伊娃大胆胸袭-绝望主妇-海切尔
1X01 绝望的主妇 英文字幕及批注
1X01: PILOTNARRATOR: My name is Mary Alice Young. When you read this morning's paper, you may come across an article about the unusual day I had last week. Normally, there's never anything newsworthy about my life. That all changed last Thursday. Of course everything seemed as normal at first. I made my breakfast for my family.MARY ALICE::Here we are. Waffles.NARRATOR: I performed my chores.NARRATOR: I completed my projects.NARRATOR: I ran my errands NARRATOR: In truth, I spent the day as I spend every other day - quietly polishing the routine of my life until it gleamed with perfection. NARRATOR: That's why it was so astonishing when I decided to go to my hallway closet to retrieve a revolver that had never been used.NARRATOR: My body was discovered by my neighbour, Mrs. Martha Huber, who had been startled by a strange popping sound. Her curiosity aroused, Mrs. Huber tried to think of a reason for dropping in on me unannounced. After some initial hesitation, she decided to return the blender she had borrowed from me 6 months before. MRS HUBER: (on the phone) It's my neighbour. I think she's been shot, there's blood everywhere. Yes, you've got to send an ambulance. You've got to send one right now! NARRATOR: And for a moment, Mrs. Huber stood motionless in her kitchen, grief-stricken by this senseless tragedy. But, only for a moment. NARRATOR: If there was one thing Mrs. Huber was known for, it was her ability to look on the bright side.NARRATOR: I was laid to rest on a Monday. After the funeral, all the residents of Wisteria Lane came to pay their respects. And as people do in this situation, they brought food.NARRATOR: Lynette Scavo brought fried chicken. Lynette had a great family recipe for fried chicken.NARRATOR: Of course, she didn't cook much as she was moving up the corporate ladder. She didn't have the time.NARRATOR: But when her doctor announced Lynette was pregnant, her husband Tom had an idea. Why not quit your job? Kids do much better with stay at home mums; it was so much less stressful.NARRATOR: But this was not the case.NARRATOR: In fact, Lynette's life had become so hectic she was now forced to get her chicken from a fast food restaurant. Lynette would have appreciated the irony of it if she stopped to think about it, but she couldn't. She didn't have the time. LYNETTE: Hey, hey, hey, hey!LYNETTE: Stop it, stop it, stop it. Stop it.PRESTON: But Mom!LYNETTE: No, you are going to behave today. I am not going to be humiliated in front of the entire neighbourhood. And, just so you know how serious I am... PRESTON: What's that?LYNETTE: Santa's cell-phone number.PORTER: How'd you get that?LYNETTE: I know someone, who knows someone, who knows an elf. And if anyone of you acts up, so help me, I will call Santa and tell him you want socks for Christmas. You willing to risk that?SCAVO kids: Uh-uh! (all shake their heads vehemently)LYNETTE: Okay.LYNETTE: Let's get this over with.NARRATOR: Gabrielle Solis, who lives down the block, brought a spicy paella. NARRATOR: Since her modelling days in New York, Gabrielle had developed a taste for rich food and rich men. Carlos, who worked in mergers and acquisitions, proposed on their third date. Gabrielle was touched when tears welled up in his eyes.NARRATOR: But she soon discovered this happened every time Carlos closed a big deal.NARRATOR: Gabrielle liked her paella piping hot. However, her relationship with her husband was considerably cooler.CARLOS: If you talk to Al Mason at this thing, I want you to casually mention how much I paid for your necklace.GABRIELLE: Why don't I just pin the receipt to my chest?CARLOS: He let me know how much he paid for his wife's new convertible. Look, just work it into the conversation.GABRIELLE: There's no way I can just work that in, Carlos.CARLOS: Why not? At the Donohue party, everyone was talking about mutual funds. And you found a way to mention you slept with half the Yankee outfield. GABRIELLE: I'm telling you, it came up in the context of the conversation. CARLOS: Hey, people are starting to stare. Can you keep your voice down please? GABRIELLE: (sigh) Absolutely. Wouldn't want them to think we're not happy. NARRATOR: Bree Van De Kamp, who lives next door, brought baskets of muffins she baked from scratch. Bree was known for her cooking.NARRATOR: And for making her own clothes.NARRATOR: And for doing her own gardening.NARRATOR: And for reupholstering her own furniture.NARRATOR: Yes, Bree's many talents were known throughout the neighbourhood. And everyone on Wisteria Lane thought of Bree as the perfect wife and mother. Everyone, that is, except her own family.BREE: Paul, Zachary.ZACH: Hello Mrs. Van De Kamp.PAUL: Bree, you shouldn't have gone to all this trouble.(PAUL extends his hands to take the baskets from BREE, who moves the baskets out of his reach as he tries to take them from her.)BREE: It was no trouble at all. Now the basket with the red ribbon (holds up the basket) is filled with desserts for your guests. But the one with the blue ribbon (holds up the other basket) is just for you and Zachary. It's got rolls, muffins, breakfast type things.PAUL: Thank you.BREE: Well, the least I could do is make sure you boys had a decent meal to look forward to in the morning. I know you're out of your minds with grief.(REX, ANDREW and DANIELLE exchange long-suffering glances and mental eyeballing.)PAUL: Yes, we are.BREE: (beat) Of course, I will need the baskets back once you're done. (smiling serenely)PAUL: (taken back) Of course.NARRATOR: Susan Meyer, who lives across the street, brought macaroni and cheese. Her husband Carl always teased her about her macaroni, saying it was theonly thing she knew how to cook, and she rarely made it well. It was too salty the night she and Carl moved into their new house.NARRATOR: It was too watery the night she found lipstick on Carl's shirt. NARRATOR: She burned it the night Carl told her he was leaving her for his secretary.NARRATOR: A year had passed since the divorce. Susan was starting to think how nice it would be to have a man in her life, even one who would make fun of her cooking.JULIE: Mom, why would someone kill themselves?SUSAN: Well, sometimes people are so unhappy they think it's the only way they can solve their problems.JULIE: But Mrs. Young always seemed happy.SUSAN: Yeah, sometimes people pretend to be one way on the outside and they're totally different on the inside.JULIE: Oh you mean how Dad's girlfriend is always smiling and says nice things but deep down you just know she's a bi*ch.SUSAN: I don't like that word, Julie. But yeah, that's a great example.JULIE: Hey, what's going on?SUSAN: Sorry I'm late.GABRIELLE: Hi Susan.LYNETTE: (smiles at SUSAN) Hey.MARY ALICE:(to SUSAN) So? What did Carl say when you confronted him? SUSAN: You'll love this, he said it doesn't mean anything, it was just sex.(They all groan.)BREE: Oh yes, page one of the philanderer's handbook.SUSAN: Yeah, and then he got this Zen look on his face, and he said, you know Susan, most men live lives of quiet desperation.LYNETTE: Please tell me you punched him.SUSAN: No, I said, really? And what do most women lead, lives of noisy fulfillment? GABRIELLE: (raises her eyebrows) Hmm.MARY ALICE: Good for you.SUSAN: I mean, of all people, did he have to bang his secretary? I had that woman over for brunch.GABRIELLE: It's like my grandmother always said, an erect penis doesn't have a conscience.LYNETTE: Even the limp ones aren't that ethical.BREE: This is half the reason I joined the NRA. (SUSAN looks at her.) Well, when Rex started going to those medical conferences, I wanted at the back of his mind that he had a loving wife at home, with a loaded Smith and Wesson.MARY ALICE: Lynnie? Tom's always away on business. Do you ever worry he might..? LYNETTE: Oh, please, the man's gotten me pregnant three times in four years. I wish he was having sex with someone else. (smiles)BREE: So Susan, is he going to stop seeing that woman?SUSAN: I don't know. (smiles, tearing up) I'm sorry you guys, I just... I just don't know how I'm going to survive this.MARY ALICE: Listen to me. (puts her hand on SUSAN's hand) We all have moments of desperation. But if we can face them head on, that's how we find out just how strong we really are.BREE: Susan? Susan. (SUSAN withdraws her hand from the same position from theflashback.) I was just saying Paul wants us to go over on Friday. He needs us to go through Mary Alice's closet, and help pack up her things. He says he can't face doing it by himself.SUSAN: Sure, that's fine.BREE: Are you OK?SUSAN: Yeah. I'm just so angry. If Mary Alice was having problems, she should have come to us; she should have let us help her.GABRIELLE: What kind of problems could she have had? She was healthy, had a great home, a nice family. Her life was?-LYNETTE: -our life.GABRIELLE: No, if Mary Alice was having some sort of crisis, we'd have known. She lives 50 feet away, for god's sakes.SUSAN: Gabby, the woman killed herself. Something must've been going on. SUSAN: Oh, I wouldn't eat that if I were you.MIKE: Why?SUSAN: I made it, trust me. (MIKE prepares to take a bite) Hey, hey, do you have a death wish?MIKE: No, I just refuse to believe that anybody can screw up macaroni and cheese. MIKE: Oh my god. (makes a face) How did you?it tastes like it's burnt and undercooked.SUSAN: Yeah, I get that a lot. Here you go.MIKE: Thanks. I'm Mike Delfino, I just rented out the Sim's house next door. SUSAN: Susan Meyer, I live across the street.MIKE: Oh yeah, Mrs. Huber told me about you, said you illustrate children's books. SUSAN: Yeah I'm very big with the under 5 set. (MIKE laughs) What do you do? MIKE: Plumber. So if you ever have a clog. Or something.SUSAN: (laughs) Now that everybody's seen that I've brought something, I should probably just throw this out.LYNETTE: (to baby) Ow! Ease up, you little vampire.MRS. HUBER: Lynette! I've been looking all over for you.LYNETTE: Oh. (smiles, distracted by the baby)MRS. HUBER:Are you aware of what your sons are doing?SCAVO kids: Stop. Arrrggggh. Hah!LYNETTE: What are you doing!? We are at a wake!PRESTON: When we got here, you said we could go in the pool.LYNETTE: (crouches down) I said you could go by the pool. Do you have your swimsuits on??PORTER: Yeah, we put them on under our clothes just before we left. LYNETTE: You three planned this?? Alright, that's it. Get out!PORTER: No!LYNETTE: No? I am your mother. You have to do what I say. Come on. PRESTON: We wanna swim and you can't stop us.LYNETTE: (gives the baby to a man standing nearby) Here.LYNETTE: Get out. Or I will get in this pool and just grab you, get out! Get over here. Get over here. Get back or I'll kill you.LYNETTE: That's right, get over here. Go, go, go, ugh. Move it. Out. Get out. LYNETTE: Paul. We have to leave now. Once again, I am so sorry for your loss. Go! NARRATOR: Lynette shouldn't have been so concerned about my husband. He had other things on his mind. Things below the surface.NARRATOR: The morning after my funeral, my friends and neighbours quietly went back to their busy, busy lives. Some did their cooking.NARRATOR: And some did their cleaning.NARRATOR: And some did their yoga.NARRATOR: Others did their homework.JULIE: I'm Julie, I kicked my soccer ball into your backyard.MIKE: Oh, OK. Well, let's go round and get it. (to dog) Stay.JULIE: (to SUSAN) His wife died a year ago, he wanted to stay in LA but there were too many memories. He's renting for tax purposes, but he's hoping to buy a place real soon.SUSAN: I can't believe you went over there.JULIE: Hey, I saw you both flirting at the wake. You're obviously into each other. Now that you know he's single, you can ask him out.SUSAN: Julie, I like Mr. Delfino, I do. It's just, I don't know if I'm ready to start dating yet.JULIE: Ugh, you need to get back out there. Come on. How long has it been since you're had sex? (SUSAN's pen halts stroke. She turns to look at JULIE, open-mouthed.) Are you mad that I asked you that?SUSAN: No, I'm just trying to remember. (JULIE tilts her head to one side, smiling at SUSAN, who turns back to her drawing.) I don't wanna talk to you about my love life anymore, it weirds me out.JULIE: I wouldn't have said anything it's just?SUSAN: (turns around to look at JULIE) What?JULIE: I heard Dad's girlfriend asking if you'd dated anyone since the divorce, and Dad said he doubted it. (SUSAN looks down at her lap.) And then they both laughed. MIKE: Hey, Susan.SUSAN: Hi Mike. (smiles) I brought you a little housewarming gift. I probably should've brought something by earlier, but...MIKE: Actually, you're the first in the neighbourhood to stop by.SUSAN: Really? (She laughs)NARRATOR: Susan knew she was lucky. An eligible bachelor had moved onto Wisteria Lane, and she was the first to find out. But she also knew that good news travels quickly.EDIE: (waving as she walks, holding a dish) Hello there!NARRATOR: (slow motion shot of Edie jogging towards MIKE and SUSAN) Edie Britt was the most predatory divorcee in a 5 block radius. Her conquests were numerous. NARRATOR: Varied?NARRATOR: And legendary.EDIE: Hi Susan, I hope I'm not interrupting. You must be Mike Delfino. Hi, I'm Edie. Britt. I live over there (points). Welcome to Wisteria Lane. (SUSAN shifts NARRATOR: Susan had met the enemy, and she was a slut.MIKE: Thank you, what's this?EDIE: Sausage Puttenesca. It's just something I threw together. (SUSAN looks at MIKE: Thanks, Edie. (laughs) That's great. Uh, I'd invite you both in, but I was sorta in the middle of something.SUSAN: (overlapping EDIE) Oh, I'm late for an appointment anyway.EDIE: (overlapping SUSAN) Oh, no problem, I just wanted to say hi.MIKE: Well, thanks.NARRATOR: And just like that, the race for Mike Delfino had begun. For a moment,Susan wondered if her rivalry with Edie would remain friendly.EDIE: (turns suddenly) Oh, Mike. I heard you're a plumber?MIKE: Yeah.EDIE: Do you think you could stop by later tonight and take a look at my pipes? NARRATOR: But she was reminded that when it came to men? Women don't fight fair.MIKE: Sure.EDIE: Thanks. Bye Susan.GABRIELLE: [OS] You can't order me around like I'm a child!CARLOS: Gabrielle...GABRIELLE: No. No, no, no, I'm not going.CARLOS: It's business, Tanaka expects everyone to bring their wives. GABRIELLE: Every time I'm around that man, he tries to grab my ass. CARLOS: (puts his hand on GABRIELLE's shoulder) I made over $200,000 doing business with him last year. If he wants to grab your ass, you let him. CARLOS: John!JOHN: Ow. Mr. Solis. You scared me.CARLOS: Why is that bush still there? I told you to dig it up last week.JOHN: I didn't have time last week.CARLOS: I don't wanna hear your excuses, just take care of it.GABRIELLE: (to CARLOS) I really hate the way you talk to me.CARLOS: (walks up to her) And I really hate that I spent $15,000 on your diamond necklace that you couldn't live without. But I'm learning to deal with it. So. Can I tell Tanaka we'll be there tomorrow night?GABRIELLE: John. We have bandages top shelf in the kitchen.JOHN: Thanks, Mrs. Solis.GABRIELLE: Fine. I'll go. But I'm keeping my back pressed against the wall the entire time.CARLOS: See? Now this is what a marriage is all about - compromise. GABRIELLE: Is your finger ok?JOHN: Yeah, yeah, it's just a small cut.GABRIELLE: Let me see. Mmmm.JOHN: You know, Mrs. Solis, uhh, I really like it when we hook up. But, um, you know I gottaget my work done, I can't afford to lose this job.GABRIELLE: This table is hand carved. Carlos had it imported from Italy. It cost him $23,000.JOHN: You wanna do it on the table this time?GABRIELLE: Absolutely.DANIELLE: Why can't we ever have normal soup?BREE: Danielle, there is nothing abnormal about basil puree.DANIELLE: Just once, can we have a soup that people have heard of? Like, french onion or navy bean.BREE: First of all, your father can't eat onions, he's deadly allergic. And I won't even dignify your navy bean suggestion. So. How's the osso bucco?ANDREW: It's OK. (BREE stares at him.)BREE: It's OK? Andrew, I spent 3 hours cooking this meal. How do you think it makes me feel when you say it's OK, in that sullen tone?ANDREW: Who asked you to spend 3 hours on dinner? BREE: Excuse me? ANDREW: Tim Harper's mom gets home from work, pops open a can of pork andbeans, and boom, they're eating, everyone's happy.BREE: You'd rather I serve pork and beans?DANIELLE: Apologize now, I am begging.ANDREW: I'm just saying, do you always have to serve cuisine? Can't we ever just have food?BREE: Are you doing drugs?ANDREW: What!?BREE: Change in behaviour is one of the warning signs, and you have been as fresh as paint for the last 6 months. That certainly would explain why you're always locked in the bathroom.DANIELLE: (grinning) Trust me, that is not what he is doing.ANDREW: Shut up. Mom, I'm not the one with the problem here, alright? You're the one always acting like she's running for mayor of Stepford.BREE: Rex. Seeing as you're the head of this household, I would really appreciate you saying something.REX: Pass the salt?NARRATOR: Three days after my funeral, Lynette replaced her grief with a much more useful emotion - indignation.LYNETTE: Tom, this is my 5th message and you still haven't called me back. Well, you must be having a lot of fun on your business trip. I can only imagine. Well, guess what, the kids and I wanna have some fun too, so unless you call me back by noon, we are getting on a plane and joining you.PRESTON: Mom!LYNETTE: Not now, honey, Mommy's threatening Daddy.PRESTON: Mom!LYNETTE: No, I am not... Where're your brothers?PORTER: Noodles, my favourite!SHOPPER: Lynette Scavo?LYNETTE: Crap. Natalie Klein, I don't believe it!SHOPPER: Lynette! How long has it been?LYNETTE:Years! Uh, how are you, how's the firm?SHOPPER: Good, everyone misses you.LYNETTE: Yeah.SHOPPER: We all say, if you hadn't quit, you'd be running the place by now. LYNETTE: Yeah, well.SHOPPER: So?how's domestic life? Don't you just love being a mom? NARRATOR: And there it was - the question that Lynette always dreaded. LYNETTE: Well, to be honest...NARRATOR: To those who asked it, only one answer was acceptable. So, Lynette responded as she always did - she lied.LYNETTE: It's the best job I've ever had. JOHN: You know what I don't get? GABRIELLE: What?JOHN: Why you married Mr. Solis.GABRIELLE: Well, he promised to give me everything I've ever wanted.JOHN: Well, did he?GABRIELLE: Yes.JOHN: Then... why aren't you happy?GABRIELLE: Turns out I wanted all the wrong things.JOHN: So. Do you love him?GABRIELLE: I do. (sighs)JOHN: Well, then, why are we here? Why are we doing this?GABRIELLE: Because I don't wanna wake up some morning with a sudden urge to blow my brains out.JOHN: Hey, can I have a drag?GABRIELLE: Absolutely not. You are much too young to smoke.SUSAN: (exhales loudly) How would you feel about me using your child support payments for plastic surgery?JULIE: Stop being so nervous, you're just asking him out to dinner. It's no big deal. SUSAN: You're right. (stalling) So, is that your project for school? You know in 5th grade I made the white house out of sugar cubes.JULIE: Stop stalling and go. Before Mike figures out he can do better.SUSAN: (gapes at JULIE) Tell me again why I fought for custody of you? JULIE: You were using me to hurt Dad.SUSAN: Oh, that're right. 、SUSAN: Oh god.SUSAN: (smiles) Hi.MIKE: Hey, Susan.SUSAN: Are you busy?MIKE: No, not at all, what's up?SUSAN: Well, I., I just was wondering, if, um, if there was any chance that, um, you would uh... (nervous laughter) I just... wanted to ask if...SUSAN: (sees EDIE, surprised) Edie. What are you...?EDIE: I was making ambrosia, and I made too much so I thought I'd bring some over to Mike. What's going on?MIKE: Uh, Susan was just about to ask me something.SUSAN: Uh... (beat) I have a clog.MIKE: Excuse me?SUSAN: And you're a plumber. Right?MIKE: Yeah.SUSAN: The clog's in the pipe.MIKE: Yeah, that's usually where they are.SUSAN: (laughs) Well, I've got one.MIKE: Well, let me get my tools.SUSAN: Now? You wanna come over now? (uh oh.) Y-you have company. EDIE: I don't mind. (smiles innocently at SUSAN)MIKE: Just give me 2 minutes. I'll be right over.SUSAN: That's it, just stuff the hair down.JULIE: I stuffed it; it's not enough to clog it.SUSAN: Here, here, look. Put in this peanut butter. And this cooking oil. And these olives!JULIE: Mom, Mom I'm telling you it's not working.SUSAN: Uh, oh god. That's him. How am I gonna stuff up the sink...MIKE: Well. Here's your problem. Looks like somebody stuffed a bunch of popsicle sticks down there.SUSAN: I've told Julie a million times not to play in the kitchen. Kids, y' know? SERVER:Alright, I'll go put in your order. I'll be right back with your drinks and your plates for the salad bar. (walks away)REX: Thank you.BREE: Andrew, Danielle, napkins? (smiles at them)ANDREW: They have video games. Can we go play until our food gets here? BREE: Andrew. This is family time. I think we should all...REX: Go ahead and play.BREE: I know that you think I'm angry about coming here, but I'm not. I mean, the kids wanted a change of pace, something fun. I get it. (smiles at REX) Probably will want something healthier tomorrow night though, I'm thinking about chicken? REX: (interrupts BREE) I want a divorce. (BREE looks at him, stunned) I just can't live in this... this detergent commercial anymore.SERVER:The salad bar's right over there, help yourself.REX: Thank you.(watches as the SERVER walks away)BREE: Um. Think I'll go get your salad for you.MRS. HUBER:Bree Van De Kamp!BREE: (looks up, startled) Oh, hello Mrs. Huber.MRS. HUBER:Oh we didn't get a chance to talk at Mary Alice's wake. How are you doing?NARRATOR: Bree longed to share the truth about her husband's painful betrayal, but sadly for Bree, admitting defeat was not an option.BREE: Great. Everything is just great.BREE: Okay, well, I got you the honey mustard dressing; the ranch looked just a little bit suspect.REX: Are we gonna talk about what I just said?BREE: If you think I'm gonna discuss the dissolution of my marriage in a place where the restrooms are labelled "chicks" and "dudes "(looks up at REX), you're out of your mind.REX: What's in this?BREE: What do you mean what's in this? It's salad.REX: With? with onions?BREE: What?REX: You put onions in my salad!!BREE: (gasps) No, I didn't! (realizing) Oh wait?NARRATOR: The sound that awakened my son was something he'd heard only once before, many years ago, when he was quite young.NARRATOR: But he recognized it instantly.NARRATOR: It was the sound of family secret.NARRATOR: Seven days after my funeral, life on Wisteria Lane finally returned to normal. Which, for some of my friends, was unfortunate.PARKER:Mommy, Mommy!LYNETTE: (sotto) Now what.PARKER:Daddy's home!TOM: (laughing) Come on! Is everybody home?LYNETTE: Hey, yeah! SCAVO kids: Yeah, yeah!TOM: Hey!LYNETTE: I wasn't expecting you for a week!TOM: I have to go back to Frisco in the morning. When I got your call, you sounded a little frazzled.LYNETTE: Yeah! It's been a little rough!TOM: Hmm, yeah, peaches.PARKER:Daddy, Daddy, did you buy us any presents?TOM: Oh god, presents. Oh, wait a minute, lemme see.Ooooh.SCAVO kids: Yaaaaayyy! (LYNETTE smiles)TOM: But I'm not gonna give it to you, unless you promise me that you're gonna go outside right now and practice throwing for 20 minutes, okay? You promise? SCAVO kids: Yeah, yeah, yeah!!TOM: Get out! Who's open! Go left!SCAVO kids: Yeah yeah yeah!TOM: Deeper, deeper, touchdown!LYNETTE: Oh my god, oh my, oh!LYNETTE: Ooh, you gotta be kidding! I'm exhausted! I look terrible, I'm covered in peaches!TOM: Sorry baby, I gotta have you.LYNETTE: Well, is it ok if I just lie here?TOM: Absolutely.LYNETTE: I love you.TOM: I love you more.LYNETTE: Oh wait, I gotta tell you, I was having trouble with swelling, so the doctor took me off the pill, so you're just gonna have to put on a condom.LYNETTE: Yeah.TOM: What's the big deal? Let's risk it.LYNETTE: (incredulous) Let's risk it?TOM: Yeah.LYNETTE: Ooh!REX: I can't believe you tried to kill me.BREE: Yes, well, I feel badly about that. I told you, Mrs. Huber came over and I got distracted. It was a mistake.REX: Since when do you make mistakes?BREE: (laughing) What's that supposed to mean?REX: It means I'm sick of you being so damn perfect all the time. I-I-I'm sick of the bizarre way your hair doesn't move. I'm sick of you making the bed in the morning before I've even used the bathroom. You're, you're this plastic suburban housewife with her pearls and her spatula, who says things like We owe the Hendersons a dinner? Where's the woman I fell in love with? Who, who used to burn the toast, drink milk out of the carton, and laugh? I need her. Not this cold perfect thing you've become.BREE: These need water.NARRATOR: BREE sobbed quietly in the bathroom for 5 minutes. But her husband never knew. Because when Bree finally emerged, she was perfect. GABRIELLE: I found my earrings, we can go now.CARLOS: Was John here today?GABRIELLE: Well, yeah.CARLOS: The lawn hasn't been mowed. I've had it; we're getting a real gardener. GABRIELLE: Why??CARLOS: Are you deaf? I just said, he's not doing his job.GABRIELLE: It's dark, you just can't see that the lawn has been mowed. CARLOS: It hasn't been. Feel this grass.GABRIELLE: I'm not feeling the grass! Let's just get going, come on! We're late! CARLOS: Take care of it.VALET: Yes, sir.CARLOS: There's Tanaka. Time for me to go into my dance.GABRIELLE: (smiles) Good luck, sweetheart.GABRIELLE: Oh, excuse me.WAITER: Ma'am?GABRIELLE: You see that man who just walked away? Can you make sure he has a drink in his hand all. night. long. (tucks a folded banknote in his pocket.) Waiter: (smiles) Yes, ma'am.MRS. HUBER:Susan? Susan!SUSAN: (smiles) Oh. Mrs. Huber, how you doing?MRS. HUBER:Not too well, I'm afraid. I'm trying to find something to soothe my stomach.SUSAN: It's upset?MRS. HUBER:Yeah, I had the worst macaroni and cheese at the wake, it's been running through my system ever since.SUSAN: (sympathetic smile) Oh.MRS. HUBER:And I need to be at my best tonight. Edie Britt's son is spending the night tonight.SUSAN: (raises her eyebrows) He's spending the night?MRS. HUBER:Apparently, Edie is having a gentleman friend over on dinner, and I think she plans on entertaining into the wee hours, if you know what I mean. SUSAN: I can't believe it. This can't be happening. Mike can't like Edie better than me, he just can't!ng on. Maybe they're just... having dinner.JULIE: You're right. They're doing it.SUSAN: Edie?SUSAN: Edie? Hello..?SUSAN: Anybody home? I need to borrow sugar?EDIE: [OS] Oh! Oh my god!NARRATOR: And just like that, the possibility that Susan had clung onto, the maybe of Mike Delfino was gone forever. And despite the precariousness of the situation, Susan took a moment to mourn her loss.SUSAN: Oh... Oh! Oh!NARRATOR: It didn't take long for Susan to realize, this was just not her night. EDIE: (OS) Is somebody out there? Oh my god, there's smoke!EDIE: (teary) Oh my god. Oh... (leans against the fire truck)MRS. HUBER: (in a lowered voice, to neighbour) ...candles unattended in the den. Paramedics say she was lucky, she could've been killed!LYNETTE: She was having sex with some guy when the fire started. GABRIELLE: What happened to him?LYNETTE: He got smoke inhalation, he's at the hospital.SUSAN: Oh..BREE: Susan, are you alright? You look awful.SUSAN: I'm fine. I'm fine. I just feel really bad for Edie.GABRIELLE: Oh, don't worry about Edie. She's a strong lady.LYNETTE: Absolutely. She'll get through this. She'll find a way to survive. BREE: We all do.GABRIELLE: Come on.MIKE: Wow, what happened?SUSAN: (surprised) Mike!。
以胸部作为武器的电影，你看过几部丨往期精选
以胸部作为武器的电影，你看过⼏部⼁往期精选为了突出双峰重要性，它们在这些电影中被打造成性感⽽⼜可怕的杀⼈利器。
怎么样，是不是听着很带感？往期精选栏⽬，旨在回顾轻丫之前具有代表性的⽂章）1、《弯⼑杀戮》Machete Kills（2013）影⽚讲述⼀个前墨西哥警探“弯⼑”从美国⼀路杀到墨西哥，阻⽌墨西哥毒贩向太空发射致命武器的故事。
⽽索菲娅饰演⼀位拥有着机枪胸罩和裆部左轮的⽼鸨，在“弯⼑”进⼊墨西哥境内后，对其⼀路追杀。
2、《王牌⼤贱谍》Austin Powers （1997）影⽚讲述了迈克·梅尔斯饰演特⼯奥斯汀，⼀次次打败“邪恶博⼠”拯救世界的故事。
⽽邪恶博⼠制造了⼀批拥有喷⽕机关枪胸部的机器美⼥，给男主造成了很⼤⿇烦。
3、《爱爱宝典》Everything You Always Wanted to Know About Sex 1972本⽚根据⼤卫·鲁本医⽣《你想知道的性问题》⼀书改编，由章回形式提出七个敏感⼜尖锐的性话题。
导演伍迪艾伦也是亲⾃上场，只⾝对抗科学怪⼈制造的巨型乳房武器。
4、《机器⼈艺妓》ROBO GEISHA（2009）这是⽇本⼈拍摄的⼀部可爱风格的特摄⽚。
剧中的⼏名艺妓不仅武艺⾼强，她们使⽤的武器⼗分强⼤，⽐如菊花剑、菊花飞镖……5、《机关枪少⼥》 THE MACHINE GIRL（2008）这部⽚拥有所有经典的b级⽚套路。
⽚中那位把左⼿和菊部变成机关枪的少⼥，对抗的敌⼈拥有钻头胸罩等致命暗器。
6、《东京残酷警察》Tokyo Gore Police （2008）《东京残酷警察》被称为当年最⾎腥的电影。
⼀种病毒引起的⼈体变异，⽐如乳酸喷头、丁丁⼤炮和獠⽛⼩花园。
⽚中⼀名性感⼥警为了维护世界和平与这些妖魔⿁怪⽃争。
「轻百科 · 亚⽂化 · 荷尔蒙」轻丫整理欢迎分享。
好看的经典欧美电视剧排行榜
好看的经典欧美电视剧排行榜很多欧美电视剧的情节是比较吸引观众的，一些好看的欧美剧都成了经典，你喜欢看欧美电视剧吗?下面店铺就来为大家推荐的好看的经典欧美电视剧排行榜，欢迎参阅!好看的经典欧美电视剧1.衰姐们第一季主演：莉娜•杜汉姆简介：讲述了几个年轻的女孩儿在纽约为了理想和生活而奋斗的故事，片中虽然又难过，有艰辛，有眼泪，可是却是一部笑料百出的喜剧。
现代时尚新女性对待在自己的感情，工作，社会，人际关系，性，友谊，爱情等问题上面的观点。
从女性的角度和观点阐述一些社会问题，而不是像很多电视里面很注重男性的主导权，叫女生们不要只依靠男人们而生活，必须有自己的一片小天地，女人即使撑不起整个天，但是这个社会，男人们缺了女人根本生活不下去，所以女人们要有自己的追求，对自我价值的肯定，是一部值得一看的女性励志剧。
2.七年之痒主演：玛丽莲?梦露、汤姆?尤厄尔简介：该片讲述的是人到中年的男子汤姆?伊威尔在妻子离家度假期间，对刚刚搬来的楼上女房客产生了性幻想。
梦露在片中就扮演这个风姿绰约、性感撩人的女房客。
丰满的梦露故作无意地向楼下的知识分子汤姆?伊威尔卖弄撩人的性感，这令汤姆?伊威尔心痒难熬，躁动不安……3.真爱如血第5季主演：AnnaPaquinStephen简介：美国吸血鬼题材电视剧《真爱如血》前四季都取得非常不错的收视率，HBO电视台随即宣布将续订《真爱如血》第五季，第五季将有12集。
近日，《真爱如血》第五季曝光了其首支预告片，短短的30秒时间将剧情中的主线及人物都展示出来，充满着剧集本身所独特的浪漫、嗜血、悬疑和幽默，一段段激情桥段和最后的爆炸场面让人看的热血沸腾，对《真爱如血》第五季的期待又进一步的提升~4.新闻编辑室第一季主演：杰夫·丹尼尔斯艾米莉·莫迪默简介：《Newsroom》的故事将聚焦于一个虚构的电视网UBS，大体基于MSNBC的节目《NBC新闻倒数之凯斯点评》。
杰夫丹尼尔斯将饰演Will McCallister，而饰演UBS新闻部主席Charlie Skinner 的则是老戏骨萨姆沃特森。
《《绝望主妇》女性语言特点及语用分析》
《《绝望主妇》女性语言特点及语用分析》篇一一、引言《绝望主妇》是一部备受关注的美国电视剧，以其生动真实的女性形象和丰富的语言特点吸引了无数观众。
本文旨在通过对《绝望主妇》中女性语言特点的分析，探究其语言运用的独特之处，以及其背后所反映的社会文化和心理现象。
二、女性语言特点1. 情感丰富，表达细腻《绝望主妇》中的女性角色在语言表达上表现出丰富的情感色彩和细腻的表达能力。
她们通过使用情感丰富的词汇和句式，将内心的喜怒哀乐、爱恨情仇表现得淋漓尽致。
这种表达方式使得观众能够更好地理解角色的内心世界，也为角色塑造增添了立体感和深度。
2. 委婉含蓄，善用隐喻在《绝望主妇》中，女性角色在表达自己的观点和情感时，往往采用委婉含蓄的方式，善用隐喻和象征手法。
这种表达方式使得她们的言语更具深度和艺术性，同时也避免了直接冲突和尴尬的局面。
这种语言风格也是女性在现实生活中为了维护社会关系而采取的一种策略。
3. 互动性强，善于沟通《绝望主妇》中的女性角色在语言互动方面表现出极高的水平。
她们善于运用各种沟通技巧和言辞，与他人进行互动和交流。
在处理家庭、友情、爱情等关系时，她们能够灵活运用各种语言手段，化解矛盾、表达情感、传递信息。
这种沟通能力是女性在现实生活中所具备的重要素质之一。
三、语用分析1. 社交功能的体现在《绝望主妇》中，女性角色的语言运用体现了其社交功能。
她们通过语言来建立和维护人际关系，表达自己的需求和期望。
在家庭、社区、职场等不同场合中，她们运用不同的语言策略来应对各种社交场合和人际关系。
这种语言运用方式也反映了现实社会中女性在社交方面的能力和地位。
2. 跨文化交际的适应《绝望主妇》作为一部美国电视剧，其女性角色的语言运用也具有跨文化交际的特点。
在与其他国家、地区和文化背景的人物交流时，她们能够灵活运用各种语言技巧和策略，以适应不同的文化环境和交际需求。
这种跨文化交际的能力也是现代女性所必备的重要素质之一。
四、结论通过对《绝望主妇》中女性语言特点的分析，我们可以看出其独特的表达方式和语言风格。
《绝望的主妇》剧作分析及单集赏析-Final
《绝望的主妇》剧作分析及单集赏析俗话说得好“三个女人一台戏”，更多个女人组成的可就不只是一台精彩的戏了。
《绝望的主妇》主要讲的就是四个女人看似美满幸福平凡的生活中却蕴藏着各自的痛苦与不幸，但又要尽量放掉悲伤继续坚强的演绎自己完美生活的喜剧。
她们居住的紫藤巷不仅是一个美国很普通的由几十家中产家庭组成的小社区，而且还是一部分人极力想忘掉自己过去开始重新生活的避风港。
５个个性分明的角色即是多年的邻居又是好朋友，她们每周二定期玩牌聚会，经常在长椅上品下午茶分享着快乐的时光，但她们不从会去向任何人倾诉自己的痛苦，直到她们其中一个自杀离去。
创新精彩的就是本片竟以一个死人的视点去旁白描述以她四个好朋友为主的紫藤巷人们的生活。
她固定会在每集的开篇和结尾诗歌般的讲述出本片的中心主题，大部分是“有些人……有些人……”，去讲４个主角和她们周围人的故事。
这些旁白都很经典，有的令人捧腹，但大多数发人深省感人至深。
这么多剧集，从没见哪个剧集像《绝望的主妇》把多个同龄同性别人物刻画的如此的有血有肉，如此的个性鲜明。
她们有优点也有缺点，如此的真实可憎可亲。
苏珊是个与比自己还成熟的女儿相依为命但又时常被情所困的单身儿童插画家。
她不愿经事，遇事就无头苍蝇般的窘态百出，即使是在男朋友面前；雷奈特是个拥有自己五分之四老公孩子的自强自立的广告界女强人。
她喜欢躲事，遇事就会刚正不阿的直来直去，但是事后总是要去向人道歉；布瑞是个被儿女憎恨三季连嫁三夫并具有严重强迫症的完美家庭主妇。
她能够扛事，所有不幸都可以沉着冷静面对，可是她却不知自己一直生活在极度危险之中；高布丽尔是个代孕未果本来有个幸福家庭却总不满足不懂得珍惜的贪财前任名模。
她没事找事，随心所欲的享受生活，甚至搞上比自己小十几岁的园丁。
为了丰富四位主妇，每人都附配了十几二十个配角，以构架出庞大的人物关系，当然也就有了复杂精彩的故事。
《绝望的主妇》每季基本有个大的主线故事，推动这个故事的各情节点散落在本季的24集里。
-绝望主妇-伊娃欲生子
"绝望主妇"伊娃欲生子Child's play: Eva Longoria bonds with some young fans at a charity event held at her friend Ken Paves' Beverly Hills hair salon与儿童画画：绝望主妇伊娃和老公篮球明星托尼·帕克一同出现在一个慈善活动上。
Eva Longoria and husband Tony Parker have made no secret of their plan to start a family and today the Desperate Housewives star got some parental practice at a charity event.绝望主妇伊娃和老公篮球明星托尼·帕克看起来对于“组建一个完整家庭”这一计划并不忌讳，他们似乎对怎样为人父母颇有一番研究呢。
The 35-year-old actress played with a group of young children while chipping in for the fundraiser held at her friend Ken Paves' Beverly Hills hair salon.35岁的伊娃和孩子们一起画画，很开心。
She helped with chalk drawings on the pavement outside the store and gave out a few hugs to her little fans.在人行道上画粉笔画，伊娃乐此不疲。
她拥抱着她的小粉丝。
Sweet charity: The event raised money for Rally for Kids with Cancer慈善会为癌症儿童筹款。
《艾娃》观后感
《艾娃》观后感整部影片结束，令人印象最深的莫过于最后的旁白。
“我”是谁？在影片中，女主角艾娃的身份随着剧情的推进逐渐展开，她既是组织中最出色的杀手，也曾是一位瘾君子，是被母亲背叛的女儿，还是抢了妹妹未婚夫的混蛋姐姐，同时也是老杀手最器重的徒弟……这些身份在台词和事件中一一呈现，却又无法完整地定义她。
艾娃的各种身份被编剧巧妙地编织在台词和情节中，这使得观众能够逐渐深入地了解她的性格、经历和背景。
通过这些描述性台词，我们仿佛能够看到一个鲜活的人物形象逐渐浮现。
这种写作方式使观众能够更好地理解角色，并与他们产生共鸣。
从编剧的角度来看，他们显然试图通过这个角色来探讨更深层次的主题，而不仅仅是展现一个女杀手的酷炫形象。
然而，由于导演对影片节奏和情节把握的不足，导致这些意图并没有完全实现。
尽管影片在展现艾娃的背景和经历方面下足了功夫，但在呈现这些情节时，导演并没有能够将其有效地组织起来，使得观众在观看过程中感到困惑和迷茫。
此外，剧本在角色关系的处理上也存在一些问题。
例如，老杀手和艾娃之间的关系，编剧本可以进行更深入的挖掘，而不仅仅是通过饮酒和刺杀来解决问题。
同样，老杀手的死也可以写得更加精彩，通过突出他对西蒙和艾娃的不同态度，以及两个徒弟不同的性格所导致的命运差异，来进一步深化主题。
至于西蒙如何成为老杀手的上级，这一部分的情节也可以进行更充分的刻画，以增强故事的可信度。
影片开场的那段还是有一定的杀手间谍电影的氛围，但随着剧情的发展，观众会发现这更像是在探讨艾娃的个人生活，而不仅仅是她的杀手生涯。
如果将其作为一部动作片来看，那么在打戏部分可能会让人感觉有些突兀，因为它更像是动作片中的“文艺片”。
艾娃的故事揭示了女性的复杂性，以及她们在成长过程中所面临的困境。
她并非是一个冷酷无情的杀手，而是在一个缺乏爱的环境中长大，同时也曾经自甘堕落。
这使得她的角色更加立体和真实，让观众能够感受到她的痛苦和挣扎。
个人认为，这部电影的剧本其实可以更加详细和丰富，通过拍成一部长篇美剧的方式，来展现艾娃的成长和转变，或许可以成为下一个“尼基塔”。
《《绝望主妇》女性语言特点及语用分析》
《《绝望主妇》女性语言特点及语用分析》篇一一、引言《绝望主妇》是一部以美国中产阶级家庭主妇为背景的电视剧，以其丰富的人物形象、生动的对话和深入人心的情感而受到广大观众的喜爱。
在众多角色中，女性角色的语言特点尤为突出。
本文旨在分析《绝望主妇》中女性语言的特点及其语用功能，以探讨该剧如何通过女性角色的语言来展现人物性格、塑造人物形象，并进一步分析其社会文化意义。
二、女性语言特点1. 情感化表达《绝望主妇》中的女性角色在表达情感时，常常使用丰富的情感词汇和修辞手法，如比喻、夸张等，以表达内心的喜怒哀乐。
这种情感化表达使得人物形象更加生动、真实，同时也为观众提供了深入了解人物内心世界的途径。
2. 幽默诙谐该剧中的女性角色在对话中经常使用幽默诙谐的语言，以缓解紧张的气氛或表达自己的观点。
这种幽默诙谐的语言风格使得人物形象更加亲切、可爱，同时也为观众带来了轻松愉快的观剧体验。
3. 口语化表达该剧中的女性角色在对话中使用了大量的口语化表达，如俚语、俗语等，使得对话更加自然、流畅。
这种口语化表达也反映了美国中产阶级家庭主妇的日常生活和交流习惯。
三、语用功能分析1. 塑造人物形象通过分析《绝望主妇》中女性角色的语言，我们可以发现其语言特点与人物性格、身份、经历等密切相关。
例如，某些角色使用的语言较为尖锐、刻薄，反映了其刻薄的性格；而某些角色使用的语言则较为温和、亲切，反映了其温和的性格和亲切的待人态度。
因此，该剧通过女性角色的语言来塑造人物形象，使得人物形象更加立体、丰满。
2. 展现人际关系该剧中的女性角色之间的对话也反映了她们之间的人际关系。
例如，亲密的朋友之间会使用更加随意的语言，而夫妻之间则会使用更加亲密、温馨的语言。
这些语言特点不仅展示了人物之间的关系，也反映了美国中产阶级家庭的文化背景和社会价值观。
3. 传达社会文化意义该剧通过女性角色的语言还传达了深刻的社会文化意义。
例如，某些角色在对话中探讨了家庭、婚姻、友情等主题，反映了当代美国社会中普遍存在的价值观和问题。
电视剧《疯狂主妇-绝望的主妇》第二季分集剧情介绍（1-24集）大结局
电视剧《疯狂主妇/绝望的主妇》第二季分集剧情介绍（1-24集）大结局英文名：Desperate HousewivesⅡ中文名：《绝望的主妇Ⅱ、欲乱绝情妻Ⅱ、靓太唔易做Ⅱ》地 区：美国导 演：Larry Shaw Arlene Sanford 编 剧：Marc Cherry疯狂主妇主演：泰瑞.海切尔，伊娃.朗格利亚，玛西娅.克罗斯电视剧《疯狂主妇Ⅱ/绝望的主妇Ⅱ》分集剧情介绍：《疯狂主妇Ⅱ/绝望的主妇Ⅱ》分集介绍：第一集 当迈克回到家中，苏珊正在扎克的枪口下。
扎克认为迈克已经杀死了保罗，他要为父亲报仇。
争斗中苏珊摔倒在地，扎克的枪被打飞后夺路而逃。
苏珊在医院里治疗磕破的嘴唇，朱莉则听见迈克向警察隐瞒了扎克的谋杀企图。
迈克告诉朱莉，玛丽-爱丽丝和保罗是为了扎克才杀人的，就在这时警察的电话打断了他们的谈话 ——扎克死了。
迈克和苏珊匆忙赶到停尸房认尸，却发现那具尸体并不是扎克。
看着迈克如获重释的表情，苏珊突然明白了：扎克是他和迪尔德丽的儿子。
稍后，从震惊中恢复过来的苏珊告诉迈克，她为他有个孩子而感到高兴，但是为了让朱莉远离扎克，他们不能搬到一起住。
布丽告诉她的朋友们，哪怕是雷克斯的死也不能令她失态，何况她还要应对神经质的婆婆菲利斯。
菲利斯不停地向亲友们絮絮叨叨说着雷克斯婚前是多么幸福开朗，但与布丽的婚姻最终毁了他。
愤怒的布丽禁止菲利斯参加葬礼，幸好在儿女的调停下化解了矛盾。
葬礼上布丽发现雷克斯系着廉价领结，她抢下汤姆的领结亲手替尸体换上。
丽奈特在面试中尽力要给注重家庭观念的面试官妮娜留下好印象，但在紧接着的第二轮面试当天，汤姆摔伤了背部无法照看孩子。
丽奈特硬着头皮把婴儿带去面试，成功地展露了同时处理多项事务的超凡魄力。
约翰带着行李来到加布丽尔的门口，他要担负起照顾她和孩子的责任，加布丽尔仍在为他擅自公开了私情而发火，毫不留情地赶走了约翰。
加布丽尔和卡洛斯在监狱的探望室彼此责怪着对方，两人最终意识到自己都不是良善之辈，而值得欣慰的是：他们至少还很有钱。
《《绝望主妇》女性语言特点及语用分析》范文
《《绝望主妇》女性语言特点及语用分析》篇一一、引言《绝望主妇》是一部以美国中产阶级家庭主妇为背景的电视剧，以其丰富的人物形象、生动的对话和深入人心的情感描绘赢得了广大观众的喜爱。
在剧中，女性角色的语言不仅展现了其独特的语言特点，也反映了社会文化背景下的语言运用。
本文将对《绝望主妇》中女性语言的特点及语用进行分析，以揭示其语言魅力及其在剧情发展中的作用。
二、女性语言特点1. 丰富的情感表达《绝望主妇》中的女性角色在表达情感时，运用了丰富的语言手段。
她们通过细腻的描绘、生动的比喻、夸张的修辞等手法，将内心的喜怒哀乐表现得淋漓尽致。
例如，当面对生活中的挫折和困境时，她们会使用一些富有感情色彩的词汇和句式，如“我心如刀割”、“我无法忍受这样的生活”等，以表达内心的痛苦和绝望。
2. 多样化的语言表达剧中的女性角色来自不同的社会背景和教育程度，因此她们的语言表达也呈现出多样化的特点。
年轻的女性角色通常使用更加时尚、前卫的语言，而年长的女性角色则更倾向于使用传统、规范的表达方式。
此外，不同性格的女性在语言表达上也有所差异，如外向的女性更善于直接表达自己的想法，而内向的女性则更倾向于委婉地表达自己的观点。
3. 丰富的口头禅和俚语在《绝望主妇》中，女性角色经常使用一些口头禅和俚语，这些语言现象反映了她们的生活经验和文化背景。
例如，她们可能会使用“哎呀”、“哇塞”等感叹词来表达自己的惊讶或喜悦；或者使用一些地方性的俚语来描述某件事情或某个人的特点。
这些口头禅和俚语的使用使得女性角色的语言更加生动、有趣。
三、女性语用分析1. 互动性强的对话《绝望主妇》中的女性角色在对话中展现出较强的互动性。
她们在交流中不仅关注信息的传递，还注重情感的交流和人际关系的维护。
在对话中，她们会使用一些询问、反问、建议等手段来引导对话的发展，以展示自己的观点和态度。
同时，她们还会通过语气、语调等手段来传达自己的情感和态度，以增强对话的互动性和生动性。
泰瑞·海切尔
家庭 ，从 小便 体 现 出其不 同 寻常 的天 分 。她是 数学 天 才 、国际 象
棋冠 军 、拉拉 队长 和 舞会 皇后 。上 世￣８ 年 代 。她 曾是著 名橄 榄 Ｐ０ ． 球队 “ 旧金 山４ 人 队 ”的拉 拉 队长 ，大 学主 修工 程灵 敏学 。如 此 ９ 优 秀 的泰 瑞 ，没 去 当女 科 学 家 。却 去 了 好莱 坞 追 梦 。上 世 纪９ ０ 年代 ．泰瑞 主演 了 电视版 《 超人 》。成 了全 美男 性 的头号 梦想 女
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亮 的 “ 鱼翻 身 ” 。那就 是 海切 尔 。甚至 凭借 此剧 ，她不仅 获 得 咸 金球 奖剧 情类 最 佳女 主 角的 奖项 。更 是一 度成 为 美剧 身价最 高 的 女演 员。 泰瑞 ・海切 尔 出生在 核 物理学 家 和 电脑 工程 师组 成的 高智 商
一
同前 来 的 是 她 九 岁 的 女儿 。从 这 一 刻 开 始 ．
戴维斯 的眼神 凝 国 了，善 懈人 意 的新 郎官 将海 切 尔介绍 绘 “ 大胡
子” ……
于 是 ，至婚礼 结束 ，俩人 再没分 开过 。 “ 维 斯 和 海切 尔真 的 很般 配 。 ”海 切 尔 的一 个 朋 友 说 ， 戴 。 维斯 、海 切 尔一起 在 舞会 上玩 通 宵 ，一起 聊天 、跳舞 ，过 得 戴 很愉快 。 当他们两 个人 回国 的时候 ，都知 道发生 了什 么。 ” ７ ２ 月 ７日，这 对看 上去 并 不太 和 谐的 男女 又 共 同 出现在 大 家 视线 中 ，他们 一起 用餐 ． “ 起来 像 一对 热恋 中 的小 青年 ．” 一 着 位 目击者 说 。 “ 海切 尔和 戴维 斯凝 视 着对 方 ．她把 她 的手放 到他 脸上 ，而且 他们 出去 的时候她 的手挽 着戴 维斯 的胳膊 。”
绝望的主妇 第一季到第八季 下载地址
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h264-CtrlHD.mkv|1373378043|AC980645606AF823CDB6669E390FCFBE|h=FQN4CAYNW73 KHCPTDLREG5XQXL26ZBTU|/ed2k://|file|Desperate Housewives S01E23 One Wonderful Day 720ph264-CtrlHD.mkv|1373063310|A2ABCF49A4767E48987DC1B99F007164|h=AUWT6UMA6A V VY2HJTH4KFEZWBYW44I67|/第二季ed2k://|file|绝望的主妇.Desperate.Housewives.S02E01.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|177045859|851248B6C0A71CFEC927FF033103CEBB|h=KJXFGAIJQMSKRA4ZM6O ZC3XN5V6BJXE6|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E02.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|186883321|7EC121ECD51A8F908A1F39CA41D03079|h=LULTONVDG5WDWQPBW 324JZXA V43COMOE|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E03.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|193280796|ACAA0465D62AB647ABB93939264E223C|h=YEU7W6OTEERGZJ6AS4 XSFOHGEMIUI255|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E04.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|197416116|06CBDA96353DE91CA45D87153B8A22B9|h=D6KS77GFVP2RARPHDR ODINL4VJZXOIRN|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E05.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|185923555|498B25B41EDFAA769DE7E9AC9DF288F1|h=RVWTQ6QMKSZQENBTI FTXGUDWM2B7MLDY|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E06.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|182569391|14DCD1AC13E39AF4E6458B12E38D217B|h=QKLGKFYQMW4T7B2ZV ZQZ6D2VIFMAT3DY|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E07.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|175725101|1BEDBA3D0569F209084DC642C7B4C5A4|h=3YG3ONKHOVPFEGFWP TWLNO37H5U4WZIS|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E08.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|181194760|3038750388F7D34310B8C14F27421A0E|h=PLLWUXNJOZ6XIQ3CS3476 CCNGTS2VIFM|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E09.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|180211796|04C75C9825E09153681745790B430B30|h=ZN5AGHSS7Q2TBRYALLAPL YQZ22XWFW5V|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E10.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|181880625|CB2DDF46D14E6E153A95F4062F97C2DF|h=AH2JZYCZW3ZTVH5DSS2N6TCPHVCLHTLL|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E11.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|180774075|C5A23DB080AF5A8EEA5119432BF17A3F|h=UYVSMJU77CVU2JV5XFS ATT3HAS4C2OHM|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E12.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|181290989|795A0ABA9815CD1CAB040555F24D7634|h=LDCVWFY7XXXNSTJGY BWL4UEDCAJRWZ7U|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E13.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|179882590|A943EB02AF04264E046F91B72E440B05|h=SLVNICNEVVQKECTSY5Y HZQ54UJXBOUHJ|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E14.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|181715288|5AF232E57A5C3F464598615E821AE193|h=O727JCMVKDSDL YZOUAW XISM7D3N2ZXH2|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E15.Chi_Eng.HDTVrip.720X396-YYeTs人人影视.rmvb|181985724|8828692BF44F2E82518D304B64B8A29D|h=35G54BMOHV3VFJNNRBX 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BYLI2YAGAFI2QV|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E02.Chi_Eng.HR-HDTV.AAC.1024X576.x264-YYeTs人人影视.mkv|436454108|47AEF5A6535023AA3BA6CF3D20D9E6DE|h=DNBQURTE5ZOAY4VJ7K PW55ONCFHFAKTJ|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E03.Chi_Eng.HR-HDTV.AAC.1024X576.x264-YYeTs人人影视.mkv|438880768|77EC17FF1ABDFE595FB1277860DA98F2|h=3UOC5DWLDKKUGUTA5N YKJGNZCDPYPYTV|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E04.Chi_Eng.HR-HDTV.AAC.1024X576.x264-YYeTs人人影视.mkv|438734955|75F4057513864EAF7A1FD107F710B1A9|h=H5CBO3MPKSOGU3HMV6X MEZ2PSOC4UQP4|/ed2k://|file|绝望的主妇.Desperate.Housewives.S02E05.Chi_Eng.HR-HDTV.AAC.1024X576.x264-YYeTs人人影视.mkv|437261070|183BD315201218BC460FF29C0CB2DDBE|h=HSRQNUHDIKCJL4XJ5JRR。
谣传“绝望主妇”伊娃也要拍真人秀
谣传“绝望主妇”伊娃也要拍真人秀
《真人秀》节目在美国娱乐圈大有越演越烈之势，通过开拍真人秀，大爆隐私太博取话题度，这已经成为不少迫不及待想上位的“明星”的捷径。
刚闹完婚变的“绝望主妇”伊娃-朗格利亚心情低落，最近，有传闻称，这位美女有意一开设一档“真人秀”节目。
让大众可以一窥她的个人生活。
有媒体称，A&E电视台“已经同意会以艾娃极富戏剧性的生活为蓝本，拍摄一档电视节目。
“不过伊娃-朗格利亚的发言人立刻跳出来澄清，表示”真人秀一事纯属胡说八道”。
Many stars are getting their own reality shows these days, but Eva Longoria definitely isn’t one of them。
According to Gossip Cop, there was an erroneous report that claimed the “Desperate Housewives” babe was in talks with a network to give an inside look at her life。
National Enquirer claimed A&E is “set to green-light a show based on her endlessly dramatic real life。
”
But in the end, a rep for Ms. Longoria set the record straight, telling Gossip Cop “This is total BS。
”。
【yyets新闻组】难说再见这八年,我们一起追的《绝望的主妇》
【yyets新闻组】难说再见这八年，我们一起追的《绝望的主妇》YYeTs新闻组】难说再见！这八年，我们一起追的《绝望的主妇》转发评论今日01:02《绝望的主妇》（Desperate Housewives）全剧大结局将于美国时间5月13日（北京时间5月14日）晚两集连播！今日就为你盘点主妇们这些年来的风风雨雨，让我们共同期待精彩的大结局吧！玛丽·爱丽丝·杨（Mary Alice Young）布兰达·斯壮（Brenda Strong）饰首播集中，玛丽·爱丽丝·杨自杀的消息震动了紫藤郡的主妇们。
苏珊，加比，布里和勒奈特开始不断探究玛丽自杀背后掩藏的真相。
第1季大结局揭开了一个真相：玛丽·爱丽丝和丈夫保罗·杨（Paul Young）从一位海洛因上瘾者处非法抱走了一个孩子，随后全家搬往紫藤郡。
1993年，亲生母亲找上门来想要夺回孩子，双方发生激烈争执，玛丽·爱丽丝刺伤了生母并最终将她杀死。
她和保罗将尸体埋藏在游泳池底。
费丽莎·提尔曼（Felicia Tilman）和玛莎·胡波（Martha Huber）发现了事实的真相并开始勒索玛丽·爱丽丝，这也导致了她最终选择结束自己的生命。
但玛丽·爱丽丝的声音一直以旁白的形式出现在每一集中。
苏珊（Susan）泰瑞·海切尔（Teri Hatcher）饰在与丈夫离婚一年后，单身妈妈苏珊将目光锁定了新邻居——水管工迈克·德尔菲诺（Mike Delfino）。
尽管她要与性感美女伊迪·布利特（Edie Britt）竞争，但苏珊还是与迈克展开了一段分分合合的情缘。
同时苏珊和女伴们开始不断揭开邻居玛丽·爱丽丝·杨（Mary Alice Young）自杀的谜团。
第3季中，苏珊和迈克结婚，并且有了儿子MJ。
但他们的幸福并没有维持多久。
伊娃·朗格利亚 遭粉丝强吻.doc
龙源期刊网
伊娃·朗格利亚遭粉丝强吻
作者：
来源：《现代娱乐》2013年第15期
伊娃·朗格里亚因《绝望主妇》一夜之间红遍全球，在剧中她将她的性感和妩媚展示得淋
漓尽致，并且在著名男性杂志《MAXIM》评选出的最性感的100位美女中连续两年名列榜首。
近日，Eva Longoria现身某摄影棚录制节目时，身穿一身黑衣，手拿黑色手包。
气场相当强大。
成熟风范尽显无疑。
或许现在“人妻”的魅力确实是无法挡，以至于一位粉丝在要求合照的时候忍不住热情献吻！Eva Longoria丝毫没有被惊吓到，相当淡定，竟然还配合回应需求，十分淡定。
明星亲民是一件好事，可是在适当的时候，也要注意保护自己哦！粉丝也不要太疯狂啦！。
伊娃·朗格利亚 欲望精灵
下 藏 着 一 颗 精 明 的心 — — 借 别 人 的 绯 闻 搏 人 气 ．比邓 建 国 还 厉 害嘛 ！但是 伊 蛙 的 反 应 是咧 开 大 嘴 一 笑 ： “ 难道 我待 在 家 里 哪都 不去 ． 们 就 会 放 过我 吗 ？他 们 说 我 他 有辆带山羊绒座 位的豪华ｊ 瓴车 。有 篇 新 上 。还 有 的说 我 得 了厌 食症 ． 后 叉 说 我 得 了 暴 食 症 ”她 然
有伊娃 － 朗格 利 亚 ．以及 她 的 一 切 。而 伊 地 将 魅 力 延伸 至 戏 外 格利 亚 恶 作 剧 般 不 管 不顾 的本 性 ． 朗 也暴 露 无 遗 。
报 上 的 头 条 新 闻 和 人 们 口中 谈 不 完 的 话
题 — — 她 和 丈夫 泰 勒
翻 翻 伊 娃 ・朗 格 利 亚 的 成 名史，就 是这 么 一部 单纯
热阑的青春少女 片
／ ／
ｕ ＼ 、
《 绝望的主妇 》只是一块铺略石 风 ｝万种的伊 娃 ・ 青 朗
格 利 亚怎 么 可 能 甘， 在 电视 荧 幕 上 展 示 自 己的 妩 媚 、 牲 只 感 和娇嗔？作为主妇里 专事演绎 “ 望” 欲火 ” 欲仙 欲 、“ 、“ 欲死 的郡一位 ，伊娃成功地将魅 力延伸至戏外。
不 是过 气 就 是 永远 半 红 不 黑 ）。
在 电 视 荧 幕 上展 示 自己 的妩 媚 、 感 和 娇 性
这 出 名 为 《 鱼 翻 身 》 的 剧 集 人 人 嗔 作 为 主妇 里 专 事 演绎 “ 望 ” 、 “ 咸 欲 欲 都 耳 熟能 详 ． 样 让 大 家 耳 熟 能 详 的 ， 火 ” 、 “ 仙 欲 死 ” 的那 一 位 ， 蛙 成 功 同 还 敞 伊
说 ． “ 个 病 就 安 到我 头 上 ！” 找
简析电视剧《绝望的主妇》的叙事技巧
简析电视剧《绝望的主妇》的叙事技巧《绝望的主妇》英文原名为Desperate Housewives，是美国ABC电视台于2004年推出的电视剧,编剧在准确把握女性心理特征的同时，又在叙事上加上了诸多巧妙构思与技巧而形成。
下面我就该剧的叙事技巧谈些想法。
一、同源故事叙述加多重视角的转换《绝望的主妇》的故事发生在美国一个虚构的郊外住宅区——紫藤街，这里住户们富足幸福，生活平静祥和，但是这平静的一切被一声枪响彻底击碎了——社区居民中最美丽可人的主妇玛丽·爱丽丝·杨，突然在她完美的家中饮弹自尽。
正如剧中人物玛丽所说：“一切都和往常一样，直到一件不寻常事件的发生……” 玛丽的死，只是紫藤街故事的开始，而剧中玛丽这个人物也并没有随着生命的终结而消失在观众面前，在第一集的开始选择了死亡反而令玛丽获得了从新的角度俯视生活的机会——观察她的朋友、她的邻居和她们的家庭是否如同表面上看到的那样和谐完美，是否她们也会如同她一样，生活在潜藏着令人绝望与疯狂的困境之中?玛丽的死亡带给了她在故事中担任多重身份的可能，既属于故事的参与者和见证人，又是故事本身的叙述者。
编剧运用了这种同源故事叙述的方位设定。
影片从始至终都通过玛丽平静如常又略带调侃的叙述作为故事发展的推动器与过渡。
如开篇的引子，让玛丽先作自我介绍，然后娓娓道来其自杀当天的情境，并加上当日玛丽日常生活的画面，如打扫房间，为丈夫和孩子做早餐等表现和谐家庭氛围的场景。
又如在第一集中通过玛丽画外音的叙述加上她的四个朋友分别来参加葬礼的画面引出故事的四个主要人物，并对她们进行简要的介绍。
作为故事的参与者与见证人，玛丽同样根据故事的需要，阶段性地被切换到第二人称的特定视角上。
如在第一集中当主人公之一的苏珊在玛丽的葬礼上，与另外三个主人公坐在咖啡桌前聊天时，相同的场景使她想到玛丽在世时五个人一起聊天的情境。
这时，苏珊思绪中短暂地闪回使玛丽作为事件的参与者被置于事件当中，出现在五个人谈话这个场景中。
满屏肉体的顶级尤物片，却很少有人敢刷第二遍
满屏⾁体的顶级尤物⽚，却很少有⼈敢刷第⼆遍俗话说，有⼈的地⽅就有江湖，⽽有伊娃·格林的地⽅，就有⽆数⼈为她倾倒。
这个被誉为“法兰西第⼀尤物”的⼥⼈，⽆论⾛到哪，都⾃带光芒——在《戏梦巴黎》中⼀脱成名之后，伊娃·格林接演的⾓⾊⼤多美艳，性感，危险。
随时随地，散发着致命魅⼒。
不过这个⼤美⼈从不满⾜做⼀个花瓶，明明可以靠脸打100年的她，却偏偏想要靠才华，⽽今天这部电影，就是伊娃·格林的演技炸裂之作，伊娃在⽚中饰演⼀个极端偏执的变态，尽管⽚⼦美⾊如云，却很少有⼈敢看第⼆遍——《裂缝》乔丹·斯科特⽂末点个“赞”。
⽀持⼩编⼤⼤，每天更新不易！且不说剧情，光是演员阵容就⾜够让⼈⼼动，除了伊娃·格林，本⽚还集结了不少演技派⼥神——就⽐如，⽓质清新可⼈，被称为“⽟⼥掌门⼈”的玛利亚·⽡沃德。
长着⼀张娃娃脸，却总演丧系⾓⾊的⼩花朱诺·坦普尔。
还有出演过不少⼤⽚的英国演员伊莫琴·普茨。
故事发⽣在20世纪30年代英国某⼥⼦寄宿学校，这是⼀所教会学校，位于偏远的伦敦市郊。
这⾥纪律严苛，戒备森严，学⽣们从不允许⾛出学校附近以外的地⽅。
除了偶尔的运动和学习，平时主要都是在教堂唱诗。
⽂末点个“赞”。
⽀持⼩编⼤⼤，每天更新不易！⼥孩们每天在学校⾥，接受⼀些毒鸡汤教育——“这个世界多美好，这个世界多奇妙……”殊不知，她们都是被⽗母因为各种原因，抛弃在这⾥的。
这样压抑的⽣活，对于⼀群处在青春期的⼥孩⼦来说，⽆疑是⼀种折磨。
学校对外界的全⾯封闭，使得男性在她们的⽣活⾥⼏乎集体缺席，连对异性的⾮分之想，也需要向神⽗忏悔。
没见过世⾯的学⽣们，都单纯的很。
她们全部的崇拜和信仰，都倾注在了⼀个叫做Miss G的⼥⽼师⾝上。
Miss G是名游泳⽼师，个性张扬，思想开放。
和其他古板的⽼师们不同，Miss G是这所学校⾥，学⽣们唯⼀的快乐源泉。
她会给她们讲⾃⼰环游世界时，遇到的奇奇怪怪的故事；也会在上课时间，带着学⽣们到河边跳⽔，游泳。
艾娃电影解说文案
这个女杀手杀人前有个怪癖，他会极其真诚的问目标人物知不知道自己做错了什么，目标人物就一头雾水啊，他害怕，边说了出来，然后赶紧报出了一大堆自己曾经做过的坏事，结果听到艾娃枪杀了目标监视他的女人，这才骑上了小模特离开。
但不得不承认艾娃是个出色的杀手，但他实在太话痨了，上次已经有点受不了他了，可爱吧，还丝毫没有意识到这点。
做完这一代，艾娃回到了自己的家乡的妈妈和姐姐依然不待见他。
尽管艾娃杀了不少人，但面对亲情的缺失，他也仍然会感到难过。
艾娃去戒酒会说出了自己的经历，十年前他是个酒鬼加赌徒，有一天他发现父亲背叛了母亲，便想让父亲却对母亲说出真相，可父亲不仅没有这么做，甚至还对母亲谎称他欠了很多钱，哎哇，气得当场离家出走去参军。
退役后他在上司的带领下当上了职业杀手，从此开始了她的逆袭之路。
可惜妈妈和姐姐还以为艾娃和以前一样，艾娃懒得解释，最近上次又给了他一个任务，需要去外地暗杀部队的将军，这个任务很难完成，艾娃只有使用美人计，这招屡试不爽，将军很快就被他迷得简单聊了几句后，他就要带娃上楼去搓麻将，艾娃没有拒绝，毕竟这是他的手段之一，它就很快就和艾娃干起了正事。
趁此机会，艾娃偷偷朝他的指缝里注入药物，这种药会让他在15分钟内死亡，而别人只会以为他是死于与压力有关的心脏病。
将军想要挣扎，但他完全使不出一点力气。
见此情形，艾娃联邦问将军生前有没有做过错事，他需要为自己杀人找心里慰籍，只要目标人物有罪，那他就不会有愧。
可惜，将军还没来得及说出他的故事，意外就发生了，这个女人娇羞地贴在男人的胸口绕，下一秒，男人的手下就来敲门了。
艾娃迅速做出反应，先是利落的江南人割喉，再然后，最后艾娃用麻利地补上了几下。
尽管有士兵听到枪声赶了过来，但艾娃却丝毫不慌，他果断存盘后，偷袭，轻轻松松就锁住了一名士兵的脖子，另一名士兵要反击他，往哪里给他机会呢？他使出了夺命美腿，一脚就将他给撂倒了。
不过是几秒钟的功夫，士兵们就被艾娃给抠掉了。
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伊娃大胆胸袭"绝望主妇"海切尔
Breast of friends: Eva Longoria was saved by Desperate Housewives co-star Teri Hatcher's breast as she tripped today.
瞧我们多亲密啊？伊娃被美剧《绝望主妇》中的好搭档泰瑞·海切尔“救”了一命。
When a famous actress trips up, she needs something firm to hang on to.
当女明星将要绊倒的时候，她确实需要一些东西支撑不是吗？
资料图伊娃“豪放”的将手搭在好友的胸部上
And luckily for Eva Longoria, her co-star Teri Hatcher was there to provide a much needed breaker for the 35-year-old star.
对于35岁的伊娃来说，她在美剧《绝望主妇》中的好搭档泰瑞·海切尔就站在那为她提供“支撑”。
But rather than grab her hand, the diminutive actress ended up clutching a handful of one of Teri’s breasts to stop herself from falling.
然而伊娃在寻找支撑物的时候，并非拉的是泰瑞·海切尔的手，她“豪放”的将手搭在她的胸部上，以防自己滑倒。
Happy housewives: Longoria posted the picture on her Facebook page
幽默的伊娃将这张照片放到了自己的空间上，给众粉丝浏览。
资料图性感伊娃渔网装
Sharing the picture online on her Facebook page, Eva wrote: 'I tripped this morning and the only thing I held onto was Teri's boob!
伊娃在空间上这么写道：“要不是好搭档泰瑞·海切尔的胸部帮了我，我今天早上肯定会摔倒的。
”
vocabulary ：
hang on to v.1.紧紧握住。