美国印象派画家☆罗伯特里德

美国印象派画家☆罗伯特里德

美国印象派画家☆罗伯特里德罗伯特里德（Robert Reid）（也称：Robert Lewis Reid罗伯特刘易斯里德）（1862年7月29日- 1929年12月2日）美国印象派画家。里德出生于马萨诸塞州的斯托克布里奇。1884年搬到纽约市，就读于纽约艺术学生联盟，1885年到巴黎在琪朱利安学院学习。同期的有古斯塔夫布朗热和儒勒约瑟夫勒费弗尔。1889年回到纽约时，他是肖像画家，后来成为艺术学生联盟和库柏联盟的一个导师。他大部分作品主题集中在描写青年妇女。作品往往是非常装饰，该风格使他成为著名的装饰壁画和彩色玻璃外观设计师。1897年，里德从美国艺术家协会退出，加入到“美国十大（印象派）画家”（Ten American Painters）成员组织。在1906年他成为国家设计学院正式成员。大约在上世纪之交，里德曾做了几个壁画项目，1905年左右回到绘画时，他的作品更加自然协调。1929年12月2日他死于纽约克利夫顿斯普林斯。享年67岁。美国十大（印象派）画家”（Ten American Painters）成员组织：The Ten American PaintersThe Ten American Painters, generally known as The Ten, resigned from the Society of American Artists in late 1897 to protest the commercialism of that group's exhibitions, and their circus-like atmosphere. The

Society had broken away from the National Academy of Design in New York City twenty years early, in a progressive movement led by Thomas Eakins, Mary Cassatt, John Singer Sargent, James McNeill Whistler, and Winslow Homer.The Ten were Childe Hassam, J. Alden Weir, John Henry Twachtman, Robert Reid, Willard Metcalf, Frank Weston Benson, Edmund Charles Tarbell, Thomas Wilmer Dewing, Joseph DeCamp, and Edward Simmons. Abbott Handerson Thayer and Winslow Homer were asked to join the group when it was formed; however, they refused. When Twachtman died in 1902, William Merritt Chase joined in his place.All of The Ten were active in either New York City or Boston. They were generally considered exponents of Impressionism and established in their careers. In their charter, they agreed to resign from the Society and hold their own annual exhibition, protesting the Society’s perceived emphasis on “too much business and too little art.” For its part, the Society claimed it was “liberal” with dissenters, but some members felt it should stand for “traditional art” and not vacillat e with each passing art movement. It was content to let dissenters leave rather than try to appease them.The Ten held annual

exhibitions for twenty years; eventually the group fell apart from deaths among the members and as their art was deemed reactionary in comparison with Urban Realism and other movements which came to the public’s attention. 老猫*爱画家园