able to determine freely its political status and to ensure freely its economic, social and cultural development was now scarcely (不足地,不充分地;一定不,绝不)contested (斗争;比赛).译文:如果一个民族不能自由地决定其政治地位,不能自由地保证其经济、社会和文化的发展,要享受其基本权利,即使不是不可能,也是不容易的。
《荷塘月色》英译文赏析

《荷塘月色》英译文赏析《荷塘月色》两译文赏析散文翻译原则●1、文气贯通,气韵生动●英国散文翻译家Hilaire Belloc(希莱尔·贝洛克)为文学散文翻译制定了6 条原则,认为翻译的本质是异地之魂假借本地之躯的复活(The essence of translating is the resurrection of an alien thing in a native body) ,强调散文的翻译不能拘泥于原文之字句,要视段落或部分为整体。
翻译要“以意译意( translate intention by intention) ”●2、传神写照———“意,气,文”三位一体●在散文翻译中,我们要想译得曲尽其妙,须得传神地摹写作者的气质神韵。
每一个作者有每一个的个性特点、气质精神,着手翻译之前,要先对作者进行深入的研究,把握其时代背景、人生经历、创作风格等,这样的翻译方能做到传神达意,否则,难免貌合神离。
●PS:文学翻译非文字翻译●文学翻译,讲求整体效果,即“神韵”。
有些表面忠实的译文,失去了散文的文采、文雅,这样便失去了自身的价值,终究是失败的译文。
“美”是散文翻译的重点。
美感层面●Alongside the Lotus Pond runs a small cinder footpath. It is peaceful andsecluded here, a place not frequented by pedestrians even in the daytime; now at night, it looks more solitary, in a lush, shady ambience of trees all around the pond. On the side where the path is, there are willows, interlaced with some others whose names I do not know. The foliage, which, in a moonless night,would loom somewhat frighteningly dark, looks very nice tonight, although the moonlight is not more than a thin, greyish veil. (朱纯深译文)●动感美:run、frequent、interlace、loom●韵味美:peaceful、secluded、solitary、lush、shady●比喻手法:…a thin, greyish veil .美感层面●All over this winding stretch of water, what meets the eye isa silken fieldof leaves, reaching rather high above the surface, like the skirts of dancing girls in all their grace. Here and there, layers of leaves are dotted with white lotus blossoms, some in demure bloom, others in shy bud, like scattering pearls, or twinkling stars, or beauties just out of the bath. A breeze stirs, sending over breaths of fragrance, like faint singing drifting from a distant building.At this moment, a tiny thrill shoots through the leaves and flowers, like a streak of lightning, straight across the forest of lotuses. The leaves, which have been standing shoulder to shoulder, are caught trembling in an emerald heave of the pond. Underneath, the exquisite water is covered from view, and none can tell its colour; yet the leaves on top project themselves all the more attractively.(朱纯深译文)●音韵效果 (节奏美):● stirs---sending---singing;● breeze---breaths---building;● fragrance---faint---from;● drifting---distant;● sen ding---singing--building;● leaves---streak;● streak---straight;● leaves---like---lightning---lotuses.●heave :双关语义●emerald :“通感”●project :选词确切词汇层面●今晚却很好,虽然月光也还是淡淡的。
英汉互译-翻译赏析

•因为戴那译个:小然区后构他造们复从杂第,六鲜大街买 有人来去些打锡扰镴,杯所子以、搞一艺两术只的烘锅, 人都组不成约了而一同个地“去聚那居里区定”居。。(欧.
亨利作品选,2002,117)
• 王译:接着,他们又从六马路 买来一些锡镴杯子和一两只烘 锅,组成了一个“艺术区”。
a group of people from the same (欧.亨利短篇小说选,2006,
to hit sb/sth hard;to attack
Analysis or punish sb 重打;猛击; 惩罚
牛津高阶英汉双解
背景:
• But Johnsy he smote; and •十一戴月译份:的但时他候还,肺是炎袭在击小了区琼里珊。
she lay, scarcely moving, on her painted iron bedstead,
place or with the same work or
258)
interests who live in a particular city or country 聚居人群 牛津高阶英汉双解词典
评析:"colony"虽有聚居人群的意思,但这里我们觉得用王永年翻译的“艺术区”
更为恰当,因为聚集到这里的人都是搞艺术的,用“艺术区”就更能很好的突出 这一点,与上下文衔接更好。
•琼珊戴已译经:绝当望她到与了极友点情,及任尘苏世如的维 何劝系说一挽扣留接,一她扣还是地丝松毫懈没了有的活时候, 下死去去有 得的的关 更欲准死 紧望备了亡,。。的她(怪已欧经念.作头亨好利似了作乎随品把时选她,抓
2002,122)
to earth were loosed.(欧.亨
01-14年专八汉译英(附答案)

01到14年专八汉译英真题及答案:2014年本题是一篇典型的文学翻译,原文选自老舍名篇《我的母亲》。
老舍的作品生活气息浓郁,语言朴实直白。
因此,在翻译本篇时不仅要注意忠实于文字意义,更要忠实地再现原文的语言风格,所以要避免用过于高级的词汇表达和句子结构,用平实的语句表达出原文的精神面貌。
当我在小学毕了业的时候,亲友一致的愿意我去学手艺,好帮助母亲。
我晓得我应当去找饭吃,以减轻母亲的勤劳困苦。
可是,我也愿意升学。
我偷偷的考入了师范学校——制服,饭食,书籍,宿处,都由学校供给。
只有这样,我才敢对母亲说升学的话。
入学,要交十圆的保证金。
这是一笔巨款!母亲作了半个月的难,把这巨款筹到,而后含泪把我送出门去。
她不辞劳苦,只要儿子有出息。
当我由师范毕业,而被派为小学校校长,母亲与我都一夜不曾合眼。
我只说了句:“以后,您可以歇一歇了!”她的回答只有一串串的眼泪。
参考译文:After I graduated from primary school,relatives and friends all suggested that I should drop out and learn a trade to help my mother. Although I knew that I ought to seek a livelihood to relieve mother of hard work and distress,I still aspired to go on with study. So I kept learning secretly. I had no courage to tell mother about the idea until admitted to a normal school which provided free uniforms,books,room and board. To enter the school,I had to pay ten Yuan as a deposit. This was a large sum of money for my family. However,after two weeks' tough effort,mother managed to raise the money and sent me off to school in tears afterwards. She would spare no pains for her son to win a bright future. On the day when I was appointed the schoolmaster after graduation,mother and I spent a sleepless night. I said to her,"you can have a rest in the future." but she replied nothing,only with tears streaming down her face.2013年生活像一杯红酒,热爱生活的人会从中品出无穷的美妙。
英汉译文赏析

7. He had left a note of welcome for me, as sunny as his face. 译文:他留下一封短信,对我表示欢迎;那信写得 热情洋溢,一如其人。(黄邦杰) 8. The result of this was that believers still believed and doubters remained doubtful. 译文:此事的结果是信者自信之,疑者自疑之。 9. Is it necessary to shout? 译文:说话就说话,非得叫唤不可吗?(吕叔湘)
17. The ignorant old woman who ruled for the entire last half of the nineteenth century did more than any other single person to hold back China’s progress. 译文:那个愚蠢无知的老太婆统治了十九世纪后五十年, 使中国不能进步,她可算功劳第一。(张振玉) 18. Let us go into this deserted woodman’s hut, and see how he has passed the long winter nights and the short ans stormy days. 译文:那边有一座樵夫的小屋,樵夫本人不在,但我们也不 妨进去看看。冬夜漫长,冬日苦短而多风雪,这种生活is a dramatic treatment of a threatened stoppage in a factory. 译文:本片用戏剧手法,表现一家工厂面临罢工威 胁的情况。 11. His fury was exaggerated. 译文:他大发雷霆,未免小题大做。 12. You might drop the “sir” in private. 译文:在私下里,你就不要“阁下、阁下”的啦。 13. He sought the distraction of distance. 译文:他想远走高飞,免得心烦。
(英译汉)学期赏析篇目 共计30篇

翻译理论与实践1(英译汉)学期赏析篇目共计30篇1)For my sons there is of course the rural bounty of fresh-grown vegetables, line-caught fish and the shared riches of neighbours’ orchards and gardens. There is the unpaid baby-sitter for whose children my daughter-in-law baby-sits in return, and neighbours who barter their skills and labour. But more than that, how do you measure serenity? I don’t want to idealize life in small places. There are times when the outside world intrudes brutally, as when the cost of gasoline goes up or developers cast their eyes on untouched farmland. There are cruelties, there is intolerance, there are all the many vices and meannesses in small places that exist in large cities. Furthermore, it is harder to ignore them when they cannot be banished psychologically to another part of town or excused as the whims of alien groups --- when they have to be acknowledged as ―part of us.‖Nor do I want to belittle the opportunities for small decencies in cities --- the eruptions of one-stranger-to-another caring that always surprise and delight. But these are,sadly,more exceptions than rules and are often overwhelmed by the awful corruptions and dangers that surround us.对我的几个儿子来说,乡村当然有充足的新鲜蔬菜,垂钓来的鱼,邻里菜园和果园里可供分享的丰盛瓜果。
《荷塘月色》英译文赏析

《荷塘月色》两译文赏析散文翻译原则●1、文气贯通,气韵生动●英国散文翻译家 Hilair e Belloc(希莱尔·贝洛克)为文学散文翻译制定了6条原则,认为翻译的本质是异地之魂假借本地之躯的复活(The essenc e of transl ating is the resurr ection of an alienthingin a native body) ,强调散文的翻译不能拘泥于原文之字句,要视段落或部分为整体。
翻译要“以意译意( transl ate intent ion by intent ion) ”●2、传神写照———“意,气,文”三位一体●在散文翻译中,我们要想译得曲尽其妙,须得传神地摹写作者的气质神韵。
每一个作者有每一个的个性特点、气质精神,着手翻译之前,要先对作者进行深入的研究,把握其时代背景、人生经历、创作风格等,这样的翻译方能做到传神达意,否则,难免貌合神离。
●PS:文学翻译非文字翻译●文学翻译,讲求整体效果,即“神韵”。
有些表面忠实的译文,失去了散文的文采、文雅,这样便失去了自身的价值,终究是失败的译文。
“美”是散文翻译的重点。
美感层面●Alongside the Lotus Pond runs a smallcinder footpa th. It is peacef ul and seclud e d here, a placenot frequentedby pedest rians even in the daytim e; now at night, it looksmore solita ry, in a lush, shadyambien ce of treesall aroun d the pond. On the side wherethe path is, thereare willow s, interl acedwith some others whosenames I do not know. The foliag e, which,in a moonle ss night ,wouldloom somewh at frightening ly dark, looksvery nice tonigh t, althou gh the moonli ght is not more than a thin, greyis h veil. (朱纯深译文)●动感美:run、freque nt、interl ace、loom●韵味美:peacef ul、seclud ed、solita ry、lush、shady●比喻手法:…a thin, greyis h veil .美感层面●All over this windin g stretch of water,what meetsthe eye is a silken fieldo f leaves, reachi ng rather high abovethe surfac e, like the skirts of danci n g girlsin all theirgrace. Here and there,layers of leaves are dotted with whitelotusblosso ms, some in demure bloom,others in shy bud, like scatte ring p earls, or twinkl ing stars,or beauti es just out of the bath. A breeze stirs ,sendin g over breath s of fragra nce, like faintsingin g drifti ng from a dista n t buildi ng. At this moment, a tiny thrill shoots throug h the leaves and flowe r s, like a streak of lightn ing, straight across the forest of lotuse s. The leave s,whichhave been standi ng should er to should er, are caught trembling in an emerald heaveof the pond. Undern eath,the exquis ite wateris covere d from view, and none can tell its colour; yet the leaves on top project themse lvesall the more attrac tivel y.(朱纯深译文)●音韵效果 (节奏美):● stirs---sendin g---singin g;● breeze---breath s---buildi ng;● fragrance---faint---from;● drifting---distan t;● sending---singin g--buildi ng;● leaves---streak;● streak---straig ht;● leaves---like---lightn ing---lotuse s.●heave:双关语义●emerald :“通感”●project :选词确切词汇层面●今晚却很好,虽然月光也还是淡淡的。
汉英翻译2

朱自清在他的名篇《荷塘月色》中有一段经典描述: 曲曲折折的荷塘上面,弥望的是田田的叶子。叶子 中出水很高,像婷婷的舞女的裙。层层的叶子中间, 零星地点缀着些白花,有袅娜地开着的,有羞涩地 打着朵儿的,正如一粒粒的明珠,又如碧天里的星 星,又如刚出浴的美人。微风过处,送来缕缕清香, 仿佛远处高楼上渺茫的歌声似的
汉英翻译2
一、 汉英翻译过程中模糊美感的 丧失
此憾根源在于:汉语与英语在语言美学生成 机制方面存在巨大差异。确切地说,汉语表 达注重整体感应,是一种意境性语言,讲究 意合意会,不求眉须毕现的分析,不讲滴水 不漏的逻辑,而英语则呈现别样风景:它讲 逻辑,重分析,求形合,注重条分缕析,欣 赏客观描述,漠视整体感应。
4 语篇层灵感 如: 这里的峡谷又是另一番景象:谷中急水奔流,穿峡 而过,两岸树木葱茏,鲜花繁茂,碧草萋萋,活脱 脱一幅生机盎然的天然风景画。各种奇峰异岭,令 人感受各异,遐想万千。 It is another gorge through which a rapid stream flows. Trees, flowers and grasses, a picture of natural vitality, thrive on both banks. The weird peaks arouse disparate thoughts.
3. 妍美导致模糊美感的丧失
汉语在写景抒情方面的特点是虚、空,用词 凝练含蓄、音韵和美。英语需要以语言形态 来表意,在词语后面留下的想象空间就难以 达到汉语的高度。
如: 杭州境内西湖如明镜,千峰凝翠,洞壑幽深,风光 奇丽。杭州的春天,淡妆艳抹,无不相宜,夏日荷 香阵阵,沁人心脾,秋天,桂枝飘香,菊花斗艳; 冬日,琼装玉琢,俏丽媚人。西湖以变幻多姿的斗 艳,令人心旷神怡。
【推荐下载】英汉互译赏析-实用word文档 (16页)

本文部分内容来自网络整理,本司不为其真实性负责,如有异议或侵权请及时联系,本司将立即删除!== 本文为word格式,下载后可方便编辑和修改! ==英汉互译赏析篇一:经典英译汉文章翻译赏析英译汉文章翻译赏析时间:201X年06月01日【英译中选段六】原文(by Robert Frost)The Gift OutrightThe land was once ours before we were the land’s.She was our land more than a hundred years.Before we were her people. She was oursIn Massachusetts, in Virginia;But we were England’s, still colonials,Possessing what we still were unpossessed by,Possessed by what we now no more possessed.Something we were withholding made us weakUntil we found out that it was ourselvesWe were withholding from our land of living,And forthwith found salvation in surrender.Such as we were we gave ourselves outright(The deed of gift was many deeds of war)To the land vaguely realizing westward,But still unstoried, artless, unenhanced,Such as she was, such as she would become.(原载 )译文(余光中译):全心的奉献土地先属于我们,我们才属于土地。
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他和这女人结婚,未免不自量力。
Those who do not remember the past are condemned to relive it. --Santayana
人间是匪窟贼窝,夜色渐渐深沉。强盗凶手转眼就要来了……所以,开心 的时候且尽情开心。我们都要宽容,要慷慨,要体贴,要好心。在这个 (沾亲带故的)小世界,乐趣当然是要有的:可口的饮食,温柔的微笑, 茂盛的果树,还有那翩翩跹跹的几曲圆舞。
Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It’s like passing round samples of one’s sputum.
选自《文字是肉做 的》一书,除注明 的实例外,都是董 桥的译文
The English find ill-health not only interesting but respectable and often experience death in the effort to avoid a fuss.
英国人天生怪癖。体弱多病反觉大有情趣,甚或大可钦 佩,抱恙常因不想惊动人家而一命呜呼。
The world is a den of thieves, and night is falling. Soon it will be the hour for robbers and murderers… Therefore let us be happy while we are happy, let us be kind, generous, affectionate and good. Therefore it is necessary… to take pleasures in the little world: good food, gentle smiles, fruit trees in bloom, and waltzes. Ingmar Bergman, Fanny and Alexander
以他们的出身和祖荫而论,只配当大户人家的下人。
Everything is the same, but you are not here, and I still am. In seperation the one who goes away suffers less than the one who stays behind. Byron to his lover 钱锺书译:此间百凡如故,我仍留而君已去耳。行行生别离,去者 不如留者神伤之甚也。
意译:凡是忘掉过去的人注定要重蹈覆辙。 直译:那些不记得过去的人注定要重新过过去的生活。
I did not say so, but the Russians after the experience the 1941 Nazi invasion in violation of the 1939 Hitler-Stalin pact, knew full well what I meant. ……经历过纳粹违背1939的希特勒-斯大林条约而于1941年发动侵略 的俄国人完全明白我指的是什么。 《历史的见证》第530页 原文第425页 许译:纳粹违背了1939年希特勒和斯大林签订的条约,在1941年发动 侵略,俄国人身受其害,当然完全明白我指的是什么。
Vladimir Naboபைடு நூலகம்ov
有勇无艺之庸才独爱炫耀文章初稿,此举不啻逼人传观浓痰。
History repeats itself; historians repeat each other. Philip Guedalla
历史不断重演;历史家互拾牙慧。
Why do Chinese never smile? Why do they look as if someone had sat up-on their noses as soon as they were born, and they had been weeping bitterly over the calamity ever since?” Charles Kingsley
Some people are awkward with me. When they come up to me and say, “I admire your work, but you intimidate me,” I feel as if I’’ve been slapped in the face. It’s such an act of hostility. Susan Sontag
以上例句选自 许渊冲的《翻译的艺术》
The doctor can bury his mistakes, but an architect can only advise his clients to plant vines.
医生错手医死人可以埋掉,建筑师则只 能劝客户多种爬藤遮丑。
Your responsibilities are completely different. On stage, you control the pace, the nuances, the action. In film, that’s the director job. So it’s very hard when you start doing film to let go of all those reponsibilities that have been ingrained in your soul. 你的责任是完全不同的。在舞台上,你控制节奏、细微差别、情节发 展。拍电影呢,这却是导演职责。所以开始拍电影时要放开这种种扎 根于灵魂中的责任是很困难的。 你的责任完全不同。在舞台上,你控制节奏、细微差别及情节发展。 但拍电影时,这些都是导演的职责,所以初次拍电影时,很难摆脱 这根深蒂固的责任心。 董桥改译:你分内的事情可完全不一样了。在舞台上,节奏快慢、 一颦一笑、举手投足都由你做主。拍电影则这些都归导演管了。所 以,刚拍戏一下子要抛掉满脑子的这些分内事,实在很难。
中国人为什么都不笑?为什么他们的样子就像一生下来就有人坐 在他们的鼻子上,从此他们就惨得哭个不停?
It (English) is as earthly as it is elegant, as randy as it is fastidious.
Godfrey Smith
英文既典雅又入世,一丝不苟之余终归难禁荡漾的春心。
有些人对我不好。他们跑来对我说:我拜服你的作品,可是你把我 吓坏了。我听了总觉得一巴掌打过来似的。太不友善了。
By their (Jonathan Swift and Alexander Pope) birth and hereditary fortune deserved to be only a couple of footmen. Lady Mary Wortley Montagu
An Englishman thinks he is moral when he is only uncomfortable. --Bernard Shaw
英国人身心难受时反觉自己有德有能。
An Englishman, even if he is alone, forms an orderly queue of one. --George Mikes 英国人就算独自一人也会整整齐齐排成一个人的队伍。